Are you looking for the Best 12 Fret Guitar? If so, you’ve come to the right place.
Choosing the Best 12 Fret Guitar can be difficult as there are so many considerations, such as Collings, Fender, Ibanez, Martin, Taylor, Yamaha, Córdoba. We have done a lot of research to find the top 20 Best 12 Fret Guitar available.
The average cost is $2123.25. Sold comparable range in price from a low of $249.00 to a high of $5799.00.
Based on the research we did, we think Taylor 612E 12-Fret V-Class Natural 2019 is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best 12 Fret Guitar (20 Sellers)
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$3549.00
5.0
Reviewers Noted:
Sound quality . Visual appeal
Features:
- Equipped with taylor es2 electronics with onboard phase filter
- V-class bracing for better volume, sustain and intonation
- 12-fret neck with cutaway for better accessibility to higher notes
$1999.99
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable
Features:
- Tropical mahogany top
- Tasmanian blackwood back and sides
- Tropical mahogany neck
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable
Features:
- The hardwood top produces strong fundamentals with clarity and focus.
- Blackwood produces a strong volume, with a focused midrange and rich top-end shimmer.
- Electronics.
$3999.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Weight . Craftsmanship
Features:
- Shape grand concert
- Number of strings 6
- Back/side wood indian rosewood
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 12-string version of yamaha's fg820 acoustic guitar
- Solid spruce top yields a well-rounded, articulate sound with excellent projection
- Mahogany back and sides enhance midrange frequencies while maintaining top-end clarity
$2199.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Lightweight . Durability
Features:
- Serialized 1209100093
- Scale length
- Nut & saddle
$529.99
4.6
Reviewers Noted:
Attractive . Sound quality . Craftsmanship . Durability
Features:
- Fender-exclusive newporter body shape
- Fishman pickup/preamp system
- Black painted solid spruce top; painted mahogany back and sides
$2799.00
4.7
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- And of course taylor's renown playability.
- Result in a guitar that will be a joy to play in a variety of scenarios for a lifetime.
$3299.00
4.7
Reviewers Noted:
Good sound quality . Lightweight . Attractive . Durable . Well made
Features:
- Configuration: 1 acoustic pickup/2 electric humbuckers
- Preamp eq: no
- Feedback filter: no
$2000.00
4.9
Reviewers Noted:
Attractive . Weight
Features:
- 2020 model. like-new condition. beautiful instrument with great playability, thanks to the short scale and the 12-fret configuration.
- Original case (in like-new condition), taylor paperwork, and trust rod adjustment tool included.
- Main features.
$2499.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable
Features:
- A smaller-bodied guitar ideally suited for fingerstyle. tasmanian blackwood.
- Blackwood produces a strong volume, with a focused midrange and rich top-end shimmer. tropical mahogany.
- The hardwood top produces strong fundamentals with .
$3999.00
4.7
Reviewers Noted:
Sound quality . Visual appeal . Weight . Craftsmanship
Features:
- Grand concert body with venetian cutaway
- Solid sitka spruce top
- Solid indian rosewood back and sides
$2299.00
4.8
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable
Features:
- V-class bracing for enhanced volume, intonation and sustain
- Taylor es2 electronics with 2-band eq and onboard phase switch
- Comes with a deluxe hardshell case
$5799.00
4.3
Reviewers Noted:
Sound quality
Features:
- Grand concert body delivers a balanced, focused tone that won't compete with other tracks in a mix
- Neck joined to the body at the 12th fret for a modern-vintage voice
- Sitka spruce-topped indian rosewood supplies classic taylor tone
$249.00
4.0
Reviewers Noted:
Attractive . Durability . Craftsmanship
Features:
- Right handed
- Top, made of quilt ash
- Set neck construction
$269.99
4.2
Reviewers Noted:
Sound quality . Durability . Visual appeal
Features:
- Tortoise-inlaide rosette
- Tortoise body binding
- Pearl dot fingerboard inlays
Reviewers Noted:
Good sound quality . Attractive . Lightweight . Durable . Craftsmanship
Features:
- This fine guitar sounds sweet and very pleasing to the year.
- The neck profile is very comfortable and makes playing enjoyable every time.
- These guitars are pretty much on backorder everywhere so don't miss out on this opportunity!
Reviewers Noted:
Good sound quality . Visual appeal . Durability . Craftsmanship
Features:
- Used taylor academy 12 in great shape.
- Recently setup and plays great!
- Features a grand concert body, solid sitka spruce top, layered sapele back & sides and a comfortable 24-7/8-inch scale length.
Reviewers Noted:
Good sound quality . Visual appeal . Durability . Craftsmanship
Features:
- Body shape: grand concert
- Top: lutz spruce, solid
- Academy series bracing
Reviewers Noted:
Good sound quality . Well made . Durable . Attractive . Weight
Features:
- Color: natural
- Guitar type: acoustic-electric
- Material: wood
1. Taylor 612e 12-Fret V-Class Natural 2019
Product Details:
Historically, maple has actually been one of the classic tonewoods for other stringed instruments in the violin family. taylor has voiced its maple 600s to re-introduce its true voice to guitar players, and the results have been amazing. if you have preconceptions about maple, check them at the door, because these guitars deliver plenty of the warmth, depth, richness and sustain your ears crave in an acoustic guitar, without losing the clarity and transparency that allows maple to reflect the player and fit into a mix with other instruments. all taylor 600 series instruments include a deluxe taylor hard shell case for optimal fit and protection. body shape taylor's grand concert is slightly smaller that its grand auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. this is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly grand concert body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. this combination creates a slinky "handfeel" and easier fretting.factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. the design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. pairing a 12-fret neck design with a cut
Specifications:
| Body type | Taylor Grand Concert |
| Top wood | Solid Torrified Sitka Spruce |
| Body finish | Gloss |
| Orientation | Right-Handed |
| Neck shape | Taylor Standard Profile |
| Nut width | 1-3/4" (44.5 mm) |
| Fingerboard | Genuine West African Ebony |
| Neck wood | Hard Rock Maple |
| Scale length | 24-7/8" |
| Number of frets | 18 |
| Neck finish | Satin |
| Pickup/preamp | Expression System 2 Professional Audio-Grade |
| Preamp EQ | Volume, Active Bass and Treble |
| Feedback filter | Onboard Phase Switch |
| Headstock overlay | Genuine West African Ebony |
| Tuning machines | Taylor Nickel Tuners with Nickel Buttons |
| Bridge | Genuine West African Ebony |
| Number of strings | 6 |
| Country of origin | USA |
Reviews:
This guitar's beautiful is only surpassed by its sound. It's been updated with V-Class bracing, and that adds amplification and articulation to the sound of this small-body guitar. It feels great in my hands. Even the case is a cut above its competition despite being Taylor's entry-level USA made instrument. I love this guitar!Chris
Very balanced. Tonal separation between strings is amazing. Shorter scale makes it a joy to play. When plugged into My Fishman Artist it absolutely kills. Crystal clear articulate. If there is a downside it is the color. It was supposed to be medium brown and it is mostly black. Maybe it will lighten up with time.dbolt
Exceeds expectations. Postponed the purchase for 2 years. Wish I hadn't.TAJ4
2. Taylor 322ce 12-Fret Grand Concert Acoustic-Electric Guitar
Product Details:
Powerfully distinctive. a gc that boasts the ability to sound even better with age. an instrument that oozes premium, renowned taylor quality. and, one that will stay with you for a life time. the taylor 322ce 12-fret grand concert electro acoustic combines revolutionary bracing and innovative electronics with solid timbers and taylor's expertise in acoustic performance. it won't let you down.this stunning 322ce 12-fret features a tropical mahogany and tasmanian blackwood construction. giving you a strong, rich sound with plenty of focus and balance. it responds superbly to almost any form of picking style. you can also experiment with strumming and more adventurous techniques. it's ready for your creativity. and, equipped with es2 electronics, your live sound is natural, pristine, and pure. utterly majestic, you need to experience it for yourself. play with comfort, play with freedom – play the taylor way.
Specifications:
| Body Back/Side Material | Neo-tropical Mahogany |
| Top Material | Neo-tropical Mahogany |
| Body Shape | Grand Concert |
| Body Finish | Satin Back/Sides, Satin Top |
| Body Binding | Black |
| Rosette | Black Plastic 3 Ring |
| Bracing Material | Sitka Spruce |
| Bracing Pattern | V-Class Bracing |
| Fingerboard Material | West African Crelicam Ebony |
| Neck Material | Neo-tropical Mahogany |
| Neck Finish | Satin |
| Neck Joint Construction | Taylor Neck |
| Neck Tint | Medium Stain |
| Scale Length | 24-7/8" |
| Number Of Frets | 18 |
| Frets To Body | 12 |
| Fingerboard Radius | 15" |
| Fingerboard Binding | Black |
| Fingerboard Inlay | Faux Pearl Gemstone |
| Side Dots | Silver |
| Saddle Material | Micarta |
| Bridge Pins | West African Crelicam Ebony |
| Nut Width | 1-3/4" |
| Nut Material | TUSQ |
| Headstock Veneer | West African Crelicam Ebony |
| Headstock Inlay Decal | Faux Pearl |
| Hardware Color | Nickel |
| Acoustic Electronics | Expression System 2 |
| Truss Rod Cover | Black |
| Pickguard | Black |
| Bridge | West African Crelicam Ebony |
| Neck Shape | Standard Carve |
| Case Detail | Brown Taylor Deluxe Hard Shell Case |
Reviews:
The sound is amazing. Its one of the easiest guitar i’ve ever played, kind on the fingers when I do bar chords/power chords. Better still, Better Music even matched a cheaper price after I had bought it. The customer service is outstanding. Can’t wait for Taylor GC I bought for $300 with the Taylor Days offer.pete b.
For starters the guitar is absolutely beautiful and built to perfection. The aesthetics and fit and finish reflects the price paid for this guitar. The grand concert size is very very comfortable. The 1 3/4" nut is ideal for me and the slightly shorter scale improves playability but it's not too short. On to the tone, I think the mahogany/blackwood combo makes up some of the best guitars in Taylor's entire line up regardless of price. On the grand concert specifically, the 322ce has a good low end response that to me is reminiscent of a Martin 000 or OM, the strong mid range typically expected from mahogany, and still has some of that Taylor brightness as well. It's almost like a mix of a more modern tone and old school warm and woody tone if that makes any sense. The guitar produces great volume (for its size), and great clarity and articulation anywhere on the fretboard which I'm sure the v class bracing plays a part in all of these traits. Although I find that spruce top models are a bit better in these categories, I also find the tonal range to be a bit brighter so it depends what you like and what your style is. The only negative thing I can say is I'm not a huge fan of the ES2 but it seems like most people aren't fans of it so nothing new there. The guitar sounds amazing mic'ed up. But all in all, except for heavy handed strumming, you can do a lot with this guitar. Fingerstyle, light/medium strumming, live gigs, record an album, singer-songwriter stuff, ect and you'll look great doing it all with this gorgeous guitar. Taylor knocked it out of the park with this one.Joseph
A while back I was using a Taylor GS Mini and I got rid of it because the sound was too bright for my taste. I got a Martin and loved it but I slowly fell out of love with it. After a lot of research I decided to pull the trigger on this guitar and let me tell you I am SO GLAD I did. This guitar looks amazing, sounds amazing, and feels amazing. I love jamming with it, and I recently got to record with it and man the sound is incredible. The sound is not as bright as most Taylors I've played like the 214 Koas and such. The tone is a lot warmer than most Taylors but not as deep as a Martin, but man it is truly an amazing guitar. I absolutely love this guitar and it was worth every penny.Ceez
3. Taylor 322ce 12-Fret Grand Concert Acoustic Guitar
Product Details:
The 322ce 12 fret grand concert produces a robust voice. dynamic players love the clarity and responsiveness to fast picking runs or a light fingerstyle touch. taylor's 12-fret necks feature the slightly shorter 24-7/8-inch scale length of the grand concert and a repositioned bridge that sits closer to the center of the lower bout. the result is a slinkier handfeel that makes it easier to form chords and bend strings. tonally, this yields surprising power, warmth, and sustain for the smaller body. the venetian cutaway gives the guitar a modern look while allowing access to the higher frets. the blackwood back and sides produce a strong midrange focus with a splash of top-end shimmer, while the mahogany top helps even out the tonal response. other distinctive features include a shaded edgeburst top, an all-satin finish, gemstone fretboard inlays in italian acrylic, and taylor's expression system 2 pickup.
Specifications:
| Scale Length | 24 7/8 inches |
| Bracing | V Class |
| Truss Rod Cover | Black Plastic |
| Pickguard | Black |
| Number of Frets | 18 |
| Tuners | Taylor Nickel Slot Head |
| Brand of Strings | Elixir Phosphor Bronze Light gauge |
| Body Length | 19 1/2 inches |
| Body Width | 15 inches |
| Body Depth | 4 3/8 inches |
| Binding/Edge Treatment | Black |
| Top Finish | Satin |
| Back Config | 2-piece No Wedge |
| Rosette Size | Three Ring |
| Back/Side Finish | Satin |
| Rosette Material | Plastic |
| Stain/Sunburst | Medium Brown Stain with Shaded Edge Burst Top |
| Neck Width | 1-3/4" |
| Fretboard Inlay | Gemstone |
| Fretboard Binding/Edge Treatment | Black |
| Heel Cap Binding | Black |
| Type of Neck Joint | Taylor Neck |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4" |
| Peghead Finish | Satin |
| Peghead Type | Slotted |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Italian Acrylic |
| Bridge Pins | Ebony |
Reviews:
The sound is amazing. Its one of the easiest guitar i’ve ever played, kind on the fingers when I do bar chords/power chords. Better still, Better Music even matched a cheaper price after I had bought it. The customer service is outstanding. Can’t wait for Taylor GC I bought for $300 with the Taylor Days offer.pete b.
For starters the guitar is absolutely beautiful and built to perfection. The aesthetics and fit and finish reflects the price paid for this guitar. The grand concert size is very very comfortable. The 1 3/4" nut is ideal for me and the slightly shorter scale improves playability but it's not too short. On to the tone, I think the mahogany/blackwood combo makes up some of the best guitars in Taylor's entire line up regardless of price. On the grand concert specifically, the 322ce has a good low end response that to me is reminiscent of a Martin 000 or OM, the strong mid range typically expected from mahogany, and still has some of that Taylor brightness as well. It's almost like a mix of a more modern tone and old school warm and woody tone if that makes any sense. The guitar produces great volume (for its size), and great clarity and articulation anywhere on the fretboard which I'm sure the v class bracing plays a part in all of these traits. Although I find that spruce top models are a bit better in these categories, I also find the tonal range to be a bit brighter so it depends what you like and what your style is. The only negative thing I can say is I'm not a huge fan of the ES2 but it seems like most people aren't fans of it so nothing new there. The guitar sounds amazing mic'ed up. But all in all, except for heavy handed strumming, you can do a lot with this guitar. Fingerstyle, light/medium strumming, live gigs, record an album, singer-songwriter stuff, ect and you'll look great doing it all with this gorgeous guitar. Taylor knocked it out of the park with this one.Joseph
A while back I was using a Taylor GS Mini and I got rid of it because the sound was too bright for my taste. I got a Martin and loved it but I slowly fell out of love with it. After a lot of research I decided to pull the trigger on this guitar and let me tell you I am SO GLAD I did. This guitar looks amazing, sounds amazing, and feels amazing. I love jamming with it, and I recently got to record with it and man the sound is incredible. The sound is not as bright as most Taylors I've played like the 214 Koas and such. The tone is a lot warmer than most Taylors but not as deep as a Martin, but man it is truly an amazing guitar. I absolutely love this guitar and it was worth every penny.Ceez
4. Taylor 812ce 12 Fret V Class Acoustic Guitar
Product Details:
Taylor 812 ce 12 fret in excellent condition. new style v class bracing with full balanced sound for a small body. exceptionally comfortable to play. solid rosewood back and sides with great grain lines. tight grained sitka spruce top. flamed maple binding. ebony bridge, fretboard, and headstock overlay. ebony tuner buttons on three-on-a-plate tuners.too many guitars in my collection so a couple of excellent taylors must go. rarely played and in as mint a condition as you will find.
Specifications:
| Indian rosewood back and sides | Articulate mids, big lows and smooth highs |
| Sitka spruce top | Projects rich, crisp and responsive tone |
| Taylor Expression System 2 | Captures dynamic range of acoustic sound |
| V-Class bracing | V-shaped design; excellent projection and sustain |
| Scale Length | 24-7/8" |
| Bracing | V-Class |
| Truss Rod Cover | West African Ebony |
| Pickguard | Rosewood |
| Number of Frets | 18 |
| Tuners | Taylor Slot Head |
| Body Length | 19 1/2" |
| Body Width | 15" |
| Body Depth | 4 3/8" |
| Binding/Edge Treatment | West African Ebony |
| Top Finish | Gloss 3.5 |
| Back Config | 2-piece No Wedge |
| Rosette Size | 2014 800 Series |
| Back/Side Finish | Gloss 3.5 |
| Rosette Mat. | Abalone |
| Armrest | no |
| Neck Width | 1-3/4" |
| Fretboard Inlay | Element |
| Fretboard Binding/Edge Treatment | West African Ebony |
| Heel Cap Binding | West African Ebony |
| Type of Neck Joint | Scarf |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4" |
| Peghead Finish | Gloss |
| Peghead Type | Slot Head |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Taylor Mother of Pearl |
| Bridge Pins | West African Ebony |
| Buttons | Ebony |
| Edge Trim | Indian Rosewood |
Reviews:
This guitar was bought to replace a 1994 Taylor 812C which is also a great instrument. There were several reasons for the switch. 1) The 1994 is a 14 fret model with a 25.5" scale length while this guitar has a 12 fret neck with a 24.75" scale length. As a person with very small hands, the increased comfort and playability are substantial. 2) The 1994 has no electronics 3) The new 800 series bracing pattern (since 2015) and different 12 fret bridge position give this guitar a very warm and balanced sound. I bought (and returned) a new Taylor 712 which, by comparison, sounded thin with a weak bass. Check out a video from Gryphon Stringed Instruments which compares this guitar to a Taylor 512C and a comparable Martin and Santa Cruz. The difference in sound is striking This guitar blows them all away.. I own a number of acoustic guitars and this one is ,without doubt, the most versatile.Ray
I've been looking at Taylor 12 Frets for a long time now but the money and time never seemed to line up for me. My wife and I went to Sam Ash to purchase resonator strings. While there we stepped into the acoustic room and I picked up a dobro to play around with. My wife spotted a Taylor 812ce slothead and knew that was the one I'd been harping about for the last five years or so. She pulled it off the wall and asked me to play it. I swear it was like pulling on a pair of comfortable shoes. It fit my frame just right, it sounded AWESOME, an INCREDIBLE VOICE from such a small bodied guitar. It was kind of dirty and the strings were dead, but this was THE one. We discussed it for a few minutes and before I realized what was going on, my wife was headed to the counter to pay for it. We got home, I pulled the strings off to give it a good cleaning and new strings. When I was putting the A string back on, the pearloid button on the Waverly style tuner crumbled in my fingers. I packed it up and went straight back to Sam Ash, approximately 45 minutes after our purchase. The sales clerk who sold us the guitar was still there. I explained what had happened. The manager, who was also listening to my issue, asked the sales associate to go to the acoustic room and see if there were anymore guitars back there with the same style tuners. He explained that sometimes during the production process these Waverly style buttons have microscopic imperfections that come apart like this. The sales associate came back to the counter with another slothead. The manager robbed the A tuner from that guitar, replaced my broken one, and sent me home with another fresh set of strings. Other than that issue, this guitar completely exceeds my expectations in all categories. I look forward to many happy years playing this instrument.david
5. Yamaha Fg820-12 Acoustic 12-String Guitar
Product Details:
The yamaha fg820 12-string dreadnought delivers an expressive 12-string experience. utilizing a sitka spruce top with mahogany back and sides to construct the body, a clear and well-balanced acoustic voice resonates with every strum. a standard-shaped neck profile and rosewood fretboard ensure a streamlined playing experience with smooth travels up and down the nato neck. the yamaha fg820 12-string dreadnought is an quality and accessible instrument for beginners and experts alike.
Specifications:
| Body Shape | Traditional Western |
| Scale Length | 634mm (25") |
| Body Length | 505mm (19 7/8") |
| Total Length | 1072mm (42 3/16") |
| Body Width | 412mm (16 1/4") |
| Body Depth | 100-118mm (3 15/16"- 4 5/8") |
| Nut Width | 46mm (1 13/16") |
| String Spacing | 10.0mm |
| Top Material | Solid Spruce |
| Back Material | Mahogany |
| Side Material | Mahogany |
| Neck Material | Nato |
| Fingerboard Material | Rosewood |
| Fingerboard Radius | R400mm (23 5/8") |
| Bridge Material | Rosewood |
| Nut Material | Urea |
| Saddle Material | Urea |
| Bridge Pins | Black ABS with White Dot |
| Tuners | Die-cast Chrome(TMW28) |
| Body Binding | Cream |
| Soundhole Inlay | Black + White |
| Pickguard | Tortoise Pattern |
| Body Finish | Gloss |
| Neck Finish | Matt |
| Strings | D'Addario EXP36 |
| Manufacturer Part Number (MPN) | FG820-12 |
Reviews:
I bought this guitar to check out a budget friendly offering from Yamaha. I have to say I was not disappointed! Excellent tone and volume, the top really resonates. The guitar was really well setup right out of the box. It needed about 3/4 of a clockwise truss rod adjustment, no prob. Other than that it didn't need any fret dressing whatsoever. That's really impressive for a Chinese guitar. Heck even one of my Mexican Martins needed fret dressing out of the box! Also intonation was spot on and this also is important in your guitar. Very impressed with this guitar, intermediate/advanced feel but priced at a beginner budget. You won't regret picking one up, I assure you!Big Bone Murphy
There is a point of quality when an instrument reaches when it stops being seen as "better or worse" but rather just a different flavor. This Yamaha has reached that point. You can play it alongside a guitar costing 5x more and it stands up well. Yamaha is also one of those rare companies with a long history of top quality across all kinds of products, and guitars are an area Yamaha knows well. This is just a beautiful guitar through and throughout. You can get beautiful uncompromisingly great studio recordings with this guitar. Hitting the low strings hard with strumming gives a nice deep and rich tone. Also, the hardware / tuners are nice.Scott
I've owned many acoustics over the years, MANY, and this Yamaha is one of the best sounding I've ever owned. Went to GC just to check out a few lower end acoustics to pick up for jamming on, and tried almost every one in the room. Picked this one up last just before I was ready to leave, and immediately was blown away by the sound and playability, brought a couple friends to listen and tell me which one they thought sounded the best, and hands down this won over all of them. It has the tone and warmth of a Martin D34, which I have owned a few, and it plays like a dream. The neck is so sliky smooth, easy to fly up and down with no effort. It has amazing sustain and beautiful tone, I fell in love with it and just couldn't put it down. I didn't expect a guitar of this price range to sound as good as it does, got it home and I couldn't put it down. Played for 4 hours straight, and even after trying to put it down to go to bed at 1am I found myself playing a for a few more minutes before I could actually go to sleep. Love this Yamaha more than any guitar I've bought in the last decade. The best thing about it is, It gave me the desire to pick up playing guitar again, after hardly touching any of my other guitars for almost a year it's the one I want to play more than all of them. Great guitar, wouldn't hesitate to buy another in a different color, if you want something that you won't be able to put down this baby has the sound and feel your looking for.Johnny D
6. Taylor 312ce 12 Fret V Class
Product Details:
The 312ce 12 fret grand concert produces a robust voice. dynamic players love the clarity and responsiveness to fast picking runs or a light fingerstyle touch. taylor’s 12-fret necks feature the slightly shorter 24-7/8-inch scale length of the grand concert and a repositioned bridge that sits closer to the center of the lower bout. the result is a slinkier handfeel that makes it easier to form chords and bend strings, and tonally, surprising power, warmth, and sustain for the smaller body. the venetian cutaway gives the guitar a modern look while allowing access to the higher frets. the sapele back and sides produce a strong midrange focus with a splash of top-end shimmer, while the sitka spruce top offers a full range tonal response. other distinctive features include a gloss finish top, satin finish back and sides, gemstone fretboard inlays in italian acrylic, and taylor’s expression system 2 pickup.
Specifications:
| Scale Length | 24-7/8" |
| Bracing | V-Class |
| Truss Rod Cover | West African Ebony |
| Pickguard | Black |
| Number of Frets | 18 |
| Tuners | Taylor Slot Head |
| Body Length | 19 1/2" |
| Body Width | 15" |
| Body Depth | 4 3/8" |
| Binding/Edge Treatment | Black |
| Top Finish | Gloss |
| Back Config | 2-piece No Wedge |
| Rosette Size | Three Ring |
| Back/Side Finish | Satin |
| Rosette Mat. | Plastic |
| Stain/Sunburst | Medium Brown Stain Back/Sides/Neck |
| Armrest | No |
| Neck Width | 1-3/4" |
| Fretboard Inlay | Gemstone, Italian Acrylic |
| Fretboard Binding/Edge Treatment | Black |
| Heel Cap Binding | Black |
| Type of Neck Joint | Scarf |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4" |
| Peghead Finish | Satin |
| Peghead Type | Slot Head |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Italian Acrylic |
| Bridge Pins | West African Ebony |
| Buttons | Ebony |
Reviews:
I’ve been playing a Taylor 310 for 25 years and was looking for something smaller and lighter to transport. Having read a lot of reviews and listened to the videos I thought I would try the GS Mini Koa and see what all the fuzz was about. This guitar sounds amazing! The Koa gives it a depth AND sparkle that you don’t expect from a small guitar. I keep asking myself does it lack depth compared to my dreadnought, technically it does but actually I don’t miss it because the sound is so full. The volume too is quite exceptional, I tend to strum a lot with a pick and don’t mind digging in hard….. this guitar just sings under those circumstances. It get’s louder and louder without noticeably going out of tune. At the other end there is such clarity and sustain that quiet finger picking also sounds great. You can easily hear a single note melody within a chord. Are there any downsides? Well if you have big hands then the reduced neck length may feel too cramped…. For me this is actually more comfortable than a full size neck but you wouldn’t want it any smaller. In summary I’m blown away, just amazing.David
Wow… what a stunner! Opening the case for the first time was quite an experience. This is a seriously beautiful guitar with beautiful craftsmanship. As a beginner with small hands (even for a lady) I have found acoustic guitars in the past to be very uncomfortable to play, the size of the body, the width of the neck, the high action, and after struggling with a Lorenzo Flame Series for the past year I decided enough was enough, electrics aren't almost impossible to play so why should I have to struggle with acoustic? I did some research and everything was pointing me towards the Taylor GS Mini-E series. Holding this guitar in my hands for the first time felt like a revelation. It felt like Taylor had made a guitar specifically for me – wearing a strap the body fits easily under my arm and my fingers just know exactly where they're meant to go. The sound of the guitar is rich and vibrant with a bright top tone – quite a feat in a parlour size guitar. After watching reviews it seems that this is due to the Koa body. The guitar also comes with soft, well-padded case that feels like it'll protect well from bumps and bruises whilst travelling. It has some nice shoulder straps so it feels like you're wearing a large (but light!) backpack. The best thing about this guitar though is that it's such a joy to hold and play that I can't put it down; my playing ability has increased so much in the past few weeks since buying it. As a beginner I absolutely recommend this guitar as an introduction to acoustic guitars. If you're a beginner and you've been playing an electric for while but want to get into playing acoustic, try out a Taylor GS Mini-e – it might be the one for you.Laura K.
Taylor is my dream acoustic guitar brand. And I always like the versatility and sound of a GS Mini in all versions: Mahogany, Spruce and also, Koa. Mine is Spruce 100% acoustic. It is worth to mention some details about how to extract the best sound of it: 1. The recommended string gauge is .13. Pay attention to all demos and YouTube video reviews. All of them use .13 string gauge. I recommend Elixir 16182 Phosphor Bronze Nanoweb HD Light Acoustic Strings 13-53. You can find here https://www.musicstore.de/en_DE/EUR/Elixir-16182-Phosphor-Bronze-Nanoweb-HD-Light-Acoustic-Strings-13-53/art-GIT0030955-000 2. For recording use two mics to get the best of it. See some youtube videos how to do it. 3. Increase the playability using a light strings. See the link in item 1. Pros 1. Excellent full sound. Easily mistaken for a full body western guitar because of the sound. 2. Highly portable 3. Excellent satin finish 4. Despite the size the playability is awesome with a more lighter string set 5. Despite to be not recommended to play on the sofa, it is so easy play on the couch with this guitar. Kinda made for it. 6. Comes with a well made not so soft bag, but still bag. Cons 1. Price, little bit steep 2. The back of the guitar is arched or little bit rounded. I’m sure this is by design to increase the resonance of the instrument but in some circumstances the guitar slips when playing it.
7. Fender Villager 12-String Black Acoustic Guitar
Product Details:
Enter another world. the fender villager 12-string v3 may have a humble name, but is sound is rich powerful. when you play any of its 12 strings, you are rewarded with a warm, ethereal tone which is full of life and melody. it makes use of solid spruce and laminated mahogany for tonewoods, meaning that it emits a beautiful resonance which will sound incredible to the ears of all who hear it. play it loud, play it proud. there's nothing quite like an acoustic 12 string guitar being amplified, especially with fishman electronics providing the means to do so. in this warm, wooden creation, the fishman preamp system allows you to keep all of that natural tone when plugged in and playing at volume. this makes for one pristine, quality sound which chimes with character and plenty of power. with a fender villager at your side, you're guaranteed a quality sound and pure, unadulterated musical happiness.
Specifications:
| Body Back | Laminated Mahogany |
| Body Sides | Laminated Mahogany |
| Body Top | Solid Spruce |
| Body Finish | Gloss Poly |
| Body Shape | Newporter |
| Body Binding | Aged White |
| Bracing | Forward Shifted Scalloped X |
| Rosette | 2-ring B/W/B |
| Neck Material | Mahogany |
| Neck Finish | Satin Urethane |
| Neck Shape | Slim "C" |
| Scale Length | 24.72" (628 mm) |
| Fingerboard Material | Walnut |
| Fingerboard Radius | 12" (305 mm) |
| Number of Frets | 20 |
| Nut Material | Graph Tech NuBone |
| Nut Width | 1.77" (45 mm) |
| Position Inlays | Dot |
| Controls | Volume, Bass, Treble |
| Bridge | Modern Viking |
| Bridge Pins | Cream Colored with Black Dots |
| Hardware Finish | Nickel |
| Tuning Machines | Sealed Nickel |
| Pickguard | 3-Ply Gold |
Reviews:
Never had a 12 string before so thought it time to get one and I'm really pleasantly surprised just how good this one is. The neck is a little narrow so great for my small hands but maybe not so good if want to play finger picking style. It came set up and almost ready to go, I just had to give it a re-tune (which is a breaze with the on-board tuner) and I was playing Wish You Were Here in about 5 minutes, just got to love that jangly 12 string sound. The body is a little narrower than a full bodied guitar (somewhere between my Yamaha APX and my Fender F1020) which for me is a good thing. It also came in a very nice Fender gig bag so arrived in perfect condition. All in all very happy with my purchase!
My neighbor had trouble getting his Villager in tune, so I brought it home for a look. Just a weak battery in the tuner. So I used the opportunity to compare his Villager to my Applause AE35. Both have that beautiful jangly high end. The Villager has a stronger bottom end than the Applause with its lychrachord back, especially plugged in. Both have reasonable action for a 12 string, though both will give you calluses in a matter of minutes. Overall I liked the Villager for tone, and the Applause for general industuctability. I consider the Villager a reasonable, though not amazing, value in a 12 string. So I would definitely consider the Villager alongside the slightly cheaper Applause and slightly more expensive Seagull (acoustic electric).Mikey Bikey
8. Taylor 412ce 12-Fret Special Edition Grand Concert Acoustic-Electric Guitar Shaded Edge Burst
Product Details:
A truly special "special edition" instrument, this grand concert 12-fret features many custom elements artfully incorporated by taylor guitars' master guitar designer, andy powers. along with taylor's innovative v-class bracing, together, these features deliver much more than the sum of their parts. for everyone from pros to hobbyists, they make the playing experience more expressive, inspiring and fun. the volume, the sustain, the "in-tune-ness" of the instrument and its high-fidelity sonic detail combine to deliver a new level of player experience. indian rosewood is one of the most popular and musically expressive tonewoods in the world, and paired with sitka spruce produces a rich and detailed sound. taylor's grand concert shape and rosewood's balanced, broad sonic range and complexity – and of course taylor's renown playability – result in a guitar that will be a joy to play in a variety of scenarios for a lifetime. body shape taylor's grand concert is slightly smaller that its grand auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. this is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly grand concert body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. this combination creates a slinky "handfeel" and easier fretting. factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the cen
Specifications:
| Body type | Taylor Grand Concert |
| Cutaway | Yes – Venetian |
| Top wood | Solid Sitka Spruce |
| Body finish | Gloss |
| Orientation | Right-Handed |
| Neck shape | Standard Taylor Profile |
| Nut width | 1-3/4" (44.5mm) |
| Fingerboard | Genuine West African Ebony |
| Neck wood | Tropical Mahogany |
| Scale length | 25-1/2" |
| Number of frets | 20 |
| Neck finish | Satin |
| Pickup/preamp | Expression System 2 Professional-Audio-grade |
| Preamp EQ | Volume, Active Bass, Active Treble |
| Feedback filter | Onboard Phase Switch |
| Headstock overlay | Genuine West African Ebony |
| Tuning machines | Taylor Gold Tuners with Gold Buttons |
| Bridge | Genuine West African Ebony |
| Number of strings | 6 |
| Country of origin | USA |
Reviews:
I have been playing my new 114ce-n for about two months. It is a very nice sounding guitar … soft…mellow and not too loud. That's what I was going for. I enjoy playing love ballads and singing and the guitar suits my softer voice well. I wanted a narrow neck as I have very small hands and hands that are 70+ years old. The neck is almost too small though. I have played a Martin with a narrow neck and the two compare similarly in width size. I think someone with larger hands would be be better purchasing a traditional broader neck found on most classical guitars. This 114ce-n would be a very good starter guitar for a young person with small hands and needing a softer set of strings for their fingers. I would recommend it to parents looking for a guitar for their child. I think a child would really appreciate this guitar. It is made well, comfortable, not too big and light-weight. The Taylor people provided a soft case for it, but I would recommend purchasing a hardshell case instead. You will have to look around to find a hardshell case that will fit this classical-sized guitar.JERRY
I played this guitar at Sam Ash while my daughter was visiting. I went back to the store about five times to play it, sold some gear, traded in some gear, and bought it. This was my first purchase from Sam Ash music. The service at Sam Ash was exceptional. Thanks, Jeff, in Lemon Grove, CA. The guitar sounds incredible. I am mostly tuning it down to D, although I sometimes tune it all the way down to B. I went back and forth on 6 string baritone or 8 string. I like the additional strings, but probably will buy another baritone 6 at some point and use both. I was NOT looking to buy a new guitar, but Taylor hit another home run and it came home with me.timbrown
9. Taylor T5z Custom 12-String Koa Shaded Edgeburst
Product Details:
Pristine taylor custom 12-string acoustic/electric for your consideration. top-end model incorporating a koa body, sapele neck and ebony fretboard. absolute stunner.taylor has attained, and retained the throne of 12-string instruments. this 12-string breaks the old, but accurate, cliche of spending 1/2 of your time tuning and the other half playing out of tune. don t know how they do it so well over there at taylor.
Specifications:
| Scale Length | 24 7/8" |
| Nut and Saddle | White Bone Nut/White Bone Saddle |
| Bracing | Standard T5z |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 21 |
| Tuners | Taylor Mini Gold |
| Buttons | Gold |
| Brand of Strings | Elixir Medium Electric |
| Body Binding | White |
| Top Finish | Gloss |
| Back/Sides Finish | Gloss |
| Stain/Sunburst | Shaded Edgeburst |
| Neck Width | 1-11/16" |
| Fretboard Inlay | Spires, Italian Acrylic |
| Fretboard Binding | White |
| Peghead Binding | White |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Gloss |
| Peghead Finish | Gloss |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Italian Acrylic, Faux Pearl |
| Bridge Pins | West African Ebony |
Reviews:
A special thank you to my sales engineer Matthew Langston who helped me find this guitar. As always, he is the Sweetwater difference! The KOA top is beautiful and the 12-string sound is fantastic. The pickup selection provides a wide range of sounds to fit the genre you are playing. It has been a joy to play! It is my first Taylor steel string and I haven't been disappointed.
You can read lots of pros and cons online about this model and this is just another perspective, but based on my 50 years of professional guitar performance on solid bodies, hollow bodies, dreadnaughts and salon size steel strings, nylon string and acoustic and electric 12-string. Folks who pan this Taylor apparently would be disappointed that a vintage Gibson 335 doesn't sound exactly like a D-28 and a Les Paul Custom rolled into one. Anyone who researches this model HAS to know it is not a compromise concept, it seeks to take the characteristics of both acoustic and electric guitars and make them available in one instrument. For what it does, I think it does it superbly. I play with bare, short fingernails and no picks so this may influence my tonal perception but this thing through my JBL EON One sounds gorgeous, as good as any hollow jazz box I've had and better than most of them. Solos on the humbucker can get about as much sustain and crunch as a competent player would ask for. And as for playability: this thing is a dream to play. Pulloffs and hammers are effortless, the neck feels perfect with just enough fret height to let me thumb the strings without bottoming them. The hardware is well positioned for the most part with the tone and volume controls unobtrusive as I like them; I don't need hatbox knobs that are bigger than my bathroom faucets. Fit and finish are the usual Taylor standard, which is amazing for a mass produced instrument. All in all, my purchase of this T5-C1 with maple top was one of the best guitar buys I've ever made…and I've made a lot of them. This match feels like one made in heaven and I would encourage those players who are sophisticated enough to appreciate a concept that is fresh and well executed to look closely at the T5-C1 or variants of this model as they are available. Put it to work for you and I am confident that the more you use it, the more you will come to appreciate how well the design concept works in allowing you the artistic freedom to express yourself through your instrument to the fullest.son_of_idiot
This guitar has all of the sweet sounds an functions of a T5Z guitar the form of a 12 string guitar. There is little add to this review that I haven't say in my T5Z review, except that it is in a 12 string. I could play for hours with this guitar, that I would not or could not do with other 12 stings. Playing is effortless, however it is dependent upon which songs you are playing. Great for Folk songs and single performers, but not for hard rock or Reggae. As with most 12 stings, it fills the void with sound in songs. Bar cords are relatively easy as in most 12 string guitars. I reduce the rating because it does not fit into other T5Z Taylor guitar cases. Yep! You need to buy a Dedicated Taylor case, since the T5Z cases are of a slightly narrower dimension. Like wise, other accessories are also of a slightly different dimension, rendering a need to duplicate seemingly identical accessories. As an individual or paired performers, you will love this guitar as it makes you sing and feeling like a professional!ZipperMan
10. Taylor 712ce 12-Fret V-Class Grand Concert – Natural
Product Details:
This cutaway 12-fret grand concert delivers a playing experience that blends physical comfort with surprising warmth and tonal power for a compact body. the 12-fret neck-to-body relationship shifts the bridge position on the soundboard, where it articulates the top in a way that produces more midrange punch. v-class bracing has been added to this years models, boosting this compact guitars volume and sustain with overall improvements to tonality and musicality. the rosewood/lutz spruce wood pairing yields a pleasing blend of sonic detail and dynamic range. the grand concert body makes for a clear, responsive voice that fingerstyle players will love, along with the hand-friendly 24-7/8-inch scale length. the compact body also keeps the overtones in check, making this a great choice for recording or the stage, especially with taylors natural-sounding es2 acoustic electronics and the new bracing scheme on board. wood-rich appointments include hawaiian koa binding, a herringbone-style rosette featuring douglas fir with maple/black accents, and bias-cut douglas fir top trim, while the weathered brown pickguard design complements the earthy color tones of the rosewood and wood trim.
Specifications:
| Shape | Grand Concert |
| Number of Strings | 6 |
| Back/Side Wood | Solid Indian Rosewood |
| Scale length | 24 7/8 inches |
| Top Wood | Solid Lutz Spruce |
| Electronics | Expression System 2 |
| Body Width | 15 inches |
| Body Length | 19 1/2 inches |
| Body Depth | 4 3/8 inches |
| Cutaway | Venetian |
| Nut and Saddle | Black Tusq Nut/Micarta Saddle |
| Neck Width | 1-3/4 inches |
| Neck/Heel | Tropical Mahogany |
| Bracing | V-Class |
| Fretboard Wood | West African Ebony |
| Fretboard Inlay | Abalone reflections |
| Headstock Overlay | West African Ebony |
| Binding on body | Koa with douglas fir herringbone trim |
| Binding on neck | West African Ebony |
| Bridge Pins | West African Ebony |
| Tuners | Taylor Nickel Slot Head |
| Truss Rod Cover | Black plastic |
| Back/Side Finish | Gloss |
| Top Finish | Gloss |
| Neck Finish | Satin |
| Pickguard | Weathered Brown Fiber |
| Number of Frets | 18 |
| Brand of Strings | Elixir Phosphor Bronze Light Gauge |
| Heel Cap Binding | West African Ebony |
| Heel length | 3-1/4" |
| Peghead Finish | Gloss |
| Peghead Logo | Mother of Pearl Shell |
| Peghead Type | Slotted |
| Rosette Mat. | Douglas Fir Herringbone |
| Type of Neck Joint | The Taylor Neck |
Reviews:
I wanted a new guitar (you can never have too many guitars LOL) so that I’d get a kick in the pants and get excited about making more time for music…and to DE-STRESS!! What a great decision! I love this 712ce 12-fret. The tone is sublime. It also projects incredibly well, especially for a small bodied guitar. And of course it plays so smoothly, it’s a Taylor. And while tone and playability always take the lead for me, this guitar also has fantastic looks. The lutz top and the rosewood back and sides are superb. And the slotted headstock is just flat out cool! Definitely a guitar that lives up to it’s reputation!Eric H
Awesome Investment and Awesome Guitar Too!J. Aaron Jacobs
I play several hours a week in my home studio along with the occasional coffee shop or lounge gig. This guitar is so much fun to play and the Lutz spruce top produces an outsized sound. Very comfortable to hold and get around the fretboard. The finish is beautiful, but darker than it appears in the website photos. One of the nicest guitars I have ever played in my 45+ years of playing.MC from KC
11. Taylor 322e 12 Fret Grand Concert Acoustic Electric Shaded Edge Burst
Product Details:
From taylor: our12-fret grand concert acoustic guitars offer players a unique playing experience that boasts lower string tension, a more relaxed feel and a big sonic punch in the midrange of the tonal spectrum. the 322e 12-fret, built without a cutaway, features all-solid mahogany construction and v-class interior bracing, generating a bold midrange character with a dry, focused quality that emphasizes the fundamental note and minimizes ringing overtones. suitable for recording as well as other musical applications, the 322e 12-fret's distinctive personality and balanced sound make it a great choice for all kinds of players.guitar comes with taylor hard case.
Specifications:
| Body Back/Side Material | Neo-tropical Mahogany |
| Top Material | Neo-tropical Mahogany |
| Body Shape | Grand Concert |
| Body Finish | Satin Back/Sides, Satin Top |
| Body Binding | Black |
| Rosette | Black Plastic 3 Ring |
| Bracing Material | Sitka Spruce |
| Bracing Pattern | V-Class Bracing |
| Neck Material | Neo-tropical Mahogany |
| Neck Finish | Satin |
| Neck Joint Construction | Taylor Neck |
| Fingerboard Material | West African Crelicam Ebony |
| Neck Tint | Medium Stain |
| Scale Length | 24-7/8" |
| Saddle Material | Micarta |
| Number Of Frets | 18 |
| Frets To Body | 12 |
| Fingerboard Radius | 15" |
| Fingerboard Binding | Black |
| Fingerboard Inlay | Faux Pearl Gemstone |
| Side Dots | Silver |
| Bridge Pins | West African Crelicam Ebony |
| Nut Width | 1-3/4" |
| Nut Material | TUSQ |
| Headstock Veneer | West African Crelicam Ebony |
| Headstock Inlay Decal | Faux Pearl |
| Hardware Color | Nickel |
| Acoustic Electronics | Expression System 2 |
| Truss Rod Cover | Black |
| Pickguard | Black |
| Bridge | West African Crelicam Ebony |
| Neck Shape | Standard Carve |
| Case Detail | Brown Taylor Deluxe Hard Shell Case |
Reviews:
The sound is amazing. Its one of the easiest guitar i’ve ever played, kind on the fingers when I do bar chords/power chords. Better still, Better Music even matched a cheaper price after I had bought it. The customer service is outstanding. Can’t wait for Taylor GC I bought for $300 with the Taylor Days offer.pete b.
For starters the guitar is absolutely beautiful and built to perfection. The aesthetics and fit and finish reflects the price paid for this guitar. The grand concert size is very very comfortable. The 1 3/4" nut is ideal for me and the slightly shorter scale improves playability but it's not too short. On to the tone, I think the mahogany/blackwood combo makes up some of the best guitars in Taylor's entire line up regardless of price. On the grand concert specifically, the 322ce has a good low end response that to me is reminiscent of a Martin 000 or OM, the strong mid range typically expected from mahogany, and still has some of that Taylor brightness as well. It's almost like a mix of a more modern tone and old school warm and woody tone if that makes any sense. The guitar produces great volume (for its size), and great clarity and articulation anywhere on the fretboard which I'm sure the v class bracing plays a part in all of these traits. Although I find that spruce top models are a bit better in these categories, I also find the tonal range to be a bit brighter so it depends what you like and what your style is. The only negative thing I can say is I'm not a huge fan of the ES2 but it seems like most people aren't fans of it so nothing new there. The guitar sounds amazing mic'ed up. But all in all, except for heavy handed strumming, you can do a lot with this guitar. Fingerstyle, light/medium strumming, live gigs, record an album, singer-songwriter stuff, ect and you'll look great doing it all with this gorgeous guitar. Taylor knocked it out of the park with this one.Joseph
A while back I was using a Taylor GS Mini and I got rid of it because the sound was too bright for my taste. I got a Martin and loved it but I slowly fell out of love with it. After a lot of research I decided to pull the trigger on this guitar and let me tell you I am SO GLAD I did. This guitar looks amazing, sounds amazing, and feels amazing. I love jamming with it, and I recently got to record with it and man the sound is incredible. The sound is not as bright as most Taylors I've played like the 214 Koas and such. The tone is a lot warmer than most Taylors but not as deep as a Martin, but man it is truly an amazing guitar. I absolutely love this guitar and it was worth every penny.Ceez
12. Taylor 812ce 12-Fret Acoustic Electric Guitar
Product Details:
Mint condition showroom model! includes taylor hard shell case. the grand concert s intimate body size and short-scale neck make for a comfortable playing experience that fingerstyle players are bound to love. the 12-fret version of the 812ce yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. players can expect plenty of the grand concert s signature articulation with a slightly meatier, more robust tonal output. if you like a slightly darker, punchier quality in a small guitar, the 812ce 12-fret is a great choice.
Specifications:
| String Type | Steel |
| Number of Strings | 6 |
| Body Shape | Grand Concert |
| Left-/Right-handed | Right-handed |
| Finish | Gloss |
| Top Wood | Sitka Spruce |
| Body Bracing | V-Class |
| Binding | Maple |
| Neck Wood | Tropical Mahogany |
| Neck Shape | Standard |
| Radius | 15" |
| Fingerboard Material | West African Ebony |
| Fingerboard Inlay | Element |
| Number of Frets | 18 |
| Scale Length | 24.8" |
| Tuning Machines | Taylor Open Gear |
| Bridge Material | West African Ebony |
| Nut/Saddle Material | Tusq/Micarta |
| Nut Width | 1.75" |
| Electronics | ES-2 |
| Strings | Elixir,.012-.056 |
| Case Included | Hardshell Case |
Reviews:
This guitar was bought to replace a 1994 Taylor 812C which is also a great instrument. There were several reasons for the switch. 1) The 1994 is a 14 fret model with a 25.5" scale length while this guitar has a 12 fret neck with a 24.75" scale length. As a person with very small hands, the increased comfort and playability are substantial. 2) The 1994 has no electronics 3) The new 800 series bracing pattern (since 2015) and different 12 fret bridge position give this guitar a very warm and balanced sound. I bought (and returned) a new Taylor 712 which, by comparison, sounded thin with a weak bass. Check out a video from Gryphon Stringed Instruments which compares this guitar to a Taylor 512C and a comparable Martin and Santa Cruz. The difference in sound is striking This guitar blows them all away.. I own a number of acoustic guitars and this one is ,without doubt, the most versatile.Ray
I've been looking at Taylor 12 Frets for a long time now but the money and time never seemed to line up for me. My wife and I went to Sam Ash to purchase resonator strings. While there we stepped into the acoustic room and I picked up a dobro to play around with. My wife spotted a Taylor 812ce slothead and knew that was the one I'd been harping about for the last five years or so. She pulled it off the wall and asked me to play it. I swear it was like pulling on a pair of comfortable shoes. It fit my frame just right, it sounded AWESOME, an INCREDIBLE VOICE from such a small bodied guitar. It was kind of dirty and the strings were dead, but this was THE one. We discussed it for a few minutes and before I realized what was going on, my wife was headed to the counter to pay for it. We got home, I pulled the strings off to give it a good cleaning and new strings. When I was putting the A string back on, the pearloid button on the Waverly style tuner crumbled in my fingers. I packed it up and went straight back to Sam Ash, approximately 45 minutes after our purchase. The sales clerk who sold us the guitar was still there. I explained what had happened. The manager, who was also listening to my issue, asked the sales associate to go to the acoustic room and see if there were anymore guitars back there with the same style tuners. He explained that sometimes during the production process these Waverly style buttons have microscopic imperfections that come apart like this. The sales associate came back to the counter with another slothead. The manager robbed the A tuner from that guitar, replaced my broken one, and sent me home with another fresh set of strings. Other than that issue, this guitar completely exceeds my expectations in all categories. I look forward to many happy years playing this instrument.david
13. Taylor 322e 12-Fret Shaded Edgeburst
Product Details:
The taylor 322e 12 fret grand concert produces a robust voice. dynamic players love the clarity and responsiveness to fast picking runs or a light fingerstyle touch. taylor's 12-fret necks feature the slightly shorter 24-7/8-inch scale length of the grand concert and a repositioned bridge that sits closer to the center of the lower bout. the result is a slinkier handfeel that makes it easier to form chords and bend strings, and tonally, surprising power, warmth, and sustain for the smaller body. the blackwood back and sides produce a strong midrange focus with a splash of top-end shimmer, while the mahogany top helps even out the tonal response. other distinctive features include a shaded edgeburst top, an all-satin finish, gemstone fretboard inlays in italian acrylic, and taylor's expression system 2 pickup.
Specifications:
| Scale Length | 24-7/8" |
| Bracing | V-Class |
| Truss Rod Cover | Black Plastic |
| Pickguard | Black |
| Number of Frets | 18 |
| Tuners | Taylor Slot Head |
| Body Length | 19 1/2" |
| Body Width | 15" |
| Body Depth | 4 3/8" |
| Binding/Edge Treatment | Black |
| Top Finish | Satin |
| Back Config | 2-piece No Wedge |
| Rosette Size | Three Ring |
| Back/Side Finish | Satin |
| Rosette Mat. | Plastic |
| Armrest | No |
| Neck Width | 1-3/4" |
| Fretboard Inlay | Gemstone, Italian Acrylic |
| Fretboard Binding/Edge Treatment | Black |
| Heel Cap Binding | Black |
| Type of Neck Joint | Scarf |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4" |
| Peghead Finish | Satin |
| Peghead Type | Slot Head |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Italian Acrylic |
| Bridge Pins | West African Ebony |
| Buttons | Ebony |
Reviews:
The sound is amazing. Its one of the easiest guitar i’ve ever played, kind on the fingers when I do bar chords/power chords. Better still, Better Music even matched a cheaper price after I had bought it. The customer service is outstanding. Can’t wait for Taylor GC I bought for $300 with the Taylor Days offer.pete b.
For starters the guitar is absolutely beautiful and built to perfection. The aesthetics and fit and finish reflects the price paid for this guitar. The grand concert size is very very comfortable. The 1 3/4" nut is ideal for me and the slightly shorter scale improves playability but it's not too short. On to the tone, I think the mahogany/blackwood combo makes up some of the best guitars in Taylor's entire line up regardless of price. On the grand concert specifically, the 322ce has a good low end response that to me is reminiscent of a Martin 000 or OM, the strong mid range typically expected from mahogany, and still has some of that Taylor brightness as well. It's almost like a mix of a more modern tone and old school warm and woody tone if that makes any sense. The guitar produces great volume (for its size), and great clarity and articulation anywhere on the fretboard which I'm sure the v class bracing plays a part in all of these traits. Although I find that spruce top models are a bit better in these categories, I also find the tonal range to be a bit brighter so it depends what you like and what your style is. The only negative thing I can say is I'm not a huge fan of the ES2 but it seems like most people aren't fans of it so nothing new there. The guitar sounds amazing mic'ed up. But all in all, except for heavy handed strumming, you can do a lot with this guitar. Fingerstyle, light/medium strumming, live gigs, record an album, singer-songwriter stuff, ect and you'll look great doing it all with this gorgeous guitar. Taylor knocked it out of the park with this one.Joseph
A while back I was using a Taylor GS Mini and I got rid of it because the sound was too bright for my taste. I got a Martin and loved it but I slowly fell out of love with it. After a lot of research I decided to pull the trigger on this guitar and let me tell you I am SO GLAD I did. This guitar looks amazing, sounds amazing, and feels amazing. I love jamming with it, and I recently got to record with it and man the sound is incredible. The sound is not as bright as most Taylors I've played like the 214 Koas and such. The tone is a lot warmer than most Taylors but not as deep as a Martin, but man it is truly an amazing guitar. I absolutely love this guitar and it was worth every penny.Ceez
14. Taylor 912ce 12-Fret Grand Concert V-Class – Natural Guitar
Product Details:
The 12-fret version of our 900 series grand concert model has appeal for fingerstyle players and flatpickers alike thanks to a compact body that doesn't sacrifice tone for playability. indian rosewood and sitka spruce serve up an all-star blend of bell-like highs and warm low-end overtones with crisp articulation that puts you right at the front and center of the mix. the 12-fret setup helps ease the tension across the strings for a more relaxed, slinky feel, while v-class bracing inside ensures a clear, expressive response to a soft touch. es2 electronics and a deluxe hardshell case round out the package. for dynamic acoustic players who demand high performance and visuals to match, the 912ce 12-fret is a match made in heaven.
Specifications:
| Scale Length | 24 7/8 inches |
| Bracing | V Class |
| Truss Rod Cover | West African Ebony |
| Number of Frets | 18 |
| Tuners | Taylor Nickel Slot Head |
| Body Length | 19 1/2 inches |
| Body Width | 15 inches |
| Body Depth | 4 3/8 inches |
| Top Finish | Gloss |
| Back Configuration | 2 piece |
| Rosette Size | Single Ring with bound sound hole |
| Back/Sides Finish | Gloss |
| Rosette Material | Paua Shell |
| Stain/Sunburst | Natural |
| Neck Width | 1-3/4 inches |
| Fretboard Inlay | Ascension |
| Fretboard Binding/Edge Treatment | West African Ebony with paua shell edge |
| Heel Cap Binding | West African Ebony |
| Type of Neck Joint | The Taylor Neck |
| Neck/Heel | Tropical Mahogany |
| Fretboard Wood | West African Ebony |
| Bridge | West African Ebony |
| Neck Finish | Satin |
| Heel Length | 3-1/4 inches |
| Peghead Finish | Gloss |
| Peghead Type | Slot Head |
| Headstock Overlay | West African Ebony |
| Peghead Logo | Mother of Pearl |
| Bridge Pins | West African Ebony |
Reviews:
I have played guitar for over half a century, I have owned many acoustic guitars including half a dozen Taylors. I have owned this guitar for about six months and I'm still finding things I love about it. The sound! Acoustically or amplified, every nuance from your hands sings from this instrument! The inlay work is flawless. I have never been so impressed by an acoustic. I love the contours on the body for the comfort of the right forearm and for access to the upper frets on the neck. I have purchased several of my favorite guitars from AMS. This Taylor made it to the top of my list!145Blues
You would never know that a Smaller scale Acoustic could deliver this much punch. Though I am not a Great "Picker", I've been getting better at it since i Bought this guitar. I think it works great for Fingerpicking, Blues Runs as well as strumming away. It smaller size is incredibly comfortable. You can play it Laying on a Couch as well as you can in a Chair or standing up. Certainly Pricey, but hey, none of us are gonna live forever. Forget the Built in Pool- Buy this Guitar!!Joey D
15. Dean Axs Dreadnought 12 String – Mahogany
Product Details:
The dean axs dreadnought acoustic guitar, 12-string, mahogany features a mahogany body, which delivers rich, dark, and warm sounds that will accommodate many different genres and playing techniques with equal ease. the dean axs features a set-in, c-shaped, mahogany neck with rosewood fingerboard, which adds to its stunning looks and provides a smooth and comfortable playing experience. the axs features a dreadnought body shape which provides great sound projection. its big body allows the sound to have more room to reverberate around, delivering an enormous sound that is ideal for pop, rock, alternative-indie, folk, country, and punk styled genres. finished in satin natural, this affordable 12 string guitar is perfect for anyone looking to add texture to their performance.
Specifications:
| Model Year | 2016 |
| Instrument Type | Guitar – acoustic – dreadnought |
| Features | Dual action truss rod, sealed die-cast tuners, flat top |
| Top Material | Mahogany |
| Binding | 2-ply black/white binding |
| Neck Material | Mahogany |
| Scale Length | 25.5" (648 mm) |
| Number of Frets | 20 |
| Neck Joint | Set-in neck |
| Neck Shape | C shape |
| Fingerboard | 12 in – rosewood |
| Fingerboard Inlay | Pearl dots |
| Nut | 1.7 in – urea-formaldehyde |
| Bridge Material | Rosewood |
| Hardware Plating | Black chrome |
| Number of Strings | 12 |
| Model | D'Addario EXP-16 |
| Gauge | .12 – .053 |
| Color | Satin natural |
Reviews:
This guitar is solid and provides the comfortable playing of guitars costing hundreds more. I was not really surprised, as previous Dean guitars I owned were a good pick also. No onboard tuner? Are ya kidding? No five stars for you! But this guitar is still a keeper. Rock on.Dennisio
16. Recording King Ros-G6 000-12th Fret Acoustic Guitar Gloss Natural
Product Details:
The g6 series 000 wraps great tone and elegant appointments into a stunningly affordable package. with a solid spruce soundboard and bone nut & saddle, these guitars deliver a sound that will please both bedroom pickers and professionals alike. aesthetically, the g6 series has a simple elegance. adorned with a tortoise shell rosette and binding, this gloss-finished beauty is bound to turn heads. the g6 series 000 features a traditional 24.9" scale.
Specifications:
| BODY SHAPE | 000-14th fret |
| TOP MATERIAL | Solid Spruce |
| BACK MATERIAL | Mahogany |
| SIDE MATERIAL | Mahogany |
| TOP BRACING PATTERN | X Bracing |
| TOP BRACES | Spruce |
| NECK MATERIAL | Mahogany |
| NECK PROFILE | C |
| NECK JOINT | Dovetail |
| FRETBOARD MATERIAL | Revebond |
| SCALE LENGTH | 24.9" |
| NUT MATERIAL | Bone |
| NUT WIDTH | 1-11/16" |
| HEADSTOCK OVERLAY | Pau Ferro |
| HEADSTOCK INLAY | Recording King Classic |
| TUNING MACHINES | Half Moon, Nickel |
| BODY BINDING | Tortoise |
| ROSETTE | Tortoise Inlay |
| FRETBOARD INLAYS | Pearl Dots |
| BRIDGE MATERIAL | Revebond |
| BRIDGE SHAPE | Standard |
| SADDLE | Bone |
| PICKGUARD | Tortoise |
| FINISH | Gloss Natural |
Reviews:
Unless you routinely play above the 12th fret, or really need the thumping bass of a dreadnought, I can't imagine any player at any level being disappointed with this guitar. 12-Fret guitars have a magic to their tone because of their bridge placement that a 14-fret simply can't duplicate. In fact, the original Martin dreadnoughts were all 12-Fret for over a decade because they sounded better and played easier. The ROS-06 is beautifully executed with a solid Sitka spruce top, mahogany plywood sides and back, and a chunky mahogany neck. You're not going to get solid wood sides and back in this price rsnge, so I can't ding it for that. The faux tortoise shell binding and rosette and an unexpected luxury look, and the lacquer work is flawless. But back to the tone. Everyone who picks it up immediately falls in love, it is just thst sweet. You'd have to spend 5-6X the money on a Taylor or Breedlove to get a noticeable improvement, likely from the solid sides & back, and then it's only incremental. While you can lean on it medium-hard before it starts to compress, it really is happier as a fingerstyle guitar, again, no surprise, so bluegrass pickers needing the volume might want to stick with your dreads. For the rest of us, we'll be very happy with this little jewel. This is the guitar you hang on the wall in the living room and invite anyone to play.LouieLouie
17. Martin 000-15sm Acoustic Guitar – Mahogany
Product Details:
The 15 series 000-15sm mahogany auditorium acoustic guitar improves on a previous model known as the 000-15s. the 15 series 000-15sm shares the same all-mahogany body with slotted headstock as its predecessor but now comes with a morado fingerboard and bridge, real rosette, improved fretboard inlays, and nickel tuners with butterbean nobs. this small-bodied guitar harkens back to an earlier time before the invasion of the dreadnought. it features a 12-fret body design that offers up plenty of woody tone and volume, in spite of its compact size. this is a great guitar for fingerpickers or anyone looking to acquire an instant classic. includes case.
Specifications:
| Mahogany body | Rich, warm, focused sound; added sustain |
| Modified low oval neck shape | Thin, fast feel with even tapering towards bridge |
| Solid East Indian rosewood fretboard | Deep lows, smooth mids, strong highs, long sustain |
| Body Size | 000 12-Fret |
| Rosette | Single Ring |
| Top Bracing Pattern | A-Frame X |
| Top Braces | Solid Sitka Spruce 5/16" |
| Back Material | Solid Genuine Mahogany |
| Side Material | Solid Genuine Mahogany |
| Neck Material | Solid Genuine Mahogany |
| Neck Shape | Modified Low Oval |
| Nut Material | Bone |
| Headstock | Slotted/Square Taper |
| Headplate | Morado |
| Heelcap | none< |
| Fingerboard Material | Morado |
| Scale Length | 25.4" |
| Fingerboard Width At Nut | 1-3/4" |
| Fingerboard Width At 12th Fret | 2-1/4 in" |
| Fingerboard Position Inlays | Diamonds & Squares – Short Pattern |
| Finish Top | Satin |
| Finish Neck | Satin |
| Bridge Material | Morado |
| Bridge Style | Belly |
| Bridge String Spacing | 2-1/4" |
| Saddle | 16 in. Radius/Compensated/Bone |
| Tuning Machines | Nickel Open-Geared with Ivoroid Buttons |
| Pickguard | Delmar Tortoise Color |
Reviews:
Where do I begin. If you think this model and the 14 fret version are comparable, well they're not. Sonically this guitar soars. The sustain is incredible and the balance of low end bass, punchy mids and just enough sparkle on the highs is left desiring more. I own several spruce top/rosewood back and side guitars and lately since I bought this last year it has been collecting dust, respectively. The natural smooth finish is attractive and when I received mine it was so new it smelled like mahogany throughout the house. A year later the smell of the guitar in an open room still lures me to play more and more. The wide spacing is a fingerpickers dream.. But don't fret, this guitar can be strummed and not left wanting. It just really shines as a fingerpicking instrument. I bought it on a twelve payment plan and having that option was really a nice provision for owning the instrument sooner than later. if could use a setup but I haven't had the will to part with it to get it done. Nbd.
The Martin 000-17SM is a great guitar, all the way around. It is an absolutely fantastic fingerstyle instrument, but if you take a pick to it, it responds very well. It is very loud for a "small" bodied guitar. This may be due to the elongated 000, 12-fret body. The 000, 12 fret design also gives this guitar a very balanced sound throughout its entire range. It's not "boomy" like a dreadnaught and it isn't "boxy" like a parlor or travel guitar. The only "down" side for someone coming from a dreadnaught might be the wider neck. Once you start doing some fingerpicking on this thing, though, you'll fall in love with the neck. The slotted headstock does take a little practice and a little more time when restringing, but I just think of that as "bonding" time. After all, this is the kind of guitar you're going to want to keep forever and pass down to your kids.Bad Blues Player
Overall: Probably the ugliest guitar Ive ever owned. Beauty is in the eye of the beholder right? Under its homely face is the soul of a beautiful wood nymph. Crisp and clear, bold and bright with the earthy tone of Mahogany. This guitar is addictive. I tried 4 very good guitars before holding on to this one. Gibson J45, Breedlove USA Concert, Martin Performing Artist GPCPA4R, Larrivee LO3S. Gibson sounded great but had an uneven fretboard, Breedlove gorgeous design, super easy to play and along with the Gibson beautiful to look at, but this one had buzz problems and sounded dull on the bass strings, Larrivee sounded like silken tones but the huge neck was a problem, Martin Performing Artist was almost the one until I recorded with it and it just came out too bright. The ugly little Martin Hog sounded great, recorded great and played like a typical Martin. Good low action, no buzzing and clear deep and woody dulcimer tones. Its a keeper and Im not letting this one go.Daniel
18. Taylor Academy 12 Grand Concert Acoustic Guitar
Product Details:
Taylor academy 12 our signature grand concert body shape brings our high standards of comfort and playability to the academy series, our line of budget-friendly guitars. built with new players in mind, the a12 incoporates a sleek body shape with our trademark neck design and an ergonomic armrest for a truly player-friendly experience. a slightly shorter, 24-7/8-inch scale length also contributes to the smooth feel of the a12, making it easier to fret strings, hold chords, and bend notes as you learn to navigate the neck of an acoustic guitar. but the a12 serves up more than just a comfortable feel, yielding a balanced, robust sound that mingles the sparkle of solid spruce with the punchy, responsive midrange of layered sapele. with that versatile sound and a forgiving, unintrusive design, the a12 gives you the power to pursue your musical inspiration, whether it's your first guitar or a new addition for your collection.
Specifications:
| Back and Sides Wood | Sapele |
| Top Wood | Sitka Spruce |
| Body Shape | Grand Concert |
| Scale Length | 24-7/8" |
| Number of Frets | 20 |
| Body Length | 19 1/2" |
| Body Depth | 4 3/8" |
| Binding | Black |
| Top Finish | Varnish |
| Rosette Size | Three Ring |
| Heel Cap Binding | Black |
| Type of Neck Joint | Scarf |
| Neck/Heel | Mahogany |
| Neck Finish | Varnish |
| Heel Length | 3-1/2" |
| Peghead Type | Standard |
| Peghead Logo | Lexan |
Reviews:
This guitar is a lot of fun. I have played for a long time, and owned many guitars including some higher-end Taylor acoustics. Due to issues with my elbow, I didn't think that I would be able to play an acoustic guitar again. This nylon string guitar, however, doesn't aggravate my elbow and is super fun to play. It has a great sound for the money. Highly recommended.Dave S.
19. Taylor Academy 12-N Grand Concert Nylon String Guitar
Product Details:
The taylor academy 12-n classical guitar is elegant, comfortable to play, and a true natural beauty. its lutz spruce top offers a hybrid tone that boasts the qualities of sitka and white spruce, so you can explore an abundance of dynamics and richness that responds to strong attack. layered sapele back and sides then produce glistening clarity whilst a sublime grand concert shape accommodates fingerstyles, perfect for folk players. underneath your fingertips will lie a luscious ebony fretboard, a tonewood that lends itself to seamless playing. slide from fret to fret in glorious, effortless fashion. it's magical. the smooth feel and sound of nylon strings then beg you to delve into their superb classical tone. a gig bag is included too, protecting the academy 12-n from any damage on the road, so you can travel with peace of mind.
Specifications:
| Scale Length | 25-1/2" |
| Bracing | Academy Series |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 17 |
| Tuners | Classical Nickel |
| Body Length | 19 1/2" |
| Body Width | 15" |
| Body Depth | 4 3/8" |
| Binding/Edge Treatment | Black |
| Top Finish | Varnish |
| Back Config | Layered |
| Rosette Size | Three Ring |
| Back/Side Finish | Varnish |
| Rosette Mat. | Wood/Fiber |
| Armrest | Yes |
| Neck Width | 1-7/8” |
| Fretboard Inlay | 4mm Dot Italian Acrylic |
| Heel Cap Binding | Black |
| Type of Neck Joint | Taylor Neck |
| Neck/Heel | Mahogany |
| Fretboard Wood | West African Ebony |
| Neck Finish | Varnish |
| Heel Length | 3-1/2” |
| Peghead Type | Slot Head |
| Headstock Overlay | Copafera |
| Peghead Logo | Printed on Headstock Overlay |
Reviews:
This guitar is a lot of fun. I have played for a long time, and owned many guitars including some higher-end Taylor acoustics. Due to issues with my elbow, I didn't think that I would be able to play an acoustic guitar again. This nylon string guitar, however, doesn't aggravate my elbow and is super fun to play. It has a great sound for the money. Highly recommended.Dave S.
20. Taylor Academy 12e Acoustic Electric Guitar
Product Details:
Taylor’s academy series makes the playing experience more accessible in every way, packing signature taylor playing features into an affordable package. with the a12e, our compact grand concert body makes the perfect companion for fingerpicking or anyone with a lighter touch who craves the physical comfort of a small-body guitar. the guitar’s design specs are optimized for playing ease. taylor’s patented, slim-profile neck features an array of hand-friendly touches: a shorter 24-7/8-inch scale length, 1-11/16-inch nut width, low action, and light gauge strings, all of which contribute to a slinky handfeel. the lightweight guitar body, featuring layered sapele back and sides with a solid sitka spruce top, boasts an ergonomic armrest that enhances the playing comfort for one’s picking arm. the guitar was also voiced to be extra responsive to make the playing experience as relaxed as possible. the guitar comes with an onboard es-b pickup that includes a built-in digital chromatic tuner, and comes with a sturdy lightweight gig bag.
Specifications:
| Scale Length | 24 7/8 inches |
| Nut and Saddle | Nubone Nut/Micarta Saddle |
| Bracing | Academy |
| Truss Rod Cover | Black Plastic |
| Number of Frets | 20 |
| Tuners | Chrome |
| Brand of Strings | Elixir Phosphor Bronze Light |
| Top Finish | Varnish |
| Rosette Size | Three Ring |
| Rosette Material | Wood/Fiber |
| Back/Side Finish | Varnish |
| Neck Width | 1 11/16 inches |
| Fretboard Inlay | 4mm Dot Italian Acrylic |
| Type of Neck Joint | The Taylor Neck |
| Neck/Heel | Hard Rock Maple |
| Heel Cap Binding | Black |
| Fretboard Wood | Ebony |
| Neck Finish | Varnish |
| Heel Length | 3-1/2 inches |
| Peghead Type | Standard |
| Headstock Overlay | Copafera |
| Bridge Pins | Black |
| Buttons | Chrome |
Reviews:
An extraordinarily well designed and made guitar. The scale is a bit shorter than most guitars so it's easier to play, the bevel on the body makes it more comfortable to play, the fit and finish is perfect. It sounds good acoustically and plugged in. Really nice for finger style, and surprisingly good with a light pick. The back and sides are layered Sapele wood, the top is solid Sitka. The neck is maple. The tuners keep it in tune. I've played quite a few smaller body guitars in my 4 decades of playing, and this one is right at the top of the list along with Martin 00 and 000 models. It's not only for students, its just a really good guitar.Boomer
I've been playing guitar for more than 45 years. I played hundreds of gigs with various bands in my younger years and still perform on rare occasions. I still play and practice every day and play many informal get togethers for small crowds. I own a Taylor NS42ce, 514ce, 312ce, 812ce 1st edition and a 914ce. I purchased this guitar for settings I wouldn't want to risk my more expensive guitars doing such as outdoors, campfire gigs or when I just wanted to throw it in the car in case of an impromptu party or get together jam. I can't tell you how surprised I was when I tuned up and started playing this guitar. I'm not going to try to tell you it plays or sounds like my 914ce, but I am going to tell you it plays and sounds amazing for a guitar twice it's price or more. This guitar now sets on a stand next to my desk in my office and gets played every day. It's a price point I don't worry about it setting out or getting a ding here or there and it truly is a pleasure to practice on and play. Thanks to this guitar I play more than I have in years and it's saving daily wear and tear on my more expensive guitars. This is hands down the best acoustic every made for a beginner's skill set and budget, but I will tell you first hand, it will put a smile on a seasoned player's face as well. Whether you're a beginner looking for an acoustic that will inspire you to play and learn, rather than defeat you like many cheap acoustics that play horrible and sound even worse will, or you're a seasoned player looking for a budget friendly, daily beater that is still a pleasure to play – this is your guitar!
I had been looking for a reasonably priced mid-range acoustic guitar. In most of the reviews I read they said that the Taylor Academy was a great "beginners" guitar. I have to say this is an incredible guitar all around and works well for any level of guitar player. Absolutely loved being able to go into the Sam Ash store and look at the guitar. It was already setup perfect and the staff was super friendly. Would definitely recommend both Taylor guitars and Sam Ash to anyone!bcsman
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