Best Acoustic Guitar Microphones (2024 Update)

Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.

The akg p170 condenser microphone is the ideal small diaphragm model for miking drums and acoustic instruments. it delivers a clean, unadulterated sound. by slightly boosting high frequencies, instruments sound more brilliant. their sound becomes more detailed and asserts itself better in the mix. normally, condenser microphones have difficulty transmitting loud instruments without distortion. the akg p170, however, can handle sound pressure levels up to 155 db. this makes it ideal as an overhead microphone for drums and percussion. the cardioid characteristic makes it insensitive to sound from the side or rear. this gives you good results without crosstalk and feedback even under acoustically less than ideal conditions. the akg p170's rugged metal housing makes it ideal for live use.

Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. what’s also true about the sm57 is that it sounds great on a wide variety of sources. a large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the sm57. try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the shure sm57 more than any microphone on the planet.

The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.

Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.

The aston origin is a high-performance cardioid condenser microphone utilising a one inch (1 ) gold evaporated capsule. it's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. the origin is designed to deliver direct, smooth and intimate sound for a supremely natural and transparent recording.

A studio elite. the neumann km 184 stereo microphone set is your gateway to flawless recording sessions. capture every detail with two condenser microphones, purpose built for vocals, instruments, and more. with their cardioid polar pattern, both microphones focus on what's important, ensuring no background noise or feedback gets in the way of your performance. a high sound pressure level of 138 db makes the mic suitable for close miking strings, wind instruments, percussion, and more. what's more, a smooth frequency response with a rise at 9khz delivers a fresh tonal balance. that means truly outstanding audio, every time you hit record. get to work in minutes. the km 184 stereo microphone set comes with studio essentials that help you capture the magic without any hassle. remove pops and sibilance with two windscreens, and position your microphones with ease thanks to two swivel mounts. it's all there, right inside the box.

The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.

It is a cardiod condenser microphone, designed for recording instruments with high transient response, and therefore popularly used for drum kit and percussion recording. the c 451 b features a light diaphram, minimizing handling noise, and a switchable 75hz-150hz highpass filter, eliminating low-end rumble. the high pass filter enhances the airy character of the audio signal, and thus the c 451 b microphone is a viable solution for overhead cymbal or hi-hat recording. the c 451 b provides a flat, on-axis frequency response, capturing the performance without any signal coloration. the c 451 b microphone provides both 12v and 48v phantom power, with selectable 10db-20db pads included for better signal management.

The sm7b dynamic microphone has a smooth, flat, wide range frequency response appropriate for music and speech in all professional audio applications. it features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. the sm7b has been updated from earlier models with an improved bracket design that offers greater stability. in addition to its standard windscreen, it also includes the a7ws windscreen for close talk applications. includes foam windscreen, close talk windscreen, and locking yoke mount. bass roll off and mid-range emphasis (presence boost) controls with graphic display of response setting. improved rejection of electromagnetic hum, optimized for shielding against broadband interference.

Akg's industry-leading c 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. the new c 214 is designed as a cost-effective alternative to the high-end, industry-leading c 414 family. it captures sound combining one side of the legendary c 414 dual-capsule system and akg’s patented back-plate technology which results in an outstanding performance close to the famous c 414 b-xls.like the c 414 models, the c 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. additionally, the microphone offers a 20 db attenuation pad, 13 db noise floor, and a low cut switch—all in an elegant but rugged package. besides, the c 214 will also work on low phantom power voltages from 12 up to 48 volts.additional features include an integrated suspension, a double mesh grill high rf immunity without affecting acoustics. the circuitry in the c 214 provides maximum spl capability with minimum noise and the gold-plated xlr-type output connector offers loss-free signals.the c 214 comes complete with carrying case, windscreen, and spider suspension mount included.

It is a large-diaphragm cardioid condenser microphone that features rode's hf6 1-inch capsule. the hf6 is designed to provide a detailed midrange response with smooth highs and warm bass. the capsule itself is seated in a rycote lyre internal shockmount to help reduce vibration and handling noises. the microphone''s electronics were designed from the ground-up for quiet performance, and allow the nt1 to have a low, 4.5dba of self-noise. the body of the mic is machined from nickel-plated aluminum that is then coated in a ceramic layer that is electrostatically applied for a scratch-resistant finish.

Engineered excellence for recording of lead vocals and solo instruments in studio and on stage. the akg c214 large-diaphragm condenser microphone is perfect in any situation. the c214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end c414 family. the c214 captures sound by combining one capsule of the legendary c414 dual-capsule system and the patented akg back-plate technology, resulting in an outstanding performance close to the famous c414 xlii. realistic stereo recordings require microphones with outstanding performance and excellent quality. they also require performance consistency and accurate localization from the pair of microphones. therefore, every factory-matched pair of c214s is created from thousands of individual microphones selected by akg's sophisticated computer-aided matching method. the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.

The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.

When you think industry standard you should automatically think neumann. the tlm 102 is one of their best studio recording mic for anyone looking to start studio or already has a studio, and we have one used in amazing condition. this mic is perfect for any vocals or instrument with its treble boost and distortion free sound. does not include the shock mount in the picture.

The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1) gold evaporated capsule. it is versatile enough to use with most instruments and excels on acoustic guitar and vocals. its hand-selected capsule is teamed with high-end transformer-less circuitry using only the best components. the origin is designed to deliver direct, smooth and intimate sound for a natural and transparent recording.

If you haven't heard of akg's c 414, you've no doubt heard it. that baby is in practically every big recording studio around. it's also a stage favorite. and a broadcast favorite. you get the picture. because the akg c 214 was made to be the cost-effective alternative to that high-end c 414, that is still made in austria. so now all of us with a project studio can actually put that akg sound to work on our recordings. sonic character of the c414 xlii for beautifully detailed recording of lead vocals and solo instruments outstanding dynamic range and ultralow noise for close-up recording of high-output sources of up to 156db spl switchable 20db attenuator and bass-cut filter for close-up recording and reduction of proximity effect integrated suspension to reduce mechanical noise and vibration from stage roadworthy design all-metal die-cast body with shock- and scratch-resistant finish despatch time 48 to 72 working hours. ( saturday + sunday + holidays not included ). all other state 3 to 6 working days.

The aston origin is a high-performance cardioid condenser microphone utilizing a one inch (1 ) gold evaporated capsule, paired with high-end transformerless circuitry.al schmitt has more grammy awards than any other engineer or mixer at 23. during his career, he has engineered and produced more than 150 gold and platinum albums. in 2014, schmitt was awarded a star on the hollywood walk of fame. he is the only engineer to achieve this. in 2006, he was given the grammy trustees lifetime achievement award. in 2005, he won 5 grammy awards setting the record for most grammy awards won by an engineer or mixer in one night. he is the first to win both a grammy and latin grammy for album of the year. he was inducted into the tec awards hall of fame in 1997. in june 2014, he won the pensado giant award. in september 2014, he received an honorary doctorate from the berklee college of music.

Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency dependent shifting of the stereo panorama. the kit includes all the standard accessories of the individual package along with a stereo bar and proof of performance charts in an attractive carrying case (soundtool case, middle size). the small diaphragm c 451 b by akg is unsurpassed in capturing transient-rich sources like percussion, guitar, and drums. its extremely light diaphragm makes it nearly immune to handling noise, while an all metal body protects against rf interference. features a three way sensitivity switch and three way low cut switch. includes case, clip, and windscreen. features:identical acoustics to legendary ck 1 precise, nearly frequency independent cardioid. extremely accurate signal transfer and ruler flat on axis frequency response. also available as a matched stereo pair responding to growing demand, akg decided to make the c 451 b with the same acoustic performance as the popular original c 451 eb + ck 1, with dramatically improved specifications. using an extremely light diaphragm, the new c 451 b is almost totally insensitive to handling noise. other features include an all-metal body for excellent protection from rf interference and high reliability for excellent results under almost all conditions. the c 451 b is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead miking. – specifications:polar pattern: cardioid frequency range: 20 to 20,000 hz. sensitivity: 9 m – v/pa (-41 d – bv). max. spl: 135/145/155 d – b (0/-10/-20 d – b) (k=0,5%). equivalent noise level (ccir 468-3): 29 d – b. equivalent noise level: 18 d – ba. signal/noise ratio (a-weighted): 76 d – b. preattenuation pad: 0 d – b, 10 d – b, 20 d – b ,selectable bass filter: flat, 12 d – b/octave at 75 or 150 hz, selectable impedance: 1000 ohms . supply voltage: 9 to 52 v.

In the studio, it is excellent for recording drums, guitar, and woodwinds. shure sm57 features. the shure sm57 box includes shure sm57 specifications. (1) microphone clip. uniform cardioid pickup pattern isolates the main sound source while reducing background noise.