Are you looking for the Gibson Les Paul Special P-90 Limited Edition Electric Guitar Honey Burst? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Special P-90 Limited Edition Electric Guitar Honey Burst can be difficult as there are so many considerations, such as Sawtooth, Gibson, Epiphone, Jackson, Dean, ESP, PRS. We have done a lot of research to find the top 20 Gibson Les Paul Special P-90 Limited Edition Electric Guitar Honey Burst available.
The average cost is $1332.55. Sold comparable range in price from a low of $179.00 to a high of $2799.00.
Based on the research we did, we think Gibson Les Paul Special Pro Electric Guitar Honey Burst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Special P-90 Limited Edition Electric Guitar Honey Burst (20 Sellers)
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$1295.95
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- 2015 gibson les paul special pro electric guitar.
- Honey sunburst finish shows wear throughout (see photos).
- Some buckle rash on back of body (see photos).
$1050.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Nitro finish
- Mahogany neck with rounded '50s profile
- Rosewood fingerboard
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- Made in america
- 490r & t pickups
- Mahogany body with maple top
$869.99
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Body color: vintage cherry satin
- Body style: les paul
- Body type: solid body
$1390.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Classic les paul special body shape
- Two gibson p-90 pickups
- Maple neck with rosewood fretboard
$1699.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Weight . Well made . Durability
Features:
- Dropped for memorial day weekend. this is a $1,575 guitar
- Usa built gibson les paul studio pro
- Comes from a smoke free, pet free home studio
$824.95
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- This item is in very good condition.
- This item has been tested and is 100% functional.
- Please message us with any questions.
$999.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Well made . Durable
Features:
- Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar.
- This exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know.
- The wood grain on this one is pretty rad.
$2699.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- This special-run 50s les paul standard features gibsons burstbucker pickups for the sound of the iconic humbucker-loaded les paul models. it also has the classic features that made the les…
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Only played a couple of times still 'like new'.
- Comes in original box.
- Plays and sounds great could do with a setup.
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durability
Features:
- Les paul special ve has a poplar body with a sleek look thanks to the vintage worn finish and no binding on the neck or body.
- Has a comfortable and fast mahogany bolt-on neck with a 1960's slimtaper d profile.
- Rosewood fingerboard has traditional pearloid "dot" inlays, a 24.75” scale, a 14” radius, 22 medium jumbo frets.
$895.00
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- I got a great package deal on a few new guitars, and this one is up for grabs.
- The guitar is in new, unplayed condition- still has the protective plastic on it.
- I had the tuners swapped to locking hipshot tuners.
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- In almost new condition.
- No scratches, no wear.
- Comes with humbucker covers and pointers.
$179.00
4.4
Reviewers Noted:
Good sound quality . Attractive . Durable . Well made . Lightweight
Features:
- Body shape: single cutaway
- Body type: solid body
- Body material: solid wood
$2125.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Body top : maple
- Body back : mahogany (9-hole weight relief)
- Neck : mahogany (slim taper)
$2144.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- A classic, reborn in a beautiful faded finish
- Body styles
- Body material
$449.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- This has had the epiphone pickups upgraded to a much improved set of tonerider p90's.
- It has the smallest of marks on the right side of the headstock, see pics (i circled it).
- This is essentially a near-mint epiphone les paul special with upgraded pickups for a lower price than a regular one.
$1899.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- I'm always looking for new guitars and gear, so please feel free to message me about anything you might be looking to part with.
- Mahogany body and neck.
- Rosewood fretboard.
$887.09
4.6
Reviewers Noted:
Attractive . Durability . Well made . Good sound quality . Lightweight
Features:
- All original
- Gibson humbucking pickups and electronics
- Kluson tuning machines
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
1. Gibson Les Paul Special Pro Electric Guitar Honey Burst
Product Details:
Next up on the guitar chopping block is this sweet 2015 les paul special pro in honeyburst. these are great, lightweight guitars with the thick sound you come to associate with a les paul. equipped with burstbuckers this can pretty much handle whatever you throw at it. also has push pull pots to split the humbuckers for some twang if you so desire. beautiful mahogany body with a bound mahogany neck with rosewood fretboard. the stock g-force tuners have been removed and gibson/kluson tuners have been installed. pretty good condition overall. does have buckle rash on the back as this guitar was gigged with. besides that it s clean with no breaks, cracks or repairs. comes with original gigbag and case candy. like always, freshly strung with 10s.
Specifications:
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
2. Gibson Les Paul Special P90 Honey Burst
Product Details:
Gibson les paul specialguitar center exclusive with honeyburst finishthis usa-made gem combines several desirable features into one unique model. solid mahogany construction with belly cut, 50's style neck, and rosewood fingerboard. the p90 pickups sound amazing in just about any style. unlike the standard les paul special, this one has a tune-o-matic bridge. the honeyburst finish provides a smooth lustre while letting the unique qualities of the wood shine through. this guitar is in excellent, like new condition. it has been played very little, and has never been taken out of the studio (except to take these pictures). there are no dings. it comes with an authentic gibson padded and lined soft case. simple, straightforward design and great sound.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width/material | 1.687" (42.8 mm) TUSQ |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Keystone |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
3. Gibson Les Paul Tribute Electric Guitar (Satin Honeyburst)
Product Details:
Iconic tone and uncompromising playability strap on gibson’s les paul classic, and you’ll experience iconic tone and uncompromising playability. a time-tested combination of maple and mahogany serves up the tone that’s fueled a million rock anthems, while burstbucker pickups inject your playing with loads of midrange muscle and sizzling overtones. you also get coil tapping, phase reversal, and pure bypass options for an endless variety of tonal textures. as for playing comfort, this les paul feels as amazing as it sounds, thanks to a slimtaper neck and easy-playing rosewood fingerboard. the les paul classic includes a self-lubricating graph tech nut, tune-o-matic bridge, vintage-style grover rotomatic tuners, and gold top hat knobs.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | Rounded |
| Neck wood | Maple |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | HH |
| Neck | 490R |
| Bridge | 490T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Grover Rotomatic |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
4. Gibson Les Paul Special Tribute P-90 – Vintage Cherry Satin Guitar
Product Details:
Timeless. just one of the many words that spring to mind when it comes to the les paul. and the gibson les paul special tribute p-90 demonstrates exactly why. featuring a plethora of vintage appointments, authentic gibson construction, and eye-catching, elegant style – this special tribute epitomises what makes the les paul so special; natural beauty. across every aspect of its design. loaded with a set of classic p-90 pickups, players can kick out a well-balanced tone of roaring character. along with enough versatility and clarity to excel on any stage. as for the feel, it's everything you'd expect out of a gibson. a sleek rosewood fretboard lets your fingers dance across its surface, making those rock 'n' roll riffs utterly effortless. combined with the rounded mahogany neck profile, it's safe to say that players have total control of their performance every time they play. as with every les paul – it's breathtaking. a stunning chrome wraparound bridge provides exceptional tuning stability, along with a stylish aesthetic that harks back to its roots. because this is a guitar that represents everything vintage. and it shows through its entirety.
Specifications:
| Number of Strings | 6 |
| Left-/Right-handed | Right-handed |
| Body Type | Solidbody |
| Body Shape | Les Paul Special Tribute |
| Body Finish | Satin Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Shape | Rounded |
| Neck Joint | Set Neck |
| Radius | 12" |
| Fingerboard Material | Rosewood |
| Fingerboard Inlay | Acrylic Dots |
| Number of Frets | 22, Medium Jumbo |
| Scale Length | 24.75" |
| Nut Width | 1.695" |
| Nut Material | GraphTech |
| Bridge/Tailpiece | Compensated Wraparound |
| Tuners | Vintage Deluxe with White buttons |
| Neck Pickup | P-90 Single-coil |
| Bridge Pickup | P-90 Single-coil |
| Controls | 2 x volume, 2 x tone |
| Switching | 3-way toggle pickup switch |
| Strings | Gibson, .010-.046 |
| Case/Gig Bag | Gig Bag |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
5. Gibson Les Paul Special Tribute P-90 Electric Guitar (Natural Walnut)
Product Details:
Hey guys! today for your consideration i ve got a 2022 les paul special tribute with p90s. these pickups have been swapped with gold foil pickups (recently got this on a trade, not sure the brand) and they sound absolutely wicked! tons of that classic p90 snarl with some really clarity when the gain is backed off. a light scratch on the headstock is the only blemish i can see after a thorough inspection. setup well, although it ll need to be setup to your personal spec and preference upon receipt. modern gibson quality is hit or miss, but it s a big hit with this one. no tuning issues to speak of, no cracks or breaks, perfect intonation which is more difficult to achieve with the wrap-around bridge like this one has. no issues with this guitar, just not quite my style. comes with the og gibson usa taco bag, packed lovingly.
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Body wood | Mahogany |
| Neck shape | Rounded |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.69 in. (43 mm) GraphTech |
| Configuration | SS |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated Wraparound |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 |
| Orientation | Right Handed |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
6. Gibson Les Paul Studio Limited-Edition Electric Guitar Black Cherry Burst
Product Details:
Guitars in very good condition with light use. some small scratches etc. here and there as you might expect. small scuff area on the back as pointed out in one of the photos. neck is straight and frets are fine. the guitar plays well and sounds good. comes with aftermarket hardcase as shown. please check my other items for more great gear.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Weight relieved Mahogany |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | 490R |
| Bridge | 498T |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Special electronics | Push/pull coil taps |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Coil tap or split | Coil tap |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
I just bought a nice Candy Apple Deluxe Fender Strat a while back to upgrade to a REAL guitar, so a Les Paul was next on my list of guitars to get…someday down the road. Went to GC and traded in my bass to upgrade to a new one. On the wall I saw this deep cobalt blue Les Paul for under 2K. After 2 weeks I could not resist, said YOLO and ordered it online for store pickup. A wonderful instrument and offers a much different sound in contrast with the Strat, no regrets. I often just stare at it because it is a work of art, looks so nice next to my new strat and bass 🙂Anthony
While I still feel that the lower-end Epiphone Les Paul's (I had a Special II as my first electric) are great for the money, I decided to move up to my first actual Gibson Les Paul. The weight relief is what immediately caught my attention and I find this guitar a lot more comfortable to play. I'm also blown away by how much sustain it has over my previous Epiphone not to mention the overall finish and the ability to split the humbuckers. I went for the Cherry Burst but it wasn't easy to choose as the Midnight in Manhattan (blue) looked just as beautiful.Lloyd
7. Gibson Les Paul Special Limited Edition Heritage Cherry
Product Details:
This guitar is sometimes called the "japan proprietary" run, but was also sold in canada and europe. it is a 2016 model, but made in usa in october 2015. the specifications are very near to the original single-cut les paul special (i.e. mahogany slab body, rosewood fretboard, p-90 pickups, wraparound tailpiece). the main differences are that this guitar has a 60's slim neck and the heritage cherry colour. the finish is nitro-cellulose, and the guitar weighs 8 pounds. it has been professionally set up and includes schaller strap locks (the old style). the guitar originally came with only a gig bag, but a hard-shell case is included.
Specifications:
| Finish | Heritage Cherry |
| Year | 2016 – 2018 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Special |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
8. Gibson Les Paul Special Tribute Dc Tv Yellow
Product Details:
Close to mint, slightly played. i am the original owner and i'm selling it to thin the herd. no upgrades made to this guitar. this exclusive 2019 cme/chicago music exchange tv yellow color/satin finish is amazing. if you know, you know. -many of these guitars were blown out in early 2020. there are a lot of complaints about bad fret ends and a crappy satin finish on the necks. i'm happy to say this guitar has neither of those issues. leave it to a store like cme to demand higher quality of gibson. the qc in this one is quite high. the wood grain on this one is pretty rad. comes with all original gibson goodies like the baby photo, manual, etc but does not come with original gig bag.
Specifications:
| Finishes | Worn TV Yellow |
| Body Style | LP Special Double Cut |
| Finish | Satin |
| Neck | Maple |
| Neck profile | Slim Taper |
| Fingerboard | Rosewood |
| Inlay | Acrylic Dots |
| Plating | Chrome |
| Bridge | Compensated Wraparound |
| Knobs | Black Top Hats |
| Tuners | Vintage Deluxe w/White button |
| Neck pickup | P-90 |
| Bridge pickup | P-90 |
| Pickguard | Multi-Ply Tortoise Shell |
Reviews:
Was surprised how powerful the humbucker was, even when coil split this bass puts out a lot of power. Volume knob is really responsive as is the tone (it gets beefy, but not too muddy) Heck feels great, really nice profile compared to my old Mustang bass that felt like a baseball bat. Lightweight overall, which is good, and the light weight tuners really help with neck dive. Troy it, you might like it!
I’ll start out by saying I play out quite a bit. I’ve been a Stingray guy for the past 10 or so years. Recently however, I discovered how much I enjoy playing short scale. I got a hold of a short scale bass to mess around with and as kind of a modding platform. I realized that I really loved playing it. So when I decided to buy one I came across this one. I watched some YouTube videos, read some reviews… They seemed mostly favorable. With the price tag, and it being a USA Gibson, I figured if I didn’t like it I could just sell it and make what I got it for pretty easily. Man, was I surprised. I love how it plays. I love how it sounds. The only thing I didn’t love about it was the bridge, but I bought a Hipshot replacement, and now she sings. It’s now my main instrument. A set neck, USA made, tight sounding and playing bass for under a grand? You seriously can’t go wrong.Chris
Gibson Les Paul Junior, double cutaway. This guitar is simply beautiful, so well constructed and very light. The finish is superb on every aspect, but I particularly love the neck and long fretboard. They feel great to play, and the reach for higher notes is so accessible – a full 24 fret range. The tone is primarily rock, iris gritty with wonderful sustain. It is possible, however to get more subtle and mellow tones out of this single pick-up Gibson. The body finish is a gorgeous satin, and the neck is gloss for smooth movement. Everything about this guitar says quality but at a reasonable price. There are better guitars, obviously, but you would expect to pay a lot more for them. If you want a quality rock guitar at a reasonable price then this is one to try. I have a Fender Strat and Telecaster, which I love, but this Gibson is the guitar I tend to use the most. Excellent quality and Great value for money.5110nigel
9. Gibson Les Paul Standard '50s Limited-Edition Electric Guitar Honey Burst
Product Details:
This special-run 50s les paul standard features gibsons burstbucker pickups for the sound of the iconic humbucker-loaded les paul models. it also has the classic features that made the les paul a legend, from the carved aa figured maple top and mahogany body to the slim, fast vintage 50s mahogany neck and easy-playing action. one of the essential elements in the rock n roll toolbox since its 1952 debut, the les paul is a style of guitar that every serious guitarist should have in their collection. includes hardshell case. nitro-finished, mahogany body with maple top24.75"-scale mahogany neck with 22-fret rosewood fingerboarddual gibson burstbucker pickups, 3-way switchabr-1 tune-o-matic bridge, stopper tailpiece and vintage deluxe tuners | gibson les paul standard '50s limited-edition electric guitar honey burst
Specifications:
| Body Type | Single Cutaway Solid Body amp |
| Top wood | AA Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose Lacquer |
| Neck shape | Vintage 50s |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Vintage-style Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Die-cast |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
10. Epiphone Sg Special P-90 – Sparkling Burgundy Guitar
Product Details:
The sg special returns to the classic design that made it relevant, played and loved — shaping sound across generations and genres of music. this early 60's style sg special has the vibe and sound heard on countless classic rock recordings. the epiphone sg special p-90 from the new inspired by gibson collection, offers fans the legendary sg solid body electric with powerful epiphone p-90-pro single-coil pickups. this epiphone inspired by gibson original model also has the kalamazoo headstock, rolled neck for a comfortable feel, graphtech nubone nut, era-appropriate wiring, and cts pots. optional hardshell or epilite case is available. available in sparkling burgundy and faded pelham blue.
Specifications:
| Body Shape | SG |
| Neck Material | Mahogany |
| Scale Length | 24.724" |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 12" |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.693" |
| Inlays | Dot |
| Joint | Glued in |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Lightning Bolt Wrap Around |
| Tailpiece | Lightning Bolt Wrap Around |
| Tuning Machines | Epiphone Deluxe with Ivory buttons |
| Control Knobs | Black Top Hat Knobs with nickel inserts |
| Neck Pickup | P-90 PRO Soap Bar |
| Bridge Pickup | P-90 PRO Soap Bar |
| Controls | 2- Volume, 2- Tone |
| Pickup Selector | 3-way Epiphone toggle |
| Output Jack | 1/4" Heavy-Duty Epiphone |
| Strings | .10, .13, .17, .26, .36, .46 |
Reviews:
Overall: This is my umpteenth Epiphone custom sg guitar ive bought since the last guitar i had which was the more lower end 61 standard i bought here used last year. The caps pots and Gibson USA burstbuckers are definitely a step up in the right direction and are true to the original reissue Sg standards back in the beginning of the Gibson sg. It sounds like a 2000 dollar Gibson reissue sg but at Epiphone import prices. I intend on keeping this guitar for a lifetime and is a good backup guitar to my similarly pricef esp ltd viper 1000 deluxe i bought a year ago from a competitor in the now disconnected tiger eye finish from zZounds. Lastly i also intend on getting a real Gibson sg custom 63 version used for a discounted price. One more thing i might buy a backup les Paul sg standard by Epiphone just in case this one gets stolen or lost. Thank you Epiphone custom for stepping up your game and making better sg custom shop guitars than in the past. The black Epiphone sg custom with gold hardware is no joke either and i might another one when i get done paying for this Les Paul sg standard first fron here.Isaac
I got this guitar in sparkling burgundy and the finish is beautiful. The workmanship on this guitar is great; it feels very high quality. The fretwork is also really good, with no fret ends sticking out to cut my hands. That being said, the pickups are not very good. I initially debated purchasing the guitar since it sounded very ice-picky and thin when I played it in the store. But I decided to take a chance, knowing the return policy that GC has. I brought it home and the first thing I did was go over it completely. The fretboard was very dry. Even my wife, who doesn't play guitar, looked at it and commented on that. So removed the strings and polished the frets and cleaned/conditioned the fretboard. Then I swapped out the Alnico Classic Pro pickups, which are rather bad, and put in a set of Probucker 2/3 pickups that I had sitting around. Better strings, polished frets, and some nicer alnico 2 pickups made a huge difference. It sounds full and thick and warm, and it plays like an angel. I highly recommend it, as long as you can swap out the pickups.Robert
I've had the guitar for almost a month now & decided to do the review after I had it for a while. Quality control on this guitar was not very good. There was a chip by the 22nd fret near the upper horn that was overlooked because it has the final coating sprayed over it. There is also a scratch on the headstock at the G string tuner, it looks like someone overtightened the nut & scrated the headstock with a nut driver. Plus there is some black paint that ran into the binding on the top part of the headstock. Also there is a nick/scratch on the pickguard right below the neck pickup. The guitar plays well, and it looks good except for the imperfections I expalined earlier. I took pictures of what I complained in case someone at AMS would like to see them. I'm not sure of the return policy for guitars or if this could be returned for another guitar of the same kind I have. In the end the playability has met expectations but the quality control was far below expectations. If a representative has any questions about my review or if they want to see the pics I took, please let me know.
11. Epiphone Les Paul Special Ve Electric Guitar (Vintage Sunburst)
Product Details:
The epiphone matt heafy les paul custom fuses the most recognisable guitar in the world with the precision and power needed for one of today's most brutal metal players. with a mahogany body and plain maple veneer top, finished in a slick ebony, this guitar has the same comfortable shape and well balanced design as a standard les paul. the mahogany neck has an ebony fingerboard with mother of pearloid block inlays, classically styled they look killer. the 1960's slimtaper d profile is comfortable and features 22 medium jumbo frets and a 12"radius, built for speed and precision, this is a monster neck. loaded with a pair of emg 85 and 81 pickups, you get super metal tones. the same pickups as favoured by ozzy sideman zakk wylde, these emgs cut right through, for huge riffs or sweeping legato licks these are the best. the neck tone control features a killpot for some really cool stuttering riffs; this is a real mean guitar! with a fully adjustable locktone bridge, the epiphone matt heafy les paul custom delivers incredible tuning stability and intonation.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Satin |
| Orientation | Right handed |
| Neck shape | '60s SlimTaper D |
| Neck wood | Mahogany |
| Joint | Bolt-on |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 14 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.687 in. (42.8 mm) |
| Configuration | HH |
| Neck | 650R |
| Bridge | 700T |
| Active or passive pickups | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Tune-o-matic |
| Tailpiece | Stopbar |
| Tuning machines | Die-cast |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
The setup out of the box was actually pretty good,no sharp frets, action was pretty good, I changed out the strings and tuned it, and the string height was still perfect so that was awesome. I actually had really low expectations given the price point, and I had previously loved my old Ibanez so I figured this wouldn't compare, but it was close enough to the model that I had my eye on, that I would go for this one since it was available and the other one was back ordered. Honestly, I got lucky that I went for this one instead. I almost didn't. This guitar is so comfortable to play, it's LP style, but super light. I love the maple finish, and the satin finish on the neck makes it super comfortable moving around on the neck. The guitar sounds great, it requires tuning pretty often but thats great for learning, and someday I'll get locking tuners. I had low expectations but I couldn't be happier with this purchase.Shibbylbby
A while ago, I started coming across videos and posts about this guitar and the finish of the guitar really caught my eye. I have a couple of Les Paul guitars already, but none of them have a flat finish where you can see the wood grain like this. And for the price, I didn't think it sounded bad either. So I decided to get one and I am SO happy that I did! The only changes I've made are a change of strings (which I do on every guitar anyway) and tuners. The tuners it came with were fine, they didn't HAVE to be changed, it's just a personal preference thing. I have played guitar for nearly 25 years and have guitars much more expensive than this, but this really has become one of my favorites to play. There's just something about it that I love and, in most cases, is the one I pick up when I want to play. I've been very, very happy with it and I would highly recommend it to anyone. If you're a beginner, it's a great, lightweight, easy guitar to play. And if you're experienced, it's still fun to piddle around on. I don't know if they're all like this or I just got lucky, but I am very pleased and even considering buying a second one in another color. Five stars!Luke
First off I want to get the fact out of the way that AMS is the only place I buy musical instruments anymore. There are many reasons but best of all they are good people who put the customer at the front of what they do. So if I was asked I will tell you to buy from AMS. Now to the guitar. This Epiphone Les Paul I purchased for my 11 year old grandson and he loves it. He is a beginner just took his 4th lesson this week and he can already chord it to play a song he likes. It is built solid and the humbuckers are ceramic 8 magnets so they have that heavy feel for great chorus and can also put out the bite for clean leads. He told me the neck feels good and his small hands can manage the instrument pretty well. I took a good look at the guitar when he got it and the only thing I did was tune it for him and as I played it I felt comfortable with the feel and the sound and knew I made a good buy. The only thing I am going to do is put a set of nickel plated Super Slinkys on for him 9-42. I think it will even make the feel better for him as well. Overall I am happy with this purchase because this guitar will serve my grandson well over his guitar journey. Just as a caveat to this review. I am an Epiphone loyalist. I have been buying Epiphone products for over 50 years and nothing against other makers of who I have purchased a few, I keep going back to Epiphone for the quality and price you can't beat the deal. So when I found myself looking to buy a guitar for my grandson, the manufacturer choice was already made. I just had to find a model that would suit his purpose.Laurence W.
12. Gibson Les Paul Special Tribute Humbucker Electric Guitar – Vintage Cherry Satin
Product Details:
Designed and crafted to give players great les paul tone and mojo with a stripped-down approach! the all-new gibson les paul special tribute starts with a mahogany body fitted with 490r and 490t open-coil humbucking pickups for rich, classic gibson tones. vintage deluxe white button tuners and a compensated wrap-around tailpiece keep things simple and elegant. comfort and playability will always be on tap thanks to the rounded maple neck and true rosewood fingerboard.
Specifications:
| Body Type | Single-Cutaway Solid Body |
| Body wood | Mahogany |
| Body finish | Satin |
| Neck shape | Rounded |
| Neck wood | Solid Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 10" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Acrylic Dot |
| Nut width/material | 1.695 in. (43.05 mm) GraphTech |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Compensated wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
13. Gibson 2019 Les Paul Classic – Honeyburst
Product Details:
Top and back and neck and headstock are perfect. minor ding on side and some other blemishes on other side. take a look at the pictures. this is the 2019 with upgraded locking tuners and all splitting options the new 2019 gibson les paul classic boasts a traditional tone wood construction of a mahogany back and maple top coupled with a mahogany neck and bound rosewood fingerboard. a slim taper neck profile and 61 r and 61 t zebra pickups provide the playability and classic gibson tones from the era, 4 push-pull control assembly give a sonic variety to this complete guitar package.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
14. Epiphone Les Paul Special I P90 Electric Guitar, Black
Product Details:
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | SlimTaper D |
| Neck wood | Mahogany |
| Joint | Bolt-on |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Medium |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.68" (42.67 mm) |
| Configuration | SS |
| Neck | P-90R |
| Bridge | P-90T |
| Active or passive pickups | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | Wraparound |
| Tuning machines | Deluxe sealed |
| Number of strings | 6-string |
| Country of origin | China |
Reviews:
My first electric. Got it in a combo kit with amp and bag. Hook it into my computer now and rarely use the amp for anything. That being said, as many people have mentioned the bridge. If this isn't your first guitar, or you are looking for a second guitar – don't get this one. I learned about intonation and action and all that while having this guitar. You can only set the intonation on the outside E's and everything else is just what you get. My the height of my bridge for medium action on the low E is maybe a 1/16 from bottoming out, any lower it will buzz more. To get the same range of action on my high E my bridge is almost a 1/4" in the air. I do not know enough to get into shimming the neck to get it leveled out more, I just know enough to assume a 1/4" rise over 3" space probably isn't a good thing. However! I've learned plenty on it over these last 6 months. I bought this guitar because I did not want to invest a lot of money into it if I wasn't going to stick with it. I bought this in February of 22. The first 5 months I probably played on it maybe 50-60 hours. These last 4 months I've probably played on it 1-3 hours a day. I started using apps to learn and being able to plug it directly into my computer has been amazing. It's served it's purpose, I'm now getting to the level of playing where I'd like a better quality instrument and am looking in the $400-$500 range. For a first guitar, and you're not sure if you're going to stay with it, this was great for me and I will pass it on to someone else to get started with. Other than the bridge intonation and probably not flat fret board, I have had 0 mechanical issues with it.Jay
Been looking for a nice explorer for a while and once I saw this model some time ago, I fell in love with this amazing guitar. I was for a while very, very doubtful due to the complicated and demanding Floyd Rose bridge I never had before. A couple of good tutorials on the system were enough to take this fear away. After a thorough check, the guitar is a dream, works perfectly and love it so far. No scratches nor color changes on the mat neck and back, veneer looks pristine, and mechanics work just fine, lovely Gibson Pup sound with split coils and the fret-board looks great, 12th fret’s spaceship inlay aside which is also a very nice touch there. No challenges with neck profile, just a bit of a welcomed change to a thinner neck from my husky Les Paul ones I have. This is a really nice and balanced guitar! Ok, it's on the slightly heavier side but very manageable still. As mentioned earlier, It’s my first Floyd Rose guitar and surprisingly, I managed to adjust it to perfect balance and tuning on my first try in less than an hour with the help of some wood wedges to block back of the springs with, that I made during that estimated time, and of course a ton of online tutorials the weeks prior. Next step is changing to Paradigm Ernie Ball 11s half a step down and adjusting float again….but this will have to wait a bit and maybe a fourth spring will be in order, we will see. If doubting on Floyd Rose, trust me, I am really not a technical person but this was a piece of cake, once you understand the basics and foremost, make a nice wedge, rest is just a walk in the park. It also comes with a case which is always a plus for getting it home in the best possible condition though I would have preferred a hard case or actual guitar contour shaped foam on the included case, to make it extra safe. and not moving whist transporting For those Brendan small fans out there, it is even more of a desirable item. For those not following his work, still a really nice guitar and a steal for what you get. This guitar will make you happy no matter if you know artist or not Last but not least, there is a shop that actually checks guitars before shipping and that is Music Store….Big, big thanks for making sure I got the guitar I wanted and expected. Big thanks to the entire team!
I'm reviewing the gold top model. I own a lot of guitars but I didn't have a gold top Les Paul and always wanted one. This is an amazing guitar for the price! Fit and finish are perfect. It sounds and plays great. I love it. Note, always put a new set of strings on a guitar that comes with strings on it. It's a simple fix for a lot of problems you thought you had, but don't. Who knows how long they've been on or what brand they are. Now, the details. Frets were perfectly level, no sharp ends. Slight amount of oxidization. I polished the crowns and ends with Micro-Mesh pads. I used 6000>8000>12,000 grit pads. I wasn't taking metal off, just polishing them to a jewelery finish. Really makes bends and vibrato silky and smooth. I do that to all my guitars. I like the Indian laurel fingerboard. It's a good alternative to rosewood. I cleaned it with alcohol, then applied a very light amount of fingerboard oil/conditioner. Let it sit a few minutes then wiped it dry. It has a beautiful look and feel now. As for setup, the only thing that was set correctly was the intonation. So I lowered the bridge to the (low) action I like, and it was pretty clean, a little buzz on the upper frets. The neck was trussed completely flat, so I loosened the truss rod about 1/4 turn and that gave it the right amount of relief. No more buzz. Next, I filed the nut slots slightly wider and deeper. Action was too high off the nut. I use XL strings (9-42) and the slots were even too tight for them! That was the only real glaring problem on this guitar. Tight nut slots cause tuning issues and your average customer isn't going to have the tools or skills to fix that. I have a set of precision nut slotting files and feeler gauges to cut them to the proper depth. Man, that was the magic touch. The action is amazing now, all the way up the neck. No problems with tuning stability. And that's all I needed to do. It plays like a dream. I thought I would need to swap out the pickups but I like these. I'm old and play mostly classic rock, and these sound just right for the Les Pauls of that era. I get that sound that Gary Richrath (REO Speedwagon), early Joe Walsh, Duane Allman, Dicky Betts, Joe Perry, Page, Billy G, had in the late 60's – 70's. I ran it through a Goat distortion simulator and got Tom Scholtz Boston sound perfectly. It was actually better than another LP I have with DiMarzio super distortion pups. Easier to control the overdrive. All in all, Epiphone has really raised their bar. If you have typical electric guitar setup skills, you'll make this a sweet playing guitar. If you don't, it's worth it to find someone who does. Just a few minor adjustments and you'll have a fine axe to play.Rich
15. Gibson Les Paul Classic Electric Guitar (Honeyburst)
Product Details:
The gibson les paul classic combines the early 60's style les paul model with some functional and time-tested modifications. as expected, the lp classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. burstbucker 61r & 61t zebra, open-coil pickups provide classic gibson tones from the era with a bit of extra punch thanks to the open coils. the control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching and pure bypassing for functional and versatile sonic variety. mint condition (slight marks on pick guard) all original, except strings (.10's installed and setup) played only in music room for study of music. plays and sounds great. made with 9-hole weight relief, weighs 10 lbs. includes original hard shell case and paperwork.
Specifications:
| Neck Profile | Slim Taper |
| Neck Material | Mahogany |
| Depth at 1st (in) | .841 |
| Depth at 12th (in) | .904 |
| Nut Width (in) | 1.695 |
| Nut Material | Graph Tech |
| Scale | 24.75 In |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 |
| Fret Count | 22 |
| Finish Type | Gloss Nitro |
| Tuners | Gibson Deluxe |
| Bridge | ABR-1 Tune-O-Matic |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Controls | 2 Volumes, 2 Tones, & Toggle Switch |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2020 |
| Finish | Honey Burst |
| Made In | United States |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Offset Body | No |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Pickup Configuration | HH |
| Scale Length | 24.75" |
| Top Material | Maple |
| Nut Width | 1.695" |
| Number of Frets | 22 |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
16. Gibson Les Paul Standard '50s Faded Electric Guitar – Vintage Honey Burst
Product Details:
The new les paultm standard 50s faded returns to the classic design that made it relevant, played, and loved — shaping sound across generations and genres of music. it pays tribute to gibson's golden era of innovation and brings authenticity back to life. the les paul standard 50s features a satin nitrocellulose lacquer finish that gives it the look and feel of a long-treasured musical companion. it has a solid mahogany body with an aa figured maple top and a rounded 50s-style mahogany neck with a rosewood fingerboard and trapezoid inlays. it's equipped with an abr-1 tune-o-matictm bridge, an aluminum stop bar tailpiece, vintage deluxe tuners with keystone buttons, and gold top hat knobs with dial pointers. the open-coil burstbuckertm 1 and burstbucker 2 pickups are hand-wired to audio taper potentiometers and orange drop capacitors.
Specifications:
| Body type | Single cutaway |
| Top wood | AA figured maple |
| Body wood | Mahogany |
| Body finish | Satin nitrocellulose lacquer |
| Neck shape | Vintage '50s |
| Neck wood | Mahogany |
| Scale length | 24.75" |
| Neck finish | Satin nitrocellulose lacquer |
| Number of frets | 22 |
| Inlays | Acrylic trapezoid |
| Nut width/material | 1.69" (43 mm) Graph Tech |
| Configuration | HH |
| Neck | Proprietary humbucker |
| Bridge | Proprietary humbucker |
| Control layout | Volume 1, Volume 2, Tone 1, Tone 2 |
| Special electronics | Hand-wired with Orange Drop capacitors |
| Bridge type | Fixed bridge |
| Bridge design | ABR-1 Tune-O-Matic |
| Tailpiece | Aluminum stopbar |
| Tuning machines | Vintage Deluxe with keystone buttons |
| Number of strings | 6 string |
| Orientation | Right-handed |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
17. Epiphone Les Paul Special – Tv Yellow
Product Details:
The 1950s classic returns! now featuring p-90 pro pickups with cts electronics. the epiphone les paul special is part of epiphones new inspired by gibson collection and is designed to recreate the sound of the rare single cutaway 1950s era gibson les paul special. featuring a mahogany body with a beautiful reproduction of the iconic tv yellow finish and powered by critically acclaimed p-90 pro soapbar single-coil pickups and cts electronics.
Specifications:
| Finish | Gloss |
| Neck Material | Mahogany single |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 12" |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| Nut Width | 1.693" |
| Inlays | Pearloid Dot |
| Joint | Glued in-set |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Lightning Bar Wrap Around |
| Tuning Machines | Vintage style Deluxe Tuners with Ivory Buttons |
| Pickguard | Black |
| Truss Rod | Adjustable |
| Control Knobs | Black Top Hats |
| Switch Tip | Black |
| Strap Buttons | 2 |
| Pickup Covers | Black |
| Neck Pickup | P-90 PRO Soap Bar |
| Bridge Pickup | P-90 PRO Soap Bar |
| Pickup Selector | 3-way Epiphone toggle |
| Output Jack | 1/4" |
| Strings | .10, .13, .17, .26, .36, .46 |
| Manufacturer Part Number (MPN) | EILPTVNH1 |
Reviews:
Overall: I've been a guitarist since the late 80's, but I no longer play professionally, but I do play at home a lot. I've sold off most of my Gibsons (I held on to my '19 Les Paul Traditional) and I'm having a blast with these new Epi models. Everyone is raving about the Standard and the '59 models, and rightfully so. I own both, as well as a new Custom Silverburst and they're all great. This Classic is no exception. It actually arrived needing the least amount of setup work of all the others. The Alnico Classic Pros are brighter and a bit hotter than the Probuckers, but they're not at all harsh. The electronics work as expected, the neck pickup sounds sweet when split and the Phase feature sounds good with some moderate gain. The nut was cut extremely well and the frets don't need really much dressing. The neck is a little slimmer than what I'm used to, but it's easy adapting. The fretboard is a bit dry, but that's normal. Actually, these new Epiphone models all arrived in better condition than most of my Gibsons did in the past. The new Epiphone models are players guitars. Not wall art or collector's (cork sniffers) guitars, I wouldn't hesitate to take any of them to a gig and have fun with them. That's the whole point, right? I just wish they had made import guitars of this quality when I first started playing.Uriah
Out of the box and tuned, this guitar was completely unplayable with the neck so bent that pressing the strings at anywhere beyond the 8th fret fouled the frets higher up the neck, this also meant the action (measured at the 12th fret) was over 6mm. Fortunately I’ve a good understanding of how to set-up a guitar so adjusted the neck to have minimal relief with the truss rod – as a point of interest there was no truss rod allen key in the box, so just as well that I have my own tools. Once the action was set to my preferred settings (and by no means not as low as many like it) I had loads of fret buzz all over the place. So resetting the neck flat and using a ‘fret rocker’ I found 17 of the 22 frets (at various points across the neck) in need of remedial work to get them level. However as the guitar was new I decided initially to just add a bit more neck relief & set the action a shade higher, while I decided if I should just send it back or spending some hours sorting the frets in the near future? There are some positive points! I really liked the ‘worn’ (satin) finish although I feel there should have been a higher discount over the gloss finished versions as this must have saved loads of time during the finishing process. The Alnico Classic PRO pickups sound powerful with loads of variation between the neck and bridge and support coil-splitting. With the coils split option, with push/pull volume pots, there is (as expected) a significant drop in output but they do sound good, verging on P90 territory, rather than Strat/Tele sound ‘alikes’. One of the areas that lower cost guitars usually fail on is the quality of the tuners, here they have fitted Grover Rotomatics with an 18:1 ratio. They are smooth and easy to operate with the large kidney button heads, holding tune very well. The nut, a Graph Tech, was superbly cut, but unfortunately this was completely wasted with the poor quality of fret levelling from the factory as several of the strings would buzz when played open when set at a reasonably low action! The trapezoid neck inlays are very well fitted and although acrylic, do a very good impersonation of mother of pearl. Visually the guitar look stunning with its unusual colour and matt (worn) finish, but I do find the inclusion of gold knobs a bit of a clash with the all Nickel hardware and at the back cream control plate covers just don’t look right and should have been black. But both of these last two issues are a really cheap to resolve at about £12 for both black cover plates and 4 clear knobs. Overall both positives & negatives to consider and if I’d been unable to adjust the guitar myself, there would have been no option but to just send it back for a refund/replacement (hence 3 stars which I think is quite generous) as it is I’ll be keeping this. If I could have bought this locally it would have been great to try before I bought, but my local Epiphone dealer (90 mile round trip) didn’t have any in stock and was unlikely to get one, so I went the mail order route. The guitar is now playing well and will be even better when I get the time to sort out the frets and put a set of 9-42 gauge strings on.Paul
This guitar is absolutely stunning. At about $450 the Epiphone Les Paul Special certainly hits its price point without question. This is the 2nd time I bought this guitar, but I couldn't resist buying this again. I'll start with the cons first, that I noticed applied to both Special's I've owned.. The poly finish is thick. The combination of the "tv yellow" color and the thick polyurethane sort of gives a toy like feeling, or a bit of a cheapness to it.. Speaking of "tv yellow," it's really more of a Dijon mustard/ Carmel color. I don't think that's a bad thing or ugly by any means, but as other reviewers may have stated, the Epiphone isn't quite as accurate to its high end counterpart. The pickup routes and control cavity were also a little bit choppy, but that's just nit picking. If you buy this guitar, you will most likely need a setup. 2nd time around, I knew that going in but both guitars I bought needed set ups. That being said, this guitar is awesome. Surprisingly the laurel fingerboard was really smooth and moist. I do not sense bad or tall frets, but are scratchy at first. The P90 pros are so good. The CTS pots are so dynamic. The volume and tone sweeps combined with these P90 pros are so dynamic and touch sensitive, that they can hang with the best of em. The guitar resonates so well and plays both clean and crunchy top notch. Punchy and warm…Absolute quality electronics. I haven't found a bad tone in any position. If your used to playing your guitars with everything at 10, this guitar with inspire you to play around with all the tonal possibilities by simply rolling in & out your pots. The neck on this is fat, and so nice but not absurd. I highly recommend it. For the price, you can't go wrong and will love the tones, just plan on getting a setup and you will absolutely love this guitar.Zac F
18. Gibson Exclusive Les Paul Classic Lite Electric Guitar, Honeyburst
Product Details:
Selling my 2019 lp classic lite. limited run. plays great and sound like a normal lp, just a little lighter and more comfortable to play with the overall thickness (or thinness) and belly cut. weight = 7lbs 5oz. this guitar has definitely been loved. has some sperzel locking tuners installed which help the tuning stability and string changes quite a bit. originals not included. some swirls and pick marks on the show side, but nothing drastic (pictured). backside has some decent belt marks (pictured). gibson case and case candy in great shape.
Specifications:
| Neck Material | Mahogany |
| Neck Profile | Slim Taper |
| Scale Length | 24.75" |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12" |
| Number of Frets | 22 |
| Fret Size | Medium – Cryogenically Treated |
| Nut Material | Tektoid |
| Nut Width | 1.695" |
| End of Board Width | 2.26" |
| Inlays | Acrylic Trapezoids |
| Back | Wood |
| Finish | Gloss Nitrocellulose Lacquer |
| Hardware Finish | Nickel |
| Bridge | Aluminum Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Tuning Machines | Grover Kidney |
| Pickguard | Cream |
| Control Knobs | Gold Top Hats |
| Switch Tip | Cream |
| Switchwasher | Cream |
| Jack Plate Cover | Nickel |
| Neck Pickup | 57 Classic |
| Bridge Pickup | 57 Classic + |
| Controls | 2 Volumes, 2 Tones & Toggle Switch |
| Strings | .009, .011, .016, .026, .036, .046 |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
19. Gibson 2017 Les Paul Tribute T Electric Guitar, Faded Honey Burst
Product Details:
Selling a really nice 2017 gibson les paul tribute in very good condition. honeyburst finish. smooth satin body and neck. beautiful looking and fantastic playing guitar. seymour duncans in both pickup positions. this is a excellent guitar and sounds superior to many other gibson les pauls i've played. has a few blemishes, as can see seen in photos, plays as a gibson should play and one would expect to play. original gibson softshell case is included. see pictures. thanks!
Specifications:
Reviews:
Ok I felt the need to jump in here after reading some just off reviews about this guitar after purchasing mine. 1. Go to literally any guitar shop and play 5 of the same guitar and each one will play and sound slightly different with various levels of quality control which comes with any manufacturing environment. If you purchased one of these blind and did not play and examine it in store and got a lemon that's on you. Also the one dude that said these are repainted are simply false. Check out Trogly's show you Youtube where he does a full review of both Raven's. 2. Since it's release I'm lucky to have a few GC in my geographic area that I check out when I can. I played LP Studio's, Tribute's, SGs, and tone wise this one won all. These ceramic pickups are a step up from anything in the 1-2k price range in the Gibson line if you like to play overdriven and loud. Cleaned up they sound good but make no mistake this thing is built to roar. 3. STOP hating on Richlite. I simply don't get it. If you apply this same principle on materials guitar nerds are saying man that plane in 1930 flew beautiful so the materials used then are the ONLY materials we can use to build planes today. Pretty silly huh? Technology should advance to build better, more sustainable instruments. The fretboard feels great and the fret word is very good. But read I played many many over the past few months before I finally pulled the trigger. 4. One thing that gets an at mention but I think deserves some additional props is the fact that it's a mahogany body AND neck and it's a true solid body with no weight relief. It definitely adds extra ompf. 5. To wrap up, it's an awesome guitar and mine is well finished, set up, and assembled (including wiring). Do your homework, play a lot of rigs, and know what to look for in quality control and finish.Ryan
If I could give 0 stars, I would. I received this guitar new and it is, without a doubt, the worst $1100+ guitar available anywhere on the market. There is NO WAY this should have ever left the factory and ended up as my problem, but I'm not surprised considering Gibson's so called QC and "customer service". And don't expect them to care about your "cheap" guitar (quote from Gibson "customer service".) Just look at the pics- paint missing so you can see the bare wood underneath (not red underneath like the other reviewer said, just brown), scratches and scuffs and grey paint all over the neck and headstock, a bunch of the greying out over the dots was sanded off down to white, scuffs and what looks like grey paint all over the tuners, bridge pickup was a mess (the edge looked all chewed up and the tape was higher than the top edge of the pickup, it was also as low as it could possibly go), even the "baby pic" of the guitar that was included was a joke (washed out, borders on 2 sides, a dirty rag prominently displayed). I could go on, but you get the point. Gibson and Guitar Center should be ashamed of selling garbage like this, but of course, they are not.Eric
I have always enjoyed the tones of the 496R/500T pickup combination but they are hard to come by these days. My LP Traditional has a Duncan Distortion in the bridge but sounds nothing like this one. I already have an LP Special with the 490's in them and I'll grant that they are better for clean stuff, but these pickups have that gnarly, saturated gain tone that some us cherish. She plays like a dream as well. This guitar also comes with an excellent soft case (unlike the chintzy gig bag of my other Special) and a stop bar tail piece, rather than the wraparound bridge. I have had the Richlite fingerboard on higher-end Gibsons and have no complaints with that either. It looks a bit like ebony, but perhaps a bit warmer sounding. Oh, and please enough about the finish wearing quickly. ALL of the tributes do that. Some call them battle scars as it happens on high gloss nitro as well if played long enough. First they get shiny as your playing rubs on the top coat and then they can wear through. Would you rather have a polyester finish that feels like a plastic hard coat and muffles the tone? So… here is an American-made Gibson with a nice case for about a grand? Grab one while you can!Franco
20. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
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