Free Guitar Pedal Vst For Sale (2024 Update)

The tc electronic tc8210-dt reverb allows you take your workflow to a whole new level. this innovative plug-in features tc electronic's world-famous reverb algorithms that have found their way onto countless recordings and stages, putting iconic sound and intuitive control right at your fingertips. preserve the natural characteristics of your sound source thanks to unparalleled transparency and true musical diversity. the tc8210-dt is a completely new way to breathe life and space into your sound. the plug-in is controlled directly from the dedicated desktop interface, putting the primary parameters right in front of you with a satisfying tactile response. plus, with convenient visual feedback from the vibrant meters on the controller, you'll always know what's happening with your sound. power your controller via usb whilst standard vst, au, and aax plug-in processing gives you the freedom to work within your favourite software with ease. fuel your creative fire and bring the tc8210-dt reverb into your studio today.

The sub’n’up mini octaver from tc electronic is a pedal designed for electric guitar and electric bass. it utilizes an octave-engine which can achieve both monophonic and polyphonic tracking, giving you the ability to create shimmery tones reminiscent of a hammond organ, or a squelching bass line—all from the same instrument at the tap of a toe. two octave registers are provided via three knobs, so you can blend signal that is one octave up and one octave down on the pedal itself. you’ll also note the dry knob, which lets you dial in unprocessed signal to taste. like many tc electronic pedals, the sub’n’up is toneprint enabled, giving you presets custom-tweaked by artists that can be beamed straight to the pedal from a tablet, phone, or device sporting the toneprint app. it is also worth noting that you can create your own custom toneprints within the app itself. sonic signatures of the original sub'n'up can be loaded in this mini counterpart via toneprint too; basically–when compared to the original–you lose some hardware features (a knob and a switch), gain some room on your pedalboard, and sacrifice nothing in the way of tone. a bypass switch, which can be adjusted between true and buffered settings via an internal dip switch, allows you to turn the effect off and on. a power supply is included with the pedal. specifications controls dry knob up knob sub knob bypass/engage switch i/o 1 x 1/4" instrument input, unbalanced, phone type 1 x 1/4" instrument output, unbalanced, phone type bypass true bypass, buffered bypass optional impedance input: 1 mohm output impedance 100 ohms power input standard 9 vdc, center negative current draw > 300 ma power supply included usb port mini-usb port for uploading/editing custom toneprints, as well as software updates dimensions (h x w x d) 3.7 x 1.9 x 1.9" / 93 x 48 x 48 mm package weight 0.55 lb box dimensions (lxwxh) 4.0 x 2.6 x 2.3"

This mini monster meets the need of every djentleman. more than that, it's an all-round mega tool for modern tone maniacs. featuring wide ranged mid and gain control, a tight low end and great definition, from raw crunch, classic heavy metal to modern prog metal and heavy core, you get the whole gamut with extended switching options. use the 3-way mini toggle to select from 3 finely tuned sound characters.

Bought from sweetwater less than a month ago. nothing wrong with it, perfect condition and works great. i was comparing with the decimator ii g-string and preferred the g-string.sp's decimator ii noise gate guitar pedal ups the ante over the original decimator design to give you even better noise reduction. the decimator ii sports linearized time vector processing in its expander tracking, giving you incredibly smooth sustained-note decay that's virtually free of release rippling. connect a decimator pedal between your guitar and amp's input and another in your effects loop, and you can link the two via 1/8" cable allowing both pedals directly track your input signal. for the ultimate in electric guitar noise reduction, put an isp decimator ii in your signal chain.

Improve your tone with the keeley 30ms automatic double tracker keeley 30ms automatic double tracker. this stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. also included in the effect pedal is a reverb that simulates the famous chamber in studio two. the keeley 30ms is designed to work with guitar, bass, keyboard, even vocals the keeley engineering 30ms automatic double tracker pedal can be used in mono with a built in abbey verb reverb control, or in stereo as the double tracker pro. the 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a lfo oscillator in dimension mode. in this mode you have the ability to create up to two different voices for a stereo double tracked field. the user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. abbey mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. lastly, the team at keeley created a unique slapback mode for rockabilly sounds. the slapback is now a double tracked echo with the two altered voices. add the keeley abbey verb to this mode to create stunning, new effects. in stereo double tracker pro mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. each of the two voices can be tuned up to 30 cents sharp or flat. those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo live.

Mint condition bar two minuscule marks on the sides. with box and manual. unlike normal ernie ball (passive) volume pedals, this has no tone suck! and enough gain to hammer your amp if that floats your boat. the ernie ball most valuable pedal provides a super smooth foot sweep, ideal for precise volume control with no high-frequency loss at any volume. designed to maximize versatility, this pedal works with both active and passive electronics and is equipped with a minimum volume knob as well as a powerful gain boost, allowing players to increase the audio signal up to +20 decibels. and of course, as you've come to expect, the ernie ball mvp boasts a compact, rugged design, consisting of aircraft grade aluminum housing that is virtually indestructible. requires dc 9v/100ma minimum power supply or 9v battery.

Synth wave generator – create fuzzed-out, single note synth sounds reverse attack – volume swell effect – put your guitar in slow gear! chaos switch – change dimensional triggering and octaves and stuff filter – shape the eq and tone of your fuzz wave wave selector – change wave modes on the fly with your foot!

The pdf-2 and its unique parametric distortion filter is a completely new look on what a drive pedal should be. featuring an ultra-sculptable parametric eq and a foot-switchable clean and dirty channel, players are able to conjure everything from smooth overdrive tones to wild and ferocious distorted tones and all the way to cocked wah and completely unapologetically filtered sounds. now add in on-the-fly tone sculpting or foot-controlled phaser and wah sounds via the optional stone deaf ep-1 expression pedal and you’re in for quite the super-sonic ride! the very popular pdf-1 was stone deaf’s first product and has been used by infamous guitarists such as josh homme, nick valensi and many others. as the younger brother and the successor to the original pedal, the pdf-2 improves on the design with a reduced noise floor, adjustable gain knob and a dual foot-switch for clean and dirty channels. pdf-2 is one hell of a versatile pedal that’s applicable to many instruments. from electric piano, bass, drums and synths, to electric and acoustic guitars, this little beast of a circuit has proven itself as one of the most useful pedal based eq, boost and distortion devices on the market. add a stone deaf ep-1 active expression pedal to the expression input control and on top of the impressive regular tone shaping features, pdf-2 can also be used for wah, phaser and manual tonal shifts to give you even more tonal creativity.

Vibrato, like life, has its ups and downs; sometimes the first step shapes the entire journey. the ventura vibe starts out right with two foot-controlled speeds, a redolent rotary and two vibrant vibratos. control own destiny with concentric tone and drive knobs that can lead down a path that is dark, or bright, dirty or clean, or anywhere in-between. they say that fate is a joker, but with the ventura vibe's controls for speed, depth, and mix, as well as true bypass operation and stereo in/out, will always have an ace up sleeve. the ventura vibe rotary/vibrato pedal will twist equilibrium adding spinning, swaying movement to guitar playing. it delivers both vintage and modern sounds with three rotary/vibrato effect types. each can be uniquely contoured to accentuate high frequencies and driven to distort via the ventura vibe's stacked tone and drive controls. the versatility of these controls along with independent speed, depth and mix controls allow to dial up anything from mild amplitude and frequency modulation to a full on case of vertigo. additionally, the ventura vibe's foot-switchable speed function allows to ramp between slow and fast speed on the fly! the ventura vibe's stellar rotary and vibrato effects are complimented by stereo 1/4" inputs and outputs for routing flexibility, constant high voltage rails, a bicolor status led indicator and true bypass circuitry. with its compact size, vacuum-style footswitch and striking graphics the ventura vibe furthers digitech's evolution in pedal design.ps0913dc-01 power supply not included.

From 12-string guitar tones to organ sounds and synth effects the t-rex quint machine gives you much more than octave doubling effects. you have separate volume controls for fifth up octave up and octave down effects. blend them with your dry signal or remove your dry tone altogether for more extreme effects. and thanks to precise polyphonic tracking the pitch effects won't glitch out even when you're playing your fastest.

The graphic fuzz eq/distortion/sustainer pedal from electro-harmonix is an ac operated unit which features a six bands graphic equalizer. it has been specially designed for low noise / low hum operation. an led indicator shows when the effect is in either the on or bypass modes. this unit is sensitive to the dynamics of your playing, that is, the effect will be louder when you play harder and will be quieter when you strum or pick more softly. the graphic fuzz has ten sliders. the graphic eq section has six slide pots which allow you to adjust the output level by as much as plus or minus 15 db in the 125 hz, 250 hz, 500 hz, 1000 hz, 2000 hz, and 4000 hz frequency bands. the volume slider controls the output volume level. the dynamics slider controls the sensitivity of the unit to your playing style. the overdrive slider allows you to control the amount of distortion in the output signal.

Jam and have fun with youtube pocket gt introduces a fun new way to practice, jam, and get better every day. combining premium boss guitar tones with integrated youtube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. watch youtube content in the companion boss tone studio app and create song lists, set loop markers, and more. access deep editing tools to emulate the tones of famous players or craft new sounds all your own. and with automatic user memory switching, you can change up sounds as a youtube video plays! adding in other great features like bluetooth music streaming, usb audio interface capability, and more, pocket gt is a must-have companion that no guitar player should be without.

The #1 echo is part of the electro-harmonix line of micro (xo) guitar effect pedals, with a small die-cast housing. but don't let the size deceive you – it produces some of the finest digital echo available, with a full two seconds(!) of maximum delay time. echo/delay effect is controlled by feedback and delay time knobs. a blend control lets you adjust the amount of delay in your signal to make sure the micro #1 sits exactly where you want it in any track or performance.a rugged footswitch selects whether the #1 echo pedal is engaged or bypassed, indicated by an led. when in bypass mode, the output jack is connected to the input jack through a buffer. it's equipped with standard 1/4 inch instrument i/o jacks. the barrel connector is for a 9-volt battery eliminator capable of delivering 100 ma of current. the inner ring of the 9-volt battery eliminator must be negative, the outer ring positive. the unit's battery may be left in or taken out when the eliminator is in use.

Free the tone fm-1v fire mist overdrive overwhelming dynamic range, brilliant overtones, fast sustain, fast tone with the speed of sound, and the most important thing is "clean turbid drive sound". speaking of ideal drive sounds, two of the american blues sounds symbolized in the black face period of the past year, and the other british rock sound represented by the golden plexi panel are recalled. the fire mist overdrive reproduced the ideal british rock sound. excellent response and edge-effect sound create a royal road british rock sound.

240+ built-in guitar/bass/acoustic effects with 140 legendary amplifiers&cabinets simulations and 100 renowned stompbox effect pedals; supporting 20 3rd party irs storage; 24-bit 44.1khz signal processing 100 built-in drum rhythms and 180 seconds looper, 256 presets, equipped with the new-gen hd modeling technology, adjustable signal chain with maximum 11 simultaneous effect blocks 4.3-inch tft color lcd screen with user-friendly ui, line, and headphone i/o for various connection needs, fx loop for inserting external stompboxes, midi i/o and two exp jacks for connecting external controllers usb type-c connection audio interface with stereo 6-in 4-out audio streaming, support otg function for directly connecting to ios/android mobile devices multi language user interface (hardware) with free mac/windows software for sound editing and presets managing based on gp-200's technology, valeton now delivers this predecessor's lite version — gp-200lt. with 4 footswitches, enormous i/o options, large color-display screen and user-friendly buttons and knobs, gp-200lt will fit into any scenario to become your go-to gear.

Dual-footswitch stereo delay & reverb effects 3 pairs of built-in delay & reverb effects individual tap tempo function freeze function for infinite trail trail on function allows the effect to fade out naturally the flamma ekoverb features three combinations of delay and reverb effects that consist of a reverse delay/swell reverb setting, analog echo delay/mod reverb, and a classic analog delay/shimmer reverb combination. the level and tone of the delay and reverb can be modified as well as the timing and feedback of the delay or the decay and pre-delay of the reverb. this lets you set the delay or reverb effect of each set to maximum volume or completely off, allowing you to only use either the delay or reverb effect. the tap tempo switch can be used as named or you can hold it down to access the “freeze” effect to stop time and enjoy your ambient creation. the built-in trail function also lets you set your effects to fade out naturally. of course, the f22 boasts stereo or mono input and output jacks as well as a bypass switch, making it easy to integrate into your current setup.

Packaging shows signs of handling, unit itself is mint. our take on the classic 808 circuit with the added versatility of a powerful two-band eq which draws inspiration from a vintage studer recording console. packed with attitude and full of character, the sidecar can cover classic overdrive and distortion as well as, at extreme settings, fuzz and boost. the front end of the sidecar is a modified version of the classic 808 overdrive, tuned for a bigger low-end, wider gain range and greater headroom. at the heart of the clipping section lies a nos germanium transistor chosen for its softer response characteristics, retaining your playing dynamics and feel. the powerful two-band baxandall equaliser section follows the drive section and provides up to 15db of cut and boost of the high and low bands, allowing you to sculpt your tone whilst remaining musical at all times. features high-performance, high-…

3 distortion plugins based on musicians’ all-time favorites: screamer, overdrive, fuzz. from classic fat round overdrive to freaked-out fuzz flavors, this oversaturated color palette gives you quick access to the greatest distorted sounds you know and love. searching through musicians’ all-time favorite fx, we customized 3 unique-sounding color boxes to create this versatile ‘plug-n-play’ distortion toolkit: screamer: fat, round saturated tones inspired by the classic overdrive effect. overdrive: versatile overdrive with a serious amount of control, from subtle soft clipping to enhance an instrument, to aggressive oversaturation. fuzz: 2 distinct fuzz flavors with outrageous amounts of saturation and sustain, plus a 1-octave up/down effect for added thickness. mdmx plugins offer serious tweakability: on-board dynamics, eq and tone controls; “temperature” controls to tweak overall color and warmth; mix controls to blend the clean and distorted signals; and m/s processing to distort just the mids or sides of the signal—a great way to fit an instrument into the mix and change the way a sound related to the space around it. the mdmx interfaces lay all these options right in front of you: no menu diving, no learning curve, just colorful noisy goodness that will add serious heat and aggression to your synths, vocals, drums, bass, guitars—anything.

The keeley vibe o verb is a high resolution reverb, with 3 distinct modulation styles in their trails. you choose the modulation and set parameters like modulation rate and depth, and the decay time of the reverb. this pedal is a great tool for adding a lot of modulation sound to leads or rhythm playing, without losing the clarity and focus of the original guitar signal, which remains unchanged. in harmonic reverb mode, the vibe o verb captures the tone of vintage brownface amps. vibrato reverb mode delivers a wide range of tone ranging from mild chorus to spacey bayou tones. phaser mode is a mild effect that creates space around the notes. create new sounds and textures like never before, with the keeley electronics vibe o verb.

3 different reverb settings: 'spring' mode is snappy and dark. this works very nicely with stabbed chords. 'well' mode is bouncy, sounding like notes bouncing off the walls for some time. 'room' mode allows you to get some very wet and atmospheric sounds and works beautifully with ambient sections.with the help of the function knobs it can bring you into some strange terribory rather quickly. dry/web know to control the amount of reverb in the mix. time knob to adjust decay time. level knob to contro overall out signal.lovely feature – led changes color depending on the mode. red for 'room', green for 'spring' and a red/green mixture for 'well', very clearly distinguishable on a stage at night.note: power supply not included. power requirements: ac adaptor 9v dc ( center minus plug). reverb is an essential pedal. if you are new to reverb pedals or need a small replacement or substitute, you can't go wrong. you would be pleasantly surprised with the diversity of tones that can be achieved from the mix of these settings.