Best Microphone For Guitar (2024 Update)

Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.

Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. what’s also true about the sm57 is that it sounds great on a wide variety of sources. a large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the sm57. try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the shure sm57 more than any microphone on the planet.

A snare crack. an arpeggiated chord. a powerful saxophone solo. whether on stage or in the studio, the notes that flow from your instrument connects your audience on a visceral level. and such sounds need a mic that can handle its strength. for every acoustic condition, the sm57 delivers the power of your playing to every fan in the house.

The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.

The aston origin is a high-performance cardioid condenser microphone utilising a one inch (1 ) gold evaporated capsule. it's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. the origin is designed to deliver direct, smooth and intimate sound for a supremely natural and transparent recording.

Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.

This package includes 1 sennheiser e609 dynamic guitar mic; 1 gear one 20' mic cable; and 1 musician's gear tripod mic stand with fixed boom. sennheiser e609 silver:the sennheiser e609 silver dynamic guitar mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. the e609 silver is based on the legendary md 409 mic, a longtime secret weapon of engineers for recording rock guitar with plenty of growl and punch. able to withstand high spls without distorting, the e609 silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. the e609 silver's supercardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. its sound inlet basket, made of refined steel, is distinguished by a unique silver address side. gear one 20' mic cable:for serious-minded musicians, gear one's xlr cables have the strength and durability to withstand more than everyday use. since your cable is your sound, this xlr mic cable'ssennheiser e609 silver: – specially designed for miking guitar cabs – laterally mounted capsule for miking guitar cabs face on and extremely close to the signal source – supercardioid pattern provides isolation from other onstage signals – lightweight voice coil construction and rigid dome diaphragm provide extended high-frequency performance – long-wearing capsule assembly – also suitable for miking drums, especially toms – gear one mic cable: – sturdy construction for enhanced signal and performance – flexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage.

The rugged workhorse with a practical shape. the super-cardioid e 609 silver instrument microphone has been specially developed for miking guitar cabs face on and extremely close to the signal source.

The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.

The sm7b dynamic microphone has a smooth, flat, wide range frequency response appropriate for music and speech in all professional audio applications. it features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. the sm7b has been updated from earlier models with an improved bracket design that offers greater stability. in addition to its standard windscreen, it also includes the a7ws windscreen for close talk applications. includes foam windscreen, close talk windscreen, and locking yoke mount. bass roll off and mid-range emphasis (presence boost) controls with graphic display of response setting. improved rejection of electromagnetic hum, optimized for shielding against broadband interference.

The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.

The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.

Engineered excellence for recording of lead vocals and solo instruments in studio and on stage. the akg c214 large-diaphragm condenser microphone is perfect in any situation. the c214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end c414 family. the c214 captures sound by combining one capsule of the legendary c414 dual-capsule system and the patented akg back-plate technology, resulting in an outstanding performance close to the famous c414 xlii. realistic stereo recordings require microphones with outstanding performance and excellent quality. they also require performance consistency and accurate localization from the pair of microphones. therefore, every factory-matched pair of c214s is created from thousands of individual microphones selected by akg's sophisticated computer-aided matching method. the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.

The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a neumann microphone. the harmonious proportions and gleaming grille ring ensure that even at first glance, the tlm 102 attracts attention. the tlm 102 is impressive in terms of sound: in the interior is a newly developed large-diaphragm capsule with a maximum sound pressure level of 144 db, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. instruments that are not especially loud also benefit from the very fast transient response of the tlm 102. however its most important applications are in the realm of vocals and speech; a slight boost above 6 khz provides for excellent presence of the voice in the overall mix. up to 6 khz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. the capsule has an elastic suspension for the suppression of structure-borne noise. a pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. due to its price and flexible field of application, the tlm 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.

The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1 ) gold evaporated capsule, paired with high-end transformerless circuitry.al schmitt has more grammy awards than any other engineer or mixer at 23. during his career, he has engineered and produced more than 150 gold and platinum albums. in 2014, schmitt was awarded a star on the hollywood walk of fame. he is the only engineer to achieve this. in 2006, he was given the grammy trustees lifetime achievement award. in 2005, he won 5 grammy awards setting the record for most grammy awards won by an engineer or mixer in one night. he is the first to win both a grammy and latin grammy for album of the year. he was inducted into the tec awards hall of fame in 1997. in june 2014, he won the pensado giant award. in september 2014, he received an honorary doctorate from the berklee college of music.

The akg c 414 xl ii condenser microphone is the successor to the famous akg c 414 b-tl ii mic. the akg c 414 xl ii mic shows the unique sonic signature of the highly sought after akg c 12 which enables lead vocals and solo instruments to be placed even in a dense mix. the unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. the xl ii mic version differs from the xls version in one major respectthe capsule. both the slight presence boost and the impressive spatial reproduction is similar to the legendary akg c 12 microphones. the akg c 414 xl ii offers 9 pickup patterns for you to choose the perfect setting for every application. for live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. a peak-hold led displays even shortest overload peaks. akg ships the c 414 xl ii microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount. for over 60 years, leading musicians and engineers have used legendary akg microphones to capture their sound so their audience hears every nuance. the c 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. akg has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers. – sonic character of the famous akg c12 delivers astounding sound quality for lead vocals and solo instruments – nine selectable polar patterns for the perfect setting for every application – three attenuation levels (-6/-12/-18d – b) for close-up recording or high-output sources of up to 158d – b splthree switchable different bass-cut filters to reduce wind noise, stage vibration or proximity effect – overload warning with audio peak hold led to detect shortest audio peaks

In the studio, it is excellent for recording drums, guitar, and woodwinds. shure sm57 features. the shure sm57 box includes shure sm57 specifications. (1) microphone clip. uniform cardioid pickup pattern isolates the main sound source while reducing background noise.

The "series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. – because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "series 180" is predestined for economy-minded production and home recording studios. – the km 183 omnidirectional and km 185 hypercardioid microphones are based on the tremendously successful km 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. all "series 180" microphones are available with either matte black or nickel finish. applicationstheir slender shapes and the transmission characteristics described below make the "series 180" especially suitable for a very wide range of tasks in the radio and television sector.

A studio elite. the neumann km 184 stereo microphone set is your gateway to flawless recording sessions. capture every detail with two condenser microphones, purpose built for vocals, instruments, and more. with their cardioid polar pattern, both microphones focus on what's important, ensuring no background noise or feedback gets in the way of your performance. a high sound pressure level of 138 db makes the mic suitable for close miking strings, wind instruments, percussion, and more. what's more, a smooth frequency response with a rise at 9khz delivers a fresh tonal balance. that means truly outstanding audio, every time you hit record. get to work in minutes. the km 184 stereo microphone set comes with studio essentials that help you capture the magic without any hassle. remove pops and sibilance with two windscreens, and position your microphones with ease thanks to two swivel mounts. it's all there, right inside the box.

Beyerdynamic m160 hypercardioid ribbon microphone the beyerdynamic m160 is a hyper-cardioid dynamic ribbon microphone that effectively suppresses lateral sound and noise. the m160 is an ideal microphone for studio and live applications, where focused pick up is necessary. the m160 features a frequency response of 40hz to 18khz with a noise cancellation 25db at 110 degrees. the result is a high quality directional studio microphone ideal for recording string instruments, pianos and over-heads on drum kits. the m160 is also suitable for broadcast television and film studios, violin, viola, cello, zither, dulcimer also ideally suited for upright and grand pianos and hi-hats on drum kits. dual ribbon element the m160 features a dual ribbon element at two-thousandths of a millimeter thick, arranged one above the other just half a millimeter apart. the result is output quality and frequency response suitable for stringed instruments, piano, zithers and dulcimers. hyper-cardioid pattern the hyper-cardioid polar pattern effectively minimizes reflective off-axis signal, reducing ambient noise and effectively captures instruments when recording.