Are you looking for the Best Mic For Guitar And Vocals? If so, you’ve come to the right place.
Choosing the Best Mic For Guitar And Vocals can be difficult as there are so many considerations, such as Sennheiser, Aston, AKG, Shure, Audio-Technica, Fifine, ammoon. We have done a lot of research to find the top 20 Best Mic For Guitar And Vocals available.
The average cost is $449.83. Sold comparable range in price from a low of $69.00 to a high of $3695.00.
Based on the research we did, we think Neumann KM184 Cardioid Condenser Microphone, Nickel is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Mic For Guitar And Vocals (20 Sellers)
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Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Neumann km 184 silver professional condenser microphone.
- As pictured.
- Perfect working order and great condition.
$109.99
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Bundle includes the sm57, a tripod boom stand and a 20' xlr to xlr cable
- Frequency response of 40hz-15khz
- Tight cardioid polar pattern
$89.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Handheld or mountable microphone for guitars, vocals, and other instruments in live sound and recording applications
- Dynamic cartridge with cardioid polar pattern
- Available with or without a cable
$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
$95.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Rugged all-metal body and robust design withstands tough day-to-day use
- Switchable attenuation pad for high spl applications up to 155 db spl
- Heavy-duty, roadworthy, all-metal construction
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- Condenser microphone with usb output for digital recording
- High quality a/d converter with 16 bit, 44.1/48 kilohertz sampling rate for superb audio
- Headphone jack with volume control allows you to monitor the microphone signal with no delay
$440.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
$359.00
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Internal air suspension minimizes the background noise for enhanced sound clarity
- Wide-range frequency response offers smooth and clear acoustics
- Rugged design adds to the durability of this microphone
$99.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Pneumatic shock mount helps isolate mechanically transmitted noises for clear and crisp recording
- The cardioid polar pattern captures the incoming sound efficiently
- Its durable construction protects the microphone from rigorous and repetitive usage
$84.50
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
$99.00$79.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- High spl handling and wide dynamic range provide unmatched versatility
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Frequency response of 20 hz to 20 khz balances the low and high tones effectively
- The unidirectional design reduces the ambient noise for an enhanced recording experience
- Steel material makes the microphone resilient for prolonged use
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Visual appeal
Features:
- Neumann u 87 ai set z set includes u 87 ai, ea 87, ws 87, ic 3/25.
- A 10 db attenuation switch is located on the rear. it enables the microphone to handle sound pressure levels up to 127 db without distortion.
- Furthermore, the low frequency response can be reduced to compensate for proximity effect.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Ease of setup
Features:
- Designed with large-diaphragm to provide enhanced vocal and instrumental sound
- Windscreen and pop filter assist in reducing noise while recording
- Gold plating makes the connectors corrosion-resistant for prolonged usage
Reviewers Noted:
Search . Good sound quality . Quality build . Compact . Ease of use
Features:
- The cardioid pattern helps reduce unwanted frequencies for crystal clear audio
- Xlr connector offers compatibility with most microphones
- The compact size makes it convenient to carry
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
$1279.00
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Designed with large-diaphragm to provide enhanced vocal and instrumental sound
- Set this microphone conveniently with its 5 polar pattern control
- The metal build adds to the structural strength of the mic
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- High spl handling and wide dynamic range provide unmatched versatility
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
- Pneumatic shock-mount system cuts down handling noise
- Effective, built-in spherical wind and pop filter
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Acoustic principle: pressure gradient.
- Active electronics: jfet impedance converter with bipolar output buffer.
- Capsule: 1.00".
1. Neumann Km184 Cardioid Condenser Microphone, Nickel
Product Details:
The "series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. – because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "series 180" is predestined for economy-minded production and home recording studios. – the km 183 omnidirectional and km 185 hypercardioid microphones are based on the tremendously successful km 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. all "series 180" microphones are available with either matte black or nickel finish. applicationstheir slender shapes and the transmission characteristics described below make the "series 180" especially suitable for a very wide range of tasks in the radio and television sector.
Specifications:
Product Type | Microphone |
Series | 180 Series |
Diameter | 0.9 in |
Length | 4.2 in |
Weight | 2.82 oz |
Color | Nickel |
Microphone Technology | Condenser |
Microphone Operation Mode | Cardioid |
Connectivity Technology | Wired |
Sensitivity | 15 mV/Pascal |
Impedance | 50 Ohm |
Microphone Power Source Voltage (DC) | 48 V |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 72 dB |
Total Harmonic Distortion (THD) | 0.5% |
Noise Level | 22 dB |
Max Sound Pressure | 138 dB |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Swivel mount, WNS 100 windscreen |
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
2. Shure Sm57 Stand Cable Package
Product Details:
The shure sm57 is one of the most popular professional instrument microphones of all time. the dynamic sm57 mic performs reliably delivering natural sound night after night. its durable, bulletproof design stands up to road travel and abuse. perfectly at home in the studio too. the shure sm57 boasts wide frequency response (40hz-15khz) and a tight cardioid polar pattern that are ideal for close-in speaker miking. this package includes the sm57, a tripod boom stand and a 20' xlr to xlr cable. natural sounding. durable bulletproof design. used widely in studios as well as on stage. frequency response: 40hz-15khz. tight cardioid polar pattern.
Specifications:
Frequency response | 40Hz-15kHz |
Connector | 3-pin professional audio connector (male XLR type) |
Dimensions (inches) | 1-1/4 W (top) x 6-3/18 W x 29/32 (bottom) |
Net weight (without cable) | 284g (10 oz.) |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
3. Shure Sm57 Dynamic Instrument Microphone
Product Details:
The shure sm57 is one of the most popular professional instrument microphones of all time. the dynamic sm57 mic performs reliably delivering natural sound night after night. its durable, bulletproof design stands up to road travel and abuse. perfectly at home in the studio too. the shure sm57 boasts wide frequency response (40hz-15k hz) and a tight cardioid polar pattern that are ideal for close-in speaker miking.
Specifications:
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
4. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
Product Type | Microphone |
Diameter | 0.9 in |
Length | 6.3 in |
Weight | 4.59 oz |
Body Material | Metal |
Recommended Use | Professional audio, home audio – instrument |
Microphone Technology | Condenser |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Sensitivity | 15 mV/Pascal |
Impedance | 200 Ohm |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 75 dB |
Noise Level | 19 dBA |
Dynamic Range | 135 dB |
Max Sound Pressure | 155 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
Controls | PAD button |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Microphone stand adapter |
Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
5. Akg Perception 170 Condenser Microphone
Product Details:
Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.
Specifications:
Product Dimensions | 11.3 x 3.5 x 7.4 inches |
Country of Origin | China |
Is Discontinued By Manufacturer | No |
Color Name | Sliver Blue |
Power Source | Corded Electric |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
6. Audio-Technica At2020usb+ Cardiod Condenser Usb Microphone
Product Details:
This audio-technica condenser microphone is ideal for those looking to start their own home studio for podcasting, online game streaming, voiceovers, music recording and more. it features an a/d converter with a 44.1/48 khz sampling rate and an extended frequency, ensuring that your recordings are at their highest quality everytime. plus, it features a jack for your headphones and an internal headphone amplifier, meaning you can monitor your recordings in an accurate manner, ensuring that your final mix product has audio clarity. this condenser microphone connects to your computer or studio interface using a usb input. it features an a/d converter with a 16 bit, 44.1/48 khz sampling rate for great audio. the headphone jack has a volume control button so you can monitor the microphone signal. the mix control means you can blend your pre-recorded audio and microphone signal. the headphone amplifier helps to keep sound clear, volumised and detailed. it's compatible with windows 7+, vista, xp, 2000 and mac os x. it comes with a tripod desk stand for added convenience.
Specifications:
Product Type | Microphone |
Width | 2 in |
Depth | 2 in |
Height | 6.4 in |
Weight | 13.61 oz |
Recommended Use | Professional audio – voice, recording |
Microphone Technology | Electret condenser |
Connectivity Technology | Wired |
Microphone Power Source Voltage (DC) | 5 V |
Frequency Response | 20 – 20000 Hz |
Audio Input Details | Cardioid – 20 – 20000 Hz |
Controls | Volume |
Connector Type | USB Headphones (mini-phone stereo 3.5 mm) |
Included Accessories | Microphone stand, microphone stand adapter, protective pouch |
Cable Details | USB cable – 10 ft |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
7. Shure Sm57 Mic Four Pack With Cables
Product Details:
This microphone package gives you 4 shure sm 57 dynamic mics and 4 18' gear one xlr microphone cables. shure sm 57 microphone one of the most popular professional instrument/vocal microphones of all time, the sm 57 dynamic mic is a reliable, natural-sounding performer, night after night. its durable, bulletproof design stands up to road travel and abuse. perfectly at home in the studio too. the shure mic's wide frequency response (40hz-15k hz) and tight cardioid polar pattern are ideal for close
Specifications:
Frequency response | 40Hz to 15,000Hz |
Connector | 3-pin professional audio connector (male XLR type) |
Dimensions | 1-1/4"W (top) x 6-3/18"L x 29/32" (bottom) |
Net weight (without cable) | 284g (10oz) |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
8. Shure Sm7b Cardioid Dynamic Microphone – Black
Product Details:
The sm7b dynamic microphone has a smooth, flat, wide range frequency response appropriate for music and speech in all professional audio applications. it features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. the sm7b has been updated from earlier models with an improved bracket design that offers greater stability. in addition to its standard windscreen, it also includes the a7ws windscreen for close talk applications. includes foam windscreen, close talk windscreen, and locking yoke mount. bass roll off and mid-range emphasis (presence boost) controls with graphic display of response setting. improved rejection of electromagnetic hum, optimized for shielding against broadband interference.
Specifications:
Reviews:
This microphone is the gold standard for vocal recording, and I can't believe that I used anything else before now. What's the secret to the sauce? While besides the decades of experience backed by the Shure name, this microphone features a VERY defined cardioid pickup pattern. What's a cardioid? Why do I care? If you're asking these questions, I'll simplify it by saying this: if you're recording in a situation where you want the least amount of background noise, this is the pattern for you. Especially vocal recordings, podcasters, and the like, will enjoy the dynamic range that won't clip or cut out at loud sounds like you do with condenser microphones. The pickup range is not directional, but you do need to be conscious of distance, as I'm sure you'll find once you start using it. I did use this microphone plugged into an audio interface into my computer, so that may have introduced a tiny bit of noise, but I was blown away by the results I got from recording. This is nothing like the lower cost and less dedicated microphones I have used in the past. Very well made, as you would expect from a microphone at this price point, and the frequency response modes are set by sliders on the back of the mic. The mounting and cable connector are set up for a boom arm or a stand. Because of the integrated pop filter cover for this microphone I toyed with the idea of using it without a pop filter, but I think i'm just too "spitty" for that, so I've shifted to using one. I highly recommend this microphone. If you're someone who records vocals, spoken word, etc, this will change your game.dronedad
The Shure brand is synonymous with quality microphones, and with the SM7B comes the top-notch build as well as the dynamic range appropriate for multiple applications. Its versatility, craftmanship, and overall reliability make the Shure SM7B a must-own for serious recording. Out of the box you'll notice the mic comes with only a few accessories (cover plate, large foam windscreen, thread adapter) and no XLR cable. You should be familiar with your own audio applications and interfaces to use this mic, as it is no joke. It is pretty weighty and should be mounted on a good microphone stand or hung firmly from a boom. The swiveling bracket adjusts easily for precise positioning. The SM7B feels great, slim and smooth, and its construction feels reliable and sturdy, though I personally limited my usage to studio and workspace recording. In my testing, the SM7B sounds amazing. It has just a very clean output for my instruments and vocals alike. It performs exceptionally well in my small, soundproofed studio affixed with foam wall fixtures. But I was more impressed with the sound quality in a non-optimal, unfixed bedroom environment. The flat, wide-range frequency response is unmatched; there is zero feedback and no static interference whatsoever, even around several operating laptops, two external monitors, and numerous electronic devices. The included windscreen makes up-close vocals and whispers move without the pops and crackles of lesser microphones. Bottom line, this is the microphone that provides the professional performance you need to be taken seriously in any recording environment. Shure's SM7B is everything you need in a dynamic microphone, with its rugged build, versatile application, and unparalleled quality. The brand you should trust with your recording needs did it again, and it isn't a surprise. This is the mic you want to have. Full disclosure, I received this product for my honest, unbiased review.NJRY
SUMMARY: As we dip our toes into the world of podcasting, we all start with an elementary setup that might be as simple as aiming your face into your cell-phone camera and talking into its microphone. But if you get serious, you will soon want a better audio/video setup. The Shure SM7B cardioid Dynamic Vocal Microphone will be a fine choice until you’re so famous that you have your own professional studio with a production crew and your name on the building. Honestly, most people’s hearing and their listening equipment can’t hear any improvements as you advance beyond this level of studio mic. FEATURES: • The switches under a cover at the back end allow you to set up the dynamic response of the mic. Shifting curves give you a visual indication of what frequencies you are pushing or reducing. • Excellent sound reproduction. • Fits standard mic mounts. • The Cardioid sound pick-up pattern is very direction and ignores sounds coming from anywhere in the room except the front making it a VERY quiet mic for studio use. • Two Year Limited Warranty. PROS: • Pop Filter, Air Suspension and Shock Isolation assure only the voice gets through without ambient studio noise. • Advance electromagnetic shielding prevents interference or hum from monitors and computers in the studio. CONS: • At this level of mic, it’s assumed you’re probably upgrading your system, so if you don’t already have certain other audio items like Mic Stand, Cable or Mic Activator, you’ll have to purchase them separately to begin using this mic. It won’t simply plug into your cell phone. CONCLUSION: The SM7B Cardioid Dynamic Vocal Microphone won’t hold you back in creating excellent sound quality.JimF
9. Shure Sm57 – Microphone
Product Details:
Shure sm57 dynamic microphonethe shure sm57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. main features dynamic microphone extremely effective cardioid pattern carefully contoured presence rise ideal for live and studio work works well in any application read more the shure sm57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. with its bright, clean sound and carefully contoured presence rise, the sm57 is ideal for live sound reinforcement and recording. it has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. in the studio, it is excellent for recording drums, guitar, and woodwinds. for musical instruments or vocals, the sm57 is a consistent choice of professional performers. it is also the standard microphone used on the podium of the u.s. president for over 30 years. its outstanding performance, legendary reliability, and diversity of application make this workhorse the choice of performers, producers, and sound engineers the world over.
Specifications:
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
10. Shure Sm57 Microphone
Product Details:
Much like the sm58, the sm57 dynamic microphone sets the industry standard for reliable and quality instrument miking. the shure microphone delivers an exceptionally clean and bright sound thanks to the carefully tailored frequency response. the cardioid pick-up pattern focuses on the main source of sound so you can capture every essence and nuance of your instrument without the interference of background noise. the sm57 is ideally suited for recording drums, guitars and woodwind but can be used with a wide array of instrument and vocal purposes due to the consistent, tested performance.
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
11. Audio-Technica At2020 Cardioid Condenser Microphone (Black)
Product Details:
Audio-technica's stringent quality and consistency standards set the at2020 apart from other mics in its class. its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. with rugged construction for durable performance, the microphone offers a wide dynamic range and handles high spls with ease.
Specifications:
Product Type | Microphone |
Width | 2 in |
Depth | 2 in |
Height | 6.4 in |
Weight | 12.17 oz |
Recommended Use | Professional audio – voice, recording |
Microphone Technology | Condenser |
Connectivity Technology | Wired |
Sensitivity | -37 dB |
Impedance | 100 Ohm |
Microphone Power Source Voltage (DC) | 48 V |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 74 dB |
Noise Level | 20 dB |
Dynamic Range | 124 dB |
Max Sound Pressure | 144 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
12. Shure Sm81lc Cardioid Condenser Microphone
Product Details:
The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.
Specifications:
Frequency Response | 20 Hz – 20 kHz |
SPL | 146 dB |
Material | Steel |
Pattern | Unidirectional |
Connector Type | XLR |
Reviews:
Overall: Great Sound. Great Build Quality. It comes with a nice case and a windscreen, and mic clip. The high pass filter is quite useful. Took my acoustic guitar recordings up to the next level. Through and through it is a professional mic. Only cons are the high pass switch is little odd to move and compared to other condensers it needs a lot of gain, but not as much as a dynamic mic. Overall, I recommend it anyone looking to recording acoustic guitar or other instruments any day. I'm very happy with it. I will be keeping it for a long long time.Steve
If you want a mic to record the actual sound of whatever you're trying to record, with good mic placement, this is a great mic. I'm using them as an ORTF stereo pair for acoustic guitar and they are perfect. If I want more air (to replicate certain top end biased mics) I can dial it in with a good EQ and the top end stays beautifully smooth, but if I've got a lovely sounding acoustic guitar, these babies do a wonderful job with very little EQ needed. Well made and should last many many years, highly recommended!John
Great for high school plays, etc. Placed several of these @ 3 feet from the small platform stage. They were @ 24 inches off the ground and aimed upwards towards the kids. I had no idea if this approach was going to work. Much to my surprise, everything worked out great. I ISO recorded the three mics and mixed later. 'Used Adobe De-Reverb to reduce some of the echo from the hard walls at the back of the stage. As the kids moved across the stage, I would simply pick them up with whichever mic was nearby. I'm sure there were much better approaches to this problem, but considering the quick time frame, I'm pleased with the results.Dave
13. Neumann U 87 Ai Set Z Multi Pattern Condenser Microphone Set
Product Details:
The u 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. our users are recognizing the microphone immediately by its distinctive design. well-known for its warm and well balanced characteristics – your perfect choice as vocal microphone for all types of music and speech. the usage as main microphone for orchestra recordings or as spot mic for single instruments make it the most general-purpose microphone – in studios, for broadcasting, film and television. the u 87 is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. these are selectable with a switch below the headgrille. a 10 db attenuation switch is located on the rear. it enables the microphone to handle sound pressure levels up to 127 db without distortion. furthermore, the low frequency response can be reduced to compensate for proximity effect.
Specifications:
Reviews:
It has a reputation, because it is that good. Takes any vocal and places it at a higher level. Clarity, warmth, presence, yep. If you could only buy 1 piece of gear and youre doing vocals, forget everything else and get this microphone. Run through any interface with a daw, and youll see the difference. Its expensive, yep, but its an investment. Been doing more serious recording over the past 2 years, now I want to go back and re-record all the prior vocals.wdalgabbar_0
An ultimate aspirational mic for me. I have compared this with a vintage u87. For vocals, the vintage U 87 has a slightly more noticeable presence. By presence, I mean that you feel like the microphone is a noctilux-level macro lens focusing in on the singer's articulation and bringing them up close to your ear. All that, but it doesn't sound like it's trying. The new U 87 Ai is almost the same as the old U 87, but a bit more neutral. Less emphasis of sounds like ch (as in, chess), and the specs say less noise. That's my two cents, at least! The U 87 Ai is an amazing sounding mic and lives up to its name. I'd agree with so many reviewers who say that it's just plain good on anything.Peter
I own a lot of microphones for an individual (not a studio), from SM57-58 types, up to the AKG 414 XLII and a bunch in between. As I prepared to move to a greater focus on writing and recording, I decided it was time to purchase a couple of microphones that were the type I have used in a professional recording studio. The first of those that came to mind was the Neumann U87. It was one of two mics (the other being the AKG 414, mentioned above) that I have seen in literally every professional studio I have ever walked into. To say it is a recording industry standard is quite the understatement. Let's talk cost: yes, it costs more than many others. In the world of professional microphones, it's actually on the cheaper end of the spectrum when compared with tube microphones, and it costs many times less than vintage originals. But is it expensive? NO, IT IS NOT. Expensive is a relative term, and refers to the amount of money an item costs… relative to what it is. When what it is happens to be one of the most meticulously built, most heavily copied, and highest performing microphones out there (that is in the estimation of the top-tier professionals in the business, not Joe Equipment-reviewer on your local forum) , the cost is reasonable, and as mentioned, low in comparison to others in its peer group. And how does it sound? Clear and honest. If you sound bad or ameteurish, you will get a very clear rendition of a bad and ametuerish sound. Don't blame the mic. If you put great sound into it, you get incredibly great sound out, and you can hear every nuance. In testing at home, it was sometimes shocking how much more revealing the U87 was. I can only compare it to my experience with any other top of the line equipment. It just keeps surprising you with "oh yeah" moments. Ultimately, nothing is for everyone. And if you don't have the ears to hear the difference, don't waste your money. But if you're up to it, I promise you this mic is up to it as well.Rick In TX
14. Akg C214 Large Diaphragm Condenser Microphone
Product Details:
The akg c214 is designed as a cost-effective alternative to the high-end, industry-leading c414 family. akg's c414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. drawing on the c414's design, the affordable c214 captures sound combining one side of the legendary c414 dual-capsule system and akg's patented back-plate technology, which results in an outstanding performance similar to the famous c414 b-xls. features: akg's legendary 1 inch edge-terminated large-diaphragm sound. outstanding dynamic range (up to 156 db spl, ultra-low noise). roadworthy design. integrated suspension to reduce mechanical noise. switchable 20 db attenuation pad and low cut switch. rugged double mesh grill for high rf immunity but unaffected acoustics. all-metal die-cast body with shock and scratch-resistant finish. spider-type shock mount included – metal carrying case included. designed, engineered and build in vienna, austria like the c414 models, the c214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. additionally, the microphone offers a 20 db attenuation pad, 13 db noise floor, and a low cut switch–all in an elegant but rugged package. besides, the c214 will also work on low phantom power voltages from 12 up to 48 volts. additional features include an integrated suspension, a double mesh grill high rf immunity without affecting acoustics. the circuitry in the c214 provides maximum spl capability with minimum noise and the gold-plated xlr-type output connector offers loss-free signals.
Specifications:
Product Type | Microphone |
Width | 2.2 in |
Height | 6.3 in |
Weight | 9.88 oz |
Color | Blue, matte gray |
Recommended Use | Professional audio – instrument, vocal |
Microphone Technology | Electret condenser |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Sensitivity | -34 dBV/Pascal |
Impedance | 200 Ohm |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 81 dBA |
Noise Level | 13 dBA |
Dynamic Range | 143 dB |
Max Sound Pressure | 156 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz |
Connector Type | Microphone (3 pin XLR) |
Plated Connector | Gold |
Included Accessories | Wind screen, carrying case, shock mount |
Service & Support | Limited warranty – parts and labor – 3 years |
Reviews:
A few years ago I was cutting vocals with my AKG 414 TLII when a friend came by with 2 of these 214’s his church had bought. We decided to cut the harmony vocal with the 214 and compare to the 414TLII. It sounded terrible and I trashed the takes and used a TLM 67 instead. The 214 sounds like a Chinese condenser from Amazon. I understand people want the AKG pedigree for an affordable price point, but this mic is not it. You may not be able to hear it right now, but trust me and the other experienced ears that have said similar. This mic is the sonic equivalent of a sugar loaded donut. It sounds good if you have few examples to compare it to, but the sound has no “nutritional value” and will fatigue you fast. Especially if you use this for most of your tracks. It is very much worth it to not skimp on microphones. I have bought and sold many, many mics in my career so trust me and save a little longer and get something a little better. No matter what price point you’re buying at.Marty
. Used this on and off for a few years, but was never really happy with it. Very average sound…better on piano, weaker on vocals. Sold it on Ebay and picked up the C414 XLII. WOW!! On the piano it is fantastic. Vocals are excellent too. Much more detailed, nuanced, smooth sound. Really, really like the C414 XLII .Daniel
This was my first condenser microphone that I have purchased for my small in home studio. After months of research I decided upon this mic based off the price and versatility of the product. I am a full time guitarist and vocalist but have never been much on the production side, pretty much saying I know what sound I am looking for. I use this mic mainly for vocals and I’ve got to say that the recordings sound so good out of the mic that I really don’t have to do much as far as mixing goes which I love. This mic has definitely helped boost my confidence in my recording ability and I know that if the track doesn’t sound great it’s from my personal error not the mic. Overall would definitely recommendBrennan
15. Rode Nt5 Condenser Microphones (Matched Pair)
Product Details:
The rode nt5 is an amazing, 20hz-20khz condenser microphone with low noise specs and full frequency response. the nt5 is ideal for recording acoustic instruments, drum overheads, cymbals and live performances. the compact externally polarized microphone employs a 1/2 inch capsule and an active j-fet impedance converter with bipolar output buffer. details include a heavy-duty cast metal body with a satin nickel finish and a cardioid polar pattern. the nt5 requires phantom power and includes a ws5 custom windscreen, rm5 stand mount and the zp1 zip pouch. for applications that require a single or stereo x/y mic setup, the rode nt5 is an excellent choice. the nt5 matched pairs come supplied in a custom carry case with windshields and mounts.
Specifications:
Width | 0.8 in |
Depth | 0.8 in |
Height | 4.6 in |
Microphone Technology | Electret condenser |
Microphone Operation Mode | Mono |
Microphones Included | 2 |
Connectivity Technology | Wired |
Sensitivity | -38 dB |
Impedance | 100 Ohm |
Microphone Power Source Voltage (DC) | 48 V |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 78 dB |
Dynamic Range | 128 dB |
Max Sound Pressure | 143 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Carrying case, 2 microphone windscreens, 2 microphone stands |
Reviews:
I wanted a pair of pencil condensers for the home studio; that I could use primarily for recording acoustic guitar, but that also sounded great in other applications as well. (overheads, room mics, etc.) On an acoustic as a pair these sound fantastic, the dry signal itself sounds practically record ready (Taking into consideration the instrument quality and room setup as well). There are probably "better" mics out there in this category, but not that I know of at this price, and in terms of sound quality alone maybe not by much. These NT5's absolutely blow away any lower end mics I've used (MXL, CAD) and as far as I can hear sound basically just as good as most higher end microphones that you'd spend twice as much on. (Go to Youtube and watch some Mic Shootout comparisons with these) I grabbed one of Rode's stereo bars for the pair which makes setting them up nicely convenient. (Couln't find this on musician's friend, GC, or Sweetwater though. Went to RODE's website and ordered separate.) A phenominal set of pencil condensers for the home studio recorder. At 0.5" capsules, they don't overkill high frequencies, but certainly don't lack in the bottom end either. I use these mostly recording acoustic & acoustic rock styles and the tonal balance is perfect in my opinion. Excellent clarity as room mics, haven't tried as kit overheads yet.Cully
I haven't had a chance yet to fully experience the microphone in any situation, but so far it's been pretty good. Definitely adjust the gain based on the distance it is from the source. Always keep it a little lower than you would usually like it because that will prevent it from clipping and you can always increase the volume in post production. Worth the money in my opinion.Zachary
16. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
Width | 2.2 in |
Depth | 1.3 in |
Height | 5.3 in |
Weight | 6.42 oz |
Body Material | Metal |
Microphone Technology | Dynamic |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Impedance | 350 Ohm |
Frequency Response | 40 – 18000 Hz |
Audio Input Details | Super cardioid – 40 – 18000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
17. Akg C414 Xl Ii Condenser Microphone Set
Product Details:
The akg c414 xlii is a versatile large-diaphragm condenser microphone of the reference class. it initially offers five polar patterns: omnidirectional, cardioid, wide cardioid, hypercardioid and figure-of-eight. additionally, 4 intermediate stages can be selected. the current setting is indicated by an led. in addition, there are three pad circuits and three high-pass filters. with this great flexibility, the microphone can be perfectly adapted to different recording situations. its sound is open and high-resolution with a slight presence boost. this makes the akg c414 xlii ideal for recording voices and solo instruments. the recordings already stand out well in the mix, even without intervention. quiet passages are recorded with transparency and nuance thanks to the extremely low self-noise. the high limiting sound pressure level also allows drum recordings. especially the use as an overhead microphone or for snare and hi-hat is very useful. the akg c414 xlii is also suitable for demanding live applications. a lock mode prevents unintentional adjustment of the settings by a key lock. the peak hold led reliably indicates overdrive of the electronics, even with the shortest signal peaks. the microphone is supplied in a metal case with an elastic mount, pop screen, windscreen and dust protection bag. the akg c414 xlii is also available as a specially matched stereo set.
Specifications:
Product Type | Microphone |
Width | 2 in |
Depth | 1.5 in |
Height | 6.3 in |
Weight | 10.58 oz |
Color | Dark gray, gold |
Body Material | Metal |
Recommended Use | Professional audio – instrument, vocal, drum |
Microphone Technology | Electret condenser |
Microphone Operation Mode | Mono |
Connectivity Technology | Wired |
Sensitivity | -33 dBV/Pascal |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 88 dB |
Noise Level | 6 dBA |
Dynamic Range | 134 dB |
Max Sound Pressure | 158 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
18. Audio-Technica Microphone At2020 Pro Cardioid Capacitor, Black,large
Product Details:
Audio-technica's stringent quality and consistency standards set the at2020 apart from other mics in its class. its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. with rugged construction for durable performance, the microphone offers a wide dynamic range and handles high spls with ease.
Specifications:
Product Type | Microphone |
Width | 2 in |
Depth | 2 in |
Height | 6.4 in |
Weight | 12.17 oz |
Recommended Use | Professional audio – voice, recording |
Microphone Technology | Condenser |
Connectivity Technology | Wired |
Sensitivity | -37 dB |
Impedance | 100 Ohm |
Microphone Power Source Voltage (DC) | 48 V |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 74 dB |
Noise Level | 20 dB |
Dynamic Range | 124 dB |
Max Sound Pressure | 144 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz |
Connector Type | Microphone (XLR) |
Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
19. Shure Sm58 Cn Cardioid Dynamic Vocal Microphone With Cable
Product Details:
If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an sm58. rock stars. pop idols. comedians. presidents. popes. immortal words have passed through its iconic grille for generations. and with engineering and durability that set the world standard, it’s sure to keep turning up at legendary performances. the shure sm58 is a unidirectional (cardioid) dynamic vocal microphone for professional vocal use in sound reinforcement and studio recording. a highly effective, built-in, spherical filter minimizes wind and breath “pop” noise. a cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. the sm58 has a tailored vocal response for a sound which is a world standard. rugged construction, a proven shockmount system, and a steel-mesh grille ensure that even with rough handling, the sm58 will perform consistently. outdoors or indoors, singing or speech, the sm58 is the overwhelming choice of professionals worldwide.
Specifications:
Reviews:
This is for the #sweepstakes but even without it I would still review this product. I'm a producer that's starting out and originally I bought some cheap mic on some random online service. But once I had more money I bought my SM58 since I knew how much of a classic mic it is. It was a great decision I solely use it now and it sounds great and so clean. It gives this great tone to the sound that sounds more professional and I look cool singing into it in my music videos. Thanks for the classic productBrian C.
Ordered this for our church. Mostly vocals and some speech. Mic is a fantastic upgrade from our older model Shure BG3.1 mics. I know we had these for a long while but this sm58s sounds fantastic and made a huge difference in clarity and crispness. I was told the Shure sm58 is one of the best all general purpose mics for sound quality and build and so far (a few months now) I couldn't agree more! As far as the switch goes, our old mics had them so I kept them the same but I seem to like having the switch in the event you don't have someone at the sound board you can set it up and just switch on when needed. Also bought this in a bundle with a boom stand and mic cable which was a good value. If your in the market for a great all purpose mic def check this bundle out. You won't be disappointed! Thanks AMS!Brent
Sound: The best r&r Mike for ANY money Features: It's meat and potatoes. Get an off/on switch if you feel the need to sophisticate Ease of Use: Plug it in crank it up. Problem solved. Quality: Ask Roger Daltry. Value: Worth twice the amount (don't tell them though, I'm still poor). Manufacturer Support: Never needed them. So IDK The Wow Factor: It's not the Brad Pitt of microphones.More like Tommy Lee Jones or Robert Duval. Overall: It's 1969, Woodstock music and all the acid has drained a LOT of energy (and brain cells) from the half million metropolis they call The Audience. It's late, stage hands scurrying around setting up the next "act". Lights go down like the eyelids if the 3 day city. Then LIGHTS, BASS, GUITAR, and DRUMS RIP OPEN THE AIR……..PEOPLE TRY TO PUT US…D D D.D DOWN and My Generation kicks out from the Who's, Roger Daltry. Like Zeus weilding lightning bolts, he deftly precisely throws his microphone towards The Audience snatching it back to himself, only to twirl it amazingly two then three times to hurl it once again back at them. There has never been a harder working Mike in the business. And 50 years later it still has no equal. Aside from the Les Paul, or Strat, it remains one of the best things to ever solidify Rock and Roll as an art form or a religion.
20. Rode Nt1 Condenser Microphone Kit
Product Details:
It is a large-diaphragm cardioid condenser microphone that features rode's hf6 1-inch capsule. the hf6 is designed to provide a detailed midrange response with smooth highs and warm bass. the capsule itself is seated in a rycote lyre internal shockmount to help reduce vibration and handling noises. the microphone''s electronics were designed from the ground-up for quiet performance, and allow the nt1 to have a low, 4.5dba of self-noise. the body of the mic is machined from nickel-plated aluminum that is then coated in a ceramic layer that is electrostatically applied for a scratch-resistant finish.
Specifications:
Product Type | Microphone |
Diameter | 2 in |
Length | 7.4 in |
Weight | 13.93 oz |
Color | Matte black |
Recommended Use | Instrument, vocal, drum, recording |
Bundled with | SMR shock mount |
Microphone Technology | Electret condenser |
Connectivity Technology | Wired |
Sensitivity | -29 dBV/Pascal |
Impedance | 100 Ohm |
Frequency Response | 20 – 20000 Hz |
Signal-To-Noise Ratio | 90 dBA |
Noise Level | 4 dBA |
Dynamic Range | 132 dB |
Max Sound Pressure | 132 dB |
Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Connector Type | Microphone (3 pin XLR) |
Included Accessories | Dust cover |
Service & Support | Limited warranty – 10 years |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
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