Are you looking for the Fender Troy Van Leeuwen Jazzmaster Electric Guitar? If so, you’ve come to the right place.
Choosing the Fender Troy Van Leeuwen Jazzmaster Electric Guitar can be difficult as there are so many considerations, such as Sawtooth, Fender, Gibson, Dean, ESP, G&L. We have done a lot of research to find the top 20 Fender Troy Van Leeuwen Jazzmaster Electric Guitar available.
The average cost is $2175.67. Sold comparable range in price from a low of $389.99 to a high of $5600.00.
Based on the research we did, we think Fender Vintera '60s Jazzmaster Modified – 3-Color Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender Troy Van Leeuwen Jazzmaster Electric Guitar (20 Sellers)
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Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Lightweight
Features:
- Comes with fender hard case, tremolo arm, manual
- In mint condition
- Alder body, pau ferro fingerboard, satin back neck, 9.5 radius neck, adjusto-matic bridge
$858.88
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Body material
- Back material type
- Alder wood, rosewood, maple wood
$1800.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Limited edtion.
- Whiteexcellent condtion.
- All original.
$2400.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Offset alder body with pickguard
- Two michael frank-designed single-coil jazzmaster pickups
- Jazzmaster tremolo bridge with brass mustang saddles and screw-in arm
$1665.42
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Body made of basswood
- Wide-range cunife humbucking pickups
- 6-saddle vintage-style adjustable with “floating” tremolo tailpiece
$1425.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Mint condition fender hertiage 60 jazzmaster.
- Ash body / rosewood fretboard.
- Nitrocellulose lacquer over urethane finish.
Reviewers Noted:
Good sound quality . Attractive . Weight . Craftsmanship
Features:
- Gloss-finished solid alder body
- Dual '60s jazzmaster wide-bobbin, single-coil pickups, slider switch selectors
- Vintage-style floating, locking tremolo system, vintage-style tuners
$549.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Color: 3-color sunburst
- Part #: 0148400500
- Fingerboard: rosewood
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Guitar is in great shape!
- It's so comfortable playing with the jazzmaster body but the sound that comes out of this bad boy.. oof.
- Comes with the daemonum emg pickups.
$5600.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Adding a relic'ed gold anodized pickguard gives this guitar a real vintage look. what a great guitar. and as always, our esteemed guitar tech has performed a complete set up…
$459.99$389.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Squier classic vibe '60s jazzmaster limited edition electric guitar shell pink
- Vintage-style tremolo bridge enables classic bending effects
- Jazzmaster controls allow quick switch between rhythm and lead
$4800.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Fender '62 jazzmaster journeyman relic | aged 3-color sunburst
- Weight 3.6kg
$5450.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- *pictures are of the actual guitar!
- S/n: cz560084.
- Weight: 8lbs 1.9oz.
$2339.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Emg 60 (neck) and 81 (bridge) hum bucking pickups with brushed nickel covers provide a fearsome tone.
- A modern "c" shaped neck and 12"-16" compound radius for unmatched playability.
- A flat black satin-nitro lacquer finish completes the dark and menacing theme.
$1949.99
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Signature jazzmaster built in collaboration with slipknot guitarist jim root
- Mahogany body for a thicker tone with added midrange
- Emg 60 and 81 humbuckers give you the quintessential metal sound
$1202.15
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Caution for mexican buyer.
- You need to get an import permit from ministry of international trade and industry tog get your item if your item is more than 1000 mxn.
$1252.06
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Includes gig bag.
- Found sound australia pty ltd.
- 110 albert st.
$1599.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Fretwearincredibly light wear on the first few frets, but otherwise no other type of fret damage!
- Actionaction is low and plays great, but may need a quick tweak to your liking!
- Electronicsall electronics work properly!
$5080.06
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Serial #: cz550946.
- Series: custom-built ltd.
- Color: desert sand.
$950.00
4.5
Reviewers Noted:
Sound quality . Attractive . Well made . Durable . Heavy
Features:
- This is a 2015 fender classic player jazzmaster.
- These are awesome guitars for the money.
- This one is in great condition.
1. Fender Vintera '60s Jazzmaster Modified – 3-Color Sunburst
Product Details:
For players who appreciate the mojo of the past matched to contemporary features, fender created the vintera 60s jazzmaster modified. blending classic looks with a modern neck profile and fingerboard radius, hotter pickups and updated electronicsthis guitar packs a surprising amount of power under the hood. for modern tone fender re-voiced the pair of single-coil jazzmaster pickups, kicking things up a bit by increasing the output. the warm, smooth-sounding neck pickup is balanced by the bright, cutting bridge pickup. the modern c-shaped neck has a 9.5-radius maple fingerboard with 21 medium-jumbo frets for modern playing feel. an adjusto-matic bridge is paired to jazzmaster floating tremolo and vintage-style tuning machines provide original-era aesthetics, rock-solid performance and tuning stability. other features include the classic lead/rhythm circuit, chrome hardware and 4-bolt neck plate. includes a deluxe gig bag.
Specifications:
| Body shape | Double cutaway Offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5 in. |
| Fret size | Medium jumbo |
| Number of frets | 21 |
| Inlays | Dot |
| Configuration | SS |
| Neck | Hot '60s Jazzmaster |
| Bridge | Hot '60s Jazzmaster |
| Special electronics | Lead/Rhythm circuit |
| Control layout | Master volume, tone |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Adjustable |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. I’ve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one I’d like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didn’t disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
2. Fender Electric Guitar Traditional 60s Jazzmaster 3-Color Sunburst
Product Details:
Weight: 7.12 lbsmagnificent feather weight jazzmaster in mint condition, plays and sounds sublime, comes in fender gig-bag.in terms of feel and tone, it s exactly as the 60s designers intended. sophisticated circuitry enables the mij traditional 60s jazzmaster to span a wide sonic palette. the neck pickup is still capable of those smooth, warm jazz tones you d expect, but the fat snarl of the bridge is only the flick of a switch away.the u -shaped neck is thicker than a standard c -profile, giving it a nice chunk in the hand, while the rosewood fretboard has a 9.5 radius for intuitive playability. 21 vintage-style frets span the board, with a 25.5 scale length allowing a certain level of twang, usually associated with fender guitars.
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2018 – 2022 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
3. Fender Limited Edition American Special Jazzmaster Bigsby Olympic White
Product Details:
With its stripped-down control scheme the stylish limited edition american special jazzmaster bigsby is ready to rock. in an uncharacteristic touch, the bigsby-licensed b50 vibrato tailpiece replaces the standard jazzmaster bridge, adding expressive shimmer to your playing. the comfortable modern 9.5 fingerboard radius is ideal for any playing style while the pure vintage 65 jazzmaster pickups retain the clear tones and edgy snarl of their inspiration. white witch hat knobs, modern tuning machines and a black/white/black pickguard complete the ensemble for classic fender style. includes a limited edition neck plate.
Specifications:
| Finish | Candy Apple Red |
| Year | 2016 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Plain |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
4. Fender American Professional Jazzmaster Rosewood Neck Limited Edition Olympic White
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). originally intended for sophisticated jazz guitarists, the jazzmaster was quickly embraced by musicians attracted to its left-of-center looks and fat sound. a direct descendent of the guitar that powered underground music from the late-'60s to today, the american professional jazzmaster is ready to lend its unique sound to your playing. includes hardshell case. v-mod pickups v-mod jazzmaster pickups are voiced specifically for their positions, overwound for hotter tone with the vintage warmth and clarity that made fender a legend. new “deep c” neck profile designed for comfort and speed, the new american professional “deep c” neck profile sports more substantial shoulders. the increased mass and altered geometry creates a more natural feel that’s perfect for chord and single-note playing alike.
Specifications:
| Finish | Olympic White |
| Year | 2019 – 2020 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Rosewood |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.6875" |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
5. Fender Mij Traditional Limited Edition '60s Cunife Jazzmaster Hh 3-Color Sunburst 2021
Product Details:
I am selling my rare limited fender jazzmaster with cunife humbuckers. this guitar is very limited! guitar has a recent setup and plays amazing. no user marks and is bought in july this year. played a few times. will be sold with the original fender gigbag.the made in japan traditional 60s jazzmaster hh limited run equipped with wide-range cunife humbuckers with cunife rod magnets that produce a rich, bell-like humbucker tone. other features are a gloss-finish basswood body and a vintage-style 21-fret, 9.5 radius fretboard. the rosewood fingerboard with neck binding and block inlays make this model so unique. a six-saddle vintage-style bridge with floating tremolo tailpiece provides classic playability.
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2021 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | HH |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Plain |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
6. Fender Mij Heritage '60s Jazzmaster White Blonde
Product Details:
Selling my 2021 fender heritage 60s jazzmaster in mint condition. this guitar has all the goodies, including a mastery bridge and lollar black bobbin pickups which are absolutely killer! both were professionally installed by my local luthier. the guitar comes with a gig bag and will be professionally packed. some of the most beautiful ash grain i ve seen and it weighs in at 8.6lbs. the only reason i'm selling this beauty is because as much as i want to be, and after going through a thurston moore jm before this, i'm just not a jazzmaster person. i love their sound, but as a smaller person, they just aren't comfortable for me to play. the original pickups and bridge will also be included.
Specifications:
| Finish | See Thru Blond |
| Year | 2021 |
| Made In | Japan |
| Fretboard Material | Rosewood |
| Pickup Configuration | SS |
| Body Shape | Double Cutaway |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Neck Material | Maple |
| Body Type | Solid Body |
| Offset Body | Yes |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Scale Length | 25.5" |
| Neck Construction | Bolt-On |
| Number of Frets | 21 |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
7. Fender Vintera '60s Jazzmaster, Pau Ferro – Olympic White
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the fender vintera '60s jazzmaster offers a fresh take on the classic look of fender's original offset body electric. featuring re-voiced wide-bobbin single-coil pickups, a classic mid-60's c-profile neck with vintage 7.25"-radius fingerboard and vintage-style frets for an authentic feel, this iconic instrument delivers the period aesthetics players desire. the combination of an adjusto-matic bridge and fender's unique floating, locking tremolo system enables all the whammy action and stable tuning you need. the classic lead/rhythm circuit rounds out the package. includes deluxe gig bag.
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Jazzmaster |
| Bridge Pickup | Vintage-Style '60s Single-Coil Jazzmaster |
| Configuration | SS |
| Control Knobs | Aged White |
| Country Of Origin | MX |
| Dimensions | 4.60×15.10×36.20 IN |
| Fingerboard | Pau Ferro |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Fret Size | Vintage |
| Hardware Finish | Nickel/Chrome |
| Neck Construction | 4-Bolt |
| Neck Finish | Gloss Urethane |
| Neck Material | Maple |
| Neck Pickup | Vintage-Style '60s Single-Coil Jazzmaster |
| Neck Shape | Mid '60s "C" |
| Number of Frets | 21 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Orientation | Right-Hand |
| Pickguard | 4-Ply Tortoiseshell |
| Pickup Configuration | SS |
| Position Inlays | White Dot |
| Refinement Neck Material | Maple |
| Refinement Neck Shape | C Shape |
| Refinement Pickups | Vintage-Style |
| Scale Length | 25.5" (648 mm) |
| String Nut | Synthetic Bone |
| Truss Rods | Vintage-Style |
| Tuning Machines | Vintage-Style |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
I use this product at home, mostly alone, on a Boss Katana 2 (a fun little solid state amp, which really exceeded my expectations). The guitar just has a very versatile tone, especially if you know how to use the rhythm circuit and pup positions. It can be very jangly and have a nice gulpy low E and A string that contrasts well with the sparkle of the mids and highs. You can get a lot of twang, too, if you're into that. The neck pickup is a loud single coil (kind of hot sounding) and the mid position is perfect for me. The bridge pickup is very very tinny and thin, but you can do a lot with tone on this guitar. The rhythm circuit gives a warmer humbucker-like tone, but is also versatile in tone. It's utterly beautiful to me, aesthetically, and that matters a lot. The sustain is okay. The action is wonderful, despite being glossy neck and being kind of thick relative to shredder guitars. It sounds great for late 80s early 90s indie rock, like Sonic Youth, Dinosaur Jr, My Bloody Valentine, Pavement, etc, sounds good for surf too (although I don't play surf). However, these days, you can do anything with almost anything. I also play metal on it, because these days the right pedals can make a cardboard box whatever you want. The only drawback is the old school bridge; works best with 10 and 11 strings, and can be buzzy if you don't give it a little tinkering. I contemplated changing the bridge to a mastery, but now I love it. Id' give this guitar 4.5/5 stars for the price.Jazzmaestro
This guitar is so comfortable to play! I have never had one before and wish I had! I have quite big fingers, but the fret board is just right! The sounds are so unique to this guitar! I may change the pickguard, but that is just my preference on looks! Only had it a while so still checking out all the sounds! But so far, I love it!Reviewed by Andertons Music Co.
8. Fender – Blacktop Jazzmaster Hs – 3-Color Sunburst
Product Details:
For modern guitarists who want heavy, aggressive tone in an affordable instrument, the blacktop jazzmaster hs is an unusual take on the classic fender model, armed with a special single-coil neck pickup and an over-wound humbucking bridge pickup that delivers massive high-gain power and a whole new sonic personality. sleek and supercharged, it’s built to match the intensity of any playing style, with other distinctive features including a jazzmaster floating tremolo bridge and a lean control layout with skirted amp control knobs. mástil de arce con perfil “c” diapasón de palorosa con radio de 9.5” y 21 trastes medium jumbo pastilla duncan designed single-coil jazzmaster de mástil pastilla sobre bobinada humbucking en puente selector de tres posiciones en el cuerno inferior botones de faldón (volumen y tono) puente tremolo flotante con cordal "stop"
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
9. Fender Jim Root Jazzmaster V4, White
Product Details:
Now in its fourth generation, the fender jim root jazzmaster continues to deliver tenacious tone and eminent playability. working closely with the slipknot guitarist, fender endowed the jim root jazzmaster with a pair of his signature active emg daemonum open-coil pickups for a full-on sonic assault. the 12"-radius ebony fretboard packs 22 jumbo frets to support your most frantic fretwork. and with its simplified control set, with three-way switching and a master volume control, the fender jim root jazzmaster guitar minimizes the electronics to maximize the tonal assault on your amplifier.
Specifications:
| Body Finish | Satin Urethane |
| Control Knobs | Black Plastic |
| Fingerboard | Ebony |
| Hardware Finish | Black |
| Neck Finish | Satin Urethane |
| Position Inlays | Pearliod Block with Luminlay Fluorescent Side Dots |
| Body Shape | Jazzmaster |
| Neck Material | Maple |
| Neck Shape | Thin “C” |
| Scale Length | 25.5” (648 mm) |
| Fingerboard Radius | 12” (305 mm) |
| Number of Frets | 22 |
| Fret Size | Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.685” (42.8 mm) |
| Controls | Master Volume |
| Pickup Configuration | HH |
| Tuning Machines | Deluxe Staggered Cast/Sealed Locking |
| Included Accessories | Black Tweed Case with Red Plush Interior |
| Case/Gig Bag | Deluxe Black Tweed Hardshell |
Reviews:
This guitar as a whole is perfect- the neck is the BEST I've ever played. The body and the matte black – sweet!!!! I have one and I modified it though from a one volume to two independent and a kill switch and different pups – I'm NOT a signature fan. This guitar as a whole is VERY underrated and sure beats out the Meteora when it comes to anything off the cuff. Plus you get a ton of case candy and a GG case black and white fabric. Hence why I will get another . Trust me – you will love this axe !! Who cares if Jim Root put his name to it – he doesn't even play this model. Fender should do a totally different version of this but with 3 witch hat knobs , black and white Dimarzio pickups!! Which ones? Hey Fender – give me a holla- u need a fresh bended vision. Brexxe BBrian
I got my 1st Tele back in 1972 to temporarily replace my injured 335 (Neck break) caused by an overzealous drummer during a gig in Keflavik Iceland (Mark, if you see this , I forgive you). But for reasons long forgot, I never liked.it and soon traded it for a Strat. I never touched another Tele for a long time. Fast forward to 2018 when I got re-introduced to the Tele Elite model while testing out amplifiers at a local music store and was immediately taken it under its spell. The tone, new contoured body shape, compound neck and superb playability made it hard to put down until I was forced to do so leave when the store closed for the night.. I went home and ordered it on line thru MF"s parent company.as they didn't have the color I wanted in stock. . It arrived about 5 days (overseas delivery) and has been my "GO-TO" axe ever since. I've had it now about 1-1/2 years now and my original opinion has not faltered. I agree with all of the 5 star reviewers and opinions which are right on the money. I don't need to carry two or three guitars to gig anymore. I can play almost any genre with it and get all the sounds and tones I need And, importantly to me, its easy on these aging hands and creaking body parts. My only gripe, if you can call it that, is that Fender discontinued the Elite model a few months after I got mine in favor of their new Ultra line. Okay, I get that a company has to continue to provide new and exciting products to keep up with the market trends. I haven't tried the Ultra's yet and can't comment on them. But, I find it hard to believe they could improve upon an almost perfect Tele.. You can still buy the Elites from distributors and can now get some very good deals at very attractive price points. I would buy this model again. For now, my Elite is my top dog in my arsenal.Will J
Overall: Jim Root, showing his love for Fender's classic body shapes, while also creating wonderfully tortuous, turbulent, and high gain guitar tones, have came together in a perfect blend of classic, and modern metal. His take on the Jazzmaster really only takes after its namesake in shape. Switching from alder to mahogany body material, dual, active humbuckers from EMG, the 81/60 combo is capable of earsplitting high gain tones all the way to creamy leads and even clear, sultry cleans. With only one volume knob, this Jazzmaster is ready to rip, and most definetley is NOT your grandpa's Jazzmaster. The satin black finish evokes mean, evil looks, with the blank fretboard finishing the clean, stripped down look. This axe took the JM body style and brought it to modern metal in a big way. 25.5 inch scale allows for lower tuning, to bring those growling, booming riffs to life without the "string flap" you can get with shorter scales, and the active EMGs provide clear, articulate riffing in high gain situations. If you're after a classic look, while melting the faces off of the folks who are within earshot, then this awesome signature series is everything you have dreamed of. With locking Fender tuners on an oversized 70s headstock , tuning is stable and steadfast when smashing on those aggressive , ripping metal riffs. 10 out of 10 in my opinion, rapidly becoming my go to workhorse guitar, because this thing has everything a modern metal player could ever want.Mikey
10. Fender '58 Jazzmaster White Blonde / Aged Shell Pink 2022
Product Details:
Specifications:
| Year | 2022 |
| Made In | United States |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
11. Squier Classic Vibe '60s Jazzmaster Limited-Edition Electric Guitar Shell Pink
Product Details:
Started its life as a classic vibe jazzmaster. overall great condition, and plays great. with the upgrades this guitar is brought up to fender quality and is better than a lot of those. paint is in great shape with only some surface scratches on the clear coat. upgrades include: j mascis jazzmaster pickguard, j mascis wiring harness with 1 meg pots. seymour duncan antiquity pickups. cream knobs and switches. fender tremolo assembly. guitar has been properly shielded inside and is one of quietest guitars i ve ever played. sounds amazing.
Specifications:
| Body shape | Double Cutaway |
| Body type | Solid Body |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5" |
| Fret size | Vintage-style |
| Number of frets | 21 |
| Inlays | Dot |
| Nut width/material | 1.65 in. (42 mm) |
| Configuration | SS |
| Neck | Proprietary Alnico Single Coi |
| Bridge | Proprietary Alnico Single Coil |
| Control layout | Master tone, Master volume |
| Pickup switch | 3-Way |
| Special electronics | Lead/rhythm switch |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Individual saddle |
| Tailpiece | Floating Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Performance Level | Intermediate |
| Orientation | Right handed |
Reviews:
Overall, this is a good guitar. I'm having a good time with it, the neck is comfortable, the pickups sound really good and handle high-ish gain surprisingly well, and the color (I got the Daphne blue) looks incredible. Taken as a whole, if you're in the market for a Jazzmaster with all the classic JM features but don't have a ton of money to spend, I'd recommend it for sure. If you're going to buy it though, just be aware of a few things… 1.) It'll need a setup. Out of the box, the tuning stability was fine but once I used the vibrato a little bit, it went way out. The action wasn't bad but could be better and the neck may need a half degree shim. I'm probably going to end up putting a Fender AVRI vibrato on it eventually but a decent setup should make the stock one perfectly usable. 2.) It needs a good cleaning. This could very well just be the specific one that I got but the neck and headstock had a lot of dust and a slightly cloudy residue on them, the fretboard was very dry, and the frets were scratchy. None of these were anything that a little lemon oil, fretboard conditioner, a microfiber cloth, and some 0000 steel wool couldn't take care of but it's still something to be aware of. Note though that, while the frets were scratchy, their weren't any sharp fret ends. 3.) It probably isn't a great first guitar. I've seen this said a few times in other reviews and I completely agree. That's not to say that it isn't a good guitar because it is. More that it's not the most user-friendly instrument right away and could be off-putting to a beginner. A pro setup will do it a world of good and make it much easier to play but if you're in the market for a first guitar, look elsewhere. Am I glad I bought it? Yes. I mean, it's a Daphne blue Jazzmaster with a comfortable neck and awesome pickups! I don't mind working on my guitars a bit though, so none of the problems I talked about above bother me in particular. However, if you're looking for a plug-in-and-play guitar right out of the box, this one might not be for you.Jackson
I waiting on this on backordered for a few months (shell pink) and started to worry after looking at a bunch of YouTube reviews. Action, fret ends and leveling were great out of the box (which I really am not up for fixing; esp on a bound fingerboard). Frets could prob use a polish, but that's a lesser concern to me. No shim needed with 09s so far. I feel like recent shipments corrected some of the common complaints of this line… YMMV. I think the the nut is pinching a bit and the trem pivot is jumping a bit so I might go in and see if I can smooth it out. Pickups are microphonic under gains and comp… and I'm not sure if they are RWRP yet. One of the reason I went with MF is that if I wasn't satisfied I could go right into GC and trade towards and CV Jazzmaster. But overall pretty satisfied and think this will be a good first offset and short scale add to the collection.David
I want to love this guitar. Unfortunately however, I will have to be taking this one to a luthier to be set-up due to the neck. Everything for the most part is beautiful, it's a Jazzmaster. Fantastic dark, spanky jazzmaster tones, beautiful tortoise-shell guard, and the very eye-catching very elusive shell pink finish. Switches all seem to be in working order, though due to the position of the neck pickup to the strings right out of the box, the rhythm circuit will be noticeably quieter. Easy fix. I am unsure about the stability of the bridge, which is a Mustang bridge- a HUGE improvement, as I've seen in other reviews that the screwposts loosen by vibration. Vibrato does not return to tune. There is a very strange, unclean grime of some sort on the metal plate of the vibrato piece. I was unfortunate enough to receive a poorly conditioned neck, with glue residue left behind surrounding the tuning pegs on the face of the headstock. The lacquer finish is beautiful and is fine to play on. The fretboard is noticeably dry as well as the frets are unfinished, both feeling scratchy, and the frets being too rough to perform clean bends on. Not sure if it's the neck, the frets, or the bridge piece, or any of the three in combination that is causing the strings to be unable to bend even a half note without losing vibration, or being pinched off. Fret markers are a dark, cheap pearl. Overall, the fretboard itself just feels like Squier Affinity line quality. My impression is that most of the cost of this guitar- to keep it in line with the technologically cheaper instruments (telecaster the same price as a jazz, etc)- went into the body finish, and electronics. However, in the end I still love this thing and cannot wait to hear it sing once I get it set-up.Tyler
12. Fender Custom Shop '62 Reissue Jazzmaster Journeyman Relic
Product Details:
The fender jazzmaster is one of the most popular lines in the fender offset collection, a real player's favourite; it has been a staple in the roster for over 50 years. the journeyman is a very lightly aged nitro finish; this gives the look and feel of a vintage guitar that has been lovingly cared for over the years. this finish will wear beautifully with time and develop its own character even further. it also allows the natural resonance of the body to sing and sustain much more effectively compared with other more modern finishes.classic jazzmaster tones come from the superb handwound jazzmaster pickups with flat magnets. jazzmaster s have seen a resurgence of late and this particular model is bound to attract some serious interest. the …
Specifications:
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
13. Fender Jazzmaster Aged Pink Paisley
Product Details:
Specifications:
| Country Of Origin | US |
| Body Finish | Nitrocellulose Lacquer |
| Body Shape | Jazzmaster |
| Neck Material | Rift Sawn Maple |
| Neck Finish | Nitrocellulose Lacquer |
| Neck Shape | 1957 Soft "V" |
| Scale Length | 25.5" (648 mm) |
| Fingerboard | Flat-Laminated Rift Sawn Maple |
| Fingerboard Radius | 7.25" to 9.5" Compound Radius (184 mm to 241 mm) |
| Number of Frets | 21 |
| Frets Size | Medium Vintage |
| String Nut | Bone |
| Nut Width | 1.650" (42 mm) |
| Position Inlays | Micarta Black Dot |
| Truss Rods | Vintage-Style Heel Adjust |
| Bridge Pickup | Custom Shop Hand-Wound Jazzmaster |
| Neck Pickup | Custom Shop Hand-Wound Jazzmaster |
| Pickup Configuration | SS |
| Bridge | RSD Jaguar /Jazzmaster |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 1-Ply Gold Anodized Aluminum |
| Control Knobs | Knurled Flat-Top |
| Strings | Nickel Plated Steel (.010-.046 Gauges) |
| Finish | Aged Pink Paisley |
| Year | 2021 |
| Made In | United States |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
14. Fender Jim Root Jazzmaster Solid-Body Electric Guitar
Product Details:
Stark, dark and menacing, the jim root jazz master guitar has got to be the most distinctively minimalist version of the instrument ever devised in the model"s entire half-century history. at the behest of the towering slipknot/stone sour guitarist, gone are the dual tone circuits and barrage of controls. gone are the fret position markers and enormous chrome bridge. gone, in fact, is pretty much everything typical of a jazz master guitar, replaced only by fearsome emg 60 (neck) and 81 (bridge) hum bucking pickups with brushed nickel covers, a single three-way switch, a single volume knob and a hard-tail stratocaster bridge. the jim root jazz master also features a mahogany body with a comfortable contoured neck heel, satin-finish maple neck with modern c" profile and large headstock, compound-radius ebony fingerboard (12"-16") with 22 jumbo frets and no position markers, staggered deluxe locking tuners, black hardware and pickup bezels, and an austere flat black satin-nitro lacquer finish. includes black tweed case with red plush interior, strap and strap locks, cable and polishing cloth.
Specifications:
| Release Date | 03-02-2014 |
| Package Dimensions | 45.1 x 17.1 x 6.6 inches |
Reviews:
This guitar as a whole is perfect- the neck is the BEST I've ever played. The body and the matte black – sweet!!!! I have one and I modified it though from a one volume to two independent and a kill switch and different pups – I'm NOT a signature fan. This guitar as a whole is VERY underrated and sure beats out the Meteora when it comes to anything off the cuff. Plus you get a ton of case candy and a GG case black and white fabric. Hence why I will get another . Trust me – you will love this axe !! Who cares if Jim Root put his name to it – he doesn't even play this model. Fender should do a totally different version of this but with 3 witch hat knobs , black and white Dimarzio pickups!! Which ones? Hey Fender – give me a holla- u need a fresh bended vision. Brexxe BBrian
I got my 1st Tele back in 1972 to temporarily replace my injured 335 (Neck break) caused by an overzealous drummer during a gig in Keflavik Iceland (Mark, if you see this , I forgive you). But for reasons long forgot, I never liked.it and soon traded it for a Strat. I never touched another Tele for a long time. Fast forward to 2018 when I got re-introduced to the Tele Elite model while testing out amplifiers at a local music store and was immediately taken it under its spell. The tone, new contoured body shape, compound neck and superb playability made it hard to put down until I was forced to do so leave when the store closed for the night.. I went home and ordered it on line thru MF"s parent company.as they didn't have the color I wanted in stock. . It arrived about 5 days (overseas delivery) and has been my "GO-TO" axe ever since. I've had it now about 1-1/2 years now and my original opinion has not faltered. I agree with all of the 5 star reviewers and opinions which are right on the money. I don't need to carry two or three guitars to gig anymore. I can play almost any genre with it and get all the sounds and tones I need And, importantly to me, its easy on these aging hands and creaking body parts. My only gripe, if you can call it that, is that Fender discontinued the Elite model a few months after I got mine in favor of their new Ultra line. Okay, I get that a company has to continue to provide new and exciting products to keep up with the market trends. I haven't tried the Ultra's yet and can't comment on them. But, I find it hard to believe they could improve upon an almost perfect Tele.. You can still buy the Elites from distributors and can now get some very good deals at very attractive price points. I would buy this model again. For now, my Elite is my top dog in my arsenal.Will J
Overall: Jim Root, showing his love for Fender's classic body shapes, while also creating wonderfully tortuous, turbulent, and high gain guitar tones, have came together in a perfect blend of classic, and modern metal. His take on the Jazzmaster really only takes after its namesake in shape. Switching from alder to mahogany body material, dual, active humbuckers from EMG, the 81/60 combo is capable of earsplitting high gain tones all the way to creamy leads and even clear, sultry cleans. With only one volume knob, this Jazzmaster is ready to rip, and most definetley is NOT your grandpa's Jazzmaster. The satin black finish evokes mean, evil looks, with the blank fretboard finishing the clean, stripped down look. This axe took the JM body style and brought it to modern metal in a big way. 25.5 inch scale allows for lower tuning, to bring those growling, booming riffs to life without the "string flap" you can get with shorter scales, and the active EMGs provide clear, articulate riffing in high gain situations. If you're after a classic look, while melting the faces off of the folks who are within earshot, then this awesome signature series is everything you have dreamed of. With locking Fender tuners on an oversized 70s headstock , tuning is stable and steadfast when smashing on those aggressive , ripping metal riffs. 10 out of 10 in my opinion, rapidly becoming my go to workhorse guitar, because this thing has everything a modern metal player could ever want.Mikey
15. Fender Jim Root Jazzmaster Electric Guitar – Flat Black
Product Details:
Save big when you buy today! mahogany jazzmaster body – maple neck with c shape – ebony fretboard with compound radius22 jumbo frets – active emg 60/81 humbucking pickups6-saddle american standard strings-thru-body bridge – large '70s-style headstock with jim root's signature on the back black bezels – contoured neck heel – no position inlays on fingerboard face – side dots only – no pickguard – straplock-ready strap buttons – single "t" roller string tree – side-mounted output jack – rear-routed control cavity – black tweed case with red plush interior – included accessories: strap – polishing clothcablestraplocksowner's manual
Specifications:
| Body Finish | Satin Urethane |
| Body Shape | Jazzmaster |
| Bridge Pickup | EMG Jim Root Signature Bridge Pickup |
| Configuration | HH |
| Control Knobs | Black Plastic |
| Controls | Master Volume |
| Country Of Origin | US |
| Fingerboard | Ebony |
| Fingerboard Radius | 12" to 16" Compound Radius (304.8 mm to 406.4 mm) |
| Fret Size | Jumbo |
| Hardware Finish | Black |
| Neck Finish | Satin Urethane |
| Neck Material | Maple |
| Neck Pickup | EMG Jim Root Signature Neck Pickup |
| Neck Shape | Modern "C" |
| Number of Frets | 22 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.685" (42.8 mm) |
| Orientation | Right-Hand |
| Pickup Configuration | HH |
| Scale Length | 25.5" (648 mm) |
| String Nut | Synthetic Bone |
| Truss Rods | Bi-Flex |
| Tuning Machines | Deluxe Staggered Cast/Sealed Locking |
| Finish | Flat Black |
| Right / Left Handed | Right Handed |
| Number of Strings | 6-String |
| Body Type | Solid Body |
| Year | 2014 – 2022 |
| Finish Style | Satin |
| Fretboard Material | Ebony |
| Offset Body | Yes |
Reviews:
This guitar as a whole is perfect- the neck is the BEST I've ever played. The body and the matte black – sweet!!!! I have one and I modified it though from a one volume to two independent and a kill switch and different pups – I'm NOT a signature fan. This guitar as a whole is VERY underrated and sure beats out the Meteora when it comes to anything off the cuff. Plus you get a ton of case candy and a GG case black and white fabric. Hence why I will get another . Trust me – you will love this axe !! Who cares if Jim Root put his name to it – he doesn't even play this model. Fender should do a totally different version of this but with 3 witch hat knobs , black and white Dimarzio pickups!! Which ones? Hey Fender – give me a holla- u need a fresh bended vision. Brexxe BBrian
I got my 1st Tele back in 1972 to temporarily replace my injured 335 (Neck break) caused by an overzealous drummer during a gig in Keflavik Iceland (Mark, if you see this , I forgive you). But for reasons long forgot, I never liked.it and soon traded it for a Strat. I never touched another Tele for a long time. Fast forward to 2018 when I got re-introduced to the Tele Elite model while testing out amplifiers at a local music store and was immediately taken it under its spell. The tone, new contoured body shape, compound neck and superb playability made it hard to put down until I was forced to do so leave when the store closed for the night.. I went home and ordered it on line thru MF"s parent company.as they didn't have the color I wanted in stock. . It arrived about 5 days (overseas delivery) and has been my "GO-TO" axe ever since. I've had it now about 1-1/2 years now and my original opinion has not faltered. I agree with all of the 5 star reviewers and opinions which are right on the money. I don't need to carry two or three guitars to gig anymore. I can play almost any genre with it and get all the sounds and tones I need And, importantly to me, its easy on these aging hands and creaking body parts. My only gripe, if you can call it that, is that Fender discontinued the Elite model a few months after I got mine in favor of their new Ultra line. Okay, I get that a company has to continue to provide new and exciting products to keep up with the market trends. I haven't tried the Ultra's yet and can't comment on them. But, I find it hard to believe they could improve upon an almost perfect Tele.. You can still buy the Elites from distributors and can now get some very good deals at very attractive price points. I would buy this model again. For now, my Elite is my top dog in my arsenal.Will J
Overall: Jim Root, showing his love for Fender's classic body shapes, while also creating wonderfully tortuous, turbulent, and high gain guitar tones, have came together in a perfect blend of classic, and modern metal. His take on the Jazzmaster really only takes after its namesake in shape. Switching from alder to mahogany body material, dual, active humbuckers from EMG, the 81/60 combo is capable of earsplitting high gain tones all the way to creamy leads and even clear, sultry cleans. With only one volume knob, this Jazzmaster is ready to rip, and most definetley is NOT your grandpa's Jazzmaster. The satin black finish evokes mean, evil looks, with the blank fretboard finishing the clean, stripped down look. This axe took the JM body style and brought it to modern metal in a big way. 25.5 inch scale allows for lower tuning, to bring those growling, booming riffs to life without the "string flap" you can get with shorter scales, and the active EMGs provide clear, articulate riffing in high gain situations. If you're after a classic look, while melting the faces off of the folks who are within earshot, then this awesome signature series is everything you have dreamed of. With locking Fender tuners on an oversized 70s headstock , tuning is stable and steadfast when smashing on those aggressive , ripping metal riffs. 10 out of 10 in my opinion, rapidly becoming my go to workhorse guitar, because this thing has everything a modern metal player could ever want.Mikey
16. Fender Mij Inoran Jazzmaster Black
Product Details:
Kiyonobu inoue, better known exclusively by his stage name inoran, is a japanese musician, singer and songwriter. he is best known as the rhythm guitarist and co-founder of the rock band luna sea.normally only available in japan this rare beauty comes to us in limited numbers! based on inoran's own guitar, it captures the unmistakable tone of a jazzmaster but in a gorgeously sleek aesthetic.
Specifications:
| Finish | Black |
| Year | 2016 – 2021 |
| Made In | Japan |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 7.25" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Nut Width | 1.65" |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
17. Fender Mij Traditional '60s Jazzmaster With Rosewood Fretboard Ocean Turquoise Metallic 2020
Product Details:
Imported mij jazzmaster in ocean turquoise. matching painted headstock, 9.5 radius, vintage style frets. tremolo arm is push-in style. finish is gloss-poly, fretboard is rosewood on maple neck. weight is just under 7lbs. 4oz. there is one noticeable ding, which in on the lower part of the body to the left of the bridge, however the finish is still intact. the two last pictures are of the same ding from slightly different angles.
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2018 – 2022 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
18. Fender Troy Van Leeuwen Jazzmaster Bound Maple, Copper Age
Product Details:
He's contributed to decades of incredible rock songs. now, you can too with the fender troy van leeuwen jazzmaster. taking on the form the iconic jazzmaster, this signature model boasts a host of premium features including special switching and an upgraded bridge. plus, it looks as captivating as the songs troy has blessed us with. the copper age finish and 4-ply tortoiseshell will help you pop off stage and keep all eyes on you. it's a familiar design with a legend's touch. two pure vintage '65 single-coil pickups and the choice of rhythm or lead circuitry gives you endless sonic potential. a dedicated switch lets you slide between classic lead jazzmaster tone and deeper rhythmic sounds at will. you'll also be able to quench your experimental thirst with the tremolo arm, adding vibrato to your music with ease and injecting unrivalled character to your tone. feed your need for musical substance.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Alder |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 7.25" |
| Fret size | Vintage-style |
| Number of frets | 21 |
| Nut width/material | 1.65 in. (42 mm) |
| Configuration | SS |
| Neck | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume Master tone |
| Pickup switch | 3-Way |
| Special electronics | Lead/rhythm switch |
| Bridge type | Fixed Bridge |
| Bridge design | Individual saddle |
| Tailpiece | Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right Handed |
| Country of Origin | Mexico |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
19. Fender Custom Shop '59 Reissue Jazzmaster Closet Classic
Product Details:
Chicago special jazzmaster. purchased in oct of last year. hardly ever touched and i do not play with a pick so no scratching of any kind. was just set up by boston guitar repair center. all specs are on the factory sheet in photo. closet classic condition just as it arrived meaning like new with factory finish checking that is hard to see in the photos.
Specifications:
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
20. Fender Classic Player Jazzmaster Special Electric Guitar 3-Color Sunburst
Product Details:
The fender classic player jazzmaster special is an electric guitar that updates fender's iconic jazzmaster model with some thoroughly modern improvements: hotter pickups, a redesigned adjusto-matic bridge with floating tremolo tailpiece, a 9.5" fingerboard radius and an improved neck pocket with increased back-angle for improved stability and sustain. the classic player jazzmaster guitar's tremolo plate has been moved closer to the bridge to increase break angle and sustain. a screw-in tremolo arm increases stability and control when "twang-dipping". includes a gig bag. – check the drop-down menu to the right to select colors and/or other options. – body: alder – finish: polyester – neck: maple – fingerboard: rosewood, 9.5" (241mm)frets: 21, medium-jumbo – scale length: 25.5" (648mm)nut width: 1.650" (42mm)hardware: chrome – tuning keys: fender vintage style tuning machines – bridge: fender adjusto-matic bridge with floating tremolo tailpiece – pickguard: 4-ply brown shellpickupsneck: special design hot jazzmaster neck pickup – bridge: special design hot jazzmaster bridge pickup – pickup switching 3-position toggle:position 1. bridge pickup – position 2. bridge and neck pickups – position 3. neck pickup2-position slide:up: lead tone circuit – down: rhythm tone circuit – controls"lead" circuit: volume, tone,"rhythm" circuit: volume, tone – strings: fender standard tension st250r, nickel plated steel,gauges: (.010, .013, .017, .026, .036, .046),p/n 0730250206includes deluxe gig bag
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2009 – 2019 |
| Made In | Mexico |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Features | Matching Headstock |
| Finish Style | Gloss |
| Fretboard Material | Pau Ferro |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Wood Top Style | Opaque |
Reviews:
I've always lusted after a real Jazzmaster. My guitar for the past two years has been a Squier J Mascis Jazzmaster (which is an excellent guitar), but of course, there is a difference between a Squier and a real Fender. I really can't afford the American Jazzmasters, so when I found this guitar in the used section of my local Guitar Center, I had to buy it. Jazzmasters have always been my favorite guitars. The condition of the guitar was practically brand new as well. The previous owner still had the plastic film on the pickguard! It came with the nice gig bag and tremolo arm. I recently took the guitar on a three-week tour with a country band. With three weeks of constant live shows on this guitar, I feel confident in reviewing it. The pickups are very, very hot, which some folks will love! However, I am swapping out the pickups with more traditional Jazzmaster pickups. I like (trying) to play jazz, and these pickups are just simply too hot for the less-aggressive genres out there. Other than the pickups, the wiring seems to be very solid! No knobs or switches crackle when engaged. The bridge is a step up from most other Jazzmaster bridges, but I am purchasing a Mastery bridge for this guitar. I use the vibrato arm quite often, and on occasion, some of the strings will become stuck on the bridge at a lower pitch. This mostly happens on the high E string. Every now and then, the string will catch on the bridge when I return the whammy bar to it's natural position. This causes the high E string to be much closer to a D sharp. I do use lubricants on the bridge and nut, and even in spite of this, it still happens. I also know that whammy bars tend to knock guitars out of tune every now and then, but the string is actually catching on the bridge. While we're talking about the vibrato arm, I have to say that it is truly a blessing that this arm screws into the socket. Overall, this is an excellent guitar.Ford
Pros: Excelent tone–1000k pots give a bright, jangly clean sound. Nice hot pickups. No bright switch needed on your amp with this guitar. Comfortable to play. Not too heavy. Great finish and tremolo. No major issues here. This is currently my go-to gigging guitar. Cons: The neck–OMG. The truss rod screw is located at the bottom of the neck inside the neck pocket, so in order to give the truss rod a little 1/4 twist you have to remove the entire neck from the body, then reassemble it. Everytime you want to make even a minor adjustment you have to go through this whole exercise. Whoever decided to put this neck on this great guitar ought to be shot. If you don't put a gouge in the guitar with your screwdriver while doing this over and over you deserve a medal. My CPJ came with the action ridiculously high, and four years later I still have to make occasional adjustments in the winter as the air dries out. Really a shame. The tone–when you drop the volume knob below nine, the brightness disappears and the guitar sounds muddy. Some may like this, but I don't need two tone controls on my guitar. I put in a treble bleed circuit and now it stays bright all the way down. After much experimentation I settled on a .001 mF capacitor with a 10K resistor (not 100K as is used in mnay other guitars), in series. Anything higher than 10K dampens the tone as the volume is decreased, and anything lower is too bright.Aquarianus
Owning a MIJ reissue Jazzmaster since 1997, I was excited to get my hands on the Classic Player Jazzmaster. I was skeptical at first given the price versus that it is made in Mexico. That said, the only things I disliked about the guitar are barely noticeable lines in the black painted finish and a lack of the guitar being set up properly. The set up was a quick fix, I adjusted the truss rod a half turn to loosen it and raised the bridge a touch, and I was set to shred. I have to say I am blown away by what a nice, well crafted guitar the Classic Player Jazzmaster is! First, the neck is awesome. I much prefer the polyurethane finish to the nitrocellulose finish on reissues and vintage Jazzmasters. The medium jumbo frets are an improvement over the thinner frets on all other Jazzmaster models which will also get more life out of the frets, and the 9.5" fretboard radius makes for a still very comfortable, and more easily playable neck while being able to have a much faster action. I love the neck! The hotter pickups are the next great attribute. They can go from the familiar, well-balanced, bright, & biting Jazzmaster treble sound to full, warm, and fat when using the neck pickup and/or the rhythm circuit. The guitar also sustains noticeably better given both the hotter pickups as well as the tremolo housing being moved up by about a centimeter towards the bridge. I have no intention of installing a "buzz stopper" aftermarket bar on this model. The Adjust-omatic bridge is also a very nice touch, it's so easy to set the intonation. The Classic Player Jazzmaster has all the vibe and features of the more expensive USA made reissues, but will cost roughly half the price which is why I chose it over a USA made model which was within my budget. I have owned MIM Stratocasters before that were decently made, but had to replace the pickups. I do not intend on changing these pickups in the CP Jazzmaster, it's a great guitar and an excellent value, and it's easily the most well crafted MIM guitar I have ever played or owned.Ugotdajonx
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