Best Jazz Guitar Albums (2024 Update)

A dazzling display of the unorthodox technique and emotional power that combined to make montgomery a literally incredible artist. ever since its initial release in 1960, this album has been a consenus choice of musicians, critics, and knowledgeable listeners as a matchless example of the talents of one of the finest jazz instrumentalist of all times.

One of wes montgomery's best albums, if not the best, and one of the best albums of the 1960s. technically wes was at the top of his game at this point.

Various-jazz the jazz guitar album (late 70s uk 20-track double lp compilation on verve featuring the very best guitarists jazz had to offer including kenny burrell grant green charlie christian & the undisputed king django reinhardt gatefold picture sleeve with extensive liner notes and photos of each musician. the sleeve shows light ring wear & the vinyl looks barely played) track listing: 1. howard roberts – relaxin at camarillo 2. kenny burrell – terrace theme 3. billy bauer – its a blue world 4. les spann – wrap your troubles in dreams 5. charlie christian – ac-dc current 6. barney kessel – all the things you are 7. herb ellis – gravy waltz 8. jim hall – all across the city 9. bola sete – soul samba 10. grant green – that lucky old sun 11. tal farlow – i remember you 12. laurindo almedia – samba da sahra 13. django reinhardt – nuages 14. george benson – whats new 15. wes montgomery – four on six 16. johnny smith – sweet lorraine 17. oscar moore – oscars blues 18. jimmy raney – buddys blues 19. charlie byrd – samba triste 20. john mclaughlin – binkys beam

Personnel: wes montgomery (guitar); tommy flanagan (piano); percy heath (bass); albert heath (drums). recorded at reeves sound studios, new york, new york on january 26 and 28, 1960. originally released on riverside (9320). includes original release liner notes by orrin keepnews. john "wes" montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was charlie christian's to an earlier generation. recorded in the early part of his solo career, the incredible jazz guitar of wes montgomery defined standards for hard bop guitar which are as cogent today as they were in 1960. the album jumps out with the quartet hustling through sonny rollins' "airegin," where wes performs his often imitated licks with grace and agility. his extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. an impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed wes' guitar to sing with warmth and with beauty. the lyrical rendition of "polka dots and moonbeams" and his own "d-natural blues" are prime examples of the fullness of his lines. to this day, whenever a guitarist uses octaves he runs the risk of comparison to wes, such was his mastery of this technique. another aspect of his legacy is the compositions. since their appearance on this album, "four on six" and "west coast blues" have become standard jazz repertoire. yet to remain in awe merely of his approach is to miss the point of what he has to say. montgomery's technique served only to express the emotions and inspirations born from the depths of his soul. from the strings of his guitar, through all the amplifiers, tapes and speakers, what shines through is wes' heart and a style without which there wouldn't be players like pat martino, kevin eubanks and mark whitfield today.

Recognised as one of the four most influential jazz albums that happened to be released in 1959 (dave brubeck -time out & charles mingus -ah um among them), so much has been said and written about miles davis’ kind of blue. recorded during 2 sessions in 1959, kind of blue worked on many different levels and will do so for many years to come.

180 gram. audiophile pressing. direct metal mastering. limited edition.

Composed of three of the greatest guitarists alive, the trios first two recordings have sold more than 3.5 million units worldwide. john mclaughlin has been a respected guitar player since his days with miles davis and the mahavishnu orchestra. al di meola gained worldwide acclaim with chick corea and later phil collins. paco de lucia is considered the founder of modern flamenco guitar. put these three together on acoustic guitars and watch out! press in jazz and guitar publications. full service to jazz, nac and world radio.

Kind of blue is the most popular straight-jazz album of all time, the one that even those people who don't really listen to jazz but want to seem smart, hip and cultured can connect with. almost 55 years after its initial release in august 1959, it remains the standard-bearer for an entire culture, and continues to sell in the neighborhood of 100,000 copies a year.

Allow 2-3 weeks but as always note that postal delays can occur.title: jazz guitar – ultimate collection of 18 rare albums, vol. dimensions (lxwxh): 5.20 x 5.12 x 1.18 (inches).

Eclectic collection of vintage, classic and contemporary rock, folk and jazz vinyl, cds and dvds featuring lebron. .

Isn't it romantic. polkadots and moonbeams. wave. secret love. they cant take that away from me. come rain or come shine. i love you. my one and only love. we'll be together again. have you met miss jones. blues in the closet.

An all-new cd series featuring legendary jazz artists performing standards from the great american songbook and beyond.

Long held as the jazz album that even non-jazz fans will own, kind of blue not only changed the way people regarded miles, it changed the very face of music itself. consistently rated not just as one of the greatest jazz albums but as one of the greatest musical statements of the 20th century, its 46 minutes of improvisation and sophistication remain peerless. davis played trumpet sublime with his ensemble sextet featuring pianist bill evans, drummer jimmy cobb, bassist paul chambers, and saxophonists john coltrane and julian 'cannonball' adderley with wyton kelly playing piano on freddy the freeloader.lp – 180 gram black vinyl. lp+ – limited 180 gram blue vinyl with download.

A unique 2lp set of classic and contemporary jazz celebrating the very best in the genre. from highly influential and acclaimed legends miles davis and john coltrane, right through to modern stars such as amy winehouse and gregory porter, exclusively together pressed onto vinyl – 'the jazz album' makes for the perfect introduction to the genre.

Enjoy your favourite music on vinyl. a great addition for any collector, or the perfect gift for a friend or a loved one.

Released: 2015 kind of blue is a studio album by american jazz trumpeter miles davis. it was recorded on march 2 and april 22, 1959, at columbia's 30th street studio in new york city, and released on august 17 of that year by columbia records.

Performers include: carl kress, dick mcdonough, eddie lang. personnel: john cali (guitar, banjo); dick mcdonough, eddie lang, tony gottuso, nick lucus, lonnie johnson, carl kress (guitar). liner note authors: john miller ; stephen calt; woody mann. recording information: 11/17/1928-08/26/1937. other than django reinhardt, the who's who of jazz guitar (all acoustic players) are heard on this sampler album from yazoo. there are guitar duets by lonnie johnson and eddie lang, lang and carl kress (the memorable "feeling my way"), kress and dick mcdonough, and the team of john cali and tony guttuso. in addition there are solo performances by mcdonough and nick lucas. although it would have been preferable to have this music with the complete sessions and in chronological order (the recording dates are unfortunately not included on the lp), this album has more than its share of classic performances and is worth a search. ~ scott yanow

This release contains the complete classic album the incredible jazz guitar of wes montgomery (riverside rlp12- 320), featuring the guitarist in a quartet format with the wonderful rhythm section of tommy flanagan, percy heath and albert tootie heath. further versions by wes of two of the album s songs, also recorded in 1960, have been added as a bonus. includes 16-page booklet. wes montgomery (1925-1968) was one of the most revered guitarists in jazz history. the incredible jazz guitar of wes montgomery was his third album as a leader following montgomeryland (1958) and the wes montgomery trio (1959). he had also previously participated on two other albums with his brothers buddy and monk, the montgomery brothers and 5 others (1957) and kismet (the latter album was issued under the group name the mastersounds and featured wes and his brothers. kismet was recorded three days after montgomeryland). prior to these sessions, wes had only worked and recorded with the band of lionel hampton (beginning in 1948). on the incredible jazz guitar of wes montgomery, wes was backed by tommy flanagan (1930-2001) on piano, percy heath on bass, and percy s brother albert tootie heath on drums. the incredible jazz guitar of wes montgomery was highly praised as soon as it was released, including its fi ve star rating in down beat magazine.

Band new nneufnneuwarennuovonnuevotimeless classic albumsn5 albums on 5 cdsn – lift to the scaffoldn – porgy and bessn – at newport 1958n – sketches of spainn – someday my prince will come

Released as part of the acoustic sounds series celebrating 70 years of contemporary records, saxophonist art pepper's classic big band album, + eleven, features modern jazz classics by dizzy gillespie, thelonious monk, charlie parker, and more. first released in 1960 and recorded by legendary engineers roy dunann and howard holzer, this reissue features all-analog mastering from the original tapes by bernie grundman. it is pressed on 180-gram vinyl and presented in a tip-on jacket.