Are you looking for the Gibson Les Paul Gold Top Guitar? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Gold Top Guitar can be difficult as there are so many considerations, such as Glarry, Gibson, Ibanez, Martin, Epiphone, ESP, PRS, Gretsch. We have done a lot of research to find the top 20 Gibson Les Paul Gold Top Guitar available.
The average cost is $3749.20. Sold comparable range in price from a low of $950.00 to a high of $7699.00.
Based on the research we did, we think Gibson Les Paul Standard '50s P90 – Gold Top is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Gold Top Guitar (20 Sellers)
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$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comes with both black plastics and cream plastics, pictures show how dynamic the color of the finish is.
- Listed as very good condition, few scuffs and stamped mod on the headstock.
- Currently set up with cream plastics as shown, but im including the black plastics and tuners if you'd rather go that route.
$7699.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Detailed specifications.
- 1-ply royali…
$3899.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Well made . Weight
Features:
- Solid mahogany
- Chunky c-shape
- Scale length
$3199.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Product information
- Specifications
- Body material
$2799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Detailed specifications
- Body material
- Weight relief
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- 43.3 mm (1.71 inch) fretboard width at last fret
- 56.7 mm (2.23 inch) neck thickness at 1st fret
- 23.5 mm (0.93 inch) neck thickness at 12th fret
$6899.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The gibson custom 1957 les paul goldtop brings back a beauty from the golden age of guitar craft. part of the true historic series, this les paul is specd like…
$4699.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Each instrument celebrates gibson's legacy through accuracy, authenticity and attention to detail. the iconic '57 goldtop has been the tool of choice for countless guitar heroes. its elegant gold finish,…
$1799.00
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Lightweight . Well made
Features:
- Slab mahogany body
- Mahogany neck with a vintage 50s profile
- Rosewood fingerboard with twenty-two medium jumbo frets
$3999.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Model: les paul 1957 historic
- Finish: gold top vos
- Top: carved maple, with binding
$2799.00
4.9
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Heavy
Features:
- Comfortable weight at 4,2kg.
- Sounds and plays superb.
- There's one small ding at the back (as shown in photo), aside from that it's dead mint.
$6499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Special builds from the world's finest builders
- Premium tonewoods, electronics and features
- Call for complete details on this special instrument
$5799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- Body shape: single cutaway
- Body type: solid body
- Body material: solid wood
$1850.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Heavy
Features:
- Nitro-finished, weight-relieved solid mahogany body with maple top
- Dual burstbucker pickups, 3-way pickup selector
- Abr-1 tune-o-matic bridge with stopbar tailpiece, grover kidney tuners
$5799.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Lightweight . Durable . Well made
Features:
- The gibson custom 57 les paul all gold light aged gold top is a painstakingly accurate recreation of one of the most iconic guitars of all time. the all-gold finish…
$1699.00
4.5
Reviewers Noted:
Attractive . Good sound quality . Well made . Weight . Durable
Features:
- 2020 gibson les paul studio – wine red w/deluxe gig bag (pre-owned).
- In good condition and comes with a gigbag.
$1799.00
4.9
Reviewers Noted:
Good sound quality . Well made . Durability . Visual appeal . Weight
Features:
- Up for your consideration a beautiful gibson and in mint condition gibson les paul deluxe in gold top.
- Made in 2015 comes all stock with the g-force tuners and the zero fret adjustable nut.
- Comes with ohsc as pictured, charger and some case candy.
$2200.00
4.9
Reviewers Noted:
Attractive . Well made . Sound quality . Durability
Features:
- A beautiful les paul classic gold top in very good/excellent condition.
- Only a couple of small paint chips from normal use (see photos).
- The guitar has always been extremely well taken care of and stored in its case.
$950.00
4.4
Reviewers Noted:
Sound quality . Lacks durability . Visual appeal . Well made . Weight
Features:
- The tail piece was upgraded to the aluminum gibson version and all the cavities have been very nicely shielded.
- The fretboard also received a full level and crown for nice smooth playing, a low action and no fret buzz.
- Plastics were all changed from creme to black, but the originals will be included if you'd like to change them back.
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for…
1. Gibson Les Paul Standard '50s P90 – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. tone of the ages. with two powerful p90 pickups loaded into this '50s guitar, it has a bright sound which gives your licks that unmistakable vintage twang. your licks will sing to the stars with a gritty voice as you pluck your way through riffs. the beautiful neck and fretboard are guaranteed to bring a smile to your face with their luxurious feel, offering an entirely pure playing experience. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.69" (43 mm) GraphTech |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
2. Gibson Custom Shop Murphy Lab 1954 Les Paul Goldtop Reissue Double Gold Heavy Aged
Product Details:
Specifications:
| Body Type | Solid Body |
| Top wood | 2-piece Maple |
| Neck shape | C |
| Neck wood | Solid Mahogany |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687"/Nylon |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tailpiece | Wraparound |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
3. Gibson Custom 1954 Les Paul Goldtop Reissue Vos – Double Gold Guitar
Product Details:
The gibson custom 1954 les paul goldtop reissue is a unique beast. do you jones after the chunky feel of early les paul necks? here's your opportunity to get your fretting hand around what many guitarists consider to be the holy grail of chunky necks and also reap the sonic benefits of the '54's period-correct wraparound tailpiece. what’s more, a pair of hot p-90 single-coil pickups serve up all the fat snarl you could ever ask for. the 1954 les paul goldtop reissue's chunky “c” profile neck is the holy grail for many les paul players who prefer thick necks. if you're in this camp, those '60s slimtaper necks aren't for you — wrapping your fretting hand around a juicy tree trunk of a neck is the real deal. the 1954 les paul goldtop reissue is your kind of axe.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | Solid Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | Custom C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Celluloid Trapezoid |
| Nut width/material | 1.69 in. (43 mm) Nylon |
| Configuration | SS |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Individual volume Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Wraparound |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style Sealed |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
Hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhkkkkk The new Standard 60s that I received was was being waited for like a scene in a movie when parents are waiting for a stork to bless them with a bundle of joy. Well the stork for me was gruff lookin FedEx driver that was delivering my new Gibson Les Paul Standard 60s. After it was delivered I placed it gently before me and began to unwrap the newest member of the family. So, you know those movies when you expect to see elation on the face of the actor after they open something up but instead it turns to the face of horror, well, that was me. As I opened up the the lid of the case I saw bits of gold flakes and plastic. It was the volume knob that had been smashed. I then looked at the case and the bottom of the case appeared to be damaged. After pulling picking up the pieces and placing them in a bag i played the LP and it was amazing but had obviously been knocked around too much for me to keep. It was tough though, the low end on this guitar was hypnotizing and the highs were like blissful chimes that rang clean yet without shrillness. The weight is amazing and the thus the sustain is like the Energizer Bunny. Anyway, I called AMS, they offered a replacement but I wouldn't be able to choose the serial number for the replacement, so I would have no idea what it looked like; I want to choose what guitar I am buying. So now I have a prepaid return shipping label in my email and a trip to the "stork" in my future. It's very unfortunate that this guitar was not packaged better because it is an amazing sounding guitar. I am buying another one.Mike
Overall: I've had 4 other gibsons and this one is the prettiest of them all. The color, how it fades from a dark red, to bright red then amber. The flame is just right on both sides. It has nearly every different kind of flame in certain spots but consistently has horizontal flame from top to bottom. It's a killer top. It's set up well but the action does need to be lowered and some relief put on the neck but overall not bad. The slim 60s neck is very nice. Its not chunky but not thin either, its right in the sweet spot. It sounds amazing, alnico Vs are hotter than a firecracker. Now the cons- It had about a 4 inch surface scratch on the top where your right arm rests when I inspected it after opening the case. The Grover tuners are nice and keep it in tune but I wish this exact guitar was offered with Kluson deluxe tuners. I prefer the green tulip look. Then there's the graph tech nut. I wish it had a bone nut but ill take care of that later. All in all it's a keeper, for life. Thank yoy zZoundsRyan
I've had the guitar for a couple weeks now and it's been the main guitar I've played during that time and it's incredibly hard to put down. The neck is thin but not too thin. It's a good medium profile. This is also one of the lightest Les Pauls I've ever played. The guitar is extremely resonate and loud acoustically. This could just be luck of the draw finding this specific Les Paul, because I've played a few 60's standards and not all of them were like this one. This one was definitely the best one I tried of this model. I have yet to gig with it yet, but I can't wait to. I've tried it in Standard, Eb Standard, Drop D, and Drop C# and it sounded and reacted great in all four tunings with little need for adjustments. The only con I've found is occasionally the higher strings seem to choke out slightly, but that should be easily remedied with some minor adjustments, and they don't choke out enough to really hurt playability.Eric
4. Gibson Slash Victoria Les Paul Standard Goldtop Electric Guitar – Gold
Product Details:
Gibson and slash are proud to present the slash collection. it represents influential gibson guitars slash has used during his career, inspiring multiple generations of players around the world. the slash collection of gibson guitars can be seen live on stage with slash today. the slash "victoria" les paul standard goldtop features a maple top, a solid mahogany body with a dark finish on the back, and slash s personal touches, including a c-shape neck profile, gibson custom burstbucker alnico 2 pickups, color-coordinated hardware appointments, hand-wired electronics with orange drop capacitors and a vintage-style hardshell case. exclusive to the slash collection is slash s skully signature drawing on the back of the headstock, slash s signature on the truss rod cover, a blank truss rod cover in the case, slash-approved ernie ball strings, and four slash jim dunlop tortex picks.
Specifications:
| Top Material | Maple |
| Body Finish | Gloss Nitrocellulose Lacquer |
| Neck Material | Mahogany |
| Neck Profile | 50s Vintage |
| Scale Length | 24.75" / 628.65mm |
| Fingerboard Material | Rosewood with Cream binding |
| Fingerboard Radius | 12" |
| Frets | 22 Medium Jumbo |
| String Nut | GraphTech |
| Nut Width | 1.69" / 42.862mm |
| Joint | Glued In |
| Inlays | Acrylic Trapezoid |
| Finish | Nickel |
| Bridge | ABR-1 Tune-O-Matic |
| Tailpiece | Stop Bar |
| Pickguard | Cream (not installed) |
| Control Knobs | Gold Top Hats with pointers |
| Switch Tip | Vintage |
| Switch Washer | Cream |
| Strings | Slash's Ernie Ball Strings.010 -.046 |
| Case/Gig Bag | Vintage style Hardshell |
Reviews:
A few points to mention, the neck is 1.687 wide, the tail piece is aluminum, the pickups are alnicoII @8+ electrical reading, the case is TKL all leather made in Canada, the straps are locking, the neck is less than C but more than D ( perfect for me). no pick guard and no pickup covers, matching hardware those are the differences from the other Standard Models. I have been playing since 14 and I'm now 50+ (OUCH!)I can testify that the playability and feel of the fretboard on this model is the best I have ever played. The quality of the construction is better than a $5000 and up Japanese models LP's. The sound of the pick ups are are extremely pleasing and ADDICTIVE! My ears do not tire. I can honestly tell you that the sound is and upgrade from the LP Classic models for sure! The color of this November Burst model on the GC site picture IS NOT THE COLOR you must check it out in person to see if you like. I do is FREEKING gorgeous! Folks the bottom line is that GIBSON is an American icon and the reason they are expensive is because all things are made outside of the USA if things where made here they would be cheaper and better. The closing of the Memphis Factory is a SHAME to the leaders and citizens of the state of Tennessee they should have not let that happen SUPPORT USA PEOPLE! it ROCKS!John
Overall: About 34 years ago, I saw the coolest guy I'd ever seen play a guitar playing an awesome guitar in the awesomest band I'd ever heard. This is the guy that made me want to play the guitar and the guy I imagined I was when I got my first guitar and posed with it in front of the mirror. I've been a huge fan of both GNR and Slash most of my life and decided it was time to get the guitar that inspired me to start playing.The guitar is gorgeous! The pictures are great but it's so much more beautiful in person! I just sat looking at it in awe for half an hour before I took it out of the case! The tone is right on. I wasn't expecting anything less. The pickups are super hot and responsive.It plays like a dream! Right out of the case it was perfect!The case candy is added bonus! I've never owned a Gibson and they definitely won me over as a future customer with it.So, if you love Slash, love sexy Les Pauls, or just love beautiful works of art, I would recommend this guitar!Michael
A follow up from my previous review. Sorry for the USA rant, but here is more of what I think of this guitar. I'm just a joe blow musician but if you play in stadiums with four 4×12 cabs and two 100w amps running at full blast then the " Burstbuckers" aren't going to cut it, you're going to have to swap the pickups to Seymor Duncan Slash ,those will do the job perfectly and it will be your dream guitar. But if you just do venues and social gigs and practice on your own then this is a fine guitar This model will have the least QC issues. I just wanted a good QC Gibson USA L that spoke to me with standard Gibson LP pickups and no pick guard, this is the one no big deal. I have a gut feeling that Gibson USA will not exist in 5 years from now. Gibson will Take the International Company Parent Epiphone and call It Gibson. Maybe a good thing? time will tell. Enjoy your guitars everyone chao!John
5. Gibson Les Paul Deluxe '70s Electric Guitar – Goldtop
Product Details:
The gibson 70s les paul deluxe is more than a blast from the past. it's a shrine to gibson's insanely high standards of craftsmanship and knack for getting the feel and tone of their creations just right. you'll be blown away by the rich, purring tone of the mini humbuckers, which were first introduced in 1969 – they kicked off the sound of the '70s. hum-free, they deliver an ultra-clear sound, with slightly more brightness and punch than their larger counterparts – they'll shine in any genre. feel your riffs like never before. the rounded c mahogany neck gives a glimpse of what the player so the '70s would have felt in their hands. smooth, satisfying, and incredibly easy to play, it'll let you riff all night long. an indian rosewood fretboard provides unbeatable sustain and a powerful response, whilst the tune-o-matic bridge keeps your tuning steady as a rock. the maple top lends itself to a beautiful finish, whilst the cutaway design enables superb upper fret access. this is modern, professional craftsmanship combined with inimitable '70s gibson charm. prepare to be blown away.
Specifications:
| Finish | Cherry Sunburst |
| Year | 2021 – 2022 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
| Binding | Cream |
| Neck | Mahogany |
| Nut width | 1.695" / 43.053mm |
| Fingerboard | Indian Rosewood, Cream Binding |
| Scale length | 24.75" / 628.65mm |
| Number of frets | 22 |
| Nut | Graph Tech |
| Inlay | Acrylic Trapezoids |
| Bridge | Tune-O-Matic |
| Tailpiece | Aluminum Stop Bar |
| Knobs | Gold Top Hats with Silver Inserts |
| Tuners | Vintage Keystone |
| Plating | Chrome |
| Neck pickup | Mini Humbucker |
| Bridge pickup | Mini Humbucker |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
6. Gibson Custom Les Paul 1956 Goldtop Reissue Vos Double Gold
Product Details:
If you bought a les paul back in ’56, you would have gotten your hands of the rare combination of p-90 pickups and an adjustable abr-1 bridge. now, you can obtain that same coveted combo with the gibson custom 1956 les paul goldtop reissue. enjoy the fat snarl of the p-90s, along with the intonation and sustain of the abr-1. and, of course, you get the chunky neck that was standard issue back in ’56. the 1956 les paul goldtop reissue is a unique beast. if you're a les paul aficionado, you’ll want to get your hands of this one. the 1956 les paul goldtop reissue's chunky “c” profile neck is the holy grail for many les paul players who prefer thick necks. if you're in this camp, those '60s slimtaper necks aren't for you — wrapping your fretting hand around a juicy tree trunk of a neck is the real deal. the 1956 les paul goldtop reissue is your kind of axe.
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | 1-piece Mahogany |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Celluloid Trapezoid |
| Nut width/material | 1.687 in. (42.8 mm) Nylon |
| Configuration | HH |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Master tone |
| Pickup switch | 3-Way |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Stopbar |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
7. Gibson Custom 57 Les Paul All Gold Light Aged With Bigsby Electric Guitar Gold Top
Product Details:
The gibson custom 1957 les paul goldtop brings back a beauty from the golden age of guitar craft. part of the true historic series, this les paul is specd like a vintage original, but adds a bigbsy b7 for organic sounding vibrato. it features a mahogany body with a two-piece maple top. the double gold finish has been lightly aged to perfection with a vintage original spec patina. dual alnico iii custombuckers supply warm and versatile sounds while playing clean. turn up the gain, though, and its all about the growl and bite. this goldtop pairs kluson tuners with an abr-1 bridge, locking in the tone for blues, rock, country and jazz jams all night long. the gibson custom 57 les paul goldtop comes with a certificate of authenticity and an aged hardshell case. maple top and mahogany bodymahogany neck with custom c profilerosewood fingerboard | gibson custom 57 les paul all gold light aged with bigsby electric guitar gold top
Specifications:
| Body Type | Single Cutaway Solid Body |
| Top wood | 2-piece Maple |
| Body wood | 1-piece Mahogany |
| Body finish | Aged Nitrocellulose Lacquer |
| Neck shape | Custom C |
| Neck wood | 1-piece Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Vintage |
| Neck finish | Aged Nitrocellulose lacquer |
| Radius | 12" |
| Fret size | Narrow-Tall |
| Number of frets | 22 |
| Inlays | Celluloid Custom |
| Nut width | 1.69" |
| Configuration | HH |
| Neck | Boutique Alnico Humbucker |
| Bridge | Boutique Alnico Humbucker |
| Control layout | Individual volume, Individual tone |
| Pickup switch | 3-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | United States |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
8. Gibson Custom 1957 Les Paul Goldtop Reissue Electric Guitar (Double
Product Details:
Each instrument celebrates gibson's legacy through accuracy, authenticity and attention to detail. the iconic '57 goldtop has been the tool of choice for countless guitar heroes. its elegant gold finish, classic solid mahogany/maple construction and versatile humbucking pickups represent everything one could possibly need in a les paul model. this authentic recreation exemplifies gibson custom shop's tireless quest for accuracy to the original year of production, from the woods to the construction to the parts and precise contours throughout.
Specifications:
| Electric Guitar Type | Solid Body Electric Guitar |
| Finish | Double Gold |
| Finish Type | Nitrocellulose |
| Electric Guitar Body Style | Les Paul |
| Body Construction | Set Neck |
| Orientation | Right-Handed |
| Number of Frets | 22 |
| Scale Length | 24.75" |
| Top Material | Maple |
| Neck Material | Mahogany |
| Fingerboard Material | Rosewood |
| Bridge Type | Fixed |
| Nut Material | Nylon |
| Nut Width | 1.687" |
| Number of Pickups | 2 |
| Pickup Configuration | H-H |
| Bridge Pickup | Custombucker Alnico III (Unpotted) |
| Neck Pickup | Custombucker Alnico III (Unpotted) |
| Controls | 2 x Volume & 2 x Tone |
| Switch | 3-way Toggle Switch |
| Coil Tapping | No |
| Hardware Color | Nickel |
| Case Included | Hard Case |
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
9. Gibson Les Paul Special – Tv Yellow
Product Details:
The les paul special is a bit of a cult classic and for 2019 gibson have released this absolute beaut! hugely popular with players who love the stripped back, no nonsense approach and monster tone. the gibson 2019 lp special. is just oozing with vintage mojo and cool! with an all mahogany construction and rosewood fingerboard, you get classic special tones, rich, tight and super resonant. the tv yellow finish looks crisp and lets the tonal qualities of the body really sing out. it's a real vintage design. loaded with a pair of p-90s, this guitar really packs a mean punch. sitting perfectly between a single coil and a humbucker it unleashes a great range of tonal possibilities. this is no one trick pony. with a gibson hardcase included, you are ready to hit the stage.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Body wood | Mahogany |
| Body finish | Gloss nitrocellulose |
| Orientation | Right-handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | SS |
| Neck | P-90 |
| Bridge | P-90 |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | Vintage-style compensated wraparound |
| Tuning machines | Vintage Deluxe white-key |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, why I waited so long to add a Les Paul to the collection is beyond me. This thing is so comfortable to play, between the weight balance and the neck feel. I mostly play slim taper as I've smaller hands, but theres just something about this 50s neck. The feel is something I'd describe as substantial, like you're not just playing something that's super light and borderline weightless, but instead an extension of yourself. The range on the P90s is absolutely bonkers. The lows actually give you some great clarity, while the higher you go, the more it pushes and begins to punch. The neck pickup (and middle position as well) sound wonderfully warm and comfortable, especially through my Orange TH30. I do not understand why I waited so long to get my first Les Paul, and I can safely say this guitar will not leave my side for a long long time. Bonus points for how quick this shipped…ordered on a Friday, delivered on a Saturday! Freaking fast, and faster than I anticipated, but not complaining at all. Thank you so much AMS for helping me be the rock star I know I am!Matt
So I have several guitars and have come to enjoy the sound of p 90 pickups. Wow. This thing does not disappoint. The quality of build is outstanding. The Tv yellow is beautiful. Being mostly a Fender player, I was very unsure of the neck size. Wow, I actually love it. Being a bit older, this guitar neck is actually a little easier for me to dig into. The frets are amazing. I can do thinks on this neck that I can no longer do on my thinner necked guitars. It's an awesome guitar. I never owned a Gibson but wow.. the Case itself is worth the purchase. Holy moly every guitar should automatically come with a case like this. Awesome purchase.Dorje Champa
This guitar has an amazing vibe to it. The P90s are awesome. They have that midrange snarl that we all know and love. The 50s neck is very chunky, but in a good way. The feel of this guitar literally throws be back in time to the 50s. Combine that with the retro look and the classic TV yellow finish, it just makes me want to jam to some good old school rock and roll. Being a couple pounds lighter than my Standard, I can play this one all night without any shoulder issues. There is so much to love about the look and feel, but let's not overlook that fact that this is a tone monster! I will definitely be using it in some upcoming recordings. That being said, there are some not so awesome issues that need to be mentioned. A very minor issue is the intonation. All the strings were slightly sharp at the 12th fret. This was even across all the strings, so it has nothing to do with the wrap around bridge. This could have been set properly before leaving the factory with a small turn of the set screws in the bridge. No biggie though. A couple minutes with a screwdriver and a tuner and I have that issue fixed. The bigger issue is the condition of the binding and the fretboard. It looks to me like they were both damaged by the Plek machine during the factory setup. There are compression dings in both, the binding and fretboard. There is also a section that looks like a file carved into the fretboard. There is a similar compression ding in the binding right behind the nut. If that wasn't enough, the binding on the low E side is uneven and looks like a groove is carved into it lengthwise. You can see these in the attached photos. I don't know how these defects made it past quality control. If I was doing the final setup at the factory I would have flagged this one as a factory second. I guess the rumors about the improved quality at Gibson is a matter of the luck of the draw, because the fit and finish in the areas I mentioned are quite poor on mine. Yes, these flaws are cosmetic and won't affect the playability in any way, but I still expect better from Gibson. I guess some things will never change over there and this is what we have to expect if we want their name on the headstock. I give this guitar an A+ for tone and feel, a D for quality control and defects. All things considered it gets an overall C+. At the end of the day it is still a keeper because I love playing it, defects and all.Mike
10. Gibson Custom Standard Historic 1957 Goldtop Les Paul – Antique Gold Vos, Dark Back Guitar
Product Details:
By 1957, gibson's evolving les paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the les paul standard. but while the addition of the new abr-1 tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the les paul, nothing would compare with the addition of gibson's pioneering paf humbucker in 1957, the pickup that truly made the les paul a legend. the 1957 les paul goldtop reissue from the gibson custom shop is the closest thing to taking a time machine more than 55 years back in time to land your own original, and now it features a host of new details to make it the most accurate recreation of the '57 goldtop ever created. in addition to its foundation of a solid, lightweight mahogany body with carved maple top and a glued-in, quarter sawn mahogany neck with long-tenon neck joint, the 1957 les paul goldtop reissue benefits from gibson custom's 20th anniversary specifications, newly adopted for 2013. these include a one-piece rosewood fingerboard, kluson deluxe machine heads, hot hide neck glue, a historic truss rod. body shape: single cutaway. body type: solid body. body material: solid wood. top wood: carved maple. body wood: non-weight relieved mahogany. body finish: nitrocellulose. orientation: right handed. neck shape: early '50s rounded. wood: mahogany. joint: set-in. scale length: 24.75". truss rod: historic. finish: nitrocellulose. fretboard material: rosewood. radius: 12". fret size: medium-jumbo. number of frets: 22. inlays: trapezoid. nut width: 1.687" (42.8mm). pickups configuration: hh. neck: custom bucker. middle: not applicable. bridge: custom bucker. brand: gibson. active or passive: passive. series or parallel: parallel. piezo: not applicable. active eq: not applicable. special electronics: not applicable. control layout: separate volume, tone. pickup switch: 3-way. coil tap or split: not applicable. kill switch: not applicable. bridge type: fixed. bridge design: abr-1. tailpiece: stopbar. tuning machines: kluson deluxe. color: nickel. number of strings: 6-string. special features: dark back. case: hardshell case. accessories: certificate of authenticity. country of origin: united states.
Specifications:
| Finish | Antique Gold Gloss |
| Year | 2013 – 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
11. Gibson Les Paul Standard '50s – Gold Top
Product Details:
Live the les paul life. once you've got a gibson les paul standard '50s, your life will be complete. it offers the sought-after sound of the classic les pauls of the 1950s, giving you the perfect vintage tone and a dreamy performance. an icon of guitar design, and one of the most celebrated models of all time, the les paul standard will give you goosebumps as your hand feels every fine contour. from the likes of slash to bob marley, this guitar has made its way through multiple generations and legendary players to reach the modern era, where it awaits you. pure tone, prime playability. two classic burstbucker humbuckers adorn this feisty '50s guitar, giving it that vibrant vintage crunch which sails through to the soul. your licks will sing powerfully as you strum and pick your way through songs, with each note shining with crystalline clarity. the beautiful neck and fretboard bring you the ultimate playing satisfaction, feeling chunky and dense whilst offering beautiful resonance. there's nothing else quite like it.
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Mahogany |
| Body finish | Gloss Nitrocellulose |
| Orientation | Right handed |
| Neck shape | '50s Vintage |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss Nitrocellulose |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | Probucker |
| Bridge | Probucker |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 |
| Tailpiece | Stopbar |
| Tuning machines | Deluxe vintage |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, sorry that this is in english but maybe somebody will still find it useful. I ordered two of this exact model. I sent the first one back due to a quality issue. The first guitar was well set up, played really well, sounded great, and looked beautiful but at the top of the neck there was a very small gap between the fretboard and the neck. It was about 0,5 mm in height and about 3 cm in width on both sides of the neck. It was small but you could feel it with your hand every time you played over it. Anybody would notice it upon inspection and I am quite surprised that it got past both the Gibson quality control and the Musicstore check. This is the reason for the lower score on “Verarbeitung”. Now, was it a showstopper? For me, it was, considering the price of the instrument. For others, it may not have been and to be honest I thought long and hard before sending it back because it was otherwise a really excellent instrument and I’m sure some people may have decided to keep it. Kudos go out to the Musicstore.de for making absolutely no fuss about taking it back. I will certainly consider buying from this store again in the future. Now, to the second guitar I received: What can I say? It is a wonderful instrument that has THE sound. I usually play a Telecaster but wanted something Gibson-ish for a more humbucker-type sound. This has that sound, so if you are looking for a classic Les Paul sound, you will not be disappointed. Unlike the first guitar which seemed set up quite well by the Musicstore, the second one was not. This is not a problem for me as I am familiar with setup work but if you are not, then you may need to take the guitar to a good luthier once you receive it in order to get the most out of it. So that is something to consider when buying. Mine was pretty off and didn’t seem like anyone spent more than 3 minutes setting it up which was a bit disappointing considering that I know (based on calls to the store) that the delivery was being held back for over a week because it was waiting to be checked and set up. The truss rod had been adjusted quite right but the intonation was way off, the action was “ok”. The pickups seemed untouched and the height was off leading to an imbalanced sound. These are all minor things and it didn’t bother me because I like to set up my own guitars anyways but it should be noted that there seems to be a diffrerence in attention to detail between whoever is doing the setups at the store. That said, once set up properly, this thing is a killer! It is a tone and sustain monster! As far as workmanship goes, I can’t find any noticeable flaws. The finish is beautiful and the binding is very well done. The fretboard was extremely dry and needed to be oiled right away. This is typical Gibson and a bit annoying but also not a real issue that can’t fixed with a few drops of lemon oil and 2 mins of work. One last thing to note, the guitar is heavy. The fist one weighed 4.6 Kg and the second one weighs 4.4 Kg. That is normal for a Les Paul but you should know that in advance in case that is important to you. Reading back what I wrote above may seem negative but it is only so others know what to expect. All in all, I’m very happy with the guitar and would buy it again but for the price, I would’ve expected a bit more attention to detail.
I love this guitar, its my first LP and my first guitar with p90s but my fourth Gibson. The Gibsons I bought in the mid 2000s were frankly disappointing but this and the one prior (a red figured-top 335) are excellent. I was looking for something that could give me the clarity of my Strat with the warmth of my 335. I'm still not used to this new world of buying guitars from the internet (in my youth many hours were wasted not-buying but playing guitars at Guitar Center and elsewhere). Anyway this LP didn't disappoint, the fit and finish are good although not perfect I can see on the back areas that needed to be sanded a bit better before lacquer (but you have to look and want to see the imperfections). The top is flawless, the neck might be my favorite neck on any guitar I own (I've heard it tracks the 54' neck), the pots work linearly and smoothly and are connected by the orange drop caps, the pickups are amazing. The P90s do exactly what I hoped they would, move from warm cleans to crunch. Tons of harmonics, touch sensitive like my strat but with a fuller top end. People complain about the 60cycle hum and it is present but not much worse than my humbucker guitars. Ive also heard people complain that the bridge pickup lacks power, I found it was slightly anemic, however I adjusted the pickup height and the problem was solved (yes you can adjust p90 pickup height). if you have read this far you know what you want. If you can swing the money go for it you won't be disappointedJoel
I've had my 50s Cherry Paulie for about 2 weeks now. After stubbornly disagreeing with the hype of Les Pauls, I decided to give one a go. WOW! Be aware this will not be the crunchiest pickup set, (try the 60s in store to compare.) I'm used to the lightweights of the Gibson family (SG&339,) so this was quite a contrast for me. Specifically the heel on the Les Paul is huge, comparatively, so there's a bit of a learning curve on the higher end of the board. The Alnico II magnets create the "iconic 70s rock sound" that many search for. My only question stems from this new nut they give. I don't like how far they cut the string into the nut, and it could be creating an action/buzzing issue on the low E. Upon looking at other 2021 productions online, it looks like it is a common occurrence.Jack
12. Gibson Custom Historic '60 Les Paul Standard Vos Electric Guitar Honey Lemon Fade
Product Details:
1960 was the last year for the original les paul standard and single-cut les pauls in general, as the sg model was lined up to replace them with a more modernistic look. this year also saw the adoption of new reflector knobs and a new slim neck shape, a perfect profile for the many famous musicians who played '60 bursts including eric clapton, joe walsh, and paul mc – cartney. gibson custom's '60 les paul standard is a painstakingly-accurate replica of the highly-valuable originals rendered in detail so intricate that even the chemical composition of the parts has been scientifically examined and re-engineered-and that's just one small example sonically, visually, and tactilely, owning a 2018 gibson custom historic les paul standard is as close as one can get to owning a priceless original. includes hardshell case. – special builds from the world's finest builders – premium tonewoods, electronics and features – call for complete details on this special instrument – ask about financing options for purchase
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Figured Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | 1960 SlimTaper |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12 in. |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 Tune-o-Matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
I had a great experience with Musiciansfriend. I called my gear advisor, Scott, and he went the extra mile to answer all of my questions over about a two week period. My guitar weighs just under 10 pounds. The set up was superb with a low action and near perfect intonation. Phenomenal sound. Just amazing. Each string rings out clear and balanced. This is my first Gibson. I am a Fender player ('69 Jaguar, '97 Strat) so I was afraid I wouldn't like the warm tones of the humbuckers (nearly went with P90 because of this), but I can't compliment this guitar enough. It's a legend for a reason. The only bad thing is the case. It's obvious that Gibson doesn't take as much care in quality control for their cases. Pea sized bubble on the exterior and lining already coming unglued. However, musiciansfriend is working to right this for me.Jonathan
Overall: Ordered my 60's Les Paul in Unburst on Thursday February 10th. I paid for overnight shipping cause I couldn't wait & zZounds didn't disappoint. Guitar arrived on Friday the 11th before noon!!! Thank you zZounds. Now onto the review……amazing guitar. The figured top is beautiful. zZounds lets you pick the Les Paul you want by serial number & the top looks even better in person, I couldn't be happier. The fit & finish is excellent. Setup is perfect out of the box, plays like a dream. Sustain for days & the '61 Burstbucker R & T pickups just scream!!! Gibson's quality control is on point now!!! Just a beautiful guitar.James
Wow, does this guitar growl. These pickups are so hot, I was startled when I turned up the amp. On clean, every note in a chord is articulated brilliantly. And the sustain is strikingly long and full. I thought the fit and finish was exceptional, and appreciate the quality considering the price. It makes my other guitars feel like I'm riding a bike with a flat tire. It's just not a fair comparison. I am afraid I will have to upgrade my entire fleet now – it has spoiled me. I am more gratified with the purchase than I anticipated.Howard
13. Gibson Customtrue Historic 1956 Les Paul Reissue Electric – Goldtop
Product Details:
If you're looking for a solid deal on a true historic goldtop, then look no further than this used but not abused '56 reissue! this goldtop is in excellent shape with little to no wear on it, and includes the original case and certificate of authenticity. the double carved maple top is mated to the mahogany back with hide glue for a tone and sustain that has to be heard to be believed. the mahogany neck is topped with a rosewood fingerboard that features hand-rolled binding to get this guitar as close to original specifications as possible. all the small details from the top hat control knobs, to the authentically shaded plastics, to the classic les paul peghead veneer have been carefully recreated. the thin vintage antique gold nitrocellulose lacquer finish is wet sanded by hand for a vintage style look and feel. softer vintage edge profiles throughout, including the fingerboard edges and body binding edges give the guitar a comfortable feel.
Specifications:
| Finish | Vintage Antique Gold |
| Year | 2015 – 2016 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Standard |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
14. Gibson Les Paul Classic Gold Top 2019
Product Details:
Gibson 2019 les paul classic – gold top – the gibson les paul classic gives you exactly what you would hope for. vintage vibes are assured thanks to the awesome gold top. traditional tone wood construction using a mahogany back and a maple top, as well as a mahogany neck and bound rosewood fingerboard. taking as much from the 60s as possible, this model is complete with a slim taper neck and 61 r and 61 t zebra pickups for authentic playability and tone. the push-pull controls give a new dimension of versatility.
Specifications:
| Finish | Ebony |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.695" |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Overall: I purchased this guitar from zZounds about 2 years ago. Black and amazing: Before I made the move I played over 100 Gibson Les Paul and other brands, every time I came back to this exact model as the "Standard" to compare, after 6 months or so I pulled the trigger and received this Les Paul. The only thing I have a problem with is I wish I had all colors as this guitar will be a collector in time. The neck, profile, binging, hardware, pickups and electronics are perfect, not a single issue. The tone pull knows are extremely functional and the lower right tone when its "pulled up" is all on gain, treble tone and right into lead solo's without playing pickup selector and tones adjustment. Brilliant.This is players guitar, not a case queen. So glad Gibson came back from the dead.I've owned original 1969 Les Paul's and some 60 Stratocasters all of which have been narrowed down to 4 amazing Stratocasters, and a few other gems for live, scoring to film and all go to instruments.BUY THIS GUITAR and YOU WILL NOT BE DISSAPOINTED.I am not endorsed by any companies!!!!Michael S. SmithMichael
When you want a Les Paul you’ll want a real Les Paul so that’s a Gibson and not a single cut guitar by any onther manufacturer that has its looks changed because it may not look like a Gibson Les Paul. Furthermore: the Gibson Les Paul since its inception in the ‘50’s has always been and will be THE benchmark. Period. This Gibson Les Paul Classic is a gorgeous, great guitar and very competetively priced too. For your tone you really do not need an AAA flame top; many of the best sounding ‘vintage’ Les Pauls are plaintops. And when you do not want one of the ‘burst’ versions that just do not quite meet the looks of the old ones, this Translucent Red is the way to go.. you’ll be buying a guitar that reminisces of George Harrison’s ‘Lucy’ and Dicky Betts’s ‘Redtop’ without having to fork out Custom Shop money. You’ll also get 4 push-pull pots that effectively give you all the inspiring tonal options (including the ‘Peter Green’ out of phase tone) you’d find in a Custom Shop Jimmy Page # 2 (read the spec sheets) but again without having to pay the Custom Shop Price. Between 1990 and 2008 there was also a ‘Les Paul Classic’ too but the ‘Classic’ version on sale these days has little to do with that previous ‘Classic 1960’. The Burstbucker pick ups are supposed to adhere to the specifications Seth Lover intended and that Gibson was applying to the 1961 P.A.F. / Patent Number Pickups. And indeed the Burstbuckers are clear, brilliant, a bit ‘bright’ and not ‘woolly’ or ‘fatty’. More a bit like the P90 ‘without hum’ it was designed to be but then a little more powerful, without the screaming harshness of some ceramic pickups Gibson used in the past. The Grover tuners – although I prefer the looks of the Kluson keystones – are also ‘60’s-modifications’ and I must say they have a wonderfull ‘solid’ mechanically feeling action. The crown inlays in the fretboard are a perfect fit (unlike some others where gaps were obvioulsy filled up with glue or something) and the fret bindings have been finished properly (in the past I’ve seen that done less scrupulously..). The Classic also sports the ‘modern’ larger strap holders so it is not imperative to fit straplock systems right away… Any drawbacks? Some people might scare back at the weight: it comes in at 4.25 kilo’s and the Slim Taper neck profile (also a ‘60’s’ characteristic) has to be your thing. Minor detail: upon arrival the fretboard was very dry but all it needed was some luscious application of Axe Wax and now the fretboard has the same nice even chocolate brown hue as my Gibson 2019 Firebird. When you are on the search for ‘a’ Les Paul, at least try the Les Paul Classic as well. I have sold two M.I.J. Tokai LoveRocks (a 2002 and a 2003) to fund the purchase of the Gibson Les Paul Classic; that was a gamble but I was right in doing so; the Les Paul Classic really pleases me a lot more. And a note I must add: mine came perfectly set up by one of the guitar techs of Music Store; thank you! Even the intonation was spot on !
I've been playing guitar for almost 4o years and have always wanted a Gibson Les Paul because my favorite players use them. As a teenager, I couldn't afford one and saved up for a Washburn WP-80 (licensed les paul custom copy) and loved it. Ever since it has been my #1 and I've always regarded Gibson to be all about the name and not really worth the money. Well, I heard about the new Gibson line up a few years ago, decided to check them out, and discovered the Les Paul Classic model. It checked all of the boxes for my dream guitar. Plain top subtle burst, bound body and neck, coil splitting buckers, and weight relief. I saved up and ordered it through MF and it arrived 3 days later (on my birthday, no less!). Man, I don't know why I waited so long to own a Gibson. It is the sweetest playing/sounding/smelling guitar I have ever held. I was concerned about the wood grain when ordering sight unseen, but was relieved when I finally opened the case (see pics). Set up was good right out of the box. Pickups sound amazing, clear, open, and woody. The only disappointment was that the "9-hole" weight relief really isn't that noticeable. It's still a hefty Paul. Which is fine now, because I'm getting older and usually play sitting down. Also, there is a "freckle" on the fretboard. I know some would take issue with that, but to me tiny little imperfections like that just make the guitar special and unique, and It doesn't affect playing at all. Overall, I LOVE this guitar and am very satisfied!Ryan
15. Gibson Custom 57 Les Paul All Gold Light Aged Electric Guitar Gold Top
Product Details:
The gibson custom 57 les paul all gold light aged gold top is a painstakingly accurate recreation of one of the most iconic guitars of all time. the all-gold finish has been lightly aged, reflecting an instrument that has been played and cherished. classic solid mahogany/maple construction and versatile humbucking pickups will make you wonder, what else could i possibly need in a guitar? the answer? nothing. this is it. thousands of hours of research went into this les pauleven the chemical composition of the parts was scientifically examined and re-engineered. if youve ever dreamed of going back to 57 to pull a les paul off the wall of your local mom and pop, this instrument will make you believe that time travel is real. gibson used hot hide glue construction throughout the guitar. the mahogany neck has a period-accurate medium-chunky profile. trapezoid inlays line the rosewood fretboard. narrow-tall frets bring the playability closer to the character of a vintage original. dual custom – buckers provide holy grail gibson tones and pack plenty of paf punch. the gibson custom 57 all gold les paul gold top comes with a hardshell case and a certificate of authenticity. maple top on lightweight mahogany body with lightly aged nitrocellulose lacquer24.75"-scale mahogany neck, 22-fret hide glue-fit rosewood fingerboard – dual custom – bucker pickups, 3-way switch – abr-1 tune-o-matic bridge, stopbar tailpiece, kluson deluxe tuners | gibson custom 57 les paul all gold light aged electric guitar gold top
Specifications:
| Body shape | Single cutaway |
| Body type | Solid body |
| Top wood | Maple |
| Body wood | Lightweight Mahogany |
| Body finish | Lightly aged nitrocellulose lacquer |
| Orientation | Right handed |
| Neck shape | Medium chunky |
| Neck wood | Mahogany |
| Joint | Set-in |
| Scale length | 24.75" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 12" |
| Fret size | Vintage-style |
| Number of frets | 22 |
| Inlays | Trapezoid |
| Nut width/material | 1.687" (42.8 mm), Nylon |
| Configuration | HH |
| Neck | CustomBucker |
| Bridge | CustomBucker |
| Control layout | Volume 1, volume 2, tone 1, tone 2 |
| Pickup switch | 3-way |
| Bridge type | Fixed |
| Bridge design | ABR-1 Tune-o-Matic |
| Tailpiece | Stopbar |
| Tuning machines | Kluson Deluxe |
| Number of strings | 6-string |
| Country of origin | United States |
Reviews:
First of all, the ultra light aging done by the Murphy Lab looks and feels amazing. The finish checking is stunning and it straight up looks like it was built in 1956. They nailed it. Frets are perfect and I was able to set the action really low without any buzzing or issues whatsoever – a testament to how well this was built. It really plays like a dream. The P90's are perfect too – like single coils on steroids – everything you want a P90 to sound like – Clean, chimey, articulate, but also warm, fat, and searing. They cut really well in a mix, especially on the bridge pickup into an overdriven amp. They really sing. It's such a beautiful instrument in every way. Get one!
Great guitar. I have several gibsons, some nicer Ibanez, and some of the upper end of the epiphone guitars. This guitar worried me before it arrived if it would have a loss of sustain or if it would sound thin due to the thinner body. It doesn’t. Full sound, great pickups, stays in tune perfectly and no neck dive. I’ve played the Gibson custom shop Frampton guitar, Custom shop Bonamassa standard, several other standards etc.. To me, this is more comfortable and I prefer the pickups here to the others. My favorite guitar and I would definitely recommend to anyone. I do wish it came in more colors, I’d buy a couple more if it did.David
I tried to be a Gibson hater for so long, but this guitar really converted me. I’ve always loved the look of Les Pauls but never like the thickness or weight of them (I’ve owned an Epiphone Les Paul which gave me the general body size to expect, at least). Also having a shoulder injury which makes heavy guitars basically a no-go, this ended up being an all-encompassing package for a perfect Les Paul. The weight of mine must be in the lower 8 lb, high 7 lb range (I haven’t gotten to put it on a scale yet, but it feels similar to my guitars that weigh in at those numbers). The thin body feels amazing and doesn’t push my forearm out as much as the traditional thickness of my Epi LP. I was also expecting some neck dive issues, but I don’t experience that with this one. I’m so glad they do the slim taper neck on these as it’s got to be the perfect neck shape, in my opinion. It fills the hand wonderfully yet doesn’t cause my hand to cramp and fatigue like way thicker or way thinner necks. The guitar played pretty amazingly out of the box. I did have to do a slight truss rod adjustment, but the provided Gibson tool makes any adjustments on this guitar a breeze. The 57 Classic +/57 Classic pickups are amazing too. Just the right amount of output with tons of articulation. I needed to back the neck pickup off a tad as it was a bit louder than the bridge right out of the box. Now it’s super even in volume between the selections and it can get so many tones just with the simple 3 way and volume/tone controls. Only real gripe I have about the guitar is that the nut isn’t cut too well for the low E string. It definitely will stay in the slot, but it maybe only has about the bottom 1/3rd of the string resting in it, and it tends to be the highest action of the strings at the lower frets. The guitar still plays like butter and I’m super happy I took a shot with this one. I also don’t have any of the typical tuning woes that most Gibsons seem to be plagued with, so I know the nut is cut pretty well, for the most part. I definitely can see myself playing more Gibsons in the future now, and I’ve already been GASing for some SGs. If they all come out of the box like this, I have no issue buying more whenever the money comes around. I hope they continue with the Lite series as well, because this guitar really gives me the best of both worlds with classic looks and comfortable playability.Ryan
16. Gibson Les Paul Studio W/gold Hardware – Wine Red
Product Details:
Now available with gold hardware, this les paul studio has the looks, tone and playability to hit any stage or studio session! the les paul studio embodies the essential les paul features with enhancements for playability and tonal versatility. the rosewood fingerboard and slim taper mahogany neck provide effortless playability and comfort. the 490r and 498t pickups provide tight, high-output humbucking performance and the two push-pull pots offer additional coil-tapping options.
Specifications:
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 12 inches |
| Number of Frets | 22 |
| Frets | Medium Jumbo |
| Nut Material | Graph Tech |
| End of Board Width | 2.26 inches |
| Inlays | Acrylic Trapezoids |
| Bridge | Gold Nashville Tune-O-Matic |
| Tailpiece | Gold Stopbar |
| Pickguard | Black |
| Control Knobs | Black Speed Knobs |
| Switch Tip | Black |
| Switchwasher | Black (Not Mounted) |
| Jack Plate Cover | Gold |
| Neck Pickup | 490R |
| Bridge Pickup | 498T |
| Strings | .010, .013, .017, .026, .036, .046 |
| Year | 2019 – 2022 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 12" |
| Neck Construction | Set-Neck |
| Neck Material | Mahogany |
| Number of Strings | 6-String |
| Offset Body | No |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
17. Gibson Les Paul Deluxe 2015 Electric Guitar Gold Top With Case
Product Details:
The sound of the new mini humbuckers designed by jim de cola and jeff ‘skunk’ baxter give the 2015 les paul deluxe that distinct punchy tone. push/pull coil split on each volume pot and orange drop capacitors with a 15db boost for leads makes it ultra versatile. gibson usa fits the guitar with a mahogany asymmetrical rounded c neck for superb playing comfort. standard on most 2015 models, gibson g force provides the best and simplest experience yet in an automatic tuning system. gibson les paul deluxe 2015 electric guitar features maple top with traditional rout. mahogany body. asymmetrical rounded c mahogany neck with rosewood fingerboard. nickel hardware glass lacquer finish. new mini humbucker pickups push/pull coil split on each volume pot and orange drop capacitors. hardshell case included.
Specifications:
| Finish | Goldtop |
| Year | 2015 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Deluxe |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
Reviews:
I've wanted a deluxe since I played one in the late 70's. It's beautiful, plays great, and the fit and finish is perfect. Gibson has definitely fixed their past QC issues. The mini humbuckers are clear and crisp, no bucker mud. The neck is perfect to me. Fat but not huge. Frets are perfect. Minor action tweaks out of the box and I gigged it the next day. Highly recommend!
18. Gibson 2017 Les Paul Classic T Electric Guitar – Gold Top
Product Details:
The les paul classic 2017 t riffs on the beloved guitars of the '60s and '70s while adding modern upgrades for tone and playability, yielding a true classic with contemporary twists. a grade-a plain maple top on a mahogany back with 9-hole weight relief combine for subtle beauty with enhanced resonance and superb playing comfort. the solid-mahogany neck has a fast slim-taper profile, a thicker rosewood fingerboard with 22 super-smooth polished frets for easy bends, and a genuine nylon nut.
Specifications:
| Finish | Ebony |
| Year | 2017 |
| Made In | United States |
| Body Shape | Single Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Stop-Bar |
| Finish Style | Satin |
| Fretboard Material | Rosewood |
| Model Sub-Family | Gibson Les Paul Classic |
| Neck Material | Mahogany |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 24.75" |
| Top Material | Maple |
| Wood Top Style | Plain |
Reviews:
An amazing, extremely well built, truely musical sounding instrument. 57/57 plus pickups, locking tuners, Gloss nitro, and American made pride. Traditional weight relief vs modern weight relief…..she's a big girl when she sits in my lap but the pound or pound and a half is worth it for the sustain and tone.Lenny the Doosh
Was soll ich sagen… es ist meine erste Les Paul…. Tolle Gitarre, schöner Klang….. für mich war es ein Schnäppchengianluca
Okay, first of all I need to express how pleased I am with this guitar. I was really skeptical about making the purchase because of the slim taper neck. I have a '68 Les and the neck is so wide you could land a plane on it. But I love a fat neck. I couldn't bring myself to buy the gold top. Two days later, I see the green ocean burst. I'm in love!!! However, I think the slim taper neck could be a deal breaker. So, with a little coaxing from the wife, I buy the green ocean burst. That was Christmas, this review is June. I still love my '68 black beauty, but she is in her case resting. I play my new Les all day long! The neck is quite a bit smaller than I was used to. That just forced me to work on my precision and to get out of my "comfort zone". I play cleaner and those fret stretches are a bit easier. This guitar will growl like a demon or sing like an angel! It will do anything else in between! I play all different styles of music, and I can do it all with this Les Paul! If you are thinking of buying it…Just Do It!!!! You will not regret it!Zen
19. Gibson Les Paul Studio 50s Tribute 2016 T Guitar With Gig Bag, Gold Top
Product Details:
Following in the footsteps of the incredibly popular 2010 les paul studio 50's tribute, which was released with a set of p-90 pickups… comes the new 50's tribute les paul loaded with paf-style humbuckers. keeping the look and feel of the original run of guitars with the goldtop finish and rounded 50's neck profile, this model offers slightly more modern rock and roll tone with the uncovered 490r and 498t humbuckers. a fantastic les paul at a price that the everyday musician can afford.
Specifications:
Reviews:
I've owned a few Epiphone Les Pauls and a couple Gibsons and this is absolutely my favorite. The action was rather high but all new guitars should be set up when you get them anyway. After I lowered the action it's been a dream to play. The pickups are very responsive and deliver a great tone as well. I haven't had any issues with it staying in tune. I stretched the strings a bit and tuned it up and it hasn't lost its tuning yet. The satin good top is just beautiful. It has a slight copper color to it in some light but it still looks amazing. The satin finish still lets it shine through. The only flaw I could find was under the pick guard, but any Les Paul with a pick guard will have that mark. The fretboard is pretty nice. There are a couple of spots that look like they were gouged slightly but not where it causes any problems. For me the neck is comfortable and fast. Not too much stiction going on at all. And those knobs! I love reflector knobs. Against the gold top they just make the whole thing pop. I've always been a fan of binding on a guitar but this one doesn't need it. The guitar just stands out so well that it wouldn't even be noticed. Out of all of the more affordable Les Pauls this one really leads the crowd. Such a good guitar that not only sounds great, but looks beautiful as well. Now for my single complaint. Ship these with a case!!! The gig bag is nice, but it really needs a classic looking brown case to round it all out.StephenM
When I first opened the box what I saw was a work of art, I only hoped it was as great as it looked. I pushed the power button on the G-Foece Tuners and the G string light up red, I picked the G and all ways in tune. I checked it with my Petersen Strobe Tuner, and yes it was spot on. I plugged into a Vox AC30 HW, the notes that came out of the speakers seem to bloom with harmonics I've never heard before. The fit and finish looked like someone went through the Les Paul with a fine tooth comb, I figured the Les Paul being a 2016 would need a set of fresh strings. The instruction for the G-Force Tuners states to do one string at a time, so the G-Force would not need to be recalibrate. So I set up the windup wind down menu on the G-Force unwound the low E. The rewind confused me a bit, usually i cut the string about 1 1/2 past the next tuner, not so with the G-Force only cut the string to the next tuner inline, too much string will cause the G-Force to lock up due to too many winds on the post. When you get to the G-B-E Strings 1 1/2 will work better so the Strings don't slip on the post and cause tuning issues. The 490R & 498T pickups really surprised me. The 490R is very articulate not muddy in any way, if fact I use it more that I've ever used a neck pickup…the middle position is great for Lead or Rhythm, I've heard Jimmy Page uses this position a lot now I understand why. The 498T is very hot 13.7 ohms as opposed to the 7.6 ohms neck. Even though the ohms are far apart they work well together. I set my Neck volume about 6 for a nice clean rhythm sound and the bridge I set at 8-9 so when I want that little more bark it's there. So to sum it all up this Les Paul is all I need to get the tones I need. This is my Desert island Guitar.Huncy Sound Studio
After playing for over 40 years, I must admit I am really blown away by the tonality, feel, and general quality of this guitar. The cleans are vibrant yet warm, and the crunchy over driven tones will compete with just about anything when pushed through a classic tube amp. It really is a step way up from any $400 guitar I've recently played; and would highly recommend spending the extra bread. You don't need to get a $2500 Les Paul to crab that classic Gibson tone and vibe. This is really a quality instrument at a good price!twiggypine
20. Gibson Les Paul Standard '50s Electric Guitar (Gold Top)
Product Details:
This guitar has a beautiful maple top on mahogany body, the finest gibson craftsmanship, and dual burstbucker pickups, for killer vintage tone. the les paul standard '50s is perfect for the rocker that appreciates an awesome playing guitar with a vintage tilt. beautiful maple top on mahogany bodythe timeless single cutaway design of this les paul is built from mahogany and topped with maple. it's finished in gloss nitrocellulose lacquer for a gleaming shine. the neck is also cut from mahogany into a vintage '50s profile. the 24.75" scale length neck is topped with a 12" rosewood fretboard. the finest gibson craftsmanshipthe les paul standard '50s guitar is built with stylish rock aesthetics and fantastic playability in mind. all the specs go towards that end. the fretboard of this les paul sports 22 medium jumbo frets and acrylic trapezoid inlays. it's got a graph tech nut for smooth string movement. the bridge on this les paul is a classic abr-1 tune-o-matic with a stopbar tailpiece. it even sports the vintage style amber top hat knobs with pointers. burstbucker pickupsfor killer vintage tone, gibson outfitted this awesome lp with dual burstbucker pickups. there's a burstbucker 1 at the neck and a burstbucker 2 at the bridge. these humbuckers give classic, clear sound, and extra trebly output, which articulately handles gain and effects. the circuitry includes 2 volume and 2 tone controls, as well as a three-way toggle switch, and is wired with orange drop capacitors. no matter your musical proclivity, there's nothing the les paul standard '50s can't handle. features: maple top on mahogany body 24.75" scale mahogany neck in vintage '50s profile rosewood fretboard with 22 medium jumbo frets and acrylic trapezoid inlays dual burstbucker humbucker pickups, three-way switch, 2 volume and 2 tone knobs abr-1 tune-o-matic bridge with stop bar tailpiece and amber top hat knobs with pointers includes hardshell case
Reviews:
Picked up a 2019, same exact model about a month ago. Quality and build is superb, the carved top has even more flame than I expected. I wanted an "understated" look, and it's perfect. Flame changes with light. The nitro finish is buffed like new, unlike the VOS models, and the natural dye on the back and neck is rich and deep. Instrument is plek'd, action and intonation are flawless. The CustomBucker pickups are all the rage, you can only get them on a new instrument, and are supposed to be the best PAF repro so far. I'm still trying to decide if I like them, my ears say that the 60s have more natural midrange than 59s, but I can eq it out on my amps. They also seem to be unpotted. I'm really inspired by the sound and feel of the '60 LP, the looks and quality are just icing.Ron
I have been a Sweetwater customer for longer than I remember, and one feature I have always loved is the pics and weights of the actual guitars so you know what you're getting. So, I found a 60s Faded LP with a ridiculously low weight of 8 lbs, 2oz. The top looked nice, not anything crazy, which is fine but the one feature I love about the top is the mineral streaks (flecking) in the top. The streaks really add character. I was less into a fancy top than a light weight, good playability and great sound. And I was not disappointed. My rep, a fine young man named Jacob Terhune, expedited the shipping, and I had it in my hands literally the next day. Opening up the new case, and smelling that wonderful new Gibson smell is something I've always loved. The case candy was all there and speaking of the case, It was made by TKL just like back in the day and that is super awesome! My guitar is light as stated, and the satin finish is very well done, feels super smooth and I like that the back is natural with nicely matched grain. I did my usual setup and going through my LP and I think the quality on my LP was top notch. There were no file marks on the board, no scratches and every aspect of the build was great. The 61R/T pickup combo is great, I did have to adjust the pole pieces (which I do for every guitar), and just sat there making small adjust meats and I'm so pleased with the sound. The setup from the factory and the inspection from Sweetwater were fine, but as always I tweak it here and there. I did lower the nut slots only .003 of an inch, since I like the action at the first fret at .020". The fingerboard was a little dry, but much better than my 2020 Flying V board, but I hydrated it just a bit more. As far as sound, this LP is outstanding. It's very loud and projects sound well when you strum it unplugged and the entire guitar vibrates so much that it'll tickle your hands as you play. This guitar just feels alive, and it make me want to play, and if I'm not playing it, I love to just look at it. I guess I'm simping for my guitar, and I'm good with that. I see many people on Youtube run down Gibsons quality, but I have to disagree based on mine. My LP is outstanding and I would highly recommend one of these with no hesitation.
Going on a two-month report. The pickups are the strong suit of this guitar. They are like telecaster single coils but on steroids! They have a low-end snappy output on the neck pickup, excellent for jazz, blues, hard rock & metal. Mid-range is very stable in the middle position i.e. funk, rock, and pop. Also, the bridge pickup is what people strive for in an LP i.e. metal, classic rock, & hard blues. It has That classic overdriven PAF tone. It's worth spending the $$$. The quality is genuine and the slight VOS aging is a nice touch. The relic is not overly done but has a slightly played look. Tuners are superb, metal components are aged, & the lacquer is just right. Indian fretboard looks like ebony and the trapezoid inlays are aged just perfectly. Also, the case is beautiful along with the awesome case candy. Overall, this is worth every dollar. It's surprisingly a very versatile guitar!
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