Elvis Double Neck Guitar For Sale (2024 Update)

This Acoustic guitar feels amazing and the sound is crystal clear. I would definitely recommend this awesome guitar! Light weight and stays in tune for a long time.Morey X

best guitar I've ever had. takes time to adjust to the body style but after you have any other guitar than this style it feels insufficient. the strings are close to the fret which is great if you slide up an down between frets a lot, the strings are d'addario which are kinda cheaply, but they last long and are great after you break them in a bit. I prefer playing this guitar over any epiphone or whatever. might wanna get a hardshell case if travelling, probably find a bass case cheaper than the actually case which is kinda costly.Oxide

I owned and played one of these semi-pro for a decade back in the '80s because it was a hassle switching from 6 to 12 string guitars and always having to redial the amp for the different pickup outputs. The heavy mahogany body (and it IS heavy, especially neck-heavy, the reason for the 4 rating) produces crystalline sound with excellent articulation and sustain and the output between necks is well-balanced. The 1275 gave me the versatility and ease of switching (one switch) that I wanted and a sound I loved. My single-neck 12s have been Rics. The 1275 lacks the Ric "jangle" but that's a minor drawback. I also owned a Carvin koa doubleneck: decent 12 string half, totally useless 6 string, but it was well-balanced weight-wise. I played a BC Rich "Bich" doubleneck and the thing is an ergonomic nightmare and didn't sound nearly as good as the Gibson. I installed a belt hook on my strap for the 1275 keep the necks from falling down when I let go and it worked well. If you want a doubleneck, get the Gibson.Jerry

Got silver burst finish which is beautiful and rare. What a beast of an axe. This is a keeper. Epic look and feel. Very playable.RBC

the neck wasn't leveled the frets were sharp on the edges, the six string neck set up higher than the 12. the electronics were cheap and micro-phonic. either neck didn't seem to have a finish on them. even as a beginning guitar it wouldn't be good without a lot of work.harrisonguitars08

This guitar is very nice in appearance but the playability is a bit lacking. The tuning keys on the 12 string were stiff and binding. The volume knob for the 12 string had a wiring problem. when I would turn the volume up,(10) for the 12 string the 6 string volume would be down quite a bit. So when I switched to the 6 string I had to put the volume knob on 8 for the 12 string to get full volume for the 6. I keep all my volume knobs on 10 and adjust my overall volume from the amp. There's supposed to be separate volume knobs for this guitar but like I said there was some kinda wiring glitch. Other then this it was very nice and the sound was exceptional.merw.tom

I got this for a customer and the neck feels like a 2X4 ,not finished at all, like sand paper ,also the heal is cracked and was shimmied with a piece of plastic. View picturerpcmrsz

I owned and played one of these semi-pro for a decade back in the '80s because it was a hassle switching from 6 to 12 string guitars and always having to redial the amp for the different pickup outputs. The heavy mahogany body (and it IS heavy, especially neck-heavy, the reason for the 4 rating) produces crystalline sound with excellent articulation and sustain and the output between necks is well-balanced. The 1275 gave me the versatility and ease of switching (one switch) that I wanted and a sound I loved. My single-neck 12s have been Rics. The 1275 lacks the Ric "jangle" but that's a minor drawback. I also owned a Carvin koa doubleneck: decent 12 string half, totally useless 6 string, but it was well-balanced weight-wise. I played a BC Rich "Bich" doubleneck and the thing is an ergonomic nightmare and didn't sound nearly as good as the Gibson. I installed a belt hook on my strap for the 1275 keep the necks from falling down when I let go and it worked well. If you want a doubleneck, get the Gibson.Jerry

Got silver burst finish which is beautiful and rare. What a beast of an axe. This is a keeper. Epic look and feel. Very playable.RBC

Pickguard looks perloid in the picture and solid white is what I got. Upper neck has NO pickup selection. I know because I took it apart and all 3 upper pickups are wired directly to the output!! The knob in the middle, should be a blend pot that allows one to have one, both or adjust volume between the 2 necks. What the factory did was McGeyver a regular volume pot to try to do the same thing that kinda works, but not very well. 6 string neck on the on I recieved was very unstable! If you push one way or another, you can hear it go out of tune. 12 string neck is actually a little better, but the string break angle at the nut is ridiculous and pulls at the nut. I had to glue the nut in place (should have been done at the factory) to keep the strings in their proper place. Now I know at this price point for this type of guitar, you might have to put some work in, but some basic stuff should be ok from the jump and quality control sucks. I am a tinkerer and 40 year guitar player. So I know some things and know how to fix stuff. Good Luck if you get one of these that is playable out the box!!Rodd

This is one of the better double neck guitar as Ive bought for that price point, if not the best. Plays great and the neck is straight and true. I highly suggest it if youre in the market for a double neck guitar.timhi1572

The reason for four stars instead of 5 is because of the lack of having a fully accessible 2 octave reach to those upper frets, and particularly on the "lead" neck. (Epi really needs to fix that — just stretch that neck out there another 3-4 inches on the new model.) Otherwise … I've had this guitar about 4 years now (the white one). Everything except those upper frets are stellar — but that is a critical concern when reaching for certain leads. I do a one-man-band thing. About 1/3 of the night I'm needing the 12 string on rhythm parts, and about 2/3 of those songs require jumping to the 6 string for the lead parts. This one guitar has REALLY honed my playing skills. The material ranges the spectrum of genres (Bob Dylan to AC/DC to Styx to BOC & everything in between.) I played rhythm & sang behind dynamite lead players over the years, and never developed my own lead skills till starting the OMB thing, and having this doubleneck in particular. WOW. I'm a different guitarist (and singer) at this point. I knew that by using backing tracks, singing (even harmonies with a splitter), and doing such a range of styles (and often two guitar parts) would require either a '5 song per night' acoustic or a double neck for more flexibility. The 12 string aspect fills in things perfectly when you are the only guitar on stage. It's great for many of the "clean" songs on the list. I went with Epi over the Gibson for budget and an obvious "fear factor." (I can't imagine taking a $5k guitar into the average bar or coffee house to get stolen or banged up.) After years of playing it, I really doubt there is 10 cents difference in quality, which really surprized me. This is not the 'generic equivalent' of the Gibson. It is a precision instrument, right down to the feel of the frets (and I own and have played primarily Gibson all my life — a V-2, a standard V, a LP custom, a LP studio, and an SG). The 6 neck feels just like an SG — fast and tight. The 12 is just as great under my smaller fingers — yet another surprize. With a padded strap, it is tolerable through an entire set, and I only weigh 'a buck thirty-five soaking wet.' Many 2 neckers are back breakers. It's heavy — but not quite as bad as some of the guitar-shaped concrete blocks I have tried out. Also, I had to make my own customized stand for on stage. Pick up a standard one, get some angle iron and a pair of the wall mount guitar hangers, drill and tap the angle iron, mount the hangers adjusted to the neck spacing, then mount that bar to the head of the stand. Seemed the best option at the time, and it works. For sound, the original rig is/was a Digitech multi-effect unit on the floor into a 100w Marshall. The Digitech is a bit light on acoustic modeling, so I am about to make a change. By putting a dual 1/4" adapter on the existing output, I can split things into two chains. For the 12 string neck, I'll have that route into a more robust acoustic modeling floor FX unit (like the Boss AD-8), then into a Marshall AS100D acoustic amp. When I flip the switch to the lead neck, that will go to the existing rig (love the available options on the Digitech for that). So I'll be able to go from the bright rhythm parts of "Take it on the run" (REO Speedwagon) to the crunch leads, and back. There might be a bit more footwork involved, but with an OMB situation, I'm beyond noticing how much I play with gadgets under my feet. The point in having a 2 necker is flexibility. If that's what you want, and can live either without the upper few frets — or have longer fingers than I, then THIS is the guitar you probably want. (For the other 2/3 of the night, when I am on harder-edge material and absolutely require the end of the 2nd octave, I grab either my V or Strat. Either goes into the lead side of my FX chain, and that's that.) I strongly recommend looking at amplification as a first concern. If you can have two amps on stage — one for really tweaked-out 12 string dynamics and even acoustic modeling, and another for the hot side of the 6 string — DO IT that way. Just plan on it. You won't regret it. The heat of those lead pickups will have you crazy trying to balance one neck against the other on the volumes. Fact is, the lead neck on this guitar has the HOTTEST pickups of my entire collection (im guessing about a +15db boost). Period. It screams, and just loves the hard rock/metal. Without missing a beat, the quality of the 12 string side is absolutely higher than any acoustic I've ever owned. With modern FX units, and any skill at all — well, if I had to downsize to only one axe, this would be the one I'd keep. No doubt about it.Aaron-4M-5X

Alpine White is back! If you wanted one of these in something other than Heritage Cherry nows the time to buy one. Overall this is a well made Gibson EDS style double neck. With better pickup selection choices vs the Gibson. Three switches are better than two. I've got a Norlin era EDS 1275 ala Felder. And this compares favorably. Slightly lighter and seems more resonant. The resonence may be due to to the revised Page spec tail peice location. while it's personal preference I much prefer the ProBucker 2-3 over the Alnico Classic Pro pickups this ships with. Having a pair for some added punch on at least the 6 string side would be nice. Wheather your playing originals or covers, live or in the studio this is a fabulous way to add some 12 string girth, chime and jangle to your sound. If your doing covers in a band having one of these opens up a whole bunch of material. And playing it on a double neck is twice as much fun. I own this And a Gibson EDS. I highly recommend the Epiphone version. At the price point it's hard to beat and if you like the sound of a electric 12 string they are fun to play and add the sonic charactor only a 12 string brings.Scott from Cleveland

It seems every Epiphone guitar I've owned always has a few bugs to be worked out. However once they're fixed they're very nice guitars to play. This double neck was no exception as the 12 string neck cut out on me due to some wiring issues. Musicisnsfriend was very cool about the issue and sent me a replacement that's had no major issues so far. Given it's size you would think I guitar like this would be difficult to play both awkward and heavy. However I was pleasently surprised how comfortable the guitar felt. The guitar is actually a bit lighter than my Les Paul. Both necks are easy to access. Switching back and forth takes a bit of practice if your new to owning a double neck. This guitar features a three way switch to switch between the 12, the 6 or both at the same time. I find having both necks lowers the output of the pickups a bit. I prefer to switch between one or the other personally I seldom use them at the same time. In addition to the three between the necks, each neck gets it's own 3 way tone. There are two volume and two tone knobs that control both necks as well. As states earlier the necks are very nice to play. I find the action very comparible to a Les Paul. The pickups are very well balanced providing enough output for great lead from a good crunch up to a high gain metal. But the pickups aren't too hot to give it very clean tone when needed as well. As with the neck the tone also is very comparible to that of a Les Paul. I've not played many 12 string guitars prior to buying this one, so it's difficult to compare the top neck to another. It plays very nice. The action was just right out of the box with no setup needed. The only minor complaint I would make with this guitar is the access to the higher notes on 19th fret and on. Each neck only features a 20 fret neck which limits you a bit if you play lead using higher notes. The sg body doesn't have as deeper of a cut away body as some guitars so access to the 19th and 20th fret can be hardZack

I'd been in the market for a new acoustic for a while but never really knew which one to go for. Luckily, PMT in Birmingham has a fantastic range of acoustics and their super helpful staff were extremely patient with me as I tried about a dozen different models, including various Taylors and Martins. For some reason, I had always thought that Taylor and Martin guitars would be the cream of the crop when it came to acoustics and, as such, had never considered Gibsons even though I own several Gibson electrics. However, the second I started playing the Gibson SJ200, it was obvious that this was the one. A really comfortable neck, a gloriously balanced sound that you can 'feel' wash through you when you play, great responsiveness to the attack of your pick… I could go on. Whilst it might be a strange thing to say, whilst it does have a great pickup in it, it feels more like a traditional acoustic guitar than any of the others that I played. Whatever your style – fingerpicking through to power chord rock – this one does it all. Granted, it ain't cheap. However, if you're only ever going to buy one acoustic to keep forever, I would heartily recommend trying a Gibson Montana SJ200. If it's good enough for the likes of Bob Dylan, George Harrison and Pete Townsend, then it's good enough for me!David C.

I use this guitar in regular performances in my group, the Ramblin' Rangers. It complements the rest of my Gibson guitars with its full sound and ease of playing.Ranger Brad