Are you looking for the Head Rush Guitar Pedal? If so, you’ve come to the right place.
Choosing the Head Rush Guitar Pedal can be difficult as there are so many considerations, such as EarthQuaker Devices, AKAI, DigiTech, Electro-Harmonix, JHS Pedals, TC Electronic, Walrus Audio. We have done a lot of research to find the top 20 Head Rush Guitar Pedal available.
The average cost is $272.93. Sold comparable range in price from a low of $39.00 to a high of $1099.00.
Based on the research we did, we think Headrush Expression Pedal is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Head Rush Guitar Pedal (20 Sellers)
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Reviewers Noted:
Ease of use . Weight
Features:
- This expression pedal with built-in toe switch lets you modify the sound effects conveniently
- Designed to modify the tone and pitch of your guitar
- Trs and ts connectors let you connect it with compatible devices
$699.00
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Weight
Features:
- Quad-core processor powered by eleven hd expanded dsp software
- 7 inch touchscreen display
- Built-in looper with 20 minutes of record time
$1099.00
4.7
Reviewers Noted:
Easy to use . Heavy . Portability . Build quality . Sound quality
Features:
- Looper that records up to 20 minutes at a time
- 100-240 v and 60-60 hz of input voltage
- 7" high resolution touch display
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Weight
Features:
- Selling a headrush mx5 multi effects modeler.
- Purchased new a few months ago and have used it about once a week to practice at my desk.
- Includes box and all accessories.
$69.00$55.00
4.7
Reviewers Noted:
Compact . Easy to use . Good sound quality . Weight . Build quality
Features:
- In perfect working condition!
- This is a thick bass forward overdrive, yet it can work in many different ways.
- If you want a thick sound but don't like fuzz stack this into you distortion or overdrive and you will have tones of sustain.
$131.50
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Circuit: analog
- Bypass: true bypass
- Audio: mono
$99.00
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Get an easy volume control for your music with this guitar pedal
- Dial controls let you adjust fuzz tones to get desired results
- Led light allows you to monitor the status effect
$89.95
4.8
Reviewers Noted:
Compact . Easy to use . Weight . Good sound quality . Portability
Features:
- Distortion / sustainer pedal
- Re-creation of the original 1969 era circuit
- Features an led light for indicating effect status
$99.00$79.00
4.9
Reviewers Noted:
Size . Ease of use . Sound quality
Features:
- The tube pedal delivers an authentic and vintage distortion tone for your guitar
- Comes with a noise gate that reduces the hiss and hum sounds to deliver a crisp overdrive tone
- Three-band eq with control knobs lets you control bass, treble and middle frequencies for rich harmonics
Reviewers Noted:
Easy to use . Compact . Portable . Sound quality . Weight
Features:
- Excellent condition
- Perfect working order
- Light home studio use only
Features:
- This 2000-watt speaker helps deliver a loud and rich sound quality
- Its frequency response of 62 hz to 20 khz supports a wide range of audio
- The electronic clip protection circuit helps prevent over driving of the speaker
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- A huge 26db boost
- Gain button for extra grain and dirt
- Active equalizer and toggle switch for precise tone shaping
Reviewers Noted:
Easy to use . Compact . Portable . Weight . Sound quality
Features:
- Six led scribble scrips offer convenience in selection and editing
- Hx leverage lets you run up to nine effects at the same time
- Lcd displays allow you to check the real-time status of this guitar processor
Reviewers Noted:
Easy to use . Compact
Features:
- Metal capacitor enhances the conductivity of the pedal for a harmonious playback
- Engineered with 4 knobs to adjust the sound intensity
- Led indicator lets you keep a track of the power status conveniently
Reviewers Noted:
Easy to use . Sound quality . Size . Portability
Features:
- This overdrive pedal is designed to modify the gain intensity for loud and clear audio
- True bypass switching sends signals to the amplifier without interference
- The 3-band eq section helps create dynamic sound effects
Reviewers Noted:
Easy to use . Compact . Sound quality . Weight
Features:
- Multiple delay and modulation effects let you customize your guitar's tone
- Create fuzzy tones and distortion sounds with this pedal for an immersive experience
- The subtle filters of the delay setting lets you create feedback oscillation effects
$158.79
4.6
Reviewers Noted:
Easy to use . Compact . Sound quality . Build quality
Features:
- Blend control knob allows you to control the output while jamming
- Shift knob offers an enhanced audio equalization
- Create vocal harmonies with this effects pedal and add beautiful sounds to your music
$39.00
4.6
Reviewers Noted:
Easy to use . Compact
Features:
- Vintage-style flanger pedal
- Legendary, all-analog bucket-brigade (bbd) circuit
- Lush three-dimensional modulation tones
$127.80
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Recreate your tunes with various sound effects from your guitar by using this pedal
- Led indicator lets you check the operating status conveniently
- The 1/4" input jack offers a reliable connection with the compatible devices
Reviewers Noted:
Easy to use . Size . Sound quality . Visual appeal
Features:
- Studio-quality reverb pedal
- Three versatile reverb modes – spring, room and hall
- Compact design and top-mounted i/o
1. Headrush Expression Pedal
Product Details:
The headrush expression pedal is the perfect expression pedal to use with any headrush unit. the first thing all users will notice and appreciate is that the expression pedal is built like a tank! this is clearly a unit that is fully up to the rigours and challenges of life on the road. the built-in toe switch enables users to quickly and easily access two virtual expression fx blocks, plus you can customise the tension of the pedal with the included hex key. a/b control for gigboard for headrush gigboard users, connecting the headrush expression pedal preserves the advantage of the compact form factor of the headrush gigboard while providing the same convenience of the headrush pedalboard's built-in expression pedal. the headrush expression pedal's built-in toe switch specifically enables gigboard users to quickly and easily enable/bypass two virtual expression fx blocks without skipping a beat. express your loops for headrush looperboard users, connecting the headrush expression pedal enables users to have control over up to 4 fx parameters of looperboard's built-in fx, as well as control over looper track volume and panning. a perfect match! for headrush pedalboard users, connecting the headrush expression pedal enables users to have a second expression pedal working simultaneously with pedalboard's built-in expression pedal, so that users can have control of up to 8 fx parameters at the same time.
Specifications:
| Connector Type 1 | 0.25" TRS |
| Connector Type 2 | 0.25" TS |
| Impedance | 10k ohm |
| Housing Material | Aluminum |
| Number of FX Parameters | 8 |
Reviews:
Although rather pricey for a very simple passive device, this is a first rate complement to the Headrush Pedalboard. The construction feels military spec. Even more rugged than the body of a crybaby. The pedal action is easily adjusted for personal taste with a supplied Allen key. It works seamlessly with the onboard pedal after a simple change in the global parameters page. I have it permanantly set to use for performance as an output master volume control but it can be assigned to almost any required parameter.MR G.
Excellent solidly built pedal – works well with my Headrush GigboardDavid F.
Very nicely built! Works perfectly and now I is set!!!donchips
2. Headrush Gigboard Guitar Fx Processor
Product Details:
Featuring a finely-tuned quad-core processor and powered by exclusive eleven hd expanded dsp software, the headrush gigboard delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and fx models ever found in a compact, road-ready floorboard guitar fx processor. the 7-inch touch display enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedentedly realistic and intuitive way. plus, it features gapless preset changes with reverb and delay tail spillover, a built-in looper with 20 minutes of record time, the ability to load custom impulse response files and exclusive original boutique effects that can’t be found anywhere else. whether you’re looking for a classic warm vintage amp with natural tube drive, wide ambient stereo delay textures with infinite feedback or the heaviest of heavy djent tone, the headrush gigboard covers it all and everything between.
Specifications:
| Screen Size | 7in |
| Software | Eleven HD Expanded DSP |
| Footswitches | 4 |
Reviews:
I gave this 4 Stars only because of some difficulty I had in the programming part. In one of the training videos it talks about when your playing the sound drops off as if you’ve got a bad cable or something along those lines. They demonstrate how you need to double tap on the “Input” block on the top left hand side and it opens up a screen that shows what they call a “Global Gate”, and it’s set at about 40db in the video and on the one I had as well. There is a block right above that has a White line to show where it’s set. And when yiu strum a chord with it at this factory setting, it cuts out..Your told to add use the setting to about the middle of the block and this will stop it from cutting out. I did this on my unit however no matter where I put it I was still getting the cut out…it’s very frustrating. I was never able to correct this. Secondly the manual that comes with the unit is very much lacking what I would think are the very basics. I was never able to figure out how to assign the 4 buttons on the bottom. It was confusing, at least to me. I did contact HEADRUSH and was directed to their videos, but once again, the few they have are great at about everything else, but as far as what I was looking for, didn’t help. I am an old school guy from the 70’s and the Marshall, stomp box generation, and being older, yes I know, I so wan this to work, so I can grab this unit and the FRFR speaker cabinet, which is awesome by the way, my guitar and go.. I sent it back and I’m waiting on a replacement unit and I’m going to give it another try……Wish me luck, and yes, I would recommend this to anyone out there. ROCK ON PEOPLE, KEEP THE MUSIC ALIVE…!
The Headrush gig board boasts great sound in a affordable and smaller package. With every amp, cab and effect on the market at your fingertips, you can’t help but find the tone your looking for. You can’t go wrong when choosing the head rush gig board, or any Headrush product really. You will never find an end to the possibilities this rig can produce.Joseph
After having this for a few weeks I have to say that I am fairly disappointed in it, but not enough to return it. The touchscreen is awesome and really is the single best feature this pedal has to offer, and the ease of use and variety of signal chain is great, and these are the reasons that I am keeping it. The amp modeling is okay, certainly miles better than my old GNX2 from the early 2000s, but still miles away from the real thing. For me the real let down was seeing just how limited the number of models is. The listed number of amp models in deceptive in my opinion because there is quite a bit of redundancy. How many different vintage Fender tones do they think we need? The effects also seemed incredibly limited in this price range as well. There are more rotary models than reverb and delay put together,… how does that make any sense? To be fair though the rotary models sound REALLY good compared even to many standalone rotary pedals. Some of the models are really bad too, like the Whammy pedal,… it is practically useless. The spring reverb is horrible as well. Like most multi-effects units it does clean fine, ultra heavy passable, and struggles horribly with anything in between. I hope they come out with some firmware updates that add some more models and effects to the unit soon, but I am not too optimistic. If your main concerns are ease of use, this IS the multi-effects pedal for you, hands down,…. but if sound quality and variety are of greater concern,… keep looking.Livinginthewoods
3. Headrush Pedalboard – Guitar Multi-Effects Processor With Touch Display
Product Details:
Featuring a finely-tuned quad-core processor and powered by its exclusive eleven hd expanded dsp software, the headrush pedalboard delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and fx models ever found in a floorboard guitar fx processor. 7-inch high resolution touch display the guitarist-oriented user interface enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedented realistic and intuitive way. quad-core dsp system the headrush pedalboard utilizes a purpose designed quad-core system that has been tailor-made from the ground up to deliver the fastest and most powerful guitar fx processing ever. gapless preset switching switch between lead and rhythm sounds smoothly without any disruption or glitches in audio. individual footswitch oled screens each footswitch features an assignable color led along with a scribble-strip style oled display that dynamically updates to provide…
Specifications:
| Recording Time | up to 20 minutes |
| Input Voltage | 100 to 240V |
| Touch Display | 7" high resolution |
| Special Features | 2×12 cab/mic combination |
Reviews:
Sound: The sound on this board is amazing, I fee it’s also very responsive to your playing and you get that responsive feedback. Makes me feel like it’s easier and more joyful to play my guitar. I will say this you have to tweak settings to get your sound typically the pre made ones aren’t the best. Overall: Ok so first off I’m new to this thing, I never thought I get away from tube amps, but….this headrush caught my attention and I love it! I like the simplicity of it and it produces great models plus sounds really authentic for what it does. I will recommend pairing with headrush frfr108 or frfr 12 or a frfr (Full range flat response) speaker instead of an amp. That way you get the absolute most out of this. I got the headrush frfr108 and it’s sounds amazing! too. As far as the headrush’s competition I haven’t used them yet. But end of the day it’s all personal preference. Pros..Easy to use Touchscreen is vibrant and responsive Great models and sounds Effects are easy to map Creating rigs is fun!Easy to carry than those heavy ampsWell built durable The oled switch labels with color choice is niceCons…There is a little bit of a learning curve but plenty of resources to learn fromNot the most portable but they do have a smaller more gig friendly version just no built in pedalNot exactly ideal for hooking into a tube amp (even a 4 cable method) just seems I don’t know extra …Overall this thing is a beast of a board. For the price definitely a quality choice ! May not have all the sounds and models others do. But I don’t think that was their aim. Quality over quantity if you ask me. Highly recommendAndrew
First off, DO NOT judge the tones of this pedalboard by the preset rigs, they're pretty bad. Build new rigs from scratch and you will discover what this unit is capable of producing. It's not overloaded with every effect pedal out there, but there is more than enough to get any tone you want from Jazz, Country, Rock, Metal, and Blues. For overdriven and distorted tones, it may seem like you only have a few pedals to choose from, but once you combine them with all the various amps, cabs, mics, and impulse responses, you have hundreds of tones in your sound pallet. As for modulation and delay effects, it has all you need to produce any tone. Real Amps and FX Loop – In addition, you can use any of your favorite effects in the FX loop of the pedalboard. It also works great with tube amps and can work in a "four wire" setup with your modulation and delay effects going through the amplifiers FX loop. You can also run into the PA and to a stage tube amp simultaneously. Virtual Amps and IR's – The amps and impulse responses sound fantastic. I have several vintage tube amps and I am able to reproduce the same tones of mic'ing up those amps from this pedalboard directly to the PA or a recording desk. It has the easiest user interface of any of the pedalboards out there. If you can use a smartphone or tablet, this will be very easy to learn. One of the best features is the ability to assign the footswitches to any pedal or multiple pedals (scene function), or do either toggle or momentary mode. In addition, the mini screens for each footswitch change when you assign it to different pedals so it's easy to see what effects you are turning on and off in live performance. In addition, you can name a scene footswitch anything you want (e.g. Clean, Crunch, Solo, etc.). Makes live performance very easy, no more stomp pedal dancing. Set Lists – Organizing rigs into set lists to match your gigs and you can organize your rigs into groups based on type, song, genre, etc.Tod
Overall: First of all, I am pretty sold school when it comes to amps and effects. A simple tube amp pushed with a couple of tube screamers, the on board reverb from the amp itself, and some modulation like delay and chorus. I joined a band a few years back that was about to go into the studio to record an album the year before covid struck. As a result, I ended up buying a Pod HD500X as a way to try to consolidate the effects that I might need all in one unit. I used it mainly as a "pedal board" in front of the [tube] amp as if it were my old analog board full of individual pedals. Needless to say, the recording project got pushed back because of the pandemic, and I was stuck at home, with a lot of time to play around with the processor. It was "good" but it left me wanting an easier to use option. As you could imagine, what that kind of time on my hands, I did a lot of floating around the internet just looking at possible modelers. All of the names. Kemper, Helix, Axe FX, Fractal, and this HeadRush board. Out of everything that was out there, the HeadRush board seemed to be VASTLY easier to try to figure out. Pushing my late 40s now, I don't really 'enjoy' learning new technology the way I did in my teens and twenties, so I didn't want a steep learning curve just to be able to use this thing. I spent a day while it was being shipped looking over youtube tutorials as to how to use it. Only took me a few hours of messing around with it once it got here to dial in the tone that I had on the HD500X. If you can use your cell phone, you can figure this board out. The effects sound convincing and the amp models really seem as good as the competition's offerings (even if this board doesn't have quite as many jammed into it). We are about three weeks out from going in to start laying down the guide tracks for this LP [finally], and this will make things much easier to navigate when each little tone will be more heavily scrutinized. The ability to tweak it on the fly will save time (and thus MONEY) in that studio environment. No deep dives into large menus to try to make a minor adjustment. Gives me a lot more freedom to just try to play my parts instead of worrying about the setup itself. I think this board is a bit underrated as far as the amps and cabs as well. I still will be running it to my amplifier and mic-ing it up as I do still like the "feel" that tubes give when playing. But who knows, I may use some of the sims as well. Built like a tank. A bit heavier than I had expected. Should hold up well under live applications (though that was actually not a problem with the 500X either). I highly recommend this unit if you want to get something that doesn't take a degree from Berklee in sound engineering to get started making music.Kenneth
4. Headrush Mx5 Guitar Effects & Amp Modeling Processor
Product Details:
Headrush mx5 fx processor with mooer baby bomb power amp bundle will instantly provide you with the ultimate setup. this modelling guitar effects processor has everything you need (and more) to start experimenting with your music like never before. it has a vast array of different amp models and cab simulators, so you can choose anything from a crystal-clean, sparkling clean amp to an all-our, war-ready gain machine. a host of effects models are also included, so you can add some shimmering delay and reverb, as well many other effects, to your sound. taking centre stage is the incredible four inch touch display, which shows your selected channel, as well as a visual representation of the effects models you're using. the custom-designed dsp system offers superb processing power, helping this box of wonders sound wholly authentic. in addition, there's a host of other features, including a premium built-in looper, fx loop, expression pedal, and full impulse response compatibility – all housed in one neat, compact unit. and the mooer baby bomb lets you drive a speaker cab with 30w of power, as well as boosting your sound. plus you'll get your hands on a premium pedaltrain pedalboard. it's the ideal accompaniment.
Specifications:
Reviews:
The footswitches are finicky. The overdrive models are sub par. The touch screen works well and the IR workflow is excellent. In the end, it was not for me. While the amp tones have a pleasant midrange quality, the character itself felt restrictive. The reverbs are glorious but do not warrant the price of admission. My first one had footswitch issues, where they would activate on their own. The replacement did it once or twice. I ran at that point, and do not miss this sub par productEC
For me the MX5 is exactly what I have been looking for many years. Intuitive, compact and priced right. I owned the original Line 6 Pod, the Boss GT-10 and recently the Line 6 Pod Go. The frustrating thing for me with the Boss GT-10 and Line 6 Pod Go is if I did not consistently use them I would forget how to go in and tweak the sounds. Sometimes I don't play for weeks even months and when I got the urge to play again I had to fiddle or re read the manual on how to make certain adjustments. I ended up spending more time on the darn effects unit than actually playing the guitar. With the MX5 it's very intuitive via the touch screen to just make changes or create a new rig. I don't think I'll succumb to use it or lose it affect. The compact size means it can be tucked away easily in my office. And the fact that it has a built in expression pedal is really nice. I don't typically do reviews but I felt this is the first time in a while that a product has met all of my needs. I think Headrush really nailed it for many of us older, part time weekend warrior guitarists out there that just want something easy and ready to use. Whether at home practicing, recording or take to a quick jam session or gig.Steve
The MX5 is the third modeler/multi effects processor that I have used for recording and playing live. In my opinion the overall sound quality is a bit underwhelming. On the positive side, the clean tones are excellent. On the negative side, the overdrive tones are satisfactory at best. To be completely honest, I'm very disappointed with the overdrive/distortion tones. It will take a lot of tweaking to get a desirable crunch tone if you are a True Tone chaser. I am not alone with this opinion. Check out the YouTube reviews of the MX5 and the reviews from those who are not affiliated with HR marketing. There are some honest reviews that point out the good, the bad, and the ugly. I unfortunately did not pay attention to those before I purchased this pedal. If you are not a tone chaser and you are new to modeling, this may be a good pedal. It has a great looper. It is easy to use. And it gives the user plenty of options for exploring different pedal tones (not to mention the ability to split the signal chain). But if you are serious about high quality sound, compare this with others before you buy. Not to mention, this pedal has had its share of firmware bugs. The good news is that HR is pretty good about fixing them with firmware updates. Good customer service too.Jesse
5. Tc Electronic Mojomojo Overdrive Pedal
Product Details:
Looking for classic tube-amp-style drive? the tc electronic mojomojo overdrive pedal is your ticket to dynamic tube-style bliss. from bluesy breakup to screaming solos and chunky crunch, the mojomojo covers the spectrum of overdrive boost. just like a real tube amp, the mojomojo responds naturally to your guitar's volume, allowing you to control the character of your drive by simply riding the volume knob. with all knobs set at their detented 12 o'clock positions, the mojomojo provides a perfectly transparent drive with a wholly natural breakup.
Specifications:
| Pedal Type | Overdrive |
| Inputs | 1 x 1/4" |
| Outputs | 1 x 1/4" |
| Power Source | 9V DC power supply (sold separately) |
| Batteries | 1 x 9V |
Reviews:
great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman
This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL
I use the MojoMojo on my Fender G-DEC Junior and it helps to make the amp sound warmer, richer and fuller. The MojoMojo when dialed in right adds a very slight and suttle low mid thickness, hard to explain. I find its not a "set it and forget it" type of pedal (i.e. Tube screamer), for each amp setting I have to dial it in or it will sound muddy but with a little tweaking between the amp settings and the pedal settings (usually level settings rather than tone knobs) I can get them matched tonally and sonically, bass tone knob is usually set pretty low. I use low output humbuckers and it works great with these. I can get nice overdrive without changing the amps overall characteristic sound.
6. Electro-Harmonix J Mascis Ram's Head Big Muff Pi Pedal
Product Details:
The j mascis ram’s head big muff pi fuzz pedal pays homage to the sonic center of the alt-rock legend’s iconic tone of equal parts thickness and clarity in a special edition white and violet finish. “that’s my sound. the muff is always on,” j says. “all distorted sounds begin with the muff. that’s what i grew up playing so it’s kind of amazing to have my own signature one.” based on the highly coveted 1973 electro-harmonix v2 violet ram’s head big muff, j’s signature big muff produces the indulgent fuzz and exceptional sustain used as his sonic center for decades. the fuzz is sonically more articulate than other big muffs with excellent string separation and dynamics, which make it one of the most versatile big muffs. the pedal’s response feels smooth and aggressive making your leads scream and chords thunder. feel the fuzz of a guitar giant: the j mascis ram’s head big muff pi fuzz pedal from electro-harmonix.
Specifications:
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
7. Electro Harmonix Ram's Head Big Muff Pi Distortion
Product Details:
This pedal rips!! a faithful reproduction of the highly coveted 1973 violet ram s head big muff heard on countless classic recordings and famous guitar solos. it delivers the unmistakable articulate string separation and exceptional sustain that s made the v2 big muff so sought after. now with a few choice updates for convenience including true bypass switching, an led to indicate effect status and the option of being powered by a 9-volt ac adapter.
Specifications:
| Power Source | AC adapter |
| Voltage | 9-volt |
| Product Length | 4.5" |
| Product Width | 2.75" |
| Product Height | 2.1" |
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
8. Electro-Harmonix Triangle Big Muff Pi Distortion/sustainer Effects Pedal
Product Details:
The triangle big muff pi from electro-harmonix is true to the original in a ton of ways. 50 years after the first big muff came out, this reissue is full of sparkly sustain and speaker pumping gain. at a crazy affordable price, this pedal has a ton of rich harmonic content for which the original is known. grab a piece of history from the original fuzz masters.
Specifications:
| Type | Distortion / Sustainer Pedal |
| Indicators | LED light for indicating effect status |
Reviews:
How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent
The tone sweep is nice and there are some interesting spots because it is linear while kind of non-linear at 10 to noon and about 1-2 on tone control. I can't say why but usually I had purchased like more expensive versions of ehx pedals. That being said, I think people need to realize that these are quite accurate reissues and circuits, and just because it is an affordable pedal doesn't mean it isn't great.
Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad
9. Behringer Vt999 Vintage Tube Monster Overdrive Pedal
Product Details:
The vintage tube monster vt999 effects pedal has that full-tone roar of a tube engine under its hood, letting you take off with anything from warm blues overdrive to heavy distortion. add to this the excellent build quality and true-bypass wiring, and you begin to see just how monstrous this pedal really is! this high-quality stomp box has the warm sound of a hand-selected 12ax7 vacuum tube. in addition, the vt999 offers an integrated and switchable noise gate with adjustable threshold that keeps your signal noise-free. the vt999 provides the ultimate in distortion-laced tone shaping, with an onboard 3-band eq and dedicated gain and master output level control. the brilliant status led tells you when the vt999 is activated, and the top-quality on/off switch allows for true mechanical bypass when the effect is not in use, so your tone stays completely intact. vt999? s dedicated power supply comes with it, so youre ready to rock right-out-of-the-box! with the vintage tube monster vt999 defining the ultimate tube-distortion tone, your guitar playing will definitely be kicked into monster overdrive!
Specifications:
| Designed For | Guitar |
| Amplifier Type | Tube |
| Controls | Master, gain, noise gate, threshold |
Reviews:
I am really impressed with the Behringer VT999. I own one of the original Tube Works BK Butler designed Real Tube Overdrives. For the last 30 years it has been the Standard by which I judge all overdrive effects and I have tried just about everything else out. The VT999 is the only overdrive that I have found to date that matches the tone of the BK Butler. Everything from subtle warmth boost to pure crunch it's in there. Used as a pre amp you can get a Vintage Marshal tone out of a Fender twin. I absolutely love this effect.
Honestly, the only complaint I have about this pedal is that instead of being constantly on or off, the light blinks, and that's just a personal quirk; it's not cause for a lost star. More importantly, the tone of the pedal is quite good. It preserves the natural warmness of tone already present in my Gretsch, and even adds a bit when tweaked. As well, the high, mid, and low controls are very effective in tweaking sound; each one makes a big difference, so definitely spend some time working with the levels. The range of gain is quite good. I can get a light overdrive from it all the way to a screaming distortion. I usually keep it between 10:00 and 11:00, and that allows me to play softly with a less noticeable drive, and play harder for a dirtier tone that stands out more. More expensive pedals may have more options, but for the price, this pedal is a steal. Seriously, the build quality is good; it's a metal chassis, and feels quite solid. The knobs do feel like a cheaper plastic, but I haven't have any breakage issues, and for the price, it's a nonissue (I mean seriously, even if I have to replace the knobs in the long run, it's still well worth it).rogue_danar
This thing takes up a lot of real estate on your pedal board, but all in all, for the price, it is worth it. It's a very good clone to the very old original Marshall guv'ner pedal from the 80's. And it is just as Big! If you are looking for a metal pedal, this is not it. This does a really good job at everything from a little crunchy blues, to heavy 80's style rock and roll overdrive. The very first thing you must do when you order this beast, is also order a quality 12ax7 tube for it. The one that is in it is garbage. It's a Bugera 12ax7C junk from china. Order any of the 12ax7 tubes. it doesn't have to be a C tube.I currently have a 12ax7A in it now. It's very easy to change tubes. There are reviews of it all over youtube and they all say the same thing. Change the tube. But once you do, it's a very very good pedal. When you take the cost of the pedal, plus a replacement tube, you're still way below the price of anything else close to it. And it performs better. It works like an additional preamp to help drive your guitar amp. I've used it on a Fender Super Champ XD combo, and an Orange Micro terror and a Acoustic brand solid state 100 watt head. (Acoustic brand, not an amp for acoustic guitar). It works great in all of them. It also accepts booster pedals in front of it really nice. I have put an Xotic boost in front and also a Soul Food with the gain all the way down and volume up (makes it a boost pedal). They both have worked great. It has a built in switchable noise gate that works great with single coil pickups to knock down the hum. If you have room on your board, I highly recommend this pedal over just about any other drive pedal under 300 euros. Really! It's that good! Dialing it in is about the same as a drive channel of a quality tube amp. A balancing act between gain and volume. It is highly responsive to pick attack. So when you are setting your knobs, pick hard and gentle and find that sweet spot in between. Has bass, treble and mid tone knobs too, just like a quality amp. Not just one single tone knob. What a great pedal. Case is extremely durable powder coated steel. I have been burned by cheap products from Bugera and Behringer in the past, and so I was a little leery of giving them another chance, but I am very glad I did. Youtube reviews is what gave me the courage to give it a shot. I am really glad I did. Order one today, and get an inexpensive JJ tube at the same time. No need to step up for a high end select Mullard or anything. Just something different than the stock tube that comes with it. Stock tube gives it very muddy mids and sounds almost out of tune in the higher frequencies. But with the JJ man this thing really rocks. and the eq knobs are highly responsive. What are you doing still reading this? Order one already! 🙂
10. Line 6 Hx Stomp Xl Multi Effects Processor
Product Details:
Mint condition hx stomp xl. barely used, never gigged, only had limited home use! complete with power supply, uk and us plug adapters, box and paperwork. the firmware has been updated to the latest (3.5 released in nov 22) and it's been factory reset with the latest stock patches. will also throw in the mooer knob toppers pictured, as well as an m-audio expression pedal. i have a separate listing for a midi controller for the hx stomp too. will definitely consider selling these together as a package. the possibilities are endless with this thing, so i am sad to see this go but unfortunately i don't have time to play with the endless options at the moment. any questions please feel free to ask!
Specifications:
| Weight | 3.3 lb |
Reviews:
Upgraded to this unit from a Pod XT Pro rack. This unit not only has amazing and better sounds but more flexible options and a wider array of effects and amps. Pros: -Sound is stunning. I've not done a side-by-side with a real amp mic'ed with a specific mic in a certain position, but it's utterly convincing to my ears. -Blocks can be re-ordered without restriction. For example, want to daisy chain two amps to get that "you really got me" sound? You can do it and it actually works. -Multiple outs and routing -Flexible pedal assignments. You can connect up another two external footswitches (or exp pedals) and assign to any block. OR, you can assign more than one block to a single pedal (so you could activate a tube screamer, digital delay, and anything else with a single press ready for your solo). OR, you can just use a snapshot and change dozens of parameters with a single press. No more "dancing" around the pedal board, hitting the wrong pedals in the process, looking like an utter berk etc. -Preset sounds with flexible ways to work through them. At a gig I don't have time to change an abundance of settings so have a preset for each song. Sound completely changed in half a second. Next song started without hesitation. -All functions of the unit look like they can be configured through the front panel without having to use the Windows or MAC editor. Cons -Terrible, terrible power supply brick. I can't believe Line 6 sell it like this. They even know it's rubbish – the manual says something to the effect of: "we know the power supply is big but it needs to be special to give you enough juice". Big is not the problem – being stuck upwards in the air from your mains socket standing proud like, er, ahem, well something unmentionable is the problem. Plus when you try to unplug it, the power supply comes in half leaving a little bit left in the mains socket. Which will inevitably get left at a gig. Can't wait for that to happen. -limited number of presets. I need a preset for each of 60 songs. I keep a copy of each preset as a master then duplicate them in the order of the night's set list into other presets – so with that I need at least 120 presets, allowing myself one or two to fiddle with. If I recall correctly this has around 126. Best not learn three more songs that need a different sound each. -It's a little difficult to program the thing – the button layout is confusing and unintuitive compared to the Pod XT pro I have just replaced. I can make the trade-off for the sound but this would not work for many I suspect. -Windows or MAC editor – really? Where do I set that up then? Ah yes I just need a $1000 laptop or a chuffing great desktop unit and monitor to hand. I want to spend my money on guitar gear, thanks! Some other vendors have bluetooth and android apps, line 6 for a change is behind the curve. Two final points. 1) If you need something easier to use buy something with more buttons, knobs and pedal switches. 2) If you really like a particular sound, go out and buy the real amp / effect. You just can't beat the real thing. But this gets very, very close, and of course you have several hundred "things" to choose from with no crackles, no mic stand to get kicked, etc etc.
Purchased as a desktop amp to replace a Kemper head and footswitch, primarily for desktop and recording purposes. The unit is very solidly made and takes up next to no space. Although there are limited knobs on the unit itself, the Windows HX Edit software is excellent and makes it super easy to configure presets. Whilst the HX Stomp's effects blocks are very limited compared with the full size Helix, if you typically use a straightforward setup with, say 3-4 pedals, an amp, a cab/IR I don't see why this tiny device couldn't replace an entire rig. One minus point is that the external PSU has poorly designed plastic adapters for different plug types (UK/Euro etc) which disconnect from the PSU far too easily. First time I took mine out the house I unplugged it and didn't realise the adapter had remained in the socket. I had to buy a US to UK adapter. Something to be aware of if you plan on taking this on the road. Also bear in mind that at the time of writing it's not possible to share presets between Stomp and the larger Helix units.
Where do I begin? What a fantastic unit. I've played it both through a tube, stereo 4×12 rig and an FRFR and it sounds incredible through both. The delays, the mods, the tube amps, the pedals the IR options. The most exciting thing about this is the sound! The Helix class software lets me play like me and sound like me. However, another fantastic feature is the edit-ability, and that you get Helix Native for 99 bucks that loads in full Helix profiles with tons of presets. I love loading the profiles into Native and scaling them down for Stomp XL. Another is the portability. I can tote this thing around everywhere and not even feel the pain of dragging around heavy processing gear. I haven't had it long and am just digging in, but i can tell you, it gets more and more exciting what the Helix class software/ HX Stomp can do the further I go. Seamless computer to unit edits and updates are easy. Get it…get it now. You wont regret it. Five stars in every category.Bobby O'Dell
11. Headrush Frfr-108 Powered Guitar Cabinet
Product Details:
Headrush frfr-108 the headrush pedalboard and gigboard have stormed the market with groundbreaking innovation in fx and amp modeling. now that you've elevated your rig to the new innovative standards of today's modelers, don't rely on the limited frequency response of a traditional amplifier or pa speakers. you need the frfr-108. the headrush frfr-108 is a lightweight 2000-watt full-range, flat-response powered cabinet that perfectly complements your headrush pedalboard, gigboard, or any other multi-fx/amp modeler to give you a realistic room-filling sound with the authentic feel of a speaker pushing air.
Specifications:
| Peak Power | 2000 W |
| Frequency Response | 62 Hz – 20 kHz |
| Portable | Yes |
| Input Connector Type | XLR, TRS |
| Speaker Type | 2-way |
Reviews:
This does the job it's supposed to do. I used it for home practice, and for stage monitoring, with a PodGo, a Helix LT, and my friends Headrush floor unit. I've also used it to monitor when I recorded via the PodGo to a PC. The sound is good across the volume range, including for playing quietly at home levels during the day or evening. I'd still recommend good cans though if you plan to play at 2am and share a wall with a neighbor. It also handled stage monitoring exceptionally, with a live acoustic uncaged drummer, a bass player using a Harte head and 4×10, and a piano player who seems to think that the object of the game is to drive the keys into the floor. Oh… and a sax next to me honking like a flock of geese. No issue hearing myself, and it reproduced the signal with full integrity to the house speakers. A quick tip… do not sit it on a carpeted surface. I did notice that this greatly changes the sound. I have it in a monitor cradle on stage and on an amp stand at home and it works great. Just a heads up. In summation, a great solution for the average player.MadProfMisal
Overall: If only I had known about these the day they came out!. To be fair, I've been attempting to find the Holy Grail …er, perfect marriage between my quality floor modelers loaded with my custom,personal patches to ACCURATELY reproduce what I have programmed into the floor rigs. Big amps,stay home! I have 1×10" cabs,2×12" cabs,4×10" cabs,sealed choices,all kinds of speakers. I am blessed, except they ALL colour my GT-1 hand-tweaked patches/presets in live situations. I can dial 'em in, but need a recovery period from ear frequency overload and load in/outs.Enter the HeadRush FRFR-08 powered cabs,exactly what I wanted and needed.Sheesh, they make all my floor modelers sound like they do when I record via USB,stereo 1'4" cables,and even send a line out to PA or mixer! You can run through guitar amps but you'll get the phasing issue pronto.Look, I have been playing live gigs since 1981,non-stop. I play Gibson,Fenders,PRS,Ibanez big $ rigs,and will not compromise my tone. I'm too old to now, mofos! It's just all the skate slams n such have made lugging gear a real task. These 108's even work for stereo tops and a sub, a studio level wedge monitor,etc.We have recently purchased another set of the 108 and 112's, and that's in the middle of all this C-19. WE have survived by downsizing/adjusting,like everyone else. Thanks zZounds. Quality gear,small footprints,etc for DJ OR our bands gigs(excellent drum monitors,btw) These are perfection. Call zZounds, they know more than me but WOWZA,these make great gtr amps!Please trust the value of these! I take at least one to…everywhere!
Sound: These meet a lot of needs, are tough as Texas women,and sound GREAT. Features: Loved the XLR in's n out,w Line out to board and quality IEC plug/cable Ease of Use: Perfectly tuned nut has options! Quality: Beautiful and functional both! Value: Yes,but I was supposed to get a scratch and dent savings but didn't . THAT SUCKED Manufacturer Support: no The Wow Factor: It fits a niche Overall: We have pair of the 12" and their flat response and quality build have gave our prized floor modeler's a whole nuther' lease in the studio,the road,and @ home. We grabbed a set of the 8" cabs for a BOSS GT-1 stereo rig and they just nail it,every time. HeadRush rule, regarding these flat response cabs at these rates. I'd prefer a $1,500+ powered cab but the FRFR can't be beat until you DO pay that much.Another mind-blowing thing is they work so damn well as a second A/B set of recording studio monitors,it's caused us to reconsider our current set primaries. Kinda hurt but can't complain at the HeadRush vale.Oh, and the work perfect as tops of 10" or 12" sub. 3-wqay PA setups.These are value workhorses that will make your Kemnper Profiler sound as good as ever, your cheap Zoom like studio grade, and compliment our BOSS and Katana gear as good as our High$ PA cabs.ARGGGHHH, wish we would have known all this sooner, but hey, we are finally satisfied,Hombre's.
12. Tc Electronic Spark Booster Pedal
Product Details:
The spark booster is a stompbox-style boost, overdrive and eq pedal from tc electronic. it features level and gain controls, a fat/clean/mid tone selector and a 2-band eq. the pedal's level control offers 26 db of clean boost and is designed to simply add volume to your guitar sound without distorting or altering the tonal character. it can be used as a volume boost to your clean guitar, or at higher settings, to create overdriven sounds by pushing your amp harder. the gain boost control on the other hand, adds slight overdrive and compression. this can be useful in situations that call for the sound of an overdriven amp, but require that your volume be kept low, such as when playing a restaurant or coffee house gig. the spark booster's 2-band eq controls consist of bass and treble knobs, which allow both cut and boost. bass frequencies can be boosted for more punch, or rolled off a bit for a tighter sound that may otherwise sound boomy when playing through larger cabinets. add more treble to your tone to brighten up darker sounding amps, or to compensate for signal lost in long cables. treble can be reduced for softer, jazzier tones. the pedal can be run in 3 separate modes that can be chosen using the fat/clean/mid tone selector. the "clean" setting boosts your guitar signal equally across the frequency spectrum, while the "fat" setting adds more low-end punch to your sound, also allowing for more precise control of your tonal shape when using the eq and gain knobs. the "mid" setting provides a bump in the midrange that will give your guitar tone more "cut-through" in the mix.
Specifications:
| Weight | 1.5 lb |
Reviews:
I used to think that boost pedals were dumb and that I would never use one. But after watching dozens of videos and seeing several big name endorsements, I thought that the Spark might be for real, and it is now EASILY my favorite pedal. Simply put, it just makes your tone better, no matter what kind of guitar or pickups you run through it. The sound quality and versatility are the best features. It gives you a great boost, but it's extremely amp-like, in the same way that clean channels on good tube amps break up if you crank the gain. And the little toggle switch gives you three different "clean channels" with which to work. The middle position has the most clean headroom and is the classic boost, but still breaks up a little if you max the gain. The Mid and Fat sounds add beef to your tone in fantastic ways, and I use those most often. Do you think that single-coils and/or jazz box guitars sound thin compared to solidbodies with humbuckers, like me? The Mid and Fat settings will fix that for ya. I love my Strats and my jazz guitars so much more now. Turn up the gain and the Mid and Fat settings will give you a great overdrive too. The best part about cranking the gain on the Spark is how well it makes your sound hit tube amps. It gives you glorious saturation at any volume level. This is the perfect pedal to put first in your drive section. Your other drive pedals will greatly benefit as well. Worried about tone? This is the most transparent pedal I've ever used, even more so than TC's other drive pedals (which I also love). The two EQ controls are fantastic and give the pedal a huge advantage over nearly every other boost pedal. Whether fully down or cranked, you get usable sounds in great frequency ranges. Simply put, this is the best pedal I've ever heard. Having volume AND gain, plus two great EQ controls, plus THREE voices to choose from puts this pedal above every other boost on the market. Seriously, just buy it already.T. Slice
Another drive/boost pedal. The ability to switch between fat/clean/mid modes is a nice feature. Separate bass and treble is handy too to sculpt the tone. Only 4 stars though because the foot switch is terrible. Why can’t TC put the same switch as they do in the polytune?Reviewed by Andertons Music Co.
Took a bit of a flyer on this as I sort of have an end result in my head and im not entirely sure how to get there. i have a hybrid amp that has a touch of valve harmonics that im trying to exagerate. this is a step in the right direction (and with some fiddling might even be the thing) i think what i was expecting was more like a compressor, but this is more or a transparent drive type effect (at least with my amp). however it is first drive pedal that ive loved without faffing about with the dials for hours. am getting nice bluesy /seventies blues rock tones using the clean setting on the toggle, and the gain about midway. the fat setting starts pushing into proper overdriven sounds, but with a nice natural tone. so despite not being exactly what i was looking for (my fault) im really pleased with this pedal. so much so i might gift one to my kid. theres a tiny bit of noise when the level knob goes up high, but i get much the same from my SD1 so either its just the nature of the beast, or my set upReviewed by guitarguitar custome
13. Line 6 Hx Effects Multi-Effects Processor
Product Details:
Line 6 hx effects guitar multi-effects floor processor hx effects was created for guitarists and bassists who want our flagship helix effects for traditional amp and pedalboard setups. powered by the same audio engine as helix processors, hx effects includes the full array of helix effects plus legacy effects from the m-series and stompbox modeler pedals. all in a compact pedal that fits easily on your pedalboard. featuring the same hx audio engine as helix processors, hx effects leverages powerful dsp to run up to nine effects simultaneously. hx modeling delivers effects with unprecedented authenticity, and accurately recreates the behavior of vintage effects by emulating their specific circuits and components. hx effects features more than 100 of the same effects featured in our helix guitar processors, including distortions, delays, reverbs, modulations, pitch/synth/filters, compressors/limiters, eqs, wahs, and an on-board looper. hx effects also lets you load custom impulse responses (irs), allowing you to customize your sound even further. hx effects features an industry-leading 123db of dynamic range for tremendous depth and ultra-low noise. each effect is delivered with pristine sound quality to ensure an authentic and responsive playing experience. hx effects features selectable analog bypass switching to ensure your tone isn't compromised when the pedal is bypassed. eight capacitive-sensing footswitches with color-coded led rings, and six led scribble scrips enable intuitive effect selection and editing. simply touch a footswitch with your finger to instantly jump to any effect and quickly adjust its parameters. touch two switches to swap them. and touch and hold a switch to display all parameters across the lcds to see everything at once. eight capacitive-sensing footswitches with color-coded led rings, and six led scribble scrips enable intuitive effect selection and editing. simply touch a footswitch with your finger to instantly jump to any effect and quickly adjust its parameters. touch two switches to swap them. and touch and hold a switch to display all parameters across the lcds to see everything at once. like helix multi-effects processors, hx effects can act as the command center for your entire rig. communicate with other pedals or your daw software via midi din or usb midi, and control your amps from up to four amp switching outputs-all from hx effects.
Specifications:
| Effects Type | Distortion, reverb, delay, modulation |
| Range | 123 dB |
| Interface | USB, MIDI |
| Number of Amp Switching Outputs | 4 |
| Number of Scribble Strip LCDs | 6 |
Reviews:
Fantastic! If you already have an amp you love, the HX Effects is a great companion. I upgraded from a Line 6 M9 to the HX Effects, and was able to get rid of some of my auxiliary pedals in the process. My pedalboard now consists of the HX Effects, an expression pedal, and the channel switch footpedal for my amp (Hughes & Kettner Tubemeister 36). I'm running it into the amp via the four cable method, and it sounds great. The vast majority of the effects sound very natural and analog-ish, even the drive effects. There's no amp/cabinet modeling, but Line 6 offers other options with amp modeling if that's where your interests lie. Most of the built-in scenes aren't particularly useful – they mostly serve to illustrate what the HX Effects is capable of. But it's easy to start from scratch and quickly get to some nice workable tones. Then you can tweak to your heart's content. The HX Edit software is very useful – while you can edit your patches on the device itself, being able to do so on your computer and have them updated on the device in real time is convenient. The only area that might be a bit lacking is the reverb patches. Most are carryovers from the M9 – which are fine – but if this is an area that's important to you, you'll probably want to stick with a separate reverb unit. Overall though, it's a whole lot of options in an attractive package that sounds great.Lane Denson
I have a Helix that I've been using for a couple years now, but I don't think that the amp models feel "tubey" enough to my hands on the guitar (though they sound just fine, and my audiences say they love the sound of them), so to make myself happy, I had the Helix configured in 4 cable method, with some Helix effects, thru 2 Mesa preamps in one of the FX Loops, then stereo effects (delay, etc) then out to a Mesa 2:90 power amp and speakers. Realizing that I'm not using the amp models, I bought two HX Effects units, one for before the preamps and one for after, saved myself some weight, and gained 4 effects stomp buttons and one more expression pedal jack! (and, if HX Effects had been available when I bought the Helix early on, I could have saved hundreds of dollars to boot) One of my biggest peeves with the Helix was that you can put maybe 30 effects into your signal chain, but then you only have 8 stomp buttons (configurable to 10 if you don't need bank up/down) to access them without constantly switching presets or snapshots. with two HX effects, you get 12 buttons and 4 expression pedal jacks. AND the expression pedals don't need switches (heel position automatically switches them off) which is something I really love. I'm not aware of the Helix doing this, but I'll look into it. I use an outboard switchless Morley wah pedal (thru another FX loop) because I prefer switchless wah for what I do with it, then I have a couple expression pedals for Helix volume and pitch-shift (whammy pedal). Last weekend, I did a festival gig debuting the HX Effects pair vs the whole Helix, and my 10+ year old faithful Morley wah failed on me during soundcheck! Well, with a few easy button presses, I simply changed the whammy pedal into a Crybaby Wah and the gig was saved! Technically, I could have just as easily done the exact same thing with the Helix, but in either case, a life saver. Who brings a backup wah to a gig? Downside of the HX Effects vs Helix is # of slotsRad
“Did he Just Say what I think he did” is probably the question you’re asking yourself right now! Let’s be real, acquiring gear is part of the fun of being a mucisian! I love the thrill of finding a new overdrive, or swimming in a new reverb pedal, I love gear just as much as the next guy, and don’t get me started about the rush you get when you discover a new piece a gear that no else has! But let also be a honest, gear is EXPENSIVE, and if you are anything like me you may have a spouse who doesn’t look kindly upon the purchase of a new Pedal, plus I have run out of excuses as to why I need a new pedal! So in order to acquire new require me to sell old gear, which means usually I get less then what I paid so technically I’m losing money! The HX Effects has solved that issue for me, with so many different effects, that run mon and stereo, and to add, they sound phenomenal! In no time you can create a gigable rig with this one piece of gear! The learning curve is quick, you don’t need a a loop controller, or midi controller, it’s already built in! This is arguably one of the best gear buys I have ever made, no more losing money, no more unhappy wife, and with every update Line 6 makes, it’s like getting a basket full of new pedals! Do yourself a favor and save your marriage and buy one! Pros- •portable •gigable •sounds great •easy learning curve •usable pre-sets out of the box • Mono & Stereo capable Cons- •what cons?!
14. Keeley Compressor Plus Pedal
Product Details:
The legendary mr. keeley's creamy compressor gets gorgeous sustain, reminiscent of dimeola playing strawberry fields. sonny landreth tones are ready to roll out of your rig, with this gem at the front end to push all subsequent sounds and pedals into a bit sweeter dimension of smoothness, like a hand polished sculpture made of sound.4 knobs give you a fine tuned tone palette with a wealth of "sweet spots" across a spectrum of tones. can't find a bad one. just leave it on, like butter on your toasty playing. adjust on the fly for getting more moody, more glass, or more grit. flip the switch to set if for your single coils or humbuckers – yeah, keeley thought of that and gave us a head start to set up our primary tonality. this pro level pedal is a classy as can be! the box is long gone, but this pedal is built to last a lifetime of professional enjoyment.
Specifications:
| Control Type | Knob |
| Number of Knobs | 4 |
| Resistor Material | Metal |
| Capacitor Material | Metal |
| Indicator Type | LED |
Reviews:
I bought this compressor intending to use it with both Fender Strat and my bass guitar. I am a professional music producer and listened to the unit carefully in the studio headphones. It is a great tool if you know what to use it for. When used with a strat it makes the sound crisp and places the funky clean tone perfectly in the mix. The tone is somewhat on the colder side, with bright fluid sustain added to the sound. Think about it as a sustainer first and then compressor. Great tool in the pallette. However, there are a few things to keep in mind: – the unit makes a sub low cut when engaged even with the minimum effect added to the direct signal. Bassists bear this in mind (unless you are a hardcore punk bassist playing with distortion and a pick and don't care much about your sub bass tone). It can also be felt on the clean electric guitar sound (if it's funky tone in the band setting you would cut off the low end of the strat anyway). – with higher compression ratio settings you get more sustain but some noise is also added. – if you want to use the 9V battery with the unit keep in mind that to change the battery you need to use a screwdriver for 4 screws to remove the back panel of the unit.J
I love this pedal. I play an Epi Les Paul Classic, into my pedalboard, and into a 90's Peavey Bandit. The amp has a Jensen Mod soesker, not the original Scorpion speaker. The Bandit with this speaker has a great clean channel. I'm a long time Fender guy. Strats and Teles. I like a clear, bright fundamental tone. I found myself compensating with the LP and using the bridge pickup a lot. But still not satisfied with the clean tones from the LP. That changed when I put the Keeley Compressor Plus on my board. The conbination of the Blend control and the Tone knob gives me what I want. The Tone control is, to my ear, an exceptional circuit. I get the bright, clear tone I need and superb sustain. This pedal is a godsend for playing slide. The compressor goes before my dirt pedals with beautiful results-1-. I use a Boss SD-1 overdrive and a Donner Dark Mouse – a Rat clone. I'm very impressed with this compressor. I put all controls at about 12:00, which the manual recommends for humbuckers. Minimal tweaks from there to get what I want. I love that it doesn't squash the life out of my pick attack. It is always on. Works great with acoustic/electrics as well. Great, musical piece of gear. Well done, Mr. Keeley.Mister G.
Bought it to replace a cheaper compressor pedal that I wasn't happy with. Having been used to high quality rack compressors, was looking for a compressor pedal that could keep up to the bare minimum quality I need to record at home. Inserted it on my signal chain, turned it on and it was pure magic, just couldn't stop playing and fiddling with the controls. Especially love the blend control, that gives this pedal a lot of versatility. For the price you get amazing quality. Really, buy it, you won't regret it.
15. Mxr Evh 5150 Overdrive Pedal
Product Details:
Here we have a new mxr evh 5150 overdrive guitar pedal designed in collaboration with rock guitar legend eddie van halen delivering a powerful range of tones heard on records spanning his decades long career. the mxr evh 5150 features output and gain controls to set your volume and distortion levels, 3-band passive tone stack eq to shape and the boost switch to kick it into high gain and extra compression. if you have any questions, give us a call or stop by to check out our selection of mxr evh pedals at ken stanton music and save today.
Specifications:
| Power Source | Battery |
| Weight | 0.95 lb |
| Height | 1.5" |
| Width | 5" |
| Depth | 3.75" |
Reviews:
Fantastic quality. The tone is great and although I have other overdrive pedals like Boss, this one has immediately gone on my pedalboard. Love the noise gate button addition and the equalisers mean you can change the feel really easily. Also it’s a little smaller than expected which means it fits great on the board. Front centre! Delivered quickly too so happy with the service from PMT!Mark W.
What you don't hear in the demo videos is NOISE, but life is full of compromise. Low budget? No place to open up 50 or 100 watts? It does have nice tone characteristics. I have 3 different to test drive. A Blackstar Stereo 20, Marshall MG10, Carvin SX50 – It definitely adds to the built in varity of the Blackstar; okay with the Carvin; sounds like crap with the Marshall. You can not "overdrive" the amps natural overdrive. You have to run it into a realitivly clean sound. The noise gate peters out the signal on sustained notes, which can be taxing. I have a Charvel So Cal, Fender Tele Player, and a Kramer Beretta: the effect of your guitar's sound is marginal. The difference is in your amp. The Bottom Line: I say, test a floor model, through different amps at the music store. If you like it, buy one USED from SamAshDirect… But if you want THAT EVH SOUND – buy an amp… And keep shredding!icor57-2
This overdrive pedal is used by many pros now in their pedal chain to layer gain stages and I fully understand why now. The noise gate is an excellent addition to my chain, smooth saturation and warm distortion to screaming high gains. Don't be afraid to turn the knobs really low, you will be much more impressed if you do and will likely have better results. This staged with a tube screamer, a TC micro boost and an MXR EQ pedal is a killer setup for stage or studio. Plug in and rock!Gypsy Bones
16. Keeley Dark Side Pedal
Product Details:
Great sounding fuzz and modulation pedal. get pink floyd style tones. flanger, u-vibe, phaser and rotary mod modes. 3 fuzz settings. made in the usa. the dark side is a really good pedal for a minimal setup because you can get so many different tones with it. for the fuzz you can even verge on a mild boost to give you lead an extra push, but crank it up and you've got more aggressive fuzz tone. modulation gives you great sounding flanger, u-vibe, phaser and rotary. you can either fuzz or modulation individually, or together. there is also expression pedal compatibility which dictates modulation repeats. there's also a delay setting which then uses the secondary mode you can see on some knobs.
Specifications:
| Pedal Type | Multi-Effects |
| Dimensions | 3.25" x 6.75" x 4.37" |
| Weight | 1.2 lb |
| Input | 1 x 1/4 |
| Output | 1 x 1/4 |
Reviews:
Very versatile foot pedal. Gives a pretty realistic 'Gilmour' vibe to your sound and has lots of different settings to choose from – I haven't had the chance to try them all yet. Yes it's expensive but it probably does the job of 3 or 4 other pedals all in one package. Cool looking as well, in black with the prism logo.Reviewed by Andertons Music Co.
About Me: I am a life long guitar player hobbyist. I love experimenting with pedals to build parts of songs for recording and for inspiration when writing a song. About The Keeley Darkside Pedal: This is a pedal that many people will buy, set the settings to the Pink Floyd sounds, have fun with it then probably sell it. The people that don't resell this pedal will be the ones that think outside of the Triangle and experiment with it. Use the External food pedal and really get the full use from the Tape Delay, Phaser and Rotary. The ability to blend the Flange and Phaser and the Rotary and Univibe are a few things that make this pedal really special and unique. Then add in the vintage Fuzz which you can adjust the Fuzz Filter. You can set the fuzz to Flat, Full or Scoop. You can also adjust the level of the fuzz and put the fuzz before or after the Flange/Rotary/Phaser/Delay. The Tape Delay is incredible and really easy to dial in and start playing something inspiring very quickly. This pedal is much like the band Pink Floyd where they are both extremely experimental and have no limits on what you can create. I love to use the Tape Delay with the Expression Pedal because I can push the pedal forward and get the repeats to go endless then lift up my foot to let that fade as I add textures on top of that. I highly recommend this pedal and I highly recommend experimenting with it. Think outside the Triangle and you will have endless inspiration and fun. About My Experience With AmericanMusical and Pay To Play: I purchased the Keely Darkside from AmericanMusical.com. I opted for the pay to play and have been doing that for years. Its a one time fee and does not reflect on your credit. What I love about Pay To Play here at AmericanMusical is breaking up my payments by each Paycheck I get. Rather than one payment a month. This allows me to spend less and purchase gear for more money than I would typically spend. Either way, the Pay To Play has been a great experience here. AmericanMusical has the best customer service. They respond quickly. They are great. I will be a life long customer.Nashville Mike
I love this thing! Fantastic audio quality. I think the fuzz sounds really great. Easily among the finest Big Fuzz clones on the market and I like the fact that you got the 3-way mid range switch, allowing for a wide range of different tones from the era. And the filter really lets you hone in the tones. My main issue with the Dark Side is the fact that you can't have a modulation effect and the delay selected at the same time. They share the same circuit and can't be used simultaneously. Delay is a critical part of David's sound. Overall, it sounds great and I have had no problem using it as a part of my rig. This being the 2nd iteration of the pedal, I do wish Mr. Keeley would've left the insert capability. I prefer to have my overdrive after my Fuzz, and before any modulation.MetalChief
17. Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Product Details:
It transposes an instrument s pitch over a +/-3 octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. the pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage. the 11 position shift switch selects the maximum transposition interval. the latch button selects latch or momentary mode which affects how the footswitch and exp input behave. the default glissando rate is 60 milliseconds when nothing is plugged into the exp input.
Specifications:
| Power Supply | DC |
| Current | 200 mA |
| Voltage | 9 V |
| Number of Knobs | 2 |
Reviews:
I use this with a Mission EP-1. I got this instead of a whammy pedal for its polyphonic capabilities and smaller footprint. With an expression pedal it's incredibly versatile. The pedal does color your tone a bit when it's switched on. As far as I can tell, it compresses the guitar signal slightly. It does not sound bad at all. I'm hugely influenced by Trey Anastasio and I use this setup the same way he uses his whammy pedal, which is mostly for down-bends when playing lead, with the occasional octave effect. When playing with an expression pedal, when you start to bend towards the end of the effect range, tracking starts to lag a bit. Since I don't use this for detuning, this really isn't an issue for me. For whole step down bends and octaves this thing is absolutely killer, however I have an AnalogMan CompROSSor on the way that I'm going to put directly after this to hopefully help even out the subtle variations in tone through the range of the effect. Trey uses this to his advantage with his whammy pedal, but I also plan to use this for the occasional faux slide lick and the compressor should really help make it sound more authentic, like how Jimmy Herring uses his whammy bar. With the Mission EP-1 the setup ends up being more expensive than a digitech whammy pedal, but I think it works better, having owned a whammy pedal in the past. I can see how some of this pedal's shortcomings could be dealbreakers for some players. I would not recommend it for detuning, but for everything I use it for, it's vastly superior to the digitech whammy pedal.ERockwell505
Suggested by Sam Ash associate who actually listened and asked questioned and who had extensive 1st hand knowledge of this great pedal. Otherwise Never woulda bought. Opened up whole new harmonic vista for my clumsy attempts at playing. Key word is Musical. Followed by simple, and from New York City!GEORGE
This is a very interesting pedal to expand the tones of your guitar. You can make it sound like a bass or even octave higher. Just name a few you can make it play a major 3, minor 3, perfect 4 and 5th and more than that over the note you are playing. It's like someone is playing with you. Well worth the money. Recommend just to give yourself some ideas on expanding the band. For example if I have it on perfect 4th. It will give me idea on how if a keyboard would sound playing along in the fourth of my notes. One example, also what 2 guitars would sound like in unison.
18. Tc Electronic Thunderstorm Flanger Effect Pedal
Product Details:
I bought this new from thomann for a pedalboard project i never finished when i was living in europe. still factory packaged as shown in photos. if you long for classic flanger tones, the tc electronic thunderstorm churns out a take-no-prisoners flanger frenzy that's guaranteed to curb your craving. this guitar stompbox boasts a vintage-style bucket brigade circuit for authentic analog tape-like sweeps and lush-sounding chorus effects. this outstanding analog effects pedal features an easy-to-dial-in 4-knob interface with rate, depth, manual, and feedback controls. the guitarists appreciate the thunderstorm's roadworthy metal housing, and its true bypass design maintains your tone when the effect isn't in use. if you're chasing rich, 3d-inspired modulation tones, the thunderstorm flanger delivers the goods.
Specifications:
Reviews:
Just plug your phone in and use the free toneprint app to add up to three custom toneprints! Several already in their database or create your own. Pedal can do 2 simultaneous harmonies, above and/or below the note you are playing. Button has built-in expression function which is pretty cool and useful! Awesome pedal!aaronplaysguitar247
First impressions. Fast tracking and good options. Well laid out pedal. Would be more useful w/ different scales rather than just major modes, but the modes are a fun way to interact. Tone reproduction seems very synthetic. (Used on sax not guitar). The mash pitch bend is a great idea, however the tone of the harmonised notes is so plastic that it's not worth it for me. The Digitech DHP55 harmoniser i had in the mid 90s killed this. But that was a high end rack mount multiFX unit. Maybe on distorted guitar this would be a lot more effective. This is a well designed user friendly pedal at a great price that I'm sure will be a lot of fun for plenty of players. EDIT: those were first impressions on the day it arrived. After playing around a bit more today I found adding reverb after the Harmonizer really helped. Still sounds plasticy but its a fun effect. The modes setting is actually is a good way to interact. Tracking is superb and it also does a good job of harmonising chromatic/non diatonic notes.27jjk
Let me start with… The only good features of this pedal are the esthetics and nothing else. Having tried out other tc electronic models this is a real disappointment. The pedal features C D E F G A B tonal options with # toggle with and mash for infinite tonal possibilities however… When it comes to the scales it offers 10maj, Dorian, Phygian, Lydian, Mixolydian, Aeolian and a custom form if you ever get them to work in the toneprint app. From the harmony perspective it offers -6th, -4th, -3rd, 3rd, 5th, 6th, 3rd and 5th, 3rd and 6th and 3 tone print options if you ever get to make them work. I downloaded the tone print app on my apple Mac and I never got it to work. However the iPhone and iPad apps work only if you invest on a 35$ on a convertor-cable. After careful playing around with then tone print app the toneprints never saved any of my custom presets. The minor thirds never latched on properly, the feel is plastic and not organic, even though it is a versatile pedal it really lacks in quality. The octave does not sound deep and round as other brands, the only good solid song are 5th or dual 5ths. I wanted to use this pedal for harmonizing either Iron Maiden or Queen riffs but I would suggest to jam it out with a buddy because this will definitely provide that sweet double guitar harmonized tone.Rickingo
19. Electro Harmonix Freeze Sound Retainer Pedal
Product Details:
Capture a frozen moment and turn it into a tonally unique sonic foundation. the electro-harmonix freeze sound retainer delivers infinite sustain of any note or chord at the press of a momentary footswitch. release the footswitch and you are again sample ready. three selectable decay rates, including a latch mode, guarantee liquid, smooth tonal transitions. hook the freeze up with your favorite pedals for a sonic collage that will be unlike anything you have ever heard. it's like adding an extra musician to the band.
Specifications:
| Indicator Type | LED |
| Width | 2.75" |
| Length | 4.5" |
| Height | 2.1" |
| Input Jack Size | 1/4" |
Reviews:
Great little device. Different to a looper. Great for creating background washes of tonal color on-the-fly. If you got adept at it, you could use it to great effect in live performance. Personally, I use it to practice scales and arpeggios. Very effective and easy to use. I don't know how different or similar the electronics are, but it would be great to see this device combined with a looper. They're similar in concept. An extra stomp switch combination, and you could be looping, not just freezing. Not a criticism. Just a suggestion.jamesbwar
This is a great little pedal! Whether I need to sustain a note or chord while playing/riffing over the chord, and/or using it to hold a note in a live performance, this pedal can do it. It's a seamless sustain pedal that you can't hear when it's turned on or off. This far exceeded my expectations. I currently use this pedal with my bass to hold keyboard notes while playing my bass lines (since our band doesn't have a keyboard player).SLoveland
It's a nice pedal it's like a sustain pedal for the piano but for the guitar. Really fun to use. Been using it on my gigs ever since I got it. Works great for ballads and intros. The only issue is the foot button makes a loud click. Seems that they would have put a silent one in over the loud clicking one. Also wondering why they couldn't have made it more like an actual pedal like a wah or volume pedal… I've never seen one for the guitar so I imagine it has something to do with capturing the sound. But electro-harmonix if you're reading there's an idea for you. I know a lot of guitarists that would love a pedal that you can work like a true sustain pedal.Marco
20. Tc Electronic Skysurfer Reverb Effect Pedal
Product Details:
The tc electronic skysurfer reverb pedal is a packed full of versatile reverb options for adding texture to your performances. housed in a robust, compact chassis, the skysurfer offers three reverb modes including spring, plate and hall for an effective sound. with its true bypass circuit, this compact pedal maintains a clear consistent sound even when not in use. as well as tone, its basic three-knob layout provides you with an easy-to-use interface that can be easily tweaked to achieve the perfect sound. like others in the tc electronic series, the skysurfer features top-mounted jack input/output, allowing you to optimise the space on your pedalboard.
Specifications:
Reviews:
I've owned 8 reverb units over the last 30 years. This is a nice one. I just set it on the spring setting at about 8 o'clock and leave it there. Too much reverb sounds like a joke anyway, I grew up w/ spring reverb sounds from Fender amps like Princeton Reverb, Deluxe Reverb, Super and Twin reverb. etc. This won't sound exactly like that, but for the price it gets pretty close. It will work fine for recording/ performing w/o issues. I did notice it sounds different when using a single coil guitar vs. a Humbucker, that's a standard issue. True bypass is great. You can buy with confidence ,but you need to understand it's not like spending major money on a high end unit. I can say , no one will ever say, "hey that's a bad reverb" who will ever notice that…. maybe some super sound studio recording guy with 40 years of studio time ? who cares, plug it in a dial in a setting you like and play and enjoy.VJ
Excellent budget effects pedal – Great value – Has 3 basic settings Spring/Plate and Hall – Reverb sweep is very limited range, but mix control is almost unlimited (you can adjust to make it sound like your playing in the next house!) – I generally only use reverb to add snap to a dry signal amp, so was not expecting true ambience at this price range. *Pros – Robust build, large sweep controls, very quiet and clean, True bypass, optional 9V battery (you don't see many of those today do you?) Cons – Pedal adds slight boost to volume, beneficial to accent effect, but need to compensate when/if switching Off mid performance? Feefo failed to post this review??Reviewed by Andertons Music Co.
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