Are you looking for the Gibson Les Paul Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Gibson Les Paul Acoustic Guitar can be difficult as there are so many considerations, such as Gibson, Epiphone. We have done a lot of research to find the top 20 Gibson Les Paul Acoustic Guitar available.
The average cost is $2638.60. Sold comparable range in price from a low of $939.95 to a high of $4999.00.
Based on the research we did, we think Gibson Generation Collection G-45 Acoustic Guitar Natural is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Gibson Les Paul Acoustic Guitar (20 Sellers)
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$939.95
4.1
Reviewers Noted:
Sound quality . Craftsmanship . Visual appeal . Weight
Features:
- Gibson g-45 generation collection – antique natural w/gig bag.
- You are viewing pictures of the actual guitar being sold!
- G-45, natural.
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Includes a deluxe gibson soft shell case as well as a gibson strap and polishing cloth.
- Ultra-modern weight relief.
- This is gibson's latest advancement in maintaining tone with weight relief!
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Detailed specifications
- Advanced jumbo
- Thermally aged red spruce
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Advanced jumbo top
- Thermally aged red spruce back & sides
- Mahogany bracing
$3149.00
4.8
Reviewers Noted:
Good sound quality . Well made . Attractive . Weight
Features:
- Gibson songwriter standard rosewood antique natural acoustic guitar.
- A rosewood square shoulder powerhouse.
- Featuring beautiful rosewood back and sides paired with a sitka spruce top.
$2799.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- A small-body with the full gibson sound.
- Pics are of the exact guitar you will receive.
- Detailed specifications.
$999.00
4.4
Reviewers Noted:
Sound quality . Craftsmanship
Features:
- Solid sitka spruce top
- Solid walnut back and sides
- Advanced response profile utile neck
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 2022 original 50's j 45.
- Never registered with gibson.
- K&k pure mini (passive) installation, pickguard and orange label removal done professionally.
$2699.00
4.7
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Body shape songwriter
- Top sitka spruce
- Back rosewood
$2299.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- "parlor guitar" l-00 body
- Sitka spruce and rosewood body
- Nineteen standard sized frets
$3999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The gibson l-00 deluxe provides unparalleled projection not found in most small body guitars.
- This exceptional gibson l-00 deluxe offers superior tone created by select rosewood back and sides.
- Classic mini gold grover tuning machines and a gibson script logo crown the headstock.
$1599.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Craftsmanship
Features:
- Gibson generation series g-writer ec acoustic-electric guitar natural
- From dexter music center
- Gibson dealer and service center
$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Finish top: light scratches on pickguard
- Finish sides: minor discoloration on waist of bass side
- Finish back: minor jam in middle of back
$1999.00
5.0
Reviewers Noted:
Weight
Features:
- Gibson g-200 ec left-handed natural
- A revolutionary take on the classic jumbo
$2649.00
4.2
Reviewers Noted:
Visual appeal
Features:
- Finish top: light buffing scratches on top surface
- Finish sides: light buffing scratches along sides
- Finish back: light buffing scratches across back surface
$3749.00
Features:
- Detailed specifications
- Body material
- Sitka spruce
$2599.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- A small body with wide dynamic range a small body acoustic with the full-sized gibson sound. this little giant produces a charming and seductive tone that rivals much larger-bodied guitars…
$1499.99
Features:
- This product comes with a case. | gibson 1969 blue ridge acoustic guitar natural…
$2799.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- L-00 std 2019 vint sunburst…
1. Gibson Generation Collection G-45 Acoustic Guitar Natural

Product Details:
The gibson g-45 is brilliantly crafted for practicing and ready equipped for stage. designed with a gibson player port, a feature that has been refined from a concept first developed in the early 1960s, gibson's acoustic luthier team have helped deliver a revolutionary new dimension to their sound. crafted by highly skilled craftspeople in bozeman, mt, the premium construction makes the acoustic guitar sonically superb. a walnut back offers a warm depth to tone whilst the sitka spruce top produces a well-rounded projection, offering strong fundamentals even at its quietest. the g-45 offers impeccable performance with the player in mind. an advanced response neck profile offers fast playability with a comfortable reach, freeing you up to glide effortlessly from chord to chord. and the striped ebony fretboard provides an excellent surface to perform on with a crisp, bright attack and fantastic sustain creating a beautiful playing experience.
Specifications:
Binding | Multi-ply Top, Single-ply Back |
Neck | Utile |
Nut width | 1.725" / 43.82mm |
Fingerboard | Richlite |
Scale length | 24.75" / 628.65mm |
Number of frets | 20 |
Nut | Tusq |
Inlay | Soft Diamond Inlays |
Bridge | Traditional Belly Up, Richlite |
Tuners | Mini Grover Rotomatic |
Finish | Natural |
Year | 2021 – 2022 |
Made In | United States |
Back Material | Walnut |
Finish Style | Satin |
Fretboard Material | Ebony |
Number of Frets | 20 |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Walnut |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
Overall: I have several Taylors, Martins, etc. and I’ve owned a Gibson acoustic but didn’t care for it. But I took a shot and ordered this. I’m glad I did. It has a much better sound than any of my others. It’s basic, good feeling and has the sound I like. It is now the guitar I play everyday. I recommend it.Len
I have dreamed of owning a Gibson Acoustic, Specifically this shape. Unfortunately, this guitar was such a letdown. Was not comfortable to play and it literally sounded like someone slapped strings on a plastic lunchbox. I hate writing a negative review about a company I have put on a pedestal but feel obligated to pass on my experience with this guitar. I returned this guitar and purchased the Alvarez Masterworks 12 fret round shoulder and am in love with it.
I went to the Atlanta GC looking to buy a new acoustic, with an eye on the G-45. They had two in stock and both were consistent to each other. Playability was great, but both sounded very, very boxy. I compared with Martins and Taylor's in the same price range, and the G-45 just sounded like a toy guitar in comparison. I kept going back to the G-45s hoping one would win me over, but they just sounded cheap. I wound up buying a Taylor over the G-45. And that surprised me. I've always been a huge fan of Gibson. I own a J-45 and a Songwriter, and these Generation guitars just don't measure up to what I expect from Gibson.Ryan
2. Gibson Les Paul Tribute – Satin Iced Tea

Product Details:
Pickguard has pick scratches. dings, scrapes, and scratches through out. very faint fret wear, almost nothing. 490 humbuckers in the neck and bridge. mother of pearl dot inlays. the back of the body has a beautiful grain. i love the contrasting colors of the body and neck. it's tied together beautifully with the faux binding.professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. stored at a digitally controlled 45% humidity. 8 lbs 8.3 oz. includes a gibson gig bag.
Specifications:
Body shape | Single cutaway |
Body type | Solid body |
Top wood | Maple |
Body wood | Weight relieved Mahogany |
Body finish | Satin |
Orientation | Right handed |
Neck shape | Rounded |
Neck wood | Maple |
Joint | Set-in |
Scale length | 24.75 in. |
Truss rod | Standard |
Neck finish | Satin |
Radius | 12 in. |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Trapezoid |
Nut width/material | 1.69 in. (43 mm) GraphTech |
Configuration | HH |
Neck | 490R |
Bridge | 490T |
Active or passive pickups | Passive |
Series or parallel | Parallel |
Control layout | Volume 1, volume 2, tone 1, tone 2 |
Pickup switch | 3-way |
Bridge type | Fixed |
Bridge design | ABR-1 |
Tailpiece | Stopbar |
Tuning machines | Grover Rotomatic |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
3. Gibson 1936 J-35 Vintage Sunburst

Product Details:
The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans. gibson developed the j-35 to be a pared down model but still offer musicians a warm and balanced instrument. this custom historic 1936 j-35 delivers the look, feel and sound of our iconic j-35 as a seasoned vintage instrument. the master luthiers in bozeman, montana, have created a beautiful vintage-inspired instrument sure to be coveted by the most discerning of flat-top players. the 1936 j-35 features a thermally aged adirondack red spruce top held by hot hide glue construction, a wide 1.77 nut width, open-slot bridge, bone saddle, and strap cream button tuners.
Specifications:
Finish | Vintage Sunburst |
Year | 2020 – 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
4. Gibson 1939 J-55 Acoustic Guitar – Faded Vintage Sunburst

Product Details:
The big brotherin 1936, gibson scored a runaway hit with the j-35. because it was so affordable (only thirty-five bucks compared to a cool c-note for a d-28!), it allowed depression-era musicians the opportunity to experience the magic of a gibson without breaking the bank. it was so successful that they decided to expand their line in 1939 to include an upgraded version that came with some high-end appointments without raising the price too much. thus, the j-35's big brother–the j-55–was born. the j-55 cost fifty-five dollars, and that extra twenty bucks got you some cool upgrades, including an ebony "mustache" bridge, an ebony fingerboard, and a bound neck. though it only remained in production for four years, it earned a sterling reputation with vintage guitar enthusiasts because of its rarity, huge sound, and elegant good looks.
Specifications:
Body Shape | Advanced Jumbo |
Back | Mahogany |
Side | Mahogany |
Binding | Single-ply top, single-ply back |
Finish | Thin Finish Nitrocellulose, VOS |
Neck Material | Mahogany |
Scale Length | 25.5" |
Fingerboard Material | Ebony |
Fingerboard Radius | 12" |
Number Of Frets | 19 |
Frets | Legend Wire |
Nut Material | Bone |
Nut Width | 1.77" |
Inlays | Mother-of-pearl Dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Moustache, no inlay |
Saddle Material | Bone |
Tuning Machines | Open Back cream button |
Pickguard | Stair Step |
Truss Rod Cover | Black |
Bridge Pins | Bone |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
5. Gibson Acoustic Songwriter – Antique Natural

Product Details:
Distinctive. iconic. and ready for professionals. the gibson songwriter 2019 is a stunning electro acoustic guitar that'll delight professional performers, troubadours, and gibson collectors everywhere. it's loaded with all of gibson's renowned tonal brilliance. rosewood, sitka spruce, and mahogany tonewoods combine to create excellent sonic range, giving you full, all-encompassing sound.this is a guitar that's destined to drive you to greatness. because it's tailor-made for the stage, too. lr baggs electronics provide superb clarity to your live playing, allowing you to play at high volumes without sacrificing sound quality. a comfortable rounded neck profile will let you play on for hours, so you can dedicate as much time as you like to composing your next classic. discover unparalleled excellence.
Specifications:
Body Shape | Square Shoulder |
Back and Side Wood | Rosewood |
Bracing | Traditional hand-scalloped Advanced X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Neck Profile | Round |
Scale Length | 25.5'' |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12'' |
Number of Frets | 20 |
Frets | Standard |
Nut Material | Tusq |
Nut Width | 1.725'' |
Inlays | Mother-of-pearl Parallelogram |
Neckjoint | Compound dovetail neck-to-body joint |
Tuner Plating | Gold |
Bridge | Custom Line |
Saddle Material | Tusq |
Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
Pickguard | Custom Line |
Truss Rod Cover | B/W |
Bridge Pins | Tusq |
Controls | Volume and Tone controls in soundhole |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
Pictures just do not capture the beauty of this guitar. When I opened the case, I swear there was an aura surrounding this beauty. I was almost afraid of touching it! So after mustering up the courage to take it for a test drive….. Holy Smokes!, this guitar is on another level! It feels so solid compared to my other dreadnaught acoustics. Its like an Acoustic Les Paul Custom. The neck is great, plays like a dream and the pickup really does sound much better than those active p/u's I've played on other guitars. All in all, I couldn't be more happy with this instrument….. Truly an awesome spectacle
I played a Gibson J-45 previously. I was looking for a smaller body size to make it easier to play and write at the same time. l laso wanted a cut away body for higher fret action. The G-Force tuner was an interesting plus. the tuner works nice for studio and stage tuning in standard tuning. Using the G-Force to tune other than standard tuning is really to complex in terms of the multiple buttons you have to press in specific sequence to make the use impractical. The G-Force tuner also requires some very specific steps to restring the guitar. I really, really like the sound. You might think with shallow body depth and body cut away that the sound may be less than a full dreadnought sound. This sound is better than the J-45 I have played for years. The appearance and workmanship is impeccable. There is a special insert included to store the guitar in a standard dreadnought case. This is a nice feature by Gibson, as the guitar shallow body would make it bounce around in a standard dreadnought case. I grew up in Kalamazoo Michigan, the home of Gibson guitars. A number of my family members worked at the Gibson plant. I played Epiphone and Gibson guitars from the Kalamzoo Parson Street factory since I was a kid. This is the best Gibson I have ever played.Lorenzo
I have been playing for 30 years. I own several J45s, none of them rosewood.. Interesting that the Songwriter comes in a J45 case. I have truly enjoyed the tonal quality of this guitar. It has a nice clarity and truly excels when played in the finger picking style The Fishman electronics give this guitar some additional range to dial in the tone you want. It sounds great plugged as well. I wish I had bought one of these 10 years ago.Philip S
6. Gibson Acoustic L-00 Standard – Vintage Sunburst Guitar

Product Details:
Amazing tone, maximum playability. the gibson l-00 standard, vintage sunburst electro acoustic is an instrument you'll never want to put down. an extensive tonal palette. never again will you be limited by a guitar with poor tonal range. the l-00's carefully-selected tonewood construction ensures that whatever pitch you're playing at, you'll sound balanced and defined. enjoy a fast, comfortable playing action with a slim taper mahogany neck and smooth rosewood fretboard. always protect your guitar with a durable gibson hard shell case included at no extra cost. a sensational instrument in both sound and feel.
Specifications:
Sitka spruce top | Projects rich, crisp and responsive tone |
Mahogany back and sides | Dry and airy tone; clear, present midrange |
Rosewood fretboard | Open, warm tone and smooth playing feel |
Neck Profile | Slim Taper |
Scale Length | 24.75'' |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12'' |
Number of Frets | 19 |
Frets | Standard |
Nut Material | Tusq |
Nut Width | 1.725'' |
Inlays | Mother-of-pearl dots |
Body Shape | L-00 |
Back and Sides | Mahogany |
Bracing | Traditional hand-scalloped X-bracing |
Binding | Single-ply top, single-ply back |
Finish | Nitrocellulose |
Tuner Plating | Nickel |
Bridge | Rectangle, closed slot |
Saddle Material | Tusq |
Tuning Machines | Mini Grover Rotomatic |
Pickguard | L-00 |
Truss Rod Cover | B/W |
Bridge Pins | Tusq |
Pickup | LR Baggs VTC |
Controls | Volume and Tone controls in soundhole |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I don't think anybody out there needs me to tell them how great Gibson is. This particular item is a fingerpickers dream (IMO), it plays great, sounds great, looks great and is the perfect size for playing in a sitting position. What more could you ask for? If you can afford it I would highly recommend it.Donald
This is my first Gibson, and I was not disappointed. It was everything I expected from an American made guitar. The set up was perfect for my style of playing. I own several guitars, and this is the first time I did not have to make any adjustments to the action or the intonation. This guitar lends itself to finger style playing, but also sounds great when strumming. The guitar also sounds great plugged in. Well done Gibson!Sophia
I am blown away at this guitar! Sounds so good. It’s super responsive to your playing and has a nice warm tone. The sustain from any note is beautiful. I’m a happy customer of AMS and love the guitar they sent me. I made one small neck adjustment to have a little less neck relief and it plays so easy now with zero fret buzz. I love my Martin but this is different and I’m in love with it!Scott
7. Gibson G-00 Acoustic Guitar – Natural

Product Details:
The perfect personal parlour guitar. the g-00 is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it as you've never heard it before—the same way your audience hears it—maximising the sonic impact for an immersive playing and listening experience. the g-00 is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner parlour-sized body is exceptionally comfortable to hold and play. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. a gig bag is included.
Specifications:
Body Shape | L-00 |
Back | Walnut |
Side | Walnut |
Bracing | Traditional Scalloped X-bracing |
Finish | Satin Nitrocellulose |
Neck Material | Utile |
Scale Length | 24.75" |
Fingerboard Material | Striped Ebony |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | Acrylic Dots |
Hardware Finish | Chrome |
Tuner Plating | Chrome |
Bridge | Rectangular, Closed Slot, Striped Ebony |
Saddle Material | TUSQ |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Black |
Truss Rod | Adjustable |
Truss Rod Cover | Walnut Laminate |
Bridge Pins | Black |
Strap Buttons | 2 |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
Nice volume, comfortable neck, playing blues/folk and doing some fingerpicking/pickless strumming works especially well on this guy. The "player port" might freak people out, but as a singer-songwriter, I love how my voice and the sound coming out of that port interact. It's quite unique in that way.JB
I play all types of music on Guitar. I have a number of guitars and this Gibson GOO is now my favorite finger style guitar. Responsive and so easy to play. Well done, Gibson! You know, you don't buy a guitar for the Gig Bag but the one that came with my GOO is a luxury item. So Cool.Dan
8. Gibson J-45 Standard Acoustic Guitar – Cherry

Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional Hand-Scalloped X-Bracing |
Binding | Multi-ply Top, Single ply Back |
Finish | Gloss Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Indian Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | Mother of Pearl Dots |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Rosewood |
Saddle Material | TUSQ |
Tuning Machines | Grover Rotomatic |
Pickguard | Tortoise Teardrop |
Truss Rod | Adjustable |
Truss Rod Cover | Bell Shaped, 2-ply Black and White |
Bridge Pins | TUSQ |
Strap Buttons | 2 |
Under Saddle Pickup | LR Baggs VTC |
Controls | Soundhole Mounted Volume and Tone |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs VTC |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
9. Gibson '50s J-45 Original Acoustic Guitar – Ebony

Product Details:
A decade of iconic silky blues and era-defining rock 'n' roll can't possibly be resonated in just one instrument. can it? the gibson j-45 original 50s could be the answer. equipped with the traditional materials of a sitka spruce top and mahogany body that produce such a rich and recognisable tone – this guitar is an absolute legend to play. the look and feel of the 50s are in the palm of your hand. subtly antiqued, the top and back binding give the sense of a seasoned gibson acoustic. a classic instrument that has been modified to upgrade the way vintage music is heard. feed this tradition to the masses. the lr baggs vtc pickup produces a beautifully natural and earthy tone when you need to amplify to a larger crowd. embrace a golden era of music.
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional hand-scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | Bone |
Nut Width | 1.725" |
Inlays | Mother-of-Pearl dots |
Joint | Compound Dovetail Neck-to-body |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Traditional Belly Up |
Saddle Material | Bone |
Tuning Machines | Grover Strap Cream Button |
Pickguard | 50's, Tortoise |
Truss Rod Cover | Black |
Bridge Pins | Tusq |
Under Saddle Pickup | LR Baggs VTC |
Controls | Volume and Tone Controls |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson Acoustic Songwriter Modern Ec Rosewood – Rosewood Burst Guitar

Product Details:
The songwriter modern ec rosewood is gibson's powerhouse square-shoulder, rosewood cutaway guitar. this slim body depth guitar is handcrafted with the same time-tested build techniques as their most iconic models. each gibson acoustic is full of expression, character, and exquisite beauty and this new modern styled instrument is no different.
Specifications:
Body type | Square Shoulder |
Top wood | Sitka spruce |
Bracing pattern | X |
Body finish | Nitrocellulose |
Neck shape | Advanced Response |
Nut width | 1.72" |
Fingerboard | Rosewood |
Neck wood | Mahogany |
Scale length | 25.5" |
Number of frets | 20 |
Bridge | Traditional belly up |
Pickup/preamp | LR Baggs VTC |
Tuning machines | Mini Grover Rotomatic |
Orientation | Right Handed |
Number of strings | 6-string |
Reviews:
I received this today. I got home as the UPS driver was leaving it at my door. I quickly unboxed this and just looked at it. The case is considerably heavy, and the guitar is very light relatively speaking. The smell of the natural wood is present and pleasant. The rich sound is amazing. I love it. I immediately tuned it and played a few bits of songs I know. It is a wonderful guitar that is pleasing to the eye and even more delightful to the ear. This is making me long to learn more music and master my STP favorites. Very happy with my purchase.Michael
I've been looking for a pro instrument, something I would keep for a lifetime, to replace my entry-level Takamine acoustic. Maybe 20+ years ago I had played a Gibson Hummingbird in a store and I fell in love. But I couldn't afford it at the time. Still, I was open to other brands when shopping, and I tried a lot of them. But the Hummingbird Studio Walnut wound up being exactly I was looking for. Above all, an acoustic has to sound right for you. The "right" sound can be different for everyone, and it can also depend on what style of music you play. If you are a singer, some guitars might compliment your voice better than others. This Hummingbird Studio has a very balanced sound across the entire range. It has a confident low end, but not "boomy". The high strings are never spikey – they are smooth, clear, and blend sweetly within chords. The Walnut back and sides seem to contribute to this "smooth and even" sound. There's a Rosewood version too, which sounded a bit brighter and stiffer to me. The Walnut responds very well to light or heavy playing, with plenty of overtones while still maintaining note definition. The body of this Studio version is slightly less deep than a traditional Hummingbird (by about 0.75 of an inch). While I'm sure that equates to a difference in sound on some level, I prefer to simply evaluate this guitar based on how it sounds on its own – which to me is wonderfully smooth and rich. It seems much easier for me to get a good recorded sound out of this compared to my cheaper acoustic. I'm using a microphone in my home studio (Rode NT1). I haven't even tried the built-in electronics, so I can't comment on that. The feel of a guitar is just as important as sound to me. I do admit that I'm a Gibson fan in general, also owning a Les Paul Studio. The neck on the Hummingbird Studio just fits me perfectly, and it makes me want to pick it up and play it every time I walk past it hanging on the wall in my home. Another thing I really like about the Studio series is the lack of binding on the neck. That's just a personal preference, but I like to see the bare neck and fretboard wood instead of plastic binding. To each their own. I compared this to a few Taylors – all great guitars, but the Taylors have a brighter, more modern sound that didn't quite suit me. The other contender was a nice Martin D-16E which sounded great, but just didn't quite feel right in my hands. In the end, the Hummingbird Studio just said "welcome home" every time I picked it up. And that's worth waiting for.Brock
This is a beautiful guitar and I loved everything about it until I started having problems with the output jack. I don't know if the construction issues were just related to my guitar or if anyone else has had the same issues. Nonetheless I had to bring it back to GC to have it repaired. One week later, I had the same issue, loose output jack with just normal use. I contacted Gibson directly and shipped my guitar to them to be repaired and they completely replaced the jack with a new and different one. So no more issues with loose jack after that, BUT something with the wiring must have been damaged in the process. When It was plugged in the sound would come and go or I would get a crackly sound. I changed batteries and tried multiple different cables thinking maybe it was the cable. No, it wasn't. At this point, with the price of this guitar and the expectation that Gibson would put out a quality product, I was frustrated and just opted to either exchange or return it. I will say my local GC was very supportive and helpful and allowed me to exchange for a different guitar. I went with another brand and am very pleased with my new guitar! I'm really sad that it didn't work out with this. Hopefully it was just my specific guitar, and that others who have purchased this or plans to purchase this does not have the same issues.Vanessa
11. Gibson Acoustic L-00 Studio Rosewood – Rosewood Burst Guitar

Product Details:
Directly inspired by the original 1930s gibson l-00 "parlor guitar", the gibson l-00 studio rosewood brings a historic sound and playing experience into the modern era. the shorter-scaled acoustic l-00 is constructed from a sitka spruce top, rosewood back and sides with a mahogany neck and rosewood fretboard. a comfortable fit in hand, the l-00 studio plays effortlessly for any scenario, from practice to performance. to enhance a performance scenario, the l-00 is equipped with fishman sonitone electronics to capture refined tones seamlessly on stage or in the studio. the gibson l-00 studio greatly captures the legacy of gibson instruments while continually adding to it.
Specifications:
Finish | Antique Natural |
Year | 2020 – 2022 |
Made In | United States |
Back Material | Rosewood |
Body Shape | Parlor |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Model Sub-Family | Gibson L-00 Studio |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Rosewood |
Top Material | Spruce |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
12. Gibson L-00 Deluxe Rosewood Acoustic-Electric Guitar Rosewood Burst

Product Details:
Gibson l-00 deluxe – rosewood burst – the gibson l-00 deluxe provides unparalleled projection not found in any small body guitars. this exceptional l-00 deluxe offers a superior tone created by the select rosewood back and sides. classic mini gold grover tuners and a gibson script logo crown the headstock. this limited edition features beautiful multi-ply top trim with added multi-colored rope binding and an ebony fingerboard and bridge. finished with an lr baggs vtc pickups makes this a true deluxe model.
Specifications:
Top wood | Sitka spruce |
Bracing pattern | X |
Body finish | Nitrocellulose |
Neck shape | Slim Taper |
Nut width | 1.72" |
Fingerboard | Ebony |
Neck wood | Mahogany |
Scale length | 24.75" |
Number of frets | 19 |
Bridge | Ebony |
Pickup/preamp | LR Baggs VTC |
Tuning machines | Mini Grover Rotomatic |
Orientation | Right Handed |
Number of strings | 6-string |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
13. Gibson Generation G-Writer Ec Acoustic-Electric Guitar, Natural

Product Details:
Gibson g-writer generation collection acoustic-electric guitar – natural the g-writer ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-writer ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a solid sitka spruce top and beautiful solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway body is more comfortable to play, and provides effortless access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-writer ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
Body Shape | Songwriter |
Back | Walnut |
Side | Walnut |
Bracing | Traditional Scalloped X-bracing |
Finish | Satin Nitrocellulose Lacquer |
Neck Material | Utile |
Scale Length | 25.5" |
Fingerboard Material | Striped Ebony |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | G-Collection Single Bar |
Hardware Finish | Chrome |
Tuner Plating | Chrome |
Bridge | Belly Down, Closed Slot, Striped Ebony |
Saddle Material | TUSQ |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Black |
Truss Rod | Adjustable |
Truss Rod Cover | Walnut Laminate |
Bridge Pins | Black |
Strap Buttons | 2 |
Under Saddle Pickup | LR Baggs Element Bronze |
Controls | Soundhole Mounted Volume |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs Element Bronze |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I have several acoustic guitars. Yamahas, Taylor's, Gretch, Fender and others. I played this in the show room and it not only sounded great!, But, it asked me to take it home! I love this guitar. Sounds great, has great electronics on board and bonded with instantly. Yes, I took it home!Matt T.
14. Gibson G-200 Ec Acoustic-Electric Guitar Natural

Product Details:
Gibson g-200 ec generation collection acoustic guitar – natural the g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it beforethe same way your audience hears itmaximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200 ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
Acoustic Guitar Type | Acoustic-Electric Guitar |
Finish | Natural |
Finish Type | Nitrocellulose |
Body Style | Jumbo |
Cutaway | Yes |
Orientation | Right-Handed |
Number of Frets | 20 |
Scale Length | 25.5" |
Solid Top | Yes |
Top Material | Sitka Spruce |
Neck Material | Utile |
Fingerboard Material | Ebony |
Bridge Material | Ebony |
Nut Material | Tusq |
Nut Width | 1.725" |
Tuner | No |
Electronics | L.R. Baggs Element Bronze Pickup |
Case Included | Gig Bag |
Reviews:
15. Gibson G-200 Ec Lh Natural Generation

Product Details:
The left-handed g-200 ec is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it like you've never heard it before – the same way your audience hears it-maximizing the sonic impact for an immersive playing and listening experience. the g-200 ec is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner cutaway jumbo body is more comfortable to play, and provides excellent access to the upper frets. the tusq nut and saddle, along with the grover mni rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. it also comes equipped with an lr baggs element bronze pickup system, so your g-200ec will sound as good to your audience as it does to you. a gig bag is also included.
Specifications:
Body Shape | J-200 |
Neck | Utile |
Nut Width | 1.725"/ 43.815mm |
Fingerboard | Striped Ebony |
Scale Length | 25.5" / 647.7mm |
Number of Frets | 20 |
Nut | TUSQ |
Inlay | G-Collection Single Bar |
Bridge | Belly Down, Closed Slot, Striped Ebony |
Tuners | Grover Mini Rotomatic |
Plating | Chrome |
Under Saddle pickup | LR Baggs Element Bronze |
Controls | Soundhole Mounted Volume |
Finish | Natural |
Orientation | Left-Handed |
Manufacturer Part Number (MPN) | MCJBG2ANL |
Reviews:
16. Gibson '60s J-45 Original Acoustic Guitar Ebony

Product Details:
This throwback j-45 proves why gibson's timeless dreadnought is forever known as "the workhorse." the gibson acoustic '60s j-45 original features a round-shouldered dreadnought mahogany body with a sitka spruce top and nitro finish to strike the imitable '60s gibson balance of rich lows, detailed mids, and mellow highs. all told, it's a recipe for revelatory tone and mammoth projection. the period-correct nut spacing makes for comfortable fingering anywhere on the neck. and '60s-era appointments, including a cream grover strap button and double antiqued binding, make for one unforgettable playing experience. whether you're performing folk, rock, indie, or country music, you'll delight in the feel and tone of this classic american institution: the '60s j-45 original.
Specifications:
Mahogany back and sides | Dry and airy tone; clear, present midrange |
Mahogany neck | Great sustain, strength, and warm tone |
Rosewood fretboard | Open, warm tone and smooth playing feel |
Sitka spruce top | Projects rich, crisp and responsive tone |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional hand scalloped X-bracing |
Binding | Multi-ply Top, single-ply Back |
Finish | Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | Bone |
Nut Width | 1.687" |
Inlays | Mother-of-pearl dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Traditional belly up, Adjustable |
Saddle Material | Tusq |
Tuning Machines | Grover Strap Cream Button |
Pickguard | 60's, White with Hot Stamp Logo |
Truss Rod Cover | Black |
Bridge Pins | Tusq |
Reviews:
Meravigliosa…..la chitarra dei miei sogni è finalmente miaGuido Prussia
I actually was not a Gibson guy when it comes to acoustics. However, this J-45 just made me an absolute Gibson guy now! I'm always blown away by this guitar especially when I play E, A and F codes at low position and those codes will tell you why J-45 doesn't sound like Martin, but none other guitar can sound like J-45!!! I have tons of guitars including electrics, but this J-45 will be my absolute desert island guitar.
17. Gibson Jerry Cantrell Atone Songwriter Acoustic-Electric Guitar Ebony

Product Details:
Whether you’re writing a song at home, laying it down in the studio, or bringing it to thousands on stage, the jerry cantrell “atone” songwriter delivers. made to the alice in chains guitarist's specifications and prominently featured in his “atone” video, the jerry cantrell “atone” songwriter builds upon the traditional gibson songwriter platform. it adds several unique, personalized features, including a thinner body depth for playing comfort, his signature “circle in square” pickguard, jerry cantrell signature on the truss rod cover, double j waterslide decal on the back of the headstock, “12” inlay at the 12th fret, gold hardware with gold grover mini rotomatic tuners, and an l.r. baggs vtc pickup and preamp so it’s ready to plug in whenever you are.
Specifications:
Acoustic Guitar Type | Acoustic-Electric Guitar |
Finish | Ebony |
Body Style | Songwriter |
Cutaway | Yes |
Orientation | Right-Handed |
Number of Frets | 20 |
Scale Length | 25.5" |
Solid Top | No |
Top Material | Sitka Spruce |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Bridge Material | Rosewood |
Nut Material | Tusq |
Nut Width | 1.725" |
Tuner | No |
Electronics | LR Baggs VTC |
Case Included | Hard Case |
18. Gibson '50s Lg-2 Original Antique Natural

Product Details:
A small body with wide dynamic range a small body acoustic with the full-sized gibson sound. this little giant produces a charming and seductive tone that rivals much larger-bodied guitars while maintaining exceptional clarity and focus in individual notes. ideal for folk, blues, and finger style, the delicately balanced 50s lg-2 original maintains a full dynamic range while being comfortable under arm. handcrafted solid tonewood and scalloped top bracing provide the warmth and richness that have made spruce and mahogany a classic combination in acoustic flat-top guitars.
Specifications:
Finish | Antique Natural |
Year | 2019 – 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Concert |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
19. Gibson 1969 Blue Ridge Acoustic Guitar Natural

Product Details:
20. Gibson L-00 Standard Vintage Sunburst Acoustic/electric Guitar

Specifications:
Acoustic Guitar Type | Acoustic-Electric Guitar |
Finish | Vintage Sunburst |
Finish Type | Nitrocellulose |
Body Style | L-00 |
Cutaway | No |
Orientation | Right-Handed |
Number of Frets | 19 |
Scale Length | 24.75" |
Solid Top | Yes |
Top Material | Sitka Spruce |
Neck Material | Mahogany |
Fingerboard Material | Rosewood |
Bridge Material | Rosewood |
Nut Material | Bone |
Tuner | No |
Electronics | LR Baggs VTC Under Saddle Pickup |
Case Included | Hard Case |
Reviews:
Build quality looks good. Substantial top bracing. Neck feels really good but is difficult to play because of neck curvature which creates high tension on strings – probably been sitting around the Perth shop for an extended period – no one bothered to check before sending. Will have to get it set up (more expense). Could not play with the Gibson strings provided – heavily oxidized – again old strings from a guitar that has been idle in the shop for too long – no one checked this either. Have had to buy low tension strings to play it until set up. Fretboard as dry as a …., but feels better now I have conditioned it a couple of times. Also, there are problems with the inner case lining (lifting) – again blind dispatcher – and the brass finish on the outer case clasps on arrival looking dull) have turned to a burnished silver only after opening the case for a fortnight. Really pretty poor form Manny's not checking the guitar out before shipping 🙁Lindsay A.
Hopefully, this will be a favorite acoustic guitar. The small 00 body size is very comfortable and casual. The neck shape is a described as a soft-V, fits comfortably in hand with a nice wide, flatter fret board that suits my large hands and fingers well. It's a handful where the neck meets the body. Lots of nice construction points on the guitar. The internal bracing is beautifully done. The hand scalloping is obvious, the bracing wood is tight grained and finished smooth. Compliments to Gibson builders on this one. The neck is unbound, the fret ends are polished and fit perfectly. The body finish is consistent and the polishing is perfect. The sound hole rosettes are clean as is the binding on the entire body. The rosewood grain is tight and consistent on the whole body. The Sitka Spruce top is clean, without any wood imperfections or distortions in the grain. Very slight color variations that give a pleasing appearance. The string height along the entire fretboard is consistent. No buzzing. No action adjustment has been needed. What a joy! Pull it out of the case, tune to pitch, play. Amazing. Plays as one would expect from an instrument at this price point. Don't really notice any next tapering, very subtle. How about saying it has a 'lush' midrange. Extremely full sounding. Nice thumping bass, not shrill anywhere. Have not used the electronics but with a complimentary acoustic amp this guitar should fill any recording or live performance roles. Total amateur here. A pro musician will be able to get more out of this instrument for a long, long time. Excellent build quality, great tonal breadth and depth. This is a great Gibson guitar.Kev
Guitar Heaven: it don't get much better then this. I purchased my L-00 over the reviews I read. When it arrived the setup looked good and the neck was perfectly straight. I tuned it and started playing: yuck! The sound sucked and it buzzed!! However, it had never been played!! So, I started playing it: putting quality sound into the body. My L-00 stopped buzzing and started sounding!! I've had it for two days now and every time I pick it up it sounds better and better!! Wow!! Looking forward to spending a lot of quality time with it for the rest of my life!! Dreams do come true!! 5 STARS!!Harold
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