Best Electric Guitar For Metal (2024 Update)

Do not buy without seeing/playing. I waited 6 months for this to arrive and was SO looking forward to it. The finish is absolutely beautiful, which makes the rest of the story that much more depressing. The tremolo, specifically the D-Tuna, does not fit the cavity. It hits the body when in regular E tuning. When I first picked it up, it wasn't surprising that it wasn't exactly tuned after shipping, though it was actually close. However the sixth string was tuned to E, with the D-Tuna disengaged (so should have been a D). I thought that was an odd mistake, but realized after trying to engage the D-Tuna into regular E position that whoever did the final setup did that on purpose because it won't go into E position without totally colliding with the body! Oh and the bridge pickup is totally loose and wobbling. That can probably just be tightened, but please… This is the second EVH Wolgang USA I've seen since Eddie's death that has had major, similar problems. The other's bridge pickup worked intermittently, and again the D-Tuna was hitting the body. It would be one thing if this was a cheap, import guitar. But at this price, these issues are unacceptable. So again, hold and examine the guitar yourself before buying.Joel D

Just bought this guitar and could not be more satisfied. To put my review in context: been playing 30 years, have had over 50 guitars and currently hold onto about 20- most are the high end USA models with "bells and whistles." I just read the book "Eruption" written by guitar magazine journalists and loved it- described Ed's constant tinkering with his guitars and search for best tones. Half way through I knew I wanted to go get an EVH model to add to my guitars (played a few over the years and they were all great, but very expensive Music Man Axis / Peavey), and wanted to wait until I finished the book to narrow down my search and go try out a new one to buy. Glad I did- toward the end of the book he explained how this model guitar is exactly what he wants to play right off the shelf as an entry level model a great gift to guitarists wanting an affordable guitar that isnt junk. I bought it and after about an hour playing with it as my guitar tuned down to Eb half a step- it is now my #1 guitar for that tuning (also for context my #1 for standard tuning is a Shur super strat which costs like 6x this Wolfgang). In response to some other lower reviews- yes, this is not equipped with a Floyd Rose floating bridge, just as Ed played- he sites the reason as Pros= better tone and you can rest your hand a little on the bridge without playing out of tune. Yes, the cons include not being able to pull up a note to really high pitch with the bar. right off the shelf it was set up with IMHO the best gauge string for his type of playing and a guitar tuned down half a step- 09-46 gauge. The 6 page manual with the guitar was really cool- a note from Ed was in it about how he wants folks to play the guitar and make it their own with literally their playing, grit and grease from hand oil actually being the wood finishing on the unfinished wood. The neck and fretboard are very sturdy, with jumbo frets and the latest technology in manufacturing to ensure each note can be fretted and in remain in tune / bend smoothly. All electronics are top notch- great humbucker pickups picked by Ed after a trial of about 100 different different pickups during the design phase. Tuners and Floyd Rose Special bridge were standard- I may upgrade them in a few months after breaking in the guitar. This is the only guitar review I have ever done- just trying to get some good karma I guess from this treasure I found and pass on the scoop on this guitar to others. Hope this helps- buy this! The perfect guitar to make yours just as it is, or customize/tinker around with it since it is affordable and there is much less stress of messing something up. IMHO if this guitar gets its due in the upcoming years it is our generation's Les Paul.Kevin

This guitar looks brilliant. The satin blue finish is exceptionally svelte. It's a decent guitar from a playing standpoint, but is more suited for the intermediate player getting their first upgrade to a more pro-like guitar. Particular people (like myself) will be disheartened by its poor quality binding that has obvious flaws where it meets the guitar body below the top wood. This wouldn't bother me half as much if the flaws were in places I couldn't see while playing, or if there were less of them. This flaw continues throughout the whole guitar – neck, headstock, and body. Mine was supposed to be a brand new guitar, but came pre-blemished – or pre-played. It has what appears to be pick scrapes on the body below the pickups (where this type of damage is usually found). There is also a mystery substance located behind the bridge in tiny little spots. (Consistent with a sneeze spray). Above the pickups, in approximately the same place your picking hand rests, there is a wide blemish that looks like it happened post-factory. The sound is what you'd expect, the active pickups do sterilize the tone as usual. I recommend upgrading to passive high-output humbuckers for a much warmer tone. The neck feels like a thinner Les Paul type neck. Plenty of resonance and sustain with the string-thru bridge and set-neck assembly. The neck is smooth, but not fast. This guitar's tone control may as well have been left off. Slight roll backs do nothing. And even when you go full sweep, the tone only slightly changes. I pull this guitar out of tune constantly as big wide bends are a part of my style. Locking tuners would be a HUGE upgrade, and will be one of my first mods, after the passive pups, and a coil-tap. It really is a beautiful instrument. But I feel a bit ripped off for paying "new" prices for "used" equipment.Dennis H.

This guitar plays and sounds great. I was looking for a guitar for a while, and played a ton of different brand and different price range guitars for a few months, and I kept coming back to this one. This guitar plays as good if not better as many guitars priced much higher that I played. I am very happy with the purchase. There are a couple very minor blems in the binding, but something you wouldnt notice if you didnt look very close. I think the EMG pickups sound great not only with high gain, but also with clean tones. The neck pickup (85) has a great chimey sound with cleans in particular. All and all very happy with the guitar.Scott

Songs that were difficult for me on cheaper guitars play great on this. Love the action and responsiveness. Your fingers can dance across the fretboard effortlessly. The active EMG 85/81 pickups pair well with the mahogany body so far. Any weird tones were due to me playing around and experimenting with my Katana amp settings rather than the guitar. It came new and ready to play with minor tuning-the intonation, truss, etc were all dialed in. The finish is beautiful and smooth, the frets were in perfect shape as well.JS

Owned this guitar since December last year and can say it is my new favorite. This guitar is a little on the heavy side, just compared to others I own. I'm a big guy and like more weight. This guitar is extremely comfortable to play, great neck and nice fretwork. The guitar came from the factory with a setup, which I thought was nice. As always, American Musical was great to purchase from.BigbassChris

This thing far surpassed my expectations for the price, the guitar is extremely resonant, and the pickups are actually really good… I put it through my EVH 5150 III 50 watt and it sounds exactly like Gojira. Fret edges are rolled smooth, and the guitar feels great, very low action too. Only issue was the frets are a little scratchy when doing bends, and the volume pot is low quality, when rolled off it sounds thin, easy fix though, just steel wool the frets and replace the volume pot, then all good! This guitar is insane value for the price, I am beyond impressed… I highly recommend this if you are a Gojira fan, you will not be dissapointed.Isa

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64

This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David

Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd

I'm a collector and player of the unique and unusual of the big brand and some off brand stuff. Never been a huge Gibby fan, even though in a classic rock guy. The flying v crescent moon is wonderful though, and has a vibe and feel all its own. When you think that legends from Hendrix to king played them, and had a style all they're own, the V just has its own place in the guitar world. I swapped the hot ceramic Gibby pups for some Seymour Duncan's with chrome covers, as I wanted a more dressed look and blues warmth from this lightweight but oh so solid beast. I did the graphitec saddles as well, again for a warm vibe. The result is amazing, period. I'll put her against anything from anybody in tone, weight, style, playability and feel. Even before the mods, still best of the best. All welds perfect, fret work perfect, finish accomplished the look of a vintage road warrior. Nickle hardware, true Ebony fretboard, feels like one gorgeous piece of mahogany in your arms as the neck and body are so perfectly set together.golfn64

This guitar sounds so good, it's hard to say if it's the wood or pickups. Who cares? It sounds good. Good tone and sustain. I look forward to playing it. Tuning is easy, playing it is comfortable. It has the original good looks that the Flying V was made with. I have heard people with Gibsons say that they with the knobs were like on my V. They also liked the placement of the jack. Which, I want to say, are 2 solid reasons I wanted this guitar. The Through-the=body stop and the jack at the end of the wing tip. Very nice.David

Gibson Flying V. Antique natural. Low action and great playability from factory. Awesome fretboard even though multiple tool marks around fret ends. Good access. Pickups sound good clean and can get hot enough for metal with a boost. Nice grain in wood. Couple small sand marks under nitro. Neck feels great. Giving it 4 stars for cosmetic issues but played so well did not send it back or even pursue price reduction. Case is very nice. AMS great as always. Killer payment plans and fast shipping.Todd

Sound: The stock pickups sound great especially with high gain. Nice crunch and break up. Features: For me the reason that I bought this model is that it is the least expensive way to get a real Edge tremolo. I can do subtle things with the Edge that I can’t do on an Original Floyd Rose. The bar is easier to position and it stays where ever you put it. As long as the torsion bushings on the bar aren’t worn out, the pop in bar is neither too tight or too sloppy. Value: This guitar is worth every penny. Manufacturer Support: I did not use Ibanez customer service and I did order half a dozen sets of torsion bushings, but had to order them from different places. The Wow Factor: I love the color of this one, Desert Sun Yellow. Overall: In the last 2 months I’ve bought 5 different Ibanez guitars, both lower and higher price. I must say that this guitar is the most bang for the buck out of any of my 21 guitars that I own.Got more than 200 bucks off on mine as it was sold as a slight blemish. When the guitar arrived, I noticed it did have a hairline crack in the paint on the bass side at the neck pocket. That was the only flaw I could find and it probably would have happened anyway if I would have got a “new” one.This is the shreddiest guitar that I have. The only thing that I had to address is that the 6th fret was a little proud. Other than that the fret job was good. All the frets were shiny and smooth and no fret sprout.This is the guitar that is at the price point where if you spend more money, you aren’t going to get much better. And the fit and finish were top notch.Scott

Overall: This guitar was a total impulse buy and I’m so glad I bought it! It’s easily worth twice the price of it. Can’t get too many mid tier guitars that are neck thru with decent pickups and a 5-way switch that has a fast and slim neck at this price. I mostly play baritone 6 strings and 7 strings but I needed a 25.5” scale for drop C and this is perfect for it with 10-54 strings. I did upgrade the nut with a Graphtech tusq nut and Hipshot locking tuners with knurled tuner buttons and looks even more badass while staying in perfect tune! I have an Ibanez rgib6 Iron Label 28” baritone and this is up there with that as far as quality and playability. The stock pickups aren’t bad at all and definitely surprised me cuz that’s usually the first thing I’ll change in an inexpensive guitar. As you can see by the other reviews people say it’s a great guitar and they’re not lying so if you’re on the fence about getting it then go for it! You won’t be disappointed at all and if for some reason you are then zZounds has a return policy within like 30-45 days so you won’t be stuck with a guitar you don’t love.Josh

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

I had played one of these in a store and liked the feel. After having one for a few weeks, I like it even more. I'm slightly taller than the average guy. Hence my fingers are a bit longer than the average guy. Maybe it is just because the neck seems to get thinner as you get up to the higher notes, but it seems like the neck is a little wider than the rest of my guitars up around the 15th to 24th frets. ("rest of my guitars" include Les Paul, Strat, Ibanez RG550, EVH Wolfgang, and others for reference). Aside from how great the paint job LOOKS, it does not have a gloss coat on it. This is a good thing since the paint job extends up the back of the neck allowing your hand to slide quite freely on the back of the neck. The bridge humbucker is fantastic. It screams the notes clearly with ZERO noise or hum when not playing. I'm not that impressed with the neck humbucker, but that's comparing it to the neck hum on my Les Paul, Carvin, and PRS Custom. AND, for about 90% of the 80s hair band songs you are never using that pickup anyway. The Floyd Rose is great! I got tired of waiting for it to need minor tuning adjustments naturally, so I'm to the point of TRYING to make it go out of tune even slightly and it STILL stays locked in tune. Overall, this guitar is now my GO TO for anything 80s (the biggest chunk of my playing preference).Steve

I was keen to find a 6 string that had a fixed bridge that I could use for covers and so I can retune to alternate tunings easily without having to get the screwdrivers and spending a lot of time retuning like a Locking Tremolo guitar. Thankfully the guitar already had Seymour Duncan pick ups in which are essential to having a aggressive tone but as well allow good expression so this meant it would be a case of getting the guitar out the box and playing rather than buying separate pick ups having to fit them in and so on. As I wanted a guitar that wasn't black or brightly colored the desert sand finish on the guitar really stood out and attracted me. Most of the SLP2's have a great selection of finish's. As for the neck and wood finish it is very smoothly and allows you to get quick access from from end of the neck to the other. Behind each the tuners on the headstock, there is this interesting circular turning device to help lock in the strings. This may help keep it in tune more but I also just attribute it staying in tune due to the general quality of the guitar. I bend the strings a lot for my lead playing and I play very aggressively with thick picks and rhythmically so once I put some heavier strings on (my preference) and configured the bridge saddles with a very small L shaped Allen/hex key the guitar stayed in tune.Tom H.

This is the first Acoustic/electric that I have owned that I actually love playing. The action is great even with the large gauge acoustic strings on it. Comes with a very nice gig-bag/case. I love the way the neck and back of the guitar looks. I also love the Strat 5-way switch that selects the degree and type of acoustic sound. The only downside with this guitar is the cover that serves as a cover for the electronics and pick guard. It looks cheap, more like a decal than a cover. I think Fender can do better on this detail for the price of the guitar. However, if you can get past that then it is a fine playing and sounding guitar. I have owned several Acoustic and Acoustic/Electric guitars. The action on even high-priced acoustics was so terrible I just ended up selling them. I also do not like the large back ends of most acoustic and acoustic electric guitars, but this guitar is small and easy to play. I would give it an A-.Bill

The research I did on trying to learn more about this instrument via general internet, YouTube, assorted standard Music Company's like Sam Ash; Sweetwater; Guitar Center; Alamo; and other assorted Music Guitar critics provided a good array of opinions and product test results that produced a positive majority with impressive perspectives for the instrument I purchased. The Fender American Acoustasonic Stratocaster Acoustic-Electric Guitar Cocobolo I purchased from Sam Ash was not a disappointment. Aside from the 10 different options of Guitar unique sounds it provides from Acoustic and Electric mixes. The one-of-a-kind Cocobolo wood identifies a further fingerprint in supporting its own private one-of-a-kind signature sound with relationship to the Cocobolo wood unique to it alone. That just blows me away with how special the sound of specialty signature sound it produces with the ten different built in technical sounds the Fender Guitar company developed with this special edition. I feel overwhelmed in learning to continue how to play this guitar. It allows me so many more possibilities with playing soft country to hard rock a really strong guitar enjoyment experience.Guitar Enthusiast

Overall, I am very happy with this guitar. It exudes classic Fender looks and tone. The quality and craftsmanship are decent for the price point. I have a US Tele and, after putting some TLC into this player strat, it feels and plays almost as good as the Tele. I would give it five stars if it were not for fretwork that was needed. Body – The finish and surf pearl color are gorgeous. The wood grain is barely visible (raised) so I would not say the finish is flawless, but the grain is very subtle and adds character in my opinion. The routed cavities for the electronics (top) and the tremolo springs (back) are precisely cut and clean. The electronics cavity was even finished with black paint. Neck – The finish and appearance are great. However, all 22 frets had sprouted; some as much as 1/32". I can't say this is a craftsmanship issue as the frets were probably fine when it was assembled. It must have been a very high humidity environment, though. Nevertheless, after painstakingly filing and redressing all 44 fret ends it feels good. The frets themselves were well seated and leveled. The 3rd and 11th frets were a few thousands of an inch high, but not enough to cause any buzzing issues. The frets were well rounded and polished. Hardware – The tuners are just okay. One of them feels a little rough turning, and they seem to have a low turning ratio making it very touchy to dial in perfect pitch. The 2-point fulcrum tremolo bridge seems like a better design than the traditional (six screw) bridges, but I did not test it. I prefer to block them for more stable tuning, which worked great with this bridge. I have upgraded electronics I had planned to install in this guitar, but the stock pickups aren't bad. They are very quiet and have good tone – there is no rush to replace them. Setup was a breeze. Truss rod adjustment was smooth, nut slots were to spec, and intonation was perfect. The action needed adjustment since I blocked the tremolo, but that was easy.Dave S.

I bought this guitar as a mod platform. As such, some of its stock faults, while present, simply don't matter. Top to bottom: Tuners suck, swapped them within hours. Nut is plastic, will replace with my first GraphTech nut. Neck is very thin, very nice. Frets are a mixed bag, as they may need very little leveling or polishing, but the fret ends are the sharpest I've ever seen! Pickups sound surprisingly good, though I'm only barely tempted to keep them. Bridge is maybe okay, swapped it first thing. I should mention that the stock bridge was decked. This is no problem with an old campaigner like me, but a beginner would have frustrating problems with it. This is my first guitar with a conical ("compound") fretboard radius! Never knew it could feel this good! If you're buying one for a rank beginner, either set aside money for a good setup or find your newb some good lessons in maintenance on YouTube.Edwin

Great guitar for under $200 , got this for reduced price because of very faint blemish on the back of the body. This is my second Jackson , also have the Rhoads JS32 V. Been wanting this one for a while , it sounds and plays great. The tuners are fine and I lowered the action to my liking and have no fret buzz , none on my other Jackson either. These are solid guitars and build is great for the price , they're comfortable to play especially with the thin necks. They come pretty well set-up right out of the box unlike others in the same price range , the JS22 is right up there with some of my more expensive guitars , great tone and sustain. I play for a hobby and have several guitars and this is up there with my Schecter and Ibanez , this is a great guitar for a beginner or experienced player and also a nice addition to your collection. I've bought other guitars in this price range that were a mess and needed a complete set-up , for the price you can't go wrong with Jackson!Mike G.

Overall: This guitar is a real sleeper. The neck is just so nice to play really amazing and it balances really well. I have two of them when I get them I just rip out the electronics and put all new stuff. They play great out of the box though and you could use to pick up some electronics that are in them until you decide to get better stuff. The fundamentals of the guitar are almost perfect something about the angled headstock make it so the strings have just the right amount of tension on them and it plays great. The downside of this is that it doesn't come back into tune as well as a strat style headstock but since I don't use the tremolo much or even at all sometimes this doesn't bother me. I love the caramelized Maple neck it has a great feel to it the other one I have is rosewood and it's also awesome.John

Sound: A sign of a good electric guitar is how well it sounds unplugged. This 1000BV is loud, full, and sustains very well before it's even plugged in. I bought the 1000BV with EMG pickups. Most people associate EMG with metal, and yes it goes a long way in that genre but they are equally adept and great sounding for blues, jazz, rock, and clean tones. I am very happy with the tonal versatility of this guitar. Cleans are clear and full, heavy drive has the chunk you want, and in between they just growl like they should. Features: I appreciate the locking tuners and Tone Pros bridge. The tuners are ESP branded but are smooth and seem to stay in tune quite well. The TOM bridge was easy to adjust and lock back into place.Active pickups are a matter of taste. I chose EMG because I like the sound they give, and I already have another guitar with the Duncan JB's. Ease of Use: The guitar came out of the box set up perfectly to ESP specs. Having said that, ESP thinks low action is 2mm at the 12th fret for low E, and 1.5mm on the high. This is way too high for my tastes. Adjusting the truss rod, string height, and intonation was a breeze. In a world filled with Floyd Rose, you lose appreciation for how easy a TOM bridge is to work with!The neck is definitely thinner than a Les Paul, but not super thin like a Jackson or Ibanez neck. It is similar to the PRS Wide Thin carve. Very playable if shredding or legato is your thing, and equally comfortable with the thumb over style. The neck finish is matte and feels as smooth as an unpainted neck. Moving up and down the fretboard is comfortable and easy. Quality: The quality of this instrument is superb. I have gone over it with a fine tooth comb and cannot find even the slightest imperfection in fit and finish. If you were to hand this to me blindfolded, I would easily believe it to be a guitar costing twice the price. It was that good. Fret work was spectacular and on par with my American PRS CE-24. Rolled off edges, no burrs or sprouts, smooth all the way up and down the neck. Value: This guitar is a tremendous value. For a list price of $899 you get every penny worth and more. I would put this up against any American made instrument costing 2 or 3 times more. High quality name brand components installed on a beautifully constructed instrument are what this guitar is about. Manufacturer Support: I have not had to deal with ESP directly yet, but they did suspend my account from their support forum for no known reason lol That's why everyone has more than one email right 🙂 The Wow Factor: It's an unassuming looking guitar that would fit on stage playing metal or smooth jazz. It sounds amazing clean or dirty and is a great alternative for someone who loves the traditional look of a single cutaway guitar but desires a more playable neck and less heft. Overall: I had been eyeing this guitar for quite awhile. I admit that when I found out production of the 1000 series moved from Korea to Indonesia I was very disappointed. The internet is full of horror stories about instrument quality dropping after models start getting produced in different countries, especially after having a great reputation for quality at the previous factory. I wavered back and forth and had second thoughts even after ordering. Thankfully zZounds has a great return policy so I took a chance.I AM SO GLAD I DID!!!!!!!If you are looking for a solid body single cut guitar you HAVE to give the EC-1000 a look. For half the money of most other domestic single cutaways you get a great playing and great looking guitar that is just a joy to play. Build quality is absolutely top notch and on par with or better than some of the best domestic instruments I've owned over 4 decades of playing.Allan

Where do I start? I love everything about this guitar and it is my favorite that I own. If you’re looking for something that sounds very sweet and beautiful clean, this is not the guitar for you. That’s not to say that you can clean it up a bit with maybe some stereo chorus reverb or delay but as this guitar stands on its own, it truly suits one purpose for me , it is true metal madness euphoria. Not only do the pick up scream but this guitar is not only beautiful but constructed perfectly. It is the best most comfortable neck I’ve ever played and it is rocksolid!!! The satin finish on the back of the neck makes it effortless to slide up and down. I’m typically not a fan of gold on guitars but with the black matte finish it actually is pretty sharp and not too Goddy in my opinion. I am mediately replace the strings on this guitar with some nice thick ones for drop C tuning. Even with the 24.75 scale it Plays drop tuning nicely without string floppige. As long as you have the right strings on this exit is no problem. This current model has the EMG pick ups. I am seriously considering getting another EC 1000 with the Pegasus sentiment pick up combo. It’s a little heavier than I thought it would be but in a good way. This guitar is perfectly balanced and the body is definitely thinner than a Les Paul. That’s one thing I didn’t like about Les Pauls is it was thick bulky heavy and a baseball bat neck. I honestly couldn’t be more pleased with this guitar. Love the EC 1000 and the great service I always get at American musical supply. I’ll be honest, i’ve went through about half a dozen brand new guitars and returned every single one of them except for this one. I believe I am pickier than most, if I spend $1000 on a guitar I want to fall in love with it and not settle. If you like playing James Taylor and Crosby stills and Nash I suggest you look elsewhere. If you want to rip some faces off get this guitar!!!!Brett m

I bought this LTD EC-1000 after playing it at the shop for over an hour. This guitar delivers in spades the metal tone I was looking for. (I tried against Duncan Seymour version) With the right setup, it will CHUG! The chugs that is produced is so satisfying and inspirational to downstroke riffs like Papa Het for hours. Action is set at 2mm low E and 1.5mm at high E. A bit higher than I am used to but easy to get used to. This guitar is a beauty and plays and sounds great! You can't go wrong!Kalyan R.

Overall: I read some of these negative reviews and can't understand what they're talking about. This guitar is probably the best guitar for $200 I ever played , right out of the box it was setup perfectly. All I did was tune it , I've even got the same strings it came with. Which I normally change whenever I get a new guitar. The tuners are unbelievably tight , this guitar barely goes out of tune even if it has been sitting for weeks. Also I never attached the whammy bar , so I can't speak on that throwing it out of tune. Since I have over a dozen guitars I don't usually play it daily , but when I do it always makes me glad I purchased it. This is a very versatile guitar , I play mostly metal and this thing shreds. But I also play blues and it sounds just as good as my custom strat. I bought an Epiphone SG special in the same price range and let's just say the setup is night and day , the tuners absolutely sucked , "already replaced them" and the intonation was off. It was a mess , I've already put it on Craig's list and bought a G400 Pro instead , 10x better quality and setup , but I digress. I've got many high priced guitars but always go back to the GRX , the playability and neck feels so comfortable to play. The only thing I'm going to do eventually is throw in a Seymour Duncan humbucker and I'm definitely keeping this guitar. I don't know how Ibanez can sell this for $200 and keep the quality , but I'm certainly not going to complain. Whether you're a beginner or experienced this guitar delivers. Definitely will be purchasing another Ibanez down the road.Mike

Sound: Does not have the cleanest sound due to the picks. Putting the right pedals and effects in line and cranking up the distortion makes it an awesome beginner / intermediate metal guitar. Features: For the price the materials feel great. Ease of Use: It sounds great on my Fender Champion 20 or Positive Grid Spark amp. Not the cleanest tone but a great metal sound and extremely easy to play. Quality: It feels made well, especially in the $200 range. I feel like this is one I'll have for years and once I get better definitely see this is a good platform for future mods. Value: This guitar is excellent value and at this price an amazing guitar. Manufacturer Support: I have not dealt with Ibanez. The Wow Factor: I must admit the aesthetic. It's extremely hard to find good looking purple color-based guitars. If I could dream up what I want a guitar to look like this is it. It helps that its quality is awesome. Overall: I love this guitar. Purple is my favorite color and a hard one to find good guitars in. It looks great. It feels great and I have yet to find any significant issues with it. No problems with the frets or fret buzz. Action is easy and low. It sounds great with my Positive Grid Spark amp. The pickups sound great. The HSH setup is very versatile. Not the greatest with clean tones like my Stratocaster, but amazing with the right effects.Josh

There is plenty to like about this guitar, and I got it for the features I was looking for: locking tremelo, 24 frets, fast neck, 5 way pickup selector, and nice looks. My first impressions of the guitar was slight disappointment with how sloppy Ibanez was. The tops and bottoms of the frets needed to be beveled as they were pretty sharp, there was a noticeable nick on the fretboard, and there was a black smudge on the back of the neck. None of those was a huge deal. The main two issues I have with the guitar are that the middle pickup, the single coil, has such low output that the middle three positions are much quieter than the neck or bridge pickups alone. I do like the tone of the single coil in conjunction with the humbuckers, but those positions are somewhat useless considering how quiet they are, and I have ordered a humbucker to replace it. The single coil alone (middle position) has too much noise AND is too quiet. Not a big deal to replace a pickup, but why they are selling it this way, I'm not sure. The second issue is the volume control. Instead of a gradual swell, there is a sharp dropoff in volume at one point in the rotation of the dial, making it pretty much useless other than having it full on or all the way off. I am not sure if that is fixable, but if it is, I'll need to have that done as well. All that said, if the guitar had not arrived in such sloppy condition and the two problems were resolved, I'd give this guitar 5 stars.hickory spork

The Ibanez RG 450 or any of the RG's are with the exception of the factory p/u and electronic. capable of becoming one of the best performance guitars to own. The base Ibanez Floyd Rose system is fiddley but, after learning how to adjust/tune quickly becomes appreciated for holding tune no matter the severity of attacks you use with the tremolo. The Wizard(ll or lll ?) You would need to go to custom built to exceed the easy play and comfortable frets you will find on and RG. This recent RG450 I upgraded to equal the higher priced models by adding the De Marzio Tone Zone (B), Air Norton (N). And instead of going with the True Velvet. Added the Seymour Duncan Vintage Hot Stack for the middle position and added better electrics to even out the upgrades.. End result; This guitar plays and sound equal to guitars costing over $1,000.00!! Good bones! Yes this can be played well and many will find happiness with this as stock., and, will perform well against the competition dollar for dollar!ikeus

I used to own an '89 Ibanez VBK JEM that I regrettably sold to buy a gaming pc. I wanted to get a newer entry level RG so I could have a floyd,HSH superstrat in E standard. I've had this RG for long enough to know it's a keeper. This thing has the same feel and vibe of my old JEM! Minus the monkey grip and other features obviously. The neck feels fantastic and I only had to do very minor setup adjustments to my liking. I would have liked a rosewood or ebony fingerboard but of course this is the lower end model. The Jatoba feels good under the fingers, similar to rosewood but with a slightly lighter shade to it. Like most guitars you buy online mine came desperately needing some good oil and cleaning. The Jatoba fingerboard seems to require a bit more lubrication than rosewood. The neck binding is done well, not perfect but to a good standard. I do wish the trem was an Edge lo-pro… But again, this is the lower priced model. There is nothing wrong with the Edge tremolo, it stays in tune well with whammy bar abuse but it is one of the bulkier Original Floyd Rose style bridges. The stock Quantum pickups are among the best stock Ibanez pickups I've tried. They are hot but versatile. However I did swap them out with the classic Dimarzio Air Norton/Steves Special combo and a True Velvet middle. I do believe a higher end Ibanez will obviously sound better than this but for the price it really is hard to beat! Well done Ibanez and AMS!Nevin

Sound: I can get any sound I want just through the pickup selector, tbx and midrange boost controls, and the master volume takes it over the edge for extra crunch. Playing by myself I preferred the middle pickup, but in a band situation the neck pup cuts through brilliantly with lovely clean treble twang. This is a great guitar for biting blues or rock tones, or dial it back for a nice soft clean tone. I mostly play through a Blackstar TVP 60 or Marshall DSL40, but I keep both mostly clean where it's just starting to break up, which I can control by my attack. Features: The best feature for me is the playability of the neck. The satin finish combined with the low vintage frets is just super smooth. I played about a dozen different Strat models before finding the EC, and once I played it there was no other choice to make. The noiseless vintages pups are a breeze, and the controls do everything Fender claims. Ease of Use: The EC just fell to hand for me immediately, like no other guitar I'd played before or since. 'Nuff said. The pups allow me to keep tight control on feedback only when I want it. Quality: This is a pure quality instrument, and I love everything about it. Having said that, after 2 years there's quite a bit of fret wear from bending, so I'll need to refret with stainless steel wire for longer wear. The volume pot has started to get a bit dirty and noisy, so it needs a clean, even though I've only played in clean environments. Value: Worth it's weight in gold. I have not played another guitar that makes me want to buy it. Manufacturer Support: Haven't need manufacturer support, but in Australia I have Fender-registered luthiers. The Wow Factor: This is EC's guitar, as close as I'll ever get, which is a big selling point. But sheer playability, quality, and value for money, plus pride of ownership, make it simply the best. Overall: Just a fabulous, playable guitar, the best I've ever played.Peter

Arrived in great shape. So far, I love this guitar, and despite all the videos I watched and reviews I'd read, I was still amazed at the sheer number of tones you can get out of it. With the mid and treble boosts, you can really go from "typical strat" tones to get incredible sustain and hit the front of the amp quite hard to get good breakup.Pros:- American Strat quality, fit and finish is good, rolled fret board, etc.- The electronics – endless variety of tones. Not great for modern metal or hard rock, but anything else will work.Cons:- This would be a hard guitar to work into a live venue if you play with other guitars as well. It is LOUD, so much louder than my Les Paul or anything else I own that I have to play with the levels and EQ on the amp. In my house, no big deal. At a gig, that may be tough. That said, I don't own other guitars with active electronics, so maybe other active pickups are also this much louder?- Requires you to unscrew the back plate to change the battery. I'm sure this keeps costs down, but on my active basses it's a lot easier to open the battery compartment without screws. Make sure you have a full battery before a gig.- I was surprised at the amount of set-up I had to do to get rid of fret buzz. Given the amount of distance in shipping, time in warehouses, temperature/humidity differences, etc. my guess is that it was probably fine when it left the factory, but it's the first guitar I've bought online that had so many strings/frets buzzing. Luckily a couple turns on the saddle screws fixed it all without appreciably raising action.Neither good nor bad: – The neck profile is unique to the Clapton. It feels like "a more playable vintage profile" to me. It's definitely not a modern profile. You'll either like it or you won't 🙂 I found it really easy to adjust to, and it seems to work great for "thumb over"- The bridge is similarly vintage, and comes blocked. If you really want the newer Fender bridge, you are out of luck. Given my set-up experience (above), I'm not convinced I could just "remove the block" and have it playable without additional set-up.- Tweed case looks amazing, but is not form fitting like the new TSA case that comes with other American Fenders. I wanted a tweed case, and I don't fly with my guitar, so not a big deal to me.Overall I feel like I made the right choice in buying a Strat, and I can't put it down. If your goal is to make Clapton sounds (or any other great Blues/Rock sounds) – this is a fantastic guitar.Metal Head

Never played a seven before (20+ guitar owner) and actually was looking more towards a 6-baritone. But cripes, the sale price and hearing about how nice Jackson was making stuff…? Pulled the trigger. Still not too sure what the heck I am doing, but having a great time with it. Maybe I AM a nu-metal head after all. Regardless, it is fun to play. I was amazed that the fret ends weren't garbage, the they needed a bit of a polish, but were otherwise really nice. With the specs like carved top, compound radius, neck reinforcement (I think?), and maple board, the value is incredible. I'm a sucker for maple board too, really wish I wasn't, but I am and this thing is cool. Am I gonna play it all the time? No. But I might play it every day for a bit. Was really impressed with the pickups as well. Figured it would be a mud bath. Maybe the B gets more lost than I was expecting, but was way more articulate overall that I was expecting. I am assuming ceramics, and zero hangups about that. Cons: The tuning machines are poop. If you change direction, expect a 1/4 turn before anything moves. I mean they are pretty poor. And since it is a seven string, that is a touch more complicated to replace.Josh G

Got this guitar to get back into shredding again. Hadn't played metal since the early 90s and shredding is a good way to keep the arthritis from destroying the joints in my fingers and wrists. For the money, this is an overall great guitar. It does what I want it to and that's what matters. The only real gripe I have is the tuners. This is a guitar I can do a lot of mods on and not worry about lowering the value. For those who are beginners, this guitar is an excellent choice to get started on. For those who want to get into shredding – or get back into it as I am – you can do so without breaking the bank. This instrument is not on par with an American made Fender or Gibson but it will most certainly do the job it's designed to. A great buy!Chris S.

The Jackson JS22 Dinky is the best Sounding, and the best feeling guitar I own. I have used Washburn, Schecter, and a few more brands, but this one felt and sounded the best in my opinion. It has sharkfin inlays, amaranth fretboard, and the Jackson speed neck. My only complaints is that the stock tuners suck, and the pickups could be better, but still good enough for some Slayer songs. But get locking tuners. I will see if I can get some Seymour Duncan Invaders, or EMG H4 Pickups.Kawliga