Are you looking for the Bass Guitar Through Guitar Amp? If so, you’ve come to the right place.
Choosing the Bass Guitar Through Guitar Amp can be difficult as there are so many considerations, such as Orange Amplifiers, Fender, Peavey, Roland, VOX, Ampeg, Blackstar, Laney. We have done a lot of research to find the top 20 Bass Guitar Through Guitar Amp available.
The average cost is $226.94. Sold comparable range in price from a low of $24.99 to a high of $519.99.
Based on the research we did, we think Behringer HA-10G is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Bass Guitar Through Guitar Amp (20 Sellers)
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$79.00
4.6
Reviewers Noted:
Ease of use . Sound quality . Portability . Build quality
Features:
- Powerful 10-watt solid-state guitar amplifier, ideal for home use and practice
- 2 full-featured channels offering everything you need from sparkling clean to super-fat overdrive and everything in between
- Revolutionary vtc (virtual tube circuit) technology reproduces real tube-like tone, touch and feel
$39.99
4.5
Reviewers Noted:
Easy to use . Sound quality . Portable . Low quality build . Weight
Features:
- Connectivity technology: wired
- Audio (l/r) in: 1
- Headphone connectivity: 3.5 mm
Reviewers Noted:
Sound quality . Portability . Build quality
Features:
- Power requirements & consumption: 120vac, 60hz
- Total output power (rms): 10w rms @ 4ω
- Speaker: 6.5”
Reviewers Noted:
Good sound quality . Easy to use . Quality build . Power . Weight
Features:
- Display model in store
- As new condition
- Any questions message me
$399.99
4.5
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Visual appeal . Build quality
Features:
- 200w mosfet power section
- Sleek vintage styling of the ampeg svt-vr
- Balanced direct out
Reviewers Noted:
Build quality
Features:
- 8" blue marvel speaker.
- Transtube tube emulation circuitry.
- Clean and lead channels.
$24.99
4.4
Reviewers Noted:
Sound quality . Portable . Quality build . Easy to use . Powerful
Features:
- A compact amp perfect for beginners or practicing.
- The new rogue g-10 guitar amp produces a variety of tones in a compact size.
- The rogue g-10 is a great starter amp and will continue to serve as a practice tool for those that graduate to a larger amp.
$49.98
Features:
- ✅ 10 watt rms ( 100watts pmpo) guitar amplifier with drive, volume, treble, bass, aux input controls.
- ✅ guitar amp with 1 x 5 inch speaker unit.
- ✅ the 6.5mm input allows this amp to be used as an electric guitar amp, bass guitar amp, and electro-acoustic guitar amp.
Reviewers Noted:
Good sound quality . Attractive . Portable . Lightweight . Quality build
Features:
- Perfect practice amp ideal for beginners.
- Has a few cosmetic marks of wear (shown in the pictures) but is still in good condition and works great.
- A great amp for small jam sessions.
$299.99
4.8
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Mint condition with 6 month alto music warrantyfender rumble 100 v3 combo.
- Top-facing knobs make it easy to see what your settings are.
- Classic fender styling with silver grill cloth and black tolex.
$379.00$303.00
4.8
Reviewers Noted:
Good sound quality . Quality build . Heavy . Attractive . Power
Features:
- 1,000w output
- Class-d amplifier
- 12" turbosound speaker
$48.00
4.5
Reviewers Noted:
Easy to use . Sound quality . Portable . Low quality build . Weight
Features:
- Multi-stage gain circuitry and analog technology reproduce the sound of a tube amp
- Folding plug mechanism rotates 180 degrees to fit any bass
- Up to 17 hours of battery life
Reviewers Noted:
Good sound quality . Attractive . Quality build . Easy to use . Portable
Features:
- Active 3 band eq
- Parametric mid control
- Bi-amp inspired blend and gain controls (foot switchable)
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Power: 40 watts
- Switch outline vintage
- Effects loop (send / return)
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Top-facing knobs make it easy to see what your settings are
- Classic fender styling with silver grill cloth and black tolex
- Lightweight for easy travel
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 250 watt portable micro bass head amplifier for stage and studio
- Compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
$449.99
4.6
Reviewers Noted:
Good sound quality . Easy to use . Weight . Quality build . Portable
Features:
- Ultimate tonal flexibility from valve grind to high-headroom clean
- Unique response control 3 power amp stages to shape compression and feel
- Drive section 3 overdrives (overdrive / distortion / fuzz) with user-controllable blend
$399.99
4.8
Reviewers Noted:
Lightweight . Portable . Good sound quality . Easy to use . Powerful
Features:
- Wifi-equipped
- 1x 10" fender special design speaker + compression tweeter
- Tone app access
Reviewers Noted:
Visual appeal . Ease of use . Sound quality . Build quality . Weight
Features:
- Active 3-band eq.
- Parametric mid control.
- Bi-amp inspired blend and gain controls (footswitchable).
Reviewers Noted:
Good sound quality . Easy to use . Portable . Power . Build quality
Features:
- Up to 200 watts of power
- 2 premium 8" speakers
- Ddt speaker protection
1. Behringer Ha-10g
Product Details:
The behringer ha-10g 10w guitar combo amp is a compact and portable guitar amplifier that really packs a punch. sporting a custom bugera 6" speaker and revolutionary vtc technology, it's capable of delivering colossal tones well beyond what you'd expect of an amp this size. choose from clean or overdriven channels and use the responsive 3-band eq to fine-tune your sound and finish dialling in your dream tones. perfect for beginner and veteran players alike, the straightforward setup and sheer ease-of-use make this the perfect choice for those that want to plug in and play; the superior sound quality is just a huge bonus!
Specifications:
| Power | 10 W |
| Speaker configuration | 6" Custom Bugera Speaker |
| Switch | Channel select |
| Input | 6.3 mm jack |
| Line input | 3.5 mm jack |
| Headphone output | 3.5 mm jack |
| Dimensions (W x H x D) | 298 x 289 x 169 mm |
| Channels | 2 |
| Reverb | No |
| Effects Processor | No |
| Recording Output | No |
| MIDI Interface | No |
| Footswitch connection | No |
Reviews:
Um im Wohnzimmer auf der Couch ein wenig zu klimpern ist dieser Amp geradezu genial . Vom Gewicht her sehr leicht und auch von der Größe ist es ideal den Amp direkt neben sich zu haben . Der Clean-Sound kann richtig laut sein ohne zu zerren . Mit dem Overdrive Regler kann man schon recht schöne Crunch-Sounds erreichen . Ist natürlich nicht vergleichbar mit einem großen Röhrenverstärker , aber das darf man bei einem Preis von unter 50 € auch nicht erwarten . Mit externen Effekt Geräten die man zwischen Gitarre und Amp hängt kann man noch viel mehr Sounds rausholen . Ist alles möglich . Als Übungs-Amp für zu Hause ideal .
It's all right for a beginner but the action needs altering. its far away from neck!Reviewed by Andertons Music Co.
Plenty of volume and nice tones. Seems well built.Reviewed by Andertons Music Co.
2. Vox Amplug 2 Bass Headphone Amplifier
Product Details:
Improved sound and convenience. with amplug 2, the crucial analog circuit has been drastically improved, and each model now provides three modes. guitar types provide multi-effect functionality, and a rhythm function has been added to the bass type. a foldable plug mechanism that rotates 180 degrees and an auto power-off function are additional features that contribute significantly to improved convenience and ease of use. the amplug is the simplest way to get serious sound; occupying virtually no space, it's an ideal choice for any guitarist or bassist. "bass" is designed specifically for low frequencies, offering a wide-range response.
Specifications:
| Length | 5.11 in |
| Height | 7.2 in |
| Width | 1.41 in |
Reviews:
Just got this Vox Amplug2 in the mail. Brought it in, unboxed it, tore open the package, oh nice-comes with batteries! Stuck them in. Got my 5string, my phone, an aux cord, and headphones. Plugged everything up, turn on the little amp, turn up the volume, punch up a song on YouTube, adjust volumes to suit. I've been playing with Willie Dixon and Black Sabbath all night now 🙂 I've turned all the little knobs. Tone is basic, down is thick, up is brighter. Tried the drums, very cool, but i haven't gone through the different settings, just the first couple drum sounds. I'm happy with it. But for the past three hours I've just had everything on the amp all the way up, and adjust tone and volume on the guitar, then adjust the aux volume on the phone. Works just fine. Perfect for practice and unbeatable for the price. Be a bit careful with it, the plastic won't take a lot of abuse, but it's plenty durable to sit on the chair and practice.
I've been looking for a way to practice without having the hassle of amplifiers. I've always practiced my electric bass unamplified. I considered an acoustic bass but ultimately decided on this product. It works great for practice. Some other reviews complained about noise. There is some noise, but not enough to keep me from practicing. I wouldn't record with it, but hey, it runs on 2 AAA batteries, what do you expect? For the money I'd expect it to be made of better plastic. The case has a somewhat lightweight and textured feel. It would also be nice if it was Bluetooth capable for aux/headphone connections.Pete
I have been very excited with this wee amplifier. It plugs directly into the bass' output jack. There are dial-controlled volume and tone controls which work perfectly and provide well-designed volume and tone sweeps The sound has 3 press-button activated gain levels, and a small colored light which changes color to show which is switched on. Two options, with orange or red colors in the single lamp, are quite low in volume (too low I think) but the third, when the green light is on is excellent, potent with a bit of growl – think Jack Casady, I say! There is an output jack for headphones – plenty of volume available – and an input jack to run, for example, an iPad into the Vox. So, you can privately play along with any music you have stored on an iPad! Powered by 2 AAA batteries, which come with it. Absolutely amazing device. A beginner can buy a bass, use this amp without even needing to purchase a guitar cable, and be ready to begin. The "headphone" output can be plugged into an amplifier's auxiliary socket (my small Ampeg amps are wired to "center" a stereo input signal) or a home sound system using a mini-plug- to- 1/4" stereo converter jack and perhaps a mini-plug-ended extension cable, sold everywhere in various lengths. So one could practice and have the combined sound of iPad and one's instrument sent to an amp. You can overwhelm the Vox and make it bark by too much input volume from your bass or by suddenly too-hard pick strikes, but if you moderate that a little it is fine. Superb device!unclefot
3. Sawtooth St-Amp-10st-Amp-10 10-Watt Electric Guitar Amp
Product Details:
The new sawtooth 10-watt guitar amp produces a variety of tones in a compact size. the perfect practice amp for going over scales, chords, and simply rockin' out to your favorite tunes! this amp has volume, treble, mid and bass controls along with an overdrive switch that allows you to go between clean and overdriven sounds. the sawtooth 10-watt amp is a great starter amp and serves as the perfect practice tool for those that graduate to a larger amp. pick up a sawtooth today and start jammin' with power!
Specifications:
| Total Output Power (RMS) | 10W RMS @ 4Î |
| Speaker | 6.5" |
| Controls | Volume, Gain, Drive |
| Master EQ | Treble, Middle, Bass |
| Dimensions | 9.65" height x 10.1" Length x 4.13" Width |
| Instrument | Guitar |
| Cable Length | 6.5 |
| Multipack Quantity | 1 |
| Recommended Use | amplification |
| Assembled Product Weight | 7 lbs |
| Assembled Product Dimensions (L x W x H) | 12.00 x 10.00 x 5.00 Inches |
Reviews:
Perfect for cigar box slide, and reg 3 string, good sound reverb on I slide guitar sounds good. Ideal for practice.gardenergoldiecat
4. Peavey Transtube Rage 258 Guitar Amplifier
Product Details:
The peavey rage 258 guitar amplifier is a shockingly hard-hitting ultralight amp, weighing in at only 16 lbs. unique among practice amps, it gives you 2 channels, 3 radically different voicings. stack, modern, and vintage, for a huge palette of tonal flavors. pre and post gain knobs, and 3-band eq make it jam-session ready while the headphone jack and tape/cd input are perfect for solo practice. 25w rms 8" super-duty, blue marvel speaker 3-band eq 2 channels tape/cd aux input/direct ou.t pre and post gain knobs, master volume stack/modern/vintage voicing switch. headphone jack 16 lbs. 19-1/4"w x 15-1/2"h x 9-1/2"d.
Specifications:
| Amplifier Type | Solid State Guitar Amplifier |
| Application | Performance |
| Power | 20 Watts |
| Speaker Size | 8" |
| Number of Speakers | 1 |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | No |
| Effects Loop | No |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | Yes |
| Footswitch Input | No |
| Footswitch Included | No |
| Cover Included | No |
| Display | No |
| Power Supply | Internal |
Reviews:
I was looking for a pair of SS amps to gig with (I run stereo reverb), ones that sounded good clean but also had a tube like attack and compression. These TransTube do. Sure they aren't AS good as a tube amp, but they sound really good none-the-less. Better than all my other SS amps. They DON'T have the annoying ultra-high freq, almost ice-picky thing going on that so many SS amps have.I own four of the TransTube amps: the Solo, Rage, Envoy and Bandit. If you're looking for clean tones, this Rage 258 seems the best of the bunch.On the higher end models (Envoy and Bandit), you get to select separate EQ'ing for your clean and lead channels, but I find most of the lead selections not really my taste. But the Rage's three EQ selections all sound good to my ears.The other three models' clean channels tend to start breaking up earlier on as well. With the Rage, you can be almost to full volume before the break-up starts.I did a side-by-side with the Envoy and the Rage. I connected each to a single spkr in my Peavey Classic 50 combo, so both were playing from identical speakers in the same cabinetry.I found that the volume level of the Envoy wasn't really much greater than the Rage, and if you turned them up just to the point of break up the Rage was slightly louder. The Rage is EQ'ed a bit differently, so even the two models' clean channels sounded a bit different. The Rage was a tad brighter, a bit more presence, perhaps a bit less compression. I also noticed that going through the 10" speaker from my cab, the Rage had all the depth and character of the Envoy. In other words, I'm betting the limiting factor on tonal depth with these amps is the speaker and enclosure. I suspect I could plug my tiny Solo up to a warm 12" speaker and get some thunderous bass. I'll have to try that with my Solo and Bandit!How am I using this amp as a clean amp? By running ultra clean, I can more easily make my electric sound like an acoustic (I use an EH Knockout pedal). I also have the option of getting whatever kinda dirty I like, without limiting my ability to play clean – I treat the whole amp as the power-amp stage of an amp and use overdrive pedals to emulate the pre-amp stage, putting effects in-between like an fx send/rtrn on an amp would. I put my dirt boxes in front of my phaser pedal (A behringer PH9 – the cheapest phaser I found, and the BEST one [true bypass, low stage count so it sounds all warm and gooey like the Vintage 74 MXR]). After my phaser I've got a Vox Cooltron Big Ben Overdrive (basically a pre-amp stage from an amp). Then I do my chorus and reverb before going in the Rage.Chorus and Reverb sound MUCH nicer when not overdriven. By putting a tube pre in front of those effects, I get nice glistening effects. I put the phaser before the tube pre because it's a bit bitey and the tube pre smooths the edges a bit. More of a Robin Trower effect that way as well.FrostBottomBoys
Overall: As a studio musician, I get to try dozens of Boutique tube amps for free in return for my opinions and advice. You can spend thousands more and not get better tube-tone or "feel" than this little guy. As another reviewer pointed out, the speaker could be improved but is OK for low volume practice or very quiet jazz gigs, like those where people eat dinner. You can very easily improve the already good tone by plying this through a better 8 inch speaker OR putting the head into a better cabinet with a premium 12 inch speaker. I use both of those strategies. For lightweight low-volume jazz gigs, I bring TWO of these to run in stereo from my stereo effects board. In those, I merely replaced the stock "blue marvel" speaker ( which is not terrible) with a much better 8 inch with wider frequency response and a lower FS. You'd be amazed. I had a woodworking friend build another cabinet that encloses this amp with an italian neodymium speaker. WHOW! You probably won't believe how beautiful and loud this thing gets! So, if you just want a good little practice amp or play VERY quietly, use this as is. These are so inexpensive, you can get two and make a very affordable stereo rig that fits in a rolling suitcase. And if you need boutique low-wattage tube tone, just use this amp with a good 12".Geo
5. Ampeg Micro-Vr 200-Watt Bass Amp Head, Limited Edition White
Product Details:
The micro-vr head delivers 200w of pure ampeg tone, in a package that could practically fit in your pocket. the micro vr stack limited edition white features eye-catching white tolex strikingly complemented by a black grille assembly. only a limited number were produced. a balanced direct out, -15db pad, on-board limiter and dual speaker outs offer tremendous versatility whether on stage, or in the studios. the 1/8 stereo input and output let you easily integrate an mp3 player for practice or recording. pair it with the companion limited edition white svt-210av cab for a fully gigable, but super micro rig. great sound, unmatched portability small wonder, it s an ampeg.
Specifications:
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200 watts at 4 ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | with Pre/Post and Pad |
| LF Driver | 2 x 10 inch Eminence Speakers |
| RMS Power Handling | 200 Watts at 8 ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
Reviews:
Sound: I bought the Ampeg Microvr Head originaly with one Ampeg 2-10" cabinet as a part of matched set, as most people do – about three months a later I bought another cabinet – so now I'm often running two of the same cabinets and the head together. When you plug in the second cabinet the rig gets noticeably louder in this set up, and also appears to have a much more deeper bass tone(if you want it). Adding the second cabinet added $300 to my rig – but if you can afford it, the sound is far superior to just the single cabinet, and gives you a lot of flexiblity. For smaller indoor venues like playing bass behind people with pugged in acoustic guitars, I run the head with just one cabinet and it sounds fine – both tone and volume wise. When I playing along with a drummer most of the time I opt for using two cabinets rather than just one. At higher volumes – like playing with a drummer it just sound stronger and fuller in every respect than by using just the single 2 10" cabinet. I'm either running a recent custom C.F. Martin Acoustic/ Electric Bass guitar, or a Fender Precession Bass, through the rig – depending on who and what I'm playing on music wise. It works excellent with either instrument and I am very happy with the set up. Even with just one cabinet you won't be dissapointed. Features: Happy with everything that it came with feature wise. Didn't like the stock power cord that came with because it was very stiff and hard to wind up – Ampeg should switch vendors and get a power cord supllier that could offer them a more felxible cord of the same quality that you cound wind up easier. Ease of Use: Tone controls are easy to figure out and use. Rear connections on the amp are simple, straight forward and easy to use, and hook things up. I often use a Martin acoustic bass guitar with this rig – so I use a Fishman DI preamp in between my bass and the amp – this being done basically to help control feedback at higher volumes (especially when playing out door gigs) and to fine tune the tone on the acoustic bass a bit more. My Fender bass sounds fine with out the Fishman preamp and the controls on the amp head work well with it – giving you many mutiple tone combinations depending on how you set them. Also my Fender fretless bass sounds really good through the amp and the matched speaker that you will most likely buy with the head. Quality: Quality seems very high. After about two years of owning and active giging – it is holding up extremely well. Over the last year or so I have taken it out on local gigs about twice a week, So it's been out of my house more than a hundred times so far, and there haven't been any issues so far – all this in all kinds of weather and temperatures. I had black vinyl covers made for the head (from a custom amp cover innernet company)and for both speaker cabinets as soon as I bought everything – so even aften trucking the units all over the place for quite awhile now they still all look fresh and brand new. The power cord that came with it was very stiff and always hard to roll up – so I bought an after market cord on a website cord supplier that was more flexible and easier to wind up. I've used the after market power cord every since. The head has a fan in the back that runs whever the unit is powered up, that when you first get the amp drives you crazy – because it appears to sound so loud. Truth is though while you may hear it running in your house when practing – you never do at gigs. At any gig the room and enviroment background noise easily drown it out right away – you just never hear the fan running at all. When I first got it I though something was wrong with the fan – there wasn't. Its an Ampeg thing – that is the low fan noise in a quiet background setting. Keeps everything cool inside the head – so you can certainly live with it. I got used to it after awhile and don't even notice it anymore. No one has ever commented to me anywhere about any fan noise coming from my amp. So don't think something is wrong with the fan when you first get the head. Value: The original outlay (about $600 for the head and one matching cabinet) is a bit steep compared to several other small bass amps on the market out there – but you get what you pay for I guess. Due to the price saddly – alot of bass players might not be able to buy one and will go with something cheaper out there. Before buying this I looked around for about two months at other rigs on the innernet, at music stores, and at othet musicians' bass rigs when watching them perform. This unit was replacing a Hartke Kickback 12 – which I used for about three years for the same type of smaller gigs – which is for more low volume type of dealsthat I play at – where you don't have to worry about shaking the room and making the paint peel of the walls when you hit your low E string on something like Springsteen's "Pink Cadillac". I still feel that I made the correct choice and am happy with the head and the speakers matched for th
Sound: I own the Microvr amp and 2 210svtav cabs. I bought the second cab after I got the Mircovr set up. The sound sound you get from this things for the money blows anything else out their out of the water. To get the rated 200watts performance you need a 2nd cab as the load with one cab is 8 ohms at 150 watts. Light weight portability and small footprint size are a plus especially if your space chanllenged. This thing rocks. Features: This is a no frills set up. Has what you need to have great sound with a headphone jack to play practice in a low noise enviroment. Ease of Use: It has a 3 band eq section that you can dial in easy to find a sound you like. Its no svtpro 7 but for the money you will not find a better amp in its class. Quality: This amp is made solid. Mimics the old school look of the 70s svt lineup. Value: With anything you purchase you wish you could get it for less thats just the way it is. But for the money you will not find a better sounding and well made rig in this class. The Microvr and 210 svtvr cab set up is da bomb. If you want portability light weight and the best sound get this AMPEG. Manufacturer Support: I have had no issues with this amp. I have owned it for about 2 years now and play on it alot. Its an AMPEG. The Wow Factor: This thing looks great sounds great and its and AMPEG. Overall: I will always have this amp. Its perfect for travel to other locations and has enough head room for small venues and recording situations and the sound is truely amazing.
Sound: For the money you can't beat the tone this thing has. Features: Not a lot of frills. What is there is great tone and eq abilities. Ease of Use: Plug and play. Quality: Have been exceptionally happy with all my ampeg products. Value: Low cost of the combination of the amp and 210 cab leaves you wondering how you can pay $600 for what you usually pay $2000 to sound like. Manufacturer Support: Loud Technology experience has been fine as I have only needed a few parts and was treated well. The Wow Factor: I am buying another extension cab because I can leave one at practice and one at the recording studio and just carry the amp back and forth. If I wish I can run them both with the amp. Overall: Best Tone for the $
6. Peavey Transtube Solo Guitar Amplifier
Product Details:
The basic building blocks of the transtube sound are the exclusive designs of the preamp and power amp. the preamp section tailors gain to meet the need for any amount of drive, from crystal clear to thick, smooth sustain. the power amp reacts just like a tube output section by responding to the preamp with natural compression that increases as the amp gets louder. with transtube, you get a killer amp with widely ranging dynamics and natural "grit," just like a tube amp! features/specifications: 12 watts (rms) 8" blue marvel speaker transtube tube emulation circuitry. clean and lead channels 3 band passive eq ¼" stereo cd input / direct out jack low damping factor for lively tube power amp sound. headphone jack weight unpacked: 12.00 lb(5.443 kg).
Specifications:
| Amplifier Type | Solid State Guitar Amplifier |
| Application | Performance |
| Power | 30 Watts |
| Speaker Size | 10" |
| Number of Speakers | 2 |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | No |
| Effects Loop | Yes |
| Direct Output | No |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | No |
| Cover Included | No |
| Display | No |
| Power Supply | Internal |
Reviews:
you don't even mention that it's battery powered. And what kind of batteries?Barry
as described and…LOUD!!cohosam
7. Rogue G10 10w 1×5 Guitar Combo Amp Black
Product Details:
The new rogue g-10 guitar amp produces a variety of tones in a compact size. the rogue g-10 preamp section has a master volume and overdrive switch to go between clean and overdriven sounds. the 2-band eq is simple and allows for adjusting the amp to match the player's style and guitar. the headphone jack automatically switches off the internal speaker. the rogue g-10 is a great starter amp and will continue to serve as a practice tool for those that graduate to a larger amp.
Reviews:
I needed an inexpensive practice amp for home use, so I bought this amp – big mistake! I wasn't expecting the sound of a more expensive amp, but this amp is nothing more than a noise machine. The sound is filled with static and noise to the point it is unusable. The static and noise push the little sound you get to the background. Maybe, I received a bad amp, but I'll never know since MF felt the issue lay with my personal sound quality preference and not the amp. Apparently, for MF the sound quality is good enough for an inexpensive amp, and the customer should be aware. To a degree, MF is right – I should have known better, but I never thought there would be absolutely no sound quality. STAY AWAY FROM THIS AMP!Jack
Originally purchased a Rogue Rocketeer Electric Guitar Pack, which included this G10 Amplifier, for my Great Nephew for Christmas. However, the one which came with the Pack didn't sound right and quit completely after about 15 minutes. I notified Musician's Friend Customer Service about the problem and they immediately took care of it by sending a replacement. The replacement arrived and it worked fine, and sounded good for a 10 watt practice amplifier. Was very pleased with the sound and quality. It even has a little drive button which gives the amp a little bit of distortion if you like to play that sort of thing. Very pleased with the product and with Musician's Friend for making things right.Music_Al
I was getting a beater electric guitar for my new place and needed a small, inexpensive 10W amp. This was just about the cheapest thing on the market that met my criteria. Frankly, I was just blown away. It sounds like a legitimately good amp. Powerful too; I haven't once yet moved the volume knob higher than about the "2" setting when in overdrive mode. At the price it was everything I could have hoped for and then some.Z
8. Electric Guitar Bass Amp 10 Watt Amplifier Built In Speaker Headphone Jack & Aux Orange 5 Core Ga 10
Product Details:
Specifications:
| Length | 9 in |
| Height | 4.7 in |
| Width | 8.7 in |
| Weight | 5.75 lb |
9. Vox Pathfinder Bass Combo Amplifier – 10w – Black
Product Details:
From the diamond grille cloth and basket-weave vinyl wrap to the vintage chicken-head knobs, the vox pathfinder bass 10 shows off its vox pedigree. in spite of its compact design, the pathfinder bass 10 boasts 10 watts of power pushing a pair of 5" vox bulldog speaker for a powerful bass sound. in addition to the bass and treble controls, the bright switch adds an edgy boost to the upper harmonics. turning up the drive control provide a modern, warm bass distortion that adds character and vitality to the tone. a headphone/line output jack is also provided for silent practice, and for direct recording.
Specifications:
| Weight | 12.32 lb |
Reviews:
When I ordered this amp I expected to change out the tubes for JJs because if recommendations in the reviews I read. The stock tubes in this particular amp didn't produce any rattle and also provided plenty of clarity and bass. I don't sense the need to change out the tubes. This amp has more head room than my 1×10 2013 '65 Princeton Reverb Reissue Amp and I'll say its louder. The Vox Ac10c1 doesn't have a footswitch input installed onto it, if you want to switch from reverb to gain you will have to do it by hand as youre playing. The gain is rich, its a decent factory built in, the gain effect on my 4×10 2003 Fender Concert Reverb Amp doesnt sound nearly this good, if you buy the newer Marshall 20 watt tube amp or their MG solid state series amps their gain effects have a thinner, more static sounding than gritty sound to them. Vox amps have that more lush grit sound, akin to the sound we hear in the songs Ripcord and Vegetable by Radiohead (though Thom Yorke uses a turbo rat pedal) Haven't tried the Ac10c1 with a drummer, setting the Ac10c1 on an amp stand to project the speaker upward or placing this amp on a table should work just fine. The portability and light 27 pound weight are a huge plus if you decide on taking this amp anywhere. With this amp in one hand and a guitar stand and your guitar in a case in the other hand- you will be able to comfortably enter to set up and exit to load up in single trips. I originally expected to change the amp handle out for a leather handle but this vinyl handle is pretty thick. While playing through this amp, you can really feel and hear the nuances of its tube sensitivity while strumming and if you dig in with a pick, you can go from soft to really loud. The touch sensitive dynamics have been well calibrated in this amp. Again, the only downside is the lack of a footswitch input to switch between the amps good sounding gain and so so digital (not analog spring) reverb channel, no one seems to mention this. Everyone has their own effects pedals and loopers and what they already like to use so it almost balances out. I must say I actually like the sound of the gain on this amp. Again Im glad I didnt settle for a solid state Marshall in this price range, or the latest 20 watt tube Marshall which both felt and sounded lesser quality to me. I was looking for a good sounding portable amp. Glad I ordered a Vox Ac10c1
The Ac-10not only looks the business but it has since real depth and warmth to its tone. Clean – it’s bright and has the chime you’d expect. Turn up the gain and your tone breaks up but still retains clarity. Having the gain wide open and master volume down means you can still have the saturated crunch but not disturb others . Perfect for home use but would not be out of place in a small pub gig. Takes pedals will and with a multi-fix like a GT 100, if you disable the amp sim and use like a conventional pedal board, you don’t lose any quality of the AC10’s natural tone. A masterful amp and it even smells nice with those tubes cooking.Mark R.
Ive been playing 35 years and this is probably the best all around practice amp ive ever heard. Pros- looks great, sounds very good, cleans thump and chime, distortion can wail. Its loud for its size. Seems built well. Have had no bad issues. Cons- clean isnt near as loud as w the gain cranked up. No reverb. In short if this amp was 50-100W and had reverb and an external speaker jack id never play another amp. Good job VOX.jjsrvfan
10. Fender Rumble 100, 120v, Black/silver Bass Combo Amp
Product Details:
Fender rumble 100 1×12" 100-watt bass combo amplifier fender gives bassists of all levels a solid amp that can handle anything. plug into the fender rumble 100 for the serious bass tone in a compact package! this black beauty offers a basement-friendly 100 watts, complete with both gain and blend controls in the overdrive section, so you can bring the perfect amount of overdrive into your sound. in fact, an optional footswitch is available that lets you easily bring the overdrive in and out whenever you need some extra tonal tenacity. item will be professionally packed, shipped and insured to g…
Specifications:
| Tacoma | 1 |
| Seattle | 0 |
| Silverdale | 1 |
| Puyallup | 1 |
| Richland | 2 |
| Yakima | 2 |
| Amplifier Type | Class-D |
| Voltage | 120V |
| Wattage | 100 Watts @ 8 Ohms |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Amplifier Depth | 14" (35.56 cm) |
| Amplifier Width | 16.5" (41.91 cm) |
| Amplifier Height | 18.5" (46.99 cm) |
| Amplifier Weight | 22 lbs. (9.97 kg) |
| Speaker | One – 12" Eminence Special Design |
| Impedance | 8 ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
Reviews:
I use one of these for my nylon string Godin Multiac. I blend the nylon with a GR33 synth and run both signals into this amp on the clean channel. The issue I've always had with amplified nylon string guitars is the 'plucky' or 'plasticy' sound of them through guitar amps. This bass amp solved the problem for me. With the amp's treble and bass rolled off completely I can get a very round clear tone by using the guitar's eq to provide the brightness. Very light and powerful, and an unexpected solution to a long-standing problem I've experienced. The electric violinist in the band tried his setup through my amp with almost identical settings and he bought one also! Works very well for bass also, in a small setting.Jan-Mikael
TLDR: BUY IT! I ordered this amp when I bought my very first bass. For years I was stuck with a school Ampeg Little Stud bass from 1973. The bass itself was 40 pounds, and for all of its vintage appeal, I was not impressed by its condition or playability. The amp was even worse. It was a Backline 112 that weighed 50 pounds, and when I performed with it in a school gymnasium with a capacity of a mere 400 people, nobody heard me playing. When I bought my bass I knew that I needed a new amp. Enter the Rumble 100. If this is your first amp, you might think this is a little pricey, but trust me, it is beyond worth it. I'm only 5'1", and while I could carry the heavy Ampeg bass and amp, it was starting to hurt my back. But this amp is incredibly light. I almost expected it to have zero bottom end. But when I played it, I was shocked. The sound was very well-supported, even if it's played with the bass, low, and mid down and treble all the way up (which I wouldn't recommend… I mean, it's a bass amp…) I've loved this amp ever since. But I'm not a "pro" yet, so let me tell you what some professional musicians thought when they saw my amp. I performed with a popular local brass band that has been together since 1980. Altogether they have 50+ years of touring and gigging experience. They're used to lugging some pretty heavy equipment. When I walked in to the auditorium, I had my bass case slung over my shoulder, my amp in my hands, and all my music nestled under my arm. Of course the stage crew at the door all thought that the tiny chick (me) was about to drop everything, so they rushed over to help me by picking up my amp. They went, "What? We're wondering where the inside went, Is this it?" They thought it would sound awful. But that night, in front of 2,000 people (and there was a bass solo), everybody said they could hear me perfectly. The design is simple, the onboard controls are very effective and not too complex, and it plays loud and proud without hurting you.Bass Clef Kid
Like the rest of the bass players out there I've used all of the major brands. From old-school Acoustic Control heads and cabs from the '70's, to Ampegs etc etc etc…Well I've reached the point where that level of stage volume isn't needed for what I'm doing now; I shopped around, and despite some of the amazing combos available, I landed on this one. Actually the guitar player in our band mentioned that he had bought the 50watt version of this. I played through it and was impressed. For me it's the ideal unit for what I'm doing now – I still play some heavy rock (Mountain, Cream, Cactus, Trower), but when volume is required we of course use the FOH and good monitors for stage support. Having the onboard direct out is the best as it allows me to go direct into whatever board is being used, whether live or recording. Don't be fooled by the small size; the size is a real asset in terms of portability. The head is where it all starts, and the tonal range is wide so you can dial in your sound. In a live situation there's plenty of lows, highs and depth of tone. Playing in various size venues is no problem – this will carry without going through FOH in churches, smaller bars & clubs (50-100 capacity). Larger venues or live situations where stage volume is needed for impact or performance, then my personal recommendation is to use this as a personal monitoring device and go through the PA & stage monitor as a direct through the board. One last thing; the amp sounds as good on 3 as it does on 7. Any more than than 7 and it starts pushing the speaker, and not in a good way. But I've had this for several months now, use it gigging and recording regularly and overall am simply satisfied with the purchase. Like everything, this amp has limitations. You're not going to get the punch or volume of a high powered rig, and you really shouldn't be using a combo for something like that. But whether you're a beginner, novice, or weekend warrior or pro this amp, as well as the rest of this product line, is a tremendous option.jb
11. Bugera Bxd12 Ultrabass Bass Combo Amplifier
Product Details:
The bxd12a from bugera is a fully stage-ready powerhouse, delivering an incredible 1,000 watts through a world-class, british-engineered 12" turbosound aluminum-cone driver that produces an amazingly clear and punchy attack. offering superb signal shaping via a high-voltage mosfet pre-amp with a wealth of bottom, mid and top-end eq options, a classic compressor and our amazing dynamizer technology. the bxd12a out punches the competition with ease, style and tone. all these amazing features are lovingly packaged in highly portable, tilt-back enclosure that makes the bxd12a the ultimate player-friendly, onstage tone-machine. you will find turbosound’s distinguished products not only touring with the best-known international artists, but also in countless major venues worldwide. class-d massive power, perfect sound thanks to revolutionary class-d amplifier technology, bugera is able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. class-d amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. mosfet preamp high-voltage, high-headroom tube sound buger’s revolutionary high-voltage mosfet preamplifier redefines solid-state bass tone, providing the sound, feel and immense dynamics of an authentic tube amp. it is all about tone, and this highly-versatile and responsive mosfet preamp provides an abundance of headroom for consistently crystal-clear and faithful sound reproduction – no matter what style of music your gig calls for. studio-quality compressor – stairway to heaven this totally transparent and musical compressor design allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the highly visible status led. the compressor increases sustain and gently smoothens out signal peaks, which is especially handy when you’re laying down the funk, à la slap and pop or hammering home your most aggressive metal lines. the resulting output level lets you unleash powerful and impact-laden bass lines, while still sitting right where you need to be in the mix.
Specifications:
| Product Type | Bass combo amplifier |
| Amplifier Type | Tube |
| Cabinet Type | Open-back |
| Total Output Power | 1000 Watt |
| Controls | Bass, middle, treble, master, ultra low, -15 dB attenuation, compressor, gain, mute, middle frequency, ultra high |
| Features | Class D power amplifier, overload protection, mofset preamplifier, Dynamizer Power Management technology, passive Gyrator EQ circuitry, active cooling system |
| Speakers Included | 1 x speaker – 250 Watt |
| Driver Details | Speaker – 12" – Turbosound |
| Connections | Instrument input – phone 6.35 mm Power input Direct output – XLR Tuner output – phone 6.35 mm FX loop return – phone 6.35 mm FX loop send – phone 6.35 mm 2 x AUX input – RCA Foot switch – phone 6.35 mm |
| Body Material | Steel, laminated particle board |
| Warranty | 3 years |
| Width | 15.8 in |
| Depth | 15.6 in |
| Height | 18.9 in |
| Weight | 39.9 lbs |
Reviews:
Not only does this 5 watt lil' monster have enough power to rattle the windows, it also has class! At only 9 lbs. the Bugera T5 Infinium has enough "UMFF" to push your favorite 4X12" cabinet into the stratosphere! It's better having this reverb built into this lil' madman than not having any at all. Just like 9/10 of the other amp heads in its class. The 1 channel, "all tube" head has warm cleans. Push in the PHAT switch and crank the volume and gain and you get saturated distortion that will blow you away! All of that in a 9 lb metal cage like package for only $200! You won't find another 5 W head with all of that for this price. I love my T5 Infinium from Bugera!brmul-8207
Bought this head for 162 ChF and combined with the Vox BC108 (85,-) it is a fantastic value. I should say, it is my first all-valve amp so I can't make many comparisons, but here is my general review. The amp reacts very nicely to changes in my guitar's output. Turning down the guitar volume or playing very softly gives me a clean sound even with lots of gain. The distortion is generally very harmonic and fuzzy. You can absolutely get a metal tone from this with a set of (higher output) humbuckers. You will need the "Phat" switch for anything high-gain, which will bypass the EQ, but to me it sounds great. The reverb sounds quite good and is very useful. The build quality and looks seem top-notch. There are three minor drawbacks. Firstly, even at 0,1 Watt it's fairly loud. Absolutely fine for lower gain tones, but late night metal in an apartment will be tough. Secondly, with headphones plugged in, the attenuator (wattage setting) is bypassed, so depending on the headphones high gain tones might deafen you. Thirdly (and this is a very minor nitpick), the Bass and Treble knobs don't have as much range as I'm used to. TLDR: Overall if you're looking for a simple old-school head with a fantastic value, this surely has to be it. All of my (admittedly nitpicky) issues with it can be fixed with an overdrive pedal.
First impression: On unboxing, the T5 did not make a great first impression. I thought it was B stock! It was literally covered in fingerprints! That greasy fingerprint look just doesn’t go well on black and chrome. It also had what looked like a tape glue mark near the logo. I got a good clean with a dry cloth. What a beautiful looking piece of gear this is, a vintage look that is to die for. The Bugera T5 Infinium Tube Amplifier is well built. It is heavy, certainly but well supported by a sturdy leather vintage style handle that makes it super portable. Tall rubber feet gave the T5 plenty of clearance to avoid cab handles. The front panel: The front panel sports a standard input jack socket, 5 Knobs, a “Phat” switch, a jeweled power light and a power switch. There is no “standby” switch. A matching chrome and black Bugera logo fronts the chrome cage. The controls: The Gain control increasingly pushes the amp into saturation as it is rotated clockwise producing a very usable overdrive. The treble and bass controls work as one expects – nothing unexpected there. The reverb was something of a surprise. Sounding rather “springy”, especially when added tastefully. A super reverberant wash is available beyond the 12 O’clock position. The Volume knob, perversely, does not seem to add volume. There is hardly and noticeable difference at all between the 11 o’clock position and when fully clockwise. Where the REAL volume push lies, is with the Phat switch. The Phat switch boosts the volume while bypassing the EQ. It certainly does make a huge difference – when engaged, one never wants to switch it off! The Back Panel: Power is via 3 pin IEC “kettle” plug. Also here are two quarter inch jacks. The first is for a 4 ohm speaker, although this is labeled as a minimum load, you can use 8 or 16 ohm cabs. The second jack is for headphones. Extra points to Bugera for not using a mini jack here! Bugera eliminate bias issues using what they call their “infinium” system. LED indicators show when a tube needs replacing. The T5’s is next to the phones jack socket. Inside: Under the hood things also look great but you will only really get to see this if you are curious or wish to swop out or replace tubes. Removing the cage reveals the transformers, tubes and a screen printed Bugera logo – it’s like an art piece! The tubes are very secure and it takes some determination to remove them – a good thing as secure is better. The inside of a T5 chassis reveals considerable digital circuitry – probably the reverb. Performance: For 5 Watts the T5 is certainly much louder than one expects. If your personal history is primarily solid state amps, this amplifier will be a wake up call as to why guitarists everywhere have refused to abandon tubes for so long. Blues tones from the T5 are beautiful – everything from almost clean to great crunch – everything a blues player looks for. Let down: I REALLY wanted this amp but it was let down by one thing. The amp I was using had an unpleasant "fuzzyness" when trying to get the cleanest possible sound out of it. This "fuzzyness" hung in the dying tail of a note and sounded exactly like a crossover problem in a push pull amp – but this is a Class A amp so how could that be?! When playing power chords it sounded like intermodulation – something didn’t sound right to me. Ironically, "digital noise" in my digital practice amp is WHY I wanted a tube amp in the first place! This was a different type of noise but just as distracting. I had no EL84’s so couldn't test that – but I did have a lower gain 12AU7 tube so was able to swop that with the 12AX7 hoping like crazy that it was a tube issue and that the problem would vanish (because I really DID like this amp) but it did not help. In the end, I reluctantly packed up the T5 and returned it. If you do get a chance, try one, I recommend this simply because if I just got a dud or damaged B stoc
12. Vox Amplug2 Bass Headphone Guitar Amp
Product Details:
With amplug g2, the crucial analogue circuit has been drastically improved, and each model now provides three modes. bass features three gain modes, as well as nine selectable rhythm patterns for convenient and effective practising. a foldable plug mechanism that rotates 180 degrees and an auto power-off function are additional features that contribute significantly to improved convenience and ease of use. there is also an aux input for jamming along with any audio player. amplug g2 is the simplest way to get serious sound; occupying virtually no space, it's an ideal choice for any guitarist or bassist. provides the ac30 top boost sound. the authentic, crunchy blues tone of a cranked tweed amp. delivers the classic crunch of a uk-made 100w amp. the ideal choice for fat, boutique inspired clean sounds. searing, high gain lead tone thats perfect for solos. gives you the extreme high-gain sound of a us-made amp.
Specifications:
Reviews:
Just got this Vox Amplug2 in the mail. Brought it in, unboxed it, tore open the package, oh nice-comes with batteries! Stuck them in. Got my 5string, my phone, an aux cord, and headphones. Plugged everything up, turn on the little amp, turn up the volume, punch up a song on YouTube, adjust volumes to suit. I've been playing with Willie Dixon and Black Sabbath all night now 🙂 I've turned all the little knobs. Tone is basic, down is thick, up is brighter. Tried the drums, very cool, but i haven't gone through the different settings, just the first couple drum sounds. I'm happy with it. But for the past three hours I've just had everything on the amp all the way up, and adjust tone and volume on the guitar, then adjust the aux volume on the phone. Works just fine. Perfect for practice and unbeatable for the price. Be a bit careful with it, the plastic won't take a lot of abuse, but it's plenty durable to sit on the chair and practice.
I've been looking for a way to practice without having the hassle of amplifiers. I've always practiced my electric bass unamplified. I considered an acoustic bass but ultimately decided on this product. It works great for practice. Some other reviews complained about noise. There is some noise, but not enough to keep me from practicing. I wouldn't record with it, but hey, it runs on 2 AAA batteries, what do you expect? For the money I'd expect it to be made of better plastic. The case has a somewhat lightweight and textured feel. It would also be nice if it was Bluetooth capable for aux/headphone connections.Pete
I have been very excited with this wee amplifier. It plugs directly into the bass' output jack. There are dial-controlled volume and tone controls which work perfectly and provide well-designed volume and tone sweeps The sound has 3 press-button activated gain levels, and a small colored light which changes color to show which is switched on. Two options, with orange or red colors in the single lamp, are quite low in volume (too low I think) but the third, when the green light is on is excellent, potent with a bit of growl – think Jack Casady, I say! There is an output jack for headphones – plenty of volume available – and an input jack to run, for example, an iPad into the Vox. So, you can privately play along with any music you have stored on an iPad! Powered by 2 AAA batteries, which come with it. Absolutely amazing device. A beginner can buy a bass, use this amp without even needing to purchase a guitar cable, and be ready to begin. The "headphone" output can be plugged into an amplifier's auxiliary socket (my small Ampeg amps are wired to "center" a stereo input signal) or a home sound system using a mini-plug- to- 1/4" stereo converter jack and perhaps a mini-plug-ended extension cable, sold everywhere in various lengths. So one could practice and have the combined sound of iPad and one's instrument sent to an amp. You can overwhelm the Vox and make it bark by too much input volume from your bass or by suddenly too-hard pick strikes, but if you moderate that a little it is fine. Superb device!unclefot
13. Orange Crush Bass 50 Black 50-Watt Bass Combo Amplifier
Product Details:
Orange crush bass 50w bass guitar combo amp, black from warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the crush bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. the crush bass 50 draws inspiration from our flagship ob1 and 4 stroke amplifiers, bringing some of the defining elements of each into a compact combo. like the rest of the crush bass range, this 50 watt model delivers bold and punchy lows courtesy of its analogue circuitry and ported cabinetry. the extremely flexible active eq section includes a sweepable parametric mid band, allowing players to shape their signature sound without limitations. for even more versatility, the interactive gain and blend controls are primed for creating enormous ‘bi-amped’-style tones with ease, adding extra harmonics and variable levels of grit to the core bass tone. they can also be switched in remotely using the optional footswitch. other handy features include a buffered effects loop, integrated tuner, aux. input and a headphone output with our cabsim circuitry. ever since the founding of the company in 1968, orange has been a pioneering force in the guitar amplification industry. our commitment to craftsmanship and quality control has allowed our amplifiers to stand the test of time, giving their owners as much pleasure now, as the day they were bought. today, with a team of the world’s finest amplifier engineers, orange continues to push back the boundaries of conventional amplifier design.
Specifications:
Reviews:
I don't understand all these raving reviews. I bought this amp without trying it first….my mistake. I have a Orange Crush 35w guitar amp and love it. Sounds great and plenty of power for a practice amp. So I thought based on that and all the great reviews that I would go for the Orange 50 bass amp. I have a Fender Rumble 25 and an Acoustic B30. So I wanted something with some more power. So I went for the 50w. Very anxious to hear it when it arrived, I plugged in my bass fired the amp up and thought something was wrong. I already had the volume half way up and it was still quiet. If I turn either the Rumble or the Acoustic half way up I can feel the volume. I was able to turn in all the way up! Which I really can't do with my other amps. The Acoustic B30 matched the Orange's volume (but with a much deeper feeling to it) while the Orange was all the way up and the B30 was only turned up to 1/4 volume. (9:00 position) So a 30 watt amp is more than twice as loud. And killed the Orange in the tone department also. Never thought the Acoustic sounded great, until last night. The Orange sounds like it's got a wet blanket covering it in comparison. Just totally weak volume and uninspiring tone that I was blown away by. Too bad in a negative way. I really thought I was going to love this amp based on reviews. The strange thing is that the only way to get more volume is to turn the gain up (it's not a guitar amp, Orange) and there goes your clean tone. The slightest amount of gain makes it growl. Which I admit isn't a bad sound with a little gain, but it should be an option to have the distortion or have it sound clean without needing the gain to boost the weak volume. I went back and forth between the Orange, Rumble 25, and B30, comparing tone and volume. Let's just say I have a new and appreciation for the Rumble and the B30. They both sound amazing in comparison. Orange makes great guitar amps, but I would call this bass combo a Lemon.Uncle T
This amp made me realise using a guitar amp for a bass wasn't nearly as good, the sound is very different. The quality and volume of the amp is much better than my old one, wven though its smaller. The tuner on the amp is a lot of help and tuning the bass much quicker. Its not too heavy and doesn't take up as much space as other amps I've had. Its is aesthetically pleasing, I love orange, the colour, and the logo on the front is a nice touch. There are 2 types of cables to plug this in, a uk and European cable so no need for an adapter. I got cute stickers with the package; I'm a fan.Zoe W.
Overall: This is my first practice amp in almost 20 years. Its surprisingly loud for the size, the onboard tuner is awesome. Classic orange looks, easy to find a good tone. zZounds has amazing customer service. I ordered this amp Monday at 9:30AM and received it the following day at 10:30AM. VERY satisfied.Corey
14. Fender Rumble 40 V3 Bass Combo
Product Details:
For bassists everywhere at all levels, rumble bass combos are re engineered to be astoundingly compact, portable and lightweight, with seismic fender bass tone and stage worthy features. the stylish rumble 40 combo pumps 40 watts of pure fender bass tone. light and loud, it s built with great features including classic fender styling, 10 speaker, overdrive circuit, versatile three button voicing and more. a great combo for any bassist.
Specifications:
| Tacoma | 0 |
| Seattle | 0 |
| Silverdale | 0 |
| Puyallup | 1 |
| Richland | 0 |
| Yakima | 0 |
| Amplifier Type | Solid State |
| Voltage | 120V |
| Wattage | 40 Watts @ 8 ohms |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Headphone Jack | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Amplifier Depth | 12" (30.4 cm) |
| Amplifier Width | 16.5" (41.91 cm) |
| Amplifier Height | 16.5" (41.9 cm) |
| Amplifier Weight | 18 lbs. (8.16 kg) |
| Speaker | One – 10" Fender Special Design |
| Impedance | 8 ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
Reviews:
Holy cow, how the Rumble series have come into their own! Back when I last played music the Rumble series was kind of naff but this has really grown up! I'm told the 40w is the lowest power Rumble to get Class D amplification. I don't if that's true or not (Class D is still solid state), but the difference in tone between this and the 10-25w practice amps is remarkable. This one just has that something extra and finally "sounds like a bass" vs smaller amps. And it's not volume, it's tone. I chose this over other amps for the 4 band EQ and having control over the mids; having knobs for low and high mids feels like better tone shaping for my purposes than a mids and a contour knob. YMMV. The only thing I would add to the Rumble 40 would be a built-in tuner. I would rather have a tuner than the rather weak drive Fender included. I would ignore the drive and use a pedal if you want that sound. But that's small potatoes because the clean signal is so, SO good. If you're looking for a home amp, stretch the budget a little and get the Rumble 40; the difference in tone from a 10-25w FAR outpaces the difference in price. This amp is one of the best bargains in bass playing.Eric
I don’t know who wrote the positive reviews, but they certainly aren’t bass players. I was so impressed by the reviews and price that I bought 2 for my band, one for bass, one for keyboard.
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
Overall: I'd love to give this amp a 5 star ++++ rating. The sounds are amazing. It offers faithful reproductions of all the classic Fender amps from the early 50's to present day, Ampeg SVT presets, Gallien-Krueger KGB-800, SWR Redhead, Tube Preamps, Marshalls, Oranges, and Hi-Watts. All useful. Rock, Metal, Jazz, Country, Motown, Funk, Soul, Latin, Fusion, Reggae…it's all covered. Plus, there's hundreds more online presets available, with 100 empty preset slots available on the amp.The 100 onboard presets include…- 20 Fender Rumble V3- 4 Fender Rumble v2- 9 Fender Bassman 300- 7 Early 50's Fender Bassman TV- 3 1959 Fender Bassman – 7 Fender Dual Showman- 8 Gallien Krueger KGB-800- 8 HiWatt/Marshall/Orange- 4 SWR Redhead- 13 Ampeg- 12 Preamp- 4 "Monster" (bizarro stuff)With all these great sounds, what's the negative? The Bluetooth and WiFi features. I'm keeping my fingers crossed that Fender will correct these issues in a future firmware update.The WiFi literally will not connect to my home network, after at least a dozen tries. Google and YouTube offered very little help.The Bluetooth works, but randomly disconnects, and sometimes takes multiple attempts to connect and reconnect.There are workarounds, I suppose. I believe firmware updates could be done by hooking the amp up (via USB) to your computer. You can run an auxillary cord into the amp from your phone or tablet to play along with drum loops or songs. Even with these issues, the sounds alone are the selling point of this amp. It's pretty amazing.
15. Fender Rumble 200 (V3) 200w 1 X 15" Bass Guitar Combo Amplifier
Product Details:
Fender rumble bass ampfender's rumble bass amps have been re-engineered to be much more accessible and portable for every level of player. the weight has been drastically reduced, and the unit has been compacted into an easy to carry size for transport or stacking. with seismic sound and up to date features ready for the stage. the stylish rumble combo pumps a pure and unmistakable fender bass tone.model # 2370500000 as always you can get these products and many more at the lowest price online right here at d.c. music store.
Specifications:
| Amplifier Type | Class-D |
| Voltage | 120V |
| Inputs | One – 1/4" |
| Auxiliary Input | 1/8" Stereo |
| Line Out | One – (XLR with Ground Lift) |
| Headphone Jack | 1/8" Stereo |
| Horn Tweeter | One – Compression Tweeter with On/Off Switch |
| Cabinet Material | Lightweight Plywood |
| Pilot Light Jewel | Red LED |
| Handle | Molded Plastic Strap with Nickel-Plated Caps |
| Front Panel | Painted Metal |
| Speaker | One – 15" Eminence-Designed Ceramic Magnet Speaker |
| Impedance | 8Ohms |
| Knobs | Ivory Soft Touch Radio Knobs |
| Dimensions (D x W x H) | 14 x 19 x 23" / 35.56 x 48.26 x 58.42cm |
Reviews:
Overall: HAVE MINE FOR 4-5 YEARS NOW. TOTALY AN ALL PURPOSE AMP. GOT RID OF AN ACOUSTIC 15 COMBO OF SOME SORT. ALWAYS HAD ISSUES WITH. ADDED A BIT OF MONEY TO THAT SALE AND GOT MY RUMBLE 200. HAPPIEST DAY. USE IT FOR MANY DIFFERENT VENUES AND INSTRUMENTS. MOSTLY BASS, OF COURSE. PLAY GUITAR/ACOUSTIC THRU IT AND WORKS PRETTY GOOD. IF YOU EQ IT CORRECTLY, IT DOES THE JOB. RECOMMEND IT HIGHLY.Roy
Overall: I had an Acoustic B200 Combo amp. I loved the sound of it because it had the same sound as the old '70's era Acoustic bass amps. I like a clean, clear bass sound. After burning up the power amps in two of the B200's I decided it was time to try something else, so I bought the Rumble 200. I plugged it in and turned it on for the first time, and in about 60 seconds I found the exact sound I was looking for – just like my old Acoustic. The tone controls are way simpler to figure out than the Acoustic was. It's nice to have a good sounding bass amp that I can carry with one hand! The only complaint I have is that the controls are on the top of the amp on the backside, that's why I rated features a 4. If they were on the frontside of the top that would be better, but front mounted would be best. But for the sound, quality, and price this is a very minor inconvenience. It's a good sounding and good looking little unit!Brett
Overall: I read all the reviews for this before making a decision between this amp and an Ampeg with a 15". I love Sunn and Ampeg bass amps: that is what I grew up with along with a Fender 100 tube amp that had a four 12 cabinet that rocked. Some reviewers stated this amp was straight out of the sixties or sounded like an old Bassman. They are right. First time I turned it on and turned it up a bit it sounded just like my Bassman 100 but with a deep throaty sound that old school bass players like me crave. How Fender was able to get a true tube sound into this solid state amp is pure genius. I feels like a tube amp. Deep and it seems to have a slight sag to it. Very impressive. I turn the horn off, leave the eq knobs at straight détente, use the vintage button in and it sounds incredible The overdrive channel is a monster to itself: horn off, straight up eq and you can go from mild breakup like you would get with slightly overdriven preamp tubes to an amp maxed out. think of Grand Funk, Deep Purple etc. I haven't spoken about the volume and wattage yet. When you crank it up to where you feel your pant legs wobbling and your stomach churning you realize that this is no toy. The decibels this can put out are truly amazing for it's size. I runs at 120 watts as is but add another 8 ohm cab and it jumps to 200 watts. That 120 is loud as hell and the only reason to add another cab is if you want a couple of tens and it would sound great. Myself, I would add the Fender one 15 cab and get that volume and bass that would take the house down. Looks like a toy, but a real fire breather inside.Mark
16. Tc Electronic Thrust Bq250
Product Details:
The tc electronic thrust is a portable micro bass head amplifier for use on stage and in the studio. it features a compact and lightweight design for ultimate portability. the cutting-edge class-d amplifier technology ensures incredible power and sonic performance and the high-voltage mosfet pre-amplifier makes for the authentic sound and feel of a tube amp. a studio-quality headphone amplifier with speaker emulation for personal practice and silent rehearsals. the amplifier is protected against short circuits, thermal overload and low speaker impedance for enhanced reliability. a passive/active switch optimises preamp input for basses loaded with either passive or active pickups for the best tonal response possible. the amplifier features the highly-versatile, single-knob thrust compressor circuit that accurately sets the dynamic range of your playing and provides maximum punch to catapult your tone across the stage. also the perfect practice tool thanks to its high-quality headphone amplifier with speaker emulation and aux input, which lets you jam along with all your favourite grooves, songs or tracks.
Specifications:
| Instrument input | 1/4” TS, unbalanced |
| Aux input | 1/8” TRS, unbalanced |
| Thrust | Variable (off to max) |
| Thrust switch | On / Off |
| Phones out | 1/8” TRS, unbalanced |
| Direct output | XLR, balanced |
| Level max | Pre EQ ( +12 dBu), Post EQ ( +16 dBu) |
| Loudspeaker output | Professional locking connector |
| Min. load impedance | 4 Ω |
| Max output power | 250 W |
| Europe/UK/Australia/China/Korea/USA/Canada/Japan | 100-240 V~ 50/60 Hz |
| Power consumption | 60 W |
| Mains connection | Standard IEC receptable |
| Dimension (H x W x D) | 69 x 255 x 233 mm, (2.7 x 10.0 x 9.2”) |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
17. Blackstar Unity Bass 120
Product Details:
Unity pro bass are the result of countless hours of technical research and benchmarking against the most iconic historic references. designed from the ground up by bass players, for bass players they are straight forward and powerful. the new unity pro bass systems deceptively simple controls allow you to quickly and easily create your tone, with rock solid bass, detailed dynamics and innovative features in a compact package from 30 watts to 500 watts. blackstars unique response control allows the player to choose between the sound and feel of three classic power amp stages, shaping compression, natural drive and dynamics. combined with three distinct preamp voicings and a 3-band semi-parametric eq, unity produces infinitely flexible bass tone and exceptional feel, whatever your playing style. the unity 250act powered cabinet can be linked to any model in the line to add 250w or more of active power to your rig; taking you from the studio or rehearsal room to the gig with ease and portability. from the organic response of classic valve amps, to a transparent clean platform, unity brings together the ultimate in bass tone. any player, any sound straight forward and powerful, unitys deceptively simple controls allow you to quickly and easily create your tone no matter what style you play. ultimate flexibility enhance your sound with built in chorus, compressor and octaver. pro connectivity unity bass is perfect for the studio or stage with the balanced xlr, usb connectivity and more. eminence opus speakers – voiced for unity unity pro bass system features eminence opus speakers, designed and voiced in partnership with eminence – the professional choice for bass players around the world.
Specifications:
| Weight | 33 lb |
Reviews:
Was looking for a small light weight amp whilst away from home, not wanting to lug around my heavy tube amp, cab and good sized pedal board. This amp fit's the bill perfectly. This amp sounds great, the onboard effects sound good to my ear. And I also like the controls on this amp. Simple layout that makes it easy and fast to dial in a decent sound. If you need more flexibility the architect software, which is a free download from Blackstar, is straight forward to use giving you even more flexibility. Another thing I like about this amp is as I'm away I often need to us headphones, no to disturb the neighbours, through the architect software, you can change the cab simulation from 112, 212, 412, even choose what mic simulation is used, which I think it's an excellent addition to this already impressive small amp. This amp also sounds great through its built-in speakers, giving it a great stereo sound. For this price I honestly cannot fault it, I did look at other amps but settled for this. And I'm so glad I did. This amp is a bargain!!Lesley C.
I hate amp hunting. I wanted something small and specific for a home studio. Shiny cleans with some grit too? Quality build? Under $600? I searched the used listings for weeks trying to find a deal. Nothing really GETS me. Finally, utterly sick of shopping, I walked into Sam Ash, saw this thing on the shelf and just bought it. Didnt try it. Just read the specs online, read a few reviews and snagged it. I figure, worst case scenario I'll return it tomorrow. Let me say, the sound from this amp is just so incredibly nice. Even without pedals, the built in reverb sounds very good. Not splashy, more like a plate reverb. Adding a transparent overdrive makes my G&L ASAT sound like a tone monster. I have no specific affinity for Blackstar. Never owned a single one of their products and I am totally blown away by this thing. I don't know a thing about the tonal waveforms and harmonic frequencies of the most expensive boutique amps but, on a stage or studio I'd put this amp up to pretty much anything. It FEELS good. It sounds good. Between my guitar and an overdrive pedal and the tone knob on the amp itself, I'm able to pull at least 6 very distinct tones before I even engage the dirty channel. It's even got an effects loop. Get one! You'll like it!DANIEL
I bought this amp a few months ago after LOTS of research, having finally decided to replace my previous amp of about 20 years! (A Marshall AVT half stack) Firstly, it looks amazing IMO and build quality looks and feels great too. I play in two bands, one playing southern rock, the other heavy rock/classic metal so needed something that was going to cover a pretty wide range of sounds. The Blackstar handles it amazingly! Wonderful warm crunches all the way to chugalicious highly saturated metal gains. The high gains are so smooth and creamy too and not 'scratchy'. (Something I always struggled with with the AVT) The clarity is also pretty amazing at high gain too. Individual notes can be picked out clearly and not just lost in a fuzzy mush. The 2 OD channels work perfectly for the two separate sounds I'm looking for to suit each band, with Voicing on each channel giving even more versatility. This amp produces beautiful cleans too, which can also break up nicely if you push the clean channel volume up. I'd also really recommend the optional 5-way footswitch, shame this doesn't come as standard, but hey..! All in all, I'm absolutely over the moon with this amp. It can do everything from sparkling cleans to tasty crunch and up to all the gain you could wish for. I've even been able to get THAT Stevie Ray Vaughan tone! 😍 But not only that, it's not some 'Jack of all trades, master of none'…it absolutley nails all of these brilliantly! This amp delivers the sound I've been looking for elusively for years now, funny that Blackstar's slogan is "The Sound In Your Head"… Big thanks to the team at PMT Newcastle when testing the 40 Watt version, and the distribution team for the speedy next day delivery!Davey S.
18. Fender Rumble Studio 40 40w 1×10 Bass Combo Amplifier Black
Product Details:
Fender rumble studio 40 electric bass guitar combo digital modeling amplifier. if there’s one thing fender knows, it’s inspirational tone. combining our hard-earned expertise with feedback from players around the world and brand-new technology, we created the rumble studio 40 digital bass amplifier. perfect for rehearsing and recording, the rumble studio 40 harnesses the potent processing power of our gt engine to deliver a studio worth of realistic bass amp and effects models. create your own sound and get inspired with over 15 amp models and 40 effects-all controllable via bluetooth and the exclusive fender tone app.
Specifications:
| Wattage | 40 Watts at 8 ohms |
| Channels | One |
| Inputs | One – 1/4" |
| Cabinet Material | Lightweight Plywood |
| Grille Cloth | Black |
| Front Panel | Black |
| Handle | Molded Plastic Strap with Black Powder Coated Caps |
| Speakers | One – 10" Fender Special Design |
| Amp Weight | 19 lbs. (8.6 kg) |
| Amp Height | 16.88” (42.9 cm) |
| Amp Width | 16.5" (41.91 cm) |
| Amp Depth | 12" (30.4 cm) |
Reviews:
Holy cow, how the Rumble series have come into their own! Back when I last played music the Rumble series was kind of naff but this has really grown up! I'm told the 40w is the lowest power Rumble to get Class D amplification. I don't if that's true or not (Class D is still solid state), but the difference in tone between this and the 10-25w practice amps is remarkable. This one just has that something extra and finally "sounds like a bass" vs smaller amps. And it's not volume, it's tone. I chose this over other amps for the 4 band EQ and having control over the mids; having knobs for low and high mids feels like better tone shaping for my purposes than a mids and a contour knob. YMMV. The only thing I would add to the Rumble 40 would be a built-in tuner. I would rather have a tuner than the rather weak drive Fender included. I would ignore the drive and use a pedal if you want that sound. But that's small potatoes because the clean signal is so, SO good. If you're looking for a home amp, stretch the budget a little and get the Rumble 40; the difference in tone from a 10-25w FAR outpaces the difference in price. This amp is one of the best bargains in bass playing.Eric
I don’t know who wrote the positive reviews, but they certainly aren’t bass players. I was so impressed by the reviews and price that I bought 2 for my band, one for bass, one for keyboard.
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
I have been playing bass since 1966, on and off professionally. I have had dozens of basses and amps. I also spent 42 years in the musical instrument business, attended 70 NAMM Shows and won a NAMM top 100 dealer award 5 years in a row before retiring. THIS IS THE WORST bass amp I have ever played. 10 minutes out of the box and I packed it up and sent it back. The other one I kept for keyboard because it was good enough for that, but certainly not for bass.Greg Billings
Overall: I'd love to give this amp a 5 star ++++ rating. The sounds are amazing. It offers faithful reproductions of all the classic Fender amps from the early 50's to present day, Ampeg SVT presets, Gallien-Krueger KGB-800, SWR Redhead, Tube Preamps, Marshalls, Oranges, and Hi-Watts. All useful. Rock, Metal, Jazz, Country, Motown, Funk, Soul, Latin, Fusion, Reggae…it's all covered. Plus, there's hundreds more online presets available, with 100 empty preset slots available on the amp.The 100 onboard presets include…- 20 Fender Rumble V3- 4 Fender Rumble v2- 9 Fender Bassman 300- 7 Early 50's Fender Bassman TV- 3 1959 Fender Bassman – 7 Fender Dual Showman- 8 Gallien Krueger KGB-800- 8 HiWatt/Marshall/Orange- 4 SWR Redhead- 13 Ampeg- 12 Preamp- 4 "Monster" (bizarro stuff)With all these great sounds, what's the negative? The Bluetooth and WiFi features. I'm keeping my fingers crossed that Fender will correct these issues in a future firmware update.The WiFi literally will not connect to my home network, after at least a dozen tries. Google and YouTube offered very little help.The Bluetooth works, but randomly disconnects, and sometimes takes multiple attempts to connect and reconnect.There are workarounds, I suppose. I believe firmware updates could be done by hooking the amp up (via USB) to your computer. You can run an auxillary cord into the amp from your phone or tablet to play along with drum loops or songs. Even with these issues, the sounds alone are the selling point of this amp. It's pretty amazing.
19. Orange Ltd Edition Glenn Hughes Crush Bass 50 Combo
Product Details:
Orange amplification are launching the limited edition, glenn hughes signature crush bass 50 and its colour is deep purple, not orange! the crush bass 50 compact combo, inspired by orange s flagship ad200 and ob1 bass amplifiers, perfectly blends some of the most defining elements of each. it has the essentials of a recording amp and delivers warm, clean bass tones, vintage growl with fat low end and blendable overdrive. plus, the limited edition is finished in a distinctive tough purple textured vinyl with a silver coloured plaque glenn hughes limited edition .
Specifications:
| Weight | 32 lb |
Reviews:
Great little bass amp. Purple cabinet so awesome!TERESA
Quel son pour un petit 50 watts!!!!
20. Peavey Max 208 Bass Combo
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the peavey max 208 bass combo amp delivers more bass in a space-saving package. with 200 watts of max power that includes ddt speaker protection and two heavy-duty 8" woofers, the peavey max 208 is great for plenty of gigs and rehearsals. another peavey exclusive is the patented transtube circuitry that offers you a gain boost feature for a more authentic classic overdrive sound. the eq section includes a 3-band eq and buttons for punch, mid-shift and bright. the max 208 also includes a unique psycho-acoustic low-end enhancement that adds low end without taxing the speaker. rounding out the features are a built-in xlr direct output with ground lift and 1/8" jacks for phones output and aux. input, as well as a built-in effects loop. the tuned, ported enclosure also includes a kick back feature.
Specifications:
| Weight Packed | 40.19 lb(18.23 kg) |
| Width Packed | 16"(40.64 cm) |
| Height Packed | 27"(68.58 cm) |
| Depth Packed | 15"(38.1 cm) |
| Year | 2019 |
Reviews:
I have played both electric and upright bass for 40+ years and like a lot of folks wanted a smaller, more portable, amp. I primarily play in a 4 piece acoustic group w/ 2 guitars, upright Bass, and violin. Volume is never an issue. I picked up a Max208 2 years ago and it has become my primary live amp. It sounds fantastic with either my MIJ fretless Precision A/E or any of my uprights. I have several larger rigs that sit in a closet as well as 2 Phil Jones amps (a Suitcase and a Briefcase) and I love the fact that the Peavey is: 1) Inexpensive, certainly for the level of performance. 2) Light and portable 3) Very flexible as far as tone control 4) Much better sounding live than the Phil Jones Briefcase which cannot match the low end of the 208. I did one mod to mine and added a Speakon / 1/4" combo jack to allow plugging in a small external speaker cabinet with it's own passive volume control that I locate behind the violin player who is on the opposite side of the stage from m and it works great for acoustic gigs giving a broad balanced stage sound. We only use (1) Bose L1 that all mics and guitars go through and it gives me an extremely portable system that has never let me down. I have a BSX Allegro EUB as well as a 53 Kay and an 80's Engelhardt. When I take the little Allegro and the 208 it is one trip from the car to the stage and ready to go. You can't beat it. If this ever gets lost, stolen, etc I will for sure get another. Peavey has a winner with this piece. I would highly recommend this to anyone (except someone looking to play loud rock) looking for a great inexpensive combo. If you want loud with it the 208 DI is very clean and it makes a fantasic stage monitor with the front angled speaker configuration.Steve
The sound to weight ratio on this amp is impressive. I bought it to replace/downsize an early 2000s Peavey TKO 115, and the 208 puts out more volume and weighs less than half as much as the 115! Simple controls, and enough options for a variety of genres. You get mild overdrive, vintage or modern voicing (via contour), sub-octave harmonics (via kosmos-c), and plenty of eq options. I'd recommend a cover (nearly any 12" loudspeaker cover will fit), because the finish is not as durable as previous models. I'm using this for small venues (no drummer) and medium venues with full band and PA.Trick
