Best High End Acoustic Guitar (Jan 2023 Update)

I bought this guitar to check out a budget friendly offering from Yamaha. I have to say I was not disappointed! Excellent tone and volume, the top really resonates. The guitar was really well setup right out of the box. It needed about 3/4 of a clockwise truss rod adjustment, no prob. Other than that it didn't need any fret dressing whatsoever. That's really impressive for a Chinese guitar. Heck even one of my Mexican Martins needed fret dressing out of the box! Also intonation was spot on and this also is important in your guitar. Very impressed with this guitar, intermediate/advanced feel but priced at a beginner budget. You won't regret picking one up, I assure you!Big Bone Murphy

There is a point of quality when an instrument reaches when it stops being seen as "better or worse" but rather just a different flavor. This Yamaha has reached that point. You can play it alongside a guitar costing 5x more and it stands up well. Yamaha is also one of those rare companies with a long history of top quality across all kinds of products, and guitars are an area Yamaha knows well. This is just a beautiful guitar through and throughout. You can get beautiful uncompromisingly great studio recordings with this guitar. Hitting the low strings hard with strumming gives a nice deep and rich tone. Also, the hardware / tuners are nice.Scott

I've owned many acoustics over the years, MANY, and this Yamaha is one of the best sounding I've ever owned. Went to GC just to check out a few lower end acoustics to pick up for jamming on, and tried almost every one in the room. Picked this one up last just before I was ready to leave, and immediately was blown away by the sound and playability, brought a couple friends to listen and tell me which one they thought sounded the best, and hands down this won over all of them. It has the tone and warmth of a Martin D34, which I have owned a few, and it plays like a dream. The neck is so sliky smooth, easy to fly up and down with no effort. It has amazing sustain and beautiful tone, I fell in love with it and just couldn't put it down. I didn't expect a guitar of this price range to sound as good as it does, got it home and I couldn't put it down. Played for 4 hours straight, and even after trying to put it down to go to bed at 1am I found myself playing a for a few more minutes before I could actually go to sleep. Love this Yamaha more than any guitar I've bought in the last decade. The best thing about it is, It gave me the desire to pick up playing guitar again, after hardly touching any of my other guitars for almost a year it's the one I want to play more than all of them. Great guitar, wouldn't hesitate to buy another in a different color, if you want something that you won't be able to put down this baby has the sound and feel your looking for.Johnny D

I didn't have high hopes for a guitar in this price point, but it has had rave reviews so I ordered one. When I unboxed it after about 5 hours, the very first thing that I noticed was the build quality. The neck set is absolutely perfect and the guitar is very nicely playable right out of the box. The finish on this guitar is superb. It is a Plain Jane but it's pleasing to the eye as a solid, well built guitar. It tuned up well and I played a couple of sets on it, and after one retune, it sang out quite nicely. The only change I will make to this guitar is changing the nut and the bridge to bone, since the plastic polymer just doesn't sustain like this guitar is capable of doing. The additional 50 dollar investment is well worth it, I would be comfortable playing this guitar anywhere, it's well worth the money, and it's easy to see why the reviews have been so good on it.Taylor W.

When the guitar arrived, I was not disappointed. The "sandburst" finish was fantastic–satin on the body, matte on the neck, which made playing a breeze. The fret work has no issues. The only change I will make is to have a tech file the nut grooves so the action is easier on the first fret; this is not uncommon with new guitars from any manufacturer. Other than that, the guitar is ideal. The bass response makes my fillings rattle (in a good way) and this guitar is loud when I need it to be. An important factor is this FG800 comes with a solid top spruce–this can't be emphasized enough. With laminate tops, you might get lucky with a decent tone, but the odds will be against you. A solid top will bring you closer to the sound you want. I don't believe in "beginner" guitars, which is another term for paying less in case you don't want to play the guitar later. If you're a guitar player, you'll know what you want. The FG800 passes for a quality guitar that will last your lifetime and that of the person you might bequeath it to.Dave

I’m impressed by the build and sound quality of this acoustic guitar! Easy to tune and play. I used to play on a Taylor GS mini (Koa) but couldn’t bring it with me when I moved to the UK. I was thinking about buying the same model here but they’re quite expensive and paying for international shipping to bring mine from my home country wouldn’t be cheaper as well. That’s when I saw online reviews of this Yamaha FG800 and decided to give it a shot. PMT shopping experience was very smooth and the delivery was very fast – next day. Couldn’t be happier! Now I have something to play after 6 months after moving. And it’s a good quality guitar.Victor T.

Very nice guitar … However , There are no tuning instructions or string height instructions . And you may find the the standard "E" tuning is to high . And will stress the neck joint . Which is why many of Older Martin Guitars require a Neck Reset . And is why the Martin players . Most often recommend "D" tuning . CMNchris

This is my third Martin although mine is slightly different in that it is a 000-28 EC Eric Clapton version. In 1972 I bought my first one, a D-35, then acquired a D35-12.later. I played the D-35 exclusively for many years professionally along the way acquiring a beautiful custom hand built guitar, Bertoncini, but I always wanted a smaller body that I thought would be better for finger picking and wow does the 000-28 meet that! I have become so addicted to it I play it almost exclusively. Not only is it wonderful for finger picking it is wonderful for flat picking too. The action is set perfectly. I love the feel of the smaller body size, it cradles into your arms perfectly. The neck on mine has a slight "V" shape which is terrific with a slightly wider nut which really enhances the finger picking style greatly. It's no wonder it is Clapton's favorite acoustic. The 000-28 predates the Dreadnoughts and was and is more the Martin "Classic" and for a good reason, it is a very well balanced guitar tone-wise not overly boomy which can interfere with the bass if you're playing in a band and the tone is dead accurate all the way up the neck so an E played open is in tune with an E played up the neck. So many guitar makers miss that by a mile. I love this thing so much my only regret is the poor D-35 sits in the case too much! The 000-28 has a signature tone to it that you can not mistake for a Taylor or something else – this is a true classic. Now something else I want to add about a Martin and their service. After I bought the D-35 years ago the neck moved just slightly and after 30 years of playing the plastic binding began to separate. When the wind knocked it over on its stand on a break I finally sent it back again for repairs. It came back in PRISTINE condition! The tone was not hurt in the least by the necessity of refinishing it and it plays beautifully – all no cost to me! Martin is fantastic. The 35 is wonderful but I love the 000-28 – my Go To!Rick

Back in 2008, I bought my dream guitar, a Martin HD-28. In the last 12 years it has been my baby. However, I only play for myself at home. Lately, I had been reconsidering it's large size and loud volume, and I started trying some smaller guitars. I decided to sell my dreadnaught, and used the proceeds to buy this 000-28 that was redesigned in 2018. Let me say that it is amazing. While the HD-28 had a beautiful deep bass-like response, this 000-28 is more shimmering and a chiming sound. It is extremely comfortable, and the fretboard seems a bit wider than my HD-28, which makes it very comfortable. I was concerned about how the aging toner would look, but it turns out looking very warm and buttery, and the top color will definitely age more on its own. I was also worried that it wouldn't be good for strumming, due to the shorter scale length. But this guitar sounds just as good strumming as well as finger picking. I've never tried an OM-28, but I can say that this 000-28 is also a great chord strumming guitar. This is a very intimate and lovely guitar, and I don't know if it will ever leave my house. If I were playing gigs or in a band, I would probably prefer a dread size, but this is perfect for my personal use at home. Also, the scalloped bracing seems to have been a massive improvement. I imagine this is very close to the Clapton model now, in terms of sound.Chachi

Overall: My first thoughts when I took that first strum, was “Guy Clark.,” except I think that man made his own guitars. But if I can describe the first sound I heard or who, that’s what it was, Guy Clark designed this one. It is beautiful and played in tune out of the box. Now I’m just more of a collector than a player, but I some ESP’s, a Yamaha, Taylor 710e, Ovation, an Ibanez, and now this magical Martin D-15M StreetMaster Acoustic. Good luck putting it down before your fingers bleed. At this price point and much above this is a splendid guitar. I can’t wait to hear what it sounds like after it has hours and hours of use on it. Buy one they’ll take it back if you don’t like it, but somehow I don’t see you making that choice. If all the other Martins haven’t convinced you, this one will. If your budget isn’t as high, do yourself a favor and keep saving or pay as you go option.Richard

I literally walked around Sam Ash plucking low E strings listening for a deep rich sound. Martin seemed to have more than anyone else. I liked the look of the Mahogany top/back/sides/neck. The ripples of the grain add a beautiful touch to the color of the wood. The tone has totally warmed up more and grown deeper over the 10 or 11 months she's been home with me. I have the MFX740 Bronze Acoustic Guitar Strings (Martin strings, they call them Tommy's Choice) on there and it just gives this rich low rumble on the low E and the D strings that if I have my feet up on my desk I can feel on my desk. The ring out is intense and long on this baby. I have not had anyone pick up my Martin and NOT say how much they love the tone of her. I do love the look of no binding… but, I'm going to have to say I do have some dents on the sides where the bindings would be protecting. That said… I'm not sure I care at the same time I think I care. I think that means I want it to be perfect but I also am okay with her getting age marks just as long as it doesn't do some serious damage. I would buy another. I'd buy it for my Dad. I'd buy it for one of my kids if they'd play. If you pick this guitar up you'll probably end up taking it home. Comes with a beautiful martin case with green insides. Acoustic only, don't forget.BasPilot

I have somewhat passively searched for the holy grail of the acoustic/electric bass guitar for years. Most acoustic bass guitars available are less than $500 and sound horrible. I started researching again and found numerous reviews stating that the Martin is heads and shoulders above the rest. I was still hesitant since I didn't know where I could check one out first. I found one in McKinney, TX. I played it unplugged and plugged. I had found it. Since my local music store had recently become a Martin dealer, I was planning to have them order me one. I knew that Martin had recently discontinued production, but they offered to build one and would take about 3 months. I visited a Sam Ash store in Birmingham and another in the Dallas area. I purchased an $8 item and was mildly annoyed as the guy checking me out was asking for everything with the exception of my passport and birth certificate. Now, I'm glad I cooperated. I receive regular emails from Sam Ash. Late one night, I see that they were offering 48 months with no interest. I thought to myself, I wonder if they have a Martin bass. Low and behold, hallelujah, they had a limited stock and was on sale. Well, I applied for the credit and was approved, however, when I tried to check out, I didn't have my new account number. The next morning, I had an email from them announcing a Paul Ash sale. I called Sam Ash and explained my issue during checkout. I asked if there was an additional discount due the sale. He put me on hold for a while and came back and knocked another $70. Two days later, on a Saturday, Fedex delivered the latest addition to my bass family. Of course I would prefer it to be louder unplugged, but it's fine for sitting around playing. Plugged in, it sounds amazing. Too bad Martin discontinued it. I purchased a Thumby and mounted it on the edge of the sound hole. I love this bass and a big fan of Sam Ash.Jeff

I purchase this guitar last week Monday and it arrived on Friday. This was an upgrade from my Yamaha FG800 and I must say that as much as I have loved my FG800 the FG830 just blows it away.

I have owned a Martin, Fender, Taylor and Teton. Of all my guitars I have fallen hard for the Yamaha Brand. The FG830 is very easy to play and sounds great right out of the box. The action is lower than the FG800 and the sound is amazing.

My recommendation to a new player or seasoned player is Buy this amazing guitar!Todd Ladwig

I was familiar with the Yamaha FG730 and its' favorable reviews as an excellent value solid top guitar. I also tried out an FG730 at a local retailer and found it to be comfortable to play, with a decent and full acoustic tone. I would have purchased the FG730 had I not read about the newly released FG830 … similar in design to the FG730 with the added enhancement of scalloped bracing. I decided to order an FG830, based on what I believed would be an improved tone versus the FG 730 (enhanced bass). My instincts were good. The tone and playability of this guitar exceeded my expectations, and I find myself picking this guitar quite often to play and practice, in spite of having several Martin and Taylor guitars on hand in their cases. The Yamaha doesn't sound or play as well as those other higher end acoustics, but I am pleasantly satisfied overall. This is an excellent beginner's guitar, and not so bad as a backup guitar in a crunch.karby55

Very nice guitar … However , There are no tuning instructions or string height instructions . And you may find the the standard "E" tuning is to high . And will stress the neck joint . Which is why many of Older Martin Guitars require a Neck Reset . And is why the Martin players . Most often recommend "D" tuning . CMNchris

This is my third Martin although mine is slightly different in that it is a 000-28 EC Eric Clapton version. In 1972 I bought my first one, a D-35, then acquired a D35-12.later. I played the D-35 exclusively for many years professionally along the way acquiring a beautiful custom hand built guitar, Bertoncini, but I always wanted a smaller body that I thought would be better for finger picking and wow does the 000-28 meet that! I have become so addicted to it I play it almost exclusively. Not only is it wonderful for finger picking it is wonderful for flat picking too. The action is set perfectly. I love the feel of the smaller body size, it cradles into your arms perfectly. The neck on mine has a slight "V" shape which is terrific with a slightly wider nut which really enhances the finger picking style greatly. It's no wonder it is Clapton's favorite acoustic. The 000-28 predates the Dreadnoughts and was and is more the Martin "Classic" and for a good reason, it is a very well balanced guitar tone-wise not overly boomy which can interfere with the bass if you're playing in a band and the tone is dead accurate all the way up the neck so an E played open is in tune with an E played up the neck. So many guitar makers miss that by a mile. I love this thing so much my only regret is the poor D-35 sits in the case too much! The 000-28 has a signature tone to it that you can not mistake for a Taylor or something else – this is a true classic. Now something else I want to add about a Martin and their service. After I bought the D-35 years ago the neck moved just slightly and after 30 years of playing the plastic binding began to separate. When the wind knocked it over on its stand on a break I finally sent it back again for repairs. It came back in PRISTINE condition! The tone was not hurt in the least by the necessity of refinishing it and it plays beautifully – all no cost to me! Martin is fantastic. The 35 is wonderful but I love the 000-28 – my Go To!Rick

Back in 2008, I bought my dream guitar, a Martin HD-28. In the last 12 years it has been my baby. However, I only play for myself at home. Lately, I had been reconsidering it's large size and loud volume, and I started trying some smaller guitars. I decided to sell my dreadnaught, and used the proceeds to buy this 000-28 that was redesigned in 2018. Let me say that it is amazing. While the HD-28 had a beautiful deep bass-like response, this 000-28 is more shimmering and a chiming sound. It is extremely comfortable, and the fretboard seems a bit wider than my HD-28, which makes it very comfortable. I was concerned about how the aging toner would look, but it turns out looking very warm and buttery, and the top color will definitely age more on its own. I was also worried that it wouldn't be good for strumming, due to the shorter scale length. But this guitar sounds just as good strumming as well as finger picking. I've never tried an OM-28, but I can say that this 000-28 is also a great chord strumming guitar. This is a very intimate and lovely guitar, and I don't know if it will ever leave my house. If I were playing gigs or in a band, I would probably prefer a dread size, but this is perfect for my personal use at home. Also, the scalloped bracing seems to have been a massive improvement. I imagine this is very close to the Clapton model now, in terms of sound.Chachi

The Martin 000-17SM is a great guitar, all the way around. It is an absolutely fantastic fingerstyle instrument, but if you take a pick to it, it responds very well. It is very loud for a "small" bodied guitar. This may be due to the elongated 000, 12-fret body. The 000, 12 fret design also gives this guitar a very balanced sound throughout its entire range. It's not "boomy" like a dreadnaught and it isn't "boxy" like a parlor or travel guitar. The only "down" side for someone coming from a dreadnaught might be the wider neck. Once you start doing some fingerpicking on this thing, though, you'll fall in love with the neck. The slotted headstock does take a little practice and a little more time when restringing, but I just think of that as "bonding" time. After all, this is the kind of guitar you're going to want to keep forever and pass down to your kids.Bad Blues Player

Overall: Probably the ugliest guitar Ive ever owned. Beauty is in the eye of the beholder right? Under its homely face is the soul of a beautiful wood nymph. Crisp and clear, bold and bright with the earthy tone of Mahogany. This guitar is addictive. I tried 4 very good guitars before holding on to this one. Gibson J45, Breedlove USA Concert, Martin Performing Artist GPCPA4R, Larrivee LO3S. Gibson sounded great but had an uneven fretboard, Breedlove gorgeous design, super easy to play and along with the Gibson beautiful to look at, but this one had buzz problems and sounded dull on the bass strings, Larrivee sounded like silken tones but the huge neck was a problem, Martin Performing Artist was almost the one until I recorded with it and it just came out too bright. The ugly little Martin Hog sounded great, recorded great and played like a typical Martin. Good low action, no buzzing and clear deep and woody dulcimer tones. Its a keeper and Im not letting this one go.Daniel

You can read lots of pros and cons online about this model and this is just another perspective, but based on my 50 years of professional guitar performance on solid bodies, hollow bodies, dreadnaughts and salon size steel strings, nylon string and acoustic and electric 12-string. Folks who pan this Taylor apparently would be disappointed that a vintage Gibson 335 doesn't sound exactly like a D-28 and a Les Paul Custom rolled into one. Anyone who researches this model HAS to know it is not a compromise concept, it seeks to take the characteristics of both acoustic and electric guitars and make them available in one instrument. For what it does, I think it does it superbly. I play with bare, short fingernails and no picks so this may influence my tonal perception but this thing through my JBL EON One sounds gorgeous, as good as any hollow jazz box I've had and better than most of them. Solos on the humbucker can get about as much sustain and crunch as a competent player would ask for. And as for playability: this thing is a dream to play. Pulloffs and hammers are effortless, the neck feels perfect with just enough fret height to let me thumb the strings without bottoming them. The hardware is well positioned for the most part with the tone and volume controls unobtrusive as I like them; I don't need hatbox knobs that are bigger than my bathroom faucets. Fit and finish are the usual Taylor standard, which is amazing for a mass produced instrument. All in all, my purchase of this T5-C1 with maple top was one of the best guitar buys I've ever made…and I've made a lot of them. This match feels like one made in heaven and I would encourage those players who are sophisticated enough to appreciate a concept that is fresh and well executed to look closely at the T5-C1 or variants of this model as they are available. Put it to work for you and I am confident that the more you use it, the more you will come to appreciate how well the design concept works in allowing you the artistic freedom to express yourself through your instrument to the fullest.son_of_idiot

This guitar has all of the sweet sounds an functions of a T5Z guitar the form of a 12 string guitar. There is little add to this review that I haven't say in my T5Z review, except that it is in a 12 string. I could play for hours with this guitar, that I would not or could not do with other 12 stings. Playing is effortless, however it is dependent upon which songs you are playing. Great for Folk songs and single performers, but not for hard rock or Reggae. As with most 12 stings, it fills the void with sound in songs. Bar cords are relatively easy as in most 12 string guitars. I reduce the rating because it does not fit into other T5Z Taylor guitar cases. Yep! You need to buy a Dedicated Taylor case, since the T5Z cases are of a slightly narrower dimension. Like wise, other accessories are also of a slightly different dimension, rendering a need to duplicate seemingly identical accessories. As an individual or paired performers, you will love this guitar as it makes you sing and feeling like a professional!ZipperMan

I own two other Martins (1970 D12-35 and1971 D42) both of which have aged beautifully and sound incredible. Both guitars needed to be set up, as back then out of the box from Martin high actions seemed to be the norm. Took a Martin factory tour in PA a few years ago and was floored by a demo stock D28. I've wanted one ever since. Walked into a Guitar Center while in NJ on a whim (alone, wife would have dragged me off) and tried various D28's, and even a D45. When I got to the D28 MD, well, it was all over. Haggled over price, then purchased it – this was back in Feb 2020, pre-Covid. Loved it out of the box. Pleke'd for perfect action, (absolutely no setup needed), beautifully appointed and incredible clear and distinctive bass, treble mid-range, whether finger picked (using finger picks or just fingers) or picking. It's now August, 6 months later, and…the sound is still a jaw-dropper every time I play. If you want a premium sounding player, that is also visually satisfying without being ostentatious, and your budget can permit, this is the one.Steven

The Martin "Special OM-28 VTS" guitar is outstanding in every way. WOW! It arrived with a perfect set-up. Its case is also a small upgrade over Martin 15 and 17 series' wood covered cases, and good enough. I contacted Martin about the VTS top on the guitar before buying. I wanted to know that if after torrefaction the top was going to continue to age, albeit much more slowly that new wood? My question was answered promptly by a customer service employee at Martin who said he asked my question to Martin's head of Instrument Design. The answer was yes, the VTS top will continue to age, very slowly. So, it is not a dead top. Derek was my sales associate and he could not have been more kind and patient. After all, buying a higher-end Martin isn't cheap. My guitar is labeled "Special" on its wooden serial number plate and not "Custom." The sales tags say "Custom." Guitar Center/Musicians Friend ordered 100 a of these exact guitars as a "Custom" order from Martin. It sold out and ordered more. The extras, mine included are called "Custom." I knew this before I made my purchase. My "Special OM-28 VTS" guitar is of heirloom quality.Chris

I wanted a rosewood 000 or OM. Almost brought a used omjm a couple different times. MF has had some smoking sales lately and I missed a couple good deals because I didn't pull the trigger. When this beacame part of the FALL sale knowing the omjm and 000-28ec is based on this basic model and this model had VTS, I just did it, tossed aside self control, took the heavyest one they had and here it is. After a few self tweaks to the truss rod, lowering the saddle a couple mm, like tone wowsville, this sounds as loud and has as much bass response as my HD-28e retro. Even my wife noticed. You know how wives are, they let us have multiple guitars so we don't get multiple girl friends, and she noticed how good this sounded over an HD28e retro, an 000-18e retro, a gpcpa1 big leaf maple custom shop, a 000-15m, she never knows what I am playing until this guitar. Now if she knows and hears the difference imagine how much I and you will notice how fripping sweet this guitar sounds and plays. This sounds incredibly good and should be added to your arsenal of guitars. The neck is like butter. Adding Fishman AG series passive piezo for electronics. My top has red streaks going through it, says sitka but I've only seen Engleman red spruce like that. The VTS is amazing, Better get one of these before none are left! I think I got the next to last one.OttoMatick

I am a professional musician/songwriter (also a Berklee grad-1981). While guitar is not the principal instrument I was trained on (piano/keyboard are my primary), I have been playing guitar on and off since I was a teen back in the 1970s. However, over the last couple of years I've been putting a lot more dedicated practice time on improving my guitar skills for both for songwriting and solo guitar playing. I've been particularly focused mastering the layout of the guitar fretboard so I can put all my harmonic knowledge to work on the instrument, something I wish I did many years ago, but better late than never! I purchased this guitar because I wanted an instrument that was reasonable, easy to play, and enjoyable to listen to. I tried guitars in a variety of price ranges and was surprised at how much more I liked the F335 than guitars 2-3xs more costly. Although this guitar has a laminate rather than solid spruce top, it has a clear yet warm sound that I find really pleasing sonically. The fretboard is also very comfortable and easy to play which adds to the enjoyment of making music with it. I was so impressed with this instrument that I recently also purchased a Yamaha FS800 to use more for fingerstyle playing while using the F335 for flat picking. Those are a nice combination of instruments that cover all my guitar playing needs at this time. Regardless of what level you are playing I highly recommend this (and the FS800) for anyone looking for a very reasonable option that you can use for playing and songwriting.Scott F.

First of all, I own 2 Yamaha Guitars, the F335 being the first one I have owned. For an entry-level dred, you could not ask for a better quality, easy to play right out of the box, althought I would recommend a set-up with any instrument right out of the box with the addition of a bone saddle. Did this with this one and it brought its already rich tone to another level. I only give it 4 stars because I have owned a number of high-end instruments. If you are a brand new player, or one who is in the market just to have a dred to beat around with, look no further. This is the one for you.Chris

I purchased this guitar while it was on sale so can't really complain. There are several QC issues I would expect better from Yamaha even in a cheap imported product. Fit and overall build seems solid but there are odd finish issues that make no sense. At the neck joint there seems to be the remains of a tape line from the body to the neck all around the joint. This neck feels quite thin and comfortable but again, the finish is inconsistent. Just before the headstock, the finish goes from semi-gloss to mat in a very visible way that can also be felt in the hand. As I said in the beginning, cheap guitar, cheap price, hard to complain.Robert

I had bought one of these back in 2017 when I made the switch to Acoustic. I don't know why but, I got rid of it so I could make the move tpo the Martin X-Series only because I had always wanted a Martin. To make a long story short, the Martin didn't cut it for me, so last week I made the move back to Taylor and the Big Baby. These newer ones are so beautiful but it's a shame, that Taylor has discontinued them. The Brown headstock along with the Solid Spruce top and Walnut back and sides, have really IMO, improved this model. Once set up properly, it stays in tune and just sounds awesome ! I would say that it is the best Acoustic going today which is under the 500 dollar range. Plus seeing that I'm on a low budget, this was a no-brainer. It's a keeper and I am getting a lot of joy playing it.Jeffrey

I had bought one of these from here way back in 2017 , which I used when I was gigging . I'm now retired ( 63 ) and only play at home now. I had to take a couple of years away from playing, due to pain in my left hand , which built up from 50 years of playing. I came back to playing in August of 2021 and I had bpught a Martin X-Series which at the time, I thought was great . Well it turned out that I ended up having issues with it and got rid of it, so I went back to getting a new, Big Baby Taylor, which always served me well. It's too bad that Taylor discontinued these because, these newer models are IMO, a vast improvement over the older ones. Since I got it on this past Sunday, I can not put this down. It just sounds so amazing and it stays in tune forever. While the included gigbag is a plus, I went and bought a Hardshell case for it. For those who want a Taylor but are on a low budget, this is worth the asking price and then some.Jeff

Since I went back to playing last summer after a 3 year hiatus, due to wrist pain in my left hand, I was using a Martin X-Series OMCX1E which I had nothing but problems with such as not staying in tune, fret buzz, etc. So over a week ago, I made the decision to switch to a Big Baby Taylor. I am limited as far as funds go, so $500.00 was the most that I could afford and I did not want to get a Baby but the Big Baby which is pretty close to a standard dreadnought size , at least as th neck scale is concerned. The body is a tad smaller and lighter which for me at my age ( 63 ) , makes playing a lot easier. Thiis came already set up and strung with Elixirs , which I liked . I can not believe how light in weight this is and it stays in tune , which is a huge plus for me. As far as tone goes, this easily blows away any of the Martin X-Series .I love this guitar and I will be making some wonderful memories with it.jeffreyo46

This is an amazing sounding instrument for the price. The quality of craftsmanship is that of a much more expensive instrument. And to top if off, it sounds great. The neck feels better than more expensive Martins. I liken it to an Australian Maton. And it comes with a solid gig bag. Highly recommended.Beninem80

Overall: Played one 10 or so years ago but didn’t get because of other obligations. Never forgot how it played and sounded! Finally got one and it is a truly excellent guitar. I have a Gibson CJ165EC, which I love, and the 000-15M is a totally different sound, which I wanted. Needed some Martin jangle! Out of the box fantastic. The mahogany tone is unmistakable and rich! Neck is a thin Martin neck, which I’m fine with. I’ve been playing for 53+ years so I kinda know what I’m talking about. Putting in a Fishman rate earth soundhole pickup and this will be my busking guitar! Really happy with the guitar and with zZounds. Delivery was fast and purchase was flawless. Highly recommend both the Martin 000-15M and zZounds!!Reverend

I ordered this online after discussing the purchase with Sam Ash Staff, it was in short supply, they scouted all Sam Ash Stores, they found one and it arrived two weeks early just after christmas. My wife loves it! It's her 2nd Martin Guitar and this one is her prize instrument. The staff at our local store were really helpful both with the Order process and preparing the the guitar upon arrival at the store. I asked about the 1st year instrument maintenance option and they were able to update our purchase to include that. The guitar sounds great, my wife loves playing it even though she is a novice. Totally satisfied with the instrument and the staff that helped obtain it. Thanks guys.Britinusa

I have wanted a triple-aught mahogany guitar. I preferred the Guild D20 dread to the Martin D15, but was open-minded about which 000 brand. Didn't like videos on Taylor and Alvarez all hog orchestra models and was very impressed with the Martin videos. So ordered this. Was also a big fan of Kenneth Pattengale and I'm With Her who use the 00-15 model. Let the box sit half a day. Upon opening it I was greeted by this amazing scent. The guitar came set up with low action, slightly detuned. The bridge and fretboard appeared to be stained morado (a very hard and valid wood, harder than rosewood but not quite as much as ebony). Tuners are Grover Statites. They are firm and perhaps a little too sensitive to sometimes dial in. The body was a gorgeous chocolate with amber-orange highlights. The guitar was immaculate. Martin Lifespan 2.0 PB 12-54 strings. It sounded really nice with the ebony pins which were fit absolutely perfectly. However, I had already purchased Blisstime unbleached bone pins which fit perfectly too. I got even more sustain and a more melodic tone, along with greater volume. This improved the strumming tone immensely. May switch to nickel-bronze 12-56 strings, but I will wait for now. The guitar is super-light and weird to hold after dreads. The tone is dark (as expected) but ringing. There is the hog compression, but I was amazed how great this sounded brand new. I did humidity it overnight. Intonation was spot on. The frets were dressed wonderfully with no protruding ends. No truss rod wrench, nor polishing cloth like with my DSS-17. The case had a small ding in the tolex which I was able to bond into place cleanly and disguise. The case is very nice, but without built-in humidification like my Guild. The tone is beautifully even and not bass-heavy like the D15. The treble keeps up with the expected mids. The end pin was not pushed in all the way by me as it was very tight. May opt to have that professionally assessed. I don't gig, so a pickup is not for me. I did get a tortoise pickguard. This is definitely a keeper which I will pamper.Tom

Was the next best thing that I have ever got myself other than my truck. Ty love the way it sound and the way it plays……rosad-rober

So, this has always been a dream guitar for me. The weird thing is, I’ve actually owned one before but was not impressed with the sound. I had read in previous reviews that the 000-17’s have a cheap guitar sound, and when I owned the previous guitar I was in agreement with those reviews…so, sold it. However, a year later I played one at a local guitar shop and it punched me in the face!!! It was crunchy, punchy, resonant, and had some real cojones to it! I WAS LIKE “WHAT!!!” This ain’t the same guitar I remember, so, I ordered a new one online. When it arrived, my brand new 000-17 sounded just like my first one (Solid tone, but kinda lifeless). I was pretty let down. I was wondering what the deal was. What was so different between the two that I’ve owned, and the one I played at the shop?? So, before I just sold it AGAIN, I put some Martin Retro 13 gauge strings on it and ebony bridge pins on it and BOOOOM!! There it was!! That had to have been the difference between the two I owned and the punchy bad boy in the shop. This guitar is now the all around banger I hoped and heard it would be!! This guitar should be sold with 13 gauge retros on it, because as the reviews state it does sound slightly cheap with the 12’s. When you add the 13’s it’s like putting a set of nuts on it! This thing deserves an overall 5.0 rating, but I think people (Like I did) get rid of it or bash it before they find out what a beast this thing can be! If you are looking to buy one…DO IT!! Then, add 13 gauge Martin Retro strings (And bone bridge pins), and just wait for this bad boy to attack!! I seriously could go my whole life with this one guitar because of it’s character, voice, tone, punchiness, crunch, resonance, playability, craftsmanship, KILLER STYLE, and all around package!! Just ignore the negative reviews and listen to your boy… GET THIS GUITAR!!Zach Scoggins

I know this is alot of money to spend on a guitar. I am a working man too. I firmly believe this is the most money that a player should be spending on any guitar. I am a guitar PLAYER. I DONT buy guitars to hang on the wall so I can appreciate the gloss finish and drool over the pearl inlays. When I buy a guitar, I intend to play it until it is worn. I have done that with all of my acoustic and my electric guitars. If you are the kind of player who knows a few chords, and likes to sit down and strum a pretty guitar with figured inlays and flashy hardware, this guitar definitely is not the instrument for you. When you buy guitar, you can change every part on it, except the body and the neck. If you're going to buy a guitar with intent to change the neck and body, why not just buy a guitar with the neck and body you want, and change the hardware? If you are a player who is professional, serious, and wants to make a sound for yourself, well this guitar is the guitar for you. Yes, It DOES have the neck AND the body you want. The neck feels incredible. It is UNPARALLELED when it comes to feeling this guitar. Don't believe me? Find one and try playing it. It's like the Rickenbacker of acoustic instruments. The top of the guitar is the first thing that the sound bounces off of, and the shape and bracing in this acoustic allows for the hardwood of the spruce to do its job; to vibrate and give the guitar an excellent punch, and to twang and crunch when picking each string individually. It is an unbeatable sound from the first strum, but the real treat is the resonation. The sides of a guitar are where the it's sound rings after strumming. When you let this guitar ring, it gets a deep, rich, and woody sound from the mahogany sides. Somehow, this guitar is both punchy and gives a solid chimey crunch, but also resonates warmly with a full, rich, and deep sound. I have played and owned MANY guitars, but this one takes the cake. It is the best acoustic I have ever played.Marty

My first gut reaction to this guitar was repulsion. To be fair, I unboxed it in very unflattering light. It was strung with Retro monel strings which I personally do not like at all. I looked at the flat, Whiskey Sunset finish. All splochy and just cringe I wanted to yeet the damned thing. I strummed it twice and put it back in the case.

Two weeks later, one morning I tried it again. I sat in great morning sunlight and noticed it was a guitar going for a totally different vibe than anything else out there. And once I understood what it was it made sense. And I began falling in love with this thing.

Construction is perfect. Materials are top shelf. My top is heavily bear clawed as well as figured. Growth rings are parallel and very tight. Super high quality wood, actually. The neck is one piece mahogany, not glued up. The neck wood is also perfectly quarter sawn. The fret oard wood, though an uncommon rosewood has the basic density and pore structure of ebony, ut us a uniform dark cocoa brown color. Mine looke l8ke brown ebony. And it takes a polish like ebony will. You just dont find this wood quality on guitars at this pricepoint. The wood is as good as in my Larrivee LV03, which is a lot higher end guitar that has similar build quality

The guitar is incredibly light, weighing about 35% less than the Larrivee. It is lightly braced. The top is very "live." Doesnt take much wake it and it is very dynamically responsive. As a result, the guitar has a sort of "reverb" to its tone. It is actually the top being so live that open strings ring very easily. Gives the guitar a different vibe thats really cool. It's a subtle thing and would only matter for fingerstyle.

In fact I see this as exclusively a fingerstyle guitar. This is THE guitar to buy for fingerstyle Delta Blues. Detune it and it sounds greasy, growly, and downright nasty. It's sick. Nothing else I own is even close for this genre. The tone is very mid forward. Very warm. Not a lot of top end detail. Soft attack. Bass is tight and focused, but not overpowering. Perfect for pedaled bass notes. This is one of the fattest sounding gits I've heard heard. In electric guitar world its a Strat or P90, neck pickup position, tone rolled back a bit.

I would highly recommend the 000-17 for fingerstyle playing where dynamically responsive, mid forward, aggressive, warm fat tone is wanted. But the guitar isn't a good choice if you aren't a Bluesman. Flatpicking on the 000-17 sounds like poo tbh. You arent going to like it for strumming Kumbayah.

The 000-17 perfect for Blues. And thats great because thats what I wanted it for.Ken Smith

First I should say this is my third Martin, the others being a D18 1934 GE and an OM-H28 VTS. I've wanted a 00-sized guitar and after having played several I chose the CEO-7. Boy, am I fortunate. I'm having more fun with this guitar than I really thought possible. First, it looks so cool. More Gibson L-00 than Martin (hence the "My Favorite Marti(a)n" nod in the title). But it plays and sounds just like a Martin–and that's a great thing. I've often said that if American history and culture had a soundtrack, it would be played on a Martin. And if I were doing the playing, it would be on my CEO-7. It fits like a glove and the sound rocks my soul. When played softly, it produces a sweet and delicate sound. But when you lay into it, it becomes gritty and bluesy. I've swapped the plastic bridge pins for bone and I'll probably upgrade the tuners at some point, but everything else is tops–addy top; mahogany back and sides; looks like a mahogany neck; ebony fingerboad and bridge; 1 3/4 bone nut. It's a lot of value for the price. Honestly, hands down THE BEST guitar I've ever owned. No regrets. I'll have this one forever.ScottyJ

I have been deliberating on getting a Martin D28 for a decade. I finally bit the bullet and spent the money but opted on the CEO 7. I couldn't be more happy. First off its gorgeous with the sunburst top and choice mahogany back and sides. The size drew me in because of comfortability and I play a lot sitting and lounging. To me it is way more comfortable than the dreadnot while not loosing any (or significant) volume. Plays like a dream. I shouldn't have have waited so long. I did opt to add an ivory arm rest and I think it just increases the big sound of this little guitar.Jon

This guitar is comfortable in my hands…it just feels good. Finger picking, flat picking, strumming…whatever style you prefer…it'll be fine. Clear and crisp and rings like a bell. Small but mighty. I've played (or tried to play) a bunch of guitars over the last 50 years. I'm a ham and egg player. Electrics and acoustics – Fenders, Gibsons, Martins, Gretschs, Epiphones, Guilds, Dan Electros and on…and this Martin CEO-7 is among the sweetest ever. This one makes me want to play it, and, most important, makes me want get better at playing it. This one makes me lose track of time.Hroogar

I'll make this short. Another Martin has entered the home. The Streetmaster is another outside the box model from Martin. I searched and found one in stock at Sam Ash in Charlotte. Only a 1.5 hour drive up from Columbia. Kylene Edson had it ready, set-up was perfect, action and playability is definitely Martin. The color, "rustic brown" is different, but my wife wants art and guitar. She began lessons 4 weeks ago. Me, 40+ years of hearing loss. But, since I have bought my lot of 24 guitars since October '19, it is her turn for a few. (Little secret-I play so when they get broke in I will do it!) I would have liked a hard-shell case but the gig bag is substantial and well padded. Overall, excellent solid wood mahogany sound and nice to look at. Thanks Kylene and Sam Ash of Charlotte for having it in stock.MICHAEL

Overall: I have been playing guitar for 28 years now I believe. I was born and raised in Pennsylvania so C.F. Martin has always had a place in my heart since I began playing. The guitar out of the box was perfectly tuned dropped a half step. It looks amazing, and sounds amazing, through the highs, midrange, and lows it just resonates so wonderfully. I prefer a parlor style body to a dreadnought style and let me tell you this thing delivers such beautiful tone through out it's solid mahogany construction. I was on the fence of getting the 000-15 to the Streetmaster. I am glad I went with the Streetmaster the relic finish and prewar styled tuners looks amazing. I get compliments from everyone that sees and hears it. I would also like to comment that the soft gig bag case is really nicely made and has more protection than a standard run of the mill gig bag.Jimmy

Bought for studio work. Smokes! Guitar's natural eq is a perfect hi/lo cut for a mix with a nice mid presence. Very balanced with everything you need and nothing you don't. Wanted for more finger-style tracking. Have several other usual-suspect woods/brands/models but missing something in this 'space'/role. Was a perfect fit!.Daniel

I was looking to get a really good solid wood acoustic and looked at every Martin and Taylor. I was nervous of getting a small scale but when it arrived it was perfect. I tend to use my fingers rather than pick on it as it has a very fast neck and the scale lends well to finger picking. The case is amazing! I wanted a hard case with the guitar I chose and almost went with another brand due to the case but this is not a gig bag. It is a hybrid and very sturdy. I can't say enough great things about the purchase…..best of all, mine was produced in Sep nearly a month before the release of the model so getting an early model of a guitar that will certainly become a best seller makes the purchase even more sweet.Ks

The small size made me feel at home instantly. As if I owned this guitar for years. The neck is very fast and the spacing of the frets isnt too tight. I suggest just raising the action a little bit, its gonna make it louder. Since it is so easy to play, you will barely notice. Great for finger picking.Peter 47

Great little guitar. I test 2 dozen guitars in search of a great guitar tone for fingerstyle. I've found the GTe to be a great workhorse guitar that is very fun and comfortable to play. The slightly narrower neck, lightweight body and short scale length are very comfortable and the intonation and electronics are very usable for plug and play gigs. It just works. Now, if you're looking for a great, loud strummer, I would probably look elsewhere. It is not bad for strumming and I've played singing/strumming gigs with it but I think it really shines for fingerpicking. It records very nicely and I'm a big fan of the Aerocase over a hardshell. A Martin HD28 is my usual go to guitar and fantastic for strumming and most of my playing, but I've found the Taylor GTe to be more convenient to take around and is a bit less dear to me. When teaching lessons, the Taylor is the one that stays on the stand to grab quickly and doesn't overpower the student guitars but holds its own. I do feel that it is overpriced. Non-precious/reclaimed woods, not the highest grade top visually, satin finish, plain look etc really should put these, in my opinion, about a third lower in price. That being said, I played a lot of guitars and this was the only one I cared enough to walk away with and I'm enjoying it. Even more…my wife came with me on my journey and told me it was special and I should buy. Specs and woods can be nice guides, but I've found the overall guitar and whether or not it helps your playing and inspires you to play is more important. If you try it, like it for your applications, and don't mind a few extra dollars, it really is a great guitar and sounds much nicer than it should.Steve

So far, I really love the sound, construction and appointments. I asked my guitar tech to check it out before I picked it up at the store and he played it for 20 minutes. Andy Powers really did a nice job redesigning the 614ce into the V-Class. So far, I've found no flaws, and the factory setup is perfect. The action matches that of any of my electrics and is extremely playable above the 12th fret without any tuning issues. The appointments are as nice or better than that of my 2006 Taylor NC62ce, which is also maple and spruce.Chris

This is a beautiful instrument. The flamed maple back and sides with the brown sugar stain look incredible, the ebony backstrap is a nice touch as well. I'd prefer abalone to ivoroid for the fretboard markers, but other than that I have no visual complaints. The rock maple neck might be the best I have ever played. The re-voicing work Taylor has done has really brought some additional warmth to the Maple tone, however it still sounds bright next to a rosewood guitar, and I find it can sound a little 'thin' in certain applications. The clarity and note-to-note separation are the best I have ever heard though. Excellent sound when plugged in. Overall a great, and highly unique, instrument.Ryan

I have been playing guitar for 60 years. I have an extensive collection of vintage guitars including several Martin, Gibson, etc acoustic and electric guitars. The Taylor Koa K28e is the best guitar that I have ever played. The beauty, action, and sweet tone of this guitar is above my expectations. This is a pricey guitar, but once you strum the strings and hear the melodic sound, you will hear why this guitar is expensive. It is made using the best and finest materials and workmanship. I believe the Taylor K28e has a richer sound than my Martin D-28. It is certainly prettier than the Martin; or any other guitar that I own, Gibson, Rickenbacker, etc.Donal