Are you looking for the Best Acoustic Guitar Simulator Pedal? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar Simulator Pedal can be difficult as there are so many considerations, such as Zoom, Hotone, NUX, BOSS, DigiTech, JOYO, Line 6, MOOER. We have done a lot of research to find the top 20 Best Acoustic Guitar Simulator Pedal available.
The average cost is $184.71. Sold comparable range in price from a low of $38.86 to a high of $400.86.
Based on the research we did, we think Boss – AC-3 Acoustic Simulator is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar Simulator Pedal (20 Sellers)
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Reviewers Noted:
Easy to use . Good sound quality . Compact
Features:
- Boss’s most advanced acoustic-guitar modeling in a compact pedal
- Four simulation modes: standard, jumbo, enhanced, and piezo-equipped
- Top and body knobs for fine-tuning the virtual-body resonance
$55.51
4.2
Reviewers Noted:
Size
Features:
- Designed with piezo, standard and jumbo modes to deliver enhanced performance
- Metal casing helps safeguard this pedal against sudden impact
- The 1/4" input and output ports help you connect compatible devices easily
Reviewers Noted:
Ease of use . Size . Weight
Features:
- Made in: china
- Battery operation: yes
- Battery type: aa
Reviewers Noted:
Easy to use . Size
Features:
- This pedal allows you to add reverb effect to your guitar tone
- The 3-band equalizer lets you fine tune the sound output
- Built-in chromatic visual-led tuner offers convenience for easy audio customization
$259.99
4.7
Reviewers Noted:
Easy to use . Size
Features:
- Designed with 9 effects to provide multiple options for audio mixing
- Frequency response of 20 hz to 20 khz balances low and high tones effectively
- Built-in compressor offers crisp and clear sound quality
$119.99
4.7
Reviewers Noted:
Easy to use . Size . Sound quality . Portability
Features:
- The advanced sound engine helps create natural sound effects with this preamp pedal
- Notch filter assists in minimizing the feedback signal for a balanced di output
- Ambience knob helps provide optimized reverb to create studio-quality music
Reviewers Noted:
Easy to use . Compact . Good sound quality . Portability
Features:
- Engineered with 4 knobs to adjust the sound output
- Its 1/4" jacks let you attach the pedal with your guitar
- The screen allows you to check the modulation status
$299.00
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Engineered with 70hz to 350hz frequency range to help reduce sensitivity
- The led indicator show power and conversions status
- Active eq controls provide enhanced tweakability
Reviewers Noted:
Ease of use
Features:
- Acoustic preamp with xlr and jack outputs
- High headroom with 18v power supply
- Tailor your tone with 3-band eq controls
Features:
- It simulates the acoustic guitar profiles with the best-optimized sound depending on your guitar and pickup type.
- Ir loader combined with a preamp which is equipped with 3-band eq and gain controls.
- A unique profile capture function, you can create your own acoustic guitar profile (ir file) by capturing your favorite acoustic guitar's sound.
Reviewers Noted:
Easy to use . Size . Portability
Features:
- Preamp helps provide an amplified audio output
- Back-lit control panel offers enhanced visibility in the dark
- Eq controls let you create different sound effects conviniently
Reviewers Noted:
Easy to use . Size
Features:
- Designed with multiple knobs to offer easy tone adjustments
- Mdp technology uses a feedback loop to deliver a balanced sound quality
- Xlr input and output ports let you conveniently connect different music instruments and speakers
$141.99
4.2
Reviewers Noted:
Ease of use
Features:
- Dual footswitch design allows convenient connection with external devices
- The aluminum frame helps maintain the structural integrity of this stompbox
- Microphone preamp with phantom power delivers a crystal clear audio output
$45.00
2.8
Reviewers Noted:
Size
Features:
- Flippable cover design to protect your settings!
- True bypass.
- High, mid, bass eq controls.
Features:
- Capturez l'empreinte vocale de votre guitare en un rien de temps
- Sculptez votre son avec l'application
- Synchronisez l'application avec votre pédale pour encore plus de possibilités
$38.86
4.5
Features:
- Three different modes.
- Knobs for volume, top, and body (works like a contour control.
- Excellent condition.
$149.99
4.4
Features:
- Designed with 15 presets to provide a user-friendly interface
- The sensitivity of 12 db helps deliver high-quality sound with minimum distortion
- Oled display offers clear visibility and allows you to read the screen conveniently
Reviewers Noted:
Easy to use . Compact . Sound quality
Features:
- Works and sounds great.
- Used only a couple of times.
- Velcro tape was removed from the back.
$245.51
4.8
Reviewers Noted:
Easy to use . Size . Weight . Sound quality . Portability
Features:
- Take your music creativity to the next level with this acoustic guitar preamp
- Led indicator lets you know the status of the battery
- Designed with 5 band eq to create different guitar effects
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Well made . Sound quality . Ease of installation
Features:
- Description
- Zoom g1x four, guitar multi-effects processor with
- Expression pedal, 70+ effects, 13 amp models, 68 drum patterns, looper
1. Boss – Ac-3 Acoustic Simulator

Product Details:
Add depth and sweetness to the sound with the ac-3's built in digital reverb. it's like getting two pedals in one two sets of outputs are provided for connecting the ac-3 to a standard guitar amp and to a direct input device such as a pa, recorder, or an acoustic-guitar amp configuration such as a roland ac-60. top and body controls are provided for shaping the characteristics of the four acoustic models. create the perfect acoustic-guitar sound quickly and easily with simple knob twists, or add depth and space to the sound with the ac-3's built in digital reverb. it's like getting two pedals in one. boss ac3. boss's cosm acoustic-modeling technology is beautifully showcased in this small but powerful pedal, which simulates an acoustic guitar much more precisely and realistically than previous technology allowed. derived from boss top-of-the-line ad-8, the ac-3 simulates the sound of an acoustic guitar with incredible precision. four simulation modes are provided: standard, jumbo, enhanced, and piezo-equipped; the latter supplies that famous "cut through the mix" direct piezo sound. previous compact acoustic-guitar modeling-pedals were promising, but now the bar has been raised with ac-3.
Specifications:
Reviews:
Look, if you REALLY have to have a Martin D-45 sound, guess what Of course this pedal will never do that. BUT, if you need something that sounds somewhat acoustic-like in a band mix and don't want to carry an extra (not to mention fragile) instrument, then this will work just fine. Not authentic, not great, not amazingly life-like, just FINE. With realistic expectations this pedal is as good as any for what it intends to do. I use this in an A/B/Y rig. Tha A side goes to my regular pedalboard and amps. The B side goes to this pedal and a volume pedal direct to FOH via a direct box. I get the "acoustic" sound fed back to me through my monitor (or ears if that applies occasionally). I can have straight electric, straight "acoustic", or use the Y option to blend the two to my liking. Works for me, YMMV. I play "for-hire" mostly and my clients love the versatility of my setup. Also, DO NOT run this pedal through a tube amp if you want the best results. It will definitely work best either run straight to FOH or through a clean solid-state amp. Hope this helps some of you who may be on the fence.steveheroan2010
Overall: Here's it in a nutshell, if you have a song or two to play onstage it can work but won't be a great sound. Positive features are response time doesn't lag, and it does have a reverb feature. If you like the sound and feel of an acoustic you won't like this. To say you wouldn't bring an acoustic to a gig for fear of it being damaged is kind of lame, maybe keep the expensive acoustic home but take the cheap one, you will get a better sound. I plugged a strat into a clean amps and it sounded better.
Have read many reviews both positive and negative about this pedal. The negatives were not specific but didn't hear their guitar and amp give an acoustic sound with this pedal. The positives were sometimes vague but they liked it. Then some went on to say they liked it not through a tube amp but through an acoustic amp or a PA system. I HOOKED IT up through a very small practice amp set clean and used the emulation out into a mixer then into a low power full range PA type system. Sounded excellent with neck single coil. Didn't try it with the middle single coil nor the bridge humbucker. I am very happy to have this pedal.Kenmorek
2. Mooer Acoustikar Acoustic Guitar Simulator Pedal

Product Details:
A compact pedal that replicates beautiful acoustic tones with three different modes. the mooer acoustikar acoustic guitar simulator transforms your electric guitar into a beautifully simulated realistic acoustic sound. it features 3 modes: piezo, standard and jumbo. the piezo mode simulates the piezo pickup from an acoustic-electric guitar. standard mode simulates a normal acoustic guitar. jumbo mode gives you more low end and resonance by simuating a large bodied acoustic. its full metal casing makes it durable and road ready and like most great effects pedals it has true bypass.
Specifications:
Number of Modes | 3 |
Casing Material | Metal |
Input Jack Size | 1/4” |
Weight | 160g |
Output Jack Size | 1/4” |
Reviews:
works exactly as expected. very sturdy build. compact. good price. prompt delivery.bastonais
The Mooer Acoustikar does pretty good. Take little tweaks to get it to do what it will do. Use it with my Gretsch hollow body electric g5122. I use the Acoustikar for rhythm and use the bridge pickup to help clarity and set the Acoustikar flat with the selector switch to normal or jumbo. Doesn't sound like an acoustic guitar but fills the part. Better than some others I've tried.timtim.mmvafuz2
Has background hum. Almost acoustic sounding – nice tryReviewed by Andertons Music Co.
3. Zoom A1 Four Acoustic Multi-Effects Processor

Product Details:
Whether you play the acoustic guitar, saxophone, trumpet, violin, harmonica, or acoustic bass, the zoom a1 four was made with you in mind. this amazing multi-effect processor is jam-packed with more than 80 effects including 35 acoustic-optimized effects. you’ve got plenty of processing power on tap, enabling up to five simultaneous effects, chained together in any order. the a1 four contains 50 memory locations for storing user-created patches, and zoom’s guitar lab software makes building patches a breeze. this unit yields great-sounding, pro-level sound quality during live use, thanks to two performance modes, hassle-free microphone connection, and an anti-feedback filter. you also get a drum machine, 30second looper, and super-handy chromatic tuner. if you’re a live acoustic performer, the zoom a1 four is the multi-effect unit you’ve been waiting for. the zoom a1 four is jam-packed with more than 80 effects, 35 of which are tailor-made for specific acoustic instruments, including acoustic guitar, saxophone, trumpet, violin, harmonica, and acoustic bass. with the a1 four, you can turbocharge your performances with distortion, chorus, wah, and more. building patches is a breeze, thanks to zoom’s guitar lab software. playing live with the a1 four is just as effortless, with two performance modes, hassle-free microphone connection (including phantom power for your condenser mics), and an anti-feedback filter. you also get a built-in drum machine with 68 rhythm patterns and a 30-second looper! a1 four offers over 80 built-in effects dedicated effects for acoustic guitar, saxophone, trumpet, violin, and harmonica up to 5 effects can be used simultaneously, chained together in any order 50 memory locations for storing user-created patches looper for recording up to 30 seconds / 64 beats of cd-quality audio with seamless start & end times 68 built-in rhythm patterns tailored for unplugged styles of music onboard chromatic tuner box contains zoom a1 four acoustic instrument multi-effect processor limited 1-year warranty
Specifications:
Number of Built-in Effects | 80 |
Anti-Feedback | Yes |
Number of Beats | 64 |
Number of Memory Locations | 50 |
Multi-Effects Processor | Yes |
Reviews:
Pro's Had this pedal for a few weeks now, very pleased as I can plug my passive solid body electric violin straight in and it seems to balance the impedence just fine, so I don't lose the lower frequencies. Battery life is surprisingly good, also there is an eco function that makes the screen less bright for longer life. First thing I did was test it with cheap pound shop batteries, which lasted for a good few hours, so I was impressed as none of my other pedals can handle that. There is a very useful editor which you can download and gives full access to all of the various fx. Was also surprised that Zoom seem to keep adding these individual plug-in type effects. There is one set of patches that you can load in from the editor, created by a Japanese EV player. They are interesting and can be useful. The fx appear to be in a chain, but some seem parallel to my mind, as there is a mix control with some that seems to be a by-pass of some kind. There are quite a lot of different fx and some are aimed at getting that piezo squeek under control, which is important for EV players as the bow hair noise can be a distraction. The EQ fx seem to be aok at filtering out the annoying frequencies. The looper is quite handy for setting up, the frequency response to my ears seemed ok without any noticeable compression. Not many battery loopers out there, so this is ok for a street jam if that is your thing. It's just basic record, overdub x however many you want, stop or delete. This pedal worked well through my amps and like most pedals works well in that situation for live gig work. For studio, I could record DI straight into my DAW, but to gain a really natural sound used additional IR reverb and IR convolution snapshots that I've made. I also have the Zoom A2.1u pedal which is built like a tank but is less easy to program. I wasn't sure about the plastic base of the A1. However, it has a got a solid metal base and feels really strong+ it's light and a handy size, not too big. Unlike some of the floor guitar pedals I've got that take up a whole gig bag. I can set up my favourite patches in any order that I like, the editor makes this very easy. I can overwrite the presets, or re-set back to makers original settings. Makers patch 29 is one of the best octavers I have come across in a pedal like this. Makes a regular EV sound just like a Cello. Cons: There might be IR on this pedal but you can't load in your own and there is no way to get access to edit the convolution fx. I was overly impressed with the Violin pre-sets, but that's true of most pedal presets, you need to put you own to together to suit different EV's you might own. Overall I like this pedal and can see myself using it a lot because it is light, I can edit on the fly, good battery life, good price, ongoing support via the editor. I bought this pedal from Scan computers in Bolton and their service was excellent and they offered the most competitive price, so all good imo.Peak
This is NOT an acoustic guitar pedal! It has useless settings for sax, harmonica, trumpet, WHY ? They're just a bunch of unusable effects for a guitar, maybe a half dozen are useful. The looper is useless, you have to use your hand to get to it, it ONLY records a 30sec loop, not 24 seconds not one measure , 30 sec. And it doesn't start with sound activation, so the delay from when you turn it on stays in the loop, as does the remainder of the 30 seconds !!! What good is that ? And the pedal is right next to a control footswitch, that you WILL keep hitting and changing the setting as you play. There is no rhyme or reason to the lack of organization in the effects order, there isn't any. Bottom line, DON'T WASTE YOUR MONEY !Badartdog
The main reason I bought this is that i had a Zoom 405 acoustic effects years ago and loved it. This has the same quality effects. The preset guitar types is surprisingly good, the EC preset is very very good. The rhythm is ok, standard level and useful for sure. The looper however is very average, very limited in control and capacity. Overall a very good effects unit for acoustic guitar. Forget the looper!itc_productions
4. Zoom Ac-2 Acoustic Creator Pedal

Product Details:
For restoring acoustic tone to dis, 16 source guitar presets, low-noise preamps, 3-knob eq, boost & anti-feedback button, magnetic/piezo pickup selector switch, balanced xlr output, 2 x 1/4" outputs, runs on 2 aa batteries, ac power, or usb, includes ad-16 ac power supply geared for acoustic guitar players in amplified contexts the zoom ac-2 acoustic creator is a di which aims to recreate the natural sound of your guitar restoring the tone that’s inevitably lost through using conventional acoustic pickups. the pedal features 16 source presets so whether your axe is a dreadnought or a parlor guitar this device has the right sonic signature for you. you can even select presets for upright bass nylon-string guitars and 12-string instruments.an onboard toggle lets you choose between magnetic and piezo thereby tailoring the pedal’s mechanics for each type of system. a three-band equalizer helps you balance the tone of your instrument while reverb adjustable volume anti-feedback control and a built-in tuner are boons as well. there’s even a boost switch to give you up to 9 db of gain during lead breaks or solos. moreover whichever tone you choose the high-quality low-noise preamp will help you achieve a lush and resonant sound. the prominent volume knob controls both input gain and output level eliminating the guesswork in matching sound levels.a standard instrument input is provided for connecting to the pedal. for outputs you can either used the balanced xlr jack or if stereo sound is required the dual 1/4” connections will get you to your destination. this routing facilitates use with amplifiers mixers interfaces and even headphones as one of the 1/4 jacks doubles as a headphone output for monitoring your sound right from the di. power is available via the included power supply through batteries or over usb.
Specifications:
Number of Effects | 16 |
Sampling Frequencies | 44.1 kHz |
Signal Processing | 32-bit |
USB Type | Micro-USB, Type-B |
Weight | 0.570 kg |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
5. Zoom Ac-3 – Acoustic Creator

Product Details:
Fully functioning & in great shape. includes original box, which is a bit tattered. the ac-3 acoustic creator is an enhanced direct box with essential di features that help you achieve great tone no matter where you play. the ac-3 is equipped with an effects generator, stereo outputs, and a compressor. with these features plus the same high-quality preamp and 3-band eq as the ac-2, the ac-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. with 16 source guitar presets, the ac-3 recovers the sonic characteristics of a variety of guitar types and body shapes. you can choose from dreadnought, upright bass, nylon strings, 12 string, and more. simply select your guitar of choice, then choose piezo or magnetic pickup. from there, the ac-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy.
Specifications:
Frequency Response | 20 Hz – 20 kHz |
Number of Effects | 9 |
Sampling Frequency | 44.1 kHz |
Number of Bands | 3 |
Built-In Compressor | Yes |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
6. Boss Ad-2 Acoustic Preamp Pedal

Product Details:
The boss ad-2 acoustic preamp is a stompbox for acoustic/electric guitars that's designed to make up for the often-lackluster quality of undersaddle, piezo pickups. the ad-2's acoustic resonance feature analyzes the input signal as you're playing and applies processing to recreate the woodier sound of your acoustic instrument. twisting the knob associated with this effect adjusts multiple interlocking controls within the pedal itself, allowing you to tailor the resulting song for specific timbres or purposes—ie, for fingerpicking or strumming—quickly and effectively. also on hand—or rather, under foot—is an ambiance effect which adds some reverb to the signal. this reverb is eq'd and processed to work with your acoustic guitar in a more complementary way when compared to other, comparable reverbs. as with the ambiance control, one-knob adjustment of this reverb will affect many interlocking parameters. the ad-2 offers one input for your acoustic guitar, though you do have your choice of two outputs. a standard output jack can feed an acoustic guitar amp or a monitor, while the di jack's trs connection sends a balanced signal to a pa mixer. if you choose, you can turn off the ambiance effect on the di'd channel, thus giving your foh mixer the ability to apply reverb in accordance with their own predilections. should you encounter any feedback, a one-knob notch filter will help you mitigate it immediately. this pedal has a buffered bypass path, which helps bolster tone over longer cable runs. if you'd like to mute your signal while changing guitars or tuning with an external tuner, simply press and hold the footswitch for two seconds.
Specifications:
Power Supply Voltage | 9 V |
Weight | 1 lb |
Height | 2 3/8" |
Width | 2 7/8" |
Depth | 5 1/8" |
Reviews:
I read countless reviews on all the acoustic preamps, watched videos, read specs. Each unit had its share of lovers and haters. Every time I thought I had made up my mind and was ready to buy I would see comments contradicting the previous accolades. Knowing that sound is subjective I opted to give this unit a try. It is relatively new to the market and Boss products have been very reliable for me. I didn't need a lot of bells and whistles. I wanted something to boost the signal of the piezo pickup on my violin, give some ability to tweak the tone and give some acoustic depth. This unit doe exactly what I needed. I have not tried it for guitar so I can't comment there. I'm satisfied….YMMV.JT
I needed a preamp for my Dean Markley ProMag Plus single coil sound hole pickup, so that I could take that signal to mixer and PA system. I prefer the sound of magnetic pickups in acoustic guitars, and I use this in a Martin HD-28 and also a Gibson Songwriter Deluxe, but the output from the pickup needs a preamp to match the input impedance on a mixer board. This is a perfect solution, small, portable, no nonsense, and sounds terrific with resonance (reverb) set at noon and ambience set at about 2:00-3:00. Surprisingly quiet also.Jay Ira
It certainly does deliver the acoustic quality of my guitar via my Roland CUBE EX amp. Haven’t had feedback issues playing the rig at home so it hasn’t been necessary to dial up the feedback knob as yet , but reasonably confident it will work OK should such issues occur when gigging. Bought because of its ease of use (less to go wrong at a gig) and it’s 6 hour battery life also making it viable for busking. Very pleased with it and more than aware that there will be a vast range of tweaks to achieve a really comprehensive range of sound effects when used in conjunction with the amp’s different guitar effect settings.Peter H.
7. Zoom Ms50g Multistomp Guitar Pedal

Product Details:
Choose from 55 classic effects and famous amps with the size and weight of a typical single stompbox, the ms-50g includes a thorough lineup of high-quality effects types. it features 47 stompbox effects and 8 amp models. along with distortion, reverb, modulation and other classic effects, its amp models simulate some of the most prized pieces of live and studio gear. intuitive, easy-to-use we have further refined the simple user interface that was revolutionary in our g3 and g5. the lcd shows the current effect in use, while the scrolling function allows you to easily view the flow of your effects chain. with this intuitive, easy-to-use interface, creating amazing sounds is a breeze. use up to six effects all at once the ms-50g allows you to utilize up to six effects simultaneously, as well as arrange them in any combination. this gives you the ability to craft classic sounds, as well as lush, complex tones. leave the rules you learned behind and enjoy creative freedom with the ms-50g.
Specifications:
Number of Stompbox Effects | 47 |
Indicator Type | LCD |
Number of Amp Models | 8 |
Output Jack Size | 0.25" |
Number of Output Jacks | 2 |
Reviews:
I could spend all day yapping about this pedal…In my travels i've tried countless pedals, but got tired of having 'too many' pedals. The weight, the time it took to hook it all up. I also busk, or play where electricity isn't available, and wanted a setup where i could make one trip with everything, and keep the weight down. I've always been a fan of ZOOM products, so trying out the Multistomp series was a no-brainer for me. The 50G met all my requirements, and exceed them all after i got one and started using it. Tones that are as good as any higher priced pedal, the versatility is second to none, and the price is killer for what this pedal can do. I would say the the Bluetooth version was my favorite, then the 70CDR, then the 50G, with the 50G's new 3.0 update, the 50 G is now my favorite pedal…period. The 50G started with maybe 50 patches, now it has 172, and best of all it has the Exciter patch, which to me is required on any pedal board. All i can suggest is watch the countless demo videos of this pedal. I would recommend this pedal for any level of guitarist, i would also recommend the MS-70CDR, watch the demo videos of the 70-CDR vs Strymons…amazing I cant say enough good things about the 50G, i believe it's near the perfect all around pedal. The Multistomp series are easily, in my opinion, the best bang for the buck pedals madeLocorogue
The MS-50G pedal is first class. It is every bit as clean, quiet, and well built as the Boss pedals. It is not a replacement for the Boss line. Zoom pedals have a character of their own. Personally, I like the Zoom tone. But I'm not a guitar player. There is a great ~15 minute YouTube instructional video for the MS-50G. I got over the learning curve for writing and storing effects by watching this video, then I bought pedal. It replaces several pieces of my high quality studio gear when I need fast results that are of high level audio quality. Zoom delivers with this product. After I watched this video I purchased the pedal. I also like my G1X as a companion to this pedal. The G1X has a nice volume/expression pedal.Sean
I needed something for my living room and practicing while watching TV late at night without a full pedal board or multi-effects box. This along with a Boss RC-3 and a mini mixer for my wireless headphones provides everything I have in my studio at a mini level. The sounds are good enough. There are enough options in sound to play most anything. Eventually I'll try this little beast as a sub for my full pedal board and see how it works in a live jam. One pedal to do everything. It's not perfect but it is great. I wish Zoom would provide updates to it and a better manager. It's pretty old by today's standards and if Zoom provided updated files they would sell even more if these great little boxes. B&H had the best deal available and as always they provide excellent service. Thank you B&H. I'll Be Back, lolThomas G
8. Tech 21 Acoustic Fly Rig Multi-Effects

Product Details:
Acoustic instrument multi-effects pedal with sansamp amplifier emulat built-in tuner 5 footswitches compression reverb the tech 21 fly rig series is known for travel-friendly, grab-and-go pro tones for live and studio dates. the latest addition to the series is the acoustic fly rig. specifically tailored to complement the particular nuances and traits of acoustic instruments, the acoustic fly rig provides round-the-clock ease and confidence for any gig, anywhere and everywhere you perform. the all-analog sansamp provides professional grade tweakability for any situation with sweepable, semi-parametric, active eq controls. there’s a notch filter, sweepable from 70hz to 350hz, designed to diminish the sensitivity for feedback caused by the resonating, low frequencies of acoustic guitars. a low pass filter, sweepable from 16khz to 1.5khz, rolls off undesirable frequencies and artifacts. it also features the independent boost function, up to approx 12db, for solos. includes a wide mid-range boost for improved clarity. comp, for compression, utilizes old school, all-analog, fet-based technology, which is inherently warmer, more transparent and musical. the dedicated reverb function emulates the rich ambiance of open spaces, ranging from room to hall. dla emulates a warm sounding analog delay. it features time and repeats controls and dedicated tap tempo footswitch. chr is a preset chorus based on pitch-shifting technology for a more natural, 12-string-style sound. the chromatic tuner is within the efx section. you simply hold down the tap/tuner footswitch to engage the tuner, which simultaneously mutes the signal path.
Specifications:
Weight | 1.29 lbs |
Height | 1.25" |
Width | 12.5" |
Depth | 2.5" |
Frequency Range | 70 Hz-350 Hz |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
9. Orange Acoustic-Pedal Preamp/eq

Product Details:
The orange acoustic pedal is an innovative preamp pedal that lets you sculpt your sound, eliminate feedback, and plug straight into the pa- and that's just the start. for the discerning acoustic guitarist looking to elevate their sound and expand functionality, this compact preamp could provide all the answers. the buffered fx loop keeps your signal pure while the 18v power supply delivers stunning headroom that instantly delivers professional, studio-quality sheen. using a low-noise jfet circuit design means no unwanted noise- no hiss, even with the treble control cranked. utilise the precise 3-band eq controls to carefully sculpt your tone to perfection. then, the genius xlr output means you can run straight out into a pa, for maximum ease of use. everything needed to make your acoustic sparkle, all in one pedal.
Specifications:
Product Dimensions | 4.13 x 2.36 x 5.12 inches |
Color Name | Orange |
Signal Format | Analog |
Voltage | 18 Volts |
Controls Type | Knob |
Reviews:
Comprado como complemento para utilizar tanto con amplificador como directo a ordenador.
Habe das Pedal zu Hause probiert, gibt das Signal unverfälscht weiter. Habe einen Auftritt damit gespielt, und der Tontechniker konnte das Gitarrensignal problemlos und in guter Qualität verstärken. Gut ist, dass zwei Ausgänge vorhanden sind. Also neben XLR für PA/Monitor kann man noch einen Verstärker betreiben, wenn nötig. EQ ist eher dezent, reicht aber völlig aus, um das Signal deutlich zu färben.
10. Nux Optima Air Dual-Switch Acoustic Guitar Simulator With A Preamp,ir Loader, Capturing Mode

Product Details:
It simulates the acoustic guitar profiles with the best-optimized sound depending on your guitar and pickup type. ir loader combined with a preamp which is equipped with 3-band eq and gain controls. a unique profile capture function, you can create your own acoustic guitar profile (ir file) by capturing your favorite acoustic guitar's sound. xlr di output for direct line/mixer connection, headphones output for silent play and auxiliary input to connect a music player to play along. you can load 3rd party irs and edit preset names through editor software. update the firmware from nux official website after you get this pedal. please update the firmwares and download the drivers before playing. please use 9v 500ma dc adapter for optima air.
Reviews:
It is a very good pedal and at a great price. Is it as good as the competition? Honestly I am not sure as I have yet to make my own IR but the loaded 24 bit IR's sound pretty good and the preamp is very malleable plus it has a very decent reverb. I am glad I gave the NUX Optima a go before I spent two to three times more on the others. This pedal exceeded my expectations for sure. Blending is essential to get the most of of the pedal's offerings. Only thing I did notice is it did not really work well with my Godin A6 Ultra but worked great with my Martin and my Art and Luthier 12 string. For best results use the XLR out. I look forward to creating my own IR's in the near future but even without this feature it is a good buy.chsh_5693
Overall: Before I bought this pedal, my amplified Taylor 224ce Koa Grand Auditorium sounded like cardboard through an acoustic amp. The annoying shrill sounded nothing like my guitar unplugged. I bought the NUX Optima Air on zZounds at a discount because it was used and "blemished." When I received it, it looked new to me. I am super happy with the condition of the unit. I did not notice any scratches or blemishes. The Optima Air made a huge difference. The preamp with an IR loaded (Martin D-45 piezo) made my guitar pleasant on the ears again. I didn't have to spend a lot of time dialing it in. Most of my dials are near 12 o'clock. The E chord sounds beefy and the D chord doesn't grate your brain. I will not amplify my guitar without this pedal!
I’ve only had the pedal a few days and have only cracked the surface of what the pedal is capable of. So far so good. I’ve run an Epiphone, Gretsch and a Martin through the pedal and it adds a whole new sound to each one. I’m very happy with the pedal. It’s fun to hear all the different sounds….! Thanks to AMS for helping out as they always do. They are my “Go To” online music store and have been since I started to playing again after my retirement in 2017….Rock on…!
11. Trace Elliot Transit A Acoustic Preamp & Effects Pedal

Product Details:
This is the perfect pedal for any acoustic player. featuring all of the most commonly used effects, the transit a puts complete control at your feet. the built-in effects are reverb, delay, chorus, and boost. each effect can be turned on and off independently using their own dedicated footswitch. each effects section has its own controls. other features important to acoustic players are the eq and tone-shaping. the transit a delivers on this front with a phase switch, a pre-shape switch, and a piezo switch. also built in is a chromatic tuner. for quiet rehearsal, there is a headphones output. if you'd like to play with backing tracks, there is an auxiliary input. finally, with pre and post balanced xlr outputs, which include a ground lift, the transit a works perfectly as a di box.
Specifications:
Width | 12.3" W |
Depth | 4.5" D |
Height | 2.3" H |
Weight | 2.6 lbs |
Number of Equalizer Controls | 3 |
Reviews:
Overall: I was looking for something that would give me compact unit that would leave me prepared for any eventuality.This box with its outstanding effects for acoustic, and great options for output, leaves me feeling prepared for any eventuality. No direct box needed!Its very small footprint gives me a lot of functionality in a very small space, without chincing on quality. IT feels durable and substantial without being a tank.My Taylor K14C sounds awesome through it!Its hard to comment on customer service when you have had no need to contact the Mnfg. so don;t consider my rating on that since I cant really commentJoseph
I love this thing! Pairs well with my Taylor 110. The preamp is responsive, the boost is a nice touch, and the chorus and reverb are lush. Tap tempo delay is great. I will use this weekly for worship guitar at church. My only bone to pick was the power adapter was bad right out of the box. I had another so it worked out, but still. Great unit and you definitely get what you pay for.Imnotluckyjustsaved
I play mandolin and guitar in the church band and I have long since found that going direct through the P.A. system is the most efficient and quickest way to get a fidelity acoustic tone into the mix. The great thing about the Trace Elliot is that it is a quality direct box with XLR outputs with quality effects. I love the simplicity of the controls which allows me to individually dial in the effects such as reverb, delay, chorus, and, since I often take solos, a dedicated boost stomp for the extra punch I need for taking the lead with distinction. The simplicity of the controls allows me to make individual tweaks right on stage, unlike my Zoom A3, which has to go through several computer digitized manipulations, and actually requires pre-programmed patches. The Trace Elliot eliminates the digital windows through plain straightforward simplicity.randalcummings
12. Boss Ad-10 Acoustic Guitar Preamp

Product Details:
Packed full of amazing features, the boss ad-10 is a professional preamp/di solution for gigging acoustic players of all levels. it's always difficult to get your amplified signal to sound as inspiring as the natural acoustic, but with the boss ad-10 you have all the tools needed to do just that! essentially, the ad-10 is a dual channel acoustic preamp/di pedal that is packed with essential features for the working guitarist. equipped with a four band eq with variable low cut filter you get total control over your tone, while the multi band compressor delivers completely transparent dynamic control. with 2 independent instrument inputs, you have 2 separate eqs perfect for blending pickups or splitting 2 guitars. with an onboard looper with 80 seconds on recording time, you can layer your sound with ease. the built in ambience, delay and chorus effects are fully adjustable and add a real versatile set of sounds to your rig. designed to interact seamlessly with pa systems, stage monitors and external effects, it's the ultimate on stage companion. with usb connectivity it can be used as an audio interface for recording and playback. it's a comprehensive solution to acoustic performance.
Specifications:
Technology | MDP |
Output Impedance | 1 k |
Cable Length | 18.6' |
Connector Type | XLR |
Equalizer Type | 4-band |
Reviews:
I was disappointed in the sound this unit provided. Sounded good at home but was flat live. It pretty much cut my sound probably a quarter of what was normal to me. Had to turn it up which then caused feedback even with the double notch filter on. Had to tweak on the fly. I actually had to put a feedback killer in the soundhole of my Taylor to kill the feedback. This was all during my gig! Not cool. This box would probably be best for home studio stuff but I will Not gig with this unit ever again. P.s I love Boss. I own 2 Katanas and various pedals. I just don't love the Ad10.Frank G
Than-you Josh Estock for getting it to me and keeping me posted on shipping & delivery. I am really liking the Boss AD-10 Acoustic Preamp. I have been waiting for some time for the AD-10 to be available. I like the Boss AD-2 as well. But the AD-10 makes it so I don't need anything else. I can run AC or 6AA batteries for the power. Then adjustable gain in on 1 or 2 channels even 1&2 at the same time. Digital EQ on both channels. Adjustable Low Cut 10-990Hz , Mid adjustable 200Hz-5.0kHz, Treble, Presence, and Level of eq. Anti-Feedback Reduction, 2 notch switches. 3 Types of Acoustic Resonance (Think Aura) kind of. To me it sounds more woody and natural. You can adjust the tonal quality as well. It's a fully adjustable blend with the pickup. Off, Soft or Hard Compression, 3 Delay effects, 3 Chorus effects, 3 Ambiance/Reverb effects, Boost, 90sec Looper, extra Effects Loop, Tuner, 10 memory Preset Banks. Option for volume pedal or switches. Smaller than a iPad. Just played with the mic and pickup on using a Bose Compact 3 ft away at 97bd w no feedback. Fits perfectly in my SKB iSeries case. I Gig with two nylon string guitars a Andy Culpepper Spruce Blanca Flamenco with a LR Baggs Dual Source Pickup (Element and Mic) I run the Element into input 1 and Mic into 2. I mix the signals at 60%pu and 40mic. I do eq each separately. My other guitar is a Cordoba GK Studio Limited with the Fishman Presus Blend pickup. It's two sources a undersadle and mic blend. The AD-10 sounds great with the GKSL . For most gigs I see myself bringing the Guitar, Smal Case with Boss AD-10, and Bose L1s or Compact, with a few cables. For gigs with no AC I'll use same guitars, Boss AD-10 with batteries and a Behringer Europort MPA40BT. Good for outdoor wedding ceremonies or smaller gigs 75-150 people. The Boss AD-10 makes my life very easy. I will try using two Line 6G-30 for wireless functionality soon.Victor
The constant striving to make even a really great acoustic guitar sound as good on stage (especially through other people's PA systems) as it does in a studio with a Neumann mic is probably like looking for a musical unicorn. I've tried LOTS of Acoustic pedals and amps, and the AD-10 is likely to get closest. It sounds fine through my PA, a Fender Deluxe Reverb, a Boss Katana 100 and even a little Bose S1 Pro. The upside is lots of functions (meaning you can tweak endlessly); the downside is lots of functions (meaning that it has lots of menu items to get your head around). Other pluses of course: two inputs with separate levels and eq; usable effects, tuner, reverb, comp and boost; noise reduction (gets rid of slight whine when using Boss WL-50 wireless); will run off a powerbank; acoustic resonance (still not a Neumann in a studio but useful) and especially 10 memories: so I already have presets to suit a Taylor, a Fylde, a Seagull, a Sire, a J160E and a Tele with a Fishman Powerbridge and I'm deciding which guitars to use the rest on. The looper would not meet Sheeran requirements but it's handy if you want to solo over a verse/chorus pattern you previously played. So far very good, and the manual is reasonably easy to follow. Nearly 5 stars, but that's reserved for when a pedal is as good as a Neumann.Mick C.
13. Hotone A Station Acoustic Preamp/di Pedal

Product Details:
Hotone's performer series professional stompboxes have been designed by and for musicians to be the best tone shaping tools for the stage and studio. featuring a compact, yet rugged aluminum chassis, 100% analog circuit and other carefully chosen components, these stompboxes are built to produce high-quality sound and wide tonal range in any performance situation. each performer series stomp offers a dual footswitch design, as well as multiple i/o options for connecting to pa systems, audio interfaces, mixers, amplifiers and more. the first stompbox in the performer series is the a station, a powerful acoustic preamp with d.i. if you play an acoustic instrument (guitar, violin, mandolin, etc.) the a station is the ticket to make your tone really soar. it also offers a microphone preamp ideal for singers and worship leaders. a station is also a must-have for venues where performers are consistently playing through the house pa system. features acoustic guitar preamp/d.i. specifications dimension: 2.35" h x 6.5" w x 7.5" l weight: 1.48 lbs color: as shown.
Specifications:
Product Length | 7.5" |
Product Height | 2.35" |
Product Width | 6.5" |
Product Weight | 1.48 lbs |
Equalizer Type | 3-band |
Reviews:
Not only are these durable, but sound great, crisp and very clean.[email protected] Sam Ash Cincinnati
This is an affordable DI from Hotone. It has all the necessary features to make it an essential tool for live acoustic players. The Phantom power comes in handy for eliminating the need for power supply or battery. Great for coffee houses or concert stages the 3 band EQ will help improve your sound and eliminate feedback. This is a hands on review by Jim at Sam Ash 36DrJ
The microphone input has to much gain and creates a lot of hiss when using the DI output.gk1219
14. Joyo Jf-323 Wooden Sound Acoustic Simulator Mini Pedal – Us Dealer

Product Details:
Joyo jf-323 ironman wooden sound acoustic simulator pedalwooden sound is set to impress with its simulation of an acoustic sounding guitar. turn your electric guitar into an acoustic one at the press of a button. with the latest mini pedal from joyo, the wooden sound acoustic simulator effect expands the range of your guitar tone without swapping out your guitar mid track, or compensating on the mix. with four controls, each one to adjust the high, mid, bass and volume levels you can dial in the exact tone that you want. an amazingly nice pedal that punches above its price range.
Specifications:
Finish | Brown |
Year | 2010s |
Made In | China |
Reviews:
Dobrej jakości bramka szumów polecam wszystkim.
they sell bad productsedmelende-0
Simple, this does not mimic or replicate closely any acoustic guitar…..tried it with single coil and humbucker pickups. Some EQ ability, not enough o come close to a "faux" acoustic guitar sound. I differ with any critics or other videos demonstrating this as a pedal with this ability………cost sometimes is not a factor in certain situations, but this is not expensive and should not be, it does nothing to satisfy the thirst for a temporary facsimile of a acoustic guitar. I expected it to do enough for short fills between harder electric but falls short….very short. I asked, demonstrated and played for several people when i opened the box…spent adequate time tweeking the knobs…….changing pickup positions and guitars itself. I can only make a positive comment on the packaging and small size.1alkos
15. L.r. Baggs Voiceprint Di Acoustic Guitar Impulse Response Effects Pedal

Product Details:
Lr baggs soundscape the product of nearly 3 years of intensive research and collaboration with a team of phds, lr baggs is thrilled to introduce voiceprint di, the next breakthrough chapter in acoustic amplification. voiceprint di measures the acoustic response of your guitar by leveraging the processing power of your iphone to accurately capture your guitar s one-of-a-kind voice.
Specifications:
Product Dimensions | 7.87 x 6.3 x 3.15 inches |
Hardware Interface | Micro USB Type B, Bluetooth |
Signal Format | Analog |
Voltage | 9 Volts |
Reviews:
I looked everywhere for an amp, pedal, anything to make my acoustic sound natural. Finally LRBaggs did it with this pedal. I can't express enough if you play acoustic guitar you need this voice print di. I use mine straight to the mixer with the handy XLR out it has. The anti feedback works great, seems to take some of the thickness away though, but I probably just don't know how to fix it yet. I paid 400. Worth every penny.Craig W.
16. Tomsline Aas-3 Ac Stage Acoustic Guitar Simulator Pedal

Product Details:
Tomsline ac stage mini effects pedal acoustic guitar simulator volume, body and top control 3 options of piezo, standard and jumbo true bypass power supply: dc 9v adapter (not included) acoustic guitar simulator pedal. volume, body and top control. 3 options of piezo, standard and jumbo. true bypass.
Specifications:
Finish | Yellow |
Year | 2010s |
Reviews:
Great pedal that does what it says on the tingibsongroover
17. Hotone Omni Ac Acoustic Guitar Simulator Pedal

Product Details:
Get a clean tone from your electric guitar with this hotone omni ac acoustic simulator pedal. the 15 acoustic simulations let you customize your tones, while the four-band eq boosts sound by up to 12db. this hotone omni ac acoustic simulator pedal has a variety of input and output connections to facilitate practice and firmware upgrades.
Specifications:
Number of Presets | 15 |
Display Type | OLED |
Sensitivity | 12 dB |
Conversion Rate | 24-bit |
Reviews:
nice range of acoustic soundsReviewed by Andertons Music Co.
I'm mostly playing electric now, though I have a very fine acoustic steel string from Santa Cruz Guitars. I don't like taking the expensive acoustic to outdoor gigs when I'm going to be there all day–yet I'm mostly a finger style guitarist (and vocalist) and I need that acoustic sound. This pedal does exactly what I was hoping for. It's acoustic sound is good enough to use on stage in an outdoor venue. Really surprisingly good. On a couple of rock numbers, I can punch in an overdrive pedal and take out the acoustic. Love the flexibility. I don't need to worry about protecting the fancy guitar. No it's not what you (or I) would record with…but it's perfect for what I need.Sark the shark
18. Boss Rv-6 Reverb Pedal

Product Details:
Combining high-end sound and wide-ranging versatility, the rv-6 takes pedal-based reverb to the next level. reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary boss know-how to make it easy to get amazing reverb tones instantly. from subtle rooms to modern shimmer effects to long, evocative reverbs, the rv-6 envelops your tone in lush ambient spaces that endlessly inspire.
Specifications:
Length | 6 in |
Height | 0.1 in |
Width | 6 in |
Reviews:
Overall: Whether you're trying to dial in a wet surf rock reverb or an ambient shoegaze tone with lots of atmosphere, this pedal can do it all. This is hands down the best pedal I've ever purchased and far surpasses any other reverb pedal I've heard. You can even tweaked it to make it sound like a proper spring reverb unit on an old fender amp. There's also a handy shimmer effect you can use to get some angelic and synth-like tones, which can sound monolithic accompanied with a fuzz. I'd recommend this pedal for any style of playing, as it's one of the most versatile ones on the market right now. Also since it's Boss it's built like an absolute tank. Need quality slap back, surf, or shoegaze type reverb? This is the unit for you.Alex
I use a few different brands of pedals and Boss makes solid pedals. This rv6 pedal makes a great variety of reverbs that sound very good with cleans, on every setting. I play with a few different distortions. It is very difficult to dial in a good reverb sound with too much distortion. The level setting has to be low and the sensitivity of the effects are boosted and that makes it very hard to easily swap from clean to dirty without major changes. Dirty will require serious tweaking. I would give it a 3 star because it's not friendly to dirty, but I'll give it 4 stars just because the cleans really do sound great and the variety and quality of sounds are in a price range well below many other reverbs of this caliber. It's a BOSS, a tank. I did mess with the shimmer with crunch and low level and found some decent sounds.Ghostpuncher
I got this as a catch-all reverb to round out a basic pedal board I use for home practice and hobby recording. First off, all the "usual suspect" reverb tones sound really great in the effects loop of my Bogner Atma combo. I had read reviews of the RV6 where it had been criticized for sounding digital/grainy, but I preferred it over the Oceans and HOF2 I compared it to. I classify myself as a somewhat fussy "toan snob" who still prefers tubes and analog, so I wonder if maybe that "digital/grainy" complaint was with it going straight in, out in front of the preamp. I'll have to get around to trying it like an outboard spring verb sometime. I really dig the shimmer verb, especially with a flanged, overdriven lead tone. I need to get an expression pedal now and play around with oscillating that! Last thing I want to compliment is the helpful buffer the Boss adds at the tail end of my board. I pretty much have no loss now. Kudos to Boss for yet another solid product!Lee B.
19. L.r. Baggs Venue Di Acoustic Guitar Preamp

Product Details:
The l.r. baggs venue di is a direct box that is musical sounding, extremely rugged and feature-packed. the l.r. baggs venue di will redefine the meaning of hi-fidelity stage di boxes. the venue di is designed with 100% discrete circuitry for the cleanest and sweetest sound possible and also features a transformer couple di for total ground loop elimination and a new chromatic tuner in an attractive and bulletproof foot pedal package. additional features include a 5-band eq with tunable low and hi mid bands, phase inversion, garrett null notch, precision vu meter for accurate gain adjustment, dc input for use without battery and a 4-segment battery check gauge. it has never been easier to get a great sounding plugged-in sound from your acoustic guitar than with the venue di.
Specifications:
Power Source | Battery |
Voltage | 9 V |
Number of Bands | 5 |
Indicator Type | LED |
Reviews:
I bought this used through Guitar Center to boost the output of my Eastman 815 acoustic-electric mandolin, which has an internal microphone but was too quiet. I'm a hobbyist but play in worship settings. I was able to EQ the output to sound like the natural mandolin tone and to boost the volume which was important to me, since, on occasion, I play outdoors or in a large church sanctuary. The tuner is a great asset, making clip-on tuners unnecessary. The tone boost gives the mandolin even more volume for those times when you want to play a solo. The unit runs on a 9V battery or a 9v DC adapter. I happened to own already own a 9v DC adapter, and it gave the unit much more power than the battery, which was great. I definitely recommend getting a 9v DC adapter. This was a good buy!Jamie
From the very first moment I plugged in both my Martin D42 guitar with it's Fishman pickup and my five string Stelling Banjo with the KAVANJO pickup system to their respective LR baggs Venue DI preamp's a smile lit up on my face. The sound, the controlled sound, the natural sound that came out of each device was absolutely wonderful. I would have to say that my banjo sounded incredibly smooth… And the guitar tone was the best I've ever gotten from my Martin D 42. It was a pleasure to listen as a strummed or finger picked each instrument. And you could tell that the audience was listening intently… There was no distortion whatsoever. And I've really just started using the device, and haven't fully dialed in the potential. I'd also read a lot about the tuner not being accurate… Well I have two Petersen tuners… Clamp-ons … one on each instrument and I double checked it with the baggs built-in tuner… And so far it has been spot on. The boost switch is fantastic and the mute couldn't be better. I am completely satisfied and delighted that I purchased one LR Baggs Venue DI for each instrument.
I've got 2 LR Baggs Para DI's and have been wanting to try out the Venue DI. I have a Taylor 814 V Deluxe, Taylor 614 and a Taylor 354. I always bring at least one of the 6 strings and the 12 string when I play. All 3 guitars have different tonal qualities, so I wanted separate DI's with EQing abilities for each. The Paras do very well, but I found the Venue to be quicker to dial in a great acoustic tone and it sounds more transparent to me. I love the boost function too!!! Very well built! Like others who have reviewed, the tuner is slow to respond at times and phantom power would have been nice – otherwise this is a 5-plus stars.
20. Zoom G1x Four Multi-Effects Guitar Processor Pedal

Product Details:
Upgrade and enhance your performance with the zoom g1x four guitar multi-effects processor. equipped with more than 70 built-in effects, 13 amp models, a looper, and a drum machine, this pedal takes your guitar's sound to new heights. it boasts an onboard chromatic tuner and a variety of ports to provide effortless connectivity.
Specifications:
Maximum number of simultaneous effects | 5 |
User patches | 50 |
Sampling frequency | 44.1 kHz |
A/D conversion | 24-bit, 128× oversampling |
D/A conversion | 24-bit, 128× oversampling |
Signal processing | 32−bit |
Display | 128×32 dot matrix LCD |
Maximum output level | Line +2 dBu (10 kΩ or more output impedance) |
Input S/N | 120 dB |
Noise floor (residual noise) | 97 dBu |
AC adapter | 9V DC 500mA center negative (ZOOM AD-16) |
External dimensions | 156 mm (D) × 130 mm (W) × 42 mm (H) |
Optional accessories | AC adapter (Zoom AD-16) |
Reviews:
Really loving this, getting back to playing after about 20 years away, got this multi effects pedal and I’m playing every day, plenty amp sims and effects to play with, got about 5 favourites already, not played about enough with the blank slots so can’t say too much about that. Drum beats are good for jamming along with and keepin time. Love the looper, really cool for dual parts ( I play a lot of iron maiden) and for noodling over your own backing track. Went for this one with the expression pedal, not using it much but that’s probably my style more than anything, it works. I’m using a standard mini usb to power, not tried recording yet, busy playing and having fun. Using headphones mostly, sounds great, put it through my 30 year old Marshall when I get the chance, sounds awesome. Bottom line, I’m just messing about in the spare room, having fun. Not a performer or gigging or anything. This has everything I need/want and the rest. Price is pretty good for what your getting. Would definitely recommend for anyone looking to try some different sounds and just have fun.Reviewed by Andertons Music Co.
Should actually get a refund on this. Seemed like a good product but tried to connect with Guitar Lab to add effects. I got connected, added a couple of FX but lost some factory effects that were pretty good (Comp). Then, tried to connect again to get these back but can't connect anymore. Tried 2 computers as well, many times. Anyway, the box is stuck with FX it has now so, not good. Poor product if you can't get it to function properly.Zoom Man
It works well, covers a lot of different effects (including amps and cabinets), and the user interface is pretty easy to learn. There are some limitations in its capabilities (for instance, there's little memory available to add effects unless you uninstall some of the defaults, and some combinations of effects can't be used because it doesn't have enough processing power), but at this price you have to expect that. One thing they could improve without adding cost to the device is the documentation; expect to use your favourite search engine a lot while figuring this thing out.Steve
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