Are you looking for the Les Paul Tribute Guitar? If so, you’ve come to the right place.
Choosing the Les Paul Tribute Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone, G&L. We have done a lot of research to find the top 20 Les Paul Tribute Guitar available.
The average cost is $1465.03. Sold comparable range in price from a low of $179.00 to a high of $5799.00.
Based on the research we did, we think Gibson Les Paul Special Tribute DC TV Yellow is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Les Paul Tribute Guitar (20 Sellers)
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$999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar.
- This exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know.
- The wood grain on this one is pretty rad.
$450.00
4.5
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durability
Features:
- Accessories: please confirm the picture.
- Please note!
- Not all of the items you purchase from us are in our shibuya store in tokyo …
$999.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Mahogany body offers harmonic warmth
- 490r and 490t open-coil humbuckers
- Maple neck and rounded neck profile feel extra comfortable in your hand
$1040.00
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- Like new piece that looks and sounds amazing.
- Slim 60's style neck profile, not a mark on the guitar cosmetic or playwear wise.
- Message with questions.
$5799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Guitar was purchased new from an authorized gibson dealer on 5.23.2022.
- It has been fully tested. the.
- Nitrocellulose lacquer; murphy lab ultra light aged.
$1099.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Beautiful l.p. tribute…lefty.
- This piece is in near mint condition.
- Comes with gibson goodie bag,soft case,baby picture & everything else i got with her.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$1444.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- A stage and studio workhorse
- Ultra-modern weight-relieved body allows for longer sets and sessions
- Mahogany slimtaper neck plays like a 60s favorite
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$449.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This has had the epiphone pickups upgraded to a much improved set of tonerider p90's.
- It has the smallest of marks on the right side of the headstock, see pics (i circled it).
- This is essentially a near-mint epiphone les paul special with upgraded pickups for a lower price than a regular one.
$3695.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- 2013 gibson '52 les paul standard bullion gold finish electric guitar w/ohsc
- Mahogany body and neck
- Rosewood fingerboard
$869.99
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Body color: vintage cherry satin
- Body style: les paul
- Body type: solid body
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Gibson les paul 2019 tribute left handed w/gig bag.
- You are viewing pictures of the actual guitar being sold!
- Finish nickel – bridge aluminum nashville tune-o-matic – tailpiece aluminum stopbar – tuning machines vintage deluxe w/ keystone buttons – pick guard cream.
$179.00
4.4
Reviewers Noted:
Sound quality . Attractive . Lightweight . Durable . Craftsmanship
Features:
- Body shape: single cutaway
- Body type: solid body
- Body material: solid wood
$832.71
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Rebirth of a solidbody classic
- Double-cutaway mahogany slab body
- One p-90 pickup in the bridge position
$999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Rebirth of a solidbody classic
- Double-cutaway mahogany slab body
- One p-90 pickup in the bridge position
$899.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Great guitar.
- I'm a fender guy…
- Hard case.
$649.99
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Durable . Heavy
Features:
- Specialty traders is an authorized g&l dealer!
- G&l tribute s500 poplar sonic blue guitar blem #3697.
- 8.00 lbs, 9.60 oz.
$499.99
4.5
Reviewers Noted:
Good sound quality . Attractive . Well made . Weight . Durability
Features:
- Mahogany back with a solid, carved hard maple cap with flame maple veneer
- Two push/pull tone pots to allow for series/parallel pickup switching
- Vintage deep-set glued in neck
$2999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Durable . Craftsmanship
Features:
- Grover rotomatic uzamykateľné ladiace mechaniky prinášajú vynikajúcu stabilitu ladenia.
- Colour: blue.
- Made in: usa.
1. Gibson Les Paul Special Tribute Dc Tv Yellow
Product Details:
Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar. this exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know. -many of these guitars were blown out in early 2020. there are a lot of complaints about bad fret ends and a crappy satin finish on the necks. i'm happy to say this guitar has neither of those issues. leave it to a store like cme to demand higher quality of gibson. the qc in this one is quite high. the wood grain on this one is pretty rad. comes with all original gibson goodies like the baby photo, manual, etc but does not come with original gig bag.
Specifications:
| Finishes | Worn TV Yellow |
| Body Style | LP Special Double Cut |
| Finish | Satin |
| Neck | Maple |
| Neck profile | Slim Taper |
| Fingerboard | Rosewood |
| Inlay | Acrylic Dots |
| Plating | Chrome |
| Bridge | Compensated Wraparound |
| Knobs | Black Top Hats |
| Tuners | Vintage Deluxe w/White button |
| Neck pickup | P-90 |
| Bridge pickup | P-90 |
| Pickguard | Multi-Ply Tortoise Shell |
Reviews:
Was surprised how powerful the humbucker was, even when coil split this bass puts out a lot of power. Volume knob is really responsive as is the tone (it gets beefy, but not too muddy) Heck feels great, really nice profile compared to my old Mustang bass that felt like a baseball bat. Lightweight overall, which is good, and the light weight tuners really help with neck dive. Troy it, you might like it!
I’ll start out by saying I play out quite a bit. I’ve been a Stingray guy for the past 10 or so years. Recently however, I discovered how much I enjoy playing short scale. I got a hold of a short scale bass to mess around with and as kind of a modding platform. I realized that I really loved playing it. So when I decided to buy one I came across this one. I watched some YouTube videos, read some reviews… They seemed mostly favorable. With the price tag, and it being a USA Gibson, I figured if I didn’t like it I could just sell it and make what I got it for pretty easily. Man, was I surprised. I love how it plays. I love how it sounds. The only thing I didn’t love about it was the bridge, but I bought a Hipshot replacement, and now she sings. It’s now my main instrument. A set neck, USA made, tight sounding and playing bass for under a grand? You seriously can’t go wrong.Chris
Gibson Les Paul Junior, double cutaway. This guitar is simply beautiful, so well constructed and very light. The finish is superb on every aspect, but I particularly love the neck and long fretboard. They feel great to play, and the reach for higher notes is so accessible – a full 24 fret range. The tone is primarily rock, iris gritty with wonderful sustain. It is possible, however to get more subtle and mellow tones out of this single pick-up Gibson. The body finish is a gorgeous satin, and the neck is gloss for smooth movement. Everything about this guitar says quality but at a reasonable price. There are better guitars, obviously, but you would expect to pay a lot more for them. If you want a quality rock guitar at a reasonable price then this is one to try. I have a Fender Strat and Telecaster, which I love, but this Gibson is the guitar I tend to use the most. Excellent quality and Great value for money.5110nigel
2. Epiphone Les Paul Tribute Plus Electric Guitar Vintage Sunburst
Product Details:
Epiphone's long friendship with innovator les paul dates back to the late '30s and early '40s when les and fellow guitarists such as charlie christian and george barnes were at the forefront of jazz guitar. epi stathopoulos and les were good friends and epi would let les use the epiphone factory on 14th street in new york city at night after hours to experiment on guitar and pickup designs. this also was the era when les, inspired by the stinging sustain heard in electric steel guitars, began dreaming of making a solidbody guitar. he built his first, the legendary "log," at the epi factory in 1941. over the years, les continued to work closely with epiphone luthiers, reviewing new product ideas and offering suggestions. – now, the epiphone les paul tribute plus honors epiphone's friendship with les by combining his classic design features with legendary epiphone quality and value with the added power of gibson usa '57 classic humbuckers. but this guitar is not just about recreating the "old," it's also about looking ahead, just as les himself continued to do throughout his lifetime. using 4-conductor pickup wiring, epiphone has added two push/pull tone pots to allow for se – resonant mahogany body with classic les paul design – upgraded hard maple cap and aaa flame maple veneer – gibson usa '57 classic humbuckings with series/parallel switching – grover locking tuning machines – hardshell case included
Specifications:
| Finish | Aquamarine |
| Year | 2016 – 2019 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Tribute |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
After selling my 74 Gibson Deluxe, it took me months to decide what guitar to get. I didn't want another Gibson, and had my eyes on this Epiphone Tribute. And just my luck there were no Epiphones left in stores here in Australia, thanks to Gibson's financial problems. So I bought one on ebay untried, unplayed, unseen. It finally arrived and I am over the moon in love with this guitar. The color, the pick ups, the tone, the feel, the tone,the playability, great case. Only downside it doesn'a have a pick guard, I don't really want to scratch the body. Tried ebay but can't find one specifically for 60s tribute, especially pick guard that don't need drilling into bodies. Some are attached to the screws where the pick ups are housed. Great idea. All it needs now is a set up, I'm waiting for my guitar tech to come back from overseas, then all done.mea-gco-ozqs3nsd5c
The guitar is great but the item description says that the inlays are mother of pearl and are actually a yellowish perloid… Was quite disappointing when I received it but of. The frets are a bit rough but I hope is nothing we cannot sort with some steel wool and TLC. I'm very happy with the guitar, though. The pickups sound really great and the guitar comes with a nice low action what makes it a dream to play. The veneer gives it a really great finish and the binding is nicely made. The grover tuners make the guitar tune steady and the coil tap gives extra sound option, what it always good. The strap locks are minimal and effective, what makes them great and the guitar case seems resistant and each time I open it to play the guitar a really nice smell comes out of it. All in all a great guitar.Reviewed by Andertons Music Co.
This is with no doubt Epiphones best modell. I have playd alot of Gibsons over the years and only the old one from 70s and back to tje 50s are as good as this one. I find the sustain superb.all the woodwork is perfekt as well as the finnish. So if you guys realy want a good Les Paul. Buy this model.conblom
3. Gibson Les Paul Special Tribute Humbucker Electric Guitar (Ebony)
Product Details:
Mild players wear as it s a satin nitro finish and prone to easy wear. i circled a super tiny barely visible scratch on the front. there s a factory finish flaw on the tip of the headstock. factory 490 pickups. output jack and plate have been replaced with a puretone jack and gibson metal plate. feet ends are smooth, neck is straight. plays great. bought it summer of 2020, just played it at home as church wasn t having live worship. smoke free home. i do have the gibson gig bag as well.
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Rounded |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 10" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.695 in. (43.05 mm) GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
4. Gibson Les Paul Tribute 2018 – Satin Gold Guitar
Product Details:
This guitar has barely been played. has all factory papers to go with it and heavily padded gibson soft case. the les paul tribute captures the historic character of the legendary les paul guitar. historic gibson tonewoods, carved top, cream pickguard, vintage-style tuners, trapezoid inlays, and boosted paf-inspired pickups give this impressive guitar classic looks and sound with an elegant, vintage touch. no weight relief for those players who like to feel the authenticity of history in their hands.
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
5. Gibson Custom Murphy Lab 1957 Les Paul Goldtop Reissue Ultra Light Aged Electric Guitar Double Gold
Product Details:
Bought new from cme last year and kept in my smoke free home. humidified during the winter and treated with tlc. i m really getting into fender strats and jazzmasters now so i m selling this beauty. has aged nicely as the lacquer continues to crack up. very cool guitar! 8.66 lbs. $4200 obo.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Gold Top |
| Finish Type | Lacquer |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Custombucker Alnico 3 (Unpotted) |
| Neck Pickup | Custombucker Alnico 3 (Unpotted) |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
6. Gibson Les Paul Tribute Left-Handed Electric Guitar (Satin Honeyburst)
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Modifications | Back of headstock stamped "DEMO" |
| Neck Profile | Rounded |
| Neck Material | Maple |
| Depth at 1st (in) | .824 |
| Depth at 12th (in) | .986 |
| Nut Width (in) | 1.69 |
| Nut Material | Graph Tech |
| Scale | 24.75 |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Satin Nitro |
| Tuners | Kluson |
| Bridge | Nashville TOM |
| Neck Pickup | 490R |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Weight (lbs) | 8.1 |
| Finish | Satin Cherry Sunburst |
| Made In | United States |
| Body Type | Solid Body |
| Fretboard Material | Rosewood |
| Number of Strings | 6-String |
| Offset Body | No |
| Right / Left Handed | Left Handed |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
7. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
8. Gibson Les Paul Studio – Smokehouse Burst
Product Details:
I am selling my late 2020 gibson les paul studio finished in smokehouse burst. it is a fantastic guitar and it has been set up perfectly from the factory. it has a few hairline scratches on the body but they re barely noticeable. it has an impression in the back, and some dings on the bottom of the side (photographed). it also has a little bit of hazing in the laquer on the top since its been played. it does come off with products for nitro finishes. it comes with the gibson soft case as well as all the goodies that it comes with from the factory. it also comes with the original box from the factory. the serial number for this guitar is 231600199. it s honestly the best guitar i ve owned so far and it s a great guitar to get if you want to get yourself into an inexpensive gibson.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
Not much to say about a GLP – its an amazing guitar as you'd expect and anyone can carry it and comparably price instruments. However, it's the Sweetwater service that makes the difference. Grant is great and super responsive to my questions and issues. You can tell that the people who work here play and love music. I completely trust Sweetwater with my musical instruments. I just purchased my second guitar with them yesterday and the process was fantastic. At this point, I'm only going to buy here. Even if I found an instrument at a cheaper price through one of their competitors, it wouldn't be worth the care and service you get at Sweetwater. 5-Stars guys! Customer 4-Life!
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
9. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
10. Epiphone Les Paul Special – Tv Yellow
Product Details:
The 1950s classic returns! now featuring p-90 pro pickups with cts electronics. the epiphone les paul special is part of epiphones new inspired by gibson collection and is designed to recreate the sound of the rare single cutaway 1950s era gibson les paul special. featuring a mahogany body with a beautiful reproduction of the iconic tv yellow finish and powered by critically acclaimed p-90 pro soapbar single-coil pickups and cts electronics.
Specifications:
| Finish | Gloss |
| Neck Material | Mahogany single |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 12" |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.693" |
| Inlays | Pearloid Dot |
| Joint | Glued in-set |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Lightning Bar Wrap Around |
| Tuning Machines | Vintage style Deluxe Tuners with Ivory Buttons |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Control Knobs | Black Top Hats |
| Switch Tip | Black |
| Strap Buttons | 2 |
| Pickup Covers | Black |
| Neck Pickup | P-90 PRO Soap Bar |
| Bridge Pickup | P-90 PRO Soap Bar |
| Pickup Selector | 3-way Epiphone toggle |
| Output Jack | 1/4" |
| Strings | .10, .13, .17, .26, .36, .46 |
| Manufacturer Part Number (MPN) | EILPTVNH1 |
Reviews:
Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah
Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul
This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F
11. Gibson 2013 Les Paul Tribute To Les Electric Guitar Bullion Gold
Product Details:
This is it! the real les paul tribute guitar. made to honor the legend 4 years after his passing. modeled after his personal 52 with a signature pick guard (stored in case for protection) and adorned with his laser etched portrait on the headstock. this is the ultimate tribute to the man himself. #22 of 400 this was a very limited run. you ll be hard pressed to find one in this condition. there s the smallest scratch by the left trapeze tailpiece post from being loose from factory and a small check by the binding on the horn. that s literally it. the guitar is as close to mint as you can get. not a scratch or ding on it. this is an investment piece, bound to go up in value but i ll let it go for $2200.00. no offers on this one. i m perfectly happy to hold onto it.
Specifications:
| Finish | Bullion Gold with Maple Headstock Veneer |
| Year | 2013 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Tribute |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
12. Gibson Les Paul Special Tribute P-90 – Vintage Cherry Satin Guitar
Product Details:
Timeless. just one of the many words that spring to mind when it comes to the les paul. and the gibson les paul special tribute p-90 demonstrates exactly why. featuring a plethora of vintage appointments, authentic gibson construction, and eye-catching, elegant style – this special tribute epitomises what makes the les paul so special; natural beauty. across every aspect of its design. loaded with a set of classic p-90 pickups, players can kick out a well-balanced tone of roaring character. along with enough versatility and clarity to excel on any stage. as for the feel, it's everything you'd expect out of a gibson. a sleek rosewood fretboard lets your fingers dance across its surface, making those rock 'n' roll riffs utterly effortless. combined with the rounded mahogany neck profile, it's safe to say that players have total control of their performance every time they play. as with every les paul – it's breathtaking. a stunning chrome wraparound bridge provides exceptional tuning stability, along with a stylish aesthetic that harks back to its roots. because this is a guitar that represents everything vintage. and it shows through its entirety.
Specifications:
| Number of Strings | 6 |
| Left-/Right-handed | Right-handed |
| Body Type | Solidbody |
| Body Shape | Les Paul Special Tribute |
| Body Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Shape | Rounded |
| Neck Joint | Set Neck |
| Radius | 12" |
| Fingerboard Material | Rosewood |
| Fingerboard Inlay | Acrylic Dots |
| Number of Frets | 22, Medium Jumbo |
| Scale Length | 24.75" |
| Nut Width | 1.695" |
| Nut Material | GraphTech |
| Bridge/Tailpiece | Compensated Wraparound |
| Tuners | Vintage Deluxe with White buttons |
| Neck Pickup | P-90 Single-coil |
| Bridge Pickup | P-90 Single-coil |
| Controls | 2 x volume, 2 x tone |
| Switching | 3-way toggle pickup switch |
| Strings | Gibson, .010-.046 |
| Case/Gig Bag | Gig Bag |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
13. Gibson Les Paul Tribute (Left-Handed) Satin Tobacco Burst
Product Details:
A tribute to the master and the model the les paul tribute captures the vibe, feel and tonality of a traditional les paul and is available in four classic finishes. a rounded maple neck profile and ultra-modern weight relief make the gibson les paul studio tribute a pleasure to play. a mahogany body, maple top and pair of 490 r & t humbucking pickups with alnico ii magnets provide classic tone, power and sustain. ultra-modern weight relief the latest advancement in maintaining tone with weight relief ultra-modern weight relief was developed through a slight yet carefully calculated offsetting of the chambers around the perimeters of the guitar's body to further lighten the load, without degradation in tone. its engineered to provide a solid core through the center of the guitar to retain the classic les paul sound. unlike a full chambered design it is less prone to feedback or affecting the tonality and resonance of the guitar.
Specifications:
| Neck Material | Maple |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Bridge | Aluminum Nashville Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Vintage Deluxe w/ Keystone Buttons |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream (Not Mounted) |
| Jack Plate Cover | Cream |
| Bridge Pickup | 490T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
14. Epiphone Les Paul Special I P90 Electric Guitar Worn Tv Yellow
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). mahogany les paul body features epiphone p90r and p90t soap bar pickups producing huge, fat single coil tones, and an adjustable wrap-around bridge/tailpiece for maximum edge and sustain. case sold separately.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper D |
| Neck wood | Mahogany |
| Joint | Bolt-on |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.68" (42.67 mm) |
| Configuration | SS |
| Neck | P-90R |
| Bridge | P-90T |
| Active or passive pickups | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Wraparound |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
I got the yellow one for about $50 less than the red and black ones. I am assuming it is because the color is not popular, but I love it. It is a satin, very similar to my Gibson Melody Maker. As a matter if fact, the guitar itself is a lot like my MM. The size, weight and feel of it and it was a lot less $$. Sure this is a bolt on neck, but I have found that doesn't really make that much of a difference. To ME…. Even though I have been playing guitar for about 40 years, I have never played a P-90 guitar. That is why I picked this up. I like the tone. I am playing around with it quite a bit. It won't replace any of my other guitars, but it is a nice addition.Gene S
After reading the reviews, I went ahead and popped for one of these. Mine needed some setup work. They were 2 high frets that needed to be tapped into place and a neck adjustment. Pretty typical for a brand new guitar. Now for the guitar itself … WOW! This thing sings. NECK: very fast action neck with real Les Paul Deluxe (circa 1970's) style frets make it easy to bend strings. I'll be putting my personal string configuration on it, but the OOTB strings are just fine. SOUND: The combination of the two P90 pickups PLUS the flexibility of the tone control let you get a wide range of sound. I'm playing through a 1973 era MusicMan 112RD 100 and this guitar makes it sound like a Marchall 50. SUSTAIN: I guess this proves that you don't need a 50LB piece of lumber and $1000 to get awesome sustain. Whatever tonewood they are using on these, coupled with the electronics, man this baby sings. TUNERS: Not bad, not great. You need to stretch the strings out, like any new setup. The stock strings did stretch quite a bit and after stretching it stayed in tune nicely, prior to that they went out of tune about every 5 seconds. NUT AND BRIDGE: Nut was properly set and at the right height. It "could come down a smidgen on the 6th and 5th strings, but the adjustment would be so slight as to not be noticeable in real world playing. The bridge also needed to be lowered a bit. That is easily done. Intonation was perfect all the way up and down the neck. As this is critical it's especially important to note that the bridge is a non-adjustable compensating saddle arrangement that has been around since the "time before time" (Planet of the Apes) FINAL COMMENTS: After playing this for about an hour, I realized that these guitar may be discontinued models. I tried to find it on the Epiphone website, no luck. Then I got to thinking that GC could either sell out or the price could go up, so I rushed over to GC and ordered a second one. They are THAT good! I am curious as to what the warranty is, I haven't checked the paperwork that came with the guitar. I doubt I'll have any use for it.E
First of all, it's 2020. Epiphone appears to have improved quality control over previous GC reviews. Just got it out of the box. It needed tuning, but strings are purposely tuned low for shipping reasons. Tuners are perfectly fine. No particular fret buzz. Neck is straight and true. Nut is plastic, but appears fine. Volume and Tone controls & switch work fine. Strap bolts are sturdy. Installed strings are clean, but I'll put a fresh set on in the near future. Frets ends are sharp, and will need to be filed at some point. While the bridge works, it's an "all-or-nothing" bridge. No individual control string adjustment. Just two flat-head screwdriver knobs on the 1st and 6th string. The guitar is feather-weight; a major reason I got it. And the cheap price, as I want something I can carry in public without worrying about getting busted or stolen. No hum or noise when plugged in. I play straight-ahead jazz, so I'm not the best critic on pickups. I actually want a boxy, dead sound. However, I get a good blues tone when I dial in a Blues effect on my stomp box. All by itself without any effects, it sounds great. Got TV yellow rather than red. I had to order yellow, although there were plenty of reds in the store. I suspect you'll prefer red. Yellow shouts at you, but I wanted the "vintage" color. Two mods in the future — a new bridge and filing fret ends. However, the bridge works fine as-is. But you can't control individual string height at the bridge. Bottom line — considering the price, it's a steal !! I've been playing for decades. It does an excellent job as an affordable jazz-box I can carry without worries.Jazzy
15. Gibson Les Paul Junior Tribute Dc Electric Guitar (Worn Ebony)
Product Details:
Simplicity. the key to success. the gibson les paul junior tribute dc is a powerful, no-nonsense rock machine that lets you achieve amazing tones with minimal effort. loved by countless professionals, the junior's single pickup design lets you focus on your playing, rather than fiddling with different switching options. so you can let your creative mind run free. the single p-90 pickup forms the basis of this guitar's classic tone. powerful and biting, with plenty of character, it lets your playing shine through. a mahogany body and rosewood fretboard help bring depth and warmth to your sound, while the maple neck provides extra sparkle to the high end. combine this tonal balance with exceptional playability, and you get a guitar that lets you perform at your best. every time.
Specifications:
| Finish | Blue Stain |
| Year | 2019 – 2020 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Junior |
| Neck Construction | Set-Neck |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Was surprised how powerful the humbucker was, even when coil split this bass puts out a lot of power. Volume knob is really responsive as is the tone (it gets beefy, but not too muddy) Heck feels great, really nice profile compared to my old Mustang bass that felt like a baseball bat. Lightweight overall, which is good, and the light weight tuners really help with neck dive. Troy it, you might like it!
I’ll start out by saying I play out quite a bit. I’ve been a Stingray guy for the past 10 or so years. Recently however, I discovered how much I enjoy playing short scale. I got a hold of a short scale bass to mess around with and as kind of a modding platform. I realized that I really loved playing it. So when I decided to buy one I came across this one. I watched some YouTube videos, read some reviews… They seemed mostly favorable. With the price tag, and it being a USA Gibson, I figured if I didn’t like it I could just sell it and make what I got it for pretty easily. Man, was I surprised. I love how it plays. I love how it sounds. The only thing I didn’t love about it was the bridge, but I bought a Hipshot replacement, and now she sings. It’s now my main instrument. A set neck, USA made, tight sounding and playing bass for under a grand? You seriously can’t go wrong.Chris
Gibson Les Paul Junior, double cutaway. This guitar is simply beautiful, so well constructed and very light. The finish is superb on every aspect, but I particularly love the neck and long fretboard. They feel great to play, and the reach for higher notes is so accessible – a full 24 fret range. The tone is primarily rock, iris gritty with wonderful sustain. It is possible, however to get more subtle and mellow tones out of this single pick-up Gibson. The body finish is a gorgeous satin, and the neck is gloss for smooth movement. Everything about this guitar says quality but at a reasonable price. There are better guitars, obviously, but you would expect to pay a lot more for them. If you want a quality rock guitar at a reasonable price then this is one to try. I have a Fender Strat and Telecaster, which I love, but this Gibson is the guitar I tend to use the most. Excellent quality and Great value for money.5110nigel
16. Gibson Les Paul Junior Tribute Dc 2019 Worn Brown
Product Details:
Mint condition, purchased in fall 2018. still has pickguard plastic on it. never gigged live just played in a smoke-free apartment. this is one of the early versions that has the cryo-treated frets and doesn’t have the neck pickup route, so the neck joint is more solid. it’s loud acoustically, very resonant and intonates well— i was planning to swap the bridge out but it turned out to not need it. cannot beat the simplicity and the price for a solid, usa-made gibson. unlike other low end gibsons you can’t tell where they cut corners here. will come with gig bag and case candy (amp and cable etc not included).
Specifications:
| Finish | Blue Stain |
| Year | 2019 – 2020 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Wrap-Around |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Junior |
| Neck Construction | Set-Neck |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.69" |
| Offset Body | No |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
Was surprised how powerful the humbucker was, even when coil split this bass puts out a lot of power. Volume knob is really responsive as is the tone (it gets beefy, but not too muddy) Heck feels great, really nice profile compared to my old Mustang bass that felt like a baseball bat. Lightweight overall, which is good, and the light weight tuners really help with neck dive. Troy it, you might like it!
I’ll start out by saying I play out quite a bit. I’ve been a Stingray guy for the past 10 or so years. Recently however, I discovered how much I enjoy playing short scale. I got a hold of a short scale bass to mess around with and as kind of a modding platform. I realized that I really loved playing it. So when I decided to buy one I came across this one. I watched some YouTube videos, read some reviews… They seemed mostly favorable. With the price tag, and it being a USA Gibson, I figured if I didn’t like it I could just sell it and make what I got it for pretty easily. Man, was I surprised. I love how it plays. I love how it sounds. The only thing I didn’t love about it was the bridge, but I bought a Hipshot replacement, and now she sings. It’s now my main instrument. A set neck, USA made, tight sounding and playing bass for under a grand? You seriously can’t go wrong.Chris
Gibson Les Paul Junior, double cutaway. This guitar is simply beautiful, so well constructed and very light. The finish is superb on every aspect, but I particularly love the neck and long fretboard. They feel great to play, and the reach for higher notes is so accessible – a full 24 fret range. The tone is primarily rock, iris gritty with wonderful sustain. It is possible, however to get more subtle and mellow tones out of this single pick-up Gibson. The body finish is a gorgeous satin, and the neck is gloss for smooth movement. Everything about this guitar says quality but at a reasonable price. There are better guitars, obviously, but you would expect to pay a lot more for them. If you want a quality rock guitar at a reasonable price then this is one to try. I have a Fender Strat and Telecaster, which I love, but this Gibson is the guitar I tend to use the most. Excellent quality and Great value for money.5110nigel
17. Gibson 2019 Les Paul Studio Tribute Satin Iced Tea
Product Details:
Nice les paul studio tribute, all stock. has 498t/490r pickups, slimtaper (60's) neck profile, rosewood fingerboard. mahogany body with maple top, modern weight relief (8.6lbs.) no breaks, cracks or repairs. small ding in top next to neck pickup ring (see picture.) has schaller strap locks installed but will include the original gibson parts. guitar was plek'd and setup by sweetwater at the time of purchase. comes in original gibson gig bag with case candy (has a scratch on bag see photo.) overall, a good entry-level, american made les paul.
Specifications:
| Finish | Satin Cherry Sunburst |
| Year | 2019 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Studio |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
I'm not a rich guy but I don't want garbage guitar's. This review is more about American Musical supply than this single guitar. In the past 5 year's I have purchased 15 guitar's from American and every one of them have been really great guitar's. I could never afford to buy these guitar's outright being a disabled Veteran I don't make enough money, so American is for ME a life saver. I no longer think about how bad my life is when I pick up one of these beautiful guitar's and play my worries away.Randy
I have played guitar and bass for 20 years, and I have always had average guitars. I just received this Les Paul in wine red. This is my first high end instrument, and it is flawless. The fretwork, finish, and intonation are immaculate. The gold hardware adds luxury to an already classy instrument. I make it a point to play every guitar I own unplugged to hear it's inherit acoustic properties. The tone is rich and snappy. Plugged into my Blackstar HT 60 2×12, this LP gives me epic tone and sustain. I feel the need to learn every riff off of Elegant Gypsy by Al Di Meola to so this guitar justice. I now know why he, and so many of the greats used Les Paul's. Thanks AMS for helping me afford such a beautiful sounding work of art.El Doctor Boca-Dientes
Love the gold hardware on black. Looks sharp.This guitar is very versatile. Lots of sustain and resonance. The pickups have a very clear and transparent tone. Playability is excellent. Had to adjust the action and truss rod. I also dressed the fretboard to make it darker. To me the darker rosewood fretboard looks more attractive. My only complaint is a little bit of dark paint overspray on the fretboard. Hence I darkened the fretboard. Quality is not as good as my American made PRS but the Gibsons have more vibe and mojo to me.A.Santos
18. G&l Tribute S-500 – Sonic Blue
Product Details:
The g&l s500 debuted in 1982 as leos own evolution of the traditional double-cutaway bolt-on axe, delivering innovations including the dual-fulcrum vibrato and magnetic field design single-coil pickups, each designed by leo fender himself. these mfd pickups deliver a bright and sparkly top end and robust bottom end, all without losing midrange focus. youll find plenty of punch in the mfd pickups, but whats surprising is how glassy and detailed they become as you roll back the volume and bass controls, the latter a part of the s500s ptb (passive treble and bass) system which functions on all three pickups. whats more, the g&l tribute series s500 includes a push-pull expander switch on the treble pot to allow neck+bridge or all three pickups together. in a pinch, the neck+bridge combo does a convincing faux asat special. talk about versatile! the new g&l tribute series s500 features one of leos favorite pairings: the power of mfd pickups mellowed by the high porosity of a nato body. making the most of this delicious combo is leos dual-fulcrum vibrato, a work of engineering art which allows bending up or down with unsurpassed stability, while offering a silky feel through its beefy aluminum vibrato arm. leos forward-looking spirit is clearly reflected in the s500, a guitar he designed for players who share that spirit. and now, its available at a price within reach of every working musician. once you play a g&l tribute series, youll never look back.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Poplar, nato or sassafras |
| Neck shape | Medium C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.62" |
| Configuration | SSS |
| Neck | Proprietary Single Coil |
| Middle | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Dual-fulcrum vibrato |
| Tuning machines | High-ratio Sealed |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | Indonesia |
Reviews:
I can echo what was said here. I would consider this an under the radar guitar that represents a tremendous value. I guess it isnt popular because it doesnt say 'Fender' or 'Stratocaster' on the headstock..The irony is that it was designed by Leo Fender himself and represents upgrades and improvements over the Strat he designed, Anyway, this thing is a tone machine. More tones than a Strat…and better tones w. more resonance and sustain than the Strats i;ve played. (Squire Standard, Squire ProTone, Strat Clapton. Can control tone on bridge pickup and you just dont get those harsh icepicky tones unless you really want to dial them in. A couple small negatives. The frets on the one I got were not finished/polished. You could actually hear them rub when you bend..and the guitar comes with 10's not 9's. Makes it really hard to bend and i would think would wear out the strings quickly. So unless I got an outlier, be prepared to do < or have done> some fret work. Also the push pull is hard to engage. You gotta put a fingernail underneath the knob and pull up hard to engage…it does seem to become a little looser and easier to engage with some use. Other than that, levels above the Strats I have played in most all ways. Musicians Friend doesnt do setups I dont think…they just ship them out without taking them out of the box they arrived in. (double boxed) Oh, i bought the sonic blue one. To me, it looks like a very pale green..or maybe i have some color blindness. It's a cool retro colour though i thinkNoBadMojo
If you're looking for the Jazzmaster vibe with some modern touches, then this is worth looking at. This has the usual G&L quality fit and finish you would expect from their USA line. Nice neck profile, rolled fretboard edges make it feel worn in already, but comes with modern 55×110 frets which I like. Great sounding pickups too, have that JM chime and jangle with a little more full frequency response from the MFD pickups. They can be really bright if needed, but roll in the tone knob and you get some sweet smooth neck tones. I think the icing on the cake with this thing is the DF trem. It is a very smooth and stable trem that I much prefer to the fender 6 screw on the player series JM or even the traditional JM trem units. If you have never played the G&L DF trem you should really check one out. Overall just a great guitar that gets you into Jazzmaster territory.RickC
Hate to write a negative review and glad others received better instruments than i did. I purchased via SDOTD and the guitar received today 5/13/2021 was bad and returned. Had really great expectations based on reviews. This is aimed at G&L's qc dept. The guitar arrived with 1 inch scratch in the back on the lower horn, dimples in the finish, scratches on the belly cut, areas that were dull from not buffing to a high polish, dents on back of the neck that could be felt and frets that felt like playing strings over sandpaper. Returned back same day. No damage to shipping boxes and purchased new just extremely poor qc. I wasnt expecting this to play like a +1k guitar but this feels like a Rogue guitar. Needs alot of work and setup. No comparison to Squier's in the same price range.B
19. Epiphone Les Paul Tribute Plus Electric Guitar Faded Cherry Burst
Product Details:
Epiphone's long friendship with innovator les paul dates back to the late '30s and early '40s when les and fellow guitarists such as charlie christian and george barnes were at the forefront of jazz guitar. epi stathopoulos and les were good friends and epi would let les use the epiphone factory on 14th street in new york city at night after hours to experiment on guitar and pickup designs. this also was the era when les, inspired by the stinging sustain heard in electric steel guitars, began dreaming of making a solidbody guitar. he built his first, the legendary "log," at the epi factory in 1941. over the years, les continued to work closely with epiphone luthiers, reviewing new product ideas and offering suggestions. – now, the epiphone les paul tribute plus honors epiphone's friendship with les by combining his classic design features with legendary epiphone quality and value with the added power of gibson usa '57 classic humbuckers. but this guitar is not just about recreating the "old," it's also about looking ahead, just as les himself continued to do throughout his lifetime. using 4-conductor pickup wiring, epiphone has added two push/pull tone pots to allow for se – resonant mahogany body with classic les paul design – upgraded hard maple cap and aaa flame maple veneer – gibson usa '57 classic humbuckings with series/parallel switching – grover locking tuning machines – hardshell case included
Specifications:
| Finish | Aquamarine |
| Year | 2016 – 2019 |
| Made In | China |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Epiphone Les Paul Tribute |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Flamed |
Reviews:
After selling my 74 Gibson Deluxe, it took me months to decide what guitar to get. I didn't want another Gibson, and had my eyes on this Epiphone Tribute. And just my luck there were no Epiphones left in stores here in Australia, thanks to Gibson's financial problems. So I bought one on ebay untried, unplayed, unseen. It finally arrived and I am over the moon in love with this guitar. The color, the pick ups, the tone, the feel, the tone,the playability, great case. Only downside it doesn'a have a pick guard, I don't really want to scratch the body. Tried ebay but can't find one specifically for 60s tribute, especially pick guard that don't need drilling into bodies. Some are attached to the screws where the pick ups are housed. Great idea. All it needs now is a set up, I'm waiting for my guitar tech to come back from overseas, then all done.mea-gco-ozqs3nsd5c
The guitar is great but the item description says that the inlays are mother of pearl and are actually a yellowish perloid… Was quite disappointing when I received it but of. The frets are a bit rough but I hope is nothing we cannot sort with some steel wool and TLC. I'm very happy with the guitar, though. The pickups sound really great and the guitar comes with a nice low action what makes it a dream to play. The veneer gives it a really great finish and the binding is nicely made. The grover tuners make the guitar tune steady and the coil tap gives extra sound option, what it always good. The strap locks are minimal and effective, what makes them great and the guitar case seems resistant and each time I open it to play the guitar a really nice smell comes out of it. All in all a great guitar.Reviewed by Andertons Music Co.
This is with no doubt Epiphones best modell. I have playd alot of Gibsons over the years and only the old one from 70s and back to tje 50s are as good as this one. I find the sustain superb.all the woodwork is perfekt as well as the finnish. So if you guys realy want a good Les Paul. Buy this model.conblom
20. Gibson Les Paul Modern – Faded Pelham Blue Top
Product Details:
Read, please. this guitar's neck was broken in it's case and has been repaired. the results are masterful. if you weren't looking hard for a repair you wouldn't see it.the "foot" of the case is still sunk a little from the impact which caused the neck break. it could be fixed with a little wood glue. otherwise, the guitar and case are brand-new, mint. not a single scratch aside from the repair. plastic still on the pickguard. all case candy, strap, tool, etc. included. happy to answer any questions.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper Asymmetric |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | BurstBucker Pro |
| Bridge | BurstBucker Pro + |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push-pull coil tap/Push-pull phase & bypass |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Grover locking |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I gig over 100 times a year. I play Les Paul's. My current number one has burstbucker pro pickups. This modern has them as well with the asymmetrical neck. it sounds and plays amazing, and will likely replace my standard has my number one. I checked it out for quality issues. This is a very well-made guitar. Only one small thing it arrived with a broken tone knob cap. I called Gibson and I got one in the mail two days later very quick.Bill
I've been a long time Gibson fan and have owned several over the years. I've held on to the good ones and have gotten rid of the rest. Gibson has been known to have their quality control issues for quite a while now and being that I'm an online buyer I was reluctant to pull the trigger on this one. But…I heard that Gibson was under new management and I'm also a sucker for an ebony fretboard, MOP inlays and locking tuners…so I pulled the trigger! Let me say that this one is an absolute keeper! The fit and finish is perfect except for a dull spot on the finish under the pickguard nut/pad (this is from putting the guard on when the finish hasn't cured all the way), the binding is flush with the side of the of the body around the entire guitar (a common problem from routing the binding channel too deep), and the frets edges are finished smooth even in the higher register. I love everything about this guitar, the sparkle finish of the Graphite color top (it's shows but is not over done), the pickups sound great and have the switching capabilities for any style of music, the bypass switch is super cool as it takes you from whatever pickup/coil tap combination you're in at the time right back to a straight bridge pickup, and the neck feels good and natural at any place along the fretboard. If I had to say something negative about the guitar, I would say that they didn't do a great job on their intention of the "new modern contoured heel" because it still has a blocky corner at the neck joint, but as a Gibson owner I am accustomed to blocky heels so I really doesn't bother me. First time buying a guitar from Sam Ash and it was set up perfectly and was immediately playable. The tech that set this up knew what he was doing! You have a repeat customer here!!Dave C.
The action and finish were flawless out of the box. The compound radius neck was very comfortable for single note playing. Unfortunately, the guitar body did not resonate well when playing chords. It might have been a one-off fluke. Although the LP was very playable, I preferred the width and scale of an Ibanez RG550 neck.Anonymous
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