Are you looking for the Best Acoustic Guitar Mic For Recording? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar Mic For Recording can be difficult as there are so many considerations, such as Sennheiser, Aston, Heil Sound, AKG, Sterling, Shure, RØDE, KORG, Audio-Technica, ammoon. We have done a lot of research to find the top 20 Best Acoustic Guitar Mic For Recording available.
The average cost is $269.08. Sold comparable range in price from a low of $67.99 to a high of $862.27.
Based on the research we did, we think AKG P170 Condenser Microphone is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar Mic For Recording (20 Sellers)
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$115.00$69.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Designed for acoustic instruments
- Legendary akg sound quality
- Switchable 20db pad
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Handheld or mountable microphone for guitars, vocals, and other instruments in live sound and recording applications.
- Dynamic cartridge with cardioid polar pattern.
- Available with or without a cable.
$99.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Pneumatic shock mount helps isolate mechanically transmitted noises for clear and crisp recording
- The cardioid polar pattern captures the incoming sound efficiently
- Its durable construction protects the microphone from rigorous and repetitive usage
Reviewers Noted:
Search . Good sound quality . Easy to use . Quality build . Compact
Features:
- A mix of lightweight voice-coil and rigid dome diaphragm helps maintain the enhanced quality
- The super-cardioid design helps in canceling unwanted sound for crisp audio output
- Rugged metal construction helps withstand the rigors of on-stage performances
Reviewers Noted:
Search . Good sound quality . Quality build . Visual appeal . Ease of use
Features:
- Frequency response of 20 hz to 20 khz balances the low and high tones effectively
- The unidirectional design reduces the ambient noise for an enhanced recording experience
- Steel material makes the microphone resilient for prolonged use
$67.99
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- 20 k – hz leerlauf-übertragungsfaktor: 15 m – v/pa (-36,5 d – bv) grenzschalldruckpegel:135 / 155 d – b spl (0 /.
- 20 db) äquivalentschalldruckpegel: < 19 db-a signal/rauschabstand (a-bew.): 75 db (bez. auf 1 pa) vorabschwächung: 0 db.
- 20 db speisespannung: 48 v phantomspeisung anschlussstecker: 3-pol.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Dynamic microphone cartridge with tailored frequency response delivers clear reproduction of amplified and acoustic instruments.
- Uniform cardioid polar pattern isolates the sound source while minimizing background noise.
- Internal pneumatic shock mount minimizes handling noise.
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- High permissible sound pressure level and exceptional dynamic range makes the microphone particularly versatile
- Custom made 16mm low mass diaphragm, to provide extended frequency response and superior response to transitions
- Cardioid directivity for better isolation of the sound source and reduced side and rear sound pickup
$639.00
5.0
Reviewers Noted:
Good sound quality . Quality build . Visual appeal
Features:
- Sound-pressure level capability of 155 db helps capture good quality audios
- Satin nickel plating creates a luxe appearance to this microphone
- Its 200 ohms impedance records audio in clear sound quality
$84.50
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Easy to set up
Features:
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Professional-quality reproduction for drum, percussion, and instrument amplifier miking
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
$465.00$365.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Ease of setup
Features:
- Awesome microphone!
- Versatile and sounds great.
- It’s in excellent condition except for one very small scratch i noticed on the bottom left side of the mic under the decibel cut switch.
$99.00$79.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Easy to use
Features:
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- High spl handling and wide dynamic range provide unmatched versatility
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Ease of setup
Features:
- The 3-pin xlr connector allows you to connect the microphones with compatible systems
- Engineered with windscreens to reduce the ambient noise for an enhanced recording performance
- Terminated back-plate technology offers a clear and precise audio quality
Reviewers Noted:
Search . Good sound quality . Quality build . Compact . Ease of use
Features:
- This condenser microphone offers high-quality recording with precision
- Intricately designed to let you record multiple musical instruments
- Compact size and design makes it easy for close miking
$199.00
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Attractive . Ease of setup
Features:
- Designed and built in the uk
- Built in pop filter, built in pop filter using the latest stainless steel mesh-knit technology
- End caps, direct to stand microphone mounting
$95.00
4.7
Reviewers Noted:
Search . Good sound quality . Quality build . Size . Ease of setup
Features:
- Rugged all-metal body and robust design withstands tough day-to-day use
- Switchable attenuation pad for high spl applications up to 155 db spl
- Heavy-duty, roadworthy, all-metal construction
$149.99$129.99
4.8
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to set up . Attractive
Features:
- Designed for critical home/project/professional studio applications and live performance
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
- Large diaphragm for smooth, natural sound and low noise
Reviewers Noted:
Good sound quality . Build quality . Visual appeal . Size
Features:
- Legendary ribbon mic.
- Perfect conditions.
- Thanks!
Reviewers Noted:
Search . Good sound quality . Quality build . Easy to use . Attractive
Features:
- Professional workhorse for vocals and instruments in live sound reinforcement
- Legendarily bright and clean sound reproduction
- Used at the official podium of the president of the united states
Reviewers Noted:
Search . Good sound quality . Ease of setup . Visual appeal . Build quality
Features:
- Neumann km 184 silver professional condenser microphone.
- As pictured.
- Perfect working order and great condition.
1. Akg P170 Condenser Microphone
Product Details:
Akg p170 the akg p170 gives you a black, small-diaphragm condenser microphone. boasting a cardioid pattern, the p170 is perfect for capturing both acoustic and electric instruments whether you’re in a home studio or a live recording situation. a more affordable alternative than the renowned akg c451 b; the p170 is the perfect solution for recording guitars, strings, hats, percussion and so many more instruments! on top of that, the p170’s diaphragm is lightweight and 1/2′′ gold-sputtered. so you can expect a clear sound with fast transients that’s capable of handling sound pressure levels up to 155db. what’s more, the p170 features a switchable 20db pad that allows you to record extremely loud sounds without any distortion. housed in a solid all-metal body, the p170 improves the rejection of rf interference. so you can use your microphone near transmitter stations and wireless mics without experiencing any problems. it’s also built to resist high temperatures and humidity, while its rugged body and sturdy front grille protect it from the rigors of day-to-day use.
Specifications:
| Product Type | Microphone |
| Diameter | 0.9 in |
| Length | 6.3 in |
| Weight | 4.59 oz |
| Body Material | Metal |
| Recommended Use | Professional audio, home audio – instrument |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 200 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 75 dB |
| Noise Level | 19 dBA |
| Dynamic Range | 135 dB |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 200 Ohm |
| Controls | PAD button |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Microphone stand adapter |
| Voltage Required | DC 48 V |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
2. Shure Sm57-Lc Dynamic Cardioid Professional Microphone
Product Details:
Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. what’s also true about the sm57 is that it sounds great on a wide variety of sources. a large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the sm57. try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the shure sm57 more than any microphone on the planet.
Specifications:
| Product Dimensions | 10.3 x 4.9 x 3.4 inches |
| Batteries | 1 Lithium Ion batteries required. |
| Is Discontinued By Manufacturer | No |
| Compatible Devices | Amplifier |
| Power Source | Corded Electric |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
3. Shure Sm57 – Microphone
Product Details:
Shure sm57 dynamic microphonethe shure sm57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. main features dynamic microphone extremely effective cardioid pattern carefully contoured presence rise ideal for live and studio work works well in any application read more the shure sm57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. with its bright, clean sound and carefully contoured presence rise, the sm57 is ideal for live sound reinforcement and recording. it has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. in the studio, it is excellent for recording drums, guitar, and woodwinds. for musical instruments or vocals, the sm57 is a consistent choice of professional performers. it is also the standard microphone used on the podium of the u.s. president for over 30 years. its outstanding performance, legendary reliability, and diversity of application make this workhorse the choice of performers, producers, and sound engineers the world over.
Specifications:
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
4. Sennheiser E609 Silver Dynamic Microphone
Product Details:
The sennheiser e 609 microphone is a dynamic element, supercardiod polar pattern microphone that is primarily designed for capturing instruments. it excels when placed in front of guitar cabinets in sound reinforcement or recording. it has an attractive silver finish. the e 609's flat grill allows for easy placement and the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. the dynamic element is shock mounted and a hum compensation coil controls low frequency noise. the rugged construction is durable enough to withstand the rigors of the road. features designed for instrument capture the dynamic supercardiod e 609 excels placed in front of guitar cabinets or when used in sound reinforcement or recording. supercardioid polar pattern the supercardioid pattern is most effective in rejecting off-axis ambiance that can cause noise and feedback. dynamic transducer the dynamic element is capable of handling high sound pressure levels without noise and distortion. hum compensating coil the hum compensation coil reduces low frequency hum and noise. internal shock mounting the element is internally shock mounted for added protection against handling noise.
Specifications:
| Width | 2.2 in |
| Depth | 1.3 in |
| Height | 5.3 in |
| Weight | 6.42 oz |
| Body Material | Metal |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Impedance | 350 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Audio Input Details | Super cardioid – 40 – 18000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone clip |
Reviews:
This microphone is one of the best suited for handling guitar amps and other louder close mic applications, especially where a low profile is advantageous, such as on stage or in a cramped studio setting. The mike can be hung/slung over a speaker cabinet or mounted on small footprint stand and placed directly in front of speaker cone/grill. The flat design allows for setup in extremely tight spaces. The frequency response of 40-18k works well on most amplified instruments. It is designed optimally to handle high sound pressure levels (loud) without pads. Response is fairly flat and even across the entire range. It is also super-cardroid pattern meaning crosstalk can be kept to a minimum, important when mic'ing multiple cabs. I found these to be superior to the standard sm-57 type mics for guitar cabinet pickup, more bottom end, crisper high end and very low profile. They are also fairly durable. I've been using mine for a long time and they have held up well.Steviebone
Couldn't be any simpler – take it out of the box, connect to a cable and hang it in front of your amp! Obviously you need to find the sweet spot, but that won't take you long either. I've used it on a crunchy Marshall and a squeaky clean Vox with and without (fairly extreme) modulation and it behaves beautifully. It just works and as a simple sort of a bloke, this is one of my favourite things of all time!!!
Works great as a guitar-amp mic. You can hang it over the top of the amp, or use something like the K&M 25950 (or 25900) stands. I'm not enamored with Sennheiser's mic clips, but they function; I'd be concerned about repeatedly attaching/removing mics from those clips. That could be unwarranted, but time will tell. Otherwise the mic sounds perfect for my needs (micing guitar amps)Dan
5. Shure Sm81lc Cardioid Condenser Microphone
Product Details:
The shure sm81 condenser mic is a unidirectional cardioid mic with studio, broadcast, and sound reinforcement versatility. its wide frequency response, low noise, low rf susceptibility, and rugged construction allow it to excel in all applications. furnished with swivel adapter, 10db attenuator with locking switch, a 3-position low-cut filter, foam windscreen, and a case for carrying and storage. 20hz-20khz response.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| SPL | 146 dB |
| Material | Steel |
| Pattern | Unidirectional |
| Connector Type | XLR |
Reviews:
Overall: Great Sound. Great Build Quality. It comes with a nice case and a windscreen, and mic clip. The high pass filter is quite useful. Took my acoustic guitar recordings up to the next level. Through and through it is a professional mic. Only cons are the high pass switch is little odd to move and compared to other condensers it needs a lot of gain, but not as much as a dynamic mic. Overall, I recommend it anyone looking to recording acoustic guitar or other instruments any day. I'm very happy with it. I will be keeping it for a long long time.Steve
If you want a mic to record the actual sound of whatever you're trying to record, with good mic placement, this is a great mic. I'm using them as an ORTF stereo pair for acoustic guitar and they are perfect. If I want more air (to replicate certain top end biased mics) I can dial it in with a good EQ and the top end stays beautifully smooth, but if I've got a lovely sounding acoustic guitar, these babies do a wonderful job with very little EQ needed. Well made and should last many many years, highly recommended!John
Great for high school plays, etc. Placed several of these @ 3 feet from the small platform stage. They were @ 24 inches off the ground and aimed upwards towards the kids. I had no idea if this approach was going to work. Much to my surprise, everything worked out great. I ISO recorded the three mics and mixed later. 'Used Adobe De-Reverb to reduce some of the echo from the hard walls at the back of the stage. As the kids moved across the stage, I would simply pick them up with whichever mic was nearby. I'm sure there were much better approaches to this problem, but considering the quick time frame, I'm pleased with the results.Dave
6. Akg P170 Small Diaphragm Cardioid Condenser Microphone
Product Details:
The akg p170 condenser microphone is the ideal small diaphragm model for miking drums and acoustic instruments. it delivers a clean, unadulterated sound. by slightly boosting high frequencies, instruments sound more brilliant. their sound becomes more detailed and asserts itself better in the mix. normally, condenser microphones have difficulty transmitting loud instruments without distortion. the akg p170, however, can handle sound pressure levels up to 155 db. this makes it ideal as an overhead microphone for drums and percussion. the cardioid characteristic makes it insensitive to sound from the side or rear. this gives you good results without crosstalk and feedback even under acoustically less than ideal conditions. the akg p170's rugged metal housing makes it ideal for live use.
Specifications:
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
7. Shure Sm57 Microphone, With X2u Usb Adapter
Product Details:
The sm57 is the most popular choice of instrument artists all over the world. combined with the x2u, it can be easily connected directly to a computer without the need for any additional hardware. this makes it ideal for a home recording studio or recording on the move. the x2u is compatible with windows vista, xp, 2000 and max os x (10.1 or later). it features a built in headphone jack so that you can monitor the sound without the need for an additional sound card. it also includes an integrated pre-amp with microphone gain control which allows you to control the signal strength.
Specifications:
| Product Type | Microphone |
| Width | 1.3 in |
| Depth | 1.3 in |
| Height | 6.2 in |
| Weight | 10.02 oz |
| Color | Dark gray |
| Body Material | Stainless steel, polycarbonate |
| Recommended Use | Instrument, vocal |
| Bundled with | Shure X2u USB Signal Adapter |
| Microphone Technology | Dynamic |
| Connectivity Technology | Wired |
| Sensitivity | -54.5 dBV/Pascal |
| Frequency Response | 40 – 15000 Hz |
| Audio Input Details | Cardioid (uni-directional) – 40 – 15000 Hz – Output Impedance 310 Ohm |
| Connector Type | Microphone (3 pin XLR) |
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
8. Audio-Technica At2020 Large Diaphragm Condenser Microphone
Product Details:
The new at2020 usb microphone offers studio-quality articulation and intelligibility. it plugs right into your computer’s usb port, and functions seamlessly with your favorite recording software. equipped with a usb digital output, the at2020 usb is perfect for home studio recording, field recording, podcasting, and voiceover use. based on the renowned at2020 the at2020 usb is based on the design of audio-technica’s critically acclaimed at2020 cardioid condenser microphone. like the at2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. with low self-noise, the at2020 usb is perfectly suited for sophisticated digital recording equipment. audio-technica’s state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards. experience at2020 usb. plug it in and transform your sound.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
9. Akg C 451 B Condenser Microphone
Product Details:
It is a cardiod condenser microphone, designed for recording instruments with high transient response, and therefore popularly used for drum kit and percussion recording. the c 451 b features a light diaphram, minimizing handling noise, and a switchable 75hz-150hz highpass filter, eliminating low-end rumble. the high pass filter enhances the airy character of the audio signal, and thus the c 451 b microphone is a viable solution for overhead cymbal or hi-hat recording. the c 451 b provides a flat, on-axis frequency response, capturing the performance without any signal coloration. the c 451 b microphone provides both 12v and 48v phantom power, with selectable 10db-20db pads included for better signal management.
Specifications:
| Diameter | 0.7" |
| Length | 6.3" |
| Weight | 4.41 oz |
| Recommended Use | Professional audio – instrument, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -41 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 76 dBA |
| Noise Level | 18 dBA |
| Max Sound Pressure | 155 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Storage bag, microphone stand adapter, microphone windscreen |
| Compliant Standards | EN50082-1 |
Reviews:
I know, that there are more expensive in the market for the purpose of overhead recording (AKG 414, Beyerdinamic M130 and so on). But if you find very very usefull condens mic for cymbals, overheads, hi-hat – it's a perfect choice. I use them as pair (not matched) and they are great. Highly recommend!
I've used this product for many years going back to the regular 451 with a ck-1 capsule. this is one of the finest if not the best cymbal mics available for high hat or overheads. A bit pricey for overheads, but it is what it is. I can take one and make a snare and hat blend very well. great on anything you want to pick up hand sounds such as conga's, Horns, saxes. they're not cheap, but they are flat, very clear and transparent. you don't get a lot of the mid range metallic sound on Hat's like you do on a lot of mics. great mics all around.SteveinLR
I got this mic to record accoustic guitars, banjo and mandolin. It is a solid mic that emphasize fast transients and lifts up the high frequencies of the instrument. If you noticed that Jack Johnson has recorded most of his giitars with this mic, it will give you an idea of the type of tool we are talking about. Interestingly, although few people use SDC mics for vocals, it worked very well on my voice when using the windscreen. It delivers some nice and crisp vocals. Comparing the AKG451b to the famous Neumann SDC standard, the sound is a little thinner but in some case it actually helps fit the instrument in the mix. Basically, when this mic is the right mic for the job it is perfect.grapinet2006
10. Shure Sm57 Microphone
Product Details:
Much like the sm58, the sm57 dynamic microphone sets the industry standard for reliable and quality instrument miking. the shure microphone delivers an exceptionally clean and bright sound thanks to the carefully tailored frequency response. the cardioid pick-up pattern focuses on the main source of sound so you can capture every essence and nuance of your instrument without the interference of background noise. the sm57 is ideally suited for recording drums, guitars and woodwind but can be used with a wide array of instrument and vocal purposes due to the consistent, tested performance.
Reviews:
I looked up and down everywhere to see what's the best mic for all around, Like the hidden gem in the cornfield. People told me the rodemic, Razer and snow xlr mic, But from looking past the "Normal" I seen the sm57. A famous hidden mic no one really knew about, Basically has the same tone sm7b just a little different. $100ish instead of $400 count me in, I been using it for zoom calls, Twitch, Discord and everyone i talked to said i went from a very noisy and outland voice to a solid nice tone. I personally use mine with a boom arm, the a81ws, focusrite. No issues with it and i had it for about 3 months, I'm not the gentlest on it either so I feel comfortable using it on a day to day basis. Who would i recommend this to? To be totally honest everyone, You want it to do something? Trust me it will. 10/10Bradleigh, K
As long as I can remember and I’m now 67 years old, the Shure sm57 microphone has been onstage and in recording studios worldwide. The first time I used one, I was a teenager and apprentice engineer working with Blue Oyster Cult on a demo. The song, ‘Don't Fear The Reaper’ We placed this microphone in front of a pig nose amplifier and cranked it up. Later the band mastered the song at the Record Plant and the rest is Rock n Roll history. Today I run my own studio and only recently purchased the sm57 for the same reason, recording amplified guitar solos. History is repeating itself to a whole new generation.
I've only had chance to do a quick sound check miking my Bugera V22 and recording the sound using my new Tascam DP-008 EX 8-track recorder. Sound quality was very good, especially for a basic home office recording setup. I can see why this mic is so popular in the industry. For perspective, I am a hobbyist and don't perform, but like to have the best sound for my limited budget to make recordings for myself and maybe friends and family. This mic lives up to its rep for being a great value for what you pay, punching above its class, no doubt.Steve
11. Akg C214 Large Diaphragm Condenser Microphone
Product Details:
Akg's industry-leading c 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting, and on-stage miking as well. the new c 214 is designed as a cost-effective alternative to the high-end, industry-leading c 414 family. it captures sound combining one side of the legendary c 414 dual-capsule system and akg’s patented back-plate technology which results in an outstanding performance close to the famous c 414 b-xls.like the c 414 models, the c 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. additionally, the microphone offers a 20 db attenuation pad, 13 db noise floor, and a low cut switch—all in an elegant but rugged package. besides, the c 214 will also work on low phantom power voltages from 12 up to 48 volts.additional features include an integrated suspension, a double mesh grill high rf immunity without affecting acoustics. the circuitry in the c 214 provides maximum spl capability with minimum noise and the gold-plated xlr-type output connector offers loss-free signals.the c 214 comes complete with carrying case, windscreen, and spider suspension mount included.
Specifications:
| Product Type | Microphone |
| Width | 2.2 in |
| Depth | 1.7 in |
| Height | 6.3 in |
| Weight | 9.88 oz |
| Color | Matte grayish blue |
| Body Material | Die-cast metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Connectivity Technology | Wired |
| Sensitivity | -34 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 81 dB |
| Noise Level | 13 dBA |
| Dynamic Range | 143 dB |
| Max Sound Pressure | 156 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Carrying case, shock mount, microphone windscreen |
| Service & Support | Limited warranty – parts and labor – 3 years |
Reviews:
A few years ago I was cutting vocals with my AKG 414 TLII when a friend came by with 2 of these 214’s his church had bought. We decided to cut the harmony vocal with the 214 and compare to the 414TLII. It sounded terrible and I trashed the takes and used a TLM 67 instead. The 214 sounds like a Chinese condenser from Amazon. I understand people want the AKG pedigree for an affordable price point, but this mic is not it. You may not be able to hear it right now, but trust me and the other experienced ears that have said similar. This mic is the sonic equivalent of a sugar loaded donut. It sounds good if you have few examples to compare it to, but the sound has no “nutritional value” and will fatigue you fast. Especially if you use this for most of your tracks. It is very much worth it to not skimp on microphones. I have bought and sold many, many mics in my career so trust me and save a little longer and get something a little better. No matter what price point you’re buying at.Marty
. Used this on and off for a few years, but was never really happy with it. Very average sound…better on piano, weaker on vocals. Sold it on Ebay and picked up the C414 XLII. WOW!! On the piano it is fantastic. Vocals are excellent too. Much more detailed, nuanced, smooth sound. Really, really like the C414 XLII .Daniel
This was my first condenser microphone that I have purchased for my small in home studio. After months of research I decided upon this mic based off the price and versatility of the product. I am a full time guitarist and vocalist but have never been much on the production side, pretty much saying I know what sound I am looking for. I use this mic mainly for vocals and I’ve got to say that the recordings sound so good out of the mic that I really don’t have to do much as far as mixing goes which I love. This mic has definitely helped boost my confidence in my recording ability and I know that if the track doesn’t sound great it’s from my personal error not the mic. Overall would definitely recommendBrennan
12. Audio-Technica At2020 Cardioid Condenser Microphone (Black)
Product Details:
Audio-technica's stringent quality and consistency standards set the at2020 apart from other mics in its class. its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. with rugged construction for durable performance, the microphone offers a wide dynamic range and handles high spls with ease.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Depth | 2 in |
| Height | 6.4 in |
| Weight | 12.17 oz |
| Recommended Use | Professional audio – voice, recording |
| Microphone Technology | Condenser |
| Connectivity Technology | Wired |
| Sensitivity | -37 dB |
| Impedance | 100 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 74 dB |
| Noise Level | 20 dB |
| Dynamic Range | 124 dB |
| Max Sound Pressure | 144 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (XLR) |
| Included Accessories | Microphone stand adapter, protective pouch |
Reviews:
Sound: Being 16 bit this mic will not compete with professional analog mics or 24 bit digital mics, however for 16 bit it is exceptional. It is a flat EQ mic and if I had to say where the weakness lies it might be in the high end, but it might be perfect depending on the range of the vocalist. I feel any frequency issues could be corrected with EQ in the DAW. Features: Most useful feature is the ease and simple connection via USB. There is also a mini-jack in the mic, so you can plug in headphones and monitor directly from the mic itself. Meaning, you could hear raw audio as the mic hears it, then via another pair of headphones hear the audio or mix from the DAW. Very handy. Weakest feature is the 16bit convertor. Its good, just 16 bit, not 24. Ease of Use: Extremely easy mic to set up and begin recording with. Quality: Mic is solid, well crafted. Heavy to the feel, good paint and nice cables. Includes a little stand. Value: This mic is extremely cheap compared to other mics of the same quality. I think it is the best of its class by far. Manufacturer Support: I haven't dealt with AudioTechnica before, but there is the good reputation. The Wow Factor: Very appealing to beginners and semi professional musicians. Could even be a great mic for a professional musician for the road, random spontaneous recording, since it is portable and connects via USB so easily. Overall: After researching for many months, I decided on the AT 2020 USB mic. This is a high quality mic with excellent range and detail for instrument and vocals. There really is no question that the mic has excellent recording, the only fact you need to be aware of is that this is a 16bit input not a 24bit input. 16bit is 'just' enough quality for a semi-pro recording session. I believe in terms of 16bit mics and USB mics this is the best model.
I set up in my basement with it a few weeks ago and started messing around, have found nothing to be disliked. The overall sound is good, it has strong low end for my growls, and it doesn't have any problems with recording at any volume. I even put it in front of my drumset to see if it'd pick up okay, which it did surprisingly well with. I haven't been doing vocals for very long, but from what I can tell it easily competes with mics twice the price. 10/10 would recommend, worth it. P.s. get a pop filter toothe wheat man
I have one first generation version, which lacks the headphone jack, and this is my 2nd of the newer generation. If using this in an application where you want a shock mount, be sure to buy the Audio Technica shock mount that is made for this exact form factor. I have both of mine on boom arms. I like the side address form factor and the ability to get cheap pop filters that are semi-cylindrical. Compared to the much more expensive gold standard Shure SM7B, this sounds a bit brighter and has a wider, flatter frequency response. That makes the AT2020 better suited for instrumentals and other sound sources, whereas the SM7B tends to be very specifically suited to voices. I own USB and XLR versions of this mic, and the integrated analog-to-digital conversation seems very good, not introducing detectable noise.Matthew
13. Akg C214 Matched Stereo Pair
Product Details:
Engineered excellence for recording of lead vocals and solo instruments in studio and on stage. the akg c214 large-diaphragm condenser microphone is perfect in any situation. the c214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end c414 family. the c214 captures sound by combining one capsule of the legendary c414 dual-capsule system and the patented akg back-plate technology, resulting in an outstanding performance close to the famous c414 xlii. realistic stereo recordings require microphones with outstanding performance and excellent quality. they also require performance consistency and accurate localization from the pair of microphones. therefore, every factory-matched pair of c214s is created from thousands of individual microphones selected by akg's sophisticated computer-aided matching method. the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.
Specifications:
| Color | Matte grayish blue |
| Body Material | Die-cast metal |
| Recommended Use | Professional audio – instrument, vocal, drum |
| Microphone Technology | Electret condenser |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -34 dBV/Pascal |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 81 dB |
| Noise Level | 13 dBA |
| Dynamic Range | 143 dB |
| Max Sound Pressure | 156 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
Reviews:
A few years ago I was cutting vocals with my AKG 414 TLII when a friend came by with 2 of these 214’s his church had bought. We decided to cut the harmony vocal with the 214 and compare to the 414TLII. It sounded terrible and I trashed the takes and used a TLM 67 instead. The 214 sounds like a Chinese condenser from Amazon. I understand people want the AKG pedigree for an affordable price point, but this mic is not it. You may not be able to hear it right now, but trust me and the other experienced ears that have said similar. This mic is the sonic equivalent of a sugar loaded donut. It sounds good if you have few examples to compare it to, but the sound has no “nutritional value” and will fatigue you fast. Especially if you use this for most of your tracks. It is very much worth it to not skimp on microphones. I have bought and sold many, many mics in my career so trust me and save a little longer and get something a little better. No matter what price point you’re buying at.Marty
. Used this on and off for a few years, but was never really happy with it. Very average sound…better on piano, weaker on vocals. Sold it on Ebay and picked up the C414 XLII. WOW!! On the piano it is fantastic. Vocals are excellent too. Much more detailed, nuanced, smooth sound. Really, really like the C414 XLII .Daniel
This was my first condenser microphone that I have purchased for my small in home studio. After months of research I decided upon this mic based off the price and versatility of the product. I am a full time guitarist and vocalist but have never been much on the production side, pretty much saying I know what sound I am looking for. I use this mic mainly for vocals and I’ve got to say that the recordings sound so good out of the mic that I really don’t have to do much as far as mixing goes which I love. This mic has definitely helped boost my confidence in my recording ability and I know that if the track doesn’t sound great it’s from my personal error not the mic. Overall would definitely recommendBrennan
14. Rode Nt5 Cardioid Condenser Microphone
Product Details:
The rode nt5 is a small diaphragm microphone featuring full frequency response and low-noise output circuitry. designed for general instrument recording and sound reinforcement. the cardioid polar pattern effectively minimizes audio at the off-axis sections, reducing noise caused by leakage, monitors, additional instruments, etc. the nt5 offers a frequency response of 20 hz to 20 khz allowing the microphones to be used in a wide variety of applications such as drum overhead miking, stereo capturing of instruments, vocal capturing, etc. the nt5 is powered via +24v or +48v phantom power. the package includes a windscreen, mic clip, and padded zip pouch.
Specifications:
| Width | 0.8 in |
| Depth | 0.8 in |
| Height | 4.6 in |
| Microphone Operation Mode | Mono |
| Microphones Included | 2 |
| Connectivity Technology | Wired |
| Sensitivity | -38 dB |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 78 dB |
| Dynamic Range | 128 dB |
| Max Sound Pressure | 143 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz – Output Impedance 100 Ohm |
Reviews:
I wanted a pair of pencil condensers for the home studio; that I could use primarily for recording acoustic guitar, but that also sounded great in other applications as well. (overheads, room mics, etc.) On an acoustic as a pair these sound fantastic, the dry signal itself sounds practically record ready (Taking into consideration the instrument quality and room setup as well). There are probably "better" mics out there in this category, but not that I know of at this price, and in terms of sound quality alone maybe not by much. These NT5's absolutely blow away any lower end mics I've used (MXL, CAD) and as far as I can hear sound basically just as good as most higher end microphones that you'd spend twice as much on. (Go to Youtube and watch some Mic Shootout comparisons with these) I grabbed one of Rode's stereo bars for the pair which makes setting them up nicely convenient. (Couln't find this on musician's friend, GC, or Sweetwater though. Went to RODE's website and ordered separate.) A phenominal set of pencil condensers for the home studio recorder. At 0.5" capsules, they don't overkill high frequencies, but certainly don't lack in the bottom end either. I use these mostly recording acoustic & acoustic rock styles and the tonal balance is perfect in my opinion. Excellent clarity as room mics, haven't tried as kit overheads yet.Cully
I haven't had a chance yet to fully experience the microphone in any situation, but so far it's been pretty good. Definitely adjust the gain based on the distance it is from the source. Always keep it a little lower than you would usually like it because that will prevent it from clipping and you can always increase the volume in post production. Worth the money in my opinion.Zachary
15. Aston Microphones Origin – Cardioid Condenser Microphone
Product Details:
The aston origin is a high-performance cardioid condenser microphone utilising a one inch (1 ) gold evaporated capsule. it's versatile enough to use with any instrument and, for singer-songwriters, excels on acoustic guitar and vocals. its hand-selected capsule is paired with high-end transformerless circuitry using only the finest components. the origin is designed to deliver direct, smooth and intimate sound for a supremely natural and transparent recording.
Specifications:
| Weight | 1.8 lb |
Reviews:
The Aston origin has been a complete game changer for me. It works on virtually every source, electric guitar, acoustic guitar, and of course vocals. This mic makes a vocal cut and sit right in the mix. Throw some traditional eqing on it and it's the complete wow factor. People probably think that at this price point, it can't be as good as some of the big boys in the industry. Those people are terribly wrong. This mic should be in everyone's collection, it is a workhorse and in my opinion will eventually become an industry standard. Thank you Aston for making such a great and affordable microphone that sounds as good as as it looks.Rick
In the past, I've owned the Rode Classic, Rode NTK, Neumann TLM 103, and currently own an MXL Revelation Solo, Neumann TLM 49, and Rode NT1. The Origin is easily as good or better than any of the mics that I've owned up until now. It's amazing what you get for the price! Unlike the TLM 103, which sounds almost hyper-real, the Aston sounds completely natural. It was love at first-listen! I was intending on buying another 103, but since I bought the Aston, what for? It's that good of a mic! Ignore the price. This mic takes me further on the dollar than any mic I've ever used. I was a little concerned about the SE Electronics connection, because I had tried and returned a quite lackluster SE mic in the past, but this little mic wipes the floor with the SE mic I tried. And, unlike the new Rode NT1, which is a pretty good mic for the price, the Aston doesn't make you feel like you wish you were using something a little better. It sounds GREAT!!!! After experiencing what this mic can do, I can't NOT get the Spirit!Oklahoma Crooner
Sounds great, excellent design, integrated pop shield works beautifully. Light enough for desktop mic stands too. No daft rubberised coating to peel and flake off in a couple of years either. I don't think I'll ever need to buy another large diaphragm condenser.Reviewed by Andertons Music Co.
16. Akg Perception 170 Condenser Microphone
Product Details:
Akg acoustics perception 170 true condenser cardioid studio microphone with small diaphragm the akg perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. the lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for akg recording products. the perception 170's design is based on akg's six decades of experience in making microphones and on input from sound engineers around the world who use akg products every day. its 1/2-inch small-diaphragm true condenser transducer brings akg studio quality to the project studio and all other areas of recording. a switchable preattenuation pad enables the perception 170 to be used close to sound sources delivering up to 155 db spl. the heavy-duty, all-metal chassis and reliable gold-plated xlr-type output make the perception 170 an excellent choice for a variety of live sound applications, too.
Specifications:
| Product Dimensions | 11.3 x 3.5 x 7.4 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Color Name | Sliver Blue |
| Power Source | Corded Electric |
Reviews:
I think for the price this is a decent mic. It gives a clearer sound then what I had in my arsenal for my acoustic guitar. I've not tried it on anything else, so I haven't had a need to use the pad. I was trying large condensers on the acoustic and they were too muffled. This comes across much cleaner, maybe a little on the bright side but that's better than muddled. I'm using it to mic at the fingerboard and it gives a better, cleaner and more full bodied sound. I would note it's a little sensitive to being bumped. I found if I bump it I have to readjust the connection to get rid of a bit of hum it seems to pick up after the bump.Z
I used this product on a number of things. Timbale,Drums Overheads,Acoustic Guitars,String Quartets, Vocal Choirs,Steel Drums and well as room mic's. It comes with a 20db pad which is very helpful when recording loud percussion like Timbale,Steel Drums, and loud Drums. Make sure you have a low noise pre amp and you get really good results. I only wish it came with omni capsules or at least had that option. These mic's are great for the money.Joseph
I was reluctant to believe that I could make any type of Splash using this microphone to do my first ever voice over gig, but honestly it was all I could afford at the time. It came out smelling like a rose! Of course at that price point you're not going to get anything close to a u87ai. And the noise floor in my opinion leaves quite a bit to be desired, but with the little bit of offset compression and some other tweaking, this mic can sound as good as anything Shure has on the market, or possibly even the sm58 for voiceover work.RB
17. Audio Technica At2035 Cardioid Condenser Microphone
Product Details:
Versatile mic at an exceptional price. the audio technica at2035 condenser microphone is an excellent choice for any recordist. whether you're a keen hobbyist or a seasoned pro, this cardioid microphone will provide incredible results at a price that won't break the bank. thanks to an in-built 80hz filter you'll be able to remove low-frequency build-up and reduce proximity effect at source, ensuring cleaner recordings. the at2035 will provide you with smooth, natural, sounding recordings, creating the illusion you're in the room with the artist. drums, bass, guitar, vocals, the list goes on. there's nothing that the audio technica at2035 does not excel on. the microphone also comes with a custom shock mount and premium protective pouch to store when not in use, reducing the risk of damage.
Specifications:
| Product Type | Microphone |
| Width | 2 in |
| Height | 6.7 in |
| Weight | 14.21 oz |
| Recommended Use | Professional audio |
| Microphone Technology | Electret condenser |
| Connectivity Technology | Wired |
| Sensitivity | -33 dBV/Pascal |
| Impedance | 120 Ohm |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 82 dB |
| Noise Level | 12 dB |
| Dynamic Range | 136 dB |
| Max Sound Pressure | 158 dB |
| Audio Input Details | Cardioid – 20 – 20000 Hz |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Protective pouch, shock mount |
| Compliant Standards | WEEE |
Reviews:
I own one of these already, and wanted to add more reinforcement of these microphones to my collection. Using the microphone I already own as a Internet Radio DJ microphone, adding on a desktop boom stand, and a professional dual-mesh pop filter. I purchased two additional AT2035 microphones to allow guests on the radio programme. The unit comes with a compact, well designed shock mount, and a convenient carry pouch. The shock mount attaches easily with some force, but the pouch is useless if you want to keep the shock mount attached to the microphone and travel with it. The pouch would better be useful if it were a protective satchel or bag. It feels like the included protective pouch was designed to just protect the microphone, before the inclusion of the shock mount. In either case, the microphone and shock mount are a good combination, and has nice warm sound. Using it mostly for vocal speech DJ hosting work, can't say much for the singing. My original AT2035 microphone has been in service, doing weekly radio programmes for more than a couple of years now, without fail. So the unit is well designed, robust, and even though I marked "Heavy/Bulky" under "Cons", it is ACTUALLY a PRO. This microphone is not intended to be hand-held, and should always be mounted on a boom, or microphone stand, along with some form of shock mount, and therefor, the heaviness and bulkiness of the unit is a POSITIVE thing. This quality not only adds to the sturdiness of the unit, but its stability in its use. Metal construction on the outside, and thick metal wire mesh to protect the internal cardioid capsule, the microphone can not be picked up without feeling that the unit is built with some degree of durability. This quality comes across as a sense of ruggedness for the touring or concert performance arena.LadyCuddles
This microphone brings out all the subtle details of an acoustic instrument or voice. Although it has a cardioid pickup pattern, it picks up two voices very nicely on a video call, better than with a typical dynamic mic. If you want to be kind to your audience don't rely on the microphones built into laptops or video cameras. My Focusrite Scarlett 2i4 provides phantom power, monitoring and a digital interface with my laptop. I prefer a single audio interface with quality preamps over a mic with USB interface. The shock mount works beautifully. A pop filter is a useful accessory but not always necessary.Peter
It's basically an upgraded at2020, and very much worth the money for the mic. It sounds just as good if not better then more expensive options, within reasonable expectations. It's not going to compete with an vintage mic, nor is it going to compete with a much more expensive mic with a specific sound signature. But for a flat, basic microphone, it is one of the best within it's price range. It picks up vocals where it is supposed to and drastically reduces sound from things like speakers positioned behind it. It is probably the best microphone you can get for video calls, streaming, and other activities where sound cancelation is important. Paired with a basic XLR interface with phantom power and it is the most clear you can get for your coworkers or friends for a very reasonable price. As someone that does work remote and as someone that hangs out with friends having a good mic is very important. My at2020 usb started having issues so it was only a natural progression to get the next tier up and an inherently better usb interface for it. I love this mic and your coworkers will thank you, if they are anything like me.Jonathan
18. Beyerdynamic M160 Double Ribbon Hypercardioid Microphone
Product Details:
Beyerdynamic m160 hypercardioid ribbon microphone the beyerdynamic m160 is a hyper-cardioid dynamic ribbon microphone that effectively suppresses lateral sound and noise. the m160 is an ideal microphone for studio and live applications, where focused pick up is necessary. the m160 features a frequency response of 40hz to 18khz with a noise cancellation 25db at 110 degrees. the result is a high quality directional studio microphone ideal for recording string instruments, pianos and over-heads on drum kits. the m160 is also suitable for broadcast television and film studios, violin, viola, cello, zither, dulcimer also ideally suited for upright and grand pianos and hi-hats on drum kits. dual ribbon element the m160 features a dual ribbon element at two-thousandths of a millimeter thick, arranged one above the other just half a millimeter apart. the result is output quality and frequency response suitable for stringed instruments, piano, zithers and dulcimers. hyper-cardioid pattern the hyper-cardioid polar pattern effectively minimizes reflective off-axis signal, reducing ambient noise and effectively captures instruments when recording.
Specifications:
| Product Type | Microphone |
| Diameter | 1.5 in |
| Length | 6.1 in |
| Weight | 8.11 oz |
| Color | Black |
| Recommended Use | Instrument, vocal, voice, drum |
| Microphone Technology | Dynamic |
| Microphone Operation Mode | Hypercardioid |
| Impedance | 200 Ohm |
| Frequency Response | 40 – 18000 Hz |
| Connector Type | Microphone (3 pin XLR) |
Reviews:
I bought this mic a year ago, but sent it back. Last week I gave it another try. On drums it was ok, my room is big but doesn't sound good. I can only get close mics to sound good. On the base amp it is my best mic, beating out the re20 (tighter low end). On electric guitar amps it sounds 70's man, although a 57 is fine to . On acoustic guitar it sounds really natural, I was surprised, I thought it would be dull (concert body,low boom factor) . I am keeping it this time. It is the only non figure 8 ribbon mic I know of.tjs
Just thought I'd chime in on my personal experience. I've used this mic on drums, percussion & tambourine, guitar cabs, acoustic instruments, horns, and even voice. This mic may seem deceptive at first, not "exciting" like some hyped mics, but when you start mixing, well, that's usually the tell-tell sign of a good mic. This mic is an absolute necessity on saxophones. I've never gotten a better sound on tenor sax – seriously, no compression or EQ needed if tracked properly. My studio partner used this mic to track a song where he played every individual track himself – vocals, percussion, solid state guitar amp, snare drum, misc. instruments, and the tracks were easy to mix with little effects or dynamics needed. This mic may seem pricey, but I'd have no reservations about purchasing another, and hope to do so in the near future. I have no complaints at all with this mic. BTW, I did drop this mic once from about 4-5 ft while trying to attach it to the mic clip (a ribbon no-no), and it continues to work fine. Beyerdynamic makes great mics. I perform with a pro area blues / rock / party band and the sound guy uses nothing but Beyerdynamics.Chase's Sire
Just read the above. It's another valuable brush for painting the sonic picture. Sound is so subjective…that's my disclaimer for this review. First, the gear: Rivera Knucklehead Tre into and EVM 12L with Blackout loaded Jackson 7 string. This mic udoubtedly is hyped in the 2k-4k region, but definitely not in an abrasive way. It really is great at providing the "meat" of your sound if you use lower treble settings like I do. It is one my favorite mics I have used on my cab. Has less proximity effect than the Peluso R-15 I have (which is an R121 clone). Very comparable to an SM7b with the mid boost engaged, but more natural. For typical speakers like the V30, and Classic Lead 80, may be a bit harsh and thin. Great mic on warmer speakers with lower mids. Had the Rivera cranked. master on 7, preamp gain on 7. Mids on 3. No issues. Modern ribbons are troopers. In this amp, the mids matter just as much as the master for volume. I give this a medium rating. It's pricey compared to other dynamics, but not so pricey considering how much reputable modern ribbon mics cost.Sharpsburg, GA
19. Shure Sm-57 Cardioid Dynamic Instrument Microphone
Product Details:
Specifications:
Reviews:
This is for the #sweepstakes but even without it I would still review this product. I'm a producer that's starting out and originally I bought some cheap mic on some random online service. But once I had more money I bought my SM58 since I knew how much of a classic mic it is. It was a great decision I solely use it now and it sounds great and so clean. It gives this great tone to the sound that sounds more professional and I look cool singing into it in my music videos. Thanks for the classic productBrian C.
Ordered this for our church. Mostly vocals and some speech. Mic is a fantastic upgrade from our older model Shure BG3.1 mics. I know we had these for a long while but this sm58s sounds fantastic and made a huge difference in clarity and crispness. I was told the Shure sm58 is one of the best all general purpose mics for sound quality and build and so far (a few months now) I couldn't agree more! As far as the switch goes, our old mics had them so I kept them the same but I seem to like having the switch in the event you don't have someone at the sound board you can set it up and just switch on when needed. Also bought this in a bundle with a boom stand and mic cable which was a good value. If your in the market for a great all purpose mic def check this bundle out. You won't be disappointed! Thanks AMS!Brent
Sound: The best r&r Mike for ANY money Features: It's meat and potatoes. Get an off/on switch if you feel the need to sophisticate Ease of Use: Plug it in crank it up. Problem solved. Quality: Ask Roger Daltry. Value: Worth twice the amount (don't tell them though, I'm still poor). Manufacturer Support: Never needed them. So IDK The Wow Factor: It's not the Brad Pitt of microphones.More like Tommy Lee Jones or Robert Duval. Overall: It's 1969, Woodstock music and all the acid has drained a LOT of energy (and brain cells) from the half million metropolis they call The Audience. It's late, stage hands scurrying around setting up the next "act". Lights go down like the eyelids if the 3 day city. Then LIGHTS, BASS, GUITAR, and DRUMS RIP OPEN THE AIR……..PEOPLE TRY TO PUT US…D D D.D DOWN and My Generation kicks out from the Who's, Roger Daltry. Like Zeus weilding lightning bolts, he deftly precisely throws his microphone towards The Audience snatching it back to himself, only to twirl it amazingly two then three times to hurl it once again back at them. There has never been a harder working Mike in the business. And 50 years later it still has no equal. Aside from the Les Paul, or Strat, it remains one of the best things to ever solidify Rock and Roll as an art form or a religion.
20. Neumann Km184 Cardioid Condenser Microphone, Nickel
Product Details:
The "series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. – because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "series 180" is predestined for economy-minded production and home recording studios. – the km 183 omnidirectional and km 185 hypercardioid microphones are based on the tremendously successful km 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. all "series 180" microphones are available with either matte black or nickel finish. applicationstheir slender shapes and the transmission characteristics described below make the "series 180" especially suitable for a very wide range of tasks in the radio and television sector.
Specifications:
| Product Type | Microphone |
| Series | 180 Series |
| Diameter | 0.9 in |
| Length | 4.2 in |
| Weight | 2.82 oz |
| Color | Nickel |
| Microphone Technology | Condenser |
| Microphone Operation Mode | Cardioid |
| Connectivity Technology | Wired |
| Sensitivity | 15 mV/Pascal |
| Impedance | 50 Ohm |
| Microphone Power Source Voltage (DC) | 48 V |
| Frequency Response | 20 – 20000 Hz |
| Signal-To-Noise Ratio | 72 dB |
| Total Harmonic Distortion (THD) | 0.5% |
| Noise Level | 22 dB |
| Max Sound Pressure | 138 dB |
| Connector Type | Microphone (3 pin XLR) |
| Included Accessories | Swivel mount, WNS 100 windscreen |
Reviews:
I recently installed a stereo pair of these mics on a grand piano for recording purposes. I was absolutely blown away by the quality of sound they delivered. The KM184 makes the recording sound like I am sitting in the same room as the piano. It has a very smooth response across the entire spectrum, and with the right placement you can achieve the perfect balance to make a piano sound better than you ever could have imagined, with crisp tone and no discernible hammer noise at all. Whether you are testing the waters of recording or if you are a seasoned veteran in the field, this is definitely the microphone to use if quality is of any concern.Steve
This Pair of Neumann KM184 arrived well-protected in a well-made wooden box that is handy to carry around, with all their attachments included. I needed to record a group of string players, so set them up as overheads and they did a brilliant job of capturing the sound.Reviewed by Andertons Music Co.
I'd kept a vintage pair of km84s in an old sunglasses case in my drawer.. finally decided to give them a proper home. This box was designed for 2 km184s, but my pair of 84s fit fine. The foam cut is a tiny bit too short length wise, but they still squeeze in there just fine. Unfortunately I keep my clips fitted with quick releases, which prevents them from fitting in their designated slots.. I prefer AKG SA60 clips for km84s, which fit perfectly with room for the badge, and are almost $50 cheaper than the neumann clips intended for 184s, and they also are also more rugged. The Neumann wn110 windscreen doesn't quite fit in the windscreen slot without being squished, so ultimately I'm only storing the mics in here, which seems a little wasteful, but it still feels more secure to store the 84s in this box rather than a random drawer, so I'm glad I picked it up.Michael
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