Are you looking for the Best Guitar Recording Mic? If so, you’ve come to the right place.
Choosing the Best Guitar Recording Mic can be difficult as there are so many considerations, such as Sennheiser, Aston, AKG, Shure, Blue Microphones, Audio-Technica, Kingston. We have done a lot of research to find the top 20 Best Guitar Recording Mic available.
The average cost is $619.01. Sold comparable range in price from a low of $49.00 to a high of $2739.00.
Based on the research we did, we think Shure SM57-LC Dynamic Cardioid Professional Microphone is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Guitar Recording Mic (20 Sellers)
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Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Handheld or mountable microphone for guitars, vocals, and other instruments in live sound and recording applications.
- Dynamic cartridge with cardioid polar pattern.
- Available with or without a cable.
$849.00
4.8
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Neumann km 184 mt professional condenser microphone w wooden box and clip.
- As pictured.
- Perfect working order and great condition.
$99.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Frequency response of 20 hz to 20 khz balances the low and high tones effectively
- The unidirectional design reduces the ambient noise for an enhanced recording experience
- Steel material makes the microphone resilient for prolonged use
$95.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Rugged all-metal body and robust design withstands tough day-to-day use
- Switchable attenuation pad for high spl applications up to 155 db spl
- Heavy-duty, roadworthy, all-metal construction
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Three different miniature microphones for all typical studio applications
- Successor of the worldwide successful km 83/84
- Transformerless circuitry
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- High permissible sound pressure level and exceptional dynamic range makes the microphone particularly versatile
- Custom made 16mm low mass diaphragm, to provide extended frequency response and superior response to transitions
- Cardioid directivity for better isolation of the sound source and reduced side and rear sound pickup
$639.00
5.0
Reviewers Noted:
Good sound quality . Quality build . Visual appeal
Features:
- Sound-pressure level capability of 155 db helps capture good quality audios
- Satin nickel plating creates a luxe appearance to this microphone
- Its 200 ohms impedance records audio in clear sound quality
$440.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Acoustic principle: pressure gradient.
- Active electronics: jfet impedance converter with bipolar output buffer.
- Capsule: 1.00".
Reviewers Noted:
Search . Good sound quality . Quality build . Compact . Ease of use
Features:
- This condenser microphone offers high-quality recording with precision
- Intricately designed to let you record multiple musical instruments
- Compact size and design makes it easy for close miking
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
$2499.99
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Ease of use . Visual appeal
Features:
- What's included
- 1 neumann u87 ai p48
- 1 original ea-87 shockmount1 original neumann u87 wooden case (different serial on box)
$1279.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Size
Features:
- Very good used condition
- Includes shock mount, pop filter, case, paperwork, and windscreen
- Amazing sounding
$2739.00
4.9
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- Comes with an led indicator to let you know about the output status
- Three switchable settings help provide augmented bass for enhanced sound quality
- Comes with shock mounts to reduce the noise from chassis vibration
$229.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- The cardioid polar pattern helps reduce unwanted sound for clear audio output
- Stainless steel material offers enhanced durability to this microphone
- The aston swift shockmount facilitates convenient installation
Reviewers Noted:
Good sound quality . Quality build . Easy to set up . Attractive . Easy to use
Features:
- A perfect first step into home recording
- Features a sound signature reminiscent of the famous microphones of old while at the same time exhibiting extremely low noise
- Ultra-low noise, self noise of only 4.5db (a)
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Multi-purpose condenser microphone
- Excellent for vocals, pianos, stringed instruments, and percussion
- Balanced bass response with high end clarity
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of use
Features:
- The microphone has been used, and has some usermarks, like a very small dent in the basket.
- The sound of the microphone is very rich and clear, and with a hugh bass response.
- The black table stand is not included in this offer.
1. Shure Sm57-Lc Dynamic Cardioid Professional Microphone
Product Details:
Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. what’s also true about the sm57 is that it sounds great on a wide variety of sources. a large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the sm57. try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the shure sm57 more than any microphone on the planet.
Specifications:
| Product Dimensions | 10.3 x 4.9 x 3.4 inches |
| Batteries | 1 Lithium Ion batteries required. |
| Is Discontinued By Manufacturer | No |
| Compatible Devices | Amplifier |
| Power Source | Corded Electric |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
2. Neumann Km 184 Cardioid Microphone, Black
Product Details:
The neumann km 184 small diaphram cardioid microphone has become the classic high-quality miniature microphone. the pressure gradient transducer used in the km 184 features very smooth frequency response not only for the 0 axis, but also for lateral (off-axis) sound incidence. in typical usage, there is no coloration of sound over a wide pickup angle. although the km 184 has the same capsule as the km 84, the microphone differs slightly on the 0 frequency response: the km 184 has a gentle rise at about 9 k hz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the km 140. the result is a tonal balance that is fresher and livelier when compared to the km 84 with its flat frequency response in that band. this difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.with the same transformerless circuitry as is used in the km 100 system, the km 184 has excellent technical specifications. compared to the km 84 the dynamic range of the km 184 increased by 24 d b mainly through the reduction of self-noise level to only 22 d b (ccir) and an increased sound pressure handling capability of up to 138 d b. the km 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some dat recorders. the output is balanced and phantom (48v) powered.the km 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. you don't have to give up the electroacoustic features you expect from a neumann microphone!
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 4.2 in |
| Weight | 2.82 oz |
| Color | Black |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Cardioid |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 50 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 72 dB |
| Total Harmonic Distortion (THD) | 0.5% |
| Noise Level | 22 dB |
| Max Sound Pressure | 138 dB |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand mount, WNS 100 windscreen |
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
3. Shure Sm57 – Microphone
Product Details:
A snare crack. an arpeggiated chord. a powerful saxophone solo. whether on stage or in the studio, the notes that flow from your instrument connects your audience on a visceral level. and such sounds need a mic that can handle its strength. for every acoustic condition, the sm57 delivers the power of your playing to every fan in the house.
Specifications:
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
4. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 6.3 in |
| Weight | 4.59 oz |
| Body Material | Metal |
| Recommended Use | Professional audio, home audio – instrument |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 75 dB |
| Noise Level | 19 dBA |
| Dynamic Range | 135 dB |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Controls | PAD button |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
| Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
5. Shure Sm81lc Cardioid Condenser Microphone
Product Details:
The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| SPL | 146 dB |
| Material | Steel |
| Pattern | Unidirectional |
| Connector Type | XLR |
Reviews:
Overall: Great Sound. Great Build Quality. It comes with a nice case and a windscreen, and mic clip. The high pass filter is quite useful. Took my acoustic guitar recordings up to the next level. Through and through it is a professional mic. Only cons are the high pass switch is little odd to move and compared to other condensers it needs a lot of gain, but not as much as a dynamic mic. Overall, I recommend it anyone looking to recording acoustic guitar or other instruments any day. I'm very happy with it. I will be keeping it for a long long time.Steve
If you want a mic to record the actual sound of whatever you're trying to record, with good mic placement, this is a great mic. I'm using them as an ORTF stereo pair for acoustic guitar and they are perfect. If I want more air (to replicate certain top end biased mics) I can dial it in with a good EQ and the top end stays beautifully smooth, but if I've got a lovely sounding acoustic guitar, these babies do a wonderful job with very little EQ needed. Well made and should last many many years, highly recommended!John
Great for high school plays, etc. Placed several of these @ 3 feet from the small platform stage. They were @ 24 inches off the ground and aimed upwards towards the kids. I had no idea if this approach was going to work. Much to my surprise, everything worked out great. I ISO recorded the three mics and mixed later. 'Used Adobe De-Reverb to reduce some of the echo from the hard walls at the back of the stage. As the kids moved across the stage, I would simply pick them up with whichever mic was nearby. I'm sure there were much better approaches to this problem, but considering the quick time frame, I'm pleased with the results.Dave
6. Akg Perception 170 Condenser Microphone
Product Details:
Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.
Specifications:
| Product Dimensions | 11.3 x 3.5 x 7.4 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Color Name | Sliver Blue |
| Power Source | Corded Electric |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
7. Neumann Km 184 Stereo Set Small-Diaphragm Cardioid Microphone Pair – Nickel
Product Details:
A studio elite. the neumann km 184 stereo microphone set is your gateway to flawless recording sessions. capture every detail with two condenser microphones, purpose built for vocals, instruments, and more. with their cardioid polar pattern, both microphones focus on what's important, ensuring no background noise or feedback gets in the way of your performance. a high sound pressure level of 138 db makes the mic suitable for close miking strings, wind instruments, percussion, and more. what's more, a smooth frequency response with a rise at 9khz delivers a fresh tonal balance. that means truly outstanding audio, every time you hit record. get to work in minutes. the km 184 stereo microphone set comes with studio essentials that help you capture the magic without any hassle. remove pops and sibilance with two windscreens, and position your microphones with ease thanks to two swivel mounts. it's all there, right inside the box.
Specifications:
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
8. Audio-Technica At2020 Large Diaphragm Condenser Microphone
Product Details:
The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
9. Akg C 451 B Condenser Microphone
Product Details:
It is a cardiod condenser microphone, designed for recording instruments with high transient response, and therefore popularly used for drum kit and percussion recording. the c 451 b features a light diaphram, minimizing handling noise, and a switchable 75hz-150hz highpass filter, eliminating low-end rumble. the high pass filter enhances the airy character of the audio signal, and thus the c 451 b microphone is a viable solution for overhead cymbal or hi-hat recording. the c 451 b provides a flat, on-axis frequency response, capturing the performance without any signal coloration. the c 451 b microphone provides both 12v and 48v phantom power, with selectable 10db-20db pads included for better signal management.
Specifications:
| Diameter | 0.7" |
| Length | 6.3" |
| Weight | 4.41 oz |
| Recommended Use | Professional audio – instrument, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -41 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 76 dBA |
| Noise Level | 18 dBA |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Storage bag, microphone stand adapter, microphone windscreen |
| Compliant Standards | EN50082-1 |
Reviews:
I know, that there are more expensive in the market for the purpose of overhead recording (AKG 414, Beyerdinamic M130 and so on). But if you find very very usefull condens mic for cymbals, overheads, hi-hat – it's a perfect choice. I use them as pair (not matched) and they are great. Highly recommend!
I've used this product for many years going back to the regular 451 with a ck-1 capsule. this is one of the finest if not the best cymbal mics available for high hat or overheads. A bit pricey for overheads, but it is what it is. I can take one and make a snare and hat blend very well. great on anything you want to pick up hand sounds such as conga's, Horns, saxes. they're not cheap, but they are flat, very clear and transparent. you don't get a lot of the mid range metallic sound on Hat's like you do on a lot of mics. great mics all around.SteveinLR
I got this mic to record accoustic guitars, banjo and mandolin. It is a solid mic that emphasize fast transients and lifts up the high frequencies of the instrument. If you noticed that Jack Johnson has recorded most of his giitars with this mic, it will give you an idea of the type of tool we are talking about. Interestingly, although few people use SDC mics for vocals, it worked very well on my voice when using the windscreen. It delivers some nice and crisp vocals. Comparing the AKG451b to the famous Neumann SDC standard, the sound is a little thinner but in some case it actually helps fit the instrument in the mix. Basically, when this mic is the right mic for the job it is perfect.grapinet2006
10. Shure Sm57 Mic Four Pack With Cables
Product Details:
This microphone package gives you 4 shure sm 57 dynamic mics and 4 18' gear one xlr microphone cables. shure sm 57 microphone one of the most popular professional instrument/vocal microphones of all time, the sm 57 dynamic mic is a reliable, natural-sounding performer, night after night. its durable, bulletproof design stands up to road travel and abuse. perfectly at home in the studio too. the shure mic's wide frequency response (40hz-15k hz) and tight cardioid polar pattern are ideal for close
Specifications:
| Frequency response | 40Hz to 15,000Hz |
| Connector | 3-pin professional audio connector (male XLR type) |
| Dimensions | 1-1/4"W (top) x 6-3/18"L x 29/32" (bottom) |
| Net weight (without cable) | 284g (10oz) |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
11. Rode Nt1 Condenser Microphone Kit
Product Details:
It is a large-diaphragm cardioid condenser microphone that features rode's hf6 1-inch capsule. the hf6 is designed to provide a detailed midrange response with smooth highs and warm bass. the capsule itself is seated in a rycote lyre internal shockmount to help reduce vibration and handling noises. the microphone''s electronics were designed from the ground-up for quiet performance, and allow the nt1 to have a low, 4.5dba of self-noise. the body of the mic is machined from nickel-plated aluminum that is then coated in a ceramic layer that is electrostatically applied for a scratch-resistant finish.
Specifications:
| Product Type | Microphone |
| Diameter | 2 in |
| Length | 7.4 in |
| Weight | 13.93 oz |
| Color | Matte black |
| Recommended Use | Instrument, vocal, drum, recording |
| Bundled with | SMR shock mount |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -29 dBV/Pascal |
| Impedance | 100 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 90 dBA |
| Noise Level | 4 dBA |
| Dynamic Range | 132 dB |
| Max Sound Pressure | 132 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Dust cover |
| Service & Support | Limited warranty – 10 years |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
12. Rode Nt5 Cardioid Condenser Microphone
Product Details:
The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.
Specifications:
| Width | 0.8 in |
| Depth | 0.8 in |
| Height | 4.6 in |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -38 dB |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 78 dB |
| Dynamic Range | 128 dB |
| Max Sound Pressure | 143 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Reviews:
I wanted a pair of pencil condensers for the home studio; that I could use primarily for recording acoustic guitar, but that also sounded great in other applications as well. (overheads, room mics, etc.) On an acoustic as a pair these sound fantastic, the dry signal itself sounds practically record ready (Taking into consideration the instrument quality and room setup as well). There are probably "better" mics out there in this category, but not that I know of at this price, and in terms of sound quality alone maybe not by much. These NT5's absolutely blow away any lower end mics I've used (MXL, CAD) and as far as I can hear sound basically just as good as most higher end microphones that you'd spend twice as much on. (Go to Youtube and watch some Mic Shootout comparisons with these) I grabbed one of Rode's stereo bars for the pair which makes setting them up nicely convenient. (Couln't find this on musician's friend, GC, or Sweetwater though. Went to RODE's website and ordered separate.) A phenominal set of pencil condensers for the home studio recorder. At 0.5" capsules, they don't overkill high frequencies, but certainly don't lack in the bottom end either. I use these mostly recording acoustic & acoustic rock styles and the tonal balance is perfect in my opinion. Excellent clarity as room mics, haven't tried as kit overheads yet.Cully
I haven't had a chance yet to fully experience the microphone in any situation, but so far it's been pretty good. Definitely adjust the gain based on the distance it is from the source. Always keep it a little lower than you would usually like it because that will prevent it from clipping and you can always increase the volume in post production. Worth the money in my opinion.Zachary
13. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 6.42 oz |
| Body Material | Metal |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Impedance | 350 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Audio Input Details | Super cardioid – 40 – 18000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
14. Neumann – U 87 Ai Mt
Product Details:
The u 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. the users are recognizing the microphone immediately by its distinctive design. well-known for its warm and well balanced characteristics – your perfect choice as vocal microphone for all types of music and speech. the usage as main microphone for orchestra recordings or as spot mic for single instruments makes it the most general-purpose microphone – in studios, for broadcasting, film and television. the u 87 ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic. users recognize the microphone immediately by its distinctive design. it is a good choice for most general purpose applications in studios, for broadcasting, film and television. the u 87 ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.
Specifications:
| Product Type | Microphone |
| Diameter | 2.2 in |
| Length | 7.9 in |
| Weight | 17.64 oz |
| Color | Nickel |
| Recommended Use | Professional audio – vocal, voice |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Cardioid, omni-directional, figure 8 |
| Connectivity Technology | Wired |
| Sensitivity | 28 mV/Pascal |
| Impedance | 200 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 82 dB |
| Noise Level | 15 dBA |
| Max Sound Pressure | 127 dB |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Wood case |
Reviews:
It has a reputation, because it is that good. Takes any vocal and places it at a higher level. Clarity, warmth, presence, yep. If you could only buy 1 piece of gear and youre doing vocals, forget everything else and get this microphone. Run through any interface with a daw, and youll see the difference. Its expensive, yep, but its an investment. Been doing more serious recording over the past 2 years, now I want to go back and re-record all the prior vocals.wdalgabbar_0
An ultimate aspirational mic for me. I have compared this with a vintage u87. For vocals, the vintage U 87 has a slightly more noticeable presence. By presence, I mean that you feel like the microphone is a noctilux-level macro lens focusing in on the singer's articulation and bringing them up close to your ear. All that, but it doesn't sound like it's trying. The new U 87 Ai is almost the same as the old U 87, but a bit more neutral. Less emphasis of sounds like ch (as in, chess), and the specs say less noise. That's my two cents, at least! The U 87 Ai is an amazing sounding mic and lives up to its name. I'd agree with so many reviewers who say that it's just plain good on anything.Peter
I own a lot of microphones for an individual (not a studio), from SM57-58 types, up to the AKG 414 XLII and a bunch in between. As I prepared to move to a greater focus on writing and recording, I decided it was time to purchase a couple of microphones that were the type I have used in a professional recording studio. The first of those that came to mind was the Neumann U87. It was one of two mics (the other being the AKG 414, mentioned above) that I have seen in literally every professional studio I have ever walked into. To say it is a recording industry standard is quite the understatement. Let's talk cost: yes, it costs more than many others. In the world of professional microphones, it's actually on the cheaper end of the spectrum when compared with tube microphones, and it costs many times less than vintage originals. But is it expensive? NO, IT IS NOT. Expensive is a relative term, and refers to the amount of money an item costs… relative to what it is. When what it is happens to be one of the most meticulously built, most heavily copied, and highest performing microphones out there (that is in the estimation of the top-tier professionals in the business, not Joe Equipment-reviewer on your local forum) , the cost is reasonable, and as mentioned, low in comparison to others in its peer group. And how does it sound? Clear and honest. If you sound bad or ameteurish, you will get a very clear rendition of a bad and ametuerish sound. Don't blame the mic. If you put great sound into it, you get incredibly great sound out, and you can hear every nuance. In testing at home, it was sometimes shocking how much more revealing the U87 was. I can only compare it to my experience with any other top of the line equipment. It just keeps surprising you with "oh yeah" moments. Ultimately, nothing is for everyone. And if you don't have the ears to hear the difference, don't waste your money. But if you're up to it, I promise you this mic is up to it as well.Rick In TX
15. Akg C414 Xls Condenser Microphone
Product Details:
A legend since 1971 the c414 xls multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. a peak hold led displays even the shortest overload peaks. for live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. the c414 xls maintains the sonic character of the legendary c414 b-uls, the most popular akg c414 version since 1971. engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. engineered for highest linearity and neutral sound for beautifully detailed recording of vocals and any acoustic instrument. nine selectable polar patterns for the perfect setting for every application. three attenuation levels (-6, -12, -18db) for close-up recording or high-output sources of up to 158db spl. three different switchable bass-cut filters to reduce wind noise, subsonic noise or proximity effect. overload warning with audio peak hold led to detect shortest audio peaks.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 1.5 in |
| Height | 6.3 in |
| Weight | 10.58 oz |
| Color | Silver, dark gray |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
Nah, that's probably a bit of false bravado– also not alot of Irish traditions in my family, and to say that my admiration for this mic will extend to my dying day, that I will breathe my last breath holding onto it and capturing some musical performance– a nice picture, but how realistic, really? I guess I just metaphorically, in a Clint Eastwood kinda way, want to impress on you that, if we were all cowboys, this mic would be the six-shooter that everyone longed to have– lawman, outlaw, everyone in between. There's a reason it's a standard of the industry and you've heard its coolly accurate wondrous alive-sounding exceptional capture on a gabazillion records. It gets and gives you what's really there. The self noise is so low, 6 decibels, that there is no self noise. Everything comes through crisply and clearly. I will confess to you– I've cobbled together a subsistence farming kind of audio life, recording singers and ensembles, and I've always made do with gear that checked in much lower on the food chain than this. So when the house tech at a classical quartet concert had a pair of these and set them up just basically at the front edge of the stage, and offered to feed them into my tape deck, I swooned. Back in the studio mixing that performance, the 414's were smooth and airy and cast a lovely perspective on the players. Okay, that's it, I am getting myself a pair! What did I hear when I set up a pair of these for the first time in front of a guitar player? Within the ringing density of the guitar sound, a whole rainbow of colors, a detailed picture down to the granular level. The dual capsule will give you any and every polar pattern, from omni to hypercardioid, with halfway settings in between each setting! Also, four versions of low-cut roll-off, and also three levels of volume pads. A finely crafted German-engineered shockmount, and double sided (the best kind!) pop filter to affix to a mic stand. And a windsock. There are going with me everywhere from now on. Although– this overblown elaborate packaging with all this cut-out foam– no, give me all-put-together-and-ready-to-go in the smallest space, please. (I attach a picture of the pair suited up and ready for the showdown.)Joel
16. Akg C414 Xlii Condenser Microphone Matched Pair
Product Details:
The xl ii version differs from the xls version in one major respect the capsule. both, the slight presence boost and the impressive spatial reproduction is similar to the legendary c 12 microphones. note: this is a matched stereo pair of the c414/xlii.for over 60 years, leading musicians and engineers have used legendary akg microphones to capture their sound so their audience hears every nuance. the c 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. akg has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers. the c 414 xls and c 414 xlii offer nine pickup patterns which enable to choose the perfect setting for every application. for live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. a peak hold led displays even shortest overload peaks. the c 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount. key features: nine selectable pickup patterns enables to choose the perfect setting forevery application – lock mode: all controls can be disabled easily for trouble-free use. peak hold led even detects shortest overload peaks. incredible dynamic range of 152 d – bthree switchable different bass cut filters and three pre-attenuationlevels. leading-edge technology and state-of-the-art components ensure shortestsignal path and extra protection against moisture. designed, engineered and built in vienna, austria.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 1.5 in |
| Height | 6.3 in |
| Weight | 10.58 oz |
| Color | Dark gray, gold |
| Body Material | Metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 88 dB |
| Noise Level | 6 dBA |
| Dynamic Range | 134 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz Hypercardioid – 20 – 20000 Hz Omni-directional – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, shock mount, microphone windscreen, pop filter |
Reviews:
This microphone is fantastic for recording vocals. It picks up everything in the room clearly including the air conditioner. This is no problem as the mic has a built in filter that can get rid of the noise from the air conditioner. The included manual has a description for all of the different pickup patterns and their uses. The manual also says the C414 XLII is recommended for vocals, whereas the C414 XLS is recommended for overheads.Jared
When researching on the forums you will here people talk a lot of crap about this mic. But I used a pair at work (live sound) to mic an upright and I loved the results. I decided to trust my ears and not the forums. I was not disappointed! It is a true workhorse. In the few weeks I've had it I've used it on Cello Voice and Percussion with astounding results all around. The versatility and ease of use inspire creativity in the moment. I tried it on a cello in a beautiful sounding church and going from close mic'ing in Cardiod to far away in Omni mode for that awesome real reverb was as easy as pressing a button, literally. While it is not a perfect mic and you can certainly buy specific mics for certain purposes at a higher price, this mic will be with you your whole career. My only regret is not getting a pair!
17. Aston Microphones Origin Black Bundle
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1 ) gold evaporated capsule, paired with high-end transformerless circuitry.al schmitt has more grammy awards than any other engineer or mixer at 23. during his career, he has engineered and produced more than 150 gold and platinum albums. in 2014, schmitt was awarded a star on the hollywood walk of fame. he is the only engineer to achieve this. in 2006, he was given the grammy trustees lifetime achievement award. in 2005, he won 5 grammy awards setting the record for most grammy awards won by an engineer or mixer in one night. he is the first to win both a grammy and latin grammy for album of the year. he was inducted into the tec awards hall of fame in 1997. in june 2014, he won the pensado giant award. in september 2014, he received an honorary doctorate from the berklee college of music.
Specifications:
| Polar Pattern | Cardioid |
| Material | Stainless steel |
| Capsule Size | 1" |
| Condenser Type | Cardioid |
| Capsule Type | Gold-evaporated |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
18. Rode Complete Studio Kit With Nt1 Microphone And Ai-1 Interface
Product Details:
Nt1 large-diaphragm condenser microphone delivers superb detail and warmth, and extremely low self-noise (just 4.5dba). ai-1 features an ultra-low-noise xlr input and a discreet, high-power headphone amplifier for studio-quality recording, monitoring and mixdown. the neutrik combi-jack input facilitates the connection of microphones, guitars, synthesisers and other instruments for ultimate flexibility. includes the studio-grade sm6 shock mount and pop filter, and an xlr cable so you can get recording right away. ableton live lite free with every purchase.
Specifications:
| Device Type | Audio interface |
| Form Factor | External |
| Interface Type | USB-C |
| Width | 4.9 in |
| Depth | 3.9 in |
| Height | 1.5 in |
| Weight | 19.75 oz |
| Sound Output Mode | Stereo |
| DAC Resolution | 24-bit |
| Sample Rate | 44.1 kHz (min) – 96 kHz (max) |
| Frequency Response | 20 – 20000 Hz |
| Features | USB bus-powered |
| Interfaces | 1 x audio line-in/line-out – 3 pin XLR / phone 6.3 mm 1 x headphones – phone stereo 6.35 mm 2 x audio line-out – phone stereo 6.35 mm 1 x USB – 24 pin USB-C |
| Included Accessories | Microphone, microphone shock mount |
| Cables Included | 1 x XLR to XLR cable – 19.7 ft 1 x USB-C to USB-A cable – 19.7 ft |
| OS Required | Microsoft Windows 7 or later, Apple MacOS X 10.10 or later |
Reviews:
The RODE NT1 has long been a mainstay for any recording studio. This was my chance to get one and I have to say it's reputation has not been overstated. I have and have worked with many microphones in the last 50 years and the RODE NT1 has just become my all around "go to" mic. From it's almost noiseless "floor" (4.5) to it's crystal clear warm overtones, this microphone is pure joy to work with and at an affordable price. Top that off with RODE's 10 year manufacturer's warranty and you'll be hard pressed to find a better deal. I couldn't. Thank you Sam Ash for being close by and having my order in record time. KUDOS, Navy House Studio, Richmond, VA.Budmoe
Note the pop filter is no longer the same steel one pictured in the product photos, RODE uses a more standard circular mesh filter compared to the steel mesh. Nonetheless, still works amazingly and for the price/bundle + quality for a starting XLR set, it’s fantastic. Sounds clear, professional, there’s a reason the NT1 has been popular for so long now. Only gripe I have is the USB power – using my M1 iMac (which has only USB-C), even using a dongle in the thunderbolt port didn’t seem to power the mic enough which resulted in a LOT of crackling. Had to buy a USB-C cable capable of 100W and plugged in directly to my iMac, solved the issue. If you’re a Mac user, I recommend swapping the cable unless you have a USB type-A port capable of properly powering this mic. However, that’s just my experience, your experience may differ especially if you’re using PC, which I can’t vouch for. Overall though, highly satisfied.WhoelsebutCoop
If you are considering the purchase of your first condenser microphone, then I highly recommend the Rode NT1 Kit. – High build Quality – Everything you need comes in the kit – Strong signal – Low noise – Perfect on vocals and acoustic guitar When broadcasting on JamKazam and micing my acoustic with the NT1: someone that I play with frequently on JamKazam asked me; "What guitar are you using?", before answering I asked why do you ask? They said it sounds amazing. Then I told them its my Ovation elite that I always play, it is just that I am micing it with my new Rode NT1. To which they replied…Wow it sounded like you had a different guitar…it sounds so full and rich. I have had this microphone for a couple of weeks now and it has met and surpassed my expectations. Before buying I did my research into all condenser mics in the $300 range; compared specs, product reviews like this one. If you are on the fence about which condenser mic to buy to get started with, get off the fence and get yourself the Rode NT1 Kit. Trust me, you will not be disappointed.David
19. Mxl 770 Small-Diaphragm Cardioid Condenser Microphone (Black)
Product Details:
The mxl 770 vocal condenser microphone delivers professional sonics and features. a true, phantom powered, condenser microphone with a 6-micron, 20-mm. gold-sputtered diaphragm, the mxl 770 delivers a silky up-front high end and a solid low frequency sound. the mxl 770 has a high quality fet preamp and its output is balanced with a wide dynamic range. the mxl 770 is perfectly suited for digital and analog recording. mxl 770 features 20 mm. gold-sputtered, 6-micron, low distortion diaphragm fet preamp with balanced output switchable bass cut and -10db pad legendary mxl sonic characteristics comes with shock mount and rugged carrying case.
Specifications:
| Product Type | Microphone |
| Diameter | 2.3 in |
| Length | 6.2 in |
| Weight | 16 oz |
| Color | Black |
| Recommended Use | Professional audio – instrument, vocal |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Frequency Response | 30 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Max Sound Pressure | 137 dB |
| Audio Input Details | Cardioid – 30 – 20000 Hz – Output Impedance 150 Ohm |
| Connector Type | Microphone |
| Included Accessories | Carrying case, shock mount |
| Service & Support | Limited warranty – 1 year |
Reviews:
I bought this mic a few weeks ago and I was able to use it at work for some podcasting. The shock mount slides over the mic easily and locks in place. I attached the shock mount to a Proline Desk Boom mic stand, plugged the mic, connected it to a mixer, and then connected it to a Tascam recorder. Off in running in about 5 minutes. I love that the mic comes with a case for transport. The foam protects the mic and shock mount and allows me to transport the mic without having to worry about moisture or having the mic battered around in the car. I looked at some of the audio samples today and I great great audio at a small price.Jonathan
We run Shure SM7b and Electrovoice Re20. For grand piano, this lowe cost unit exceeds them both. We were surprised. Granted, you can get better performance from other much higher priced units but for a budget unit, the MXL 770 is remarkable. It even comes with a case and shock mount. And B&H gives free shipping. Really, it is hard to beat this value proposition.Moses
I recently purchased the little MXL 770 mic through Best Buy. I LOVE it!! It’s perfect for my small home studio and didn’t break the bank. So far I’m really pleased with the clarity and warmth I’m getting with my vocals, and while it’s very sensitive and picks up well, I’m not noticing any unwanted noise. Great addition, I highly recommend it.Jude
20. Sennheiser Md 421 Ii Dynamic Microphone
Product Details:
The md 421 is one of the most recognized microphones in the world. its excellent sound qualities enable it to cope with the most diverse recording conditions and broadcasting applications. the 5-position bass control enhances its "all-round" qualities. features: rugged professional microphone 5-position bass roll-off switch. effective feedback rejection. clear sound reproduction. easy handling due to pronounced directivity. includes microphone clamp for 3/8" thread.
Specifications:
| Product Type | Microphone |
| Width | 1.8 in |
| Height | 1.9 in |
| Length | 8.5 in |
| Weight | 13.58 oz |
| Recommended Use | Professional audio – voice, broadcast |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Cardioid |
| Connectivity Technology | Wired |
| Sensitivity | 2 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 30 – 17000 Hz |
| Max Sound Pressure | 150 dB |
| Audio Input Details | Cardioid – 30 – 17000 Hz |
| Controls | Bass |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone clamp |
Reviews:
Overall: Finally bought a couple of these for use primarily on drums, guitar cabs, & horns. I'm a former music performance major and audio engineering school grad, & have been building my studio for over 15 years. Got the 421's in the mail and immediately used them on a drum session with rack & floor tom, running through API preamps. The sound was excellent! I was very impressed with the tonal quality, the ambient pickup (or lack thereof), and will probably order at least two more. Different people have different opinions of this mic, but it's a workhorse for a reason. Every mic has its own 'thing', and this mic does what it does amazingly well. Dynamic mics are not condenser mics, and they have a different sound / vibe. The roll-off switch will come in handy for mic'ing guitar cabs, bass cabs, low toms & kick drum, and anything in close proximity. These mics handle louder sources very well. Of course, the only downside to this mic is the notoriously bad clip. It's okay if you don't have to move it, such as placing on drums or guitar cabs in a session. Obviously not meant to be moved once set in place. However, a very, very good dynamic mic that will get used a ton in my studio.Chuck
For podcasters wanting to upgrade their mic, you may have lost a deal of the century. This proven microphone was nearly half off earlier this year. It sold out, but BH honored the sale price when it was back ordered a month (other places didn't). All Sennheiser dynamic mics are time-tested over the years, and you'll see this model in use decades ago on live television. It is no frills, but great for voice. Almost nobody likes the mount, but it hasn't been an issue for me as I leave it in place all of the time. It is a good mic for the price it usually commands, but was an insane price earlier this year. And it wasn't a typo!Jeffery
My first Tom mics Where the Sennheiser 604’s they last over 10 years 1 died and I slowly lost the rest. So I picked 6 more mics but I stepped up to the Sennheiser 904s. These are an improvement and I still use them but I felt compelled to give the Sennheiser 421 a shot ,so I up six of those. And wow such a massive improvement. . They are so rich and full , capturing the true tone of my drums. Where they really shine is in the lower notes I really wish I would’ve bought 10 of these instead of 6 I want to try one out tonight on my snare drum and see how I like that as well. This is one of my best purchases if you can afford it I suggest you go for it and get you a set of these as well. Good luck and happy recording.Death Metal Jim
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