Are you looking for the Fender Super Sonic Guitar? If so, you’ve come to the right place.
Choosing the Fender Super Sonic Guitar can be difficult as there are so many considerations. We have done a lot of research to find the top 20 Fender Super Sonic Guitar available.
The average cost is $1347.73. Sold comparable range in price from a low of $179.99 to a high of $5550.00.
Based on the research we did, we think Squier Paranormal Super Sonic Shell Pink is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender Super Sonic Guitar (20 Sellers)
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$399.99
4.8
Reviewers Noted:
Attractive . Well made . Durability . Sound quality . Weight
Features:
- Reverse offset body shape
- Squier atomic humbucking pickups
- Vintage-style tremolo bridge
$1599.99
4.6
Reviewers Noted:
Good sound quality . Quality build . Attractive . Easy to use . Powerful
Features:
- 12” fender “lightning bolt” speaker by eminence
- Deluxe reverb power platform
- Dual-channel design (“vintage” with two switchable voices, “burn”)
$899.99
4.6
Reviewers Noted:
Good sound quality . Ease of use
Features:
- Power: 60 w
- Speakers: 2x 12 "
- Type: straight
$850.00
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Circa 2013.
- These amps can do the fender clean thing right up to high gain.
- All at a very controllable 22 watts.
$179.99
4.6
Reviewers Noted:
Sound quality . Lightweight . Attractive . Well made . Durability
Features:
- 100% designed by fender
- Dual humbucking pickups
- Thin and lightweight body
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Lightweight
Features:
- Powerful and modern electric guitar in classic design
- Ideal for guitarists of all levels
- Fender sound with modern features
$1099.99
4.7
Reviewers Noted:
Attractive . Durable . Good sound quality . Well made
Features:
- Fingerboard radius: 7.25" (184.1 mm)
- Pickups: vintage-style '50s single-coil tele
- Bridge: 3-saddle american vintage strings-through-body tele with chrome barrel saddles
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Stylish and modern electric guitar with modern features
- Ideal for guitarists of all levels
- Classic design in fender's jaguar body
$800.00
4.6
Reviewers Noted:
Good sound quality . Ease of use
Features:
- Amp type: tube head.
- Output: 60 watts.
- Ohms: 4, 8 or 16 ohms switchable.
$999.99
4.6
Reviewers Noted:
Good sound quality . Ease of use
Features:
- Vintage channel contains pre-gain tone controls and two switchable voices
- Burn channel contains dual gain controls and post-gain eq
- Fender long-spring reverb by accutronics
$649.99
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Durable . Heavy
Features:
- Specialty traders is an authorized g&l dealer!
- G&l tribute s500 poplar sonic blue guitar blem #3697.
- 8.00 lbs, 9.60 oz.
$795.00
4.8
Reviewers Noted:
Attractive . Sound quality . Well made . Weight . Durability
Features:
- The guitar is new with no signs of use.
- The head is used but in excellent condition and fully functional.
- It will be professionally packed and ready for a safe arrival to your door.
$799.99
4.7
Reviewers Noted:
Lightweight . Good sound quality . Attractive . Well made . Durability
Features:
- Great playing fender duo sonic in desert sand, in the new colour range for 2020!
- Has had a full set up and is basically as new, plays smooth and sounds like you want them to sound.
- A tiny little scratch on the pickguard is all that this guitar separates from sparkly clean.
$1279.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Easy to use . Quality build
Features:
- For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the…
$1023.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the…
$1279.99
4.8
Reviewers Noted:
Good sound quality . Heavy . Attractive . Quality build . Easy to use
Features:
- For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the…
$5550.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durability . Weight
Features:
- Metronome music is a authorized fender dealer and repair facility. this guitar has been opened and photographed. on this model, a two-piece select alder body wears a well-worn heavy relic…
$4800.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- The lightweight two-piece select alder body bears a beautiful finish with nitrocellulose lacquer to let the wood breathe with pure fender tone, while the tinted quartersawn maple neck has a…
$1449.00
Features:
- Maker: fender model: super-sonic condition: excellent description: here we have a 2012 fender pawn shop series super-sonic in dark gunmetal flake finish. this guitar is in excellent condition with the…
1. Squier Paranormal Super Sonic Shell Pink
Product Details:
With its reverse body shape and headstock, the eccentric squier paranormal super-sonic electric guitar is stranger than fiction. producing massive tone courtesy of its dual squier atomic humbucking pickups, the super-sonic has the aggressive sound to match its striking looks. this guitar is well-suited to students and beginners, with a comfortable d-shape neck and narrow 1.5 nut width. for more advanced players, that means this guitar invites lightning-fast play. the vintage-style tremolo allows expressive string-bending effects. with its otherworldly looks, easy playability and earth-shattering tone, the super-sonic model will transport any player into a paranormal realm.
Specifications:
| Orientation | Right-Hand |
| Fingerboard Material | Indian Laurel |
| Fingerboard Radius | 9.5" (241 mm) |
| Neck Construction | Bolt-On |
| Neck Finish | Gloss Polyurethane |
| Neck Material | Maple |
| Neck Shape | "C" Shape |
| Number of Frets | 22 |
| Nut Material | Bone |
| Nut Width | 1.575" (40mm) |
| Position Inlays | Pearloid Dot |
| Side Dots | White |
| String Nut | Bone |
| Truss Rod | Head Adjust |
| Body Finish | Gloss Polyurethane |
| Body Shape | Super-Sonic |
| Control Knobs | Black Plastic |
| Hardware Finish | Chrome |
| Neck Plate | 4-Bolt Super-Sonic |
| Pickguard | 4-Ply Tortoiseshell |
| Pickup Covers | Zebra |
| Strap Buttons | Standard |
| String Trees | Dual-Wing |
| Strings | Nickel Plated Steel (.009-.042 Gauges) |
| Switch Tip | Black |
| Tuning Machines | Vintage-Style |
| Bridge Pickup | Atomic Humbucking |
| Neck Pickup | Atomic Humbucking |
| Pickup Configuration | HH |
| Dimensions | 3.70×15.10×44.40 IN |
| Fret Size | Narrow Tall |
| Scale Length | 24" (610 mm) |
Reviews:
For years Squier has been a popular brand of discount Fenders. They were often someone's first guitar. It was very rare that a guitar enthusiast would want to search out a Squier for their collection, once it was established. Squier has been seriously making a much better product in recent years. With their Paranormal line they have created guitars that are definitely worth owning. They are uniquely crafted, despite being made in China. Even the pickups are designed to be specific to the sound the guitar goes for. The Super Sonic is easily one of the most eye catching. With two volume knobs and two exceptionally juiced humbuckers, you will be surprised what this guitar brings to the table. It's sound can be explosive and heavy. It is made for overdrive pedals and tube amps. The tremolo is near perfect. Two bits of advice that you must know when you get this guitar; first it comes with the wrong type of strings on it. You will need at least 10s in a heavy gauge to make the tremolo work without it slipping out of tune. 9s will not cut it, so restring it first thing. Also the string action most often comes from the factory being too high. Make sure you have a small allen wretch. Adjust the string height is extremely easy, easier than all my Fenders, and it can go low. You get some low action on this guitar, with the tremolo working perfect, and that thick overdrive, you have yourself an addition to your collection that is very much worth the money. This guitar is very much a reason to set out and go in search of a Squier.Ragnorok76
This was my first purchase from ProAudioStar. I ordered on Wednesday, it shipped on Thursday and arrived on Saturday. The guitar was well packed and arrived safely. The Squier Toronado itself is gorgeous with quality similar to the Classic Vibes. Frets are nice, finish is perfect, neck is straight, no obvious flaws (after 2 days at least!). The humbuckers are surprisingly bright, which is a good thing to me. The only word of caution is that the LPB finish is darker than usual. I have a LPB Stratocaster and the Toronado is significantly darker. I actually like the darker shade, it's just something to be aware of.AverageTortoise-819
A perfectly playable guitar at a sub $500 price point that’s a ton of fun as well! Pros: Short-scale, humbucker-equipped, independent volume and tone controls (all very un-Fender-like)! Cons: I would have preferred a satin finished neck; however, the gloss finish looks great, the pickups were set up waaaaay too low to even be really audible, one of saddle screws was stripped and fell out. These last two I fixed myself. Otherwise, the guitar looks and plays great! A quirky Fender with a big voice!Scott
2. Fender Super Sonic 22 Combo Black
Product Details:
Super-sonic sound and style super-sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious fender clean tones and expressive modern high-gain tones with one no-nonsense tube amp. the super-sonic 22 combo delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. available in two classic cosmetic treatments – black/silver and 1961-style blonde/oxblood, both with ivory "radio" knobs and flowing 1960s script logo. tube circuitry simply put, there's really nothing quite like the pure, powerful sound of a fender tube amplifier. for decades, the tonal richness and touch-sensitive dynamics of real tubes have given fender amps a defining and unmistakable voice, as heard on most professional recordings and performances of the past 60 years the music you've known your whole life. spring reverb among their many fine sonic attributes, fender guitar amps like this one are prized in particular for their luscious spring reverb. for that wet, shimmering ambient sound ranging from subtle to cavernous, fender lets you dial it in exactly to taste. dual gain controls this versatile super-sonic model has two gain controls for its high-gain "burn" channel, with the first providing hugely satisfying distortion and the second adding more sustain and harmonic richness.
Specifications:
| Amplifier Type | Tube |
| Voltage | 120V |
| Wattage | 22 Watts at 8 ohms |
| Inputs | One – 1/4" |
| Speaker Jack | Two 1/4" Parallel (Internal and External) |
| Cabinet Material | 7-Ply 3/4" Birch/Maple Plywood |
| Pilot Light Jewel | Red Jewel |
| Handle | Molded Rubber "Dog Bone" Style |
| Grill Cover | Black textured vinyl covering |
| Effects | Reverb |
| Impendence | 8 ohms |
| Pre Amp Tubes | Groove Tubes – (3 x 12AX7), (2 x 12AT7) |
| Power Tubes | Groove Tubes – (2 x 6V6) |
| Footswitch | 4-Button Footswitch Included |
| Knobs | Vintage-Style White Radio |
| Dimensions | 8.5 x 24 x 17.3" (21.6 x 61 x 43.9 cm) |
Reviews:
I got this to play at gigs and fill in to gaps for 60s and 70s classic rock numbers. It sounded great mic's with just enough stage sound for sustain. I especially liked the foot switch layout to flip between clean and dirty numbers when covering Stones, Bowie, Mott The Hoople, Doobie Bros and stuff, but needed help with a pedal with early metal sounds. Still, found it a very flexible amp overall. About eight months in it got a hissing sound and was useless as a mic'd amp through the PA. It was still under warranty, and – long story short – they repaired the hiss by replacing some circuit components, but after a few weeks it came back. The is the one time I wished I got the replacement warranty. I ended up giving it away to a friend who tinkers in electronics. Do and internet search and you'll see this amp has a long history of hiss and other noise problems that are hard to isolate. That said, I know of some players who liked this amp very much and it never let them down, so I'm not hating on Fender. I like the Fender sound and own a very reliable 65' Twin two Blues Deluxe Issues. If you really must have this amp, I'd recommend getting the full replacement warranty.RJ
Overall: So.. I am very very pleased with the Fender Super Sonic amp head It is quite versatile for almost all genres of music.. but if your looking for metal tones.. look elsewhere.. but other than that.. this amp has it all! I am totally blown away!I have owned many amps throughout my musical journey and I will say that this amp beats them all in regards to tone and responsiveness. You can dial any tone you want easily.. like I said.. it's extremely versatile. I had purchased 2 Fender Hot Rod Deluxe 112 Guitar Speaker Cabinet (80 Watts, 1×12") speaker cabinets to use with the Super Sonic head. It was great as it was but then I replaced the 50 watt speakers with 2 Jensen C12 22 watt speakers. OMG!! Unbelievable!! This thing is even more of a total TONE MONSTER than with the 50 watt Celestions. It is loud enough for any club gig..as the 22 watts is plenty. The clean is pristine with that traditional Fender sound and reverb…with the overdrive channel so versatile from light breakup (SRV) to hard 80's Rock tones and classic rock. Even has an effects loop! This amp is a winner!!! I can honestly say this amp is hands down the best amp I have ever owned.. and I've owned many vintage and newer Marshall's.. other Fenders and Mesas over the year. I am totally blown away by this setup. It will never leave my collection. I advise anyone to take a chance and buy one of these great amps.. you won't be sorry at all!!
Just purchased this beautiful blond amp. The clean channel is perfect. Decent gain. Reverb is adequate. Highly recommend purchasing the amp head and the 2X12 cab because you get two Clesetion Vintage 30's vise the single Eminence in the combo. Sound great out of the box even before the tubes are burned in and the speakers broken in. I'll say this again, the clean channel is perfect, Les Paul, Strat, Tele, ES 195 with P90's and effects never sounded better. Gives this bad boy a test drive, you wont be disappointed. If you have never used a tube amp, 22 watts is quite a bit of power compared to solid state, possibly two to three time the power. Yes! this amp can get quite loud. Perfect for small gigs. Highly portable and easy to move and transport.Karl
3. Fender Super-Sonic 60 2×12 Cabinet Blonde
Product Details:
Here's the perfect mate to your super-sonic 60 head – the fender super-sonic 60 212 enclosure. it's got a classic fender look that's sure to catch eyes. but you'll be catching ears too thanks to its special design. unlike most 2 x 12" enclosures on the block the fender super-sonic 60 212 enclosure features an oversized baffle board with a bit of a tilt plus internal insulation. the design gives the super-sonic 60 212 enclosure a uniquely rich and resonant response that tone aficionados love.
Specifications:
| Inputs | One – 1/4" |
| Power Handling | 60 watts into 8 ohms |
| Amplifier Covering | Blonde Textured Vinyl |
| Cabinet Material | 7-Ply 3/4" Birch/Maple Plywood |
| Casters | Pop-out Casters Included |
| Grille Cloth | Oxblood |
| Handle | Molded Rubber "Dog Bone" Style |
| Speaker Jack | Two – 1/4" Parallel |
| Speaker Wattage | 30 Watts |
| Speakers | Two – 12" Celestion Vintage 30 |
| Total Impedance | 8 ohms |
| Included Accessories | Pop-out Casters, Owner's Manual, Bumper Sticker |
| Dimensions | 12" x 24" x 42" |
Reviews:
i use this cabinet with a vintage 1961 fender showman . It is the best sounding amp i have ever heard.rich
4. Fender Super-Sonic 22 Combo Guitar Amplifier | Blonde/oxblood
Product Details:
Fender supersonic 22 bought around 2011/12 in annapolis maryland. in excellent condition. there are a couple of blemishes in the finish around the handle. it has been used in a handful of gigs. it sounds absolutely gorgeous. comes with the foot pedal, cable and power cable. it is for local pickup only. the cover comes with it as well as the original box.
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
5. Squier Bullet Mustang Hh – Sonic Grey
Product Details:
Squier bullet mustang electric guitar sonic greythe original fender mustang, introduced in 1964, was designed as a 'student' guitar. however it soon found favour as a serious instrument with many players from kurt cobain to adrian belew! this bullet incarnation takes the famous offset body shape crafted from basswood and ups the power with a pair of humbuckers and offers rock-solid stability from a modern hardtail bridge. there's a comfy 'c' shape maple neck and 22 medium jumbo frets. the bullet mustang has all the vibe of the original!
Specifications:
| Body shape | Double cutaway |
| Body type | Solid body |
| Body wood | Poplar |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C |
| Neck wood | 1-piece Maple |
| Joint | Bolt-on |
| Scale length | 24 in. |
| Truss rod | Standard |
| Neck finish | Satin |
| Radius | 12 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.656 in. (42 mm) |
| Configuration | HH |
| Neck | Standard humbucking |
| Bridge | Standard humbucking |
| Active or passive pickups | Passive |
| Series or parallel | Series |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Fixed |
| Bridge design | 6-saddle |
| Tailpiece | String thru body |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
Reviews:
I picked up the Surf Green Ltd Ed. Bullet Mustang a few days ago off the rack. They had two. One had rusty strings and sharp frets but the one I picked was almost perfect. These Mustangs are great for smaller learners and older guitarists that may enjoy the lighter string tension due to the short scale. I love the sound of both humbuckers. The bridge one gives you a nice grungy Nirvana like tone while the neck is smoother but both love to be driven. I picked up the Imperial Blue Mustang HH a few weeks ago. They both use the same humbuckers, The only difference I believe is the wood type, Basswood vs Poplar. Both guitars are quite light with the Basswood Surf Green one being somewhat lighter.These Mustangs are ideal for modding but for now I've only changed the cheap pickguard on this Surf Green one, putting a Tortoise Shell on it. So far I'm loving both of them and my Fender P90 Mustang is getting quite lonely.Tingman
First of all, this is a ton of value for the price. I got it on sale which made it even a bigger steal. Now, this guitar needs a lot of setup out of the box. You should polish the frets since they are as coarse as beach sand. Otherwise, string bends will be impossible and will most likely damage the cheap supplied strings (which should be changed immediately as with most new guitars). Expect some fret buzz, so be ready to adjust the saddles and the truss rod (I like my action quite low so this was a minor tweak for me). The intonation was actually quite close to perfect, it only needed a bit of tweaking on the A string. The nut and string trees are the ones you typically get on Squiers, which are good enough but won't do wonders for your tuning and should be replaced unless you are patient enough to tune your guitar every so often. Be sure to change these first before changing the tuners/bridge if you have tuning problems, I haven't changed the tuners or bridge on mine and don't plan to – they just work. Finally, the pickups are surprisingly good for the price, not too mellow and you can get some nice tones from the bridge pickup. You might soon outgrow them, though, and might opt for better humbuckers or P90s. For all these reasons, this guitar is not the best as a first guitar or for beginners unless it gets a proper setup first or if you're really planning to learn how to setup or change electronics/other parts in a guitar. However, those are the same reasons (plus the low price and simple design) that make this a really fun modding platform, and if you don't feel like modding it, with the right amount of work it's still amazing. It's light as a feather and the neck is very fast; you can probably muscle through hours of playing with barely any effort at all. The stock tones are reasonable enough, and in my opinion it looks awesome. You can't get a better deal for the money once you're aware of the above.Carlos, M
I like this guitar because of the 24" scale length. Everything else was pretty bad out of the box. The strings were a 1/4" off the fretboard. The fretboard was super dry. There was fret sprout. The frets felt like sandpaper on bends. The E strings are too close to the edge of the fretboard. When you play you're constantly hitting the pickup selector switch. The finish on the neck is supposed to be satin but it looks unfinished to me and there are light and dark areas on the neck which look bad. It is the worst finish on a neck I've ever seen on a guitar and I'm going to have to put some kind of finish on it. Trying to load strings is tricky and not as easy as on most other guitars you have to bend the end of the strings to get them to load. So that is the bad. The good? The tuners are your typical Chinese tuners that come on all cheap guitars these days, and they are fine. The pickups sound good. The 24" scale is great and really fun to play bends on!Steve
6. Fender Vintera '60s Jaguar Modified Hh Sonic Blue
Product Details:
For players who appreciate the mojo of fender's golden era matched to contemporary features, fender created the vintera '60s jaguar modified. blending classic looks with a modern neck profile and fingerboard radius, hotter pickups and updated electronicsthis guitar packs a surprising amount of power under the hood. to crank out giant-sized tone from this short-scale wonder, fender loaded it up with a pair of high-output atomic humbucking pickups. they have the power to easily drive a tube amp into luscious overdrive, while retaining the articulate sound that made fender famous. the "modern c"-shaped neck has a 9.5 inch-radius pau ferro fingerboard with 22 medium-jumbo frets, for modern playing feel. an adjusto-matic bridge is paired to jaguar floating tremolo, while vintage-style tuning machines provide original-era aesthetics, rock-solid performance and tuning stability. joining the master volume and tone controls, two sliders on the lower bout activate/deactivate each pickup while the third slider activates a "tone cut". the wheels on the upper horn select between single-coil and humbucking modes for each pickup, giving you more tonal variety. other features include a kill switch mounted on the upper horn, chrome hardware and four-bolt neck plate. includes a deluxe gig bag.
Specifications:
| Body shape | Double cutaway offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5 in. |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | Atomic humbucker |
| Bridge | Atomic Humbucker |
| Special electronics | Coil-split on upper bout thumbwheels |
| Control layout | Master volume, tone |
| Pickup switch | Slide switches for pickup activation, tone cut |
| Coil tap/split | Coil split |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Adjustable |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. I’ve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one I’d like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didn’t disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
7. Fender Vintera '50s Telecaster, Maple – Sonic Blue
Product Details:
For players who want the style and sound of fender’s golden era, fender created the vintera ‘50s telecaster. equipped with the coveted features that defined the decade—including period-accurate neck profile and playing feel, along with re-voiced pickups—this guitar has all of the bite and twang that made the telecaster a legend. for authentic, vintage-style tone fender recreated their favorite set of ‘50s telecaster pickups. twangy and articulate, they have the crisp, snarling sound that put fender on the musical map. the thick, fat-shouldered early '50s u-shaped neck has a 7.25”-radius maple fingerboard with 21 vintage-style frets for classic playing feel. a vintage-style tele bridge with three brass barrel saddles gives this telecaster it’s characteristic twang, while vintage-style tuning machines provide original-era aesthetics, rock-solid performance and tuning stability. other features include vintage-style strap buttons, chrome hardware and four-bolt neck plate. includes deluxe gig bag.
Specifications:
| Country Of Origin | MX |
| Body Finish | Gloss Polyester |
| Body Shape | Telecaster |
| Neck Material | Maple |
| Neck Finish | Gloss Urethane |
| Neck Shape | Early '50s "U" |
| Scale Length | 25.5" (648 mm) |
| Fingerboard | Maple |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Number of Frets | 21 |
| Frets Size | Vintage |
| String Nut | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Position Inlays | Black Dot |
| Truss Rods | Vintage-Style |
| Bridge Pickup | Vintage-Style '50s Single-Coil Tele |
| Neck Pickup | Vintage-Style '50s Single-Coil Tele |
| Controls | Master Volume, Master Tone |
| Pickup Configuration | SS |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 1-Ply White |
| Control Knobs | Knurled Dome |
| Dimensions | 4.50×15.20×42.20 IN |
Reviews:
Overall: The set-up: This is my second Vintera 50s Modified in the Surf Green. Bought the original run in 2019 (Review "Modified Madness". THRILLED to be able to buy another, as I sold the original (regrettably) last year, and they have been unavailable for the better part of a year since. Received my newest one last week – I was excited to obtain once again the guitar I felt was the perfect all-around Tele; the thicker version of the Soft V was the best neck profile & feel I have ever felt on ANY guitar. However…. much to my dismay, this new run (at least my Vintera) did NOT arrive with that awesome thick Soft V as on my original run. What? Although chunky (a good thing) – NOT the Soft V I fell in love with. Not even close – a chucky "C" all the way. That being said – I was supremely bummed, so much so I requested a return for "not as advertised". Awaiting my return label, and after sitting & stewing over the weekend – with clearer head, I extricated from the box once more. I gave it one final review before committing to the return. I know these Vintera Modifieds may be a thing of the past soon, and I didn't want to take that chance. I decided I could adapt to the big "C", as the balance of these guitars are pretty stellar. I promptly canceled my return arrangement, still mystified that Fender knowingly or unknowingly made this alteration to the neck profile – the biggest selling point to the guitar in my opinion… Just wanted to share that story.
I started playing in the early 1970s, and I'm one of those people who has only played Fender and Gibson electric guitars my entire life. I've always tended to use the benchmark of one Les Paul Custom I bought in 1987 to judge all guitars by, because it was the perfect guitar. I sold it, stupidly, in 1990. Don't let this happen to you. If you ever own a guitar that's perfect for you, hang on to it no matter what. Well, to my great surprise, now I have a new benchmark. I took the chance of buying a guitar online for the first time during the pandemic when I couldn't visit a guitar shop, so I had to do a great deal of research. I started out considering Strats, Les Pauls and Teles, and watched a lot of YouTube videos and read a lot of reviews. I was never much of a Tele player, but I felt drawn to Teles while doing this research. I narrowed it down to a few different Teles and finally settled on this Vintera '60s Modified. It arrived in 4 business days, thanks to the great work of Musician's Friend. I expected to have to set up the guitar upon arrival, but other than raising the bridge pickup height, it was perfectly set up. I still can't believe it, but even the action was set the way I like it. The fretwork was perfect, intonation perfect. I took a chance as I'd never played on a pao ferro fingerboard, but I love it. The pickups and electronics in this guitar are well thought-out and implemented beyond what I even expected based on the videos I'd watched. The tone ranges from an old-school Tele twang, to a Strat tone similar to my Strat with Custom Shop 1969 pups, to a near Humbucker tone. It's that versatile. With this guitar and an acoustic/electric, and a few pedals, you can play an entire gig, whatever's required. I was out of the game for awhile, but this guitar shows me that Fender has upped their game to a new level. This guitar doesn't just represent good quality control, it shows a pride in workmanship like the Fender of old.Steam Burns
I have played a lot of decent Fender products over the years. But this is honestly the first American Stratocaster that I have played in a long time that really hit the mark. Frankly, I have felt a lot of Fender American products in the past couple of decades sounded a little dull. My new American Pro II is bright and chimey and well built. It plays great and sounds great. I feel like this is the first Strat I've played in a lot of years that really sounds like the idealized version of a Strat in my head.frankbooth
8. Fender Player Jaguar Pau Ferro Electric Guitar, 3-Color Sunburst
Product Details:
Great guitar! used in a very well kept studio. just recently set up and sounds/plays great! the fender player series jaguar delivers the classic look and feel of fender's beloved offset guitars, with an hs pickup configuration that modern players will be impressed with. the alder body features the same radius as vintage originals, and the redesigned pickups offer distinctive tones that sound great whether you're playing clean or distorted. and the player series jaguar features a simplified control layout instead of toggle switches, you get a 3-way pickup selector, plus a coil-split switch to turn the humbucker into a single-coil. all this at a price for working musicians makes the fender player series jaguar a value-packed guitar you shouldn't miss.
Specifications:
| Body shape | Double cutaway Offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 24 in. |
| Truss rod | Dual-action |
| Neck finish | Satin |
| Radius | 9.5 in. |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HS |
| Neck | Player Series single-coil Alnico |
| Bridge | Player Series humbucker Alnico |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | Coil split on slide switch |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Overall: Wow, I love this bass……From the moment I received this bass, it has been my go to axe. The pickups are excellent and very aggressive, yet keep that P bass type tone. Both pickups have proven to be very articulated in the mids and not to boomy in the lows. Just perfect for my taste. The highs are very clear but not too disjointed from the mids and lows. I use Rotosound 77 flatwounds. I did change the crappy bridge to a Hipshot Kickass bridge.Now, lets talk about the neck. I do agree that the neck is a little heavy but if you are sitting down, that should not be a problem. If you are standing up then you should be using a 3" wide strap. That rule goes for most Fender style basses. The neck is wide because it projects a P style tone that can only be accomplished by this thick neck type. If you pick up a 50's type P bass you will notice very quickly how thick the neck is, yet some bass players won't play anything else.Tone, sustain and playability. That is what you get with this bass. It's definitely not a bass for everyone but this bass is a kickass bass if you are comfortable with it.The frets were perfectly dressed and the fretboard had a nice finish. If you look at the shape of this Jaguar bass you will notice a lot of real estate in the slab of the body. This, along with this neck makes a perfect combination for sustain and presence which you can feel through your chess as you play it. The designers at Fender really know what they are doing.There is a reason why the Fender MIM basses are so popular.Sotero
Overall: Wonderful instrument, the best I've owned. Setting the intonation was the hardest for me of the guitars I've owned, but once it is setup it is wonderful. The quality is amazing. I have never owned a Fender before and it is the best I have had. The vibrato arm sends it out of tune if you try dive bombing lulz Not really a complaint, just a fact. I am not too impressed with the pickups (they produce what seems to be a lot of telecaster sound) but that is not a problem either because I always swap the stock pickups out anyways. I love the 24 inch scale, I feel like the 22nd fret in not necessary though on this short scale, the additional fret pushes the frets closer together and would makes some chords harder to pull off that need lots of fingers on the same fret. Luckily for me i have small hands and fingers so not an issue. I still love this guitar and plan to keep it forever.Justin
If it wasn't so beautiful looking and if it didn't sound so good I wouldn't have played it so much. Now I can't return it without significant restock fees and shipping. My opinion is that the guitar I received has a major problem. I haven't completely sorted it out but here it is: significant static pops come through the amp when I touch or rub a a place on the pickguard near the selector switch. My guess is there is either a bad solder joint or two wires pinched together. So I have to pack the thing off to a Fender repair shop for warranty work. I've owned many guitars both new and old and this is a first. Yes it is the lowest cost offset one can buy with the name Fender on the headstock. But I've several less expensive Squiers that were perfect. The quality of the components and the fit and finish of this guitar seem great. Now to get the static fixed. I had heard that MExican Fenders were very well made, not the electronics on this one.vinny71
9. Fender Super-Sonic 60 60w Tube Guitar Amp Head Blonde
Product Details:
Fender super-sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious fender clean tones, and expressive modern high gain toneswith one no-nonsense tube amp. the vintage channel on the 60w fender super-sonic 60 tube amp head is based on two legendary fender favorites, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. the fender super-sonic 60 amp head has been tweaked for increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine tuned without masking the tonal character of your guitar. and by popular demand, the fender super-sonic 60w amp head is available in two classic cosmetic treatments: black/silver, and iconic 1961 blonde/oxblood look with glorious ivory knobs and flowing fender logo on each front panel. the fender amp head's vintage channel contains pre-gain tone controls and two switchable voices, and the burn channel contains dual gain controls and post-gain eq, allowing tonal experimentation. other features on the fender super-sonic amp head include ivory "radio" knobs; and a 3-button footswitch for channel, fat, effects loop. it mates perfectly with the fender super-sonic 60 2×12 enclosure. check the drop-down menu to the right to select colors and/or other options.
Specifications:
| Finish | Black |
| Year | 2010 – 2014 |
| Made In | United States |
| Electronics | Tube |
| Model Sub-Family | Fender Super Sonic 60 |
Reviews:
i use this cabinet with a vintage 1961 fender showman . It is the best sounding amp i have ever heard.rich
10. Fender Super-Sonic 60 Guitar Combo Amp, Blonde
Product Details:
Super-sonic amplifiers are the favorite tool of pro guitarists in many different musical genres who love to create glorious fender? clean tones and expressive modern high-gain tones with one no-nonsense tube amp. the vintage channel is based on two legendary fender favorites, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. the super-sonic 60 delivers increased bass response and fatter tone, and its heavily saturated tube overdrive and sustain can be fine-tuned without masking the tonal character of your guitar. and by popular demand, the new super-sonic 60 models are available in two classic cosmetic treatments – black/silver and 1961-style blonde/oxblood, both with ivory radio? knobs and flowing 1960s script logo.
Specifications:
Reviews:
i use this cabinet with a vintage 1961 fender showman . It is the best sounding amp i have ever heard.rich
11. G&l Tribute S-500 – Sonic Blue
Product Details:
The g&l s500 debuted in 1982 as leos own evolution of the traditional double-cutaway bolt-on axe, delivering innovations including the dual-fulcrum vibrato and magnetic field design single-coil pickups, each designed by leo fender himself. these mfd pickups deliver a bright and sparkly top end and robust bottom end, all without losing midrange focus. youll find plenty of punch in the mfd pickups, but whats surprising is how glassy and detailed they become as you roll back the volume and bass controls, the latter a part of the s500s ptb (passive treble and bass) system which functions on all three pickups. whats more, the g&l tribute series s500 includes a push-pull expander switch on the treble pot to allow neck+bridge or all three pickups together. in a pinch, the neck+bridge combo does a convincing faux asat special. talk about versatile! the new g&l tribute series s500 features one of leos favorite pairings: the power of mfd pickups mellowed by the high porosity of a nato body. making the most of this delicious combo is leos dual-fulcrum vibrato, a work of engineering art which allows bending up or down with unsurpassed stability, while offering a silky feel through its beefy aluminum vibrato arm. leos forward-looking spirit is clearly reflected in the s500, a guitar he designed for players who share that spirit. and now, its available at a price within reach of every working musician. once you play a g&l tribute series, youll never look back.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Poplar, nato or sassafras |
| Neck shape | Medium C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Radius | 12" |
| Fret size | Medium-jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Nut width | 1.62" |
| Configuration | SSS |
| Neck | Proprietary Single Coil |
| Middle | Proprietary Single Coil |
| Bridge | Proprietary Single Coil |
| Control layout | Master volume |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Dual-fulcrum vibrato |
| Tuning machines | High-ratio Sealed |
| Number of strings | 6 String |
| Orientation | Right-handed |
| Country of Origin | Indonesia |
Reviews:
I can echo what was said here. I would consider this an under the radar guitar that represents a tremendous value. I guess it isnt popular because it doesnt say 'Fender' or 'Stratocaster' on the headstock..The irony is that it was designed by Leo Fender himself and represents upgrades and improvements over the Strat he designed, Anyway, this thing is a tone machine. More tones than a Strat…and better tones w. more resonance and sustain than the Strats i;ve played. (Squire Standard, Squire ProTone, Strat Clapton. Can control tone on bridge pickup and you just dont get those harsh icepicky tones unless you really want to dial them in. A couple small negatives. The frets on the one I got were not finished/polished. You could actually hear them rub when you bend..and the guitar comes with 10's not 9's. Makes it really hard to bend and i would think would wear out the strings quickly. So unless I got an outlier, be prepared to do < or have done> some fret work. Also the push pull is hard to engage. You gotta put a fingernail underneath the knob and pull up hard to engage…it does seem to become a little looser and easier to engage with some use. Other than that, levels above the Strats I have played in most all ways. Musicians Friend doesnt do setups I dont think…they just ship them out without taking them out of the box they arrived in. (double boxed) Oh, i bought the sonic blue one. To me, it looks like a very pale green..or maybe i have some color blindness. It's a cool retro colour though i thinkNoBadMojo
If you're looking for the Jazzmaster vibe with some modern touches, then this is worth looking at. This has the usual G&L quality fit and finish you would expect from their USA line. Nice neck profile, rolled fretboard edges make it feel worn in already, but comes with modern 55×110 frets which I like. Great sounding pickups too, have that JM chime and jangle with a little more full frequency response from the MFD pickups. They can be really bright if needed, but roll in the tone knob and you get some sweet smooth neck tones. I think the icing on the cake with this thing is the DF trem. It is a very smooth and stable trem that I much prefer to the fender 6 screw on the player series JM or even the traditional JM trem units. If you have never played the G&L DF trem you should really check one out. Overall just a great guitar that gets you into Jazzmaster territory.RickC
Hate to write a negative review and glad others received better instruments than i did. I purchased via SDOTD and the guitar received today 5/13/2021 was bad and returned. Had really great expectations based on reviews. This is aimed at G&L's qc dept. The guitar arrived with 1 inch scratch in the back on the lower horn, dimples in the finish, scratches on the belly cut, areas that were dull from not buffing to a high polish, dents on back of the neck that could be felt and frets that felt like playing strings over sandpaper. Returned back same day. No damage to shipping boxes and purchased new just extremely poor qc. I wasnt expecting this to play like a +1k guitar but this feels like a Rogue guitar. Needs alot of work and setup. No comparison to Squier's in the same price range.B
12. Fender Duo Sonic Hs, Rosewood, Surf Green
Product Details:
A modernized version of a student-turned-classic instrument originally released in 1956, the duo-sonic hs models compact form belies its giant-sized sound. it's the ideal companion for adventurous players who aren't afraid to buck the norm and shatter expectations.the duo-sonic hs new pickups let the true voice of the instrument shine. the single-coil duo-sonic neck pickup is joined by a vintage-spec humbucking bridge pickup for flexible tone that can match any playing style imaginable. the push/pull tone pot switches to single coil operation on the humbucking bridge pickup, unlocking a variety of tones that can be shaped via the master volume and tone controls to find just the right sound. the 24" scale adds a bit of warmth and thickness to the guitar's inherent tone, while granting a slinkier playing feel, making it easier to perform multi-step bends. topped by a 9.5"-radius rosewood fingerboard with 22 medium jumbo frets, the "c"-shaped maple neck is comfortable for all playing styles and ideal for players with smaller hands, or those who use extended chord forms. the six-saddle string-through-body hardtail strat bridge increases sustain while the bent steel saddles add some zing to your tone, enhancing the upper harmonics to cut through a dense mix.the smaller body is ideal for smaller players or for energetic stage performances. a gloss polyester finish protects the body while the neck bears a satin polyurethane finish for fast, easy playability. the aesthetic appointments, including the knurled flat-top control knobs, cast/sealed tuning machines and a three-ply mint green pickguard, add a touch of classic fender style to this updated and modernized design. a new take on a classic guitar that's flown under most player's radars, the duo-sonic hs is ready and rarin to go with surprisingly giant sound.
Specifications:
Reviews:
Overall, its a good guitar. I noticed some lines next to the 11th and 13th frets. At first I thought they were pencil marks under the finish, but after some closer inspection it's actually discolored / dirty finish next to the frets. I think it'll clean up or at least be less noticeable after I clean it with the strings removed. There were also two tiny pin holes missing filler under a couple fret ends on the bass side. These were like tiny needle tip sized holes. I took a similarly colored tan crayon and rubbed into them making them complete unnoticeable. The neck is super comfortable to play. Very nice rounded C profile. 24 in scale is easy to play. The pickups are good so far. No complaints. The push-pull pot is nice for added versatility. The factory setup was decent. Action low enough but neck had too much relief. A minor adjustment of the truss rod was needed. Nut was cut well. Action is 4/6th's inch at 12th fret at low E and 3/64th at high E. Intonation needs minor adjustmentBrandon
I got this guitar for my younger brother for Christmas 2018, and he has been playing it everyday since. I managed to find a local store in order to demo the different Duo-Sonic models before buying from Adorama, and I'm glad I did. This HS version is ideal because of the greater variety of tones that can be achieved with the humbucker, including when it is split with the coil-tap option on it. It is well worth the extra money as a step up from from the version with two single coils. Additionally, after playing the Duo-Sonic version with the Pau Ferro fingerboard, I highly recommend the maple version. Pau Ferro is a cheaper, perhaps more sustainable wood being used to replace rosewood in guitars (at least the ones under $1000) from here on out, and it feels significantly cheaper than both rosewood and maple on a Fender neck. Also, the shorter scale neck on these offset models is very easy and fun to play no matter whether you are a beginner or advanced guitarist. There is one thing to keep in consideration with this guitar: many of these MIM offset Fender electric guitars shipped with a scratchy pickup selector switch. Apparently there is a common flaw where they are dusty inside. But don't worry, they can easily be cleaned and really have no negative impact on tone and playability (just sound scratchy through your amp when flipped sometimes).This is the second Fender electric guitar I've purchased from Adorama, and I cannot recommend them as a vendor enough. Both this Duo-Sonic and the Johnny Marr Signature Jaguar I purchased from them (in September 2018) arrived with a perfect factory set-up, in the original unopened Fender packaging, and for the best possible price. Adorama always has wonderful customer service and ships out very quickly: the Duo-Sonic shipped the Sunday before Christmas and arrived in PA two days later. If you are considering buying a brand new Fender guitar, wait around for a Special Price deal from Adorama and buy from them and no one else ever.Nicholas
I've been playing guitar for over a decade now and have owned and played quite a few guitars. While this guitar is not USA made it is a quality, well designed guitar. Here's what I like about it first: -It plays great, it's a lot of fun to play. It's light enough you can hop around jamming without being too light where you lose out on sound. The neck is nice and easy to slide and bend on and the frets aren't jagged. – It's very versatile, great for clean tones or hard rock. The coil split is great for versatility and achieving different sounds. With a single coil and a humbucker with coil split, as well as the toggle switch and tone knob, it can cross genres easily. The main reason I got it was how versatile it is. – It looks great. Great paint job and neck, looks very proffessional overall. – it's unique. Everyone (practically) plays a strat or les paul shaped guitar these days so the offset mustang like shape is much more unique and cool in my opinion. Also has it's own unique tone while still also being able to get strat like or traditional rock tones duo to pickups, configuration, coil split, toggle switch and tone knob. People will notice this guitar. – Quality built. While not a USA model it's remarkably well built and stays it tune well. What could be better: The humbucker in the bridge is not very fat sounding and could be better. Other fender models have beefier, fuller sounding humbuckers in the bridge. Such as the hss Strat or HH jaguar. However it does not sound bad, just could be better. Still sounds crunchy and good for rock. Could be upgraded though for better sound. Overall: Great guitar for a great price. If you want a solid axe that's fun to play, versatile and will stand out in a crowd, then this is the one.Tiezzi
13. Fender Player Duo-Sonic – Desert Sand Guitar
Product Details:
Since its debut in 1956, the duo-sonic has found its way into the hands of genre-defining artists, becoming an underground sensation that helped create alternative music in the dingy clubs of new york city.almost infinitely flexible, the pair of duo-sonic single-coil pickups in the bridge and neck positions lends a unique character to for everything from bright, jangly arpeggios to heavy chords. a modernised version of a student-turned-classic guitar, the duo-sonic hs' compact form belies its giant-sized sound. it s the ideal companion for adventurous players who aren t afraid to buck the norm and shatter expectations.the smaller body is ideal for smaller players or for energetic stage performances. a gloss polyester finish protects the body while the neck bears a satin polyurethane finish for fast, easy playability.
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Duo-Sonic |
| Neck Material | Maple |
| Neck Shape | "C" Shape |
| Scale Length | 24" (610mm) |
| Fingerboard | Maple |
| Fingerboard Radius | 9.5" (241mm) |
| Number of Frets | 22 |
| Frets Size | Medium Jumbo |
| String Nut | Synthetic Bone |
| Nut Width | 1.650" (42mm) |
| Position Inlays | Black Dot |
| Truss Rods | Standard |
| Truss Rod Wrench | 3/16" Hex (Allen) |
| Bridge Pickup | Duo-Sonic Single-Coil |
| Neck Pickup | Duo-Sonic Single-coil |
| Controls | Master Volume Master Tone |
| Pickup Configuration | SS |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Standard Cast/Sealed |
| Pickguard | 1-Ply Gold Anodized Aluminum |
| Control Knobs | Knurled Flat-Top |
| Dimensions | 4.70 x 15.30 x 42.20" (11.94 x 38.86 x 107.19cm) |
| Handedness | Right-Handed |
| Body Type | Solidbody |
| Neck Construction | Bolt-On |
Reviews:
This is my favorite guitar. It's great! I'm a smaller person so I'm very particular when it comes to the feel of the instrument. Enter the Duo-Sonic. It is a small-scale guitar and fits me like a guitar should. It's almost always the one I reach for. it's been so comfortable to play. It's lightweight, the neck feels amazing, and it sounds beautiful. Played clean, the Duo-Sonic has a bright sound. I have the model with two single coil pickups (tidepool color). I'm glad Fender re-issued this. I'm even happier I bought it.J
A lot of potential here. Guitar came in setup well, beautiful desert sand and sounding great. It's unfortunate that only a year later their are so many electronics issues with it. Any potential buyer should read up on the well known toggle switch problems this model is prone to. As well as experiencing the aforementioned issue, the rest of the electronics on mine are failing a year in. The once surprisingly beautiful sounding pickups on this guitar have become anemic and noisy. I understand we can't expect perfection. Out of the box I was thrilled with the guitar at this price point, however having to gut the electronics out of this guitar less than a year later is not ideal. I think most of us have seen some squire's electronics hold up longer. In conclusion, you're getting a wonderful guitar for the price point, but be prepared to invest in maintenance early. Personally, there aren't any local shops around that specialize in this sort of thing in my area. Outside of the cost factor, the time factor is something to consider if you find yourself in a similar situation. The positive I can take out of this is that after it's serviced, I'm motivated to purchase a soldering iron and learn a new skill! 3/5FM
I'll be honest, I'm not too thrilled with Fender's pricing these days. Back in 2016, around the time they brought out a Mexi Duo Sonic, it was merely five hundred. Now, we're at seven hundred in such a short time? The Duo Sonic is an ok guitar, but only if you get it for under four hundred, and that's in excellent condition. Do yourself a favor and look for one used, I understand why a Strat or a Tele would be priced higher (using increasingly higher quality pickups), but there's nothing spectacularly different about a Duo Sonic made today and one made in 2016.R
14. Fender Super-Sonic 22 22w 1×12 Tube Guitar Combo Amp Black 194744740817
Product Details:
For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the fender super-sonic 22 amp offers 22 watts of guitar power, for punishing distorted sound with more dedicated tone and bass frequency. with two channels and a handful of stellar tubes, your guitar tone will instantly be taken to new heights of sound barrier-shaking guitar tone. the fender super-sonic 22 delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel on the tube amp delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the fender super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both fender amp versions include ivory "radio" knobs and flowing 1960s script logo. the fender super-sonic 22 guitar amp delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both versions include ivory "radio" knobs and flowing 1960s script logo. – this 1×12 was designed for the most discerning guitarist, looking to embrace a mixture of modern high-gain mayhem, or classic fender cleans. this amp will become your favorite new fast ride. check the drop-down menu to the right to select colors and/or other options. – deluxe reverb power platform,vintage channel contains pre-gain tone controls and two switchable voices – burn channel contains dual gain controls and post-gain eqfender long-spring reverb by accutronics – ivory "radio" knobs4-button footswitch for channel, fat, reverb, effects loop. – amp type: tube – output: 22 watts, 8 ohms – speaker: 12", 50 watt fender "lightning bolt" speaker by eminence – channels: 2 (vintage and burn)controls: vintage channel: volume, treble, bass, voicing switch (normal/fat). burn channel: gain 1, gain 2, treble, bass, middle, volume, master reverb – effects spring reverb – covering: black textured vinyl
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
15. Fender Super-Sonic 22 22w 1×12 Tube Guitar Combo Amp Blonde 194744669651
Product Details:
For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the fender super-sonic 22 amp offers 22 watts of guitar power, for punishing distorted sound with more dedicated tone and bass frequency. with two channels and a handful of stellar tubes, your guitar tone will instantly be taken to new heights of sound barrier-shaking guitar tone. the fender super-sonic 22 delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel on the tube amp delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the fender super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both fender amp versions include ivory "radio" knobs and flowing 1960s script logo. the fender super-sonic 22 guitar amp delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both versions include ivory "radio" knobs and flowing 1960s script logo. – this 1×12 was designed for the most discerning guitarist, looking to embrace a mixture of modern high-gain mayhem, or classic fender cleans. this amp will become your favorite new fast ride. check the drop-down menu to the right to select colors and/or other options. – deluxe reverb power platform,vintage channel contains pre-gain tone controls and two switchable voices – burn channel contains dual gain controls and post-gain eqfender long-spring reverb by accutronics – ivory "radio" knobs4-button footswitch for channel, fat, reverb, effects loop. – amp type: tube – output: 22 watts, 8 ohms – speaker: 12", 50 watt fender "lightning bolt" speaker by eminence – channels: 2 (vintage and burn)controls: vintage channel: volume, treble, bass, voicing switch (normal/fat). burn channel: gain 1, gain 2, treble, bass, middle, volume, master reverb – effects spring reverb – covering: black textured vinyl
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
16. Fender Super-Sonic 22 22w 1×12 Tube Guitar Combo Amp Blonde 194744711930
Product Details:
For all the lovers of that notorious fender tube-driven sound, the company rolls out the super-sonic 22 22w 1×12 tube combo, pushing your guitar tone into meaty guitar-shred heaven. the fender super-sonic 22 amp offers 22 watts of guitar power, for punishing distorted sound with more dedicated tone and bass frequency. with two channels and a handful of stellar tubes, your guitar tone will instantly be taken to new heights of sound barrier-shaking guitar tone. the fender super-sonic 22 delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel on the tube amp delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the fender super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both fender amp versions include ivory "radio" knobs and flowing 1960s script logo. the fender super-sonic 22 guitar amp delivers this versatility with the organic feel and moderate output power of the legendary deluxe reverb amp, perfect for most stage and studio applications. the vintage channel delivers pure, unmistakable fender tone, and the awesome burn channel ignites musical inspiration with overdrive flavors ranging from bluesy to flame-throwing. and while the super-sonic 22 is capable of heavily saturated tube distortion and sustain, it never masks the tonal character of your guitar. offered in classic black/silver or iconic 1961 blonde/oxblood cosmetic treatment; both versions include ivory "radio" knobs and flowing 1960s script logo. – this 1×12 was designed for the most discerning guitarist, looking to embrace a mixture of modern high-gain mayhem, or classic fender cleans. this amp will become your favorite new fast ride. check the drop-down menu to the right to select colors and/or other options. – deluxe reverb power platform,vintage channel contains pre-gain tone controls and two switchable voices – burn channel contains dual gain controls and post-gain eqfender long-spring reverb by accutronics – ivory "radio" knobs4-button footswitch for channel, fat, reverb, effects loop. – amp type: tube – output: 22 watts, 8 ohms – speaker: 12", 50 watt fender "lightning bolt" speaker by eminence – channels: 2 (vintage and burn)controls: vintage channel: volume, treble, bass, voicing switch (normal/fat). burn channel: gain 1, gain 2, treble, bass, middle, volume, master reverb – effects spring reverb – covering: black textured vinyl
Specifications:
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
17. Fender Super Sonic 60 60w
18. Fender Custom Shop '61 Stratocaster Heavy Relic Electric Guitar Super Faded Aged Sonic Blue Over 3-Color Sunburst
Product Details:
Metronome music is a authorized fender dealer and repair facility. this guitar has been opened and photographed. on this model, a two-piece select alder body wears a well-worn heavy relic lacquer finish, and the quartersawn maple neck has a 60s-style oval c profile, 9.5 -radius flat-lam rosewood fingerboard, and 21 jumbo (6100) frets for classic feel and gigantic bends.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | 2-piece Alder |
| Body finish | Nitrocellulose Lacquer |
| Neck shape | Vintage |
| Neck wood | Quartersawn Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Nitrocellulose lacquer |
| Radius | 9.5" |
| Fret size | Narrow-tall |
| Number of frets | 21 |
| Inlays | Clay Dot |
| Nut width/material | 1.65 in. (42 mm) Bone |
| Configuration | SSS |
| Neck | Hand-wound Custom Shop Single Coil |
| Middle | Hand-wound Custom Shop Single Coil |
| Bridge | Hand-wound Custom Shop Single Coil |
| Control layout | Master volume Individual tone |
| Pickup switch | 5-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | 6-point tremolo |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right handed |
| Country of Origin | United States |
Reviews:
My teacher set this up at practice and declared it one of the best Strats he has ever played and he owns 4. He loved the neck, pickups, tone. From a distance it looks OK but up close the finish appears to have been heated and put in a freezer. The finish fracture is worse up close with thousand of spider web, broken glass specs which could not be photographed. Sounds amazing but I prefer NOS.William
All right… First, I have to thank Brad at Musicians Friend for seeing this purchase thru, for me obtaining a true Time Machine. In 1958, I would have been 9 years old, but I was already listening to Rock and Roll music on the AM radio, here in the San Francisco Bay Area(KEWB). If my parents would have given me this guitar, I know I would still have it, and now I do. I'm not a big lead player, so, I'm content to be the rhythm guy in the band. Not a problem. This guitar is Aztec Gold, but the Custom Shop aged it to Perfection. When I hold it, and play thru my Bassman Re-Issue, my mind goes now where no other guitar in my Collection can take me. I've noticed that there aren't too many reviews on these high-end axes because maybe their minds are blown by how good they feel, or they're too busy jammin' to write a review. I don't know. But this I do know, these Relics, from 50-odd years ago, will get you thinkin' about what your life would have been like IF you had one in Grade School, and how your life would have changed. Just a note: Leo Fender started making the Esquire when I was born, so maybe I feel like I'm in a parallel universe with the solid body guitar in California. So, if you think you can afford one of these Relics, pick a year, and get one that you like from the looks, and I think you'll be on your way to a totally different place when you plug in…..Hope this helps.John out by the Golden Gate Brid
Guitar arrived quickly and double boxed as a guitar off this level should be. As I tuned it up I noticed that the bridge was pulling way up, like it was never tightened to where it should be for a playable set up. So I looked down the neck and saw that the low E side appears to have more relief than the high e side, such a let down.. The nut was cut just enough to hold strings. Due to that poorly cut nut, strings.were really far from first fret So even though I already wasn't going to keep it, I plugged it in and WoW! This strat has just enough glass in the highs and still has grunt with a little drive. I'm not sure how it does both, but despite how poorly it played, it sounds incredible! If the neck wasn't twisted and it had even a decent set up, I would keep this guitar forever.D
19. Fender Custom Shop 1960 Stratocaster, Journeyman Relic, Super Faded Aged Sonic Blue By Humbucker Music
Product Details:
Specifications:
| Body Finish | Nitrocellulose Lacquer |
| Neck Shape | Mid 60's Oval C |
| Radius | 9.5" |
| Frets | 21 |
| Fret Size | 6100 Jumbo |
| String Nut | Bone |
| Nut Width | 1.650" |
| Neck Plate | 4-Bolt Vintage-Style |
| Neck Finish | Tinted Nitrocellulose Lacquer |
| Fingerboard | AAA Flat Lam Rosewood |
| Inlays | Vintage Clay Dot |
| Pickups | Custom Shop Hand-Wound Texas Special |
| Bridge | 6 Saddle American Vintage Syncronized Tremolo |
| Tuners | Vintage-Style with Fender Logo |
| Pickguard | 3-Ply Mint Green |
| Neck Material | Quartersawn Maple |
Reviews:
Pro – Great sounding pickups, wouldn't change a thing. It is really easy to get all of vintage Strat sounds you want out of this. Pro – Really well made. Pro – The neck profile is a lot closer feeling to that era Strat then Fenders previous reissues of this guitar. Pro – It has the 5 way pickup switch as opposed to the three way that was on the original. Much better option. Pro/Con – (Con) Having to pull the neck off to adjust it is a drag. (Pro) To be fair it is like that on the originals and as such needs to be like that to be an accurate reproduction. Con – The setup out of the box was pretty bad. Not a problem, but if you don't do your own setups factor it in as an additional cost. Con – I could not get the stock tuners that came on it to stay in tune for long. I kept having to retune it. I replaced them with some vintage replica locking tuners (like the ones that come stock on the Vintera 50's modified) and it is now perfect. To be fair the tuners are meant to be replicas of the vintage ones so if you are used to guitars with higher end tuners this will through you off. Again just consider it an additional cost if it bugs you. With the locking tuners and a set up this guitar plays and sounds great. I would recommend it if you are looking for class Strat tones.Included pics of stock -vs- locking tuners, it does not really take much away from the look and makes the tuning much more stable. I would buy it again without hesitation.phez10
I’m no stranger to custom shop strats. No, it doesn’t have the nitro smell or the perfectly rolled edges, but this is one spectacular guitar. First impressions out of the box, it felt really nice in my hands, kind of similar to the deluxe Lone Star Strat I used to own, but the neck on this one is a lot more comfortable to me. I couldn’t find any flaws in the finish or the fretboard and frets. And best of all is how this guitar resonates, it’s deep and soulful when unplugged. Plugged in it sounds just like a strat should. I see no reason to change the pickups. The setup was a little off. A minor truss rod tweak and trem spring adjustment were all it really needed. I always put .10’a on anyway. The fret ends were nice and smooth and the fingerboard edges, while not “rolled,” felt rounded and smooth regardless. It really does feel like a high end USA made instrument. I was worried about the lighter brown colored Pau Ferro, but it really looks fantastic on this guitar. Also, the mint green pickguard is much greener than the photos and matches really well. Also the tint on the headstock and neck is perfect. It’s nice and dark but not too dark. It’s just right to make it look old and classy. The fretboard was very dry, though and a bit of oiling really brought out the grain and made it look a bit darker and much nicer. The ice blue is a nice color but it’s kind of weird. Almost looks green in certain lighting. The vintage frets are not for everyone but I absolutely love them. Also the radius is just fine, no fret-outs anywhere like everyone tries to tell you. I can see why most people would want the modified version if you’re a speed demon, but if you like a luxurious and smooth feel, you can’t go wrong with this one.Michael R.
I've played a lot of Stratocasters and this is the best vintage feeling guitar I have ever played. For being vintage I have no fretting out and the neck plays smooth and fast for me. I don't understand the complaints about this guitar, if your into a modern thin uncomfortable c shape and hum buckets or noiseless pick ups with jumbo frets that go out of intonation with hardly any wear than this isn't for you. If your looking for the absolute best bang for your buck that fender has ever produced than this guitar is for you. I've played American strats and deluxe and I don't like where my creative mind goes. You really get the authentic feel of what a Stratocaster is. Only recommendations I have as far as upgrading would be electronics. 65's would fit this guitar perfectly. But if your playing clean tones alot then the clean tones on this guitar are beautiful. Fender hit a deer spot here. I have 17 years of experience playing stratsEd
20. Fender Pawn Shop Super-Sonic Dark Gunmetal Flake
Product Details:
Maker: fender model: super-sonic condition: excellent description: here we have a 2012 fender pawn shop series super-sonic in dark gunmetal flake finish. this guitar is in excellent condition with the exception of one noticable chip in the finish of the body. this is highlighted in our photos. besides that the guitar is in fantastic condition and feels amazing! this is a very unique feeling/sounding/looking instrument. the original version was made in japan by squire in the 90s for only a short period of time. these guitars are a favorite of nick reinhart of the band tera melos. overall this guitar is in great condition, set up well, plays and sounds great, and is something more interesting and unique than your standard strat/tele etc. includes vibrato bar and new fender gig bag. series: pawn shop body material: alder body finish: polyester neck: maple, "c"-shape neck finish: urethane fingerboard: rosewood, 9.5" (24.1cm) radius frets: 22, medium jumbo scale length: 24" (61cm) nut…
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