Are you looking for the Johnson Electric Guitar By Axl? If so, you’ve come to the right place.
Choosing the Johnson Electric Guitar By Axl can be difficult as there are so many considerations, such as Fender, Jackson, ESP, Schecter Guitar Research, CĆ³rdoba, Johnson, Sterling. We have done a lot of research to find the top 20 Johnson Electric Guitar By Axl available.
The average cost is $826.58. Sold comparable range in price from a low of $109.99 to a high of $2699.99.
Based on the research we did, we think Johnson JG-TR3 Trailblazer Travel Guitar is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Johnson Electric Guitar By Axl (20 Sellers)
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$199.99
4.0
Reviewers Noted:
Sound quality . Visual appeal . Craftsmanship
Features:
- Slim profile
- 24-3/4" scale length
- Bag included
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Lightweight
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Get that classic jackson tone, looks and playability without breaking the bank
- Powered by jackson high-output humbucking pickups
- Floyd rose licensed jackson double-locking tremolo provides excellent stability
Reviewers Noted:
Attractive . Good sound quality . Durable . Lightweight . Well made
Features:
- Nicely figured sassafras body which makes a huge impact on tone, for the better.
- Classic nitro lacquer thin finish, allows for beautiful high gloss, while enhancing instrument resonance.
- Original tweed case with all candy included.
$649.99
4.7
Reviewers Noted:
Attractive . Durability . Good sound quality . Well made . Weight
Features:
- Poplar body with gloss finish
- Sss configuration with seymour duncan pickups and 5-way switch
- Black hardware includes floyd rose tremolo and die-cast tuners
$1099.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- A signature thinline with a pair of p-90s
- The story behind this tele
- Built for tone
$899.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durability
Features:
- Rhoads basswood/poplar body w/ gloss finish
- Seymour duncan blackouts bridge & neck pickups
- Floyd rose special double-locking tremolo (recessed) bridge
$279.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- All mahogany, rhoads-style body with oiled finish
- Dual jackson high-out humbucking pickups
- Gold hardware includes tune-o-matic bridge and die-cast tuners
$999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- This item is sold in working order.
- Cosmetics: very good condition ā just some shine to the matte finish where the picking hand rests.
- Frets: 90%, plenty of life left in them.
$2299.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Lightweight . Well made
Features:
- Black finish
- Lightweight alder body
- Soft āvā shape neck profile
Reviewers Noted:
Durability . Sound quality . Attractive . Heavy . Well made
Features:
- Has light wear and scratches from being played.
- More information and pictures available on request.
- Sold as-is.
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability
Features:
- Bolt-on neck construction.
- 25.5" scale.
- Rosewood fingerboard.
Reviewers Noted:
Attractive . Durable . Sound quality . Craftsmanship
Features:
- Fantastic jazzmaster from the affinity series
- Successful guitar with a classic look
- C-shaped neck for ultimate playability
Reviewers Noted:
Visual appeal . Weight
Features:
- High-output humbucking pickups with ceramic magnets
- Features poplar body and a bolt-on maple speed neck with graphite reinforcement
- Amaranth fingerboard creates the ideal playing surface for fat riffs
$879.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- This is a 2018 fender player series jaguar in tidepool finish!
- Have this guitar set up exactly the way you like for free!
- This particular guitar weighs 8lbs 11oz.
$919.95
4.5
Reviewers Noted:
Attractive . Durability . Sound quality
Features:
- Construction: set-thru
- Body: mahogany; top: flamed maple; neck: 3pc mahogany; fingerboard: macassar ebony
- Bridge: tonepros locking tom & tailpiece
$763.95
4.5
Reviewers Noted:
Attractive . Sound quality
Features:
- Great deal on a used schecter nick johnston hss in very good shape. please check pics for full cosmetic details.
- Serialized iw2102183c.
- 7 pounds 12 ounces.
Reviewers Noted:
Well made . Durability . Visual appeal . Weight
Features:
- Basswood body, maple neck
- Maple fretboard with dot inlays
- 24" scale length, fixed bridge
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Solidbody electric guitar with mahogany body
- Floyd rose tremolo – shattered mirr
- 2 humbucking pickups
1. Johnson Jg-Tr3 Trailblazer Travel Guitar
Product Details:
The trailblazer is truly the traveling guitarist's dream with its small-scale design and full-scale sound! it features a revebond fretboard and bridge, neck and body binding and full size nickel/silver frets. built with great materials and priced for everyone, the trailblazer is the guitar you won't be afraid to take with you. whether you're camping, hiking, or just taking a quick road trip, the johnson trailblazer is the perfect companion. it's a sure-fire hit for players on the go!
Specifications:
| Dexterity | Right-Handed |
| String Configuration | 6-String |
| Style | Slim Profile |
| Neck | Mahogany |
| Rosette | Circle |
| Fretboard | Revebond |
| Fretboard Inlay | Dot |
| Frets | Nickel, 21 |
| Tuners | Small Button, Die-Cast |
| Bridge | Revebond |
| Truss Rod | Yes |
| Strings | Martin |
| Nut, Width | Plastic, 1-11/16" |
| Scale Length | 24-3/4" |
| Upper Bout | 5.5" |
| Lower Bout | 7.75" |
| Body Length | 13-3/8" |
| Total Length | 33.75" |
| Gig Bag | Custom Carrying Bag Included |
| Finish | Natural Gloss |
Reviews:
Great little acoustic guitar. I bought it to learn and practice on. Having a lot of success. Sounds great and stays in tune. I really love the neck, and the size and shape of it. The frets are little sharp on the ends though. The gig bag is a tight fit, especially with a strap. I love this little guitar!unger-2012
This is a great tiny guitar for travelling. I changed the strings to D'Addario Custom Light EJ26 right when I got it. I also glued bonded leather to one side of guitar to stop it from constantly sliding down my thigh when played (the guitar is neck heavy). Pros: good quality very beautiful stays in tune the neck is full scale bag included great size for children would be great for a person who likes to play while standing . Cons: the sound is a little bit shallow (because the body size is small). Bass is very tiny. feels awkward in hands due to small size and being neck heavy no electronicsluckyhamsterhandmade
2. Squier Classic Vibe '50s Telecaster – White Blonde
Product Details:
Construction as youād expect from a classically styled guitar, the squier tele opts for a pine body with comfortable maple neck and tall narrow frets. this is super easy to pick up and play, no matter your ability or preferences. thereās nothing better than a guitar that feels familiar as soon as itās in your hands. sound this is where the squier comes into its own. this tele is equipped with fender designed single coil pickups, pushing a low output smooth tone. it has plenty of grit when you crank the gain and a naturally nasal, twangy tone. hardware whatās a ā50s tele without an ashtray bridge? the three-saddle construction is a true vintage appointment. not only does it add plenty of aesthetic accuracy, but will help keep the guitar in tune and the intonation steady.
Specifications:
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
| Body Finish | Gloss Polyurethane |
| Body Shape | Telecaster |
| Neck Material | Maple |
| Neck Finish | Tinted Gloss Urethane |
| Neck Shape | "C" Shape |
| Scale Length | 25.5" (64.77cm) |
| Fingerboard | Maple |
| Fingerboard Radius | 9.5" (24.13cm) |
| Number of Frets | 21 |
| String Nut | Bone |
| Nut Width | 1.65" (4.19cm) |
| Position Inlays | Black Dot |
| Truss Rods | Head Adjust |
| Bridge Pickup | Fender Designed Alnico Single-Coil |
| Neck Pickup | Fender Designed Alnico Single-Coil |
| Controls | Master Volume, Master Tone |
| Pickup Configuration | SS |
| Bridge | 3-Saddle Strings-Thru-Body Tele Bridge |
| Hardware Finish | Nickel |
| Tuning Machines | Vintage-Style |
| Pickguard | 1-Ply Black |
| Control Knobs | Knurled Flat-Top |
| Dimensions | 4 x 15 x 44.5" (10.16 x 38.10 x 113.03cm) |
Reviews:
I already knew I was goint to love this guitar. I also own a Squier Modified Tele Custom, which is basically a Deluxe without the contoured body, and with a maple fretboard, vs the rosewood fretboard on this model. I say all that because THAT is what piqued my interest in THIS guitar. The different fretboard and the contoured body. They both share many characteristics. They both have the "Les Paul" electronics on board. Meaning, separate volume and brightness controls for each pickup, thereby allowing you to "blend" the sounds of the pickups. They both use very potent sounding humbuckers, and they both play, feel and sound fantastic. Like I said, I already knew I was going to love this guitar, and I was right. Lol Great guitars, both of them.brucekbfunguy
I've owned a squier affinity and a classic vibe. I absolutely hated the affinity…it never stayed in tune, intonation terrible, pickups thin sounding, and it felt cheap. I absolutely love the classic vibe telecaster… worth every penny above the affinity. It sounds epic, pickups phenomenal. I played it against my core PRS custom 24, Gibson Les Paul, 335, American standard strat, and Chris Robertson, etc. and it's shocking how good the classic vibe sounds in comparison. The pickups are even clearer than my strat pickups which are single coil too… and much clearer than all of my other guitars. They are plenty punchy too for lead playing. The build quality is rock solid… and pickups are perfectly balanced. I don't think you can get a better sounding telecaster no matter what the price… but maybe you get less sharp frets and nitro finish. The poly finish on this guitars doesn't effect resonance on this guitar at all though ..it resonates for days… just as much as any of my nitro guitars. I don't care what the name on the headstock is… If a guitar sounds this phenomenal I'm proud to display the company name on the headstock…who cares that it doesn't say fender… squire deserves high remarks for this one. No reason to spend a penny more for anything else. As long as you don't get a dud… but that can happen with fender, Gibson, and other guitars too…Thaddeus
I got this instrument for christmas last year in butterscotch blonde, and boy does it pack a punch! The thing i love most about it is the vintage style tint of the neck; blends really well with the butterscotch color. Even the pickups; they have a lot of that tele twang i was looking for, though I may change the neck pickup to a stratocaster neck pickup bc i am mainly a strat guy. The nut was cut pretty well, no frets are hanging out, and the craftsmen really treated mine like a fender. Don't let people fool fool you just because it says squier on the headstock; this thing is very indistinguishable amongst mexican or even american made fenders(proven fact: just listen closely on youtube). It is a bit on the heavy side for some, but it is not too much for me to carry around. Some may see the classic vibe as a great series to start with and modify in the long run. Overall, I love this thing. May modify it a bit in the future but will never sell it.Adrian
3. Squier Classic Vibe '60s Jazzmaster – Olympic White
Product Details:
Body and neck a four-screw bolt-on neck connects the poplar body and maple neck ā a relatively lightweight yet sturdy combination. youāll feel right at home on the c-shaped neck profile with an easy playing 9.5ā radius. extremely comfortable for the fretting hand and great for chords. the indian laurel fingerboard evokes true classic vibes and feels smooth underneath the tall and narrow frets. these are a real throwback to mid-twentieth century guitars, unlike most modern variants equipped with jumbo frets. sound jazzmasters usually favour soapbar pickups, and the classic vibe is no different. the fender-designed sing coils produce an old-school growl great for rock, indie or blues. the neck pickup is fat yet has plenty of bite and sounds excellent for clean rhythm. while the bridge pickup provides a more aggressive tone. hardware the jazzmaster utilises a classic floating bridge system for strong bends or smooth tremolo effects. you can get truly creative with your playing. it also features a 1960s inspired large headstock, nickel-plated hardware and a tinted gloss neck finish to get you in the swinging sixties mood.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Standard |
| Neck finish | Tinted |
| Radius | 9.5 in. |
| Fret size | Narrow tall |
| Number of frets | 21 |
| Inlays | Dot |
| Nut width | 1.65 in. (42 mm) Bone |
| Configuration | SS |
| Neck | Fender Designed Alnico Single-Coil |
| Bridge | Fender Designed Alnico Single-Coil |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Specially-Voiced Rhythm and Lead Circuit Controls |
| Control layout | Master volume, tone, |
| Lead Circuit Controls (Slide Switch Down) | Volume (Neck), Volume (Bridge), Master Tone |
| Rhythm Circuit Controls (Slide Switch Up) | Two Thumbwheel Controls for Neck Pickup |
| Bridge type | Tremolo/Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | Indonesia |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. Iāve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one Iād like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didnāt disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
4. Jackson Js Series Rhoads Js32t Electric Guitar, Amaranth, Satin Black
Product Details:
Swift, deadly and affordable, jackson js series guitars take an epic leap forward, making it easier than ever to get classic jackson tone, looks and playability without breaking the bank. the js series rhoads js32t has a poplar body and a bolt-on maple speed neck with graphite reinforcement and scarf joint for rock-solid stability. hosting 24 jumbo frets and pearloid sharkfin inlays, the 12ā-16ā compound radius fully bound amaranth fingerboard creates the ideal playing surface for fat riffs and easy chording near the black plastic nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out. a pair of jackson high-output humbucking pickups with ceramic magnets cranks out clear tone with plenty of girth. the neck position delivers bright highs while the bridge adds plenty of crunchy distortion that can be shaped with a three-way toggle switch and single volume and tone controls. enjoy accurate string action and spacing and improved sustain, courtesy the jackson compound radius compensated tom-style bridge, which perfectly matches the fingerboardās radius. this angular battle-tested axe is available in satin black or white with black bevels, and is finished off with a black pickguard and black hardware. see manufacturer's website for specs.
Specifications:
| Body type | Solid body |
| Body wood | Nato |
| Body finish | OIl |
| Orientation | Right handed |
| Neck shape | Speed neck |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Graphite reinforced |
| Neck finish | Satin |
| Radius | Compound 12ā16" |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Configuration | HH |
| Neck | High output humbucker Ceramic |
| Bridge | High output humbucker Ceramic |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | String Thru Body |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
I bought this guitar because I wanted a new toy and because of the price – I figured I didn't have much to lose. I have three other guitars, two of them Jackson, that I play frequently, and I always wanted a guitar of this style. The natural finish is attractive and unusual. I like that. The pickups are ok, but the electronics leave a lot to be desired. The fingerboard craftsmanship is lacking attention, at least on the one I received. There are unfinished areas and one of the inlays is missing a small section. I don't know what strings they send over to China to put on this thing, but they are complete garbage. Putting some new strings on improved things a lot. This also suffers from some fret buzz. The guitar comes setup pretty well. The intonation seems to be spot on and the truss rod is adjusted properly. Action is set surprisingly well, considering the price of the guitar. However, as I mentioned above, this results in some fret buzz. I'll work with that a bit later. The neck has the same feel and playability as my higher-end Jacksons, so that's a plus. Overall, I don't think you could go wrong with this in the low price range. I'd recommend inspecting the guitar closely upon receipt to double check quality control. I wouldn't recommend this as a first guitar, unless an experienced guitarist is available to inspect. It's also not a guitar that's easy to sit and play, which is something to consider. If you get a good one and it's setup properly, this is an excellent guitar for ripping out some metal riffs or just having fun. Just don't take it too seriously.Matt
I received my guitar about three days ago, and overall I am very happy with my purchase. The guitar looks awesome – I love the wood finish with gold hardware, and have received many compliments on the instrument's overall appearance. It is incredibly light, weighing in at just about 7 pounds, making it the lightest guitar I have ever owned. I love the feel of Jackson necks, and this guitar is no exception. It has a fast action that makes speedy riffs a breeze to play. Access to the higher portion of the fret board is incredible, thanks to the V body shape. This is my first Flying V guitar, and I will definitely need to get used to handling the unique body shape as I play. Now for a couple cons that made me drop my rating from 5 to 4 stars: this guitar is top heavy. I have never owned a top-heavy guitar before, and it is super inconvenient to play standing up. You have to put in a constant effort to keep the guitar level as you play. I personally like to play with my guitar at a 45-degree upwards angle, which is much more difficult to do on this guitar then on any of my other well-balanced instruments. While the natural wood body looks awesome, it feels as if it would be easy to damage. But as long as you're careful you shouldn't run into any issues. I ordered this guitar online, and was not happy with the experience Guitar Center delivered. It said that the instrument was in stock and ready to ship, but after three days I still hadn't received a shipping confirmation in my email. I reached out to customer support and found out that the guitar was actually not in stock and I would have to wait three additional weeks before my guitar would ship. That was a bummer. All in all I would recommend this guitar, and am happy I added it to my collection!Darin
My fiance purchased this guitar for me as a early Christmas gift around october 2019. After the usual string change adjustments and tuning it sounded great and played great. Only real issue is neck dive but with this body shape you expect it and can be corrected by moving the strap button placement to the back plate or near by depending on your choice i left it and rest the top horn inside my leg like you see dimebag with his ml and many others with the v shape and non traditional shapes like the warriors king Vs and so on. I personally love the Rhoads shape and the natural finish. Other than some minor changes and upgrades knobs Tusq Nut Locking tuners and a Seymour Duncan bridge pickup upgrade and a good setup this guitar is my daily player out of the 6 i own its become my favorite im looking to buy another honestlychuck thomas
5. Fender Stories Collection Eric Johnson 1954 Virginia Stratocaster 2-Color Sunburst
Product Details:
Plays and sounds amazing. weight is approx 7lbs 6oz. this appears to be a pretty light one as i've read that because of the sassafras bodies, the weights of this model are usually in the 8+lb range. it sounds and feels as good as it looks. i've had other eric johnson models and there is certainly something special and unique about these. not sure if the lead pickup cover is the original – but i have confirmed that all the electronics are correct for this model. also, the second position is wired out of phase for eric johnson's koto tone as it comes from the factory. there is a very small mark (pictured) that i had to angle into the light to see. also a few light finish scratches that i couldn't photograph as they wouldn't show. i've seen many new guitars hanging in music stores that don't look as nice.
Specifications:
| Body Finish | Gloss Nitrocellulose Lacquer |
| Control Knobs | Aged White Plastic |
| Fingerboard | Maple |
| Hardware Finish | Nickel/Chrome |
| Neck Finish | Gloss Nitrocellulose Lacquer |
| Pickguard | 1-Ply Eggshell |
| Position Inlays | Black Dot |
| Body Shape | Stratocaster |
| Neck Material | 1-Piece Quartersawn Maple |
| Neck Shape | Soft "V" |
| Scale Length | 25.5" (648 mm) |
| Fingerboard Radius | 12" (305 mm) |
| Number of Frets | 21 |
| Fret Size | Medium Jumbo |
| String Nut | Plastic |
| Nut Width | 1.625" (41.3 mm) |
| Truss Rod | Vintage-Style Butt Adjust |
| Bridge Pickup | DiMarzio HS-2 (Only Top-Coil Active) |
| Middle Pickup | Original '57/'62 Single-Coil Strat |
| Neck Pickup | Original '57/'62 Single-Coil Strat |
| Pickup Configuration | SSS |
| Bridge | 6-Saddle American Vintage Synchronized Tremolo |
| Tuning Machines | Vintage-Style |
| Case/Gig Bag | Deluxe Tweed Hardshell |
Reviews:
I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki
Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins
Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ
6. Jackson Sl4x Dx X Series Soloist Electric Guitar, Gloss Black
Product Details:
The jackson name has always been synonymous with state-of-the-art guitar technology and playing, leading the way in crafting instruments that exceed the demands of modern players. boasting jacksons trademark high-speed playability and performance with a mid-range price tag, the x series soloist sl4x dx guitar offers a triple threat with its sss pickup configuration route. a trio of duncan designed hr-101 hot rails pickups unlocks an even wider and more versatile range of tones. these single-coil sized humbuckers power this musical beast with great midrange harmonics and the aggressive crunch and sustain hard rock and metal styles demand. with single volume and tone control knobs and a five-way blade switch, players can explore a variety of pickup combinations, while a floyd rose special double-locking tremolo (recessed for picking hand comfort) bridge system provides superior string stability and dynamic tremolo action. featuring a 25.5 scale length, the sl4x dx is crafted out of poplar and coupled with a through-body maple neck with graphite reinforcement and scarf joint, providing the utmost stability against the ravages of the road. hosting 24 jumbo frets and pearloid sharkfin inlays, the 12 -16 compound radius bound laurel fingerboard is designed for easy chording and riffing near the nut and rapid, fret-out-free leads as you move up the neck. sporting old-school jackson style with a pickguard and traditional pointed 6-in-line black headstock, the sl4x dx is available in several all-new eye-catching finishes including butterscotch with gold hardware, gloss black with black hardware or specific ocean with chrome hardware.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | X series |
| Neck wood | 1-piece Maple |
| Joint | Neck-through |
| Scale length | 25.5 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | Compound |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Dot |
| Nut width | 1.687 in. (42.8 mm) Locking |
| Configuration | SSS |
| Neck | HR-101N Hot Rails |
| Middle | HR-101M Hot Rails |
| Bridge | HR-101B Hot Rails |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Pickup switch | 5-way |
| Bridge type | Tremolo/Vibrato |
| Tuning machines | Die-cast |
| Number of strings | 6-string |
| Country of origin | Indonesia |
Reviews:
Overall: I recently purchased $179 minion Jackson v which I tuned like a ukulele for a performance. As soon as I played it, I remembered how much I loved my Charvel Jackson from my college days. So I ordered the soloist š what a great guitar. Itās the only guitar I own that isnāt made in the United States. (Beside the minion)But itās a keeper. Absolutely love the neck. All the little things too. Such as coming with strap locks. Matched paint and binding on the neck. All in all a great purchase.
I bought it for the neck thru construction and the finish which is quite stunning and very well done. The "Duncan Design" pick-ups are crappy, muddy and middy. Replaced them with "REAL" Seymour Duncan "Pearly Gates" and it sounds great now. The Floyd sits too low in the pocket (unlike my Charvel's do) poor engineering on Jackson's behalf. You can't get to the allen heads when you change strings because they sit so low in the pocket. You actually have to change one string at a time or insert the whammy bar and physically push it down to raise the rear of the Floyd so you can access the allen heads that hold the strings to the bridge. I have 17 guitars and this one is hands down the hardest guitar to change strings on I have ever owned. If Jackson would put better pick-ups in this model, and re-engineer how the Floyd Rose is mounted, it would be a lot more popular, but like most Jackson guitars priced under $1,500 they opt for the cheap electronics which in my opinion has been the case with every Jackson I have owned, you need to change the pick-ups and pots. The guitar itself is quite nicely made, balanced well and sounds awesome with real pick-ups in it.dtvamigo
This is a sweet guitar. The sustain is excellent, quite a difference from any bolt on neck guitar. I have a 1991 Ibanez 540SLTD, it is an excellent guitar. Been playing that for nearly 3 decades and its still my main guitar. This Jackson SL3X Soloist is just as playable. The neck is very comfortable from top to bottom. The Duncan designed pickups are very good too. Make no mistake, this is a shred guitar through and through. Can it do evreything else in between, like classic rock, jazz, country? Absolutely. You can dial in just about any sound needed. The pickups seem to have good output, but not insane, which i like. I also own a late model Ibanez RG350DX, with the infinity pickups. Those pickups, especially the bridge, are really loud, and overly distorted. I find that i have to roll the volume back to keep clarity. These pickups in the Jackson have good clarity. The neck and middle hot rails pickups are sweet. Artificial harmonics sing everywhere. The Floyd Rose special seems to stay in tune good as well. The fine tuners are a little gritty feeling, not anything wrong with em, but not silky smooth. They probably will get smoother as time and use allows them to break in. The hardware seems good. Solid tuning heads. Nice adjustment of knobs and pickup selector switch. The finish, neon orange, is flawless. Binding on neck and headstock is nicely done as well. The only issue i had with mine was fretbuzz on the first fret, 5th and 4th strings. Quick turn of the truss rod nut to add a little relief and reset the bridge height took care of that. This is a very fast neck to riff and shred with. Of course its great for slow playing, open chords etc… but, if Klingons are around, Warp Factor Five! Neck through Jackson Soloist, its a spaceship in disguise as an electric guitar. My Ibanez 540SLTD has an amazingly fast and thin neck, this Jackson is without a doubt on par with that, plus 2 more frets/ Jackson has better sustain and there is no sub 4 a thruneck.Freddy F
7. Fender Jim Adkins Ja-90 Telecaster Thinline – White
Product Details:
A signature thinline with a pair of p-90s a collaboration between jim adkins and fender, the jim adkins ja-90 telecaster thinline is a re-creation of adkins' old tc-90 – with some special touches specifically for this new model. the jim adkins ja-90 telecaster thinline's semi-hollow ash body is joined to a set maple neck with an indian laurel fingerboard – a great combination that produces a warm tone with a nice edge. pickups are seymour duncan soapbars, and a adjusto-matic bridge with anchored tailpiece round out the hardware. the jim adkins ja-90 telecaster thinline is a sweet axe for any style the story behind this tele when jim adkins, guitarist and frontman for jimmy eat world, challenged fender to design his perfect guitar, a collaboration began that resulted in the ja-90 telecaster thinline. fender sat down with adkins and went over his old fender tc-90 spec by spec, making some important changes that subsequently produced this unique model. the significant features include a maple neck set into a semi-hollow ash body, seymour duncan soapbar pickups, independent volume and tone controls, an adjusto-matic bridge, and an anchored tailpiece. built for tone the semi-hollow ash body merges classic tele tone with the added body and resonance of a semi-hollowbody guitar. the set maple neck bolsters the sustain, and the indian laurel fingerboard adds warmth to the tone. a pair of seymour duncan soapbars provide vintage-tinged p-90 tones that cut through the mix.
Specifications:
| Body shape | Single cutaway |
| Body type | Semi-hollow or chambered body |
| Body wood | Ash |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5" |
| Fret size | Jumbo Stainless Steel |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.65" (42 mm) Synthetic Bone |
| Configuration | SS |
| Neck | SP90 |
| Bridge | SP90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Adjusto-matic |
| Tailpiece | Anchored |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Indonesia |
Reviews:
I already own an Am Std Strat and Tele and a G&L Tele all single coil. I wanted to try a humbucker sound and being loyal to Fender, I purchased this guitar. The high quality feel, looks and sound of this guitar were immediately apparent. The sound has a distinct "bite" which is perfect for certain uses with the typical humbucker "growl". The Pearly Gates can get dirty, clean and somewhere in between depending on my settings. Though not made in America, this guitar is not "cheap", corners were not cut. Rock, blues, jazz all sound great. I use to be an "American Made", single coils only snob, but this purchase changed my opinions.GM
Overall: This guitar is a real surprise. It looks absolutely gorgeous. The pictures do not do it justice. It's comfortable to play and the weight is fine even for long gigs. The neck is very comfortable to play and easy to get to the high notes. You can do most any style of music with it. I use it with Fender, Marshall and Boss Katana Amps and it complements them all like they were made for each other. I definitely recommend this guitar to anyone wanting to have a Tele sound and Les Paul style sound all in one great guitar. You get the best of both worlds without paying a fortune for it. Absolutely worth every penny spent!Bill
I have a Peavey (Steve)Cropper Classic guitar as my daily driver, now sadly discontinued. This Fender HHFMT is perfect as a replacement. It is very light. It looks great. The pickups are powerful and very smooth. It sounds like a tele, it punches shred like my 1960 model, LP Classic. I always wanted the Fender Robben Ford guitar to get that āTalk To Your Daughterā tone which this guitar delivers on brilliantly. It covers the Stevie Ray Vaughn sound and feel, I also think it could handle a set of 12 gauge strings without dropping tuning as the action and play-ability is excellent right out of the box. You-tube it, research it and buy one before the price goes silly. Chris xReviewed by Andertons Music Co.
8. Jackson X Series Rhoads Rrx24 – Black With Neon Pink Bevels
Product Details:
The jackson x series models continue the metal legacy pioneered by the immortal randy rhoads. regal and proud, the rrx24 offers fantastic tone, ultra-fast playability and unbelievable value for 21st century guitarists.the rrx24 features a poplar body, one-piece through-body maple neck with graphite reinforcement and scarf joint, and a bound 12-16" compound radius laurel fingerboard with 24 jumbo frets and reverse jackson pointed 6-in-line headstock.decked out for today's modern metaller, the rrx24 delivers searing tone from a pair of active seymour duncan blackout pickups that can be further shaped by two volume knobs, a single tone control and three-way blade switch. it's also equipped with a recessed floyd rose special double-locking tremolo system for outstanding sustain and solid intonation. case sold separately.
Specifications:
| Body shape | V |
| Body type | Solid body |
| Body wood | Basswood |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Slim |
| Neck wood | 1-piece Maple |
| Joint | Set-in |
| Scale length | 25.5 in. |
| Truss rod | Dual-action |
| Neck finish | Gloss |
| Radius | Compound |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Nut width | 1.687 in. (42.8 mm) |
| Configuration | HH |
| Neck | Blackouts AHB-1N |
| Bridge | Blackouts AHB-1B |
| Active or passive pickups | Active |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, master tone |
| Pickup switch | 3-way |
| Bridge type | Tremolo/Vibrato |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Indonesia |
Reviews:
Let's face it. You're looking at this guitar because you want a flashy guitar and you want to rip it on the neck. Well, if that IS the case, you came to the right place. This is honestly one of the best guitars I've ever touched let alone owned. The neck is unbelievably fast and the action is perfect. The frets are almost silky smooth and is incredibly comfortable to move around on. The Seymour Duncans scream and will hold notes forever if you are able to. The bottom of the neck is also surprisingly easy to access for a V shaped guitar. It almost feels like theres no difference from reaching the bottoms frets than it is the higher frets. To cut to the chase, if you want to shred and have a comfortable guitar, this is for you.Salem Galaxy
Ill Start with my background, ive been playing guitar since 2004, played live for several years in a metal band, and also did some church performances from time to time. ive owned a small handful of guitars in my several years playing, including 2 Squire Strats, 1 Epiphone Les Paul, 1 Jackson DKMG, etc… This guitar has a good feel to it and a thin comfortable neck you would expect from a jackson, the locking tremolo seems to work wonderfully, most of the hardware feels very solid but plain. now for the bad, after going from a les paul with EMGS to this guitar i noticed the pickups in this guitar sound very muddy when using overdrive/distortion (only tested it on solid state amp, may be different on a tube amp), soloing or sweep picking from the bridge pickup has a decent sound out of it, but as soon as 2 or more strings ring out the tone gets super muddy. the neck pickup has almost no treble and is even muddier than the bridge, however on a clean channel in the middle of the 3 way pickup selector it sounds decent, almost emulating a acoustic guitar. i will be switching to EMG81 in the Bridge, and EMG85 in the neck before recording or playing live with this guitar. i would recommend this guitar only to new players looking for a low/middle end guitar, or experienced player willing to shell out the extra cash for some new pickups. i give it 3 stars because of the pickups.AJ
I've had my RRX24 for about a month. I own other high end guitars and I have owned a few USA Jacksons in the past. I selected the gloss black finish with black inlays. The color combination is great for me. Jackson even includes a dark gray logo to complement the theme. The only visual drawback for me is the rather light colored rosewood fretboard. I dyed mine darker so problem solved. The neck on the RRX24 features graphite reinforcement which, at least in my case, makes the neck feel very rigid and it responds quickly to truss rod adjustments. The fret work is quite good; there were no sharp ends and I only did a very light fret level job to it. I level the frets on most every guitar I get because most all of them need it-even the USA built ones. There is binding on the neck but it's black so you really can't see it in photos but it's a nice touch. The balance of the guitar is perfect-it will not neck dive. The Duncan blackouts are hot and full of low end thunder. Love 'em. Great choice for a RR guitar as they can sound thin sometimes. The Floyd Rose Special bridge is not bad. Do be aware that the saddles may not last on the Special as they are cast zinc as opposed to the hardened steel found on the 1000 series or original Floyd's. I will probably change those out in the future. The tuners are standard Jackson branded and they work fine. You'll be locking the nut anyway. Overall, I love the guitar. It's very comfortable especially when standing up. It sounds great and looks killer. It feels like a quality instrument. I'd have no issues playing live or recording with it.T. Clyatt
9. Jackson Rhoads Js32t Fsr Electric Guitar Natural Oil
Product Details:
Jackson js series guitars take an epic leap forward, making it easier than ever to get classic jackson tone, looks and playability without breaking the bank. the js series rhoads js32t has a mahogany body and a bolt-on maple speed neck with graphite reinforcement and scarf joint for rock-solid stability. hosting 24 jumbo frets and pearloid sharkfin inlays, the 12"-16" compound radius fully bound amaranth fingerboard creates the ideal playing surface for fat riffs and easy chording near the black plastic nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out. other great features include dual jackson high-output humbucking pickups with ceramic magnets power, single volume and tone controls, three-way toggle switch, an adjustable string-through compensated bridge and die-cast tuners. this angular battle-tested axe is available in natural oil, and is finished off with a black pickguard and gold hardware. case sold separately.
Specifications:
| Body shape | V |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Oiled |
| Orientation | Right handed |
| Neck shape | Signature |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | Compound |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Pearloid sharkfin |
| Nut width | 1.68 in. (42.67 mm) |
| Configuration | HH |
| Neck | High-Output Humbucking |
| Bridge | High-Output Humbucking |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | String thru body |
| Tuning machines | Die-cast |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
I bought this guitar because I wanted a new toy and because of the price – I figured I didn't have much to lose. I have three other guitars, two of them Jackson, that I play frequently, and I always wanted a guitar of this style. The natural finish is attractive and unusual. I like that. The pickups are ok, but the electronics leave a lot to be desired. The fingerboard craftsmanship is lacking attention, at least on the one I received. There are unfinished areas and one of the inlays is missing a small section. I don't know what strings they send over to China to put on this thing, but they are complete garbage. Putting some new strings on improved things a lot. This also suffers from some fret buzz. The guitar comes setup pretty well. The intonation seems to be spot on and the truss rod is adjusted properly. Action is set surprisingly well, considering the price of the guitar. However, as I mentioned above, this results in some fret buzz. I'll work with that a bit later. The neck has the same feel and playability as my higher-end Jacksons, so that's a plus. Overall, I don't think you could go wrong with this in the low price range. I'd recommend inspecting the guitar closely upon receipt to double check quality control. I wouldn't recommend this as a first guitar, unless an experienced guitarist is available to inspect. It's also not a guitar that's easy to sit and play, which is something to consider. If you get a good one and it's setup properly, this is an excellent guitar for ripping out some metal riffs or just having fun. Just don't take it too seriously.Matt
I received my guitar about three days ago, and overall I am very happy with my purchase. The guitar looks awesome – I love the wood finish with gold hardware, and have received many compliments on the instrument's overall appearance. It is incredibly light, weighing in at just about 7 pounds, making it the lightest guitar I have ever owned. I love the feel of Jackson necks, and this guitar is no exception. It has a fast action that makes speedy riffs a breeze to play. Access to the higher portion of the fret board is incredible, thanks to the V body shape. This is my first Flying V guitar, and I will definitely need to get used to handling the unique body shape as I play. Now for a couple cons that made me drop my rating from 5 to 4 stars: this guitar is top heavy. I have never owned a top-heavy guitar before, and it is super inconvenient to play standing up. You have to put in a constant effort to keep the guitar level as you play. I personally like to play with my guitar at a 45-degree upwards angle, which is much more difficult to do on this guitar then on any of my other well-balanced instruments. While the natural wood body looks awesome, it feels as if it would be easy to damage. But as long as you're careful you shouldn't run into any issues. I ordered this guitar online, and was not happy with the experience Guitar Center delivered. It said that the instrument was in stock and ready to ship, but after three days I still hadn't received a shipping confirmation in my email. I reached out to customer support and found out that the guitar was actually not in stock and I would have to wait three additional weeks before my guitar would ship. That was a bummer. All in all I would recommend this guitar, and am happy I added it to my collection!Darin
My fiance purchased this guitar for me as a early Christmas gift around october 2019. After the usual string change adjustments and tuning it sounded great and played great. Only real issue is neck dive but with this body shape you expect it and can be corrected by moving the strap button placement to the back plate or near by depending on your choice i left it and rest the top horn inside my leg like you see dimebag with his ml and many others with the v shape and non traditional shapes like the warriors king Vs and so on. I personally love the Rhoads shape and the natural finish. Other than some minor changes and upgrades knobs Tusq Nut Locking tuners and a Seymour Duncan bridge pickup upgrade and a good setup this guitar is my daily player out of the 6 i own its become my favorite im looking to buy another honestlychuck thomas
10. Esp Ltd Ec-401 Electric Guitar (Black)
Product Details:
The esp ltd ec-401 electric guitar has a set mahogany neck on a single-cutaway body with a mahogany back. the thin u-shaped neck contour and 24 extra jumbo frets make the ltd ec-401 an extremely playable electric guitar. loaded with active emg-81 (bridge – set-in mahogany neck24-3/4" scale – mahogany body – mahogany neck – rosewood fingerboard1.65" (42mm) earvana compensated nut – thin u neck contour24 xj frets – black nickel hardware – grover tuners – tune-o-matic-style bridge and stopbar tailpiece – emg-81 active (bridge position) /emg-60 active (neck position) pickups – two volume controls/one master tone control, 3-way toggle switch – case not included
Specifications:
| Weight | 10 lb |
Reviews:
I always wanted an ESP and after a lot of research I decided on this one as ideal for my needs. I mostly play at home but this sounds amazing through my Marshall. Pickups are great and it has a really nice shiny finish with the cream outlines. Feels nice to play, though the weighting makes it a bit difficult when sitting it is totally comfortable standing up. PMT next day delivery was really good, well packaged too.Lucie M.
I bought this guitar in 2010 and it has been my main rig since. I bought it as a backup guitar to my ESP Horizon, which is my prized possession, but this EC401 never felt like it lacked any of the charisma the Horizon has. Surely, it's not quite as well constructed, but take that as no indication of build quality. This is beautifully constructed actually, with no real areas of weakness. The Horizon is just faultless, being a custom Japanese model. The first time I held one i was sold. Great weight, great resonance, great sustain, great playabilty. This thing absolutely shreds. The only things I've done to it are satin finish the neck and locking tuners. I have never, and will never regret this purchase, nor will I ever sell it. I've had no issues at all. Nothing needs to be done to it. I've just modded nine to suit my playing a fraction more, but they weren't necessary modifications. After gigging with this live countless times, I can vouch that this thing will stand the test of time.Slam
Amazing guitar. Was thinking about getting the EC-1000 but decided to save some money with the EC-401. Happy I did this guitar is amazing! The EMGs are freaking amazing and the playability of this guitar, especially with the thin neck, is through the roof. Highly HIGHLY recommend to anyone looking into this guitar. I cannot say enough about how silky smooth this guitar is. Feels and plays like it belongs in a much higher price range for sure.K P
11. Fender Eric Johnson Stratocaster Maple | Black
Product Details:
This is it. the heart of fender and home of the legendary guitar that has rocked the world for half a century now the stratocaster. the long-awaited eric johnson stratocaster guitar arose from johnsons express wish to give something back to the collectors, players and fans whove supported him throughout his career. designed by johnson himself with his own personal features and preferences, this signature model has a highly contoured two-piece alder body with a very thin nitrocellulous lacquer finish. the one-piece quarter- sawn maple neck has a v-shaped profile, 12 fingerboard radius and 21 polished frets. the staggered vintage-style machine heads eliminate the need for a string tree, and the custom pickups are wound to johnsons specs. other features include a parchment 57-style pickguard, four-spring vintage tremolo, silver-painted block and 57-style string recess with no paint between the base plate and the block.
Specifications:
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
| Body Finish | Nitrocellulose Lacquer |
| Body Shape | Stratocaster |
| Neck Material | 1-Piece Quartersawn Maple |
| Neck Finish | Nitrocellulose Lacquer |
| Neck Shape | Soft "V" |
| Scale Length | 25.5" / 647.70mm |
| Fingerboard | Maple |
| Fingerboard Radius | 12" / 304.80mm |
| Number of Frets | 21 |
| Fret Size | Medium Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.65" / 41.91mm |
| Position Inlays | Black Dot |
| Truss Rod Nut | Vintage-Style Slotted |
| Neck Plate | 4-Bolt Custom |
| Pickup Configuration | SSS |
| Bridge | 6-Saddle American Vintage Synchronized Tremolo |
| Hardware Finish | Nickel/Chrome |
| Bridge Cover | Includes Chrome Bridge Cover |
| Tremolo Arm Handle | American Vintage |
| Tuning Machines | Vintage-Style Staggered |
| Pickguard | 1-Ply Parchment |
| Control Knobs | Parchment Plastic |
| Switch Tips | Parchment |
Reviews:
I've owned several Strats over the years, including a 1968 (my first real guitar) and a Custom shop with Ibarra pickups. The Eric Johnson is as good or better for me than any of them. I play mainly blues-based classic rock, Hendrix, Clapton, Zeppelin, Beatles, etc. I've had this white-blonde with maple fingerboard for a little over two months at this writing. The larger-than-usual neck is outstanding–much like a Custom shop. Although the 12" radius isn't as comfortable for chording as the standard, rounder 9.5", it provides a more consistent feel for fast playing, runs, etc., imo, because my fingers don't need to adjust to the larger curvature. It's like a classical guitar in that respect. The pickups with their staggered pole pieces sound lovely–almost vintage sounding with loads of classic character. The neck position is honky, midrangy, not smooth like normal Strats, so it cuts. Where I might have preferred the neck position on other Strats, I prefer the 4th position on this one, which has the fat smoothness appropriate for mellower rock rhythm or fills. The middle pickup (without tone control) is louder, and a great go-to for a quick volume and tone change for solos. 2nd position is quacky and biting, great for distorted solos that cut, and the 1st (bridge) position is good for higher gain leads (with the tone rolled back a bit) or for twangy country licks. I've never much liked the bridge pickup on Strats, but this one is less harsh than usual, and with the tone rolled back to 5 or 6 is definitely usable. I'm leaving the tremolo with five springs on, flat to the body for tuning stability; but I do miss being able to whammy in both directions rather than just downward. The staggered tuners undoubtedly help maintain tension, and a bounce on the whammy bar resets intonation pretty well, though not perfectly (this could be due to other factors such as the nut, string gauge, etc.), so I don't use it much. I'm using NYXL9544 (the 9.5 "half-size" gauge).Tanuki
Very nice guitar that is era correct. Has flash coat nitrocellulose finish like original 50's strats that is thinner than other model ej strats. Even has correct '54 patent pending stamped saddles and smoothed headstock corners. These are slightly heavier than alder body EJ strats and doesn't have as deep of contours but is correct for '54 models. Neck is dead on with '54 profile, very slightly larger than previous models. It is listed that it has quarter sawn neck but mine isn't, it is more between flat and rift sawn like original '54. You can tell that fender went through some effort, likely from ej's request, to make these as close as possible to original'54 specs. Only non '54 items are pickups and Bakelite knobs but "Virginia" had these changed out.N. Collins
Beautiful white blonde finish, silky smooth neck finish. The soft V is quite round and is a robust neck, but the V keeps it from being ball bat. If you really like the "Modern C" you may find the neck a little large. It's certainly comfortable to play, and I like it a great deal, even though most of my other guitars are modern C's or similar. So, maybe you won't. I've found that I like larger necks more the longer I play, and the resonance of this neck is just a great feeling. Hard to explain, but it seems more alive than most strats I've played. Some folks have found the neck sticky, but I didn't think that at all. Plays amazing right out of the gate. Intonation was perfect out of the box and setup was just fine, although I may play with it a little for my personal preferences. Tuning stability is good. Came with all of the springs installed on the bridge, so the trem bar was not even usable, but with one spring removed, it allows the trem to be functional while still keeping the bridge hard against the body for better resonance and stability. Pickups are amazing. I have some strats with Texas specials and I've had just about every pickup out there, but these are just perfect. Sounds like a strat should sound, and the "in-between" positions are more usable and pleasing that on any other strat I've ever played. Volume knob reacts perfectly and really changes presence and drive in a predictable fashion. Break up is sweet, and can get quite crunchy on the bidge. Neck is just a perfect blues tone with lots of options to shape character with volume and tone. The treeless headstock is nice…I've had better tuning stability for my plain strings than other strats, and I didn't find the plain strings dead or lacking in any way. This is certainly my new favorite guitar. I don't really know how much having no trem pocket cover on the back of the guitar helps tone, and it kind of looks unfinished without it, but I don't know that I'll bother to add one. Case is great, also.DJ
12. Esp Ltd Ec-10 Electric Guitar (Black)
Product Details:
A set of esp designed pickups provide this ltd guitar with a versatile sound, with the lh-100n offering an open tone whilst the lh-100b offers warm, bright characteristics. the m-10 guitar also features a tune-o-matic bridge and tailpiece to improve sustain, and ltd machine heads enhance tuning stability. basswood body the esp ltd m-10 is crafted with a basswood body, which provides a well-balanced and dynamic sound, that enhances the guitar's performance with flow and open tonalities. basswood is a lightweight tonewood, and the m body shape is constructed with a double cutaway and comfortable contours which allows easy access to the higher frets. maple neck & hardwood fingerboard the m-10 features a smooth maple neck, that delivers tight, sizzling highs and overall bright tonal characteristics. the maple neck offers fast and unhindered playability, and allows easy navigation of the engineered hardwood fingerboard; for an overall balanced tone.
Specifications:
| Number of Strings | 6 |
| Left-/Right-handed | Right-handed |
| Body Type | Solidbody |
| Body Shape | LTD EC-10 Singlecut |
| Body Finish | Gloss |
| Neck Material | Maple |
| Neck Shape | Thin U |
| Neck Joint | Bolt-on |
| Radius | 13.7" |
| Fingerboard Material | Engineered Hardwood |
| Fingerboard Inlay | Dots |
| Number of Frets | 24, Extra Jumbo |
| Scale Length | 24.75" |
| Nut Width | 1.653" |
| Nut Material | Molded Plastic |
| Bridge/Tailpiece | Tune-O-Matic Bridge with Stopbar Tailpiece |
| Tuners | LTD |
| Neck Pickup | ESP Designed LH-100N Humbucker |
| Bridge Pickup | ESP Designed LH-100B Humbucker |
| Controls | 1 x master volume, 1 x master tone |
| Switching | 3-way toggle pickup switch |
| Strings | D'Addario, .010-.046 |
| Case/Gig Bag | Gig Bag |
Reviews:
I bought an LTD M10 about a year ago and love it so much that I bought an EC10 too, planning on slapping some humbucker-sized P90s in it for a different tone. Here's the details on how DIFFERENT these two guitars are, despite appearing more similar at first glance. – Headstock shape; just personal preference. I prefer the 3+3 design of the EC (functionally). – Scale length; the EC has a slightly shorter scale length (24.75" vs 25.5") than the M, making it somewhat easier to play, especially when performing wide stretches and chording. Bends are easier due to lower string tension. The longer scale of the M I believe contributes to superior tonal qualities. -The EC has a painted neck back to match the body. The M has a natural satin transparent finish. Personal preference, but I prefer the transparent finish for the more natural feel. -Both guitars have a 350mm (13.7") fretboard radius, which is somewhat flat, but not extremely so. -The EC has 24 frets, while the M has 22. -The M has slightly better upper fret access since the body shape is less restrictive of fretting hand thumb placement. -Both guitars have TOM bridges, but the M is strung through the body, whereas the EC has a stop tailpiece. String thru designs are lighter and arguably provide more resonance, but the tailpiece is adjustable, allowing you to raise or lower string tension. -Slightly different control layouts, particularly with the pickup selector; a blade on the M vs a toggle on the EC. -EC is slightly heavier. -Strap button placement affects strap retention and where the guitar hangs. The M retains a strap better and sits "closer" (further right) due to the horn, providing easier lower fret access. The EC has no horn so it sits "further" out (further left), naturally guiding the left hand towards the middle of the neck. -The EC sounds beefier, but muddier. The M has clearer but a BIT thinner tone. -The M is made in China and the EC is made in Indonesia. Hope this helps you decide between the two.Pazuzu
I did not buy mine from MF, but I had to put in my opinion. I bought my EC-10 from some guy who posted it on an app. He had not taken very good care of it and the body had a lot of dings and chipped paint. The neck was still good and the hardware was solid. I stripped off all the paint and sanded out most of the dings, stained it and put a coat of shiny finish on it. Topped it off with a new set of EMGs (just my preference the stock pups were actually pretty nice). Now it is one of my favorite guitars to play and I wouldn't give it up for anything. If my used and abused old EC-10 can be this good, I can only imagine what a brand new one could be like. May be buying a new one in the near future.Chris
I am just beginning to try and teach myself to play guitar. So I'm hesitant to give it any kind of star rating or say anything about the guitar in regards to quality of playability, electronics/pickups, tone or any of that important stuff, as I don't have the experience to fairly do so. I've played drums for about 20+ years in bands, so have been around plenty of guitar gear that I know was good. Vintage or custom Gibson and Fender guitars with high end or specialty pickups and hardware, running through half stack 100 watt Mesa Boogie triple rectifiers, 100 watt Marshall JCM 800s/900s, Vox AC 30s, Orange Rockerverbs, Sovteks, etc. Pretty much guitars and amps that sound amazing and are my only in person points of reference. However, It would be completey unfair to try and compare this sub-$200 guitar going through my little Blackstar HT5R combo to the guitars and rigs mentioned above that I'm used to drumming along with. My girlfriend was wonderful enough to buy this guitar for me and she took a good friend who's played for 20+ years and has a 1978 Les Paul himself and after checking out/playing a few lower budget guitars in the store, some in the used section that cost a little more, he recommended this one. Said it played good to him, didn't have the fret buzz that the guitar I wanted to replace had and happened to be the sweet satin black finish he remembered me saying I liked. To sum it up, I doubt this is a guitar any of the experienced players I know would have, but as a beginner still trying to figured out how to fret chord shapes, I'm very happy with this entry-level/budget guitar. Only minor complaint I have so far is that the low E (which I drop to C or D) string seems to need frequent tuning. I'm considering taking it to GC for a proper setup and have larger gauge strings put on, so hoping that might help. But for the price I'd say it's worth any beginner checking out. If only these entry level guitars would include some in-person lessons, lol.Marcus E.
13. Esp Ltd Kirk Hammett Signature White Zombie Electric Guitar Graphic
Product Details:
The esp ltd kirk hammett signature white zombie electric guitar is armed with everything you need to take charge of the stage. it displays striking graphic art from the classic movie of the same name that is considered to be the first feature length zombie film. beyond the eye candy, this fully-equipped rocker is made with an alder body and bolt-on maple neck. the thin u neck contour is extremely fast and easy to play along the smooth rosewood fingerboard with 24 extra-jumbo frets. active emg 81 and emg 81 pickups produce mesmerizing tones, while the floyd rose trem will further help captivate your audience. this signature model comes complete with black hardware, ltd tuners and a black esp case. – bolt-on neck construction25.5" scale – alder body – maple neck – rosewood fingerboard350mm fingerboard radius42mm nut width – molded nut – thin u neck contour24 xj frets – black hardware – standard strap buttons – ltd tuners – floyd rose bridge – emg 81 (b) and emg 81 (n) active pickups – volume/tone/3-way switch – bela white zombie graphic – black esp case included
Specifications:
| CONSTRUCTION | Bolt-On |
| SCALE | 25.5" |
| NECK | 3Pc Maple |
| FINGERBOARD | Rosewood |
| FINGERBOARD RADIUS | 350mm |
| FINISH | Black w/ WHITE ZOMBIE Graphic |
| NUT WIDTH | 42mm |
| NUT TYPE | Molded |
| NECK CONTOUR | Thin U |
| FRETS/TYPE | 24 XJ |
| HARDWARE COLOR | Black |
| STRAP BUTTON | Standard |
| TUNERS | LTD |
| BRIDGE | Floyd Rose |
| NECK PU | EMG 81 |
| BRIDGE PU | EMG 81 |
| ELECTRONICS | Active |
| ELECTRONICS LAYOUT | Vol/Tone/3-Way Switch |
| Made In | Korea, Republic of |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Body Type | Solid Body |
| Finish | Black with Graphic |
| Body Shape | S-Style |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Neck Material | Maple |
| Scale Length | 25.5" |
Reviews:
Excelente guitar. IĀ“m very dissapointed about the factory setup. For the price, I was expecting at least a playable factory setup. Instead it was with a really high strings action, pickups height totally out of pattern. And the finish wasnĀ“t flawless. I has a little detail by the end of the scale. Besides that, Tumbstone Hard case is amazing! I was expecting more of the ESP inspections before it left the factory. By the way, the guitar was packed in the original box yet.Rodrigo
Overall: I was thinking about buying an ESP LTD for a while, and when I saw this guitar I was just blown away by how it looked, and the features it has. I'm happy to report that when it arrived at my home( which only took one day, thank you zZounds and fedex) I was even more blown away. The action is perfect out of the box, it's super lite, it plays faster than almost any guitar I've ever played, the Floyd Rose is top notch, and since I've stretched the strings and locked it, I hasn't gone out of tune once, and the sound is just mind blowing. I was a little nervous when I saw the body wood type was alder, being most of my guitars are mahogany, I thought the low end response would be affected. But I'm happy to tell everyone, it sounds like a beast. And of course the emg pickups are always incredible in my opinion. Plus it comes with the coolest case ever. It's got a tombstone motif on it. There's not enough good things I could say about this wonderful guitar. I was wailing sweep arpeggios all day on this bad boy, and every note was clear as a bell, no matter how fast I was playing. I highly recommend this guitar to anyone who's a metal aficionado. You won't be disappointed.Rob
At first glance, the art work is perfect! Thanks, Kirk! I was hesitant on the buy , due to being a 'LTD' ESP until I researched and read the great reviews (Thanks, axe slingers!). Don't let the 'LTD' fool you. This axe is rock solid. First thing I noticed when I picked this up is the great feel of the neck and the weight. If you love the feel of Strat-style bodies, you will love this. The neck is slim, smooth and fast; my first 24-fret axe and I love it! Not one flaw with these frets-no sharp edges (Dry weather can shrink the neck to where the frets may protrude enough to notice so be cautious and stay humid). I inspected the art work and craftsmanship, finding only 1 tiny flaw. At the end of the neck, by the 24th fret, half the neck width is shaved off about a 2 mm angle too much (click on the pic to see). This is fixable if you're good with tools…Second thing I couldn't wait to try is the Floyd Rose-my first one. It's sensitive compared to my SG's Bigsby so it doesn't take much to get a good effect which is good. The locking nut works superbly and the fine tuners are awesome, no problem with palm muting, as well! The tremelo arm can be left loose or tightened down, out of your way….The Sound—I can definitely tell the difference between the neck and bridge pups so I can't imagine having an 81 & a 60! These EMGs sound great having that neck, bridge and combined tone that you expect from humbuckers. Included is an extra tremelo spring and 3 allen wrenches….The Case—This is the first axe used to debut the Tombstone case! As you can see in the pic, it has a fur lining and a snug fit. The large compartment allows plenty of room for the wrenches, spring, picks, cord, etc. No flaws with the outside decor skin, latches, hinges or handle. It also comes with a key. Also, don't forget the Kirk Hammett pick tin set!…Rock on!
14. Squier Affinity Series Jazzmaster (Burgundy Mist)
Product Details:
The squier affinity jazzmaster lrl combines a legendary model with the kind of effortless playability that makes it suitable for budding guitarists. its striking poplar body radiates with a dreamy gloss finish and a bold 3-ply white pickguard whilst its elegant curves beg the ambition and skill of aspiring musicians. and thanks to a thin, lightweight build and comfortable "c"shaped neck, you can play completely seamlessly and never experience any of that dreaded shoulder strain. the 2-point tremolo bridge allows for deliciously smooth vibrato, so you can pitch bend with pure ferocity or just add a gentle warble to your chords. the choice is all yours. sealed die-cast tuners then ensure you'll always have accurate tuning. powerful, versatile squier ceramic single-coil pickups lend themselves to pretty much any style of playing; you can sculpt the exact sound you want via the 3-way pickup switch and volume and tone controls.
Specifications:
| Body Finish | Gloss Polyurethane |
| Body Shape | Jazzmaster |
| Bridge | 2-Point Synchronized Tremolo with Block Saddles |
| Bridge Pickup | Ceramic Single-Coil |
| Configuration | SS |
| Control Knobs | White Plastic |
| Controls | Master Volume, Master Tone |
| Country Of Origin | ID |
| Dimensions | 4.00×15.00×44.00 IN |
| Fingerboard | Indian Laurel |
| Fingerboard Radius | 9.5" (241 mm) |
| Fret Size | Medium Jumbo |
| Hardware Finish | Chrome |
| Neck Construction | Bolt-On |
| Neck Finish | Satin Urethane with Gloss Urethane Headstock Face |
| Neck Material | Maple |
| Neck Pickup | Ceramic Single-Coil |
| Neck Shape | "C" Shape |
| Number of Frets | 21 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Orientation | Right-Hand |
| Pickguard | 3-Ply White |
| Pickup Configuration | SS |
| Position Inlays | Pearloid Dot |
| Refinement Neck Material | Maple |
| Refinement Neck Shape | C Shape |
| Refinement Pickups | Single Coil |
| Scale Length | 25.5" (648 mm) |
| Side Dots | White |
| String Nut | Synthetic Bone |
| Strings | Nickel Plated Steel (.009-.042 Gauges) |
| Truss Rods | Head Adjust |
| Tuning Machines | Sealed Die-Cast with Split Shafts |
Reviews:
Have only had this guitar for a couple of months but very surprised at how well it's made and how well it sounds.The action was not bad at all and only needed a slight tweaking. The color was beautiful. The one thing I did do was change the strings, but I do that on every guitar I buy.R. Kennedy
Excellent craftsmanship! The neck feels really great. Had no sharp fret ends and the satin finish is top notch. It came with a really nice set up and low action out of the box. Electronics are really decent to. Bridge pickup got a bit muddy with heavy distortion, but did well under a crunch setting. Middle and neck positions were buttery smooth with clear differences in tone. The 3-way switch is excellent quality as well, which is usually isn't the case. Wiring is great, but I opted to switch it out with Emerson wiring harness anyways. Overall, you can't beat this guitar. I bought a Vintera 60s Jazzmaster before this one and I would pick this Squier over the Vintera any day..Diego
15. Jackson Js Series Rhoads Js32 Left-Handed Electric Guitar Satin Gray
Product Details:
Swift, deadly and affordable, jackson js series guitars take an epic leap forward, making it easier than ever to get classic jackson tone, looks and playability without breaking the bank. built for the lefty, the rhoads js32 lh has a poplar body and a bolt-on maple speed neck with graphite reinforcement and scarf joint for rock-solid stability. hosting 24 jumbo frets and pearloid sharkifn inlays, the 12ā-16ā compound radius fully bound amaranth fingerboard creates the ideal playing surface for fat riffs and easy chording near the nut while gradually flattening in the upper registers for lightning-quick solos and wide bends without fear of fretting out. other great features include dual jackson high-output humbucking pickups with ceramic magnets, single volume and tone controls, three-way toggle switch, a jackson-branded floyd rose double-locking tremolo bridge and sealed die-cast tuners. this angular left-handed axe is available in satin gray with a black pickguard and all-black hardware.
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Satin |
| Orientation | Left handed |
| Neck shape | Speed neck |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Graphite reinforced |
| Neck finish | Satin |
| Radius | Compound 12ā16" |
| Fret size | Jumbo |
| Number of frets | 24 |
| Inlays | Sharkfin |
| Configuration | HH |
| Neck | High output humbucker Ceramic |
| Bridge | High output humbucker Ceramic |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Floyd Rose Licensed Jackson |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
Overall: Seriously……..I'm baffled, and highly impressed with this limited run that Fender/Jackson is offering, and the quality that is immediately obvious with these guitars. As well, do not be deceived by the price…rather, consider this to be an opportunity. So literally, just a few weeks ago, I purchased the stop tailpiece Fender Special Run variant (which I am upgrading w/EMG 57/66, brushed gold, Tonepros bridge, gold, Earvana compensated nut, Gotoh Magnum SG381 locking tuner, gold, EMG Satin Gold knobs) of this guitar, so therefore, as I am thoroughly impressed, I was compelled to await the arrival of this version (tremolo) through zZounds, yet it became available via Amazon, and I made my purchase just 10 days ago. Okay, so in no particular order, I'm going to start with the Amaranth (of the Purpleheart family/species……yes, that beautiful purple wood seen on many high end guitars)….these are the first two guitars that I now own with this species of wood utilized for the fretboards, and I absolutely love it. At first glance, your eye tends to see it as Ebony, as the wood has quite the dark appearance, which I totally dig (and quite fitting as the guitar is in nat mahogany finish), and it sounds bright, snappy, percussive, and present. As well, I dig the feel, as it has a nice, tight grain pattern.The fretwire- …..ummm, well, ….all level, and comfortable frets. I've not found any dead/high spots, and if so, it's so minimal that it's within a tolerance that allows you to keep low, low action, if you prefer (and the fretwire is just the right jumbo size to allow for the feel of the wire, along with the wood).The tuning machines- ….as I normally upgrade all of my tuning machines to Gotoh SG 381 Magnum locking, I must say, I like these tuners so much, that I'm torn and considering not upgrading, as they are visually stunning, and work quite well. The body of the tuners (where the mechanisms/gears are located) are not thin, and are actually quite robust in size, which provides confidence they'll maintain.The graphite reinforced neck- 5 stars +. Period. You immediately feel it, as soon as you grasp the neck..but also when playing, you can sense a bit more resonance and volume from the notes.The natural mahogany finish- Just…beautiful. Period. (and the feel is quite satisfying, indeed).The Jackson-branded Floyd- …..okay, ……I'm impressed…once again. This is a genuine Floyd Rose licensed unit, as the tremolo block is a genuine Floyd Rose 32mm/nickel-plated block. Look, the gold Fender/Jackson has chosen for these units, is absolutely beautiful….it's a dense, kinda lustrous gold that has a bit more depth than, for instance, an Original Floyd….it's really beautiful (as the colors match via the tuners, locking nut, and tremolo unit). Key feature…..the matching/gold-colored fine tuners via the baseplate. however, my only complaint w/this/these units, is that the very bottoms of the fine tuning screws do not have a flat surface (at the bottom/point of contact) for the string lock screws to make contact with/move smoothly up and down when tuning…rather, it causes the string lock screws/tuning to "skip", and kinda clank, as you feel the bottom of the fine tuning screws jumping/skipping as you fine tune….so you may jump a half-step during turning due to this. It's not a difficult fix, however, as the bottoms of the tuning screws simply need filed/sanded a bit….no biggie (however, if one prefers not to do so, the Original Floyd brass fine tuning screws are an optimal substitute, as they are easy to remove/change. The action of the tremolo is smooth, no noise, and the bar fits snug without those weird unpredictable …"hmmm, i wonder if the bar that comes with the unit will actually fit as it should?" kinda anomalies/moments. (key note- the locking nut is an actual Floyd Rose Special R3, and the neck nut shelf is filed/seated at the proper height…therefore preventing an unplayable kinda high string-to-fret height when fretting….once again, the attention to detail will have you asking…."really?, just $400??"…..it's that good.)The pickups- …not bad. ..not bad at all. I dig 'em. Although, I'm full-on EMG, and I'm goin' with the Het Set, or 57/66 in brushed gold (or, possibly the 81X, 85X in brushed gold). As I am hearing the characteristics of these wood combinations on this guitar, my immediate choices are any of the 3 EMG options listed above, but the Jackson pickups sound great…they really do. Well-balanced and fitting.The 3-way switch- ….nice, solid, and "tight" feeling. The gold-mirrored pickguard- ……..just …sick. The knobs- Very, very nice (and, once again, all the gold selected for this instrument….are an exact match across all components……..impressive).Overall- As I tend to often make purchases based off of my instincts, and relying on them, I'm so pleased I own both the stop tail and tremolo versions of this guitar. Do not hesitate, as you will, once a
Looks and feels great, sounds nice out of the box but the stock pickups are not stellar. However, they will do everything upto 85% of high end pickups. These are actually pretty good. Unless you're very finicky, I don't recommend changing them. Can't say anything bad about it. I modified mine because my cover shield was cracked out of the box and I have not heard anything back about a replacement. I got some unique Lace Humbucker and slapped them on with some mad wiring that splits and parallels the hums. It sounds a lot better than stock. I also added a chrome cover shield.arcticwynd
16. Fender Player Jaguar Electric Guitar (Pau Ferro/tidepool)
Product Details:
Player jaguar features slinky feel with 9.5 fingerboard radius, player series humbucking bridge pickup, alder body with gloss finish, and one single-coil jaguar neck pickup. the sleek and stylish player jaguar has a unique slinky playing feel and is decked out with spotlight-ready chrome accents. it's authentic sound and feel has inspired countless artists to write new songs and create new genres of music by encouraging the player to reach for new chords and explore different tonalities. this guitar features an alder body with gloss finish, player series humbucking bridge pickup, one single-coil jaguar neck pickup, slide pickup switch, "modern c"-shaped neck profile, 9.5" radius fingerboard, and an "f"-stamped neck plate true to all player jaguars.
Specifications:
| Body shape | Double cutaway Offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24 in. |
| Truss rod | Dual-action |
| Neck finish | Satin |
| Radius | 9.5 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HS |
| Neck | Player Series single-coil Alnico |
| Bridge | Player Series humbucker Alnico |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | Coil split on slide switch |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Overall: Wow, I love this bass……From the moment I received this bass, it has been my go to axe. The pickups are excellent and very aggressive, yet keep that P bass type tone. Both pickups have proven to be very articulated in the mids and not to boomy in the lows. Just perfect for my taste. The highs are very clear but not too disjointed from the mids and lows. I use Rotosound 77 flatwounds. I did change the crappy bridge to a Hipshot Kickass bridge.Now, lets talk about the neck. I do agree that the neck is a little heavy but if you are sitting down, that should not be a problem. If you are standing up then you should be using a 3" wide strap. That rule goes for most Fender style basses. The neck is wide because it projects a P style tone that can only be accomplished by this thick neck type. If you pick up a 50's type P bass you will notice very quickly how thick the neck is, yet some bass players won't play anything else.Tone, sustain and playability. That is what you get with this bass. It's definitely not a bass for everyone but this bass is a kickass bass if you are comfortable with it.The frets were perfectly dressed and the fretboard had a nice finish. If you look at the shape of this Jaguar bass you will notice a lot of real estate in the slab of the body. This, along with this neck makes a perfect combination for sustain and presence which you can feel through your chess as you play it. The designers at Fender really know what they are doing.There is a reason why the Fender MIM basses are so popular.Sotero
Overall: Wonderful instrument, the best I've owned. Setting the intonation was the hardest for me of the guitars I've owned, but once it is setup it is wonderful. The quality is amazing. I have never owned a Fender before and it is the best I have had. The vibrato arm sends it out of tune if you try dive bombing lulz Not really a complaint, just a fact. I am not too impressed with the pickups (they produce what seems to be a lot of telecaster sound) but that is not a problem either because I always swap the stock pickups out anyways. I love the 24 inch scale, I feel like the 22nd fret in not necessary though on this short scale, the additional fret pushes the frets closer together and would makes some chords harder to pull off that need lots of fingers on the same fret. Luckily for me i have small hands and fingers so not an issue. I still love this guitar and plan to keep it forever.Justin
If it wasn't so beautiful looking and if it didn't sound so good I wouldn't have played it so much. Now I can't return it without significant restock fees and shipping. My opinion is that the guitar I received has a major problem. I haven't completely sorted it out but here it is: significant static pops come through the amp when I touch or rub a a place on the pickguard near the selector switch. My guess is there is either a bad solder joint or two wires pinched together. So I have to pack the thing off to a Fender repair shop for warranty work. I've owned many guitars both new and old and this is a first. Yes it is the lowest cost offset one can buy with the name Fender on the headstock. But I've several less expensive Squiers that were perfect. The quality of the components and the fit and finish of this guitar seem great. Now to get the static fixed. I had heard that MExican Fenders were very well made, not the electronics on this one.vinny71
17. Esp Ltd Ec-1001 Electric Guitar – Tiger Eye
Product Details:
Unlimited power. the esp ltd ec-1001 will inspire your creativity. it's got a volcanic sound which will explode through any amplifier with force thanks to a duo of premium, multi-voiced fishman fluence open core humbuckers. they deliver a crisp, detailed, modern sound, with both active and passive tones available through the push/pull control. you'll be blown away by their sheer dynamism and uncompromising quality. fire your hand along the mahogany neck, which is as smooth as it is stable and sturdy. a macassar ebony fretboard also contributes to the lightning fast playability of this model, whilst adding brightness, snap, and punch to its tone. ltd locking tuners help to massively enhance your tuning stability, so you'll always sound your best. and the luxurious finish adds tonnes of visual flair this expertly made guitar. whether you're a shredder or a strummer, you'll always be inspired when you pick up this beast.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Neck shape | Thin U |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Nut width | 1.65" |
| Configuration | HH |
| Neck | Fishman Humbucker |
| Bridge | Fishman Humbucker |
| Control layout | Individual volume, Individual volume, Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Locking |
| Tuning machines | Locking |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | Indonesia |
Reviews:
Overall: I received this gorgeous guitar Friday 5-21-2026! The fit and finish is immaculate. The action was a tad high but I set it down and it can get really low. So low in fact that I raised it back up some to my preference. Plays like a dream and sounds fantastic. Now the negative points. Issue #1 – The fluence open core classic pickups have 3 voices. PAF, hotrodded, and single coil. My guitar was wired to have only voices one and two. No single coil. The single coil wires for each pickup wasn't even wired in. The neck volume pot push/pull worked the neck pickup and the tone worked the bridge respectively for voice two, only. I find that a little bizarre. I rewired it and now it all works as intended voice wise. Issue #2 and the biggest issue – The neck pickup has barely any routing clearance under it. The routing is fine per typical depth, but these fluence pickups are pretty tall. Once I set the action down I had to completely remove the foam pads from under the neck pickup in order to get the pickup low enough to not touch the strings. The neck pickup is completely bottomed out atm and needs to go even lower but it's physically impossible. The way it sits right now the top of the neck pickup is almost dead even with the top of the fret board. I can't do anything about that because I'm not routing it deeper or paying to have it done. I'll remind that this is AFTER removing the foam under the pickup. It is manageable now but needs more travel because at this height the neck pickup is a little too loud for my taste but will be ok and probably fine for the average user, but now I have zero adjustability for the neck pickup. Overall I love this guitar and would buy another in a heart beat!
I love this guitar! Great setup right out of the box. Incredible tonal possibilities. Very happy!Iomminf2
I purchased this guitar twice because the first one I bought gave me some problems and I returned it. After owning it for only a week and a half, the bridge pickup died on me, and all this happened the day before a gig no less! Shortly after the the middle and neck pickups stopped working as well. At first I thought that perhaps it was a dud battery but after replacing that it became clear the issue was faulty electronics in the guitar. Musician's Friend was great with the return. I really wanted another one of these guitars so I order a different one. The day it arrived I inspected it to make sure everything was good. When I was testing out the split coil option the control knob came right off of the guitar. This wasn't a major issue, but it is quite frustrating to get a new guitar that is already having problems. Other than that, I have not come across any other issues and hopefully it stays that way. Now, on to what the guitar is actually like. The guitar plays great. It needs a minor setup out of the box but it feels good in your hands and is not too heavy. The Fishman pickups sound amazing and provide an array of sounds. The especially shine when playing clean or blues. The matte neck is a pleasure and the stainless steal frets look great. The color and design of the guitar is very appealing and sleek. One negative is the battery compartment. It's a bit of a pain to get off. Other guitar manufacturers put an compartment that simply opens with a tab, which is quite nice for a quite battery change. On this guitar, you have to actually unscrew the back, and the plate is wedged so tight that you have to pry it open, and then the battery is shoddily connected to a couple of wires. Overall, the guitar is pretty great. It looks, feels, and sounds amazing. I love the tonal diversity it offers. But after receiving two of these guitars and having immediate problems with both, it's hard for me to recommend this. It's possible that I just received a lemon in the first instance, but having an issue, albeit minor, with the second tells me that ESP is not doing a very good job with their quality control. I get that LTD is ESP's more affordable brand, but it feels more cheaply made compared to similar ranged guitars from other brands like Schecter and Jackson. I will keep this guitar if there or no problems with it but it will more than likely be my last LTD that I ever purchase. It's a moderately priced guitar, but it still is priced over a grand, and for that amount of money I would expect that the quality be better, especially from a legacy brand like ESP.Andrew
18. Schecter Nick Johnston Traditional Hss Electric Guitar – Atomic Ink
Product Details:
Traditional design. visionary style. all in one guitar. prepare to break the boundaries of genre with the schecter nick johnston traditional hss. built to johnston's exact specifications, this versatile weapon is perfect for tackling the next frontier of playing, whether you're adding girth to classic blues, or pushing the envelope of world music. famed for his virtuosic dexterity, johnston lives amongst the most elite instrumentalists on the planet, including steve vai and joe satriani. with the trad-hss, you're one step closer to becoming the next great guitar hero. play with the voice of true rebellion. the nick johnston traditional comes equipped with johnston's hand-selected signature pickups. explore heavy bottom end with the bridge humbucker, and crisp highs with two single coils. this is a guitar you can hit hard without losing that iconic tone. with a lower output, the middle and neck pickup delivers a balanced sweetness that sings with sustain. you'll play fiery licks with ease on a thin-c neck that was built to help you solo faster. this is the height of superior shredding.
Specifications:
| Country of Origin | Indonesia |
| Guitar Color Shown | Atomic Ink |
| Tuners | Schecter Locking |
| Fretboard | Roasted Maple |
| Inlays | Brass Circles |
| Scale | 25.5ā (648mm) |
| Neck Shape | Thin 'C' |
| Frets | 22 X-Jumbo |
| Nut | Graph Tech XL Black Tusq |
| Nut Width | 1.653ā (42mm) |
| Truss Rod | 2-Way Adjustable Rod w/ Heel Access Spoke Wheel |
| Guitar Colors | Atomic Ink |
| Hardware Color | Chrome |
| Top Contour | Flat Top |
| Dexterity | Right Handed |
| Construction | Bolt-on |
| Bridge | Diamond Vintage Tremolo |
| Controls | Volume/Tone (Push-Pull)/5-Way Switch |
| Bridge Pickup | Schecter Diamond '78 |
| Middle Pickup | Schecter Diamond Nick Johnston Single Coil |
| Neck Pickup | Schecter Diamond Nick Johnston Single Coil |
| Knobs | Vintage Knob |
| Strings | Ernie Ball Regular Slinky #2221 (.010-.046) |
| Finish | Atomic Coral |
| Year | 2026 – 2026 |
| Body Shape | S-Style |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Bridge |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Neck Construction | Bolt-On |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HSS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
Reviews:
If you are looking for a great super strat to cover every musical ground, this is it! This ax plays like a dream. Don't get fooled, because it was assembled in Indonesia. The construction is solid, and the fretwork is well done. Schecter has strict production standards for all its factories. This guitar sounds and feels USA made and has custom shop features like a graphite nut, roasted maple neck and fretboard, brass ring inlays (really like this!!), Schecter looking tunners and 2 point trem. The Nick Johnston diamond pickups are great and really like them as they are and don't plan to upgrade for now. It stays in tune really well. I really enjoy the well balanced tone this guitar has and can play literally everything. And yes it does metal. The knobs are well placed and how I like them 1 volume and 1 tone control plus the split coil just adds to the versatility of this instrument. And last but not least it looks beautiful in person. I have 30+ years of playing experience and highly recommend this guitar. Now I want the green oneš¤©Julio
Great guitar. Plays like a dream and sounds wonderful. The features on this guitar will blow you away from the roasted maple neck that feels like silk to the easy adjust truss rod at eth bottom of the neck. Beautiful guitar also. Pictures don't do it justice. Pickups sound fantastic- no need to swap them out.Mark Y.
The Schecter Nick Johnston Traditional is a alternative if you're looking for a Strat in this price range. As always things like neck shape, feel and pickups are personal choices, and for me the Schecter just felt a bit better than the Fender Player Strat and others that I demoed. The roasted maple neck and locking tuners are a plus in this price range as well. The neck is slimmer than a Fender Player neck, and the pickups are more "vintage hot" vs. the Player's modern take on Strat pickups. But as I say these are personal choices; I don't think you could go wrong with either the Schecter or the Fender – but like me the Schecter might be the one you take home.John C
19. Rise By Sawtooth Left Handed Full Size Beginner Electric Guitar Kit, Sunburst
Product Details:
Sawtooth introduces it's newest line, rise by sawtooth, with this excellent beginner electric guitar package. this guitar is not a toy, this is a real guitar that puts out great sounds, and was built to last. this rocking guitar pack includes everything you'll need to get started on your road to guitar god fame. rise to the occasion with a rise by sawtooth electric guitar in your hands!
Specifications:
| Product Dimensions | 38 x 13 x 2 inches |
| Country of Origin | China |
| Batteries | 1 CR2 batteries required. |
| Is Discontinued By Manufacturer | No |
| Back Material | basswood |
| Color Name | Sunburst |
| Fretboard Material | Maple Wood |
| Guitar Pickup Configuration | H |
| Scale Length | 24" |
| Top Material | basswood |
| Neck Material Type | Maple |
| Number of Strings | 6 |
| Guitar Bridge System | Hard Tail |
| Fretboard Material Type | Maple Wood |
| Hand Orientation | Left |
Reviews:
We now have 3 Sawtooth guitars. We are extremely pleased with all of them. We have an acoustic, electric, and now this beginner's electric guitar pack. Our youngest son won't put this guitar down. The black is a cool see through gloss. You can see the wood grain through the gloss finish. The guitar is of good quality. Much better than I thought it would be.The amp is portable, and can be used for headphones. Take note, that this is an amp that takes batteries (9 volt), or you can get an adapter for it. Comes with everything he needed to get started.Maximilian
Did not receive all items that was displayed with this package ( missing was Gig soft case bag ) one of the reasons why I chose this package, my grand son was disappointed. I will not recommend this item n I plan to counsel my account with Walmart cause i did not get what i payed for, enough is enough.Peggy
20. Jackson X Series Kelly Kexs Electric Guitar – Shattered Mirror
Product Details:
The sharpest axe around. with a unique, striking body shape and shattered mirror finish, the jackson kex kelly will immediately make an impression. it has quality etched into every corner of its design, and is more than capable of delivering some seriously bright, crisp tones which are perfect for rock and metal. a pair of jackson high-output humbucker pickups give this model an unforgettable, diverse voice which will sing with articulation and bite. a musical weapon. with this guitar by your side, you'll have be able to take to the stage with a truly massive sound, as well as record without trouble. the floyd rose special locking system will allow you to give notes a ridiculous level of vibrato using the whammy bar, and you'll be able to perform huge divebombs at will. with a lightning fast, gloss-finished maple neck, you'll also find it incredibly easy to move around the laurel fretboard. the kex kelly is one guitar which you simply won't want to put down.
Specifications:
| Number Of Strings | 6 |
| Orientation | Right-Hand |
| Body Finish | Gloss |
| Body Shape | Kelly |
| Body Binding | White |
| Body Top | Shattered Mirror |
| Strings | Nickel Plated Steel (.009-.042 Gauges) |
| Strap Buttons | Standard |
| Neck Material | Maple |
| Neck Finish | Gloss Black |
| Neck Binding | White |
| Scale Length | 25.5" (648 mm) |
| Fingerboard Radius | 12"-16" Compound Radius (304.8 mm to 406.4 mm) |
| Fingerboard Material | Laurel |
| Number Of Frets | 24 |
| Fret Size | Jumbo |
| Nut Material | Floyd Rose Special Locking |
| Nut Width | 1.6875" (42.86 mm) |
| Position Inlays | Pearloid Sharkfin |
| Truss Rod Nut | Truss Rod Adjustment at Nut |
| Truss Rod Wrench | Yes |
| Headstock | Jackson Pointed 6-In-Line |
| Headstock Binding | White |
| Hardware Finish | Black |
| Tremolo Arm | Floyd Rose Special |
| Tuning Machines | Jackson Sealed Die-Cast |
| Control Knobs | Dome-Style |
| Switch Tip | Black |
| Bridge Pickup | Jackson High-Output Humbucking |
| Neck Pickup | Jackson High-Output Humbucking |
| Controls | Volume, Tone |
| Configuration | HH |
Reviews:
Played really well out of the box and looks awesomeAndrew H
Its badass. Just what you expect from a Jackson
The neck feels great looks awesomeLemar, L
