Bass Guitar Pre Amp For Sale (2024 Update)

The palmer mi pocket amp for bass is a multi-purpose effects pedal and preamp that provides extensive sound shaping options for active and passive bass guitars. this versatile unit is ideal for gigging, and recording, and also features a headphones output for quiet play-along practicing. equipped with clean, overdrive and fuzz modes with adjustable drive and saturation, a 3-band eq with semi-parametric mid control. also includes vintage or modern cabinet simulation that is especially voiced for bass guitars. includes sturdy footswitch for mute or bypass control .

The emg bqc system is a complete control system for bass guitars. active balance, master volume, and eq circuits are included. the eqs allow you separate control over bass, midrange, and treble all via 2 concentric/stacked pots. rotate the control clockwise to boost, counterclockwise to cut. there is a center detent for flat response. the mid-range control has a variable frequency knob that allows you to sweep through the mid-frequency range from 100hz to 1khz. this selects the frequency to boost or cut.

This is a lovely little bass di and preamp pedal. the pedal includes active eq, master volume, and a drive channel with a blend knob to mix the effected and dry signal. a couple of the unique features this pedal has over many other di/preamp pedals are the 1/8" headphone out for quiet practice applications, and an effects loop so you can add other effects after the eq section. there are multiple outputs so you can simultaneously send the signal to a foh pa system and amplifier. runs off battery or 9v adapter.

This preamp/direct box is so strong and powerful it could only be called the “tone hammer”! `based on the respected obp-3 preamp, the tone hammer features fully sweepable midrange frequencies in addition to bass and treble controls. with the tone hammer’s pristine d.i. you are set for the studio or the stage. to give this tone shaping unit the ultimate flexibility aguilar introduced their proprietary adaptive gain shaping circuitry (ags). ags allows the player to kick in an additional gain structure and eq with the “stomp” of a button. you can now go from modern slap sounds to vintage or overdriven. 18 volt operation gives the tone hammer plenty of headroom to reproduce the most dynamic playing style. separate gain and master controls allow you to dial in just the right gain structure for any instrument. the tone hammer is the essential preamp/direct box for every bassist’s tool box.

Active electronics and preamps give you bands of eq to shape your bass's tone. using these active eqs lets you find your signature sound directly from your bass. aguilar sets the standard for aftermarket onboard preamps. the aguilar obp-3 runs at 9v or 18v and is the most flexible onboard preamp/eq aguilar makes. you get three bands with 18db boost/cut at 40hz 16db of boost/cut at either 400hz or 800hz and 16db of boost/cut at 6.5khz giving you the fat tone-shaping you need.

A winning combo. the markbass vintage pre is the new cutting edge pedal that'll elevate your bass tone with aplomb, while simultaneously offering a handy di and recording shortcut. what began as an idea from bass legend marcus miller has been superbly realised by the team at markbass. the vintage pre is, quite simply, a tone monster. combining a top-end preamp with an incredibly useful analog to digital converter, this pedal is the new all-in-one bass solution, perfect for both live and studio use. detailed controls including 4-band eq, two independent distortions, and wet/dry blend control give this pedal serious versatility, meaning it'll immediately feel right at home in any setup or existing pedalboard. guaranteed to offer practicality, all while lifting your bass tone with rich, saturated warmth and drive thanks to the integrated 12ax7 tube; it's hard to go wrong with the vintage pre.

Active electronics and preamps give you bands of eq to shape your bass's tone. using these active eqs lets you find your signature sound directly from your bass. aguilar sets the standard for aftermarket onboard preamps. the aguilar obp-2 runs at 9v or 18v and gives you the benefits of active electronics while being compact enough to fit into just about any instrument. you get two bands with 18db boost/cut at 40hz and 16db of boost/cut at 6.5khz giving you the fat tone-shaping you need.

This has just brought new life to the bass for me. i've had the pleasure of jamming on it and it just dialed in tones i was able to get with previous gear. first, the bass scrambler nuances went from subtle all the way distortion of the bass in a way that can keep the tone of your gear transparent or (by dialing in different settings) saturate it for new sonic colors and complexities. it has been a game changer for me. the ultra low setting is one of my favorites as it hits just right out of speakers. ultra high can get a completely different tone that worked for songs i wasn't sure how else to get the sound i needed. condition shows little to almost no light marks, but want to be transparent for you all. i just found this pedal to be one that gave me a little extra grit and gave new tones i didn't have before to work with. overall, pedal is wonderful and i love it. feel free to message with any questions.

This preamp interface has ins and outs for a line (1/4 in.) or microphone (xlr). 48 v phantom power is onboard. i bought this item new but haven't used it except to check it to make sure it is working. i have several of them and they are great preamps for miking things, but what i use them most for is to record guitar or bass straight into logic. they will also work as a di in a live situation. the tube gives it a really warm sound. it has a phase reversal switch, input and output volume, and also a 20db boost switch.

Active electronics and preamps give you bands of eq to shape your bass's tone. using these active eqs lets you find your signature sound directly from your bass. aguilar sets the standard for aftermarket onboard preamps. the aguilar obp-3 runs at 9v or 18v and is the most flexible onboard preamp/eq aguilar makes. you get three bands with 18db boost/cut at 40hz 16db of boost/cut at either 400hz or 800hz and 16db of boost/cut at 6.5khz giving you the fat tone-shaping you need.

The transit b pedal is a professional grade preamp for the discerning bassist. built-in tools for tone shaping like pre-shape, 5 band eq and dual band compressor are easy to use and easy to tweak on the fly. features like drive with blend control and built-in bass enhancement add to the tonal options available. the back-lit control panel becomes the chromatic tuner for accurate tuning. built-in pre and post xlr balanced output, dry output and headphone output give the user the ins and outs they need.

Product features high performance preamp: an affordable preamplifier that accomplishes detailed audio tasks to boost the performance of standard home theater surround sound systems or home recording setups so you can experience professional level sound. *versatile control and connectivity: includes four selectable unbalanced analog rca inputs, phono, cd/dvd, and aux1 and aux2 to connect any number of sources including external bluetooth receivers, wi-fi receivers, dvd players, and tv set top boxes. *dial in the perfect sound: add detail to your sound with front panel variable control knobs that feature bass, mid and treble, plus balance, master volume and loudness contour knobs with min to max settings. *enhance your recordings: offers more control over tonal quality for home recordings and incudes " unbalanced low impedance input jack for microphones as well as mic level control that adjusts the levels of the input signal. *feature-rich preamp: an affordable addition to your home recording or home theater system, includes loudness control, master volume and balance controls, mono switch and low frequency filter to reduce undesirable subsonic low frequencies. description the osd audio pre-one is a unique affordable pre amplifier that adds front end system control to any of our two or multi channel osd amplifiers. it provides four selectable unbalanced analog rca inputs; phono, aux1, aux2 and cd/dvd. it also features a " mic input jack on the front panel with adjustable mic level control. other front panel variable control knobs feature three tone controls; bass, mid and treble. plus balance, master volume and loudness' contour knobs with min to max settings. additional front panel controls include power switch, tape loop, mono/stereo, low filter and mute buttons. features: power button with led that lights up when power is on tone controls: bass, mid and treble, center setting is flat, levels for each are attenuated when knob rotated counterclockwise and it is boosted when turned clockwise. loudness' control: compensates the low frequencies when listening at lower volume levels master volume and balance controls; adjusts the output level to the amplifier and left and right balance. low frequency filter: when enabled reduces undesirable subsonic low frequencies mono switch: converts the output signal to mono when pushed in. microphone input jack; input for mic " jack is unbalanced low impedance mic level control; adjusts the levels of the input signal muting switch: reduces levels 20db when enabled source selectors: phono; left and right input jacks plus ground screw terminal aux1; use to connect any number of analog sources external bluetooth receivers, wi-fi receivers or tv set top boxes aux2; see aux1 both are analog right and left rca inputs cd/dvd; connect to a good quality cd player, dvd or blu-ray dvd which will play dvd or and cd tape play and record jacks for the tape loop monitor output jack; for connecting to the input jacks of your power amplifier with rca unbalanced analog cables ac source selector; unit is multi voltage 110v to 220v pre1 audio component home stereo / home recording pre amplifier rack mountable – osd audiosku:edib01mpyjlpx specification model:pre-1size: n/aitem dimensions: l x 20 w x 10.98 h x 5upc: 819603012446prop 65 warning: this product can expose you to some kind of chemical, which is known to the state of california to cause cancer. for more information, go to www.p65warnings.ca.gov.

The presys plus from fishman is a preamp system designed to offer simple and versatile controls in a compact housing for instruments such as acoustic guitars and basses. the system includes the preamp unit, a 1/4" endpin jack, and a fishman sonicore pickup, all pre-wired for solder-free installation. the presys plus also delivers a built-in tuner with led display. equalization is handled via 3-band eq controls (bass, middle, and treble). the brilliance knob provides additional high-frequency tone shaping. the volume control can be used to make up for any level changes incurred by drastic equalization. combat feedback problems, common in live performance scenarios, by adjusting the notch control. when mixing signals from pickups and microphones together, use the phase switch to maintain phase coherency. the presys plus is powered via a single 9v battery (available separately). a convenient low-battery led indicator lights up when the battery is nearing the end of its life, which extends up to 88 hours. battery replacement is easy due to the pivot design of the preamp's control panel.

The radial bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording. designed as a bass command center, the bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. each channel is equipped with a separate level control to balance the two instruments. this is augmented with a unique eq that enables you to adjust the tone for each instrument to match with your bass amp. in fact, the eq is so powerful that you can toggle between channels to emulate switching from a p-bass to a rickey using the same bass! for added stage control, a second footswitch engages a power booster for soloing. this works double duty to turn on an effects loop. the bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artifact. outputs include a ¼" instrument output for the stage amp, separate always-on tuner out, and a built-in radial direct box to feed the pa or recording system.

Rather than dish out thousands for vintage originals, the origin effects bassrig 64 black panel bass preamp pedal makes it easy and affordable to incorporate the iconic sound of two fender amps into any setup! this analog amp re-creation comes equipped with a wide array of tone-shaping controls, with standard bass, middle, and treble knobs accented with a surgically precise amp out eq section to better match your amp and cab. looking to go di? the bassrig 64 black panel has you covered with a dedicated di section that sports a balanced xlr output to send your tone straight to a mixer or pa system no amp or cabinet required! with its vintage sound and features optimized for today s recording and playing demands, the origin effects bassrig 64 black panel bass preamp pedal is a worthy addition to any gigging bassist s gear collection.

This electronic preamplifier stands up to the test and will provide you with serious sound performance. the pp444 is perfect for bringing your studio equipment's phono-level output to a more suitable line-level output. it'll take your audio signal, amplify its strength and prepare it for further processing by your receiver or amplifier. preamps technically provide voltage gain to your desired equipment and are key to assisting the signal source, whether it's a turntable, musical instrument or microphone. the ultra-low noise audio conditioning circuitry allows the preamp to boost audio to levels that are more manageable for various types of audio equipment. you'll find it easier to adjust the recording level volumes of different sources from microphones and instruments alike. you should position your preamp close to the source to reduce unwanted noise and interference. preamps can sometimes come built into the stereo equipment, but if that's not the case, the pp444 is an easy install, wise choice and great addition to any musician or producer. take your sounds and audio production skills to the next level with the pp444 preamplifier.

The tech 21 sansamp rbi rackmount bass tube amp emulator puts all of the preamp tone-shaping and fattening control of the popular sansamp bass driver di in a single rackspace and adds a host of new features: a dedicated mid control; individual level control for the xlr out to optimize your amp's output relative to the pa; effects loop; mix 50/50 switch; 2 xlr outputs, one with level selection and a buffered unaffected xlr for running a dry signal to another channel. it also has 2 footswitch inputs: on/off and an output for chaining and toggling between 2 sansamps.puts all of its predecessor's preamp tone-shaping and fattening control in a single rackspace – dedicated mid control – individual level control for the xlr out to optimize your amp's output relative to the paan effects loop – mix 50/50 switch2 xlr outputs, one with level selection and a buffered unaffected xlr for running a dry signal to another channel2 footswitch inputs: on/off and an output for chaining and toggling between 2 sans – amps

The new dsm & humboldt simplifier bass station is everything you ever needed to go direct to the foh or recording amazing bass tones without sacrificing anything. it includes a bass preamp with gain, level, and a 3 band eq with semi-parametric mid control. a parallel signal routing with a selectable lpf, dual fx loop (for preamp and parallel signal), and an amazing analog cabinet simulation, based on the acclaimed omnicabsim by dsm noisemaker. the preamp stage is based on the ampeg svt . this amp stands out for it s personality, versatility and articulation. including its flexible eq with +- 15db per band, and the switchable midrange from 400-900-1500hz. across most of the gain settings, the amp is tight and clear. but with higher gains, it will grunt and growl like a real ampeg svt does. the simplifier bass station separates the signal at the input for a parallel line, bypassing the preamp, and including a switchable low pass filter (100hz, off, 500hz). the effect of ble…

Sansamp geddy lee signature 1u rackmount preamp for bass geddy lee has been performing without onstage amps and speakers since the test for echo tour in 1996, favoring major household appliances instead. known for using a variety of gear to create interesting layered tones, geddy has included the sansamp rbi and/or the sansamp rpm in his rig since 2001. wanting to streamline and simplify his gear for new projects, geddy partnered with tech 21 to design a signature sansamp, the ged-2112. this challenging collaboration involved distilling a rackload of equipment into a single rackspace. it resulted in a new format for parallel pre-amping — having two separate internal pre-amps that run in parallel. the drive pre-amp section is based upon the versatile sansamp rpm, for a wide range of sonic possibilities. the deep pre-amp section offers low end boost for thick, meaty tones. saturation goes from clean in lower settings to increased harmonics and tube-like compression in higher settings. to keep things lean and efficient, the eq curve is pre-set to geddy's personal specs. you can use either section independently or blend them externally direct to a mixing board as well as to two amplifiers.