Are you looking for the Best All Around Guitar Amp? If so, you’ve come to the right place.
Choosing the Best All Around Guitar Amp can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, VOX, Blackstar, Trace Elliot, MESA/Boogie. We have done a lot of research to find the top 20 Best All Around Guitar Amp available.
The average cost is $751.25. Sold comparable range in price from a low of $74.99 to a high of $3699.99.
Based on the research we did, we think Marshall DSL40CR Tube Guitar Combo with Reverb is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best All Around Guitar Amp (20 Sellers)
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$1049.99
4.6
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Heavy . Powerful
Features:
- Gain and volume per channel
- Dedicated resonance control
- High and low power settings
Reviewers Noted:
Easy to use . Good sound quality . Build quality . Weight . Portability
Features:
- 200 watt modeling amp
- Very loud
- 8 months old
Reviewers Noted:
Good sound quality . Easy to use . Weight . Quality build . Portable
Features:
- 10w, 20w, or 40w programmable combo with enhanced features
- 6 voices and 12 super wide stereo effects
- Live streaming trrs output for easy use with smartphones
$74.99
4.5
Reviewers Noted:
Sound quality . Easy to use . Portable . Quality build . Powerful
Features:
- 4 essential amp models (clean, crunch, metal, insane)
- 6 smart control fx effects (2 simultaneous) including phaser, chorus/flanger, tremolo, sweep echo, tape echo, and reverb
- 4 user-programmable channels
$3699.99
4.8
Reviewers Noted:
Good sound quality . Easy to use . Build quality . Powerful . Attractive
Features:
- Made in england.
- Includes six-way footswitch, manual and dust cover.
- Found sound australia pty ltd.
$975.00
4.5
Reviewers Noted:
Weight
Features:
- Brand supro
- Power class-a dual 6l6 power section
- Preamp tremolo
$229.99
4.7
Reviewers Noted:
Poor sound quality . Portable . Ease of use . Power
Features:
- Discover your sound.
- On the move.
- This compact amp is a great size for practice at home, taking along to band practice or playing a small gig.
$730.98
4.7
Reviewers Noted:
Good sound quality . Portable . Quality build . Ease of use . Power
Features:
- 20 watts of pure power with an excellent range of tones
- Lead and clean channels offer maximum versatility
- Reverb effect enhances notes without clouding
$3199.99
4.8
Reviewers Noted:
Good sound quality . Easy to use . Build quality . Powerful . Attractive
Features:
- Marshall jvm 410h js joe satriani signature.
- Very good conditions, just some little wears on the tolex.
- Functionally perfect, complete of original footswitch and cover(worn) and manual.
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Mono or stereo mode input.
- Stereo fx send with preamp bypass option for each channel.
- Stereo thru jack for recording unaffected signal, wdw, or monitoring purposes.
Reviewers Noted:
Good sound quality . Portable . Weight . Ease of use
Features:
- The 15w output of the vx15 gt is the new standard for amps that makes it easy to enjoy full-fledged guitar playing
- Vox delivers the ultimate in sound with 11 amp model sounds to choose from including the iconic vox ac30
- The amp has a full selection of 8 effects with 4 variations of modulation and delay/reverb
$154.00
4.9
Reviewers Noted:
Good sound quality . Easy to use . Build quality . Power
Features:
- The amplifier pictured is the actual amp you will receive!
- Just in on trade!
- With 75 watts of power and a custom 12 celestion speaker, spider iv 75 delivers a huge range of classic guitar sounds.
$239.63
4.8
Reviewers Noted:
Good sound quality . Power . Portability . Visual appeal . Build quality
Features:
- 2 lampes de préampli ecc83
- 1 lampe de puissance : ecc82
- Commutateur de puissance (1w>0,1w)
$499.99
4.8
Reviewers Noted:
Good sound quality . Quality build . Attractive . Easy to use . Portable
Features:
- 5w valve head
- Fx loop
- Onboard reverb effect
Reviewers Noted:
Easy to use . Sound quality . Quality build . Portable . Attractive
Features:
- Import your music from spotify, apple music or youtube and spark’s smart app will auto display the guitar chords in real time.
- Powerhouse 40 watt combo includes onboard tone stack controls, effects, tone starter preset programs, a built-in tuner, tap tempo and more.
- Use spark as your usb audio interface and track your ideas with included presonus studio one prime recording software.
Features:
- Custom-designed stereo speakers provide big, immersive sound in a small package
- Capture mix-ready sounds in music software on a computer or mobile device via usb or i-cube-link
- Choose from eight versatile amp types, all with natural feel and organic response honed with decades of boss amp development
$485.50
5.0
Reviewers Noted:
Sound quality . Build quality . Weight
Features:
- 120 watt guitar combo with tube fusion technology
- Ecc83 preamp tube
- 1×12 celestion seventy 80 speaker
$161.00
4.5
Reviewers Noted:
Portable . Build quality . Ease of use . Power . Visual appeal
Features:
- The pignose 7-100 guitar amplifier is the answer to the worldwide demand for a high quality, economical and completely portable amplifier.
- It's powered by six aa batteries (not included) or by an optional ac adapter which can be stored inside the amplifier case.
- The pignose 7-100 gives the electric guitar the same mobility as the acoustic, and it weighs only five pounds!
$656.00
4.6
Reviewers Noted:
Sound quality
Features:
- 1500w 6-speaker system accurately replicates tones at any volume
- Access a world-class collection of hd and xt amps, cabs & effects
- Combo amp with flexible i/o to compliment pedals and effects
Features:
- 1-channel solid-state 1×10" guitar combo amplifier with reverb
- Selectable output power
- Cab simulation
1. Marshall Dsl40cr Tube Guitar Combo With Reverb
Product Details:
The awesome workhorse marshall dsl combo is back, with modern features. the updated marshall dsl series has arrived. these dsl amps are laden with marshall tone, features and functionality for the novice, as well as pros performing on the world’s biggest stages. the dsl series includes the following new features: adjustable power output. these dsl models feature adjustable power settings, which delivers all-valve tone and feel, at any volume, from bedroom to stage. the new technology adjusts power to the valves, instead of just turning off valve stages, allowing the amp to remain articulate and dynamic. eq refinements some innovative tweaks to the eq circuitry have given the new dsls even greater tonal flexibility. the eq section of the new dsls can deliver exactly what your ears are looking for.
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Tubes | 2 x ECC83 preamp tubes, 1 x ECC82 power tube |
| Application | Practice |
| Power | 1 Watt |
| Speaker Size | 8" |
| Number of Speakers | 1 |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | Reverb Only |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | Yes |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
| Power Supply | Internal |
Reviews:
Overall: This amplifier absolutely rocks! With so many options you can dial in any sound that you want, from crystal clear clean to roaring rhythms and screaming leads. As everyone has already said, the reverb is almost nonexistent. However, the amp, tubes and build are rock solid. BUT… if you really want to blow your mind, swap out the speaker with one that fits your style. My style is classic hard rock so after much research I swapped out the 70 watt Celestion V-Type speaker that it comes with for a 150 watt Eminence Swamp Thang and I swear that it sounds as loud and ballsy as my full-on DSL100 full stack with 1960 cabs. The difference is mind boggling. No fizz, no speaker distortion at all. Just a loud, clear representation of my sound. Obviously the Swamp Thang might not be your speaker of choice but do your research and this will be the only amp you will ever need again!Scott
Sound: With good tubes properly biased, yes. Features: One feature that I absolutely detest is the effects loop button. When it is activated the front of the amp ceases to operate and when deactivated, the front works but the effects loop deactivated. There's no reason for this feature to exist. Substantially limits what the user is able to do. Bad decision in the design. Ease of Use: Just need to fix the owners manual to include specifically how to bias the tubes. Value: At the time I bought it, it was around $800. So at that time, yes. Overall: It took me a while for this amp to grow on me as it sounded like crap out of the box. I replaced the stock speaker with a Celestion V30 and replaced the stock tubes with Ruby EL34STR and a 5751 in the PI as is my typical configuration. Still couldn't get an acceptable tone was fuzzy and grindy. Years later, I learned that you can self bias the amp. After reading forums, there is little info on how to bias the amp and nothing in the manual. I discovered the bias was at 31mv so I turned both to 40mv and HOLY SMOKES this was the tone I've been seeking all these years. Eureka, I found it and it's incredible now. Completely unacceptable that Marshall included zero information in the manual regarding this, which is a pretty important feature. Moreover, it's important that I explain how to bias this. When you place the multimeter leads in the ground and point, one point will give a reading and the other red test point will read zero, always. YOU WILL NOT BE USING THIS TEST POUNT AT ALL. Go back to the one that gives the reading and keep it in that test point and adjust the pot to 40mv. Then, keeping the multimeter lead in the same pot, turn the other bias adjust til they both read 40mv. Next onto the effects loop, there is a button to turn the effects loop on and off as you can not use both simultaneously like in other amps. What good is this feature? Worthless and is an absolute thorn in my side as I would like to use the midi to switch between both which is why I bought it, but can't. Now, the amp does sound good now that it's properly biased as well as replacing the stock speaker, but I lost years of good tone due to the lack of instruction in the instruction manual.Jonathan
Overall: This thing is awesome if you like that Marshall tone this amp is for you, it's really a 4 channel amp if you get the six way Marshall foot switch, if I had to nit pick this amp would be the reverb, don't get me wrong it sounds great and is useable for 90% of what you would need it for, but if your wanting that Gilmour type reverb you'll need to add a reverb pedal in the chain. Where this amp really shines and I discovered this on accident I was messing around with the effects loops and added an EP booster which I would normally run on the front in, and just WOW…adding the EP booster to the loop really opened it up, tamed some of the compression and evened out the gain while improving the tone, sounds more like a JCM800 at this point, I'm super impressed with this little amp and I have some really nice amps in my collection. Let me say I would totally gig with this amp without question. This fact that Marshall made it easy to change and bias tubes is a huge thumbs up as well. Other manufactures please take noteRick
2. Line 6 Catalyst 200 Combo Guitar Amp
Product Details:
These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an xlr line output and a 4-channel usb recording interface. also included are boost circuits customized for each amp type, a dedicated reverb section with six reverb types, 18 additional effects, an effects loop, a power amp input for using catalyst as a powered speaker, midi capabilities, and power attenuation options for playing at any volume. the free catalyst edit app for desktop and mobile devices provides deep editing capabilities. six original amplifiers ranging from pristine clean to modern high-gain, all crafted by the line 6 sound design team employing our celebrated hx technology. each amp features a custom boost. adjust the boost amount and switch the boost on/off using the dedicated boost knob and button. select one of six reverb types. adjust the reverb amount and switch the reverb on/off using the dedicated reverb knob and button. choose from six types each of modulation, delay, and pitch effects—all drawn from our celebrated hx and legacy effects libraries. insert external effects and other devices into your signal chain using the effects loop.
Specifications:
| Option | Amp Only |
| Option | Amp + Footswitch |
Reviews:
This amp is versatile and easy to use stand-alone. It has a great selection of amp models built-in, along with enough effect and delays so that you can find something that you like fairly quickly. I like the clean and boutique models with some reverb. Then I played around with the other models, adjusting settings and effects. You can adjust everything on the amp, not necessary to connect a computer. I did find it confusing initially due to all the different methods required, i.e. "press a button", "press and hold", "press for 2 seconds", etc. That's why I read the manual a few times! Line6 puts a nice 2-sided "cheat sheet" on top of the amp around the carrying handle which is a lot easier than flipping through small pieces of paper staring at small font printing. So don't remove the amp-topper sheet and toss it in the box with the rest of the packing material :-). The best feature of the Catalyst amp is the manual channel. This is WYSIWYG. Adjust the knobs and controls just like a "regular"amp. You can then save the settings once you get something you like. In the future I will connect the amp to the computer and see what else you can do. Right now I am quite happy with the Catalyst amp and I highly recommend it. Go get one!Gene
After suffering a disabling back injury I needed an amp that was easier and lighter to move and set up than the tube amp combos I was used to playing through. I never cared much for the solid state amps as they could never duplicate the warmth a tube amp provided and was considering retiring from live performance altogether. Then I heard about the Catalyst series of amps and decided to try them out and was amazed! My bandmates were as well, telling me how much more clean and clear my sound was. Programming channels was a snap ( just follow the "cheat sheet on top of the amp and read the manual) and the manual button provides the familiarity of a regular amp, and at a third of the weight of my Blackstar 40 watt tube combo I can continue to perform without dealing with debilitating back pain from moving a 70 pound amp. I was so impressed I went back to GC and got the 60 watt Catalyst as well for home and playing at open mic and jams. I couldn't be happier with these amps and am grateful for the help and guidance the folks at Guitar Center in Concord Ca. always provide.Stephen
I have a few amps that I'm selling and a couple that need work – I picked up this Catalyst 60 on a whim so I'd have something reliable and portable while I'm moving amps around my local used market – but I'm super impressed with this amp and am probably going to upgrade to the 100w model! (In fact, I'll get two because I play in stereo!) I found it impossible to get a bad sound out of this, I plugged in direct with my Vox Virage DC and tried all the possible pickup combinations and did not want to stop playing. Great cleans, great crunch. The higher gain amp settings had me revisiting the metal riffs of my youth, haha. I haven't dived into the software editor because: I haven't needed to. This thing sounds great out of the box.FitzG
3. Blackstar Id:core Stereo 40 Combo Guitar Amplifier-V3
Product Details:
Incredible tone and immersive super wide stereo sound will inspire your playing. guitarist-friendly controls combine with the power of programmability for an amazingly versatile tonal range from pristine clean to high gain. incredible tone and immersive super wide stereo sound will inspire your playing. guitarist-friendly controls combine with the power of programmability for an amazingly versatile tonal range from pristine clean to high gain. live streaming to your smartphone is easy using a common trrs cable and built-in usb connectivity allows you to easily record directly to your computer. our free architect software gives you access to our state-of-the-art cab rig lite advanced cabinet simulator, along with deep editing and patch management.
Reviews:
Was looking for a small light weight amp whilst away from home, not wanting to lug around my heavy tube amp, cab and good sized pedal board. This amp fit's the bill perfectly. This amp sounds great, the onboard effects sound good to my ear. And I also like the controls on this amp. Simple layout that makes it easy and fast to dial in a decent sound. If you need more flexibility the architect software, which is a free download from Blackstar, is straight forward to use giving you even more flexibility. Another thing I like about this amp is as I'm away I often need to us headphones, no to disturb the neighbours, through the architect software, you can change the cab simulation from 112, 212, 412, even choose what mic simulation is used, which I think it's an excellent addition to this already impressive small amp. This amp also sounds great through its built-in speakers, giving it a great stereo sound. For this price I honestly cannot fault it, I did look at other amps but settled for this. And I'm so glad I did. This amp is a bargain!!Lesley C.
I hate amp hunting. I wanted something small and specific for a home studio. Shiny cleans with some grit too? Quality build? Under $600? I searched the used listings for weeks trying to find a deal. Nothing really GETS me. Finally, utterly sick of shopping, I walked into Sam Ash, saw this thing on the shelf and just bought it. Didnt try it. Just read the specs online, read a few reviews and snagged it. I figure, worst case scenario I'll return it tomorrow. Let me say, the sound from this amp is just so incredibly nice. Even without pedals, the built in reverb sounds very good. Not splashy, more like a plate reverb. Adding a transparent overdrive makes my G&L ASAT sound like a tone monster. I have no specific affinity for Blackstar. Never owned a single one of their products and I am totally blown away by this thing. I don't know a thing about the tonal waveforms and harmonic frequencies of the most expensive boutique amps but, on a stage or studio I'd put this amp up to pretty much anything. It FEELS good. It sounds good. Between my guitar and an overdrive pedal and the tone knob on the amp itself, I'm able to pull at least 6 very distinct tones before I even engage the dirty channel. It's even got an effects loop. Get one! You'll like it!DANIEL
I bought this amp a few months ago after LOTS of research, having finally decided to replace my previous amp of about 20 years! (A Marshall AVT half stack) Firstly, it looks amazing IMO and build quality looks and feels great too. I play in two bands, one playing southern rock, the other heavy rock/classic metal so needed something that was going to cover a pretty wide range of sounds. The Blackstar handles it amazingly! Wonderful warm crunches all the way to chugalicious highly saturated metal gains. The high gains are so smooth and creamy too and not 'scratchy'. (Something I always struggled with with the AVT) The clarity is also pretty amazing at high gain too. Individual notes can be picked out clearly and not just lost in a fuzzy mush. The 2 OD channels work perfectly for the two separate sounds I'm looking for to suit each band, with Voicing on each channel giving even more versatility. This amp produces beautiful cleans too, which can also break up nicely if you push the clean channel volume up. I'd also really recommend the optional 5-way footswitch, shame this doesn't come as standard, but hey..! All in all, I'm absolutely over the moon with this amp. It can do everything from sparkling cleans to tasty crunch and up to all the gain you could wish for. I've even been able to get THAT Stevie Ray Vaughan tone! 😍 But not only that, it's not some 'Jack of all trades, master of none'…it absolutley nails all of these brilliantly! This amp delivers the sound I've been looking for elusively for years now, funny that Blackstar's slogan is "The Sound In Your Head"… Big thanks to the team at PMT Newcastle when testing the 40 Watt version, and the distribution team for the speedy next day delivery!Davey S.
4. Line 6 Spider Iv 15 Guitar Amp
Product Details:
Meet the newest version of the amp that empowered a generation of guitarists to break through in their playing. spider classic 15 gives you the tone, flexibility and power to take your music to a higher level. choose from an essential collection of celebrated guitar amp models, and spark your creativity with inspiring effects. it's no wonder that over a million guitarists worldwide rely on spider amps for inspiring tone. featuring exceptional guitar amps dialed in by line 6 experts, spiderclassic 15 provides you with the core guitar tones that are at the foundation of modern and classic rock. build your own combinations and tweak settings to create your own signature sound. with celebrated guitar amp sounds at the ready, spider classic 15 practically demands that you turn it up and play it loud.
Specifications:
Reviews:
I've been playing night clubs, Casinos, Hot Rod Runs, Bike Runs, weddings, parties, and everything since 1979. I used to use 2 Fender Twin Reverbs with Celestian G-12-65's and a rack of effects processors (to run STEREO), with a octopus of wiring to set up at every gig, plus an octopus of switches and stomp boxes and wall warts on power sttrips on the floor. Set up time and tear down time took hours. Sometimes all that wiring maze would pick up the 60 cycle hum, and what a mess locating the buzz! After a gig I had to set all that stuff up again at my home studio to practice. Sometimes there was no time… In 1996 I bought a Line 6 Flextone 2-12 (stereo) and that changed everything. It ended all the major problems and electrical buzzes. I programmed the Flextone right next to my Fender Twins and matched the tones exactly on the Flextone. WOW! No more Octopus Monster and Heavy Gear! I have since had a Spider III HD 120 with 412 bottom, 2 Spider III 210 combo's a Spider Valve 100 head, and recently a Spider IV 120 210. I Use the Spider iii 120 210 and Spider IV 120 210 amps on stage exclusively, with an FBV floorboard. Very Simple for stage and Awesome Sound everywhere I play! But again, many times my gear is loaded in a trailer, or at the venue and I need something that sounds like my Spider IV,,, so I got a Spider IV 15 watt. I quickly dialed in my 6o's Fender Reverb Tone for Country and Surf Tone on Ch 1, my StevieRay Vaughan "Little Wing" tone on Ch 2, The Stevie Ray Vaughan Roto-Vibe Tone on Ch 3, and a Van Halen tone on the Insane CH 4. I'm good to go! The only thing missing, is that the larger Spider Amps have a separate Reverb knob and the Spider 15 shares either the Echo Delay or reverb on the same knob, so you can't have both to smooth out the delay. It's one or the other on the Delay or the Reverb, but that's not a big deal on a great practice amp, that i could use onstage if I had a mishap with my other amps. Sounds best when you aren't pushing the master all the way to the max. Crank it up, dial in your tones, then back it off about 7 on the Channel Volumes, match them, and run the master at about 6 or 7. I can switch the channels with my FBV Floorboard and use it for practicing in real small rooms with a band. If it's not loud enough…Mic it! The tones I use are there and I can pack this amp in 2 minutes and walk out with my guitar without breaking my back with the heavier stuff. Fits right on my front seat. Done Deal! If it's your first amp, it's probably the best starter amp for the money, and for me, I have my tones dialed in for practice anywhere with no hassles.Kenny
Ups dropped it off yesterday, and it is everything I hoped, but better. The metal and insane channels are perfect. The clean is gorgeous, for a sort of metal clean tone. If you want to play a lot of Zeppelin or Pink Floyd, you might be better off with a Vypyr. but if you want Mettallica and Crue, to A7X, back to AC/DC and Aerosmith, youll love it. The metal channel is heavy as hell, and can still get up and throw piercing highs and mids. Everything is tight and punchy as hell. The biggest thing that shocked me was the clarity at seemingly stupid volumes for such a small amp. MF was out of stock when I ordered it, and I still had it in 7 days with free shipping. I highly recommend this amp to all metalheads. Thanks Musicians Friend and Line 6. RNFRJag
Very satisfied with this guitar amp. It has a lot of great effects, like flanger, reverb, tremolo, and tape echoes (to name a few). It's very fun to mess around with settings to create great spacey sounds and heavy, sludgy tones. It's also very easy to use. The amplifier also has very useful features, like a built-in tuner and a "save" feature, where the amp can save and remember four different settings at the push (and hold) of a button. It has great tone, volume, and variety, and it picks up things like pinch harmonics extremely well on the Metal and Insane tones. It's also pretty light to carry. I'd definitely recommend this amp for someone just starting out and for someone who's rather experienced with guitar playing. Great price for an amazing amplifier.Katastrophecy
5. Marshall Jvm410c Guitar Combo Amp
Product Details:
The marshall jvm410c is an excellent amplifier for hard rock and heavy metal players. wattage is 100w of tube output. the amp is equipped with two 12 inch speakers, one celestion heritage g12h, and one celestion vintage. the preamp tubes are ecc83s and the power tubes are el34s. there's two effects loops, four channels (each with 3 distortion settings), and can output to a 4-16ohm cab or through an emulated line out (xlr).
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Tubes | 5 x ECC83 preamp tubes, 4 x EL34 power tubes |
| Application | Performance |
| Power | 50 Watts |
| Speaker Size | 12" |
| Number of Speakers | 2 |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | Reverb Only |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
| Power Supply | Internal |
Reviews:
Extremely versatile amp. I play a lot of electric blues but I grew up on hard rock/metal. Today I also play a little bluegrass, country, classical, pop and whatever suits my mood at the time. But at the end of the day, I usually revert to a heavier sound. Now the Marshall has a nice clean sound, although not as clean as my old Fender Pro Reverb. You can't have everything. Where this amp really shines is in its ability to generate anything from mild overdrive to extreme high gain. With this amp I can get high gain harmonics that I could not get from other amps, even with heavy gain effects. The only negative really is that the amp is quite physically heavy.Fuzzy
Firstly, I am in a bar/party cover band of older (>30 years to nearly 60) musicians with day jobs. We are not all Recent Hits, but do mostly songs people have heard of in all years from mid 60s to this year. The flexibility of this head is its big feature for someone like me. This is not a prescriptive review — this is just how I use it. Some of the skeptics have wondered why you would need 4 channels with 3 tones each. They have a good point, but not one that applies to a cover band. If I had to have one amplifier, it would have to produce the tones that this amp can do on channel 2 (crunch) green and orange, and channel 3 (OD1) green and orange. Crunch orange and OD1 green are quite similar and are the tones of the classic plexis and old Marshalls. Crunch green is what you would want for "clean" tone with a Marshall level of compression and just a little breakup for an electric guitar. OD1 at orange is what you would do for distorted classic rock — adding an overdrive in front of a plexi or a very saturated pickup, for example. For every song I really like, and everything I would do if I wasn't doing covers, those two channels at those two colors would cover it. For gigs, I can set channel 1 (clean) and Channel 4 (OD2) to be more extreme. The clean channel is actually what i use to be my acoustic guitar and occasionally as my hollow body electric emulating an acoustic. It is not perfect, nor is as good as having a specialized acoustic amp or clean tone jazz amp. However, it is good enough, and it simplifies the signal path to not have separate amps, and there is enough separate EQ to make it work. Channel 4 can be used for dirtier, more distorted stuff, and the weird thing is that now I use it entirely for country. My band doesn't do any metal, and the heaviest guitar sounds we do are the likes of Carrie Underwood. Getting the hiss to go away is not that big of a deal — put an MXR Smart Gate or any other gate I've tried into the _serial_loop_ and twist the knobs — it will take care of the problem. The JS head might be better and I haven't tried it. I do appreciate that you can't use the OD channels on this without a noise gate, but it isn't a big dial to fix. The reverb is good but nothing special. Reading this review before submitting, I realize that the oddest thing is that I personally have no use for any of the red versions of the four channels. That is probably a classic rock attitude — this thing has a lot more metal tone than I will ever use, so you should use other reviews if you want that.Iceandsnow
This is just and amazing head… I can't complement it enough. I wanted so many of the iconic Marshall tones but couldn't afford to go out and buy a JCM 800, 900, Plexi…etc. This head truly does a great job of getting all the tones your looking for. It does take a little dialing in with all the different modes in each channel to find what they all do… but once you have it kind of figured out its a tone machine. the included foot switch is a pleasant surprise also. It's programmable and works like a charm with just a normal guitar cable. I have also used the midi switching capabilities and they are also wonderful, though not as easy to use as the foot switch. If you are a gigging musician or just want a lot of options…..get one of these!Tony
6. Supro 1690t Coronado 2×10" Combo Guitar Amp
Product Details:
The supro 1690t coronado tube combo guitar amplifier is a bonafide blues monster, with its robust class-a, 35 watt dual 6l6 output stage. plug into the coronado, and you'll quickly understand why the original was all the rage in the southside chicago blues scene in the early 1960s. you'll revel in the coronado's articulate and refined sound, as your playing oozes through a pair of custom designed 10" supro cr10 speakers. at sweetwater, we're simply blown away by the big, yet needle sharp tone that the coronado's flexible two channel tremolo preamp produces. plug in and lose yourself in gigantic, expressive, mind blowing tone, with the supro 1690t coronado tube combo amp. the supro 1690t coronado tube combo guitar amplifier at a glance: supro a brief history. two channels provide awe inspiring flexibility. the supro 1690t coronado- jimmy page's secret weapon. supro's roots can be traced back to the 1930s, when the national resophonic and dobro guitar companies merged to form a manufacturing entity called valco. valco manufactured spanish acoustic guitars, metal faced resonator guitars, and electric lap steel guitars under a variety of brand names, including airline, oahu, and national. they also designed amplifiers for several other companies such as gretsch, harmony, and kay. it was during this time that valco also began producing guitars and amplifiers under the supro name. extremely popular amongst southside chicago blues musicians in the 1960s, supro amplifiers proved equally popular with the british musicians who were influenced by them. by the late 1960s, notable guitarists ranging from jimi hendrix to albert lee to jimmy page were seen playing supro amplifiers. original supro amps often sell for premium prices on the used market, because of their legendary unique tone. two channels provide awe inspiring flexibility. the magic happens when you plug into the coronado's first input, which links the amp's two channels together, each with their own independent volume and tone controls, for double the input signal and double the gain. start twisting and you'll get it. of course, the coronado's second input operates as a single preamp.
Specifications:
Reviews:
Loved jamming the blues on this amp. It's really pleasing to the eye. The amp was pretty loud for a 35 watter. Didn't really have a colored sound to it. I was pleasantly surprised as to the evenness of its tone. Couldn't stop jamming to it. A really good buy. This is a real hands on product review from Rimsky @ Sam Ash Miami Lakes.Gearhead
Just amazing great sound just a little heavyReviewed by Andertons Music Co.
7. Marshall Mg15gfx 15-Watt Combo Guitar Amplifier
Product Details:
A compact 15w amp that packs plenty of power. the 8" speaker delivers a great sound for practice but can also hold its own in front of a small crowd. the mg15fx brings an added punch and lower-end to your sound. the variety of tonal options are sure to compliment any style. discover your sound with four channels, clean, crunch, od1 and od2, as well as three band eq, there's a tone out there for everyone. the mg15fx has clean, crunch, od1 and od2 channels, bringing you even more tonal control. wherever you play feel like a rock god using the mp3/line in to play along to your favorite songs and the emulated headphone output for great silent practice. on the move these amps are the perfect size to bring along to band practice or use at an intimate gig. digital genius the mg15fx is loaded with a variety of digital fx including: reverb, chorus, phaser, flanger, delay and octave.
Specifications:
| Amplifier Type | Solid State Guitar Amplifier |
| Application | Performance |
| Power | 100 Watts |
| Speaker Size | 12" |
| Number of Speakers | 1 |
| Stereo | No |
| HF Driver | No |
| Channels | 4 |
| Compressor | No |
| Effects | Multiple Effects |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | Yes |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
| Power Supply | Internal |
Reviews:
I have a Marshall 412 cabinet with a 100 watt Marshall head. I needed a smaller amp to practice at home and for small jam sessions. I picked the Marshall MG15FX because I know and like the Marshall sound and quality. The Effects features sound good too. I bought the footswitch for it too. This amp sounds good and powerful enough for any small jam or studio work. Marshall makes a MG30 if you need more power.Max
I really like this amp. I don't have to turn up the master volume very much for it to get loud enough. I plan to hook up a Line 6 Pocket Pod for heavier distortion and more effects options. I'm a big fan of delay and am happy with the delay that comes with this amp but I did get a Boss DD-8 digital delay pedal and it works well with this amp. I previously had a cheap 100 watt amp but it only sounded well at low volume. I feel this Marshall amp is better quality and I am glad I got this one.Ferdad
i use this fun little amp at home to practice and jam. sometimes with friends. i've have owned fender and peavy practice amps and this Marshall is just as good or better. i like the clean and various overdrives..the effects do a good enough job and really like the two different reverb effects. i like the headphone option for keeping the neighbors and girlfriend happy when playing late night. i play a Epiphone Les paul traditional pro iv and the combonation sounds super for hard rock and blues but i needed to get a heavy metal pedal for metallica songs. wish it had a longer plug in cable. but over all it sounds really good for what i payed.. ;owned it for two years and keeps on rocking.rob
8. Prs Sonzera 20 Combo
Product Details:
Prs sonzera 20 watt 1×12 combo black the sonzera 20 is a 20-watt combo amplifier with two independently controlled, footswitchable channels designed for maximum versatility and in the spirit of vintage amps that allowed you to control your tone instead of the amp being in control. the clean channel delivers full, 3d tones reminiscent of american 1960's and 70's amplifiers. the lead channel is related to the clean channel circuit-wise, so that it can be set up to act as a boosted clean channel or manipulated to make the channels sound like two completely different amps (the lead channel can be set from slight to very heavy distortion by simply using the volume and master controls). the bright switch on the lead channel has been carefully tailored to deliver familiar high-end snap and is particularly effective on the low strings, neck pickup settings, and with singlecoils, while the low-end response of the lead channel is full, tight, and clear. both channels on the sonzera are designed to maximize note clarity and definition. the global presence control and the tone stack allow players to dial in a variety of tones from bell-like chime to warmer, thicker tones. the sonzera 20 combo also features global reverb control that is designed to enhance notes without clouding them. the reverb can be turned on and off via the footswitch. the addition of a built-in effects loop allows players to use all their time-based effects with ease without negatively impacting the overall tone of the amp. in addition to its versatile tone, the sonzera 20 combo is also designed for reliability and serviceability. the power tube sockets are mounted directly to the steel chassis, and no push-on connections are used – all wires are soldered. with robust construction, a wide range of tones, and steadfast controllability, the sonzera 20 combo is a solid gig- and studio- worthy amplifer.
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Application | Travel |
| Power | 20 Watts |
| Impedance | 16 ohms |
| Speaker Size | 12" |
| Speaker Configuration | 1 x 12" |
| Speaker | Celestion V-Type |
| Number of Speakers | 1 |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| EQ Bands | 3-band |
| Effects | Multiple Effects |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
| Power Supply | External |
Reviews:
The PRS Sonzera 20 is a very good guitar amplifier. It sound exactly like a FENDER Twin Reverb in terms of providing a clear, realistic sound with plenty of powerful bass response. Unlike the TR, the PRS Sonzera 20 is much more compact and a lot easier to transport. It weighs about 42 lbs. compared to the TR's 62 lbs. This amp uses the same 6L6GC power tubes as the TR. I really like the PRS Sonzera 20 a lot…I'm actually thinking about purchasing a second one as a spare! It's that good!Greg
Great sounding amp other than the rattling tubes. I realize I could re tube and get rid of that for a bit but can't rationalize re tubing a new amp. Also the standing hum seemed much louder than any other amp I own. I tried recording with it and between the tube rattle and hum the track was ditched. I assume that's why it was an open box sale. I called customer service and they couldn't tell me Why it was returned. That's no good. There should be a way to track those issues Otherwise you just keep selling folks thsame lemon.Hambone612
I bought this on a 12 month AMS payment plan ive had it 2 days. Its a beast of a combo. I started with everything at noon but the volume. Every setting i tried sounded great. The clean is american sounding but thicker. The drive channel does not sound like a fender n if you turn up your mids you can get a super fat british tone. Its very pretty you know it kinda looks like money. This is its own amp but it can lean alot of different tonal direction. Its gott plaenty of usable gain to get that 80s/90s hard rock to grunge sound. My only struggle with this amp is its LOUD i had thought about a power soak but the internal speaker cord is too short. Currently i have a cotic compressor in the loop so i can get appartmen volumes. Its working well. I recomend it if your looking for a portable giggable combo that can get good fat tones. I still havent had it past 4 n my ears are ringing
9. Marshall Jvm410hjs – Joe Satriani Guitar Amplifier Tube Head
Product Details:
The marshall jvm410h joe satriani edition 100w head is an addition to the marshall signature series. marshall's r&d engineers worked vefry closely with satriani to craft the jvm410hjs. after much experimentation and an assortment of trials that involved satriani using prototypes during recording and touring, they signed off on the final version and the jvm410hjs went into production. the most notable difference from the original jvm410 is that the reverb pots have been replaced with four nose gates, one for each channel, and each with their own threshold. a mid shift button has been added and can be used with both the od1 and od2 channels. the clean channel is based on the 6100 when on the green mode, with the orange and red modes being hotter variations. the crunch channel takes the original jvm410 crunch and adds some of the popular marshall "afd" circuit to it. the od channels are voiced identically, based on the jvm410 od1 but with the gain scaled back slightly and a smoother transition between modes. the mid shift button determines the difference in mid character between the original jvm410 od1 and od2 tone, moving the mids from around 650khz (mid shift off) to around 500khz (mid shift on). the jvm410hjs is powered by el34 tubes and has two master volumes, the supplied footswitch allows you to switch between channels, modes, master volumes, fx loop and now the noise gates and mid shift as well. there is also a full midi implementation.
Specifications:
| Finish | Black |
| Year | 2013 – 2018 |
| Made In | United Kingdom |
| Electronics | Tube |
| Reverb | Digital Reverb |
Reviews:
Extremely versatile amp. I play a lot of electric blues but I grew up on hard rock/metal. Today I also play a little bluegrass, country, classical, pop and whatever suits my mood at the time. But at the end of the day, I usually revert to a heavier sound. Now the Marshall has a nice clean sound, although not as clean as my old Fender Pro Reverb. You can't have everything. Where this amp really shines is in its ability to generate anything from mild overdrive to extreme high gain. With this amp I can get high gain harmonics that I could not get from other amps, even with heavy gain effects. The only negative really is that the amp is quite physically heavy.Fuzzy
Firstly, I am in a bar/party cover band of older (>30 years to nearly 60) musicians with day jobs. We are not all Recent Hits, but do mostly songs people have heard of in all years from mid 60s to this year. The flexibility of this head is its big feature for someone like me. This is not a prescriptive review — this is just how I use it. Some of the skeptics have wondered why you would need 4 channels with 3 tones each. They have a good point, but not one that applies to a cover band. If I had to have one amplifier, it would have to produce the tones that this amp can do on channel 2 (crunch) green and orange, and channel 3 (OD1) green and orange. Crunch orange and OD1 green are quite similar and are the tones of the classic plexis and old Marshalls. Crunch green is what you would want for "clean" tone with a Marshall level of compression and just a little breakup for an electric guitar. OD1 at orange is what you would do for distorted classic rock — adding an overdrive in front of a plexi or a very saturated pickup, for example. For every song I really like, and everything I would do if I wasn't doing covers, those two channels at those two colors would cover it. For gigs, I can set channel 1 (clean) and Channel 4 (OD2) to be more extreme. The clean channel is actually what i use to be my acoustic guitar and occasionally as my hollow body electric emulating an acoustic. It is not perfect, nor is as good as having a specialized acoustic amp or clean tone jazz amp. However, it is good enough, and it simplifies the signal path to not have separate amps, and there is enough separate EQ to make it work. Channel 4 can be used for dirtier, more distorted stuff, and the weird thing is that now I use it entirely for country. My band doesn't do any metal, and the heaviest guitar sounds we do are the likes of Carrie Underwood. Getting the hiss to go away is not that big of a deal — put an MXR Smart Gate or any other gate I've tried into the _serial_loop_ and twist the knobs — it will take care of the problem. The JS head might be better and I haven't tried it. I do appreciate that you can't use the OD channels on this without a noise gate, but it isn't a big dial to fix. The reverb is good but nothing special. Reading this review before submitting, I realize that the oddest thing is that I personally have no use for any of the red versions of the four channels. That is probably a classic rock attitude — this thing has a lot more metal tone than I will ever use, so you should use other reviews if you want that.Iceandsnow
This is just and amazing head… I can't complement it enough. I wanted so many of the iconic Marshall tones but couldn't afford to go out and buy a JCM 800, 900, Plexi…etc. This head truly does a great job of getting all the tones your looking for. It does take a little dialing in with all the different modes in each channel to find what they all do… but once you have it kind of figured out its a tone machine. the included foot switch is a pleasant surprise also. It's programmable and works like a charm with just a normal guitar cable. I have also used the midi switching capabilities and they are also wonderful, though not as easy to use as the foot switch. If you are a gigging musician or just want a lot of options…..get one of these!Tony
10. Dsm & Humboldt Simplifier Deluxe Zero Watt Dual Channel Stereo Amplifier W/ Reverb
Product Details:
Use it as a stereo 2-channel amplifier, or 2-parallel amplifiers for full stereo signal chain, or with 2 guitars at the same time, each with its own amp and fx loop. mono or stereo mode input stereo fx send with preamp bypass option for each channel. stereo thru jack for recording unaffected signal, wdw, or monitoring purposes. right and left fx return jacks. if the left return is empty, it can be set to be a slave of the right channel (for mono use) or take the signal from channel b (for full stereo use). di outputs ¼” inch outputs with option to bypass the power+cab emulation. after two years of extensive research, the simplifier masterminds have pushed the limits of the galaxy, with a new breakthrough in the guitar world. attending the call of musicians who search endless boutique sound possibilities, flexibility and extreme portability, the simplifier deluxe offers the world's finest all analog 0 wt dual channel amp, with cab simulator, multistage reverb, and ultimate connectivity options. all, in an extremely small format.
Specifications:
Reviews:
An amazing 2 channel or dual amp zero watt amplifier pedal. Used it at a rehearsal and could dial in great tones very quickly – from Marshal type distortion to clean reverby Fendery tones. Great through headphones for practice and DI'd into PA for live use. Only disappointment was that there was no power supply supplied, but it does come with a very useful channel/reverb foot switch.Reviewed by Andertons Music Co.
Amazing for recording, the pedal sounds the way your amp would before adding the mic. So easy to dial in any sound, I added a nobble Od1 into the chain and it blew my mind. I gave a good on looks because its hard to read what the knobs and switches do in a studio environment.Reviewed by Andertons Music Co.
11. Vox Vx15 Gt 15w Digital Modeling Amplifier
Product Details:
An update to the popular vxi, the vx15 gt was born from a desire to open up new possibilities for guitar amps. a design that's almost unreasonably lightweight, an internal structure carefully calculated for the optimal sound, realistic and stage-ready sounds driven by modeling technology. overturning existing ideas of guitar amps, the vx15 gt will allow you to enjoy playing guitar in any musical scene. thanks to their many years of developing modeling amps, vox delivers the ultimate in sound. proprietary vet (virtual element technology) enables unprecedented realism, reproducing not only the audible result but rethinking the original circuit itself, painstakingly modeling even individual components that affect the sound. in addition to the classic ac30, this one unit covers a diverse multitude of sounds that include famous tube amps, modern high-gain amps, and rare boutique amps. also included is a full selection of the effect types that are indispensable in shaping your sound. you can simultaneously use both types, modulation and delay/reverb, and choose from four types each, giving you a total of eight variations. this means that you have the ability to add the final touches to shape your overall guitar sound. there's also a tap button, so you can set parameters such as delay time in an intuitive manner.
Specifications:
| Weight | 8.38 lb |
Reviews:
I use this in my basement studio for playing and recording. It has a wide range of very cool sounds and what seems like countless options to combine them (from wild reverb/delay effects to overdrive/fuzz). It's kind of daunting to get a setting you like and remember how to get it again, because of all the combinations of setting options. This would be a great value in a small amp except for two things: 1. Lots of extra noise and hiss (I checked and it wasn't the guitar or cables – I tried several) 2. The "on-off" button doesn't always work when trying to turn it off. I usually have to unplug the 9V adapter that comes with the amp in order to turn it off.Russell
12. Line 6 Spider Iv 75 Guitar Combo Amp *
Product Details:
Spider iv 75 the world's most popular guitar amps. this is it. the amplifier that broke all the rules. from shimmering clean and classic crunch to modern metal and beyond, spider gives you the tone, flexibility and power you need to take your music to the next level. it's no wonder that more than a million guitarists worldwide rely on line 6 spider amps. distilled model collections. access the celebrated american and british amp tones that every guitarist wants. wise up to smart fx. dial-in industry-standard effects with incredible ease and speed. dialed-in rock star tones and presets. play with rock star-inspired tones and presets.
Specifications:
Reviews:
This Amplifier is all I will ever need for my electric guitar. I love the sound! I have to be careful with my neighbors as they can hear it and I don't have it turned up that loud. I am 58 and don't like things that loud but when playing I might get a little louder than normal. It has a lot of different settings and I pretty much stick with a basic sound. I thought it was a great price for a quality amp. It fits nicely in my small room.wallyjc
I had been reading a lot of good things about line6 amps so I decided to give one a try. Let me tell ya I'm glad I did. This thing sounds great and has some cool efects. I would recommend to every one that is looking to buy a new amp to give line6 a try. You will not be disapointed!turkeyhunter-2012
13. Marshall Dsl1head
Product Details:
Specifications:
| Power | 1 Watt |
| Direct Out | Softube emulated |
Reviews:
You can play it without any problem with 1×12 even at an apartment~!! Hell… I dare to say I would be able to run it with my 2×12 v30 at apartment @ 0.1W I am using it currently @1W/full power with 2×12 v30 and it works beautifully. The amp is rather bright and harsh so it's nice to tame it with some darker cab and speaker/s. My Mesa type 2×12 brought it to normality quite well. I am really glad that Marshall offers this amp for this price. The price of a modeller/multieffect you can have a real full valve amp~!! + definitely scratch the itch of having a real valve amp experience + 0 latency = the notes are sticky to your fingers, if feels like… I don't know… the sound just pops right out from the underneath of your fingers. The playing is very effortless. You do not have to overcompensate with your pick attack or whatever because the dynamics and springiness of playing is just surreal. One of the reasons why playing modellers/pluggins/ is a chore most of the time for me… It just lacks that easiness of transfering what you want to do with the sound. Playing with this amp feels like you are the one with the guitar amp and speaker. No bs in-between. + you can play whatever you want and you don't need anything else really… + I still fight of buying a delay pedal because I don't really need it… I don't really need anything else to be honest… I have all the gain I need, two channels + simplicity… I leave my equalisation @ 12/noon and don't even touch it… I just just volume/gain knobs and that's it = ideal practice tool + sometimes I practice for a few hours straight in high temperatures = +-29* @+-40-60% humidity. Zero problems. + looks amazing + foot switch included, speaker cable as well~!! – I am a fan of Mesa Boogie Dual Rectifier Rev. G = fat, muddy, wide, bassy… tone… This ain't it. It's Marshall back to back and unfortunately it will never fill that gap… – eq on red/ultra gain channel doesn't really do much. I mean it does… but you can't really add more bass to it because it is voice that way… It's just Marshall I guess – I wish it didn't have a digital reverb (it could be gone for what I care). It just ruins the all valve vibe to it/ I can only think of Bugera G5 that can detrone this amp from it's glory. This I will find out in July hopefully 🙂 MusicStore, professional as always.
Since I was teenager I always wanted old school Marshall tube amp. And this little guy made a dream come true. Clean channel is lovely a'la JCM800 sound – very bright and articulate (I simply LOVE it). Ultra gain provides a lot of gain and more modern distortion – imho will be enough to play thrash/heavy/power metal. It's not the cheapest in 1W league – but it's worth every penny.
Fantastic little amp. This is the tone I’ve been looking for, at volume levels I can manage in my living room. I’ve got it running through a Marshall 1×12 cab and the sound is amazing, even on the 0.1 setting. Lovely cleans with a rich natural break up on channel one, and wonderful crunch through to screaming distortion on channel two. Pair this baby with a Les Paul and you’re in heaven. I can’t express how much I love this amp. I’m thinking of buying the combo for another room in the house.Reviewed by Andertons Music Co.
14. Marshall Dsl5cr 2-Channel 5-Watt 1×12" Guitar Combo
Product Details:
The marshall dsl5cr 5w valve combo is a portable amplifier that bridges the gap between a practice amp and a small gigging combo. it delivers real valve tone with the organic warmth and response that only tubes can provide. the dsl5cr has an adjustable power level, so you can get the ideal volume for both home use and for smaller gigs or rehearsals. the amp is packaged in a compact cabinet with a celestion ten-30 speaker for both portability and projection. the dsl5cr may be small but it packs in a range of features from the larger amps in the series and, as such, it wears its dsl branding with pride. the amplifier has 2 channels for instant sound switching capability, alongside a versatile range of eq controls (improved for 2018) that let you fully sculpt your sound. the dsl5cr also has a softube emulated output, which means you can plug the output directly into a mixing desk or recording device and access a high-quality emulation of a professionally mic'd marshall 1960 guitar cabinet; ideal for no-fuss recording or for sending a direct signal to your front-of-house mixing desk. the dsl5cr is a complete package that has a versatile range of power options, with all volume levels delivering real valve tone. this makes it the ideal practice amp that can also play at small gigs and rehearsals.
Specifications:
Reviews:
You know, to get the tube/valve sound, one has to crank the amp and that can hurt the ears and upset your family and neighbours. Not any more. This amp still sounds and feels great at 80-85db in 0.1watt mode when you are at home. That is still loud for a night practice though and the amp can go as loud as 100db in the 1watt mode, which is very loud in a small room. The combo sounds surprisingly full with plenty of bass. Quality sound and feel at lower volumes. I also like the reverb, first half sounds like a mix of spring in amp and hall type and when the reverb is dimed, it sounds similar to overdriven spring in amp reverb type. The Emulated out works and sound alright but playing through the speaker is a lot more inspiring and I'd recommend micing the amp for recording and also for practice with a band. The controls have good range. And the combo is well built with sturdy Marshall handle and looks class, I really like it.
Went for this as my first valve amp for room playing. Definitely an upgrade on sound over my 20w fender solid state amp. Would be nice to have a dedicated gain knob for the clean channel and/or presence adjustment, though within its price range it has the best value for money as it has dual channel and an fx loop. Also it was delivered next day on a Monday, contacting customer service was really helpful.Joaquin S.
Clean sound was fantastic, the amp felt well built and looks the part. Included footswitch was metal and felt really good. Reverb was good, for a built-in effect. However, even at 0.5W I just couldn’t dial in a crunchy/blues tone I liked. At louder volumes I could get it to break up nicely. I returned the amp, as I’m a bedroom player and needed something I was happy with at lower volumes. If you can open it up a bit more, this amp was excellent.Joe A.
15. Positive Grid Spark 40, 40w Combo Electric Guitar Amplifier
Product Details:
The spark 40 gives you vivid, spacious sound and elevated tone from the smart amp that started it all. want a compact home rig that truly rocks? you ve come to the right place. jam, play and practice more with millions of songs. access over 10,000 tones powered by our award-winning deeply powerful bias tone engine. included in this package spark control! customizable, future-proof wireless control for the spark amp and app. spark control goes beyond traditional foot controllers with an expanding library of innovative features and functions. no complicated setups. no cables required.
Specifications:
| Frequency range | 20-20,000 Hz |
| Stereo/Mono | Stereo |
| Mazimum sound pressure level | 116dB SPL at 1m |
| Cabinet principle | Bass-reflex |
| Power amplifiers | 40W Class D |
| Total impedance | 4 ohms |
| Mains input voltage | 100-240V |
| Mains frequency | 50/60 Hz |
| Wired connectivity | 1/4" guitar input; 1/8" aux input; 1/8" headphone |
| Wireless connectivity | Bluetooth audio |
| Dimensions | 13.78" x 7.08" x 7.48” (350 mm x 180 mm x 190 mm) |
| Software | Spark App for iOS and Android |
Reviews:
Every guitar player on God's green earth should have one. The different tones offered with the app inspire you to play differently. It allows you to play along with the songs you love, and download the tone. It also tells you the chord progression to the song. It's an amazing Amp, and if nothing else the GREATEST speaker in the world. I could absolutely ruin my neighborhoods night with the most absurdly clear version of my favorite songs. But I could Also practice at midnight with out waking up my roommates using my headphones.
Amazing tones made by professionals. If you care about being a musician… you need this Amp. This Amp was recommended to me by John Moyer… of disturbed.Teryn Surratt
Amazing tones made by professionals. If you care about being a musician… you need this Amp. This Amp was recommended to me by John Moyer… of disturbed.Teryn Surratt
As a practice amp, you will soon lose interest if the tone is thin, boxy and generally sounds like crap. The Spark is none of this. An incredibly wide range of tones are available via the app with sounds that you just don't expect to come from such a small package. The sound is loud, rich without the boxiness that you seem to get with amps loaded with small speakers. If you've used PG's Bias software, you'll be in very familiar territory – great emulations that have a depth that rivals some of the serious modelers available now. The effects, while not giving you a massive selection, supplies pretty well every type of effect you would ever need. The reverbs and delays are particularly good and while more than good enough for noodling at home, are more than up to the task of recording. The unit is quite sturdy with a timber cabinet and looks great – very traditional with an "English" type of styling. Using the Spark as a Bluetooth player for music is more than up to the task – good bass, clean mids and treble and loads of volume. The app overall is very good with some truly inspiring practice opportunities, though the function where the app analyses your playing and constructs a suitable backing track is hit and miss and is probably the weakest part of the app. Bluetooth connection for both control functions and audio playback is stable and very quick to pair with your device. Overall, I don't think you will find and amp sounding this good with the flexibility and functions available, from anywhere else and that is before taking into consideration, the extra functions the app gives you.Mick G.
I bought this amp on the back of all the rave reviews on YouTube etc. For me, it's just not a finished product yet. It feels very "beta". The hardware seems robust and of good quality. The modelled sounds are very good, albeit very bass heavy. But most of that can be EQ'd out. There are several problems I couldn't live with, and had to sell it on. The hum problem which is due to the supplied, un-earthed PSU was very apparent in my example. I contacted Positive Grid support about the issue in December 20, and as of selling the amp at the start of March 21, I had not yet received the replacement PSU. There are temporary workarounds, but I wanted the problem sorted permanently. As said above, the sound is very bass heavy. The amp models' EQ can be used to deal with the guitar tone, but music playback through the unit via Bluetooth has no EQ control, so the sound quality is very poor. In addition to this, the playback level is far too high. When using as a Bluetooth speaker it is very difficult to get the volume low enough using the tiny trim pot volume control for comfortable listening when sat in close proximity to the unit. The Auto Chords feature is a gimmick and needs serious work. It only works for E standard guitar tuning. For example, when listening to a song in dropped standard tuning such as "Yesterday" (guitar tuned down one whole step) Auto Chords will show fingerings for F, Em, A7 etc instead of the G,. F#m, B7 shapes that are required. At the very least, a "transpose" button is required to allow for dropped standard tunings that are very common. When using the tuner, you have to look at the lights on top of the amp. The app should have a screen that displays the tuner on your connected device when in use. The app metronome tempo can only be set by tap. It should have the ability for the user to enter the exact required BPM by inputting the figure required, or selecting the tempo with up and down or + and – controls. All of these niggles were too much for me to live with. Hopefully Positive Grid implement the changes in future releases, but I won't be buying Spark again until they do.Paul
16. Boss Dual Cube Lx Guitar Amplifier
Product Details:
Our good friends over at boss are industry leads in just about every field, whether it's a pedal, multi-effects, cable or amplifier, if it features the iconic boss name you can rest assured of it being incredibly well built with the best components around. the boss dual cube lx amplifier delivers killer tone in a neat compact package! for over four decades the cube series has brought exceptional value to musicians everywhere, offering great sound and versatile features today s modern player crave! the dual cube lx carries on this long tradition, evolved with the latest boss advancements for unmatched flexibilitywith its compact nature this amp is perfect for desktop use at home or on the road, it s the ultimate practice tool. featuring a 10-watt stereo power amp and a pair of custom designed 4-inch speakers this amp delivers a killer tone with tons of low end, a full mid range and awesome highs.with its finely tuned stereo speaker system, the dual cube lx produces full, punchy guitar tones that belie the amp s small footprint. choose from eight versatile amp types, all with natural feel and organic response honed with decades of boss amp development. whatever your style or skill level, you ll find expressive sounds to build techniques and deliver inspired performances. there s also a dedicated mic preamp type, allowing you to use the amp as a portable vocal pa system.the intuitive panel controls on the dual cube lx make it easy to craft compelling sounds in the moment. each amp type includes three user memories, allowing you to store all the knob settings for quick recall. and with the dual cube lx editor, there s a world of additional creative power to explore. with a bunch of stereo and mono effects available right tout of the box this amp is a creatives dream!
Specifications:
| Amplifier Type | Solid State Guitar Amplifier |
| Application | Travel |
| Power | 10 Watts |
| Speaker Size | 4" |
| Speaker Configuration | 2 x 4" |
| Number of Speakers | 2 |
| Stereo | Yes |
| HF Driver | No |
| Channels | 1 |
| Compressor | No |
| EQ Bands | 3-band |
| Effects | Multiple Effects |
| Effects Loop | No |
| Direct Output | Yes |
| USB | Yes |
| Bluetooth | Yes |
| Aux Input | Yes |
| Headphone Output | Yes |
| Footswitch Input | Yes |
| Footswitch Included | No |
| Cover Included | No |
| Display | No |
| Power Supply | Batteries and External |
| Length | 13.64" |
Reviews:
17. Laney Lv300 Guitar Amp Combo
Product Details:
The lv300 is a 120watt rms guitar combo with a real ecc83 tube and a custom-designed 12 hh driver giving it the power and tone to cut through on stage. british design the three-channel lv300 is a gig-ready combo packed with features for live use. its 120 watt rms output section is coupled to a 12 loudspeaker that has been custom-designed for laney by hh. real tube tone tubes add warmth and character to most classic guitar sounds but tube amps can be heavy and more expensive. the lv300 preamplifier is therefore equipped with a real ecc83 tube to combine the practicality and portability of a solid state amplifier with the benefits of tube tone. v & vts each of the 2 drive channels features a v switch. this gives you an instantly scooped tone plus as there is one per channel it gives the flexibility to scoop the rhythm tone whilst leaving the solo tone unaffected. next comes the vts switchthis feature globally boosts certain bass and upper mid frequencies whilst cutting some of the lower mid allowing two different amp characters depending on your gig. reverb on-board reverb provides ambiance to the amp tone and different reverb levels can be set to clean and drive sections. stage ready channel, drive and reverb can be controlled by remote footswitch (laney fs3), an fx loop allows connection of outboard effects and the extension speaker out sockets make the lv300 100% stage-ready.
Specifications:
| Power | 120W |
| Tube | One 12AX7 (preamp) |
| Speakers | 2×12" HH custom |
| Output | 8 ohm |
| Dimensions | 18.81" x 26.33" x 11.33" |
Reviews:
The only thing I'm not keen on is the weight. It's a heavy old unit but that's my fault for being a 7 (would you believe 12) stone weakling. Apart from that it's a brilliant piece of kit with a whole range of tones and an output that would fill almost any venue with good quality sound. The amp comes with a very useful footswitch, which gets you from clean to OD1, to OD2 and back again. It also let's you control the reverb, which is separate for clean and OD. If you want to kick out even more noise, there is a socket for an extension amp (which I don't think I will ever need unless I get a gig at The Royal Albert Hall one of these days). I can highly recommend this amp, together with a few sessions at the gym to build up those biceps!gabas-92
18. Pignose 7-100 Legendary Guitar Combo Amp (Special Tweed Edition)
Product Details:
The portable 5w pignose 7-100 special edition guitar combo amp recalls the little amplifier that started it all more than 30 years ago. the pignose 7-100 amplifier is the answer to the worldwide demand for a high-quality, economical and completely portable amplifier. it's powered by 6 aa batteries (not included) or by an optional ac adapter that can be stored inside the amplifier case. can attach a standard guitar strap and sling the pignose amp over shoulder. with a pignose, can practice anywhere, at any time. it features a full array of tones from clean to crunchy. this amp combines economy with quality, and will never outlive its usefulness, even when move up to bigger amps. it will always be handy for traveling and for working out quick ideas on the road. the pignose 7-100 has a pre amp out jack. in fact, it sounds so good that many players use it as a preamp in stage and studio performances. this is done by sending the preamp out signal to a bigger amp or pa (for stage performances) or to the recording console (for recording). the powerful little pignose, with that distinctively funky pignose sound, has been on-call in countless recording studios, rehearsal halls, dressing rooms, dorm rooms, and backyards around the world since the rockin' '70s. get tones from clean to pig-filthy with the turn of the coolest volume knob in the world.
Specifications:
Reviews:
I use the Pignose amp for guitar lessons. With the amp's 6-hour run on 6 AA batteries, I spend a very small amount of money on batteries over six lessons (which for me is 3 months of bi-weekly lessons). The sound is fine for what I need, and the size and weight are also just right for carrying along with guitar. Great investment.Ted
Great little portable amp with amazing tone!orwollma
19. Line 6 Firehawk 1500 Guitar Amp
Product Details:
Featuring award-winning tone that's consistently great at any volume and advanced tone modeling, firehawk 1500 is a 6-speaker stage amp for guitarists who want to sound their best in every stage and practice environment. its four amplifiers combine for 680w continuous (1,500w peak), allowing firehawk 1500 to sound great at a very stage-worthy volume of 132db, as well as a much quieter environments. get true stereo sound—wet/dry/wet—and dial in amazing tone with the largest collection of hd/xt amps, cabs, and effects in the line 6 family. quickly manage your patches and presets with a streamlined and modern graphic editing workflow using the firehawk remote app, or onboard editing using live edit. plus, a wide range of i/o makes it easy to perform with acoustic guitars, traditional pedalboards, multi-effects and more.
Specifications:
Reviews:
The effects are great, the sound is great, easy to use, and as loud as you want.Jim
20. Fender Tone Master Princeton Reverb Guitar Combo Amp
Product Details:
The tone master princeton reverb is the latest addition to fender's acclaimed series of legendary amplifiers. using fender's proprietary tone master modeling process the tone master princeton is a perfect replication of the legendary tube amplifier. with player-centric features and modern conveniences it's sure to appeal to today's most demanding professionals. the tone master princeton reverb is versatile enough to go from the bedroom to the recording studio to the gig with the great sound and authentic vintage vibe that fender players know and love. it delivers classic fender tone, reverb and tremolo; and it's the perfect size for guitarists who want a moderately powered amplifier for any situation. additional rear-panel features deliver modern convenience and flexibility – including an output power selector for full power and five attenuated settings, balanced xlr line output with impulse response (ir) cabinet simulations captured with shure sm57 and royer r-121 microphones, mute switch for silent stage or recording use, usb port for firmware upgrades, and more.
Specifications:
| CONTROL PANEL | Volume, Treble, Bass, Reverb, Speed, Intensity |
| INPUTS | Two – (1/4", Input 2 operates at -6dB) |
| CHANNELS | One |
| EFFECTS | Reverb, Tremolo |
| CONNECTIVITY | USB For Firmware Updates |
| CONNECTION TYPE | 1/4" |
| VOLTAGE | 120V |
| WATTAGE | 12 Watts (Simulated) |
| CONTROL KNOBS | Vintage-Style Skirted Black Plastic |
| AMPLIFIER COVERING | Black Textured Vinyl |
| CABINET MATERIAL | Lightweight Solid Pine |
| GRILLE CLOTH | Silver-Strand |
| HANDLE | Molded Plastic Strap with Nickel-Plated Caps |
| AMPLIFIER JEWEL | Red (Power), Red/Amber (Warmup), Amber (Mute) |
| FRONT PANEL | Black |
| REVERB TANK | DSP |
| REVERB TANK TYPE | DSP |
| SPEAKERS | One – 10" Jensen C10R with Ceramic Magnet |
| TOTAL IMPEDANCE | 8 ohms |
| FOOTSWITCH | 2-Button Footswitch Included |
