Bass Guitar Fret Buzz For Sale (Jan 2023 Update)

I bought this bass because a friend had one that worked great and played great and I loved it. When I purchased mine I had it sent to my house. 5 days later and it comes in with busted knobs and I had to take it in for a refund. They had another in stock and I took it home. Well the second is busted too. Huge disappointment considering how much I enjoy playing this bass. Absolutely unreliable and I won't be getting a third one.James

I searched for the Candy Apple Red for a year and a half. Finally found it at Kraft Music as a bundle. Everything I needed was included. I have owned and played many high-end Basses, Drumsets, Guitars etc and since 1998 I own and love a Yamaha BBN5A as my primary Jazz Bass.
This TRBX305 ROCKS, the neck amazing and the humbuckers are super hot yet fizz free. The 5 position switch does exactly as advertised. Flawlessly shifting from finger to slap or solo. As anyone who plays Yamaha already knows, quality, playability, sound and finish are impeccable. I love this Bass. Thanks to Kraft Music for being Santa this year.zack short

The yamaha trbx305 is a very versatile bass guitar that's suitable for all genres of music. including metal. it has a mahogany body and a set of ceramic pick-ups which can provide warm, beefy, punchy sounds. it also has a smooth low action so it's comfortable to play. the one unique feature on this bass is the 5-way tone switch. this switch has eq settings for all styles of playing. so rather if you play finger-style or play with a pick, the tone switch has a sound selection for any playing technique. I play metal and I personally dig this bass for it's warm punchy sounds. rather if I play live or record music, it fills up the band mix quite well. it also works well with the effects I use. not to mention it sounds killer with overdrive and distortion effects. I'm not quite sure what trbx stands for, but judging from it's incredible sound quality, I'm guessing that trbx stands for totally radical bass xtreme! \m/ lol anywho, if you play metal and wanted to try something a little different, this is a good bass to check out.Metal alex

Rec'd it new in the box from Sam Ash. Candy Apple Red looks very nice. I didn't get as lucky as some in that the set up was not very good. I mean, it plays really easy, but fret buzz all over the neck which comes through the amp. Too low I guess. It didn't want to "keep" the battery in without some fumbling around. Stayed in once the lid was closed. There is a small cut on the side of the fretboard, but doesn't look like an issue. Sounds pretty good in this price range. Played an Ibanez 655 which smoked it in every way, but just out of the price range at this time (near twice the price). So, new strings and 65 bucks for a set up and I think this will be fine for awhile. In this price range I am not dissapointed. It is what I expected except for hoping I could get away without having to have it set up for just a bit. Actually, in this price range, it really is the best I have seen.Chuck

Other reviewers' complaints about the front veneer are specific to this color (you can see the odd 2-tone effect in the photos). This model also comes in "root beer," tobacco burst, and translucent black. Those finishes all blend the front veneer pretty seamlessly with the mahogany back, while still showing some nice front grain (very subtly in black). Yamaha's Indonesian-made 174 series mixes together fairly unbeatable features and tone in this price range. They aren't the world's fanciest basses, but they make no serious compromises. Necks are 1-piece maple (no 5-piece matchsticks). Bodies are made from real tonewoods: 3-piece mahogany (174EW) or 3-piece alder (174). The P/J pickup combination offers a wide range of tones, with solid electronics throughout. Nice touches: The neck is skinny (like a Jazz Bass') but extended to 24 frets. The downsized body is really lightweight, while substantial enough to be resonant. With the right EQ, these can really punch. Only downsides: I played 2 of these at my local GC, and noticed a real difference in tone. So I'd recommend buying from a local store where you can compare 2-3 copies. Also, the neck's satin finish feels a bit coarse to me. (I love satin finishes, but like them smoother.) While priced like a beginner's bass or impulse purchase, these are well-made, viable, giggable instruments. I've had my similar RBX270F fretless for years, and love it. (Especially since Victor Wooten signed its headstock.)Bass Desires

I was playing guitar, but thinking about getting a bass again. I wanted a solid bass, without investing a lot. The Yamaha was a perfect pick. The construction and finish of the bass I received was perfect. The bass I got is really good looking, in person. It plays great. I've had so much fun playing it, that I've put my guitars aside, and I am now studying bass seriously. After many months playing it daily, I think I am going to lower the action slightly. Tone wise, the two pickups, along with the tone control, cover a lot of ground. I've gone from playing this through a guitar amp, to playing it through two different 100/150W combo amps – the better of which cost 3x what the bass cost. The amps make a huge difference – more than a change of bass. I've thought about trying to mod the bass with higher end pick-ups, but frankly I'm afraid I'll mess up what is currently good about the bass' tone. As I progress, I will probably buy a much higher end bass, something on the order of 1-3K in price. But I believe this bass is decent enough to gig with, unless you are in Victor Wooten's class of player. For comparison, I bought one of those Steinberger Spirit basses (5 string) also. The Yamaha bass plays better and has much, much better tone.Kulokoo

They say this is a beginner bass well call me a beginner. I love it!! I have nothing bad to say about this bass. Light weight easy to play great feel! I love the mango look I've had many good comments on how great it looks on stage. And yes I bought a second one. And to think I bought the first one by mistake wow I guess that's how it happens. Don't get me wrong I love American made basses, but they are killer on my old back. LOL.Muss

Ordered one of these (In Pearl White) because of a good experience with another one. Of course I had to do some set up to alleviate fret buzz, adjust neck, string height etc. Once it was set up to my liking and a fresh set of my gauge strings, this bass was ready for just about anything! I have used it for a couple of outdoor shows with medium and very large P.A support and the sound was very good overall. Through my stage amp, I was able to dial in a very usable sound quickly. The bass is very light weight .(Which helps those of us with back issues.) Yet is still able to get a decent tone. The bass I received was a newer model with a poplar body and a Jatoba fret board which still has the characteristics of rosewood (slightly lighter in color) with a hint of a maple type bite. Personally, I liked the overall sound with this particular fret board. Speaking of which, the fret board is very easy to play (when properly set up) with a smooth, fast neck. The electronics are decent enough although the "bass boost" knob should be used sparingly and judiciously just to add some deep flavor on occasion for certain styles. All in all, a pretty decent machine that can easily be used by beginners and seasoned pro's (ok, it won't match up with a "boutique bass" by any means but still a very usable product!) Very good value for the price!Heard the Bass

This bass is really amazing for the price of it. The neck is so smooth and a bit thinner than other regular bass, perfect for my small hands and the weight wow it is really light. the built quality is top notch. The sound is really good and you've got plenty of sound you can experiment with it. Overall it's an all rounder bass from beginners to pronelson c.

The Ibanez GSR 200 is one of the best "bang for your buck" basses on the market. They are made with excellent quality, lightweight wood, agathis, maple, rosewood. The onboard P/J pickups and electronics sound good. They play good out of the box but they play excellently if set up by a guitar tech. These were choice basses for many of the bass players supporting MWR tours. Musicians would take Ibanez GRS 200 basses on tour and raffle them off to service members on the last gig.matt4717

Purchased the Fender Player Jazz bass. Overall great looks and sound, but some quality issues from the Fender Mexico factory (not Andertons' fault): – First bass had very clear weird uneven blemish under the varnish on the sunburst body. Not awful, but if I was in-store I would never have chosen that particular item. Returned and swapped by Andertons, no quibbles. Second bass arrived. Overall happy, sounds great, but still a few issues with quality control and design. – Control plate was missing 2 screws and was moving around – how does that get through Fender quality control? Replacement screws sent free of charge by Andertons. – Nut has not been slotted correctly – high G must have been passed through a machine and slipped, string is clearly a couple of mm too close to fretboard edge and you can see the failed first pass. Doesn't really affect playability, but is annoying and I will get it corrected at some point. Again, points to poor quality control. – Fretboard (Pau Ferro) is really thin – on the Player series, at least. Neck fret dot markers in white are half over the mid-dark fretboard, half over the light maple neck. Very hard to see in low light levels. OK, so they're just an indicator for position, but the design isn't great. So overall, the bass sounds great and Andertons service was very good. Fender quality control loses the one star from the review.Reviewed by Andertons Music Co.

…and falls in love. Let me start by saying I actually have owned one other P-Bass. I had a 50s reissue Precision, but honestly the neck was just too thick for my liking after years of playing Jazz basses. Honestly, it felt thicker than the neck on my Yamaha 5-string. So, I picked this bass up after always dancing around getting what would be considered a more standard P-Bass. I have a 70s Jazz with a ton of modifications, I've had quite a few other brands of basses, but I wanted to see what the fuss was about. I ordered this a few weeks ago, and have been very pleasantly surprised. The action was pretty good out of the box. I adjusted it a bit, made a few tiny tweaks to the intonation, and now it's super smooth. And, on the pickups, let me say it's a great sounding bass. Pickups are clear, bass sounds great. I play through a little Ampeg Micro cabinet. Earlier this week, I bought some Flats to throw on it (because that's what you do with a P-bass, right?) and now it's quickly becoming one of my favorite instruments to jam with. It really cuts through the mix when playing in a group. I see why folks really love the sound of a precision. My Jazz still has it's place, but man, I really like the sound of this bass. The Player P is a great value for what you get. I've never owned an older MIM, but I research the heck out of pretty much any purchase I make, and it looks like Fender really stepped it up with this rendition of their MIM Precision basses. Good tone out of the box, no discernible pickup noise, good action, a beautiful neck, and a Tidepool Blue finish that just shines and shines.Dennis F

Overall: This is a long term review of this bass. I didn't get mine from zZounds but have bought from them before. I want to mainly go over how this bass holds up and how it works in a band long term. When it was new it was good quality out of the box. Just needed a set up. I've used this bass on countless gigs over the years. If you play rock then it will definitely get the job done. Finish quality is good and durable. It doesn't like to chip but will if it takes a hard hit. Scratches are only really cosmetic, the poly is pretty thick. Keep it clean and don't abuse it and the bass will look good years down the road. The neck is pretty stable, I rarely need to adjust the truss rod. The three point bridge is fairly solid too, Paint on it is durable as well. The posts for the bridge can pull out the bushings but mine has not. The tuning keys are starting to get worn out. I'd replace them if possible. They still hold tune but not as well as new. Pickups and electronics are good too. No scratchy pots. Output Jack is still solid. Frets are pretty worn as well. Still got a lot of life but will wear faster than a more expensive bass. Overall a very durable bass considering what it's been through.Dominic

I read many glowing reviews of this bass on the sites of MF and GC, so I decided to buy one. Huge disappointment. Maybe I got a stinker or maybe the writers of the reviews don't venture beyond the 7th fret…who knows. Mine looks and sounds GREAT. However, the fret finishing beyond the 12th fret is essentially non-existent. Frets 15 and 16 are completely dead unless you keep the action at factory height, which is just not practical. The old-school three-point bridge looks great, but it's time to retire this dinosaur, even at this price point. It would be functional if Gibson/Epiphone would replace saddles 4 and 5 with additional 1 and 2 saddles for the E and A strings respectively (three-point bridge users will understand that lingo…). Even an inexpensive Gotoh bridge would improve the function immensely; a Hipshot would send it through the roof. I've played both professionally and casually here in Nashville since 1999, and have played bass for 30 years. I've owned some Gibson USA basses in my time (vintage G3 and Victory), and currently have two USA guitars (SG and LP). Gibson simply doesn't design basses for bassists who do anything more than play the root. I considered having the frets dressed by a service center, but have elected to simply return it to GC. Again, if you subscribe to the Dusty Hill Doctrine ("I promise to play the root, the whole root, and nothing but the root."), then this bass is fine. If you like to do ANYTHING more, then look elsewhere. I really wish Gibson would re-evaluate their approach to bass design, because I love to support local business. They're missing a huge market share by choosing to offer poorly designed and poorly executed instruments. Even a Babicz bridge can't correct a flawed blueprint…M

While this is my second Epiphone bass, this one is a bit disappointing. It is very eye catching but the style comes with a price: it does not hang well standing no matter what strap type or size I try. Not just neck drop but also the guitar casts away from your body like it is attempting to crash face first into the floor. Was supposed to be inspected and setup when purchased but was not. One tuner was mis-aligned, the bridge was improperly set, and the neck was back-bowed. The inspected by Epiphone sticker is a real joke! After a real setup, it plays well and sounds fine but then so do a half dozen other bass guitars I own. Just had to try one and did not want a thru-neck design so the cheaper Epiphone seemed like the choice. Guess I was wrong. I have to wonder if a Gibson would be any better – especially these days with Gibson almost on the rocks as a company…. Buy it to look pretty but do not expect much more than a barely passable bass guitar after you fix the issues it comes with. I would not recommend this for any bass player, even a beginner.cibulajb4

As the headline says…it's very enjoyable to play. I've even made several recordings using it instead of my Fender USA Pro 2 Precision. It does a decent job on the P pickup; the J has lower output. To my surprise I'm really digging the "raw" feel of the neck; it's bare, tho sanded well. Another surprise: neck profile width and taper is like a J bass, yet the depth/shape feels more like a P! Huh!? Hey, works for me! With its black body and pickguard and the maple fingerboard it looks like it means BUSINESS! Point removed for the too-stiff tuner action. And then…I've managed to get the action very low, just where I like it. (FWIW, even on my USA Pro 2 I had to shim the neck to be able to get the level of low action that I prefer.) Yes, ladies n gentleman, I really appreciate this Affinity PJ. I am considering using it for punk and classic rock parts of the band's gigs; not out of the question at all!Leo

This bass looks, feels, and sounds great! Did they nail the bodywork and neck lines? No, not completely. But that's about as much as I've got for negatives. This is one of the best 5 string necks I've felt. Less pizza shaped than the EHB but almost that good. Could have been nice to see a heavier finish on the fretboard but the edges are rolled with no sharp frets at all – unlike my cv 70s P. Sound on this Destroys the EHB and my sr505. Can't say how road worthy the pots and tuners are but I don't want to change anything and mess with this mojo. Unless you need silent pickups and can live with the tradeoffs. I don't know what you would need other than maybe a beefier jack. Setup was mind blowing. Literally took it out of the box in store. Got home, string height was dialed, haven't checked intonation yet but sounds fine. Was hardly even out of tune. Strings feel quality, I will probably even hold off changing those. This bass is making a lot of basses look and sound like questionable decisions. If you are worried about durability, honesty, get a good hard case. This thing feels plenty solid. Make sure the tuners and string trees are greased up and jam away.Arturo

I got mine in Black body, black pickguard, maple neck with maple fingerboard, It came with good setup right out of the box, I like the headstock's face with large "Precision Bass" 70's style logo, with gloss tint on it. The maple neck is one piece neck. I have other Affinities basses but this one sounds terrific, a lot of growl sound on P pickups , I like the P sound but also the J pickup is welcome. I always like this combination: black on black with maple fingerboard. I recommend this bass, Squier is getting better and better with the years. The only complain with this is that the Jazz Pickup is less sounding than the P bass pickup, I needed to rise the Jazz pickup to get better output but not the same output than the Precision pickup.Garedot

I have been looking at Thunderbirds for a while now. All the Epiphone and Gibson versions. Realized quickly the Gibbys were out of my price range although I wanted the Heritage Cherry version bad… My son spotted this one when it first came out.It was a stone cold copy of the original T-Bird that came out in '63. Had some Backstage points so I scooped this one up in Tobacco Sunburst. I was nervous because of the T-birds I had played in the past were neck heavy. Mine arrived after the typical lightning fast shipping by MF. It arrived in perfect shape. The finish was flawless, not a blemish or buffer burn anywhere. Hardware was classy. All the chrome from the tuners to the the pickup covers is perfect. Plugged it in to my Acoustic 600 W combo amp and went to town! Sound was great! Simple to dial in and the sustain is incredible. Put a strap on it and the afore mentioned neck heavy problem was non-existent! This bass is moderately heavy but not unbearable by any means. I played my first gig with it today, Thanksgiving 2019! It felt so natural to play, like I have been playing it forever. I could not be happier with this bass! It is everything you could ask for without a different name on the head stock. I have not played the Gibson but I can't imagine how it could sound or feel any better. Buy without hesitation! I am bummed it took me this long to decide on one. I have a lot of basses but this one is now my go to…. I can't think of a bad point to mention. Again, buy it! You will not be disappointed! As a side note, it fits in the EPI T-bird case like a glove. Plenty of room for that massive head stock!Hood's Creek bass 17

Anyone who's ever gone on the hunt for a good Thunderbird bass that they're pretty much awesome or awful with little middle ground regardless if it carries an Epiphone or Gibson name badge. I have a pretty big bass collection myself, but have never found an attainable T-Bird that I found appealing. Even among vintage models of Gibsons, dogs are as common as players, and few are truly worthwhile to me. What I discovered while searching for a good Thunderbird was that I favored vintage models with a separate tailpiece and pre-Bicentennial pickups: the intonation is superior and the tone fuller while still having that characteristic Thunderbird snarl. Since most of those are prohibitively expensive because of age and rarity and I don't care for the modern Gibson versions' TB plus pickups and three point bridge or the bolt-on Epiphones with their TERRIBLE pickups, I had pretty much resigned myself that short of finding a screaming deal on a 60's Thunderbird IV or becoming a rock star, my T-Bird itch would go unscratched. …enter the Epi Vintage Pro. It has literally everything I love about the old 60's 'Birds with some modern improvements in finish durability (I love nitro lacquer as much as anyone, but let's be honest, poly is WAY more durable) and intonation since the bridge is moved to its proper scale location. Add in the vintage "oversized" headstock, the neck-though-body construction and the AMAZING recreations of vintage Thunderbird pickups, and you have one monster of an instrument! I really can't say enough good things about it, and just to be clear, I would take this instrument OVER a US-made modern Gibson Thunderbird ANY day! I value quality and tone in my instruments over investment value and this bass has both in spades. If you're looking for an amazing bass for a great price, look no further!Anthony

First and foremost props to American Musical for their help with shipping, the company they used had a delay, and my Tbird went missing for a bit. American musical went above and beyond to help figure out the problem and i got my bass with very little frustration. Out of the box the bass is set up, action was a little high for me, but a simple 1/4 turn and it was playing great. The pickups have a great rock vibe, punchy, but not to high. Big difference between the Gibson and this Epi. Is the weight. It’s a lot lighter, and there isn’t as much neck dive, but be warned, the headstock is a whole inch longer than the Gibson, or the other Epiphone options. So far i absolutely love this bass, for less than half the cost of a new Gibson, this bass delivers. I’ve played Gibson’s, Fender USA’s, Spectors, and several others. For the money, this bass has been amazing.Jansen

got one used in good condition but discounting the minor scratches and a minor ding near the strap button the quality of the workmanship was excellent for a bass in this price range. Plays really well and only a minor bit of fret buzz which was easy to get rid of by raising the bridge a bit. Action was really low when i got it so it could easily stand to get raised a fraction. The sound is very bass heavy on the neck pickup by itself. You can dial in a bit more treble by using setting 2 and mixing the volume level and tone of the two pickups. The bridge pickup is very treble sounding – almost too thin. If you turn down the tone on the bridge pickup it sounds better. I am not using the bridge p/u by itself ever – seems to be good for maybe only a few songs. Going forward I could see routing out the cavity and putting in a MM type pickup. Other than that the sound can get very close to Jack Bruce/Cream sound along with good Hard Rock to Heavy Metal sounds. You can dial in an acceptable jazz sound or R&B sound but it's not quite there so I'm using this baby for mostly Cream, Steppenwolf, CCR, etc. Works good for old-time R&R. Nice sleek black finish and chrome hardware gives it a nice dark appeal. Pots and controls work well and are smooth. Tuners are good but make the neck a little heavy so maybe replace with ultralights at some point. The neck does tend to dive so I'm moving the strap button nearer to the neck – almost at the end and move the strap button at the end of the body up an inch. I would also recommend a thick strap with rough leather on your shoulder to keep it from slipping – don't use a web strap as this will just let it neck dive when you let go. I'm hoping once i get lighter tuners and move the strap buttons the issue goes away but i can live with it for now. Well worth the asking price but if you can get one in good condition used it will still be a good deal even with minor cosmetic flaws.Bones

The Epiphone EB-3 cherry Bass is one beautiful guitar, but has cosmetic quality issues: The mahogany laminate on the face of the body, was glued on at a very "VERY" slight perpendicular angle, and not parallel with the neckline. (the back laminate IS straight). The fret markers are beautiful pearl, but the ninth fret marker is "blatantly" FLAT WHITE, and stands out like a neon light among the other markers. I can't understand how the person installing them, fail's to do a simple "match" of the inlays (either make them ALL white, or else ALL pearl!)(or REJECT a mismatched one!). (in comparison, my Epiphone Les Paul, has excellent matching pearl fret markers). I ordered a second EB-3, to see if I could get a better one, and had the chance to compare the two within the 45 day grace return period. The second one was worse, and had "TWO" mismatched white fret markers, with the other ones being "pearl". The mahogany laminate of the second guitar was not at all as deep and hypnotically mesmerizing as the first one they had sent, with the second guitar's mahogany appearing very flat, or dead/dull looking. (even though both guitars have polished clear gloss finish).(mahogany wood grain usually looks like a "natural mile deep 3D hologram iridescence", and the grain "dances and changes shapes" in the light as you move it around). Also the red tint on the sides of the second guitar appeared to be a shade lighter, and slightly mismatched appearing to the tint of the laminate tint to me. The first guitar's sides were slightly darker, and matched the laminate beautifully. On the second guitar, the bridge pickup holes were all half misaligned upon the poles with the cover tightened down anyways, right upon the poles permanently crimping each hole distorted over up on the pickup cover. The cover holes are half covering the poles. I kept the first guitar. It had a bit of fret buzz, but my technician fixed it in about 15 minutes. It plays perfect, sounds great!, and looks beautiful!Sir Ripstring

Overall: First of let me say this- the photos on zZounds website, while perfectly fine and acceptable, do not do this bass justice. It is absolutely gorgeous. The quality is high and there are no sharp frets or concerns anywhere. The first thing I did was fiddle with the pickup selector, and the volume and tone knobs to see what I could get out of it. There is a wide spectrum of sound. At it's brightest, it's not super bright, but then again, the first thing I did was put flatwounds on it, so that was expected. But let me tell you- this is one fat bottomed girl! The lows are expressive and the sustain on every string is amazing. There have always been the old Squier vs Fender and Epiphone vs Gibson debates. Epiphone, with this bass, has made the differences a lot harder to spot.Bruce

Good quality. Mine was made in Indonesia. Plays better than my 70's Gibson EB-3. There's nothing wrong with the bridge; read the forums to learn how to set it up. There is mild neck dive, but the bass is light so it's manageable. Don't expect it to sound like an original EB; that can be a + or – for you. The tuners are adequate but a little sloppy. If you are going to play live regularly you'll want to upgrade these. It does not sound like an original EB. The pickup has plenty of high end. The low mids are unfocused, and the low end is excessive and unusable. You might have to turn your amp's bass knobs way down compared to your other basses. Before I replace the pickup, I might change the tone control to a passive bass cut. Make sure your A & E strings are heavy enough for adequate tension. I like it a lot but it's not my primary. Play any bass first acoustically, then compare that sound to it amplified. The EB-0 is evenly resonant; that's why I say it's an excellent foundation.Paco

Years ago I owned a Gibson EB-3 short-scale bass. This Epiphone has a familiar feel, but it is not the same animal. However, other than a drilled hole slightly out of place (holds the pickup cover), the fit and finish is very good. The fret ends are smooth and the truss rod functions properly. The nut is cut well, and the cherry color is attractive. Other than intonation, the bass came basically set-up. I was glad to see that the fretboard is still made of Rosewood. Yes, there is very little tonal range to this bass, but I like the way it sounds, with a deep, punchy rumble. The neck is only 1 1/2" wide (like a jazz bass), but the contour fills my hand and is comfortable to play. Some folks may object to the high gloss finish on the neck, but that can be easily subdued by using Scotchbrite or 0000 steel wool. The tuners on mine work well. One common complaint is neck dive. Although it is present, I don't find it to be a problem. Another complaint often heard is a muddy pickup. You can swap out a more expensive pickup, but I happen to like the sound of the original if I roll back the tone control and dial in the right setting on my amp. This is rapidly becoming my favorite bass! I was intending to install flatwound strings, but I think I'll give the roundwounds a chance. This Epiphone is fun to play, and will rock the house.Jimmy J

I bought my first EB-O in 2016. I still have it today, and it sounds awesome with the same short-scale flat-wound strings I put on it back then. I also changed the bridge with a Hipshot replacement for a more solid sound and easier string changing (which I still haven't done). Now then, one review writer mentioned that having a drop-D on this bass doesn't sound quite right. I agree. I miss the B-string as I am mostly a five-string player and use the B a lot, soooo, In 2021, bought another EB-O and put B-E-A-D flat-wound strings on it. The results were amazing. I still have good tone and voice on the B-string. I don't use the G-string all that much, so I got the best of both worlds on a short scale bass. It might be the answer to the other bassist's preferences. It might be worth a try. Worked very well for me. The only thing now is, I wonder if I could find an 8-string version.Jeff, Young Old Timer

Right out of the box this bass sounded good. Dean sold me. Played a little venue at a friends house and got lots of complements on the sound and looks. Sure made me feel good. People asked to sign my bass and made me think how cool that would be? Maybe after some wear and tear that will happen. Can't say enough about this bass. What a find, really. Only been learning for over a year and maybe I don't know what I'm talking about but for now I'm talking Dean. Being a beginner at 63 sure is fun. Rock On kids cause that's how I feel….wunschy

This is a decent package for anyone wanting to learn the bass guitar. The bass guitar holds tune fairly well and is good quality. The amp that is included in the package is average at best for what it is, nothing impressive but good for solo practicing. The instrument cable is low quality without a right angle plug. The packaging is low quality and the guitar head was damaged in shipping as a result of the inadequate packaging. Sam Ash took immediate attention to my claim on the damage, their customer service is awesome. Overall is it a good bass guitar package.Aubrey

I'm an older ex weekend warrior who has played in bands for years. I've owned many other basses including Fender P-bass, Hamer Cruisebass, and Carvin LB-70 to name a few. I've been out of the music scene for awhile but really missed having a bass around to mess around with so I ordered this one in the satin finish. I knew what I was getting because I had been to Dean's website where they have accurate pics of this bass. I wasn't disappointed! This bass is an amazing value for the money. The tone is great right out of the box. Action is right where I like it. No fret buzz as long as you are fretting properly. I did change the strings right away to black nylon tape wounds. They lend a smooth attack (almost like a double bass) and are super easy on the fingers yet still get that P-bass like growl if you open the tone knob up. Construction is very good especially for the money, fit and finish is great except for the fret work. I'll need to file down the fret ends as they are a bit too long for the (nice) rosewood fretboard. They aren't sharp or dangerous so it could be worse and using proper technique you'd hardly notice it. The only other gripe is the tuners. They look nice but don't hold tuning for long periods of time. I end up having to re-tune the bass nearly every day. The tuner on the G string could be smoother as turning tension goes from tight to loose and back to tight as it turns. These are really minor complaints for such a low cost bass. The finish is really good. It appears they put a matching basswood veneer on the top and back so you can't even see the slab joints. I wouldn't hesitate to take this on stage, it looks that good with the black tuners, bridge, knobs, and strings (in my case). The neck is nice and thin and fairly fast with a satin finish on the back of the neck. The electronics are way above average for this price range. The pickup, volume and tone knobs work together very well to give a wide variety of tones.VTbassman

I use a 7 string for two handed tapping and the BTB 747 fits the bill. First of all, it is a lot lighter than other 7 string basses. You have to keep in mind though that a 7 string, just neck width alone, would be heavier than a 4 or 5 stringer. I did change to flat wound strings, I just dont like finger squeak. The Bartolini pickups are fine, onboard equalizing is on point. I can rock out or tap classical and the bass handles it with no problem. I recommend this for the serious bass player or someone looking to up his game. It is not for beginners. You will not be disappointed.Serious bass playing

I am a 25 year touring musician and write music for film and games. This bass has now given me the ability to cover baritone guitar chords (the piccolo bass range) while simultaneously playing the bass line on stage. It is completely stable up and down the neck – no harsh resonances, and with the Ibanez neck radius it is very comfortable and fast. The string spacing is a little difficult for extreme slap playing (I have another bass customized for that) but it is perfect for picking, fingers, and tapping. It is well-suited for prog, prog rock, and prog jazz. I can also cover piccolo bass range melody lines without having an extra bass on stage strung with piccolo strings. I previously researched all the engineering (string spacing, neck radius, woods, fret size, etc) and settled on this model and now after actually playing it, I have to honestly say that the playability has exceeded my expectations.Kevin Village-Stone

This is a really gorgeous bass in person. I figured I'd get a 7 string because I needed a personal bass and why not get something that'd be fun. The pickups sound incredible on this guy, nice and clear with a good variety of low/mid/high. The wood work on it is very appealing; the walnut top really makes this thing look like a piece of art! One downside was a bit of fret buzz, but it's not bad and I was expecting a little bit out the box. A few minor adjustments and it'll be good to go. I feel like I got my money's worth on this thing, and I'm glad I decided to go with this rather than try to get one custom made for a huge amount of money.Big Seth

I've got gold evo on a couple of guitars. When I decided to build another one, I chose this first. It's harder than traditional nickel fret wire. Not too hard to work though, and it lasts 20 times longer.simonbaker

Just put a few of these in today and they are starting to look pretty good. The color goes all the way through so no worries when you're leveling crowing and polishing them. They're pre-radiused so installing them is a snap.otterdale-post

This fret wire is easy to tool. Installed in a carvin guitar for a customer. Bends fairly easy. I cut to length with a dremel diamond saw. Fret files go through easily. There are different grades of stainless steel and I am sure this is not the toughest there is. I don't think one would want that anyway because it would certainly be very hard to level and recrown. It polishes up to a high sheen. Now, how will it stand up? We will have to see. The guy really wore the old frets out on the guitar so I know he will put these stainless steel frets through a workout. I hope to inspect them sometime in the future. But so far they were pretty much the same process installing them as nickel/silver frets. I will probably install more in the future. Really turned out to be one of the best fret jobs I have ever done. The guy was really happy. If your trying to decide on it and you or someone else has refretted before just go for it. Should not be that different from normal fret wire. Russrusskull

I’ve had this bass for a couple of months now and I’ve yet to find any big faults with it. The setup was fine out of the box, it arrived quickly and unscathed, and plays perfectly. The only problem I encountered was that the volume knob, which utilizes a set screw to keep it in place, was loose and came off about a week after I got it. The bass included a set of Allen wrenches, one of which fits the set screw on the knob, so that was an easy fix and a minor inconvenience at most. The blue burst finish is stunning in person and it was absolutely worth waiting for it to come back in stock. The stock pickups are pretty good for this price point, but I’m definitely looking into some options for swapping them out in the future. Not that it’s absolutely necessary by any means. I keep buying from AMS for 2 big reasons: the payment plans that can’t be beat, and fast, free shipping. AMS came through on both again!Mason V.

I brought this for a signature book for our wedding, we wanted a playable momento, but didn't want to spend a lot of money. It's a great $88 guitar, we have guitars upwards of $500 so of course it would not be as good. Well built, tunes easily, buy needs frequent tuning. I think if we replace with high quality strings we would definitely take this guitar up a notch. Good for beginners and will definitely teach them tuning skills.Tasha S.

I purchase this bass being motivated by its price and rave reviews. Let me just say that when I received my bass today I was blown over at the fit and finish on this bass. It looks like a $500.00+ guitar! I've been playing it for hours and the deep bass is so sweet. The action is a tad high but I kind of like it that way. The great sound projection from this bass made me chuckle while I was playing because the bass made a silver cup I have on a wall mounted shelf rattle! Now that's impressive sound projection! I can't wait to plug in this bass to my friend's Ampeg that's a 1X15 ported bass amp. It should be wild! For the money this Best Choice acoustic had got to be the deal of a lifetime if you're in the market for an acoustic bass guitar.Jason

So hey. I’m kinda new at this sort of thing. I did grow up playing music in the bands and orchestra. Mostly woodwinds. I did always want to play some strings. So finally I do. I’ve been at the guitar for a little while now. And it’s very exciting to find an opportunity to study bass. This instrument seems very fundamental and good to me. So I’m excited about it. Good deal for starting out. Thing is, as I’ve been practicing,… I just kinda noticed that I can’t seem to get the High A note to speak as well as I’d like. I mean everything sounds great. But I’m going to have my guitar shop buddies take a look at the fret there. Something isn’t quite right. I bet it just needs a little adjustment. That’s a pretty sweet note if you can fit it in a solo. But of course that deep bass and fundamental sound is what it’s really about. !!!Egore

Folks, let me start out by saying that I am a former professional drummer and have limited experience on the bass. However, I spent years locking tight with bass players to creat a solid foundation for the band and I know what sounds right. This bass guitar is a beauty. I was originally going to buy a standard jazz bass MIM. But I saw this and had to check it out. One of things that sold me on this bass was that it came with Geddy's high mass bridge. For all intent and purposes it is a Leo Qwan bridge which Geddy has on his #1. It really makes a difference in the sustain, it just keeps going and going. Also, the bridge just looks good… big and meaty. The neck plays like butter and the black binding and blocks on the fretboard just sets this bass apart appearance wise. The pups are solid, I might change those out one day…but honestly they sound great. This is a really well built bass and I completely reccomend you buy this bass. Also, thanks to Alan at GC Tampa for his patience with me while I was looking and trying out different basses. Great customer service.Charles I

I'd been wanting a Fender Jazz bass since I was a kid. Started off playing on a Squier P-Bass Special and I always liked the Jazz neck. Better than I expected. The tone is bright and cuts nicely. The neck is fast and the body is comfortable and not too heavy. Set up was also pretty good coming out of the box. Definitely going to be buying another Fender through AMS next year or so. Definitely met and exceeded my expectations. I haven't put it down since getting it. Cant wait to leave work and jam on it. Awesome.Sapo

As a touring and studio studio musician I am thrilled to have a bass at this caliber. The sunburst design is breathtaking. The action feels and sounds great right out of the box. This is the first time I have ever had a bridge that looks and feels the way this one does. It really ties the aesthetic together! When you have all of the tone knobs up you get a really hot and bright bass sound that cuts through records. This can easily be adjusted on the knobs or in post cutting off everything above 4K. The neck is slimmer than most bassses I have played, which makes it super easy to glide up and down this bass. The soft case it comes with isn't too special and I will be upgrading to a hard case since I take it to the studio with me (will eventually gig on it). I've had it for a few months now and it can be heard on countless records coming out of the SF Bay Area. It meets and over exceeds all expectations I had set for it. It also sounds great using the old sponge trick to get the motown down you traditionally hear on a P Bass. Anyone looking to get a Fender Jazz, I would highly recommend the Getty Lee model.Ryan

I want to love these things and stoke the 5 star fire, but there is room for improvement in the durability of the plastic used. Both of the end caps on mine have broken – the first on tour #1, and the other within a week. After the first one broke Skimo sent out a replacement (appreciate ya for trying to do the right thing) and told me, "I just recommend being careful especially when you're in colder climates as you know the temperature drop can make plastic brittle"…turns out, I don't find myself using my ski poles in warm climates, ever. Welcome to MT. Everything else that has been said about these is true. They are great to tour/ski with and I have been using them as a daily driver for work since they arrived. Am I splitting hairs here? Sure. But for an object with no moving parts they need to see an upgrade in materials.Logan

So I order Gruv Gear FretWraps about a year ago and they are fantastic. The neoprene material is thick, the plastic buckle is joined to the neoprene strap with a leather/pleather loop that prevents the strap from sliding to one corner of the buckle and becoming loose. These must be fakes or Gruv Gear has decided to cut corners, because these have none of those features. I noticed that the buckle kept turning and the strap was very thin and narrow on these. I didn't remember this problem on my other ones so I compared them. Exactly as stated above. These are cheap and they don't deaden the string noise as well because they keep loosening up. Not sure what happened, but these are in the garbage can. Try to find them with the features i mention above, there may still be some left??? Will try to add photos…jmwild2001

I have been playing bass for over 55 years! I've owned hundreds of basses. Every conceivable size shape and manufacturer. This bass by far is one of my favorite basses. Flawless construction. Compares favorably to my Epiphone Jack Casady. Great pickups on this viola. It's has a darker finish than it's online picture. Absolutely beautiful! I was stunned when I fired it up. I was expecting a dark subdued thud, what I got was thick rich tastiness. I'm blown away.Ronnie

I did not buy the bass but I was trying it out not to long ago because I'm looking for my first solid bass. Or one that'll be a keeper and a step up from my Epiphone EB-0. I wasn't terribly impressed with the hofner ignition sound wise I grabbed this Epiphone bass and ran it through an Ampeg combo. I'm a smaller guy and the short scale fits naturally on me. First thing I checked was the sound. A nice trebly sound with the muddiness of short scale. I checked the tone control for each pickup. There is a noticeable difference when the knob is at 0, 5 and 10 for both pickups. This is what I look for with bass tone controls! The electronics are fine no scratch sounds. And the if you mess with the volume knobs you get a variety of tones surprisingly! If I bought it, I'd put Labella flats on it. I'm a flats guy! Compared to the mudbucker on my two Epiphones (An EB-0 and EB-3) you get much more tonal variety with these mini humbuckers. Your ears will thank you two with about 1/3 the output. I give it five stars because this is the potential Epiphone is meant to be quality wise. The only grip some people may have is there's some neck dive cause it's a hollow body. But it's child's play compared to my EB-3. I wish it had a pickguard thought.C.J.

Just took delivery of a used Hofner shorty bass in black. Lovely instrument. Fit and finish was fine. I had to do a little bit of intonation setting which took no time. The neck is better than expected. Frets are finished properly and the neck has a nice satin finish. Its not to wide, not too thick and feels great. The pickup delivers and even sound across the strings. There are no dead spots. Volume and tone controls work great and the knurled knobs feel very good. I was able to dial in some of my preferred sounds using the VPF control on my Markbass Blackline 250 going through a Markbass NY604 cabinet. I was also liking the sounds going through an Eden World Tour preamp. Im looking forward to rehearsal tomorrow using the Eden directly into an EV ZLX 12 powered cabinet. The bass came professionally packed and really appeared to be new. Love the padded Hofner gig bad with the logo on it. All in all a great small, inexpensive (but not cheap) bass for practice, performance and especially travel.Miguel404

First of all, this bass is just what I wanted for practicing when traveling. Compact, 24 frets, decent electronics and comes with a gig bag. Intonation was pretty good too. I did adjust the intonation, but that's really only because I'm kind of fussy about intonation. One thing I will say is I had never experienced "neck dive" until I owned this bass like. in the resting position, the bass headstock will point right down to 5 o'clock. Since this is a practice instrument, I made some modifications. I put weight in the body cavity, but the body cavity is not huge, so with extra weight, I could get the neck to hang in the resting position at about 3 o'clock. I next removed the front strap pin and drilled a 3/8" in diameter hole 2" into the body at the same angle as the strap pin screw. I purchased 3/8" aluminum round stock and cut it to 7.5". 2" would insert into the body and 5.5" would remain outside to mount the strap button while extending out to nearly the 12th fret. I painted the round stock black (primer and paint). I mounted (drilled and epoxied) the strap button on the end of the round stock. I think epoxied the extender into the body. It looks pretty darned good and now the bass balances perfectly.Kevin1014

Should you be in the market for a decent, inexpensive bass, you really should consider this model. Having just arrived home from jamming with six friends, three of whom (including myself) are gigging pros, I felt obligated to congratulate Yamaha Corp for creating such a marvelous bass for the price. I brought my favorite jamming bass–a Squier VM 70's jazz bass–to the jam yet ended up playing this TRBX for four hours. (The guy who owns the studio remarked that he just bought it (used), and he wanted me to try it out.) I'll admit that the controls for the pots are cheap plastic, but everything else about the bass was top notch. It's a passive bass, but the EQ is very responsive with a wide range of voicings from its P/J style pups. Beautifully finished neck, a fretboard with a generous slab of rosewood–it sure looked and felt like rosewood, despite what it's being called in the GC write-up–a really smooth fret-edge finish, solid body wood, but not too heavy. Tuners worked great, and the sunburst stain under the urethane finish was masterfully done. The studio owner bought the bass with flatwound strings, but the pups made them sound clear, with a nice degree of sustain. This TRBX will serve a bassist well as a back-up, but I wouldn't be surprised if some would use it as a main axe (maybe after ditching the plastic knobs for better-quality ones). btw, I had it input to a Tech-21 bass Sansamp (which I use all the time), and into a GK MB210-ii. Even with the Sansamp bypassed, it performed quite well. In summary: Nice surprise!BassesRBetter

After building myself an in home studio, I quickly realized the only thing i was missing was a bass. Swung over to a local store (sorry MF, i was in a rush!) and checked out their large selection. Being that i'm a drummer, I was looking for apparent quality as I didn't much know the specifics or traits that i should be mindful of. The price tag, finish, weight and balance of this thing caught my eye. I toyed around with it for a moment and purchased it about 15 minutes later. I would be lying if i said this was the most played piece in my studio – BUT whenever i do pick it up i am always impressed. Plugging it directly in to a preamp and hitting record with this thing is a dream. You can go from a very washy sound to some solid attack with the knobs. Contrary to one of the previous comments, it does have a volume knob. As i have developed my skills in the studio and on a guitar/bass I have never felt beyond or limited by this guitar. Exceptional piece, I can say with confidence that if bass was my main instrument, i would love to have this guitar as a backup. But for someone like me?…..perfect.Chris

I'm a guitar player who bought this to use for recording (and because I think bass is a cool instrument!). This is very playable, sounds great with my Spark Amp and through my Scarlett 2i2. Though this is low priced, it does not in any way feel like a compromise. I highly recommend it.SHANNON