Are you looking for the Best Acoustic Guitar For Singers? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar For Singers can be difficult as there are so many considerations, such as Fender, Gibson, Ibanez, Martin, Epiphone, Taylor, Yamaha. We have done a lot of research to find the top 20 Best Acoustic Guitar For Singers available.
The average cost is $1331.30. Sold comparable range in price from a low of $134.99 to a high of $3499.00.
Based on the research we did, we think Yamaha FG830 Acoustic Guitar (Natural) is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar For Singers (20 Sellers)
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Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Solid sitka spruce top
- Nato back & sides
- Rosewood fingerboard
Reviewers Noted:
Good sound quality . Well made . Attractive . Lightweight . Durable
Features:
- Solid spruce top offers rich projection and clarity
- Layered rosewood body for warmth and visual beauty
- Grand auditorium body shape is musically versatile
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durable . Craftsmanship
Features:
- This fine guitar sounds sweet and very pleasing to the year.
- The neck profile is very comfortable and makes playing enjoyable every time.
- These guitars are pretty much on backorder everywhere so don't miss out on this opportunity!
$189.99
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- In good condition.
- Cosmetically very good, minimal to no scratches.
- Gold hardware.
$3499.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- The m (sometimes referred to as a 0000) is almost the size of a dreadnaught but with the depth of an om.
- The guitar has a strong bass and crystal clear top end along with a balanced and focused midrange.
- This guitar is at home in any collection and perfect for studio, couch or stage!
$229.99
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Solid sitka spruce top
- Nato back & sides
- Rosewood fingerboard
$1495.15
4.9
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durability . Craftsmanship
Features:
- Natural mahogany finish.
- Nothing beats the natural warmth and sustain of mahogany.
- A magnificent small-bodied acoustic guitar with warm tone and ample projection.
$2799.00
4.9
Reviewers Noted:
Well made . Sound quality . Visual appeal . Weight . Durability
Features:
- Neck is perfectly straight
- Action is nice and low, but with great tone
- K&k pure mini pu installed
$179.99$149.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Dreadnought style spruce top mahogany back and sides mahogany neck rosewood fretboard chrome hardware
- For such an easy-to-afford guitar, the epiphone pr-150 is a standout — a perfect instrument to get started on
- It is a dreadnought and features a spruce top, mahogany back and sides, and a mahogany neck with rosewood fretboard
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Tested and sounds very good.
- Easy to play with no fretting out.
- Frets look excellent.
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Well made . Durable
Features:
- Tested and sounds excellent, full and sweet and maturing nicely.
- Frets have wear.
- Nice mahogany neck.
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
Reviewers Noted:
Attractive . Sound quality . Weight . Craftsmanship
Features:
- Body shape: square shoulder dreadnought
- Profile: c-profile
- Fingerboard material: indian laurel
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable
Features:
- This is in "like-new" condition.
- I did not receive a guitar strap when i initially received this guitar.
- Therefore this guitar will not come with a guitar strap.
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight
Features:
- Herringbone inlay
- Antique white binding
- 5 diamonds and square fingerboard inlays
$2399.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Finish top: slight blemish front treble side.
- Finish sides: very light scratch where neck meets body bass side.
- Finish back: lacquer sink and light cracking down seam in center towards neck.
$179.99
4.6
Reviewers Noted:
Sound quality . Visual appeal
Features:
- Spruce top
- Nyatoh back and sides
- Nyatoh neck
$2598.00
4.8
Reviewers Noted:
Sound quality . Attractive
Features:
- New for 22
- Tobias music – chicago area s finest guitars
- Proud of our 35 year partnership with taylor guitars
Reviewers Noted:
Attractive . Well made . Good sound quality . Lacks durability . Weight
Features:
- The modern guitarist was never so ready to get started! this 41in beginner acoustic guitar set comes complete with a guitar(41in x 15.5in), carrying case (41.5in x 16in), cleaning cloth,…
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- 6-string acoustic guitar with sitka spruce top
- Ebony fingerboard
- Rosewood back sides
1. Yamaha Fg830 Acoustic Guitar (Natural)
Product Details:
When it was introduced in 1966, the yamaha fg proved that a great acoustic guitar didn’t need to cost a fortune. with a focus on great playability, musical tone and outstanding build quality, the original fg180 quickly became a classic with countless careers and hit records starting life on an fg. 50 years since the introduction of the fg acoustics, the new range features the best-ever fg tone and the same great playability and class-leading quality that’s made it the choice of millions of guitarists. the 800 series has a louder and stronger sound in the low to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the yamaha r&d division. yamaha’s engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition.
Specifications:
| Instrument Type | Guitar – acoustic – dreadnought |
| Top Material | Solid spruce |
| Back Material | Rosewood |
| Sides Material | Rosewood |
| Body Finish | Gloss |
| Bracing | Scalloped |
| Pickguard | Tortoise pattern |
| Neck Material | Nato – matt |
| Scale Length | 25.5625" (650 mm) |
| Fingerboard | 15.7 in – rosewood |
| Nut | 1.7 in – urea-formaldehyde |
| Bridge Material | Rosewood |
| Number of Strings | 6 |
| Gauge | .012 / .016 / .025 / .032 / .042 / .052 |
| Image Color Disclaimer | The displayed product image may be a different color |
| Included Accessories | Hex wrench |
| Dimensions | Body length: 19.9 in Body width: 16.2 in Body depth: 4.6 in |
| Width | 40.9 in |
Reviews:
I bought this guitar to check out a budget friendly offering from Yamaha. I have to say I was not disappointed! Excellent tone and volume, the top really resonates. The guitar was really well setup right out of the box. It needed about 3/4 of a clockwise truss rod adjustment, no prob. Other than that it didn't need any fret dressing whatsoever. That's really impressive for a Chinese guitar. Heck even one of my Mexican Martins needed fret dressing out of the box! Also intonation was spot on and this also is important in your guitar. Very impressed with this guitar, intermediate/advanced feel but priced at a beginner budget. You won't regret picking one up, I assure you!Big Bone Murphy
There is a point of quality when an instrument reaches when it stops being seen as "better or worse" but rather just a different flavor. This Yamaha has reached that point. You can play it alongside a guitar costing 5x more and it stands up well. Yamaha is also one of those rare companies with a long history of top quality across all kinds of products, and guitars are an area Yamaha knows well. This is just a beautiful guitar through and throughout. You can get beautiful uncompromisingly great studio recordings with this guitar. Hitting the low strings hard with strumming gives a nice deep and rich tone. Also, the hardware / tuners are nice.Scott
I've owned many acoustics over the years, MANY, and this Yamaha is one of the best sounding I've ever owned. Went to GC just to check out a few lower end acoustics to pick up for jamming on, and tried almost every one in the room. Picked this one up last just before I was ready to leave, and immediately was blown away by the sound and playability, brought a couple friends to listen and tell me which one they thought sounded the best, and hands down this won over all of them. It has the tone and warmth of a Martin D34, which I have owned a few, and it plays like a dream. The neck is so sliky smooth, easy to fly up and down with no effort. It has amazing sustain and beautiful tone, I fell in love with it and just couldn't put it down. I didn't expect a guitar of this price range to sound as good as it does, got it home and I couldn't put it down. Played for 4 hours straight, and even after trying to put it down to go to bed at 1am I found myself playing a for a few more minutes before I could actually go to sleep. Love this Yamaha more than any guitar I've bought in the last decade. The best thing about it is, It gave me the desire to pick up playing guitar again, after hardly touching any of my other guitars for almost a year it's the one I want to play more than all of them. Great guitar, wouldn't hesitate to buy another in a different color, if you want something that you won't be able to put down this baby has the sound and feel your looking for.Johnny D
2. Taylor 214ce Grand Auditorium Acoustic-Electric Guitar
Product Details:
Our layered rosewood 200 series models hone in on the fundamentals of a great guitar-playing experience to give you clear, balanced tone and great intonation. choose from an optional cutaway and taylor es-t electronics. if you crave an extra splash of visual style, don t miss the tobacco sunburst top 214ce-sb and the all-black layered maple 214ce-blk. the grand auditorium is the most versatile and popular of taylor s guitar shapes. its well-defined midrange contributes to a clear and balanced tone. it s responsive enough for fingerstyle players and powerful enough for pickers and strummers to get a lively response. think of it as a jack of all trades. this single-source, under-saddle transducer features individual elements for each string, an onboard preamp, and the same active controls as the full es. it s powered by a 9-volt battery, with a battery life led power indicator. a phase switch for feedback control is located on the preamp board inside the soundhole.
Specifications:
| Scale Length | 25-1/2" |
| Bracing | Forward Shifted Pattern |
| Truss Rod Cover | Black Plastic |
| Pickguard | Tortoise |
| Number of Frets | 20 |
| Tuners | Die-Cast Chrome |
| Body Length | 20" |
| Body Width | 16" |
| Body Depth | 4 5/8" |
| Top Finish | Satin |
| Back Config | Layered |
| Rosette Size | Three Ring |
| Back/Side Finish | Satin |
| Rosette Mat. | Plastic |
| Armrest | No |
| Neck Width | 1-11/16" |
| Fretboard Inlay | 4mm Dot Italian Acrylic |
| Heel Cap Binding | White |
| Type of Neck Joint | Scarf |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/2" |
| Peghead Finish | Satin |
| Peghead Type | Standard |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Taylor Colorcore |
| Bridge Pins | Black |
| Buttons | Chrome |
| Edge Trim | Black/White/Black |
Reviews:
I use the guitar mainly for practice. Currently I do not have a band or know any people personally to have jam sessions with but I truly cannot wait to play in a group or a band. The guitar overall sounds amazing with pretty bright tones. This guitar is great for fingerpicking style rather than strumming but it still sounds great for strumming. The pickups are fantastic on this guitar and have a great sounds connected to an amp as well. I simply love this guitar and would highly recommend for any chords that may require "thumb-overs" the neck feels nice and is really easy to wrap your hand around. I do not have anything bad to say about this guitar!Aaron, Chaser of Christ the Lord
There’s a lot of products, items, tangible man made things in this world, and most things I would give a 4 star rating TOPS! But this guitar? This damn Taylor 214ce guitar? Bro, it’s a no brainer. 5 stars all day through and through with no hesitation. Let me just say, if you are even remotely considering buying this guitar, I will tell you as a proud owner, just buy it and rip the band-aid. I promise you it will be 100% worth it and you will thank me later. I’ve actually owned a Taylor 214ce 5 years ago and I had to sell it due to unforeseen circumstances in my life at the time and I will tell you I’ve been kicking myself in the ass up until 3 days ago when I finally got the money to get my hands on one again. So basically, I’ve bought this guitar 2 times because I love this guitar and cherish it like none other. Matter of fact, I’ll take an ass beating by saying I like this guitar much more than all the other Taylor models period. I owned a Taylor 814ce which is a $3,500 guitar and it was a colossal disappointment compared to this Taylor 214ce. Yes, for me, the cheaper $1,000 guitar is better than their higher end models. In conclusion, but the damn guitar.Vic
This is my first Taylor guitar and what a guitar it is. The set up was to the tee right out of the box. A quick tune up and it was ready to play. The action is totally amazing and so easy to play whether regular or bar chords. As far as lead runs it is amazing and the tone and projection are out of this world especially for a guitar in this price range. I have a Martin, Guild, Fender,Luna,Briarwood acoustic electric guitars and this is my new favorite. Acoustic guitars all have their own special voice, some low and some high but the Taylor's is just about in the middle which is perfect for most of the music that I play. My brothers I jam with all want to take turns playing this guitar and have decided to invest in their own. Whether this is your first guitar or an addition to your collection, you can't go wrong . I would reccomend this guitar to anyone who loves to play a beautiful sounding instrument.Steven Card
3. Martin 000-15sm Acoustic Guitar – Mahogany
Product Details:
The 15 series 000-15sm mahogany auditorium acoustic guitar improves on a previous model known as the 000-15s. the 15 series 000-15sm shares the same all-mahogany body with slotted headstock as its predecessor but now comes with a morado fingerboard and bridge, real rosette, improved fretboard inlays, and nickel tuners with butterbean nobs. this small-bodied guitar harkens back to an earlier time before the invasion of the dreadnought. it features a 12-fret body design that offers up plenty of woody tone and volume, in spite of its compact size. this is a great guitar for fingerpickers or anyone looking to acquire an instant classic. includes case.
Specifications:
| Mahogany body | Rich, warm, focused sound; added sustain |
| Modified low oval neck shape | Thin, fast feel with even tapering towards bridge |
| Solid East Indian rosewood fretboard | Deep lows, smooth mids, strong highs, long sustain |
| Body Size | 000 12-Fret |
| Rosette | Single Ring |
| Top Bracing Pattern | A-Frame X |
| Top Braces | Solid Sitka Spruce 5/16" |
| Back Material | Solid Genuine Mahogany |
| Side Material | Solid Genuine Mahogany |
| Neck Material | Solid Genuine Mahogany |
| Neck Shape | Modified Low Oval |
| Nut Material | Bone |
| Headstock | Slotted/Square Taper |
| Headplate | Morado |
| Heelcap | none< |
| Fingerboard Material | Morado |
| Scale Length | 25.4" |
| Fingerboard Width At Nut | 1-3/4" |
| Fingerboard Width At 12th Fret | 2-1/4 in" |
| Fingerboard Position Inlays | Diamonds & Squares – Short Pattern |
| Finish Top | Satin |
| Finish Neck | Satin |
| Bridge Material | Morado |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/4" |
| Saddle | 16 in. Radius/Compensated/Bone |
| Tuning Machines | Nickel Open-Geared with Ivoroid Buttons |
| Pickguard | Delmar Tortoise Color |
Reviews:
Where do I begin. If you think this model and the 14 fret version are comparable, well they're not. Sonically this guitar soars. The sustain is incredible and the balance of low end bass, punchy mids and just enough sparkle on the highs is left desiring more. I own several spruce top/rosewood back and side guitars and lately since I bought this last year it has been collecting dust, respectively. The natural smooth finish is attractive and when I received mine it was so new it smelled like mahogany throughout the house. A year later the smell of the guitar in an open room still lures me to play more and more. The wide spacing is a fingerpickers dream.. But don't fret, this guitar can be strummed and not left wanting. It just really shines as a fingerpicking instrument. I bought it on a twelve payment plan and having that option was really a nice provision for owning the instrument sooner than later. if could use a setup but I haven't had the will to part with it to get it done. Nbd.
The Martin 000-17SM is a great guitar, all the way around. It is an absolutely fantastic fingerstyle instrument, but if you take a pick to it, it responds very well. It is very loud for a "small" bodied guitar. This may be due to the elongated 000, 12-fret body. The 000, 12 fret design also gives this guitar a very balanced sound throughout its entire range. It's not "boomy" like a dreadnaught and it isn't "boxy" like a parlor or travel guitar. The only "down" side for someone coming from a dreadnaught might be the wider neck. Once you start doing some fingerpicking on this thing, though, you'll fall in love with the neck. The slotted headstock does take a little practice and a little more time when restringing, but I just think of that as "bonding" time. After all, this is the kind of guitar you're going to want to keep forever and pass down to your kids.Bad Blues Player
Overall: Probably the ugliest guitar Ive ever owned. Beauty is in the eye of the beholder right? Under its homely face is the soul of a beautiful wood nymph. Crisp and clear, bold and bright with the earthy tone of Mahogany. This guitar is addictive. I tried 4 very good guitars before holding on to this one. Gibson J45, Breedlove USA Concert, Martin Performing Artist GPCPA4R, Larrivee LO3S. Gibson sounded great but had an uneven fretboard, Breedlove gorgeous design, super easy to play and along with the Gibson beautiful to look at, but this one had buzz problems and sounded dull on the bass strings, Larrivee sounded like silken tones but the huge neck was a problem, Martin Performing Artist was almost the one until I recorded with it and it just came out too bright. The ugly little Martin Hog sounded great, recorded great and played like a typical Martin. Good low action, no buzzing and clear deep and woody dulcimer tones. Its a keeper and Im not letting this one go.Daniel
4. Yamaha F335 Acoustic Guitar, Black
Product Details:
It gives you that classic dreadnought shape and sound at a price point that won't break your bank. the f335's tonewood combination includes a laminate spruce top, rosewood fingerboard and bridge and meranti back and sides. gold die-cast tuners provide smooth and accurate tuning while a tortoise shell pickguard gives a bit more style. case sold separately.
Specifications:
Reviews:
I am a professional musician/songwriter (also a Berklee grad-1981). While guitar is not the principal instrument I was trained on (piano/keyboard are my primary), I have been playing guitar on and off since I was a teen back in the 1970s. However, over the last couple of years I've been putting a lot more dedicated practice time on improving my guitar skills for both for songwriting and solo guitar playing. I've been particularly focused mastering the layout of the guitar fretboard so I can put all my harmonic knowledge to work on the instrument, something I wish I did many years ago, but better late than never! I purchased this guitar because I wanted an instrument that was reasonable, easy to play, and enjoyable to listen to. I tried guitars in a variety of price ranges and was surprised at how much more I liked the F335 than guitars 2-3xs more costly. Although this guitar has a laminate rather than solid spruce top, it has a clear yet warm sound that I find really pleasing sonically. The fretboard is also very comfortable and easy to play which adds to the enjoyment of making music with it. I was so impressed with this instrument that I recently also purchased a Yamaha FS800 to use more for fingerstyle playing while using the F335 for flat picking. Those are a nice combination of instruments that cover all my guitar playing needs at this time. Regardless of what level you are playing I highly recommend this (and the FS800) for anyone looking for a very reasonable option that you can use for playing and songwriting.Scott F.
First of all, I own 2 Yamaha Guitars, the F335 being the first one I have owned. For an entry-level dred, you could not ask for a better quality, easy to play right out of the box, althought I would recommend a set-up with any instrument right out of the box with the addition of a bone saddle. Did this with this one and it brought its already rich tone to another level. I only give it 4 stars because I have owned a number of high-end instruments. If you are a brand new player, or one who is in the market just to have a dred to beat around with, look no further. This is the one for you.Chris
I purchased this guitar while it was on sale so can't really complain. There are several QC issues I would expect better from Yamaha even in a cheap imported product. Fit and overall build seems solid but there are odd finish issues that make no sense. At the neck joint there seems to be the remains of a tape line from the body to the neck all around the joint. This neck feels quite thin and comfortable but again, the finish is inconsistent. Just before the headstock, the finish goes from semi-gloss to mat in a very visible way that can also be felt in the hand. As I said in the beginning, cheap guitar, cheap price, hard to complain.Robert
5. Martin M-36 Acoustic Guitar
Product Details:
The m-36 features a "0000" body size giving it a huge sound, while being a bit more comfortable to play than the dreadnaught with a tighter, more focused low end. this guitar is in excellent condition and plays beautifully with a comfortable modified low oval neck profile. a warm sounding instrument producing a punchy, balanced tone great for both fingerpicking and strumming! includes original hardshell case.
Specifications:
| Body Size | M-14 Fret (0000-14 Fret) |
| Finish Top | Gloss |
| Construction | Dovetail Neck Joint |
| Top Material | Spruce |
| Back and Side Finish | Gloss |
| Bracing Pattern | Forward-Shifted X-Brace |
| Brace Shape | Scalloped |
| Scale Length | 25.4" |
| Fingerboard Width at Nut | 1 3/4'' |
| Neck Shape | Modified Low Oval |
| Neck Taper | High-Performance Taper |
| Top Color | Aging Toner |
| Bridge Style | Modern Belly – Drop in Saddle |
| Binding | Antique White |
| Bridge String Spacing | 2 5/32" |
| Top Inlay Material | Multi-Stripe |
| Bridge Material | East Indian Rosewood |
| Bridge Pin Material | White Plastic |
| Pickguard | Tortoise Pattern |
| Bridge Pin Dots | Faux Tortoise |
| Saddle | Compensated Bone |
| Rosette | Multi-Stripe |
| Saddle Radius | 16" |
| Brace Material | Spruce |
| Brace Size | 5/16" |
| Back Purfling/Strip | Style 35 |
| Back Inlay Material | Multi-Stripe |
| Heelcap | Antique White with Multi-Stripe |
| Endpiece | Antique White |
| Side Inlay Material | Multi-Stripe |
| Endpiece Inlay | Multi-Stripe |
| Neck Material | Select Hardwood |
| Fingerboard Material | Ebony |
| Finish Neck | Satin |
| Fingerboard Width at 12th Fret | 2 1/8'' |
| Neck Color | Dark Mahogany |
| Fingerboard Inlay Style | Style 38 |
| Number of Frets Total | 20 |
| Fingerboard Inlay Material | Mother-of-Pearl |
| Neck Joins Body At | 14th Fret |
| Fingerboard Binding Material | Antique White |
| Side Dots | Black |
| Headstock Shape | Solid with Square Taper |
| Tuning Machines | Chrome Enclosed Gear |
| Headplate Material | East Indian Rosewood |
| Knob | Large |
| Headplate Logo Style | Script Old Style Overlay |
| Nut Material | Bone |
| Finish | Natural |
| Year | 2018 – 2022 |
| Made In | United States |
| Back Material | Rosewood |
| Body Shape | Auditorium |
| Finish Style | Gloss |
| Fretboard Material | Ebony |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Rosewood |
| Wood Top Style | Plain |
Reviews:
I really love this guitar! I purchased in a sunburst finish. There's nothing to dislike. Martin's come with the action a little high, this is to be expected. I took it to a tech to have the action lowered to my taste. Because it's plek'd from the factory, you can really get the action quite low. It's is now the best of my guitars. The sound is so balanced, it's beautiful to behold and to play. I never want to put it down. I've waited a bunch of years to commit…it is everything I wanted and imagined it could be. Martin standard series are all amazing. They Are the Martin sound defined, the reference point. They are not a cheap investment, but they are worth it. Whether you like a short scale hog (000-18), or a long scale Rosewood dread (D-28), you will not be disappointed. I love the long scale OM with rosewood. I wanted a sunburst with understated dark bindings to blend with the sunburst. This is my guitar…it is stellar in every respect. If you can acquire any model of the standard series of martins, you will be blessed with tone and beauty. It will be a lifetime guitar.GGC
I don’t like buying mid to high end guitars in the blind. Even if it’s a Martin, Collings, Taylor etc… but I was able to play 3 M36’s at a store in Nashville and they all sounded the same. I had to think about it because I have a Martin HD28 and it was very close. The thing about the M36 is that it having a OOOO (Jumbo) size body, I got bolder low ends. Finger style was easy and picking was bright and articulate. Problem solved not needing to bring more then one guitar to the recording studio and didn’t have to worry about gigging with it because of the affordability. American Musical Supply always makes it easy with the nice selection and 12 months interest free to get one. I installed (myself) a K&K pure mini pickup and this guitar sings. Thank AMS!T Galloway
6. Yamaha Fg800 Folk Acoustic Guitar, Natural
Product Details:
Yamaha's fg800 folk acoustic guitar is a reasonably priced entry-level acoustic guitar featuring one of the most popular tonewoods – solid sitka spruce – for the top. this gives you a nice mellow tone with a slower response, and keeps the guitar nice and lightweight, a combination that is ideal for a beginner trying to find their way around the instrument. the nato back and sides also keeps the guitar lightweight and inexpensive while not sacrifcing tone. other features of the fg800 include a rosewood fingerboard and bridge, black and white body binding, die-cast tuners, and a tortoise pickguard. case sold separately. check the drop-down menu to the right to select between natural or sunburst finishes.
Specifications:
| Instrument Type | Guitar – acoustic – dreadnought |
| Top Material | Solid spruce |
| Back Material | Nato, okoume |
| Sides Material | Nato, okoume |
| Body Finish | Gloss |
| Bracing | Scalloped |
| Pickguard | Tortoise pattern |
| Neck Material | Nato – matt |
| Scale Length | 25.5625" (650 mm) |
| Fingerboard | 15.7 in – rosewood |
| Nut | 1.7 in – urea-formaldehyde |
| Bridge Material | Rosewood |
| Number of Strings | 6 |
| Image Color Disclaimer | The displayed product image may be a different color |
| Included Accessories | Hex wrench |
| Dimensions | Body length: 19.9 in Body width: 16.2 in Body depth: 4.6 in |
| Width | 40.9 in |
Reviews:
I didn't have high hopes for a guitar in this price point, but it has had rave reviews so I ordered one. When I unboxed it after about 5 hours, the very first thing that I noticed was the build quality. The neck set is absolutely perfect and the guitar is very nicely playable right out of the box. The finish on this guitar is superb. It is a Plain Jane but it's pleasing to the eye as a solid, well built guitar. It tuned up well and I played a couple of sets on it, and after one retune, it sang out quite nicely. The only change I will make to this guitar is changing the nut and the bridge to bone, since the plastic polymer just doesn't sustain like this guitar is capable of doing. The additional 50 dollar investment is well worth it, I would be comfortable playing this guitar anywhere, it's well worth the money, and it's easy to see why the reviews have been so good on it.Taylor W.
When the guitar arrived, I was not disappointed. The "sandburst" finish was fantastic–satin on the body, matte on the neck, which made playing a breeze. The fret work has no issues. The only change I will make is to have a tech file the nut grooves so the action is easier on the first fret; this is not uncommon with new guitars from any manufacturer. Other than that, the guitar is ideal. The bass response makes my fillings rattle (in a good way) and this guitar is loud when I need it to be. An important factor is this FG800 comes with a solid top spruce–this can't be emphasized enough. With laminate tops, you might get lucky with a decent tone, but the odds will be against you. A solid top will bring you closer to the sound you want. I don't believe in "beginner" guitars, which is another term for paying less in case you don't want to play the guitar later. If you're a guitar player, you'll know what you want. The FG800 passes for a quality guitar that will last your lifetime and that of the person you might bequeath it to.Dave
I’m impressed by the build and sound quality of this acoustic guitar! Easy to tune and play. I used to play on a Taylor GS mini (Koa) but couldn’t bring it with me when I moved to the UK. I was thinking about buying the same model here but they’re quite expensive and paying for international shipping to bring mine from my home country wouldn’t be cheaper as well. That’s when I saw online reviews of this Yamaha FG800 and decided to give it a shot. PMT shopping experience was very smooth and the delivery was very fast – next day. Couldn’t be happier! Now I have something to play after 6 months after moving. And it’s a good quality guitar.Victor T.
7. Martin 000-15sm
Product Details:
The martin 15 series 000-15m looks like it came right out of the history books and it delivers a sound for the ages. in its 175-year history, martin has set more guitar design trends than can be counted. the company still embraces design techniques introduced many years ago to create their guitars' timeless tone. the martin 15 series 000-15m offers a perfect blend of vintage features and modern technology to create an acoustic guitar of exceptional tone, playability and classic martin good looks. back, sides and top are bookmatched solid genuine mahogany with a-frame sitka spruce x-bracing and a traditional maple bridge-plate. the 14-fret neck-also genuine mahogany-is joined with an east indian rosewood fingerboard and headplate. the traditional rosewood belly-bridge is fitted with a bone saddle, and the nut is fashioned from bone as well. the martin 15 series 000-15m is embellished with a dark mahogany stain and a satin lacquer finish. the end result is a guitar of beauty and simplicity with a warm, rich mahogany voice. includes case.
Specifications:
| CONSTRUCTION | Simple Dovetail Neck Joint |
| BODY SIZE | 000-12 Fret |
| TOP MATERIAL | Mahogany |
| BRACING PATTERN | X Brace |
| BRACE SHAPE | Non-Scalloped |
| BRACE MATERIAL | Sitka Spruce |
| BRACE SIZE | 5/16" |
| BACK MATERIAL | Mahogany |
| NECK MATERIAL | Mahogany |
| NECK SHAPE | Modified Low Oval |
| NUT MATERIAL | Bone |
| HEADSTOCK SHAPE | Slotted with Square Taper |
| HEADPLATE MATERIAL | East Indian Rosewood |
| HEADPLATE LOGO STYLE | Script Old Style Overlay |
| FINGERBOARD MATERIAL | East Indian Rosewood |
| SCALE LENGTH | 25.4'' |
| NUMBER OF FRETS TOTAL | 20 |
| FINGERBOARD INLAY MATERIAL | Abalone |
| Electronics | No |
| Top Wood | Mahogany |
| Back/Side Wood | Mahogany, Mahogany back/sides |
| Scale Length | Standard scale |
| Fret to Body | 12 fret |
| Nut Width | 1 3/4" |
| Case Included | Yes |
Reviews:
Where do I begin. If you think this model and the 14 fret version are comparable, well they're not. Sonically this guitar soars. The sustain is incredible and the balance of low end bass, punchy mids and just enough sparkle on the highs is left desiring more. I own several spruce top/rosewood back and side guitars and lately since I bought this last year it has been collecting dust, respectively. The natural smooth finish is attractive and when I received mine it was so new it smelled like mahogany throughout the house. A year later the smell of the guitar in an open room still lures me to play more and more. The wide spacing is a fingerpickers dream.. But don't fret, this guitar can be strummed and not left wanting. It just really shines as a fingerpicking instrument. I bought it on a twelve payment plan and having that option was really a nice provision for owning the instrument sooner than later. if could use a setup but I haven't had the will to part with it to get it done. Nbd.
The Martin 000-17SM is a great guitar, all the way around. It is an absolutely fantastic fingerstyle instrument, but if you take a pick to it, it responds very well. It is very loud for a "small" bodied guitar. This may be due to the elongated 000, 12-fret body. The 000, 12 fret design also gives this guitar a very balanced sound throughout its entire range. It's not "boomy" like a dreadnaught and it isn't "boxy" like a parlor or travel guitar. The only "down" side for someone coming from a dreadnaught might be the wider neck. Once you start doing some fingerpicking on this thing, though, you'll fall in love with the neck. The slotted headstock does take a little practice and a little more time when restringing, but I just think of that as "bonding" time. After all, this is the kind of guitar you're going to want to keep forever and pass down to your kids.Bad Blues Player
Overall: Probably the ugliest guitar Ive ever owned. Beauty is in the eye of the beholder right? Under its homely face is the soul of a beautiful wood nymph. Crisp and clear, bold and bright with the earthy tone of Mahogany. This guitar is addictive. I tried 4 very good guitars before holding on to this one. Gibson J45, Breedlove USA Concert, Martin Performing Artist GPCPA4R, Larrivee LO3S. Gibson sounded great but had an uneven fretboard, Breedlove gorgeous design, super easy to play and along with the Gibson beautiful to look at, but this one had buzz problems and sounded dull on the bass strings, Larrivee sounded like silken tones but the huge neck was a problem, Martin Performing Artist was almost the one until I recorded with it and it just came out too bright. The ugly little Martin Hog sounded great, recorded great and played like a typical Martin. Good low action, no buzzing and clear deep and woody dulcimer tones. Its a keeper and Im not letting this one go.Daniel
8. Martin 000-18 Acoustic Guitar
Product Details:
Save big when you buy today! body body type: 000-14 fret cutaway: non-cutaway top wood: solid sitka spruce – back & sides: solid genuine mahogany – bracing pattern: standard x scalloped – body finish: polished gloss – orientation: right handed neck neck shape: modded low oval nut width: 1.75" (44.45mm) fingerboard: solid black ebony neck wood: select hardwood scale length: 24.9" number of frets: 20 neck finish: finished gloss – electronics pickup/preamp: no brand: not applicable configuration: not applicable preamp eq: not applicable feedback filter: not applicable tuner: not applicable other headstock overlay: solid east indian rosewood – tuning machines: nickel open-geared with butterbean knobs bridge: solid black ebony – saddle & nut: compensated/bone number of strings: 6-string special features: tonewoods – case: hardshell case accessories: info not available country of origin: united states
Specifications:
| Construction | Mahogany Blocks/Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Rosette | Old Style 18 |
| Top Bracing Pattern | Standard "X" Scalloped |
| Top Braces | Solid Sitka Spruce 1/4" |
| Back Material | Solid Genuine Mahogany |
| Back Purfling | Style 18 |
| Side Material | Solid Genuine Mahogany |
| Endpiece | Tortoise Brown |
| Binding | Tortoise Brown |
| Top Inlay Style | Multiple Black/White Boltaron |
| Neck Material | Select Hardwood |
| Nut Material | Bone |
| Headstock | Solid/Square Taper |
| Headplate | Solid East Indian Rosewood/Large Old Style |
| Heelcap | Solid Black Ebony |
| Fingerboard Material | Solid Black Ebony |
| Scale Length | 24.9" |
| Number of Frets Clear | 14 |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1-3/4'' |
| Fingerboard Width at 12th Fret | 2-1/8'' |
| Fingerboard Position Inlays | Old Style 18 – Green Abalone |
| Finish Top | Polished Gloss w/ Aging Toner |
| Finish Neck | Satin |
| Bridge Material | Solid Black Ebony |
| Bridge Style | 1930 Style Belly w/ Drop-In Saddle |
| Bridge String Spacing | 2-3/16" |
| Saddle | 16" Radius/Compensated/Bone |
| Tuning Machines | Nickel Open-Geared w/Butterbean Knobs |
| Included Strings | Martin MA540T |
| Pickguard | Delmar Tortoise Color |
Reviews:
Hi Its the Old Time Picker again, This Martin is perfect, I have a Martin HD35 three high end Taylors 810, 524, 562, and a Gibson J15, So I know great guitars and this Martin 000 18 is a perfect guitar, In the past Martin was a little off on the 18 line of guitars with the binding being a little ruff, But not anymore, They have really stepped up to the plate with this one, It is perfect on the fit and finish and the sound is everything you want a Martin to be.i recommend This guitar to anyone of any style age or level of playing. Give it a try MF will take it back if you don't like it. Give ex 3231 a call Dawana will get you taken care of, She's Great. I've Ordered over 60 orders from MF and give them a 10 rating, well its back to Picken and Grinin, My Little puppy, Mr. Snickers sings with me everyday he's great to, hahah,,,, The Old Time PickerOld Time Picker
I've bought several guitars along the way, always knowing that I wanted a Martin 000. Somehow I found myself able to get the guitar I've always wanted and I'm so happy! Why did I wait so long? First of all, Martin Guitars are very nice. VERY NICE. The best. Especially once you get into the 18 series on up. The quality and craftsmanship lives up to the reputation. Of course, all of the hard work that Martin puts into their instruments results in breathtaking sound that only a Martin Guitar can produce. As soon as I picked up the guitar I could feel the power. My first chord was an open D, my go to key anytime I pick up a guitar to try. It's something you have to feel, but all I can really say is that the sound of this 000-18 is glorious. A very round classic sound, with a bit of chime on top. This 000-18 has a wide sonic range, but mid-range focused. The mahogany has that sweet tone which is great for all styles of play. This is definitely a finger pickers dream guitar, but can handle flat picking. I also like that I can lay into this guitar and the strumming remains crisp and not muddy. Drop tunings and capo up and down the neck is near perfect! This is my all around, do it all guitar! This guitar sings. Projection, sustain, volume when you need it, it's all there! Some guitars sound boxy and cheap. Not Martin. Not this one. It actually sounds like I should have paid more. The 000-18 does not come with electronics, but that's okay. You may not want any for this guitar. At least for a while. If you're a professional gigging musician than you could add a pickup, but there could be other choices out there suitable for gigging and amplified performance. The Sitka spruce top is gorgeous. Booked perfectly with silking that I can spend forever looking at. The neck is very smooth and modern feeling. I like it because it's not too thin, but allows me to play all styles. Satin finish makes me want to play all day long. And YES. I shallJay
Overall: Bought this Martin, it is everything the 00018e is except I get to pick out the pickup I want. I like it much more than a Dred, it is perfect in my hands and very light. The sound is typical of a high-end Martin 000. The Dred is just too boomy and could not cut through the mix in recording or playing live. This guitar is great for strumming picking or lead. Bottom end is still great with the added bonus of sparkling high end and playing lead is a thrill. You got to get you one.Randall
9. Epiphone Pr-150 Natural Acoustic Guitar In Dreadnought Style With Spruce Top
Product Details:
Like all worthy acoustic guitars, it begins and ends with tonewoods and it chose a select spruce top and mahogany body for a classic sound that's balanced, clear, and will only get better with age and lots of playing. the rosewood bridge and synthetic bone saddle are a perfect match for the resonant profile of the select spruce top. the sliptaper 25.5" scale mahogany neck has a rosewood fingerboard with dot inlays, a 12" radius, a 1.68" nut, premium die-cast 14:1 tuners and the classic 60's era sloped dovewing headstock.
Reviews:
This is my 2nd of PR 150, I bought a sunburst one in the store. Only thing I noticed is the neck on the natural one is a bit thicker but its barely noticeable. I tried all the comparable ones in the range and this one just has it, full rich clean tone. It was flawless right out of the box, took 3 days to get to me, free shipping. The factory action is a touch high for my liking but can be set up to play perfect. I didn't find any fret buzz or issues, I just like low action. I plan to have this one set up as well, very worth the extra money. Stays in tune well, sounds incredible. These are very versatile guitars and do sound better with use and age. Best quality strings make a big difference on these. 80/20's really make it sing and sound like a Martin but with a bit of depth and warmth. Phosphors, it sounds more mellow and like Gibson. Obviously its not either one but you can still get very good quality enjoyable tone from these. I use it for older style county/bluegrass and it does great for that but also blues and oldies. They respond great to the player, pick attack, light and harder strumming and lead. Only thing I don't like is the finish on the back of the neck but that's personal preference. I've gotten used to it and hardly even notice, I'm used to standard Fender teles and strats that have a matte finish. Overall I think this is probably the best acoustic in the price range.Andy
Sounds great and for the price acceptable, ( Right around $200). I am just relearning after a serious hand injury and the taper of the neck is perfect. Just wide enough for comfort at all frets but not to wide for stretches. No buzzing,good action. The whole thing is laminated which is to be expected in this price range but has a limited lifetime warranty, plus I bought the extended warranty for accidental damage for $38 , which I never do but felt it was a good choice for this. It might have minor issues in the future. The sound is rich and full bodied. The tuners are not the smoothest and it doesn't seem to stray in tune. Guitar Center dressed the frets which were really sharp. Good for me to relearn and practice with but probably not sturdy enough for regular gigging. Although I am rough on things. Great entry level instrument I think for new players. I couldn't afford $500 or more so this fit the pocketbook.Christopher
Don't let the term "beginner guitar" steer you away. I've been playing for over 40 years and have never enjoyed owning and playing a guitar as much as I have this one. I bought it with the sunburst finish, as I have never owned one like that, and this is what initially caught my eye. I came home inspired one day to find my trusty old acoustic Fender had a lifting bridge, so I needed a replacement. Having heard an ad about a recent GC sale, I popped on over to see if I could try out several different models, before I found myself settling on this one. I had never really heard of the brand before, but when I went home to research it and found who the company was owned by and what bands used Epiphone. I lucked out with an amazing deal at GC, fitting my budget for a quick replacement. And I am so glad I did. This guitar has inspired me to play for hours on end, and I honestly have hardly put it down since I bought it in March. I chose to protect it with an Epiphone Case (the eDread) and not only play it every day, but like to look over at how nice it looks in the room, in or out of the case. It has rekindled my old passion for playing, and I am looking forward to replacing my vintage electric with an Epiphone, as well. Through research, I have found that the "PR" series was eventually replaced by the "DR" series, so the Truss Bar cover has the latter initials on it. I have also found that this is virtually the same guitar as the DR-100. After weeks of playing, the guitar stays in tune very well. I often play along with videos and have even taken some new virtual lessons and haven't had to tune up again for a couple of weeks. For the price, particularly during a sale season, you really can't go wrong with this as your first, second, or even third guitar. Love it.Tony G
10. Gretsch G9500 Jim Dandy Flat Top Acoustic Guitar – Vintage Sunburst
Product Details:
It is a faithful reproduction of the "rex" parlor guitars of the 30's, 40's, and 50's. these limited edition jim dandy models embody everything that was great about everyone's first guitar and then some. this flat top parlor-style guitar features an agathis body, a 24" scale length, 18 vintage-style frets, and a semi-gloss finish.
Specifications:
| Body Shape | Non-Cutaway |
| Body Back | Agathis |
| Body Sides | Agathis |
| Body Top | Agathis |
| Body Finish | Semi-Gloss Vintage Sunburst |
| Bracing | X Bracing |
| Rosette | Screened White |
| Purfling | Screened White |
| Sound Hole | 3 7/16 in. Diameter |
| Body Length | 18 in. (457 mm) |
| Body Width Upper Bout | 9.5 in. (241 mm) |
| Body Width Lower Bout | 13 in. (330 mm) |
| Body Binding | Screened White |
| Neck Shape | "C" Shape |
| Number of Frets | 18 (12 to Body) |
| Fret Size | Vintage-Style |
| Position Inlays | Pearloid Dot |
| Fingerboard Radius | 12 in. (305 mm) |
| Fretboard | Rosewood |
| Neck Material | Nato |
| Neck Finish | Semi-Gloss Vintage Sunburst |
| Nut Width | 1.6875 in. (42.8 mm) |
| Scale Length | 24 in. (610 mm) |
| Headstock | 1950's Gretsch 3×3 |
| Truss Rods | Double-Action Body Adjust |
| Truss Rod Nut | Hex |
| Hardware Finish | Nickel-Plated |
| Bridge | Rosewood Top-Load with Compensated PPS Saddle |
| Tuning Machines | Open-Back Geared |
| String Nut | PPS |
| Truss Rod Wrench | Yes |
| Unique Features | Compensated saddle; 24 in. Scale Length. |
| Pickguard | 1-Ply White with "G" Graphic |
| Included Accessories | Truss-Rod Hex Wrench |
Reviews:
Really nice instrument. I had been looking for a Parlour guitar as intermittent arthritis in my hands has been making playing a regular dreadnought electro-acoustic or acoustic painful sometimes. I had my eye on Cort Parlour guitar as it had a nut width of 45mm and I thought it might help my fingers. Several times I nearly bought one but hearing them on various online videos there was just something stopping me. Then I came across the Jim Dandy. As soon as I heard it online I wanted one. I was dubious as the nut width is listed as only 42.86mm but took the gamble to order one. I was not disappointed. The tone is really bright and you can feel the notes ringing through the tiny body. I can highly recommend one and would not hesitate to recommend GAK.co.uk as your go to supplier.Nick
I went to GC and tried out several small guitars, a Fender, Cort, Mitchell, I even tried a small Taylor. I honestly preferred this Gretsch to even the Taylor. The guy at GC had to go to the back room to get one, he took it out of the box and i tuned it up. Right out of the box it played great. It stays in tune and all the way down the neck each note rang true and in perfect tune (this was not true of most others). Its small but not tiny and the 24" scale makes it playable , its not just for kids. It will be an awesome travel guitar, but I play it at home too. Fantastic value!John
For the price this is am outstanding guitar. I opted for this over a little martin, mainly on the price tag. It doesn’t feel cheap at all. The fretboard is really playable and the parlour body doesn’t feel noticeably smaller than my grand auditorium shaped acoustic. I wanted a travel guitar, but instead I have put my other acoustic into its case and this has pride of place in my front room. Stop thinking about buying it and buy it!Kristian J.
11. Martin D-15m Acoustic Guitar
Product Details:
The martin d15m acoustic guitar looks like it came right out of the history books, and delivers a sound for the ages. in its 175-year history, martin has set more guitar design trends than can be counted. the company still embraces design techniques intro – model: d-15mconstruction: mortise/tenon neck joint – body size: d-14 fret – top: solid genuine mahogany – rosette: single ring – top bracing pattern: a-frame ''x''top braces: solid sitka spruce 5/16''back and sides: solid genuine mahogany – neck: solid genuine mahogany – neck shape: modified low oval – nut material: bone – headstock: solid/square taper – headplate: solid east indian rosewood – fingerboard material: solid east indian rosewood – scale length: 25.4''number of frets clear: 14number of frets total: 20fingerboard width at nut: 1-11/16''fingerboard width at 12th fret: 2-1/8''fingerboard position inlays: diamonds & squares – short pattern – finish: satin – bridge material: solid east indian rosewood – bridge style: belly – bridge string spacing: 2-1/8''saddle: 16'' radius/compensated/bone – tuning machines: nickel open-geared with butterbean knobs – recommended strings: martin studio performance phosphor bronze medium gauge (msp4200)bridge & end pins: solid black ebony – pickguard: delmar tortoise color – case: 345 hardshell
Specifications:
| Construction | Simple Dovetail Neck Joint |
| Body Size | D-14 Fret |
| Rosette | Single Ring |
| Top Bracing Pattern | A-Frame X |
| Top Braces | Solid Sitka Spruce 5/16 inches |
| Back Material | Solid Genuine Mahogany |
| Side Material | Solid Genuine Mahogany |
| Neck Material | Solid Genuine Mahogany |
| Neck Shape | Modified Low Oval |
| Nut Material | Bone |
| Headstock | Solid/Square Taper |
| Headplate | Solid East Indian Rosewood |
| Fingerboard Material | Solid East Indian Rosewood |
| Scale Length | 25.4 inches |
| Number of Frets Clear | 14 |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 11/16 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Position Inlays | Diamonds & Squares – Short Pattern |
| Finish Back and Sides | Satin |
| Finish Top | Satin |
| Finish Neck | Satin |
| Bridge Material | Solid East Indian Rosewood |
| Bridge Style | Belly |
| Bridge String Spacing | 2 1/8 inches |
| Saddle | 16 inch Radius/Compensated/Bone |
| Tuning Machines | Nickel Open-Geared with Butterbean Knobs |
| Recommended Strings | Martin MSP 4200 Light Phosphor Bronze |
| Bridge and End Pins | Solid Black Ebony |
| Pickguard | Delmar Tortoise Color |
| Manufacturer Part Number (MPN) | 10D15M |
Reviews:
Overall: My first thoughts when I took that first strum, was “Guy Clark.,” except I think that man made his own guitars. But if I can describe the first sound I heard or who, that’s what it was, Guy Clark designed this one. It is beautiful and played in tune out of the box. Now I’m just more of a collector than a player, but I some ESP’s, a Yamaha, Taylor 710e, Ovation, an Ibanez, and now this magical Martin D-15M StreetMaster Acoustic. Good luck putting it down before your fingers bleed. At this price point and much above this is a splendid guitar. I can’t wait to hear what it sounds like after it has hours and hours of use on it. Buy one they’ll take it back if you don’t like it, but somehow I don’t see you making that choice. If all the other Martins haven’t convinced you, this one will. If your budget isn’t as high, do yourself a favor and keep saving or pay as you go option.Richard
I literally walked around Sam Ash plucking low E strings listening for a deep rich sound. Martin seemed to have more than anyone else. I liked the look of the Mahogany top/back/sides/neck. The ripples of the grain add a beautiful touch to the color of the wood. The tone has totally warmed up more and grown deeper over the 10 or 11 months she's been home with me. I have the MFX740 Bronze Acoustic Guitar Strings (Martin strings, they call them Tommy's Choice) on there and it just gives this rich low rumble on the low E and the D strings that if I have my feet up on my desk I can feel on my desk. The ring out is intense and long on this baby. I have not had anyone pick up my Martin and NOT say how much they love the tone of her. I do love the look of no binding… but, I'm going to have to say I do have some dents on the sides where the bindings would be protecting. That said… I'm not sure I care at the same time I think I care. I think that means I want it to be perfect but I also am okay with her getting age marks just as long as it doesn't do some serious damage. I would buy another. I'd buy it for my Dad. I'd buy it for one of my kids if they'd play. If you pick this guitar up you'll probably end up taking it home. Comes with a beautiful martin case with green insides. Acoustic only, don't forget.BasPilot
I have somewhat passively searched for the holy grail of the acoustic/electric bass guitar for years. Most acoustic bass guitars available are less than $500 and sound horrible. I started researching again and found numerous reviews stating that the Martin is heads and shoulders above the rest. I was still hesitant since I didn't know where I could check one out first. I found one in McKinney, TX. I played it unplugged and plugged. I had found it. Since my local music store had recently become a Martin dealer, I was planning to have them order me one. I knew that Martin had recently discontinued production, but they offered to build one and would take about 3 months. I visited a Sam Ash store in Birmingham and another in the Dallas area. I purchased an $8 item and was mildly annoyed as the guy checking me out was asking for everything with the exception of my passport and birth certificate. Now, I'm glad I cooperated. I receive regular emails from Sam Ash. Late one night, I see that they were offering 48 months with no interest. I thought to myself, I wonder if they have a Martin bass. Low and behold, hallelujah, they had a limited stock and was on sale. Well, I applied for the credit and was approved, however, when I tried to check out, I didn't have my new account number. The next morning, I had an email from them announcing a Paul Ash sale. I called Sam Ash and explained my issue during checkout. I asked if there was an additional discount due the sale. He put me on hold for a while and came back and knocked another $70. Two days later, on a Saturday, Fedex delivered the latest addition to my bass family. Of course I would prefer it to be louder unplugged, but it's fine for sitting around playing. Plugged in, it sounds amazing. Too bad Martin discontinued it. I purchased a Thumby and mounted it on the edge of the sound hole. I love this bass and a big fan of Sam Ash.Jeff
12. Gibson J-45 Standard Acoustic Guitar – Cherry
Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
| Body Shape | J-45 |
| Back | Mahogany |
| Side | Mahogany |
| Bracing | Traditional Hand-Scalloped X-Bracing |
| Binding | Multi-ply Top, Single ply Back |
| Finish | Gloss Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75" |
| Fingerboard Material | Indian Rosewood |
| Fingerboard Radius | 12" |
| Number Of Frets | 20 |
| Frets | Standard |
| Nut Material | TUSQ |
| Nut Width | 1.725" |
| Inlays | Mother of Pearl Dots |
| Hardware Finish | Nickel |
| Tuner Plating | Nickel |
| Bridge | Reverse Belly, Rosewood |
| Saddle Material | TUSQ |
| Tuning Machines | Grover Rotomatic |
| Pickguard | Tortoise Teardrop |
| Truss Rod | Adjustable |
| Truss Rod Cover | Bell Shaped, 2-ply Black and White |
| Bridge Pins | TUSQ |
| Strap Buttons | 2 |
| Under Saddle Pickup | LR Baggs VTC |
| Controls | Soundhole Mounted Volume and Tone |
| Output Jack | 1/4" Endpin Jack |
| Preamp | LR Baggs VTC |
| Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
13. Epiphone Starling Acoustic Guitar Player Pack (Ebony)
Product Details:
The epiphone starling acoustic pack comes with everything you need to start playing, including a stylish, easy-to-play dreadnought-shaped guitar and essential accessories.the epiphone starling is perfect for beginning players to learn guitar on, and it is available at a price point that makes it possible for everyone to afford a quality epiphone instrument. the back and sides are layered mahogany, while the top is layered spruce for durability and good tone. the mahogany neck has a comfortable c-shaped profile, and the indian laurel fretboard features 20 medium-jumbo frets that make it easier to press the strings down with less effort, while the 24.75” scale length results in slightly less string tension and also reduces the distance the player’s fingers have to “stretch” to form chord shapes. the pickguard features a unique and distinctive starling graphic. all the accessories you need are also included; an epiphone gig bag, three picks, a strap, and even a clip-on electronic tuner.a battery is not included. to power your player pack tuner, you will need a 3-volt (cr2032) battery.
Specifications:
| Shape | Square shoulder dreadnought |
| Back and Sides | Layered Mahogany |
| Binding | Black single ply, top and back |
| Neck | Mahogany |
| Fingerboard | Indian Laurel |
| Number of frets | 20 |
| Nut | Graph Tech Nubone XB |
| Inlay | Dot |
| Plating | Nickel |
| Finish | Ebony |
| Year | 2021 |
| Back Material | Mahogany |
| Body Shape | Dreadnought |
| Finish Style | Gloss |
| Fretboard Material | Laurel |
| Fretboard Radius | 12" |
| Neck Material | Mahogany |
| Number of Frets | 20 |
| Number of Strings | 6-String |
| Right / Left Handed | Right Handed |
| Sides Material | Mahogany |
| Top Material | Spruce |
| Wood Top Style | Plain |
Reviews:
Cost is cheap hence your not going to get a quality built instrument in return. The company cheapens out on everything: Wood, pickups, tuners, wires, knobs etc. Save your money and just buy a made in USA Gibson which will 10 lifetimes longer than this throw away junk. Not worth it!ENGlishJELLo
14. Taylor 114ce Grand Auditorium Acoustic Guitar
Product Details:
This 114ce is the grand auditorium body style making it quite comfortable to play in the studio or on state. the back and sides are layered walnut topped with asolid sitka spruce soundboard, which together produce signature clear and balanced tone with a pleasing projection and midrange focus. the 1-11/16-inch nut width is slightly narrower than the standard 1-3/4-inch width of other steel-strings in the 300 series and up, making it easier for developing players to navigate the fretboard. the tayloronboard 2 pickup sounds phenomenal. great action. big bright sound acoustically and sounds great through an acoustic amp. includes the taylor brand gig bag.
Specifications:
| Scale Length | 25-1/2" |
| Bracing | Forward Shifted Pattern |
| Truss Rod Cover | Black Plastic |
| Pickguard | Black |
| Number of Frets | 20 |
| Tuners | Chrome (100/200) |
| Body Length | 20" |
| Body Width | 16" |
| Body Depth | 4 5/8" |
| Binding/Edge Treatment | Black |
| Top Finish | Varnish |
| Back Config | Layered |
| Rosette Size | Three Ring |
| Back/Side Finish | Varnish |
| Rosette Mat. | Plastic |
| Armrest | No |
| Neck Width | 1-11/16" |
| Fretboard Inlay | 4mm Dot Italian Acrylic |
| Heel Cap Binding | Black |
| Type of Neck Joint | Taylor Neck |
| Neck/Heel | Hard Rock Maple |
| Fretboard Wood | Ebony |
| Neck Finish | Varnish |
| Heel Length | 3-1/2" |
| Peghead Finish | Varnish |
| Peghead Type | Standard |
| Headstock Overlay | Ebony |
| Peghead Logo | Taylor Colorcore |
| Bridge Pins | Black |
| Buttons | Chrome |
Reviews:
Amazing guitar! 6 years after buying it and I'm still blown away with how it sounds. Very loud guitar, bright sound but produces a solid bass. Many people who own higher Taylor models like the 714 tell me that they can hardly tell the difference in sound between mine and theirs. It also feels great to play, although it may need some neck adjustment/setup out of the box to improve the action, but that's pretty normal. I also love the matte finish on this guitar, and I prefer it over the lacquered, shiny finish of the pricier ones. Even the slightly rough, matte finish of the neck feels perfect[email protected]
The 314ce is an excellent offering from Taylor guitars. The combination of spruce with Sapele is a slight variation on a popular tonewood combination. Sapele is similar to mahogany in tone, but not quite as deep. Paired together, these woods provide a very balanced tone which complements this guitars' versatility. The Grand Auditorium body style revolutionized the way guitars were being made, and quickly became one of Taylors' top selling shapes. It provides a full bodied and clear tone for fingerpicking, and also allows for great projection and volume when using a pick. Taylors' own expression system sounds great through either a PA or guitar amplifier. This is a real hands on product review from Max @ Sam Ash LombardMaximus Bassimus
This is a really nice guitar. Just got back into playing acoustically and find this Taylor to sound great – nice mids and highs, unlike another high end guitar that are really bottom heavy (in my humble opinion). This guitar plays extremely well, perfect width on the neck and action is great. Makes finger picking quite easy and no adjustments were necessary. Price was very reasonable and service at Sam Ash was excellent – very professional. All in all, a great guitar bought from an excellent store.GEORGE
15. Martin 000-28 Acoustic Guitar – Natural
Product Details:
The 000-28 standard auditorium acoustic guitar is a great example of the quality craftsmanship that martin is famous for creating over their 185-year history. prized for its combination of the finest tonewoods and construction techniques, the 000-28 standard auditorium acoustic guitar has all the tone and sustain that you have come to expect from a martin guitar. the smaller auditorium body is well balanced, while being versatile enough to cover just about any musical style. the hand-fit dovetail neck joint delivers a resonant tone with lots of sustain. a sitka spruce top, with scalloped x-bracing, tunes the sound of the guitar to have just the right amount of bass, mids, and treble. the 000-28 standard auditorium acoustic guitar has been upgraded to include a modified low-oval neck with performing artist neck taper and 1 3/4” nut. in final assembly, the instrument receives a computerized plek setup to dial-in the action for the best possible string performance for each instrument. the result is an instrument with the optimal sound and feel. you won't want to put this one down. includes case.
Specifications:
| Construction | Dovetail Neck Joint |
| Body Size | 000-14 Fret |
| Top Material | Sitka Spruce |
| Rosette | Multi-Stripe |
| Bracing Pattern | X Brace |
| Brace Shape | Scalloped |
| Brace Material | Sitka Spruce |
| Brace Size | 5/16 inch |
| Back Material | East Indian Rosewood |
| Back Purfling/Strip | Style 28 |
| Side Material | East Indian Rosewood |
| Endpiece | Antique White |
| Endpiece Inlay | Multi-Stripe |
| Binding | Antique White |
| Top Inlay Material | Bold Herringbone |
| Back Inlay Material | Multi-Stripe |
| Neck Material | Select Hardwood |
| Neck Shape | Modified Low Oval |
| Neck Taper | High Performance Taper |
| Plek | Yes |
| Nut Material | Bone |
| Headstock Shape | Solid with Square Taper and Diamond |
| Headplate Material | East Indian Rosewood |
| Headplate Logo Style | Script Old Style Overlay |
| Heelcap | Antique White |
| Fingerboard Material | Ebony |
| Scale Length | 24.9 inches |
| Neck Joins Body | at 14th Fret |
| Number of Frets Total | 20 |
| Fingerboard Width at Nut | 1 3/4 inches |
| Fingerboard Width at 12th Fret | 2 1/8 inches |
| Fingerboard Inlay Material | Abalone |
| Fingerboard Inlay Style | Diamonds and Squares Long Pattern |
| Side Dots | White |
| Back and Side Finish | Gloss |
| Finish Top | Gloss |
| Top Color | Aging Toner |
| Finish Neck | Satin |
| Neck Color | Dark Mahogany |
| Bridge Material | Ebony |
| Bridge Style | Modern Belly – Drop in Saddle |
| Bridge String Spacing | 2 5/32 inches |
| Saddle | Compensated Bone |
| Saddle Radius | 16 inches |
| Tuning Machines | Nickel Open Gear |
| Recommended Strings | MA540T Phosphor Bronze |
| Knob | Butter Bean |
| Bridge Pin Material | White Plastic |
| Bridge Pin Dots | Faux Tortoise |
| Pickguard | Faux Tortoise |
Reviews:
Very nice guitar … However , There are no tuning instructions or string height instructions . And you may find the the standard "E" tuning is to high . And will stress the neck joint . Which is why many of Older Martin Guitars require a Neck Reset . And is why the Martin players . Most often recommend "D" tuning . CMNchris
This is my third Martin although mine is slightly different in that it is a 000-28 EC Eric Clapton version. In 1972 I bought my first one, a D-35, then acquired a D35-12.later. I played the D-35 exclusively for many years professionally along the way acquiring a beautiful custom hand built guitar, Bertoncini, but I always wanted a smaller body that I thought would be better for finger picking and wow does the 000-28 meet that! I have become so addicted to it I play it almost exclusively. Not only is it wonderful for finger picking it is wonderful for flat picking too. The action is set perfectly. I love the feel of the smaller body size, it cradles into your arms perfectly. The neck on mine has a slight "V" shape which is terrific with a slightly wider nut which really enhances the finger picking style greatly. It's no wonder it is Clapton's favorite acoustic. The 000-28 predates the Dreadnoughts and was and is more the Martin "Classic" and for a good reason, it is a very well balanced guitar tone-wise not overly boomy which can interfere with the bass if you're playing in a band and the tone is dead accurate all the way up the neck so an E played open is in tune with an E played up the neck. So many guitar makers miss that by a mile. I love this thing so much my only regret is the poor D-35 sits in the case too much! The 000-28 has a signature tone to it that you can not mistake for a Taylor or something else – this is a true classic. Now something else I want to add about a Martin and their service. After I bought the D-35 years ago the neck moved just slightly and after 30 years of playing the plastic binding began to separate. When the wind knocked it over on its stand on a break I finally sent it back again for repairs. It came back in PRISTINE condition! The tone was not hurt in the least by the necessity of refinishing it and it plays beautifully – all no cost to me! Martin is fantastic. The 35 is wonderful but I love the 000-28 – my Go To!Rick
Back in 2008, I bought my dream guitar, a Martin HD-28. In the last 12 years it has been my baby. However, I only play for myself at home. Lately, I had been reconsidering it's large size and loud volume, and I started trying some smaller guitars. I decided to sell my dreadnaught, and used the proceeds to buy this 000-28 that was redesigned in 2018. Let me say that it is amazing. While the HD-28 had a beautiful deep bass-like response, this 000-28 is more shimmering and a chiming sound. It is extremely comfortable, and the fretboard seems a bit wider than my HD-28, which makes it very comfortable. I was concerned about how the aging toner would look, but it turns out looking very warm and buttery, and the top color will definitely age more on its own. I was also worried that it wouldn't be good for strumming, due to the shorter scale length. But this guitar sounds just as good strumming as well as finger picking. I've never tried an OM-28, but I can say that this 000-28 is also a great chord strumming guitar. This is a very intimate and lovely guitar, and I don't know if it will ever leave my house. If I were playing gigs or in a band, I would probably prefer a dread size, but this is perfect for my personal use at home. Also, the scalloped bracing seems to have been a massive improvement. I imagine this is very close to the Clapton model now, in terms of sound.Chachi
16. Gibson Acoustic J-45 Studio Rosewood – Rosewood Burst Guitar
Product Details:
Turn heads with this unique j-45 studio. hand built using rosewood back and sides with a sitka spruce top gibson j-45 studio rosewood turn heads with this unique j-45 studio, hand-built using rosewood back and sides with a sitka spruce top. the slim body depth allows for increased comfort underarm and the flatter fingerboard allows finer playability. available in both antique natural and rosewood burst finishes, as well as lefty! finished with an active under-saddle piezo pickup for easy studio quality plug and play anywhere.
Specifications:
| Body Shape | J-45 |
| Back | Rosewood |
| Side | Rosewood |
| Bracing | Traditional hand scalloped X-bracing |
| Binding | Multi-ply top, single-ply back |
| Finish | Nitrocellulose |
| Neck Material | Mahogany |
| Scale Length | 24.75 inches |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | 16 inches |
| Number Of Frets | 20 |
| Nut Material | Tusq |
| Nut Width | 1.725 inches |
| Inlays | Mother-of-pearl Dots |
| Joint | Compound Dovetail Neck-to-body |
| Tuner Plating | Nickel |
| Bridge | Traditional belly up |
| Saddle Material | Tusq |
| Tuning Machines | Grover Rotomatic w/ Kidney Buttons |
| Pickguard | Tear Drop |
| Truss Rod Cover | Studio |
| Bridge Pins | Tusq |
| Under Saddle Pickup | Yes |
| Controls | Volume and Tone controls |
| Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
After testing, buying and returning about 10 different guitars from Epiphone to Gibson to Martin to Collings to Taylor to Waterloo, I landed on this guitar. I bought on trial guitars from all of the above, but could not stop thinking about the J-45 Studio I tested. I love the Standard but my budget is capped around $1600. I ended up going with a J-45 Studio Walnut burst and have had it for about 5 days now. I have played it nearly on average of 6 hours a day because I cannot put it down. When I first tested and purchased the guitar, it had a very bright tone due to the walnut back and sides, but the more I play it in and listen, the warmer it becomes without losing the punch and clarity of the top end walnut tone. I recorded a track for a country song I was working on with this beauty and through a LDC mic, it sounded like a polished record without processing. This thing was built for the studio but projects for the stage. Can't say enough good things about this guitar.MotownFranz
The j45 studio is a hybrid of the j45 standard and the j15. The top (spruce), body (walnut) and bracing are identical to the j15. The neck (solid mahogany) is identical to the j45 standard and definitely superior to the j15's laminate maple neck. The studio's electronics are better than the j15's, having both tone and volume controls. And yes, the studio's body is a little thinner than that of the standard j15 and j45. The j45 studio sounds fantastic plugged in and unplugged, and the blend of scale and action make this a true Gibson acoustic, a unique blend of bright and dark. Having identical tops and bodies, you would think that the studio's sound and resonance would be more the the j15, but imo the 15's laminate neck takes a lot of depth out of the lows, which truly sets the studio apart and makes it a true j45, even if the studio's slightly smaller walnut body swaps some of the standard j45's warmth for a punchier, crisper sound. By my view, if you are thinking j15 but wouldn't mind throwing a couple hundred more at a guitar with a bit more growl, I recommend the j45 studio. It's also a fair compromise if you find the j45 standard's price tag off-putting. I tried out a number of other Gibsons, Martins, Taylors and Breedloves, but could not turn my back on the j45 studio. I'll get my hummingbird when I make my first million, but I'm very happy either way.Jay
I like the guitar and it sounds great. I would buy it again. My only complaint does not deal with the guitar but the advertising. A picture in the advertising shows the electronics mounted in the sound hole with a volume and tone. This guitar only has a volume control. Imagine my surprise. Exactly what I will do about it Imdon't know.Rodney
17. Ibanez Pc15 Acoustic Guitar (Vintage Sunburst)
Product Details:
The ibanez performance series pc15 grand concert acoustic guitar is an affordable way to get on the right track for learning the guitar. it features everything the young musician seeks including great tonewoods, like spruce and mahogany, and is constructed with typical ibanez refinement. playability is spot-on with a comfortable neck and the pc15 is easy to tune with its chrome die-cast tuners and compensated string saddle. case sold separately.
Specifications:
| Handedness | Right-Handed |
| Number of Frets | 20 |
| Neck Construction | Set |
| Body Shape | Grand Concert body |
| Neck | Mahogany neck |
| Fretboard | Rosewood |
| Bridge | Rosewood |
| Body Binding | Ivory |
| Tuning Machine | Chrome Die-cast Tuner |
| Bridge Pins | Ibanez Advantage Bridge pin |
| Finish Top | Gloss |
| Finish Back and Sides | Gloss |
| Finish Neck Back | Gloss |
| Neck Scale | 634mm / 24.96" |
| Neck Width at Nut | 42mm |
| Neck Width at 14th Fret | 54mm |
| Neck Thickness at 1st | 21.5mm |
| Neck Thickness at 12th | 23.5mm |
| Radius | 250mmR |
| Dimensions (L x W x D) | 19.5 x 15.33 x 4.25" / 49.53 x 38.94 x 10.80cm |
Reviews:
Got it for my son who's an experienced player and he loves it. Says it's a nice instrument with good fretting.1harvay
18. Taylor 514ce Urban Ironbark Grand Auditorium Acoustic Guitar
Product Details:
The powerful grand auditorium body shape gets reimagined with new tonewoods and features in the 514ce! master luthier and guitar designer andy powers has redesigned the 500 series grand auditorium model. in the spirit of forging new pathways in tonal possibilities, taylor is proud to introduce urban iron bark, or red iron bark, as the new wood for the back and sides for the 514ce. sourced through our urban wood initiative, urban iron bark is destined to become a favorite among guitar players. iron bark is dense, like ebony, and captures the sonic depth of rosewood accelerated to new heights. when paired with the torrefied sitka spruce top, you get a sound that is loud yet sweet with piano like fidelity and complexity. the appointments of the new 500 series capture the traditional aesthetic while adding touches to highlight the new wood pairing. the back and sides get a light stain and a shaded edgeburst to highlight the beauty of the iron bark and are highlighted in a gloss finish for the body and satin finish for the neck. the 514ce features aerial inlays on the fretboard and bridge, faux tortoise binding on the body, a single ring ab rosette with maple and black purfling, and taylor nickel tuners. the guitar features taylor’s revolutionary v class bracing system, which helps increase volume and sustain while improving the natural intonation of the notes and comes equipped with taylor’s award winning es2 active electronics.
Specifications:
| Scale Length | 25-1/2" |
| Bracing | V-Class Bracing |
| Pickguard | Tortoise |
| Tuners | Taylor Nickel |
| Strings | Phosphor Bronze Light |
| Body Width | 16" |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 20 |
| Body Length | 20" |
| Body Depth | 4 5/8" |
| Binding Edge Treatment | Tortoise |
| Back Config | 2-piece No Wedge |
| Rosette Size | Single Ring |
| Back/Side Finish | Gloss |
| Stain/Sunburst | Medium Brown Stain Back/Sides/Neck |
| Armrest | No |
| Top Finish | Gloss |
| Rosette Material | Grained Ivoroid/Tortoise/Grained Ivoroid |
| Neck Width | 1-3/4" |
| Fretboard Binding/Edge Treatment | West African Crelicam Ebony |
| Type of Neck Joint | Taylor Neck |
| Fretboard Wood | West African Crelicam Ebony |
| Heel Length | 3-1/2" |
| Fretboard Inlay | Aerial, Italian Acrylic, Faux Pearl |
| Heel Cap Binding | West African Crelicam Ebony |
| Neck/Heel | Tropical Mahogany |
| Neck Finish | Satin |
| Peghead Finish | Gloss |
| Peghead Type | Standard |
| Headstock Overlay | West African Crelicam Ebony |
| Peghead Logo | Grained Ivoroid |
| Peghead Inlay | Century |
| Bridge Pins | West African Crelicam Ebony |
| Buttons | Nickel |
Reviews:
My goodness. This guitar has such an impressive sound, I'm laying awake waiting to play it again in the morning. I've been a lifelong fan of acoustic rock music and bluegrass styles. My go-to beloved guitar is my Martin D18. My style is crosspicking and arpeggios like Clarence White. I wanted to try something entirely different. The torrified spruce top intrigued me. This treatment is known to give wood an old nutty sound, as if the instrument was decades older. I'm mainly an Americana player that flatpicks over cowboy chords with a quick string-by-string cross-picking style. But, I am an improviser and songwriter, not necessarily a traditionalist. I wanted something different than my beloved D18. I needed a change. The high two strings, when plucked and allowed to ring, will start to vibrato as they fade. This competing, almost tremelo sound, is the source of a bright shimmer when strummed. The low string will thump with bass at first and then fade into a higher overtone. The middle strings maintain a metallic "new string" attack and as the tone quickly fades, the higher overtones take over. This is best described as a buttery gorgeous tone. From my ears, the guitar sounds a little more woody than most Taylors I have played, but it maintains a metallic crisp attack that old guitars don't necessarily have. The EQ is comparable to a rosewood back and sides with an old top. Dare I say a 000-28 might be the closest in tone (without shimmer)? You can choose to dig in hard with a pick and hear glorious overtones, or you can lightly fingerpick and the notes are still deep and alive. I should add that it hits 92 decibels. For perspective a d18 hits 94db and 314ce hits 88 playing those same notes. It's a loud guitar. The neck is a little wider than other Taylors I've played. If you're a Martin person, you'll feel right at home. It does taper at the 12th fret, and a capo works beautifully across the whole situation. And the guitar is a stunner to look at. You'll just absolutely love it.
19. Best Choice Products 41in Full Size Acoustic Electric Cutaway Guitar
Product Details:
The modern guitarist was never so ready to get started! this 41in beginner acoustic guitar set comes complete with a guitar(41in x 15.5in), carrying case (41.5in x 16in), cleaning cloth, 10-watt amplifier (11.25in x 4.25in x 11.25in), tuner, extra strings, amp cable, pick guard, cable, and a capo so all ranges of quality sounds are available to you. the guitar features a comprehensive design with tuning pegs, steel strings, handcrafted hardwood, a rosette around the sound hole, and a dreadnought cutaway design, all with a built-in 4-band equalizer. a protective padded case lets you take your music on the go and ensures years of fun gigs.
Reviews:
After allowing the guitar few weeks to adjust and giving it a good set up including new strings and a neck adjustment (tightening the rod), Conditioning the fret board and a good polish, The guitar is easy to play and has great sound for an inexpensive guitar. I like the So Cal green color others may not as it is a vintage vibe. Tuners are price point but even price point tuners these days are decent. A little sticking from the nut, I think I can lightly file that out and add some nut sauce. The fret ends were not too sharp but I conditioned them to a nice smooth finish useing 500 grit sponge. Very little cost to make improvements and the guitar is fun to play. The sustain is probably the biggest suprise and I am satified to practice with this guitar every day. Very pleased for the cost. Good value.Bruce P.
Guitar is ok for the price; however, I was expecting the strings to last longer than 2 days before breaking. Even the extra ones that came with the bundle broke as I was putting them on. I had to buy better ones and had a professional put them on to make sure they were adjusted correctly. Additionally, the small tuner's battery was dead out of the box so I had to get a new one. Again, I guess you get what you get for the price. On a positive note, the guitar looks nice, the small amps is super convenient, and everything arrived fast and together in one box.Luis L.
The guitar did not have the black scratch panel that is shown in the Sunburst guitar. Also, when my son opened the gift guitar, the black bag was covered in a white mold/mildew. It was delivered one week before his birthday and kept in a dry room, and opened for the first time on his birthday. The guitar seems ok, I will know more when someone with some guitar knowledge checks it out for me. It may be going back to the store. The pictures show exactly what the bag looked like minutes after the gift was opened. Looks rough, 2 stars are for the fact that the guitar was not moldy.Kacee
20. Taylor Gs Mini Rosewood
Product Details:
Gs mini rosewood an exciting new entry in our lineup of ultra-popular short-scale guitars, this rosewood edition of the gs mini brings the beauty and resonance of the all-star acoustic tonewood to a comfortable, easy-to-transport package. with its reduced size and slender, comfortable neck, the gs mini offers an inviting, intimate playing experience for guitarists of all styles and levels of ability. thanks to the gs mini s bold tone and projection, you ll have everything you need for practice, jam sessions, and even live performances it even comes with a gig bag. gs mini shapes a scaled-down gs that s anything but small. sitka spruce top woods the soundboard choice for most guitars, sitka spruce produces a broad dynamic range and accommodates a versatile range of playing styles. layered rosewood body woods a rosewood veneer and layered construction present a beautiful aesthetic in a durable, affordable package.
Specifications:
| Scale Length | 23-1/2" |
| Truss Rod Cover | Black Plastic |
| Tuners | Taylor Chrome |
| Body Width | 14 3/8" |
| Body Depth | 4 7/16" |
| Back Config | Laminate |
| Rosette Size | Three Ring |
| Armrest | No |
| Fretboard Inlay | 5mm Dots |
| Fretboard Wood | Ebony |
| Heel Length | 3" |
| Peghead Type | Standard |
| Headstock Overlay | Lexan |
| Peghead Logo | Printed on Headstock Overlay |
| Bridge Pins | Black |
| Buttons | Chrome |
Reviews:
I’ve been playing a Taylor 310 for 25 years and was looking for something smaller and lighter to transport. Having read a lot of reviews and listened to the videos I thought I would try the GS Mini Koa and see what all the fuzz was about. This guitar sounds amazing! The Koa gives it a depth AND sparkle that you don’t expect from a small guitar. I keep asking myself does it lack depth compared to my dreadnought, technically it does but actually I don’t miss it because the sound is so full. The volume too is quite exceptional, I tend to strum a lot with a pick and don’t mind digging in hard….. this guitar just sings under those circumstances. It get’s louder and louder without noticeably going out of tune. At the other end there is such clarity and sustain that quiet finger picking also sounds great. You can easily hear a single note melody within a chord. Are there any downsides? Well if you have big hands then the reduced neck length may feel too cramped…. For me this is actually more comfortable than a full size neck but you wouldn’t want it any smaller. In summary I’m blown away, just amazing.David
Wow… what a stunner! Opening the case for the first time was quite an experience. This is a seriously beautiful guitar with beautiful craftsmanship. As a beginner with small hands (even for a lady) I have found acoustic guitars in the past to be very uncomfortable to play, the size of the body, the width of the neck, the high action, and after struggling with a Lorenzo Flame Series for the past year I decided enough was enough, electrics aren't almost impossible to play so why should I have to struggle with acoustic? I did some research and everything was pointing me towards the Taylor GS Mini-E series. Holding this guitar in my hands for the first time felt like a revelation. It felt like Taylor had made a guitar specifically for me – wearing a strap the body fits easily under my arm and my fingers just know exactly where they're meant to go. The sound of the guitar is rich and vibrant with a bright top tone – quite a feat in a parlour size guitar. After watching reviews it seems that this is due to the Koa body. The guitar also comes with soft, well-padded case that feels like it'll protect well from bumps and bruises whilst travelling. It has some nice shoulder straps so it feels like you're wearing a large (but light!) backpack. The best thing about this guitar though is that it's such a joy to hold and play that I can't put it down; my playing ability has increased so much in the past few weeks since buying it. As a beginner I absolutely recommend this guitar as an introduction to acoustic guitars. If you're a beginner and you've been playing an electric for while but want to get into playing acoustic, try out a Taylor GS Mini-e – it might be the one for you.Laura K.
Taylor is my dream acoustic guitar brand. And I always like the versatility and sound of a GS Mini in all versions: Mahogany, Spruce and also, Koa. Mine is Spruce 100% acoustic. It is worth to mention some details about how to extract the best sound of it: 1. The recommended string gauge is .13. Pay attention to all demos and YouTube video reviews. All of them use .13 string gauge. I recommend Elixir 16182 Phosphor Bronze Nanoweb HD Light Acoustic Strings 13-53. You can find here https://www.musicstore.de/en_DE/EUR/Elixir-16182-Phosphor-Bronze-Nanoweb-HD-Light-Acoustic-Strings-13-53/art-GIT0030955-000 2. For recording use two mics to get the best of it. See some youtube videos how to do it. 3. Increase the playability using a light strings. See the link in item 1. Pros 1. Excellent full sound. Easily mistaken for a full body western guitar because of the sound. 2. Highly portable 3. Excellent satin finish 4. Despite the size the playability is awesome with a more lighter string set 5. Despite to be not recommended to play on the sofa, it is so easy play on the couch with this guitar. Kinda made for it. 6. Comes with a well made not so soft bag, but still bag. Cons 1. Price, little bit steep 2. The back of the guitar is arched or little bit rounded. I’m sure this is by design to increase the resonance of the instrument but in some circumstances the guitar slips when playing it.
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