Best Beginner Flamenco Guitar (2024 Update)

I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz

I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK

I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci

I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz

I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David

I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David

I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David

I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH

It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY

Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David

I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH

It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY

Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.

The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S

The Córdoba GK Studio Negra is a rare gem among acoustic classical guitars. Once you hold it and hear the incredible tones it offers your ears, you not want to put it down. Pure ear candy that plays like soft golden butter as you easily slide your fingers on the fretboard and bend the strings. After playing many other acoustic and classical guitars over the years as a professional musician, the GK Studio Negra was ‘the one’ I’d been searching for. It just feels good and the woods are so well balanced not only in tones but beautifully designed. It’s truly a work of art and has much character. The value is unbelievable for what you get because this remarkable guitar plays and has the appearance of one three times it’s cost. There’s no other way to say it except that you will fall in love with it. I did. For classical, jazz, folk or blues it’s a wonderful companion on or off the stage plugged in or not. With dynamic rich low end and gorgeous sustain, you will be inspired to play this versatile guitar for many years. The Córdoba GK Studio Negra is a graceful friend that you will cherish.KH singer songwriter and produce

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

This guitar is great. I've had no real qualms with it so far, albeit I've only had it since April 1st. I used to play about a decade ago, but life happened and I stopped playing consistently. I bought a Jasmine S34-C about a month back to start up playing again, but it didn't revitalize my love for guitar quite like this one did. I had only played an acoustic before up until I picked up this GK Studio. As soon as I saw it I knew I had to have it. The ebony/gold tuning keys look very refined and the guitars "negra" or black style looks sooooo good. The contrast between the lighter and darker colors does a lot for me. The sound(for me) is just right. Not too soft, but not excessively punchy. I am not someone to perform at gigs as I've only ever played at home, but this guitar definitely has made me want to give it my all and try new things! When things finally get back to 100% here in the states I'll be giving this guitar a shot at a few spots. I've seen a few reviews online that suggest that this is a great gig guitar as well and has a great sound when plugged in so I can't wait to try that out even more so! The only (minor)thing I can think of that I would call a "con" is the Fishman tuner built onto the side of the guitar. I have not had a chance to test out the different options when it is plugged into an amp, but the on-hand guitar tuner setting can be a bit fidgety at times. Its not anything severe as I usually just tune by ear, but I personally only use it for a guide to get back to standard when I'm done messing about with other alt. tunings. I wouldn't say it docks a star from this review, but its just something to look out for if anyone is wondering about it.Ruben S

It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY

Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.

Great guitar! The price was perfect! Very comfortable to play. Very well made. Great sound! I really dig the matte finish. Overall, a great deal for this incredible guitar!John

I purchased this guitar for my son who starts to learn how to play. It is a very cheap entry guitar but has a wonderful sound. As it has open pore finish, it has a little bit dry sound and may be weak in its durability. But Cordoba has found a good balance between sound and price. I strongly recommend Cordoba C1M to beginners.Andy

Pleasantly surprised, great guitar at any price. Bright and snappy to dark and broody. Plenty of growl in the lower registers and a balanced clear mid to highs. Actually, very well balanced and articulate. Also very dynamic as you will hear all your imprecise playing.kingflexor

I love this guitar. It is easy to play and has that distinctive flamenco sound. She is beautiful to look at and to listen to, even when I play it.patty

I own a 2013 Rosa Blanca and was pleasantly surprised upon arrival. Its a TRUE flamenco guitar with great neck shape for flamenco, shallow body depth and quick response with the right flamenco tone. The string spacing at saddle is 60mm separation which is exactly the same as Conde Hermanos and Manuel Reyes guitars. The build and quality is top notch and much better than guitars double the price that I used to own from Spain. The Kremona guys in Sophia just got the design right on these Rosa models as they truly are great guitarra flamencas!Don

It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY

Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.

It's hard to find a high quality affordable nylon guitar with a 48mm neck. I have both the Cordoba Orchestra CE Crossover and the Kremona Verea. I like the Cordoba CE a lot more. I'm surprised that there aren't more favorable reviews for the Cordoba compared to the Verea. I admit that I took the Cordoba to a luthier and had the action lowered. They told me high action was normal for nylon, but I convinced them to lower it, now it's really nice; low action and no buzz. Maybe if I did that to the Verea I would like it more, but it seems like the neck on the Cordoba is better. The Verea is fatter with a flat finger board, while the the Cordoba is thiner and maybe a slightly rounder finger board. The Verea looks a little better and the tuning pegs are nicer, but all that stuff is somewhat superficial. The bottom line is that I find myself playing the Cordoba all the time and when I pick up the Verea it just doesn't do it. To me, the Cordoba design and craftsmanship is superior but maybe that's why it cost a little more. That's ok because at the end of the day you want a guitar that you're going to keep forever, and not sell back to Guitar Center.CY

Having always been a steel string/electric player I wanted to add a classical/nylon string to the collection and after a lot of trials and research I ended up with one of these. Appearance and feel wise, it could easily stand up against guitars twice the price in my opinion and sound wise I'd have to say the same. It's got a wonderful rich warm sound but the highs just cut through beautifully and that's before plugging it, as it truly comes to life then. The pickups sound ace and the blended mic/pick up makes it sound absolutely mind blowing giving an airy clear sound, but with lows that resonate. Definitely recommend checking one of these out, especially if moving from steel strung.T M.

This was my upgrade from a Lucero 150se and what a difference it made. In terms of playability there's no comparison, the Cordoba is superior in every way. Start with the tuners/nut which are perfectly smooth allowing you to make small adjustments even on steel strings. Playing the Cordoba is simply easier and there were things I could not do well on the Lucero due to the thickness of the wood neck. Mind you I'm not talking about the nut width which is 50mm on both, I'm talking the actual thickness of the wood neck itself below the fret board. The slimmer profile of the Cordoba meant reaching certain chords easier, changing chords faster, and giving my hands the ability to put pressure when needed. The factory strings on the Cordoba appear to be superior as well although I would still upgrade them if you can afford it; the steel strings on the Lucero wore out at about 85hrs. No fret noise of any kind on the Cordoba (so long as you play the chord right) whereas on the Lucero I would get buzzing on frets 5 & 6 from both 5th and 4th strings with anything other than light strumming, even with perfect finger placement. The sound of the Cordoba is more sharp, crisp, and clear than the Lucero. My only con is that the shallower body does create a slightly more "twangy" sound than I'm used to but its a negligible difference I quickly settled with in exchange for the other qualities. You get what you pay for. This is a very solid guitar for the price. I would recommend nothing less for serious beginners.Joe T

I mostly play rock/popular music gigs but wanted a classical nylon guitar for that particular sound on home recording projects. I researched intermediate level guitars and thought I'd found what I wanted when I chanced on a review of the Cordoba C7 and decided to spend a little more and go with that. I haven't been disappointed. The build quality and tone have been worth that little extra. It would have been nice if a gig bag was included to give it some protection but it wasn't a deal breaker.David

I had a misconception regarding this brand. The only Cordoba's I noticed in stock at the store were inexpensive ukuleles. So when I began the search for a proper classical guitar, Cordoba was nowhere on my list. I ordered a used european built guitar by a reputable brand. It arrived with a bad up-bow in the neck. That's when I learned that traditional classical guitars have no truss rod. (Just my opinion, but wood isn't what it used to be, and you aren't going to get an instrument built with old growth timber under several thousand dollars.) So began my search for a "traditional classical guitar", but with a truss rod. That google search led straight to Cordoba. (All their models have truss rods.) I ordered a C7 (built in China) and a 45CO (built in Spain) to see what this brand was about. It would be a battle royale for build and sound quality. The loser is… my bank account, because I'd like to keep both. The two have a different build and likewise a different feel and sound. (see Cordoba's website for details.) Fit and finish is impeccable on both guitars. The C7 projects more, while the 45CO has perhaps a slightly more refined tone. My past experience has been that nylon string guitars are difficult to play, have poor intonation and need to be tuned more than played. None of that is the case with these two. My steel string acoustic and electrics are collecting dust while I obsess over this genre of guitar. My conclusion is… classical guitars are awesome, and Cordoba should definitely be on your test drive list. What I received are well priced instruments that are not only well made but intoxicatingly fun to play.JRH

Since I bought this guitar from a Sam Ash store, it's only fair that I review it here as well. I am giving five stars for the guitar that I purchased. Other 172sf's would only only get three or four stars because of differences in their build quality. No two guitars ever play the same, even though they are identical models. This holds very true for luthier built guitars or the Yamaha CG172sf, which is mass produced in a factory in China. While each 172sf that I played, sounded fine and was put together well, this one had several characteristics that simply made it better than its conterparts. The solid Engelmann top has a much tighter, straighter grain pattern with zero run out. The top also shows a consistent silking throughout. The neck is perhaps a hair thinner than the average 172sf, making this guitar, for me, that much easier to play. The fretwork is exemplary, though none of the other 172sf's I tried fell short in this department. I simply cannot find a better sounding or playing instrument at this price! The inexpensive gold tunners are mounted perfectly. There are no creaks to be heard from the headstock when tunning up. The nut is as close to perfectly intonated as any builder could get. The only thing I replaced was the saddle which I made custom to set my own preference for the action. I play both flamenco and classical and this guitar is now perfect for both with my custom saddle. This is now the guitar I currently compare all other nylon string guitars to. It is that good! My guitar has those sonic qualities that one has trouble describing. I don't know what combination of factors truly are at work but the above mentioned traits I think are a good indication of why this particular 172sf sounds and plays so well. I would recomed playing several of these guitars before purchasing the one you will keep. For me, this is the perfect guitar. The top continues to age nicely, and there is a nice balanced sustaian somewhere between a flamenco guitar and a concert classical. The top responds well to being driven hard and percusive to being gently set in motion. I have been playing this guitar almost everyday for over two years, and it has held up superbly and only continued to improve with use. I can't say that for any of the other more expensive guitars I have owned in the past including my prize Ramirez.classical guitar aficionado

I bought the cedar top version at first but it was damaged in transit so I returned it and decided to go with the spruce version. I was a little concerned about the action being to high because I had purchased the cg192c and the action was totally unacceptable. However, I was able to sand down the saddle with enough remaining to get the action I wanted, I've owned more expensive Yamahas {cg 180 and 201s}, and I actually prefer the tone of the cg162s because of its lighter build; it has more clarity and better balance. Also, I think a lot of the so called "defects" are really accidents that happened in transit or are a result of poor storage conditions , especially warpage. I wouldn't buy an open box classical. I should also mention that the top has an amazingly tight grain all the way out to the edges. The ovankol back and sides look very much like rosewood,Mo'Brio

I use my C10sp mainly to study and play classical music at home. I own another classical which I use for gigs. I don't want my C10SP to get bumped up and scratched. The sound is well balanced with excellent bass and crisp trebles. The intonation is perfect across the fretboard. The action was standard so I lowered a bit to my taste. The wood is beautiful, the spruce top has a nice color with bear claw marks that makes it unique. The rosewood back and sides has a nice color with a beautiful rose/brownish grain. The tuners are beautiful as well and functional as it keeps the guitar tuned very well all the time. The C10SP is an excellent classical guitar at an incredible price.Guitarmonsterz

I went to a guitar store specializing in classical guitars, and tried out a whole lot. For the price, I could not find a better-sounding guitar (if you are after the flamenco sound). Other options: While I originally intended to buy a Cordoba with cutaway and electronics, I found that those guitars (despite from being 50% more expensive) lacked in the quality of sound. A pickup from something like Kremona would cost a lot less. Sound: This guitar has a very clear sound – something you want regardless of the type of guitar. The notes do not sound muffled or dead. The flamenco construction adds to this by producing a shorter sustain, and a very bright tone. At times, it sounds similar to bells ringing. Additionally, there is a little bit of fret buzz on the bass strings when played hard – nowhere near the amount of buzz a flamenco requires, but the bridge had a lot of room to be sanded down if that's what you are after. This should go without mention, but this guitar is made for a flamenco/percussive style of playing. It is entirely possible to play classical music on it, but that music will sound better on the classical equivalent (Cordoba C7). For percussive playing, tapping various regions of the top produces a range of sounds from dull to sharp and bring – lots of potential there. Construction: I found that this guitar is built very well. It would be nice to see book-matched top and bottom, but this is after all an entry level flamenco guitar. Value: I think this is a great guitar for the price. Nothing sounds better (flamenco-wise) in guitars up to two or three times the price. Not to mention the gig bag, and truss rod – something a lot of guitars do not come with.VladimirK

I just purchased my Cordoba C9 Parlor, and I'm so excited. Since I previously owned a Taylor GS Mini with steel strings, I was looking for a smaller size guitar with nylon strings. I tried several smaller-feel, nylon guitars (Cordoba Cadete 3/4 Size, Cordoba C5 CET Thinner Body and F7 Paco Flamenco Guitar). The first guitar I tried, the Cordoba Cadete, felt too small. The Cadete is smaller than my Taylor GS Mini. The second guitar, the Cordoba C5 CET, had a slimmer body and a thinner neck. Both of these characteristics made the C5 CET easier to play. However, I felt that its sound was slightly compromised due to its slimmer body. The third guitar I tried, the F7 Paco, was very light and comfortable, but I wasn't akin to playing flamenco, so instead I went with the Cordoba C9 Parlor. I could not be happier with my purchase. Though the D string broke within 3-days of owning my new C9 Parlor, Sam Ash's staff replaced the string same day. Additionally, the C9 Parlor comes with Cordoba's polyfoam case. Please note that this polyfoam case is not a Humicase. Although the case is beautiful, it is heavy and the straps are a flimsy. I wish Cordoba would make a smaller, lighter polyfoam case with more comfortable and durable straps.Dulci

This is just a fabulous instrument. Maybe I received an especially good one, but it's alive! Such response, clarity, tone! Loud! Beautiful string balance. Solid low end, with not a hint of confusion – indeed easily as good as a friends $2,000 guitar (which has more cosmetic "fanciness", but no better tone or playability). Great tuning response and stability, lovely to play, wonderful neck profile. I can't put her down!Nyk Fry

I was looking to graduate to a more intermediate model in the Cordoba line, having already purchased and enjoyed the C3M. The C7 is the perfect choice. First the appearance – The C7 is an exquisite looking guitar. The fit and finish are superior to other brands that I have researched. Fantastic looking rosewood back and sides, beautiful tight-grained cedar top, lovely rosette, beautiful gold and black tuning machines and the gloss finish is the icing on the cake. Now the playability features – Comfortable and smooth C shaped neck, outstanding warm tone and volume projection, standard classical string action, good intonation up the neck and the better quality tuning machines help to keep the instrument in tune. Throw in a real bone nut and saddle, lightweight adjustable truss rod, side fret markers and a sturdy padded Cordoba gig bag and you've got a total package that's tough to beat, especially at this price. I would easily recommend this guitar to anyone, especially an intermediate player like myself.Wayne C.