Guitar Amp Simulator Pedal For Sale (2024 Update)

These cabinet simulators are okay when it comes to recording low to medium gain tone. The problem starts when you compare what these IR's give you compared with a high gain amp recorded at high volume. I've yet to hear an IR that captures the elusive loud quality of a cranked speaker cabinet. It's a bit like comparing an mp3 with an analogue recording. They sound fine until you do a side by side with the original. That's when you hear what's missing. A cheap, usable solution, but not them same.neil.the.hippy

Ive never used sims before. I record the old fashion way. Eventually I came to my senses and tried it out. I get really convincing amp tones now direct recording without bothering anybody. I use a tube preamp to give it some organicness and the radar really handle speaker types and power tube arrangements and eq settings . Ive loaded other irs into it with great results. I get a slight latency but doesnt bother me to the point of playing out of time. Ive tried out of pedal board to radar than a powered speaker and could use like an amp in a pinch, very convincing amp tones. Super happy with this product, glad I finally entered the modern world.cdoch8789_ncltfoyxr

There are 2 things about this pedal that make me feel it's pointless. Firstly the interface makes it near impossible to edit. You need to download the software and edit it with a pc. If you have a pc, you don't need to store your IR's on this pedal. If the software was available as an app, it would help. But it isn't. 2nd. I can understand the logic behind miniaturizing the pedal, but miniaturizing the manual so its near unreadable is just stupid. The PDF is a far better option. On the whole, an expensive way to store your IR's. Not a product I'd recommend.neil.the.hippy

9 effects in line plus the integrated booster, a Z expression pedal that allows you to put a left-right effect and another one in the up-down position. The best amps simulators i've tried. Excellent heavy-solid construction, 4 integrated screens that give you the opportunity to switch on and off the effects selected… balance out output to give you a full wave audio (left and right together). Awesome multi-effect!!!edwardochoa

This Effect Pedal ROCKS!! It is NOT to hard to learn, Its Quite Easy. i LOVE the "Effect Pedal Pictures" on screen, That alone is what sold me! 🙂 You Will Scroll Left & Right To SEE ALL "9" Of the Effect Pedals Your Useing For Any Givin Patch. The 3-Controls & 3-Buttons Under every Screen, is ALL you need to Adjust THAT Single Effect Your Looking At On THAT Screen! Pure Simplicity! This Pedal gives you Awesome Patches to start With! ZOOM Dont Mess Around! They Give you ALL You Need To Start Right Out Of The Box! Plug it in, & Thats IT! Your ROCK"N From The Start!! I Cannot tell you anymore, or i Will Be Banned! =) Keep On Rock'n Everyone!! 🙂world_guitar_quest

I purchased this unit to eliminate numerous stomp boxes and/or a rack with a PSA1. I do many fly out dates and needed a compact all in one pedal FX unit that sounds great through a PA. I found very good sounds within just a few minutes. I don't use many of the FX that are included. I play in an 80s rock tribute and need good drive and clean sounds with delay, reverb, chorus. Two complaints at this time are the pedalboard switches are way too close to the adjustment knobs. If you don't take your time when stepping on the switch, you'll hit those knobs when switching channels. It is such an issue for me that I'm fabricating a knob guard. There is no XLR output. This would be very helpful, but I have a good DI Box that works great allowing me to send an XLR to the sound man and a 1/4" to my in-ears mixer….. My other guitarist has a AxeFX unit. Obviously his is far more capable but for live performances through the PA his doesn't sound $1100 better than this Zoom unit. So for a good live sound on a budget I highly recommend the Zoom….lanesuzza

Overall, very good for my needs as a bedroom guitarist. I chose this multi effects units over the more expensive brands simply because it had built-in drums and looper which the other brands didn't have.Reviewed by Andertons Music Co.

It arrived a few days ago from MF. I want to highlight what I like about it without repeating the contents of its manual. Bottom line, for my usage replacing a Fender black panel Deluxe, a spring reverb, and a Tube Screamer, it is excellent. I am using the Vibro King amp model for most of my tweaking, but I also set up the Twin Reverb (super clean), Super Reverb, and Marshall JCM800 (crunch even with the guitar volume relatively low). The Twin model would not distort without a boost included in the "scene" even with my guitar and the model volumes at 10. That was the one anomaly from my expectations. I like the Vibro King model, amplified by my QSC CP8 (on the floor, on its side, backside EQ set to floor monitor), and do not prefer my now sold Tone Master Deluxe. The first thing I did was download the 2022-10-31 Firmware update and install it. Instructions to put the pedal in "DFU" mode to accept the update were missing. A YouTube video found via Google explained to hold both foot switches while powering up. Next, I installed the main NuX App for my Mac. I disabled the third "scene" such that the "scene foot switch" becomes a "scene" toggle (one cleaner, one with the Tube Screamer engaged, both with spring reverb). I then went through the amp models I planned to use (two "scenes" each, which must be done individually) and set all the controls to 12 o'clock. I tweaked the amp, spring reverb, and Tube Screamer to taste. I now have three ways to boost for an overdriven solo starting with the Vibro King as my clean base: turn up the guitar, foot switch to the Tube Screamer "scene", or foot switch to the JCM800 amp model. I explain all this detail because it took about an hour and without this work the pedal is disappointing. The software was almost easy enough to use without the nonexistent manuals (to do it again it would take much less time). Once done, everything can be adjusted via the knobs and optionally saved with the left foot switch. No menus to navigate at a gig. You can see in the pictures that it is quite small (Tube Screamer for reference), weighs exactly 1 lb. (less than that Tube Screamer), and draws only 3 watts. Leaving it run over night only gets it to room temperature. My old HX Stomp would have been hot to the touch and required a 20-watt power supply. Is it a Universal Audio quality Twin Reverb, Super Reverb, JCM800, or Vibro King modeler? Impossible for me to know. But for what I want, a classic black panel 60s Fender amp tone, spring reverb, and foot switchable Tube Screamer, it is a complete solution in a small package. No aspect of IO is missing (XLR, USB-C, ¼", 3.5mm, MIDI over USB). It also has an effects loop, graphic EQ, all the usual reverb types, 1024 IR loader, a selection of boost/overdrive/compression pedal models, and a noise gate which I've not tried. If one of the amp models is acceptably flat response you could use its 1024 IR loader, reverb collection, and compressor collection for your acoustic guitar too. Wow! What's missing? For my usage a master volume not associated or saved with an amp model "scene" would be nice. It does make a click when switching amp models or "scenes". Sometimes when switching amp models there is a noticeable delay.Jon

I recently replaced a 5 watt Roland cube street with the more powerful cube street EX. I was disappointed that the EX did not come with Roland JC setting. The clean setting on the EX produced a sterile, cold sound that I warmed up nicely with the Behringer tube modeler. This was my only reason for purchasing this pedal. I have occasional use for a battery operated amp and this pedal allows me to get the warm tones that I require.Richard

Case is plastic to evidently help with cost. With the cost of musical equipment any help is great. I take very good care of equipment so I do not "stomp" on them. Pedal has quality sounds that seem to work within relm of eq'ing. This pedal has it's own drive built in although a bit sensitive. Take your time and you can dial in some quality tones and sounds. I play lots of various music ranging from southern, blues and Christian rock and have been able to fine something nice that works with each style or genre. Again the pedal controls seem a little sensitive so take your time when you start with the pedal. I enjoy expermiemting so this facet is a-ok by me. Over all good pedal.Bo L.

great value; plenty volume on tap; treble and bass very usable; does color tone a bit but in a good thick way; less bass helps clear up the sound a bit. with small toggle switch in down pos perhaps a little more transparent and with toggle up adds a little more girth to the tone. flat response with vol around 1 o'clock, gain at 7 o'clock, bass at around 10 o'clock and treble around 3 o'clock (at least with my circuit…); gain begins to gets very "gainy" adding significant volume at around 10 o'clock and from will continue to increase to an extreme full tone slightly mid scooped distortion. not designed to be a big bumble bee crackly fuzz but like its label states an "overdrive" and will defiantly push your amp into breakup from mild to extreme.baycman

This pedal has gotta be one of the most underrated OD pedals out there…. especially given its price point. I have A,B'd this thing against modded BD-2s, modded OD-3's, and the SD-1W and the Mojomojo is just bigger and less tinty. I dont want it to be, but it is. It is a wonderful sounding OD and is great for OD rhythm sounds. It is in the cranked Marshall class of OD's so not to be confused with the green OD pedal. The only area that some of my modded ODs beat it in is sustain. It does tail off on lead stuff sooner than some more expensive pedals. That is the only area that it doesn't win though. You can also use this as an always on boost as well. All in all this thing always seems to knock more expensive pedals off my board time and time again. Highly recommend this pedal and at it's price point it should be in all OD aficionados collection.KL

How odd. This review was flagged for writing Big Mu** using the two F's 🙂 For the money, this is a really hard pedal to beat. It goes from mild and laid-back to wild and intense. The controls feel great…like as in excellent quality. This is a reissue of the original Big Mu** PI. I tried a Big Mu** PI with Wicker and forget about it. It hissed so loud in Wicker mode that I couldn't even here myself think and it got even worse with the tone switch off. And even in the so-called Big Mu** PI mode, it didn't sound anywhere near as good as this Rams Head does. And, the Rams Head is quiet compared to the BM PI with Wicker. One more thing, The BM PI with Wicker does not say anywhere on it nor in the included paperwork where it's made, whereas the RH BM PI clearly says New York City on the face of it…Vincent

Overall: Floats like a stone and stings like a nest of angry hornets! This box has the buzzsaw sound down pat. The fuzz is a thick, smooth, and consistent. I like this kind of fuzz in particular because it’s less fuzzy and little more distortion-like. The Tone knob has a really wide sweep from boomy bass to mid-range Hades. It has plenty of gain on tap and even sounds pretty good with the guitar’s volume rolled back a skosh.I’ve never used the original Green Russian Muff and have only heard them compared through videos online, so I can’t speak as to how they’re different/alike. I got it because I didn’t want to haul my vintage Black Russian Muff around from gig to gig anymore because it’s getting valuable and since it was a pretty jenky design to begin with, it’s liable to break with heavy use. That being said, the reissue Green Russian Muff has a different sound than an original V8 Black Russian Muff. It doesn’t sound as good to me, but it’s not so different that I wouldn’t use the Green Russian live in lieu of the Black Russian for the aforementioned reasons. One huge plus for the Green Russian is its pedalboard friendly size. The Black Russian is the size of an 80s metal lunchbox and took up an awkward sized chunk of the pedalboard. Now there’s more room for other unnecessary boxes (gulp)! One noteworthy ding for this pedal is how difficult it is to see the script on the top of the pedal. The words are printed right underneath the knobs, so if it’s kinda dark (which it usually is) and the lights are all in front of you (which they usually are) the words are impossible to see. Overall it’s a nice fuzz especially for the price. It’s noisy, but once the music gets rolling you won’t even notice it.Brad

I've had this pedal for about maybe 5 months, great pedal. The best thing to do is to always read your manual because this particular pedal shuts off. That feature is to save you battery power, or just being on too long when you walk away. I hadn't gotten use to that at first. It pays to read the manual to figure out how to do it. But the Selections in where the layout is for the different tones, for rock and roll, blues, heavy metal, and R&B is it great pedal.astringmusic

It' easy to blow an afternoon exploring the wide variety of sounds this pedal can produce. While many of the effects are great there are quite a few duds mixed in there. You just have to play. There doesn't seem to be that much logic as to how the effects are grouped. You really need to write down your favorites. Out of 100 effects I think almost anyone can find 20 that they really like. Great pedal for the money.Lenny G.

I was looking at purchasing a Helix LT and upon researching I came across the Pod Go Wireless. It does everything I required from the Helix but at less than half the price, size and weight. You can dial in some great tones, I use it through an 80w Marshall combi straight into the FX return (turning off the cab sim on the Pod) and it sounds very impressive. The amount of effects to choose from is incredible and you can tweak so many variables to get that perfect tone. The wah treadle is very good but it’s not so great when used as a volume pedal as it doesn’t seem to gradually increase/decrease the volume, it’s almost on/off. The wireless feature is very good, I’ve not had any connection issues and don’t have to worry about treading on my cable, which I’m very prone to. Overall, for what I need in a jamming/garage band capacity it is perfect and I’m very, very pleased with the purchase. PMT delivered the next day, it was very well packaged and was the best price I found on the internet.Martin M.

It's a nice pedal as utility pedal for only needing the one effect. Enjoying the tremolo, reverb, flangers. You can set the effect to a preset (up to 24) and flip through them on the fly. Renaming the effect is a pain, having to use the dials! The distortion effects are weak but can be used with your dirty channel to be usable like using a fuzz otherwise it sounds thin and not usable. I'm not having any grounding issues and I have it powered through a pedal board brick. I have it running in front of an orange tube amps.BJ

About 100 pedals models for less than £100. Some in stereo and can be output in stereo or mono. Straight out of the box some models sound very good to me, I especially like the tremolos, some of the reverbs and delays. Also I quite like one of the chorus models (an effect that does not usually use) and one of the overdrives. Have to try tweaking the uni vibe and phasers but I'm sure there will be useable sounds in there My rating for sounds reflects my view that I find some bad and others excellent. It has plenty of features, is well made with a sturdy metal enclose, comes with its own power supply and is easy to use. All in all I think it is worth the price and worth considering if you want access a wide range of effects. Probably better for recording rather than using live.Reviewed by guitarguitar custome

This pedal is perfect for anyone who is running their complex delay/reverb/ambience stuff in an effects loop, but needs a 'swiss army knife' pedal for effects that need to go in front of the amp (distortion, wah, phaser, etc.). I was playing in the pit for our local HS musical last fall (they haven't had any electric guitarists…or bassists or drummers for that matter… in the student population for the last 7-8 years…I blame vocalist-centric reality TV shows….but I digress). The show was "Sister Act" and, unlike the R&B tinged '92 movie, the (2006) stage musical is all late 70's disco style. Needless to say, I needed a wah-wah pedal. Instead of shelling out the same amount for a decent 'one-trick-pony' wah pedal, I opted for this unit, as I have been looking for a multi-function 'in-front-of-the-amp' pedal for a while, and I already had an expression pedal for my keyboard. My expression pedal was the dirt cheap M-Audio plastic one that, according to Line6's own website, shouldn't work with this unit…except it did. Yes, even when toggling the "M-Audio/Other" switch on the underside of the pedal, at first It either didn't work at all, or worked backwards. But then, I discovered the genius programming built into this little gem. If you rock the EXP pedal either fullup or full down, you can manually set the heel/toe values for ANY of the 5 adjustable parameters in a given effect. SO…….In the tube/tape delay effect, for example, I have it set so the repeats, drive/gain, and "wow/flutter" all increase (each by individually set amounts) when I rock the EXP pedal from heel to toe. Add to that the fact that this is a dual stomp switch pedal with a dedicated tap-tempo switch, and you have an ultra-controlable delay unit. My only niggle is in the auto-wah/'tron' department. While they have a few dynamics-based filter effects models, only one is a dedicated Mu-Tron/envelope-filter type effect. What's more, since they only have the one model, and only 5 adjustable parameters, they decided to allot some of those 5 precious parameter knobs to things like "high-/low-/band-pass filter" and left out the crucial "sensitivity" setting. My rig is old-school; vintage non-master-volume amp + tube screamer + THD Hotplate. All my gain/distortion is controlled via my guitar's volume knob. The problem is, with no 'sensitivity' setting on the 'Tron' effect model, you only get decent results if your guitar volume is full up on or near 10. Unfortunately, most of the situations where you want to use this type of effect are with a relatively clean tone. But, since I can only get said cleaner tone by rolling back my guitar's volume, I don't have enough signal to trigger the wah effect. Instead of including some of the 'cool-but-of-limited-usefulness' models like "Comet Trails" in this section of the pedal, I wish Line6 would have had multiple 'Tron' models (high-/low-/band-pass) with sensitivity parameter adjustments all 'round. Full disclosure; what with my fore mentioned rig, I have not at all explored the distortion section of this pedal, and thus cannot comment on it's quality or lack thereof. I have at least dabbled in the modulation section, and done extensive exploration in the filter, delay, and Reverb sections, and found them all adequate to superior in tone and 'controlability' (OK, maybe not a real word…yet). And, c'mon, for $130? You really can't beat this!mikeoxmal

This little guy is used on tons of pro boards all around the world, and it's no wonder that it has done so well. With just a single knob, you've got yourself an amazing clean boost, to either punch yourself through during a live scenario, or to push your amp into saturation. This pedal has various uses, and is extremely effective at what it does. It works well as an "always on" type of pedal as well, or to be kicked on for certain parts of a song. The MXR build quality is also there, ensuring that it will last years of use and abuse on any pedalboard.CoopDbomb

The MXR Micro Amp is perfect for more than one application. It can be used to enhance your rhythms or it can be used to boost your solos. With only one knob it is easy to "set & forget" and when you need it at that special moment it will be there for you. With tone that's clear and precise. So if your looking to add to your overall sound, look no further than the MXR Micro Amp. It will not only enhance your over all sound, but it will inspire your playing as well.guitarmandj34

I was reluctant to buy this pedal because of it's simplicity. It is now on the top of my list of pedals. I was using it at first for parts of songs that need a punch. It works great for that, but now I find myself using it all the time. I have dialed it in with a Blues Driver pedal and a delay with some reverb and it is the sound I have been looking for. This pedal is so simple but so awesome. I highly recommend it.Mark C

I purchased this one pedal to be all the pedals I don't want to buy as single units. I have an extensive pedal collection but I have grown tired of hauling around a pedal board filled with effect units I only use every now and then. I decided that a good way to remedy that would be to add a pedal that could function as simple delay, reverb, boost, and modulation. I have greatly reduced the amount of pedals on my board thanks to this unit. The weakness of the VOX Stomplab IG is in the distortion/overdrive/amp selection. I didn't find any that I found pleasing to my ears but I didn't expect to. I did find a few low gain overdrives that were acceptable but nothing I loved. I intended to keep my overdrive and distortion pedals my board anyway, so I wasn't worried about it. The compressor is solid, but a bit noisy. The delays and reverbs are quite good and I consider those alone, worth the price tag. my pedal board is now just a few choice pedals and the VOX stomplab IG serving as single and multi effect pedal. Overall I am very happy with it.Mesa Ari

I am trying really hard to like this. With regards to the preset effects, some 9fnthe sound pretty good. But some of them, it's like they are non existent or pretty horrible sounding. The other issue is you are supposed to bypass the effects. But of you do, your volume reduces so significantly that I either have to turn up the volume on the amp, or disconnect this thing all together and connect directly to amp. The last issue is that creating your own defects is pretty hard to understand. The instructions are not very helpful and it is pretty hard to understand the abbreviations used on the box to figure out what effect you are working with. Oh btw, you have to hold the power button down for a couple of second for it to turn on. If you don't it will seem it is not working. So, this thing is not horrible, but the verdict is out as to whether it is something that will end up collecting dust in a cornerJohn, G

Sturdy unit full of good quality effects. This is the first "cheap" unit that has impressed me with its pre amps. It even manages a passable vox sound that others at this price point fail to achieve. My favourite things about this unit are as follows : 1. The amount of usable presets out the box. Even the more whacky ones can generally be quickly tweaked into something usable. Other brands tend to fill their presets with ridiculous over the top high gain, and what I would call low budget sci-fi sound effects. Boss have done a good job with the GT1. 2. Ease of editing. While you can access the effects chain easily through the menu system, the buttons along the top physically represent a typical effects chain. Press and hold for a second on any one and you are straight into the effect behind it for easy editing or changing to a different effect. Negatives: lack of an on/off switch. It switches on by plugging in an instrument cable – minor annoyance but that's just me. Only other thing is no battery indicator, and I seriously doubt the 7hr battery life claim. The supplied ones died after about 2-3 hrs and the duracells I replaced them with haven't fared much better. I do have a power supply but wanted to see how the battery's would hold up if I had to do a gig on them. Probably wouldn't trust them and would carry two sets as backup rather than one.David B.

This is overall a great pedal. This will give you a wide variety of tones and effects that you can personalize for whatever music you play. Other pedals will offer maybe one tone and you may have to try different ones and might not be happy with them or have to buy multiple ones and spend lots of money to have a well set up pedal board. You can literally spend all day picking out distortion pedals and feel lost on where to go. With this you can go through a wide variety and set it up however you want and save the settings. This isn't some plug and play kinda pedal. You will need to spend time with it and get to know it. It is kinda confusing and there are YouTube videos that help as well. I got more e set up with a clean tone and then a click over to distortion and and anther click on and of for a wha effectErik

The sounds are decent for the price. I downloaded all three pdfs are they are basically useless when it comes to setting up patches, adding an external pedal and the overall operation. I gave up on trying to assign functions to the FS-6 I bought with it. There are no real explications how to use the 6 assignment functions. I think the headphone output is mono as I can only hear in one ear. You can get some decent patches off of tone exchange I'll probably sell it .Kenneth

First off, I would like to say that I have literally owned and tried every single direct amp/cab sim option on the market, both in a studio situation and a live gig/touring situation that required nightly in ear monitor usage. My one and only quest was to get as close to my tube amps, that I dearly miss being able to use, as possible! I have ditched every single unit after one or two gigs for the same reasons; too digital in response, and they just don’t feel good during a gig (which makes the whole gig a struggle in some aspect), and don’t handle analog pedals well. My search has ended with the Strymon Iridium! I popped this little monster on my pedalboard and off to rehearsals, and sessions I went! I have been able to dial in almost exact responses of a gorgeous fender style clean, and a Marshall style lead tone, in seconds. I also have been able to do my beloved overdrive and fuzz stacking to my hearts content and this little black box handled it with ease and felt realistic while doing it! I will leave with this; if you have been struggling like I have to confirm to the direct trend and need an immediate solution to take you as close as you could possibly get to recreating those killer tube amp tones on a nightly basis, definitely cut your journey down by thousands of dollars and countless irritating hours by just going to purchase the Strymon Iridium first! Thanks Strymon for a tremendously useful, well thought out tool for the gigging musician!!!Ryan Ridgeway

Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.

I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777

If you are looking for a good practice amp modeler that is compact and has quite an array of effects and amps than the Pocket Pod should do the trick. I gig regularly and felt the Pocket Pod would be ideal for gigs where I didn't want to haul my tube amp around. Sound wise I'm not disappointed in hooking my pocket pod up to a sound board. However, where this product ultimately fails is there is NO On/Off switch! To activate the pod you plug your guitar directly into the input jack and it comes on. Once on you pretty much have to leave the guitar plugged in for your entire set or risk getting a loud pop through the PA system. And leaving the pod plugged in makes the pod get very warm and drains your batteries. I have a circuit breaker guitar cable so I can switch guitars without getting the dreaded pop in the PA system. I'm sure the people at Line 6 cut out the On/Off feature to save room. But I've never seen any piece of equipment that can't be turned off with a button. Satisfactory sounds but more headaches than it's worth for gigging musicians.O'neil Blues

Its great i love how it has all kinds of sffects and i can use both my guitar and phone as i play along. Great for portable playing so i dont have to bring the big head amp everywhere i want to take my guitar. Also the battery life is amazing if there's a new version of this i would so buy it.Hector

Delivers six different ways to color tone in a single box, for a rock-bottom price. You can use one at at time, which is really no drawback– just buy another one of these if you want to chain them. Experienced pedal users may have effects that are superior. But I'm a low-rent guy in a high-stress world, with no prior experience in pedals or tone shaping, and for me this is a gem. Instant therapy. A lot of fun, finding sounds that I've heard on songs and always wondered how people made them. I don't find it to be very noisy at the volumes employed in my apartment (duh), and a noise gate in my chain makes it virtually silent. The build quality is not an issue for me, at least so far. I won't be abusing it, and for the price, if I somehow manage to break the case… it's not a tragedy. It's a cool box for people like me who want inexpensive access to the world of effects. I think it would satisfy more critical users as well.Reviewed by Andertons Music Co.

This is a very good unit for it's price. I purchased it for my "little" amp when I go to friends place's to jam. My "big" amp has the same effects in it & are better. However, it does do the job I purchased it for. It is well made in China under German supervision. The Germans don't do rubbish products & that's what made me check it out. I'm not complaining about it at all, this is one of those "horses for courses" items. I have another pedal that does what this one does & more but it cost three times what this did. I'd recommend this to anyone that wants those effects but doesn't want to pay close to $200. My last remark is "you can't beat it for the price"Roger R.

I bought this pedal about a week ago online through Guitar Center. I was skeptical as I've played and owned dozens of Distortion Pedals. MXR Distortion+, Big M*** Pi, Boss Metal Zone, Blackstar DistX to name a few. This pedal is extremely sturdy and well built. Built better than any Boss pedal. The knob/pots are top notch. Unfortunately my amp is a Fender Frontman 212R. The distortion on this amp is terrible. When I first plugged this pedal in…it sounded similar to the Blackstar DistX pedal. It had this honky distortion sound…very similar to Def Leppard's High N Dry album. I put new speakers in the Amp recently. Celestion V30's. Holy cow! This pedal now sounds like a Mesa Rectifier! The EQ on this pedal are extremely touchy. They also work together. If you set the High's above 12 o clock and set the low's to say 9 o clock, the High EQ is almost unbearable. However, setting the Bass and High at 12 o clock, the treble isn't as bad. Which is why I say they work off of each other. The Distortion is clear and not muddy at all. Chords sound great and do not get lost among the vast amount of Distortion. It's essentially an Overdrive pedal that you can add more distortion to by using the Aggression toggle switch. When set to off, it is a very good Overdrive. When set up to Blue, the gain is increased and it's kept very tight. When set down to Red, It has even more gain than blue and is a bit more flubby but not much. All in all great pedal! My only complaint is the switching between clean and Distortion. If you switch between Clean and Distortion the Pedal doesn't immediately switch to the Volume you have it set at…it kind of starts off low and quickly builds up to the volume you have it set at. It would be sincerely annoying in live applications.Devarim12

This is the best distortion pedal I have ever used. Its sounds great run into a good clean channel and doesn't need boosting although it stacks very well with other pedals. I love the versatility of the aggression modes and find all three useful. I tried it as a pre-amp but preferred it in front of my amp. I play metal and hard rock and this pedal has the sound in my head. I love it!!!!David

I bought this pedal from Scan, I didn't know they sold music equipment, previously used them happily for pc components. Arrived next day and cheapest price on the internet. This pedal is hard rock and metal heaven. Amp Like distortion even when running into the clean channel of a solid state amp. Off mode is good, blue mode is the best a distortion could be and red adds a bit of thickness. I don't see me using anything other than blue mode. This pedal never gets muddy at any distortion level, always articulate making it a wonderful tool for solos. Even works fantastically with single coils of a USA Strat. A must for High gain enthusiasts. I don't normally like to buy expensive or boutique style pedals as I think they are usually overpriced and overhyped but this is worth every penny.ianto

Overall: I agree with the last review, this pedal definitely stands on its own and keeps up with the other Big blue Box! It's algorithms are top notch, with a lot of them only found on this pedal. I've had mine since the first week it came out and couldn't be happier! I've owned tons of $300 plus verb pedals and this is my favorite so far.Doug

As soon as I heard the first preset I was hooked. Lush reverbs and shimmering tones makes this one of the most fun reverb pedals I have played. I love that you also get a plug in version fro amplitude and can save presets on you computer and download them to your pedal. also, did I mention its a USB interface as well that you can use with any DAW?Mark P.