Are you looking for the Best Eq For Acoustic Guitar? If so, you’ve come to the right place.
Choosing the Best Eq For Acoustic Guitar can be difficult as there are so many considerations, such as LR Baggs, MXR, ammoon, Behringer, BOSS, TC-Helicon, Tech 21. We have done a lot of research to find the top 20 Best Eq For Acoustic Guitar available.
The average cost is $193.08. Sold comparable range in price from a low of $29.00 to a high of $399.95.
Based on the research we did, we think L.R. Baggs Venue DI Acoustic Guitar Preamp is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Eq For Acoustic Guitar (20 Sellers)
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$245.51
4.8
Reviewers Noted:
Easy to use . Size . Weight . Sound quality . Portability
Features:
- Take your music creativity to the next level with this acoustic guitar preamp
- Led indicator lets you know the status of the battery
- Designed with 5 band eq to create different guitar effects
Reviewers Noted:
Easy to use . Portability . Size
Features:
- Engineered with multiple knobs to adjust the sound intensity
- Platinum material makes the preamp resilient for prolonged use
- Xlr connector allows you to attach compatible microphones conveniently
$329.95
4.7
Reviewers Noted:
Easy to use . Sound quality . Size . Weight
Features:
- Modulate the tone of your guitar with this preamp equalizer
- Get improved tone control with the help of 4-band equalizer design
- The low-cut filter helps minimize the sub-bass effects
$48.34$43.51
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Shape your sound and eliminate feedback with 7 bands of equalization
- This behringer product has been designed to compete head to head with leading products on the market
- Wide frequency range from 100 hz to 6.4 khz with a powerful 15 db boost/cut per band
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- 6.35 mm input jack lets you connect this pedal with your guitar conveniently
- 4 function knobs allow you to add various effects to your jamming sessions
- Engage foot switch lets you to modify the volume of your guitar
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- Powerful 7-band eq!
- Compact eq pedal with 7 bands of adjustable eq sliders.
- Allows for boost/cut of up to +/- 15db per band.
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
$29.00
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Led indicator allows you to track the connection status conveniently
- Engineered with 7-frequency bands to adjust the sound output
- Trs connector lets you attach compatible music systems easily
$95.00
4.9
Reviewers Noted:
Easy to use . Compact . Good sound quality . Build quality . Visual appeal
Features:
- This high gain pedal amps up your guitar signal to optimize the volume
- Aluminum material helps make it durable for prolonged usage
- Diligently designed to deliver an uninterrupted power supply of up to 18v
Reviewers Noted:
Easy to use . Size . Build quality
Features:
- The 12db gain helps provide a clear sound quality
- Its 10 adjustable preset bands let you create different music effects
- Usb port offers easy connectivity with media players and computers for convenient recording
Reviewers Noted:
Easy to use . Compact
Features:
- This guitar preamp is diligently designed to boost a low signal for immersive audio
- Constructed with steel, aluminum, and plastic to offer durability
- This battery powered guitar preamp is suitable for use even on an outing
Reviewers Noted:
Easy to use . Weight . Sound quality . Portability . Size
Features:
- Metal chassis makes this pedal sturdy for rugged use
- Powered with 9v battery to provide uninterrupted usage for long hours
- Usb interface offers convenient connectivity to compatible device
$244.95
4.8
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Add a lively spark to your music with this equalizer pedal
- Panel lock feature allows you to lock your settings until you change them
- Connect this eq pedal with musical instruments to give your music distinctive effects
$199.97
4.8
Reviewers Noted:
Ease of use . Sound quality
Features:
- Quickly switch between multiple effects while playing guitar with this 4-bands pedal
$259.99
4.7
Reviewers Noted:
Easy to use . Size
Features:
- Designed with 9 effects to provide multiple options for audio mixing
- Frequency response of 20 hz to 20 khz balances low and high tones effectively
- Built-in compressor offers crisp and clear sound quality
Features:
- The 5-band eq produces dynamic and crisp sound effects
- Xlr and 1/4" outputs offer a smooth and reliable connection
- The 9v battery provides uninterrupted usage for a long time
Reviewers Noted:
Compact . Easy to use . Sound quality . Portability
Features:
- Aluminum housing helps make the pedal durable and robust
- The six band eq offers you various options for tone shaping
- Noise-reduction circuitry helps produce clear and crisp sound
$119.99
4.1
Reviewers Noted:
Easy to use . Good sound quality . Compact
Features:
- Built-in digital reverb lets you add an acoustic depth effect to your guitar
- Four knobs allow you to fine tune from standard, jumbo, enhanced, and piezo modes
- Led indicator offers the real-time working status of this simulator pedal
Features:
- Modulate the tone of your guitar with this analog preamp
- Platinum construction helps make this preamp durable for prolonged usage
- Adjustable control knobs make it convenient to adjust the desired setting
Reviewers Noted:
Ease of use
Features:
- Led indicator allows you to monitor the working status of this eq pedal
- Diligently designed to operate efficiently with the power consumption of up to 9 v
- Frequency range of 400 hz – 7.5 khz offers an immersive audio experience
1. L.r. Baggs Venue Di Acoustic Guitar Preamp
Product Details:
The l.r. baggs venue di is a direct box that is musical sounding, extremely rugged and feature-packed. the l.r. baggs venue di will redefine the meaning of hi-fidelity stage di boxes. the venue di is designed with 100% discrete circuitry for the cleanest and sweetest sound possible and also features a transformer couple di for total ground loop elimination and a new chromatic tuner in an attractive and bulletproof foot pedal package. additional features include a 5-band eq with tunable low and hi mid bands, phase inversion, garrett null notch, precision vu meter for accurate gain adjustment, dc input for use without battery and a 4-segment battery check gauge. it has never been easier to get a great sounding plugged-in sound from your acoustic guitar than with the venue di.
Specifications:
| Power Source | Battery |
| Voltage | 9 V |
| Number of Bands | 5 |
| Indicator Type | LED |
Reviews:
I bought this used through Guitar Center to boost the output of my Eastman 815 acoustic-electric mandolin, which has an internal microphone but was too quiet. I'm a hobbyist but play in worship settings. I was able to EQ the output to sound like the natural mandolin tone and to boost the volume which was important to me, since, on occasion, I play outdoors or in a large church sanctuary. The tuner is a great asset, making clip-on tuners unnecessary. The tone boost gives the mandolin even more volume for those times when you want to play a solo. The unit runs on a 9V battery or a 9v DC adapter. I happened to own already own a 9v DC adapter, and it gave the unit much more power than the battery, which was great. I definitely recommend getting a 9v DC adapter. This was a good buy!Jamie
From the very first moment I plugged in both my Martin D42 guitar with it's Fishman pickup and my five string Stelling Banjo with the KAVANJO pickup system to their respective LR baggs Venue DI preamp's a smile lit up on my face. The sound, the controlled sound, the natural sound that came out of each device was absolutely wonderful. I would have to say that my banjo sounded incredibly smooth… And the guitar tone was the best I've ever gotten from my Martin D 42. It was a pleasure to listen as a strummed or finger picked each instrument. And you could tell that the audience was listening intently… There was no distortion whatsoever. And I've really just started using the device, and haven't fully dialed in the potential. I'd also read a lot about the tuner not being accurate… Well I have two Petersen tuners… Clamp-ons … one on each instrument and I double checked it with the baggs built-in tuner… And so far it has been spot on. The boost switch is fantastic and the mute couldn't be better. I am completely satisfied and delighted that I purchased one LR Baggs Venue DI for each instrument.
I've got 2 LR Baggs Para DI's and have been wanting to try out the Venue DI. I have a Taylor 814 V Deluxe, Taylor 614 and a Taylor 354. I always bring at least one of the 6 strings and the 12 string when I play. All 3 guitars have different tonal qualities, so I wanted separate DI's with EQing abilities for each. The Paras do very well, but I found the Venue to be quicker to dial in a great acoustic tone and it sounds more transparent to me. I love the boost function too!!! Very well built! Like others who have reviewed, the tuner is slow to respond at times and phantom power would have been nice – otherwise this is a 5-plus stars.
2. Fishman Platinum Pro Eq/di Analog Preamp
Product Details:
Intended for acoustic guitar, bass, or any other acoustic instrument with a pickup and a 1/4" output, the fishman platinum pro eq is a preamp and di boasting an analog signal path, onboard compression, and a variety of tone-shaping options. connections are possible via 1/4" input and 1/4" output jacks, though there's also an xlr di for feeding audio straight to the house's pa, mixer, or a recording interface. this output is pre-/post-eq switchable, meaning you can route a tonally shaped or unprocessed signal through this section of the preamp. also provided are 1/4" send and return jacks for patching in external devices to further enhance and affect your overall sound. the preamp itself utilizes a high-headroom class-a design, with a 5-band eq section that can be voiced separately, by means of a switch for bass or guitar. an integrated compressor allows you to level your signal, the effects of which can result in more sustain and a more even tone on stage. a phase switch, combined with a notch filter with a sweepable frequency, aids you in the never-ending battle against feedback in live scenarios. a built-in tuner, accurate to 0.5 cents, can be switched on to help you quickly check your tuning or re-tune between songs. to add a little more volume for solos or other stand-out sections, a boost footswitch has been provided, its level of gain adjustable by means of a pot located on the side of the unit. here you'll also find an input trim pot to better attenuate your pickups to the signal path provided by the platinum pro. the pedal can be powered with a 9v battery, or with an optional power supply.
Specifications:
| Material | Platinum |
| Number of EQ Bands | 5 |
| Power Source | Battery |
| Voltage | 9 v |
| Input Port Size | 1/4" |
Reviews:
Overall: I use this with electric guitar right at the front of the chain and I had become invaluable to my clean tone. The compressor, tuner, and low cut filter would be enough to satisfy most, but the EQ is well calibrated, the parametric mid knob is incredibly useful, and the boost gives plenty of extra clean volume. For me it provides the perfect foundation to my effects rig, but as a solo acoustic performer I could leave the other effects behind, I’m totally covered.Jacob
After doing much research on what would work best for my eclectic needs, I decided the Platinum Pro EQ/DI was going to be my best bet. I use mine with acoustic lap steels with L.R. Baggs M1A pickups and a Strat with a passive Graphtech Ghost system. I have a Vox passive volume pedal, a Boss TR-2 Tremolo, and a Line 6 Verbzilla in the effects loop. The main selling points for me were 1) the super high 10M ohm input impedance as I use a passive piezo with it, 2) the on board compressor, 3) the variable high pass filter (as opposed to just a fixed setting), and 4) the on board tuner. With minor tweaks to the input trim, pretty much any pickup system is going to work with this pre-amp. The on-board compressor sounds much better for acoustic than a typical electric guitar compressor (to my ears) as it doesn't clip or "squish" as much; it sounds very natural and improves string balance and sustain. The footswitchable boost is useful for balancing between different guitars on the fly, but I like to leave it on at the lowest setting (+3db) because 1) I get a indicator that the unit has power as there is no power LED and 2) the boost is before the effects loop so it drives the pedal chain better, like an amp's effects loop would. The tuner is accurate and flexible as it has several modes, but it will forever stay set to A=440 and chromatic for my uses, anyway. The LCD backlight could be a little brighter for outdoor use, but I'm used to using Boss TU-3's on my other pedal boards with their brightness cranked up. My only other gripe is that the master volume does not control the XLR output, but I understand that they do that so if you were running the amp output to a stage amp it wouldn't affect the DI signal. That said, I plug mine into a QSC K10 via the XLR out, but that's why I have the volume pedal in the effects loop as none of my guitars have an easily accessible volume control, anyway. The tuner still mutes the DI signal, however, which is useful. Great pre-amp!Platinum Pro User
I've quickly incorporated the Platinum Pro EQ into my acoustic guitar signal chain. It took a few gigs to dial in the settings that I want, but it's super easy to use and sounds great! Haven't played a show with a proper FOH engineer, but I look forward to sending him or her the DI signal from the unit. Only drawback is that the tuner is pretty difficult to see when playing an outdoor gig in any kind of direct sunlight. This is true for most electronics, so no surprise there.Jesse D.
3. Fishman Tonedeq Afx Preamp, Eq, And Di
Product Details:
The tonedeq preamp eq is a complete performance solution for the acoustic musician. with a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced d.i. — it's got everything you need in one box. pure analog circuitry its analog signal path goes from end to end — from preamp to output — to give acoustic musicians a richer tonal quality. even the digital effects are mixed in parallel so they don't affect the purity of your acoustic instrument. fully balanced stage d.i. flexible outputs include a 1/4′′ amplifier output and xlr d.i. output for the lowest noise possible. plus the d.i. features automatic ground-lifting and selectable pre/post eq settings. discrete class-a preamp with fishman, you get quality discrete class-a signal conditioning created by the leader in instrument preamp design. the high-impedance input is a must when using a passive instrument pickup. advanced 4-band eq legendary 4-band equalizer design provides superior tone control for any acoustic instrument. the variable low-cut filter controls sub-bass effects produced by some passive pickups.
Specifications:
| Equalizer Type | 4-band |
| Preamp Class | A |
| Pedal Type | Analog |
| Output Connector Type | XLR |
| Number of Band | 4 |
Reviews:
I tried several other FX and EQ pedals and was disappointed with the sound quality and/or ease of use. I play strictly acoustic and the Fishman ToneDEQ provided the sound quality I was looking for. It was easy to set up and is easy to use. Nice selection of reverb, delay, chorus, flanger and delay. Easy to dial in the right levels, rates, etc. Same for EQ – 3 sweepable knobs for low, mid and high. My only complaint is that Fishman doesn't include a 9v AC adapter with your purchase. You can also power the unit with a 9v battery but you'll go through batteries in 5-7 hrs. You're better off buying the adapter. Overall, I'm very happy with the ToneDEQ!BillG
I played my first gig last weekend before last with the ToneDEQ. I got compliments on how it sounded from my partner. The compression helps overall but really makes boosted lead lines pop through the mix. A bit of reverb and a tiny amount of chorus fatten the tone nicely. I am using a Mi-Si Trio (Baggs Element) piezo UST and I think it really works well in this application. I've got a tuner and volume control in the guitar so I don't consider a mute or tuner an important feature (and if I did I've yet to find a multipurpose pedal that matches a Polytune pedal or my D'Addario soundhole tuner). Check out the attached pictures as I marked my settings with Mark-It dots. It is also fairly light weight unlike the Fishman Aura pedals. The top panel is metal but the back and sides are plastic. It seems plenty tough but also light enough to safely go in a guitar gig bag pocket. The battery life or the battery light don't work to spec. When the battery light came on (1 hour to go) I removed the battery and later tested it with ZTS pulse load digital battery tester which reported 40% battery life remaining. If 100% of an alkaline battery is 12 hours, then 40% should still be nearly 5 hours. I suppose best to use an external power supply. It takes the standard negative tip 9v supply. I'm not much of a fan of notch filters (for me either ineffective or not transparent) or sweepable mid tone control. That might matter to others. The bass cut and phase inversion are the important feedback controls in my experience. I think a ToneDEQ and a powered PA speaker make a much better acoustic guitar amp than any dedicated acoustic amp I've tried.Jon Fields
I wrote a review on this a year ago, at that time I was mainly using it with my Taylor 314ce, it is outstanding and now I've found additional uses. I use it with a Danelectro 12 string electric and though it doesn't make it sound like a Ric, it does do a great job with the 12 strings sounds. I recently picked up an electric violin and it works excellently there too. Overall quality is fine, no issues despite being dropped on the floor a few times (my bad), the battery life could be better but is acceptable as I mostly use the power adaptor. Allin all after a year of use I still love it and it still works.ken10652
4. Behringer Graphic Equalizer Eq700
Product Details:
The behringer eq700 7-band graphic equalizer pedal is ideal for use with your guitar. it can help you shape your sound for a wonderful performance. this guitar effects pedal also eliminates feedback with seven bands of equalization. you will have complete control over your tones under all performance situations. this behringer pedal uses a wide frequency range from 100hz to 6.4khz along with a powerful 15db boost/cut per band. there is a status led light to let you know when the device is powered on or off and when you need to check the battery. it is built to last with high-quality components and a strong, rugged construction. this gadget requires a 9v battery or the behringer psu-sb dc power supply, which is sold separately.
Specifications:
| Assembled Product Dimensions (L x W x H) | 5.00 x 2.75 x 2.00 Inches |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
5. Lr Baggs Align Series Acoustic Pedal – Session
Product Details:
The align session brings that lr baggs signature studio sound to your live rig. designed and created based on their experience in some of nashville's great studios, the align session compression smooths out your common problem frequencies to produce a fuller sound. an additional features is analog saturation that enhances warmth and harmonic content. the align session features adjustable gain for both passive and active pickups. inspired by the lr baggs handcrafted video sessions. often used by studio engineers in post-production, saturation adds warmth, dimension, and pleasing harmonics while smoothing the signal for an enhanced mix. the session’s proprietary saturation is voiced specifically for the acoustic guitar and transports studio analog warmth and inspiring playability to the stage. unlike standard compression that can squash the entire range of your signal, the session’s comp eq features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. the low, mid, and high frequency compressors are essentially “touch-sensitive” eqs that respond in real-time to your dynamics. the harder you strum, the more they compress and vice versa.
Specifications:
| Number of Knobs | 4 |
| Equalizer | 3-Band |
| Power Supply | 9V Battery or 9V DC Adapter |
| Volume Output Port Size | 1/4" |
Reviews:
As someone who prefers the "flavor" of vintage acoustics I have been using LR Baggs M1A pickups for some time because they sound great and they don't seem to cause as much feedback live as an internal style pickup… that said, there has always been something missing I couldn't put my finger on when plugged in… I happened across a video of the Align Session pedal by Justin Weaver and saw how it worked… and it did not disappoint me! Very simple design and adds "a little bit" of what's missing with the saturation knob and the compression knob is pre-configured only to work on the most common issue frequencies of acoustic guitars. I just used it at an intimate songwriter show and it sounded great! …. only downside is it doesn't come with a power cable 🙁Jeff
I really like this pedal. To me, it firmly falls in the camp of a 'tone-enhancing' pedal (as opposed to a 'tone-shaping' pedal). If you already like the sound of your acoustic pickup and you're just looking to enhance things further, then it's a great match for your rig. But if you're unhappy with the sound of your guitar pickup, this doesn't have the dramatic tone-shaping capabilities that something like a dedicated EQ or preamp will have. So for me, that's really where this pedal shines—using it as an enhancement alongside a good preamp. I've linked to a video review below where I chat more about what this pedal does, listen to it in action, and cover some of the general recommendations for setting it up. I hope you find it helpful. Thanks ; )
6. Boss Ge-7 Equalizer
Product Details:
The boss ge-7 equalizer guitar effects pedal is a versatile and classic boss product that provides you with excellent control over your tone, featuring a 7-band slider eq to offer precise adjustments to a wide frequency range, from 100hz to 6.4khz. each band can be boosted or cut up to 15db, letting you find the sweet spot of your setup in any location, so you can find your own unique voice. experiment with the ge-7's controls to give your sound a unique twist, or as a simple way to boost your sound during solos. with its compact design, extensive controls, and durable construction, the boss ge-7 equalizer is the perfect tool for any player wanting to exercise absolute control over their tone. this extremely handy device can be used to simply boost the sound of your rig, or re-define it completely – elevating your style with innovative flair within every performance.
Specifications:
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
7. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
8. Behringer Eq700 7-Band Graphic Equalizer Pedal
Product Details:
This pedal is in overall excellent condition. the electronics all function properly and quietly. the case has very minor scuffs from being played. please reference the photos for physical condition, as they are part of the item description. with 15 db of available boost or cut per band, the eq700 s seven frequency bands were carefully optimized to provide the ultimate tools for eq ing your guitar. of course, to make full use of the eq700 s capabilities, it helps to first understand some basics about the frequency range of your axe. the eq700 covers the audio spectrum from below 100 hz to over 6.4 khz, allowing you to effectively cut or boost a slew of frequencies to help bring focus to your sound. special attention has been paid to the critical midrange frequencies, which can easily make or break your tone. the following section offers tips that will have you sculpting the perfect guitar sound in no time at all.
Specifications:
| Indicator Type | LED |
| Number of Frequency Bands | 7 |
| Width | 2.1" |
| Height | 4.8" |
| Depth | 2.8" |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
9. Dunlop M108 Mxr 10 Band Eq Pedal
Product Details:
No matter what your instrument regain control of your tone with this incredible eq. the mxr 10-band graphic eq gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. with ten carefully chosen frequencies and both input and output level controls the 10-band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch level and treble response to a crowded pedalboard; warm up an amplified acoustic; and much much more. power: dunlop ecb004 18 volt ac adapter features 12db of serious cut or boost ten carefully chosen frequencies along with input and output level controls 18 volt operation for twice the headroom of most eq pedals
Specifications:
| Number of Bands | 10 |
| Housing Material | Aluminum |
| Indicator Type | LED |
| Voltage | 18 V |
| Voltage Type | AC |
Reviews:
Love my SG but it's a short jump from dark to muddy and this eq makes all the difference. The volume and gain controls allow you to get the exact tone/volume/presence/sound you want. Is the only pedal i use for rhythm and it stays on all the time. I'd never used an eq before and while you probably will spend some time getting it just right it's pretty simple once you see how it works. The settings in the instruction manual are fine but i think the best thing to do is set everything at zero and adjust from there. Left side is lows, right side is highs and you just bring out whatever is lacking in your tone now. You won't regret getting one of these.JP
This pedal is badass!! It works really well in the effects loop of my Blackstar HT-5RS. Putting it in the effects loop helps dramatically with the unwanted noise this pedal can produce. If you use it in the front of your amp, you will probably have to use a noise suppressor at high gain/volume levels. It really adds a new dimension to your guitar sound, though. If you have a warm sounding amp, this pedal can add a lot of high end to your sound. Also, used in conjunction with a British, high-gain amp, you can nail the Randy Rhoads sound. I highly recommend this pedal.momokonish
Built very solid, this pedal really does do what it says it will do. I like the fact that besides the 10 bands it also has a Volume slider and a Gain slider. This makes this one very versatile pedal. Easy to operate, Simple to understand, Very quiet signal processing and it comes with it's own power supply rather than sold separately. I can see why they hold their resale value on ebay. I put mine on top of the amp and run it through one of my loops so it is much more convenient than having it on the pedal board. But, either way works just fine. It's great for room shaping when moving from one venue to another and tweaks my guitar tone perfectly every time. Very little movement on the sliders produce quite a bit of adjustment so there is always plenty of headroom in all frequencies. Would buy it again. Would recommend it highly. You will be happy with it. I also like the way the sliders light up making it much easier to use in a dark environment. Plus the lights on the frequency sliders switch on and off with the foot switch so you can tell if it's on or not. The Volume and Gain sliders are always lit so you can see there is power to the unit weather in use or not.mycle812
10. Source Audio – Eq2 Programmable Equalizer
Product Details:
Digital eq pedal. 4 saveable preset. db 18 boost and cut. auto scroll for tremolo type effects. durable true bypass construction. the sauce audio sa170 is a very diverse eq pedal. as you'd expect you can adjust the eq range db for the bands. however it also is midi controllable, has 12db of clean boost and has a scroll function to cycle through your settings. each turn of the central knob will give you 1db. so don't worry – even though there are 5 lights representing the eq band on the image, you can adjust within this range aided by a darkening / lightening led. save your setting in one of 4 slots for easy use.
Specifications:
| Number of Pins | 5 |
| Connector Type | USB |
| Jack Size | 3.5 mm |
| Gain | 12 dB |
| Number of Frequency Bands | 10 |
Reviews:
Bass player. I'm in a cover band and use 3 different basses with different tunings. I used the eq2 as a gain level for each bass. Nice consistant levels. Had my first gig with it and it worked flawlessly. I haven't had a chance to dive deep into it. Not sure I really need to yet. Yes I would buy again.Kevin
A scalpel for tone tweaking with the ease of midi triggering.Reviewed by Andertons Music Co.
Great swiss army knife type pedal thats easy to use, solid construction and excellent functionality. Awesomeness!!!bmima
11. Lr Baggs Session Di Acoustic Guitar Preamp
Product Details:
Inspired by the lr baggs handcrafted video sessions and their experience in some of nashville’s great studios, the session acoustic di brings the l.r. baggs signature studio sound to your live rig. the session di enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. they’ve captured this studio magic and put it into a compact, easy-to-use di that will transform your live sound. includes box and carrying case buy with confidence!
Specifications:
| Material | Aluminum, Steel, ABS plastic |
| LED | Yes |
| Power Source | Battery |
Reviews:
its easy to use the product, has a lot of ways to improve your sound. But it doesnt work for everybody in my opinion. i have a taylor 414ce and a gs mini koa (undersaddle pickup). Always looking for the perfect acoustic sound i bought this pedal. I´ve try it alone, with different pa systems and also with a fishman aura spectrum, fishman tone deq and on live performances a tc hellicon voicelive. in short, my gs mini sounds amazing with this, cant imagine a live performance without it. not such a perceptible upgrade using it with the 414ce. This pedal adds a more round, natural sound, it reduces that synthetic "plastic" sound that comes from undersaddle pickups and is evident when strumming, but when fingerpicking you get the most from this pedal. This adds colour and naturality, youll still need a pedal tuner, an eq, and effects etc. This makes a huge but sutil improvement on your acoustics that everybody will notice. Lr baggs has an amazing quality and perfect taste for acoustics so you wont get wrong with this, thou you may have other pedals first to buy before spending 250 for an amazing sound polisher.Rudy C.
This is a great little pedal. At first I thought it was a bit expensive for a pedal with very few knobs and no eq shaping ability. But what it was designed for it does very well. For me the compression adjustment alone is worht it. Takes the sound of all my guitars up a notch. I have a Taylor GS Mini with the EST whichsounded okay with passive DI but plugged into the session has vastly improved the live sound. I am a less is more kinda guy so i don't use alot of the compression or the saturation. But a little goes a long way. The other features i really like are the mute switch and phantom power. I love having everything in one case and just plug in, adjust and go.xxsierraxx
First let me commend Musicians Friend costumer service; Thanks. After playing this Session DI, It does sound good, but quality sound depends on your system. The gain and saturation knobs raise the noise level, but this is what makes the pedal sound good. If you lower the gain and saturation you get no noise and lack of fullness, so I needed a noise reduction pedal to cure it, however this is why I couldn't record with this. Kind of an oxymoron since its suppose to have come from studio techniques. My unit had a bad input jack and with that I returned it and bought the LR Baggs Venue instead..Rockerduck
12. Fishman Aura Spectrum Di Preamp
Product Details:
Designed for acoustic guitars electronically abetted by onboard pickups, the fishman aura spectrum di preamp doesn't just carry your instrument's sound to the house—it also provides a dsp engine which can impart the sonic characteristics of a studio-miked guitar to your di sound, offering 24-bit ad/da architecture and 32-bit internal signal processing for this purpose. indeed, you can select among 128 preloaded images on the device itself, and always download more user instruments from fishman's online database and load them onto the pedal via usb. to blend these image sounds with your normal di sound, simply twist the blend knob to taste. in addition to stage uses, the aura spectrum can be used in the studio to restore a sense of miked tone to di acoustic guitars. in addition to this technology, the aura spectrum di also gives you controls for input trim and output volume, as well as a three-band eq section (switchable between your di signal and global settings), a one-knob compressor, a built-in tuner, and a set of automatically adjusting anti-feedback notch filters to clean up unwanted resonances onstage. connections are made possible via a 1/4" input and 1/4" output jacks, and an xlr output—automatically ground-lifted when used with the 1/4" jack—takes balanced signal straight to the house, pa, mixer, or other apposite device. should you wish to use an fx loop with this pedal, this desire can be achieved by means of a single trs jack, which allows you to implement an fx loop in your chain. the unit accepts a 9v battery or can run off an optional power supply.
Specifications:
| Chassis Material | Metal |
| Power Source | Battery |
| Interface | USB |
| Input Voltage | 9 V |
| Weight | 1.7 lbs |
Reviews:
I love the verstile tones this preamp provides. Using the guidelines in the manual I can recreate the acoustic sound of all my guitars, which, formerly all were predominatly quacky from the piezo pickup sounds. The only negative for me is the tuner sensitivity. You have to pluck the string pretty hard to get it to register. This is a big negative if you need to check tuning on a quiet stage or when you're waiting to walk on at the Bluebird! I use the D'Addario sound hole tuner in place of this one. The D can hear a gnat blink. Overall, still recommend this to make your acoustic sound right through FOH.Thom R. (Raleigh, NC)
I agree with all the positive comments. As for the negative, the specifics are missing, so I can't judge. As for myself I use a 1999 D-28 and a 1979 Yairi DY-50 cedar top. My original DY-50 had a rich, wide-range piano-like tone during the 14 years I owned it. I picked up another from the same limited edition recently that had a thin, brassy tone from a total lack of humidification over 37 years (which I'm slowly trying to reverse), but the Spectrum made it possible to attain the same tone as when new. That makes it well worth having. I also own a D-28, which I use mainly for downtuned finger-picking and has a different tone with stonger lower-mids. Thanks to the bank of 16 user-selected IRs, I can switch instruments and turn the selector by one click and I have two great-sounding guitars. What's missing (rather, what more I'd wish) would be MIDI-control of all the settings, but that would be too much for most acoustic guitarists. The only funtional down-side is that the machined aluminum knobs (some of which are small) have smooth sides, which requires a firmer grip than on any of my other devices and stomp boxes. Not a big deal, as the sound is what really matters.JFairweather
The Fishaman Aura Spectrum is very solidly built. The instructions are very clearly written and easy to follow. The unit comes with eight image banks. Each bank has 16 acoustic guitar images. Additional acoustic guitar images can be downloaded from Fishman's Aura Image Gallery. The gallery has a search function which allows the user to easily match the appropriate images to their specific guitar. The sound quality is excellent.jobutte-0
13. Boss Eq-200 Graphic Equalizer Effects Pedal
Product Details:
Simply sophisticated with the 200 series, boss introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. all 200 series pedals feature premium audio quality with 32-bit ad/da, 32-bit internal processing, and 96 khz sampling rate, as well as support for additional control via external switches, an expression pedal, or midi. the eq-200 is the most flexible compact eq ever created for guitar and bass. it features two wide-ranging 10-band eq channels, plus an onboard graphic display that shows the current eq curve at a glance. selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the eq-200’s performance for different instruments.
Specifications:
| Product Type | Equalizer pedal |
| Height | 2.37” |
| Width | 4” |
| Depth | 5.43” |
| Weight | 1 lb 7 oz |
Reviews:
After long research and a round of tips from pros, I decided an EQ could help me refining the tones and finding the "sweet spot" for my rig. This unit has several advantages over the alternatives, mostly the number of frequency sliders and the 4 slot memory (+ the manual, which allows for 5 EQ setups to be reached quickly). It responds perfectly, to every slight change. The LCD screen shows the curve interactively, which is very helpful for the configuration. The main use I will initially have for it includes: tweaking the sound of humbuckers (to single coilish) an P90s. To play around, basically… As a booster, with a memory patch adjusted for that purpose. Lastly, it is not exclusive for guitar, as the the spectrum includes lower and higher cuts. So it is a good tool for recording other instruments as bass or piano, and I reckon It could be handy to experiment with voice recording as well.
14. Wampler Equator Equalizer Pedal
Product Details:
Analog eq pedal and clean boost with sweepable mids every guitar, pedal, and speaker that comprises your signal chain has a different character. and it's for this reason that traditional multiband graphic eqs often fall short. the wampler equator eq pedal, with its fixed bass and treble controls and fully sweepable 2-band semi-parametric midrange, gives you control where you need it and convenience where you don't. the equator's discrete analog circuitry imparts a sweet, airy presence and three-dimensional depth to your signal. its 25db of boost or cut quickly compensate for deficiencies in arrangements or equipment. you can even use the equator as a clean boost to drive your amp harder. whether in front of your amp or in your effects loop, you'll find the tonal control you're after without the rigmarole in the wampler equator eq pedal from sweetwater. comes with pedal, box, and pedal bag. in great condition, barely used.
Specifications:
| Number of Knobs | 7 |
| Number of Bands | 4 |
| Voltage Range | 9 V – 18 V |
| Dimensions | 2.5′′ x 4.50′′ x 1.5′ |
| Weight | 2 lbs |
Reviews:
As an audio engineer who has done a lot of analog design and guitar player, I find this to be a real treat. For one, no sliders? Who really feels like bending over your guitar to micro-adjust little sliders at your feet? Real knobs! As far as electrical design goes, it hits the sweet spots in center frequency and Q just right. It really brings a lot of life out of your instrument.
Overall: I have been searching long time for really great EQ. In my opinion EQ and reverb are THE MOST important pedals in any rig. Doesn't matter you play metal, rock, blues or country and Equator nailed it. I'm metal player and been looking long time for EQ, that would shape low end and lower mids and change em into incredible roar. Equator is a first EQ I have did it. It took me few days to learn and tweak this pedal, but final result is incredible. So my rig is Peavey 6505+ to Fryette Powerstation PS-100 to Friedman Runt 2×12 120Watts cab ( V30"s)Run Equator as a first pedal in FX loop , before delay and reverb at 18Volt from Cioks DC-7. Before I bought it, have read review that it's noisy. To be honest every EQ is kind of noisy .MXR are very noisy, WMD utility EQ noisy, Whirlwind EQ noisy…etc, etc, but Equator isn't really that noisy. There is a small amount of noise at 18V , but totally acceptable to the point you don't have to use noise gate. Also important is how you set your volume knob on the pedal. I matched signal level coming from fx send with pedal. Now I concentrated on two mids frequencies. Mid 1 and Mid2 frequencies ( lower row) These two knobs ( actually job they doing) are genius. Together with bass knobs allow you to shape your low end to very wide tonality spectrum. From juicy and tight pure metal low end , to doom destruction. It simply need a little bit time to understand this pedal and spend a bit time to tweak it. In general all pots reacts really great for adjustments. No hissing high or boomy bass. Equator is really great tool and I really recommend it to everybody…doesn't matter what kind of music you play.
Great EQ pedal for bringing out midrange tone on your rig.Kyle
15. Zoom Ac-3 – Acoustic Creator
Product Details:
Fully functioning & in great shape. includes original box, which is a bit tattered. the ac-3 acoustic creator is an enhanced direct box with essential di features that help you achieve great tone no matter where you play. the ac-3 is equipped with an effects generator, stereo outputs, and a compressor. with these features plus the same high-quality preamp and 3-band eq as the ac-2, the ac-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. with 16 source guitar presets, the ac-3 recovers the sonic characteristics of a variety of guitar types and body shapes. you can choose from dreadnought, upright bass, nylon strings, 12 string, and more. simply select your guitar of choice, then choose piezo or magnetic pickup. from there, the ac-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Number of Effects | 9 |
| Sampling Frequency | 44.1 kHz |
| Number of Bands | 3 |
| Built-In Compressor | Yes |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
16. Lr Baggs Para Acoustic Di Guitar Preamp
Product Details:
The para di is the award winning preamp/direct box that fits right into your string pocket and gives you a 5-band eq with tunable notch and midrange. whether on stage or in a recording studio the para di brings out the best in any pickup. as a musician, you are an artist…a communicator. the notes, chords, rhythms, and melodies you play on your instrument need to be heard loud and clear by your audience. whether your focus is getting the best tone from your instrument on stage or in the studio – l.r. baggs products can help you sound great. they've spent 20 years developing the best sounding pickups and preamps on the planet. this is the sound you've heard from players like vince gill, pete townsend, doyle dykes, eric johnson, phil keaggy, earl klugh, alison krauss, lenny kravitz, kathy mattea, natalie merchant, jean luc ponty, james taylor, and countless other talented players around the world. so…are you ready to find the right gear to take your tone to the next level? their electronics are the product of 20 years of relentless improvement and the quest for perfection. their quality has been recognized with great reviews and numerous awards. they have also garnered a well deserved reputation as the most advanced and best sounding circuitry for pickups on the planet. they are magic. you can be assured that you will sound your absolute best when you use any l.r. baggs preamp. the acoustic guitar magazine players' choice award winner the para acoustic d.i. is a studio quality direct box combined with a feature packed, state-of-the-art preamp and equalizer. l.r. baggs' proprietary quasi-passive eq circuitry is totally transparent and allows control over voicing without sacrificing tone – a big advance over conventional equalizers. it brings out the best in any pickup and will make you sound better. the para acoustic d.i. is quickly becoming a key component in the acoustic setups of both professional and amateur musicians alike.
Specifications:
| Number of EQ Band | 5 |
| Power Output | 9V |
| Output Size | 1/4" |
| Sensitivity | 24 dB |
| Phantom Power | Up to 48V |
Reviews:
Well you know how some people are when it comes to amplifiers on stage for church worship services. They don't want them because they think everyone will start cranking up and jockeying for sound. So I bought this direct box. Its amazing! You will like it a lot. I plug my acoustic guitar straight in and then send it to the house speakers. We have a Presonus 32.4.1 AI mixer in the new building. My favorite thing about this is the eq settings. I can dial in a sweet tone, my settings are bass at 2oclock, mids at 2 o'clock and presence and highs at 1 o'clock. Gain at 12 and volume at 3. This box is really all you need. I don't like tinny trebly sounding acoustic guitars. The bass and mids are wonderful for balancing out some highs and giving the guitar a "fullness". This box sounds very realistic. It is a very good representation of how the guitar sounds unplugged. I have a B Band pickup under the saddle so i have never had any frequency issues. I don't use the notch. I also use a TC electronic arena reverb pedal. Make sure you send the acoustic into the Para DI first and then to the reverb pedal or else it don't sound good. You can do this by getting an effects send return 1/4" cable and using the FX jack on the DI. Nice feature!! I will say i think this box sounded better on the old analog mixing board at our church, but I'm sure we can tweak it to the Presonus. Our church just moved from a 14,000 sq ft building into a 30,000 sq. ft. new building and new sound system so the room is playing into effect also. You need to keep this in mind. The old room had 12 ft. tile ceilings. The new building has 40 ft. ceilings. I think it sounds good coming out the house but it still sounds a bit digital in my headphones. Especially the b and e strings. That has more to do with the digital mixer though i think.guitarguy1981
If you've ever faced the problems of booming (or too thin) bass, acoustic feedback, "quacking," nasal sounding treble, or clicking picks, you will welcome this marvelous box. On my very first gig with the Baggs, I told the sound man to set the board flat and let me handle the EQ. With just a little experimentation and adjustment, I was able to boost the bass to the point where it was full but not booming, eliminate quacking and feedback, and balance the sound on my Taylor GS7 across the musical spectrum from low to high. When the sound man called down from the booth that he could hear my picks clicking on the strings, a few tweaks of the mid-high and presence knobs dialed that right out, without sacrificing volume or clarity on the treble strings. Admittedly, it's a bit tricky to master the somewhat complex settings on this sophisticated device, and the minimal instructions provided by Baggs don't help as much as one would wish. But there are some helpful videos on YouTube, and with a little experimentation you can get this box under control. I love the sound that it lets me get out of my guitar, and can't imagine that your experience would be any different. It's also extremely rugged — built like a tank, in fact — and should stand up to a lot of on-stage use. I can't imagine ever plugging in without it.marconelli
The best DI for acoustic guitar I've ever used. I bought one of these little gems at a local music store for almost ten years ago and it's like brand new. Quiet. Clean. I have a Tascam DP24 and there is ZERO hum or hiss in the signal. Onstage, I darned well won't use anything else for my Guild J series. The control over feedback in a live setting is incredible. I can notch out any hint of feedback with just a tiny alteration of the sweep knob. If my strings are a little old, I can dial in some crispness. The control in the lower mid to low high end is most sensitive–and very impressive. Most DI's give you a flat signal all across the spectrum which is okay for bass guitar or keys, but somehow this little guy gives me a certain springiness in the mid's, about 800 Hz to around 1.5 KHz. I frickin' love it. It turn my acoustic into a lead instrument that doesn't get lost in the mix.Michelle
17. Mxr M109s Six Band Eq Pedal
Product Details:
Apart from an amplifier, nothing gives guitar players a greater degree of control over tonality than an equalizer. boutique pedalmaker mxr has decades of eq know-how, and it shows in its m109 six band graphic eq. guitarists can really stretch their tone with this pedal, whether it’s low-end warmth or higher-frequency boost. leds allow guitarists to see the levels in both dark concert venues and direct sunlight.
Specifications:
| Material | Aluminum |
| Indicator Type | LED |
| Power Supply | 9V |
| Number of Sliders | 6 |
| Input Type | Mono |
Reviews:
This item will be a present, is I haven't had a good chance to play with it yet. However, I'm really impressed by what I've seen/heard so far. It's great into the front of my amp (AC15) just for regular EQ type purposes and really allows you to sculpt various sounds with different guitars. It's also really good as a boost, just fattening single coils up nicely if you like that sort of thing. Looking forward to using it with pedals to shape some more interesting tones.Reviewed by Andertons Music Co.
I'm addressing the review that said this pedal was noisy. OK, I can appreciate where he is coming from but here's the thing: the pedal is not noisy. I would suggest you do some work on your power supply? First off, do not (parallel) daisy chain your EFX pedals. This is no doubt what the problem is with this person's rig. You may not understand this or believe this but your 9V system can have a ground loop. Have you ever considered this before? I doubt many of you have. Here's the test for power supply noise: remove your single pedal from your chain and attach a single external 9V source. Plug in and turn on the EFX – does it produce self-noise? Or is it now MORE quieter than it was while on your pedal board? You have discovered your problem. Your 9V supply in your pedal board should be equally quiet. There are solutions out there but typically a power supply that can deliver isolated 9Vs to your pedals is the easy route. Spend some money here, talk to experts if you can find them.Rooster
i will try to add some info of value that i think is missing from the other reviews. 1st, in response to another reviewers complaint, my experience was this pedal is very quiet in my rigs. next i will mention a con. this MAY be a limitation of graphic EQ's period but as soon as you turn this pedal on, even with none of the levers moved, your tone changes. not the tiniest imperceptible amount either, it is something you will notice. as i said this MAY just be a limitation of graphic EQ pedals to begin with, i haven't fully put enough different GEQ pedals through their paces to know for sure. so don't think oh my tone is really good it just needs a tiny bit of sub-bass scooped out and it'll sound perfect. this pedal is not going to work like that. if you are using it at all, you are going to leave it on all the time. now with that said …. i find that the pedal IS very good as sculpting the sound, like others have mentioned. you may not get exactly what you had prior to turning the pedal on, but once you do start moving the levers around it is very easy to get your guitar/amp sounding very very good. you CAN cut the sub-bass out, but just realize that you are going to have to change other things too. you are doing a total tonal re-sculpt. the end result will sound very good and may give you pretty much the sound you desire but don't expect that you can just pull out (or add) a little gain from 1 band and your rig will sound exactly as it did before plus/minus the effect of that 1 band. there is 1 other con i think people need to know that hasn't been mentioned by other reviewers. i was a bit disappointed with the volume curve of the faders. even at the smallest possible setting (plus or minus of zero) the gain bump/cut is pretty significant. that was a real bummer for me. i want an EQ that is subtle near the 0 mark and the gain added/subtracted gets more and more significant the further up/down the fader you go. imho an EQ is more useful that way.nicky noodler
18. Boss Ac-3 Acoustic Simulator Pedal
Product Details:
Boss is pleased to offer another "authentic boss" compact pedal; the ac-3. how many times have you been onstage or in the studio with your electric guitar, and wished that you'd brought an acoustic along? for musicians who travel light, hauling an extra guitar isn't practical. the ac-3 gives electric guitarists an acoustic effect with a tap of the pedal. boss's cosm acoustic-modeling technology is beautifully showcased in this small but powerful pedal, which simulates an acoustic guitar much more precisely and realistically than previous technology has allowed. derived from boss top-of-the-line ad-8, the ac-3 pedal simulates the sound of an acoustic guitar with incredible precision. four simulation modes are provided: standard, jumbo, enhanced, and piezo-equipped; the latter supplies that famous "cut through the mix" direct piezo sound. previous compact acoustic-guitar modeling-pedals were promising, but now the bar has been raised with boss ac-3.
Specifications:
| Technology | COSM |
| Indicator Type | LED |
| Built-In Reverb | Yes |
| Number of Knobs | 4 |
| Frequency Range | 50 Hz – 10 kHz |
Reviews:
Look, if you REALLY have to have a Martin D-45 sound, guess what Of course this pedal will never do that. BUT, if you need something that sounds somewhat acoustic-like in a band mix and don't want to carry an extra (not to mention fragile) instrument, then this will work just fine. Not authentic, not great, not amazingly life-like, just FINE. With realistic expectations this pedal is as good as any for what it intends to do. I use this in an A/B/Y rig. Tha A side goes to my regular pedalboard and amps. The B side goes to this pedal and a volume pedal direct to FOH via a direct box. I get the "acoustic" sound fed back to me through my monitor (or ears if that applies occasionally). I can have straight electric, straight "acoustic", or use the Y option to blend the two to my liking. Works for me, YMMV. I play "for-hire" mostly and my clients love the versatility of my setup. Also, DO NOT run this pedal through a tube amp if you want the best results. It will definitely work best either run straight to FOH or through a clean solid-state amp. Hope this helps some of you who may be on the fence.steveheroan2010
Overall: Here's it in a nutshell, if you have a song or two to play onstage it can work but won't be a great sound. Positive features are response time doesn't lag, and it does have a reverb feature. If you like the sound and feel of an acoustic you won't like this. To say you wouldn't bring an acoustic to a gig for fear of it being damaged is kind of lame, maybe keep the expensive acoustic home but take the cheap one, you will get a better sound. I plugged a strat into a clean amps and it sounded better.
Have read many reviews both positive and negative about this pedal. The negatives were not specific but didn't hear their guitar and amp give an acoustic sound with this pedal. The positives were sometimes vague but they liked it. Then some went on to say they liked it not through a tube amp but through an acoustic amp or a PA system. I HOOKED IT up through a very small practice amp set clean and used the emulation out into a mixer then into a low power full range PA type system. Sounded excellent with neck single coil. Didn't try it with the middle single coil nor the bridge humbucker. I am very happy to have this pedal.Kenmorek
19. Fishman Platinum Stage Eq Di Analog Preamp
Product Details:
Preamp/di for guitar, bass, & more, discrete class-a design, 4-band eq with selectable midrange, 3-way low cut filter, phase switch to fight feedback, selectable boost with adjustable level, balanced xlr di out with pre/post eq, automatic ground lift on xlr di, can run off 48v phantom power, uses 9v battery or optional power supply intended for acoustic guitar bass or any other acoustic instrument with a pickup and a 1/4 output the fishman platinum stage eq is a belt-mountable preamp and di boasting an analog signal path and tone-shaping options. connections are possible via 1/4 input and 1/4 output jacks though there s also an xlr di for feeding audio straight to the house s pa mixer or a recording interface. this output is pre-/post-eq switchable meaning you can route a tonally shaped or unprocessed signal through this section of the preamp. it can also provide 48v phantom power to the unit.the preamp itself utilizes a high-headroom class-a design with a four-band eq section that can be voiced separately by means of a switch for bass and guitar. a phase switch aids you in the never-ending battle against feedback in live scenarios. to add a little more volume for solos or other stand-out sections a boost button has been provided its level of gain adjustable by means of a wheel located next to the button. simply depress this button to engage the boost. you ll also find an input trim pot to better attenuate your pickups to the signal path provided by the platinum stage. it comes with a belt clip for easy on-stage attachment to your person. in addition to drawing upon 48v phantom power the unit can run using a 9v battery or with an optional power supply.
Specifications:
| Material | Platinum |
| Output Type | XLR |
| Power Supply | 48 V |
| Number of Tone Controls | 4 |
| Volume Control Type | Adjustable |
Reviews:
I looked at the Fishman Platinum Pro and LR Baggs Venue. Decided I didn't need all the features of those so went for the Stage preamp. No regrets. I needed something to feed a higher level into a TC Helicon Play Acoustic. The Fishman Stage does the job wonderfully well. It has made subtle but significant improvements to the amplified tone from both Taylor ES systems and also the Baggs pick up in a Gibson Hummingbird. I would buy this again.Reviewed by Andertons Music Co.
Product works awesome. You not only get a boost in sound, but can filter low feedback out. You can boost Low, Mid, High, or cut them if you choose. The largest advantage for us is that when you have a need to cut or increase volume it is right by you side, no walking to the amp to make adjustments. If you are playing into a system in which the control board is across the room, you can make adjustments quickly without having to contact the soundboard person. If your acoustic guitar pickup has no equalizer, no volume control, or only a Bass and Treble, you can compensate quickly.rossford
20. Jhs Haunting Mids Eq Pedal
Product Details:
I m excellent working condition.a pedal designed to help guitarists cut through a muddied mix, this sweepable-mids eq preamp can turn any amp or pedal into – by jhs' own admission – a ghastly monster. simple yet effective tool to boost/cut the perfect amount of midrange frequencies. sweepable midrange frequency to find the perfect eq to slice through any mix. turn any amp or pedal into a totally different ghastly monster.
Specifications:
| Frequency Range | 400 Hz – 7.5 kHz |
| Power Type | DC |
| Voltage | 9 V |
| Dimensions | 2.6" x 4.8" x 1.6" |
| LED Indicator | Yes |
Reviews:
hands down the best that I've plugged into my pedal board I would choose this pedal every time.
Just what I wanted – a subtle shift in tone as a mid-boostReviewed by Andertons Music Co.
