Are you looking for the Bass Guitar Amp Head? If so, you’ve come to the right place.
Choosing the Bass Guitar Amp Head can be difficult as there are so many considerations, such as Fender, Peavey, Ampeg, Laney, MESA/Boogie, Markbass, Sunn. We have done a lot of research to find the top 20 Bass Guitar Amp Head available.
The average cost is $537.88. Sold comparable range in price from a low of $143.00 to a high of $1499.99.
Based on the research we did, we think TC Electronic BAM200 – 200 Watt Bass Amp Head is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Bass Guitar Amp Head (20 Sellers)
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$143.00
4.8
Reviewers Noted:
Powerful . Lightweight . Quality build . Easy to use . Portable
Features:
- 200 watt portable micro bass head amplifier for stage and studio
- Ultra-compact and lightweight design for ultimate portability
- Cutting-edge class-d amplifier technology for incredible power and sonic performance
$379.99
4.6
Reviewers Noted:
Lightweight . Good sound quality . Portable . Attractive . Easy to use
Features:
- 200 w rms at 4 ohms
- Transistor preamp
- Mosfet output stage
Reviewers Noted:
Lightweight . Good sound quality . Easy to use . Portable . Powerful
Features:
- Responsive eq
- Natural, uncolored tone with tone knobs set at noon
- Ability to access vintage and modern tones
$699.00
4.7
Reviewers Noted:
Easy to use . Lightweight . Good sound quality . Quality build . Power
Features:
- Built from the ground up
- Ultra-light, ultra-strong
- Real world power at any voltage
$199.90
4.8
Reviewers Noted:
Quality build . Lightweight . Easy to use . Powerful . Portable
Features:
- Specifications
- Ultra-portable, lightweight bass amplifier head
- Solid-state design, class d amplifier circuitry
$295.00
4.6
Reviewers Noted:
Powerful . Good sound quality . Ease of use . Portability . Visual appeal
Features:
- Ultra-high power, ultra-lightweight 2,000-watt bass amplifier driven by classic mosfet technology
- Revolutionary class-d amplifier technology for incredible power and sonic performance
- High-voltage mosfet preamplifier gives you the sound and feel of an authentic tube amp
$250.00
4.8
Reviewers Noted:
Powerful . Quality build . Sound quality . Ease of use . Weight
Features:
- Rear-mounted rehearsal inputs for mp3 player or computer via supplied mini-jack-to-rca adapter
- Headphone amp includes a speaker filter on the bass signal
- Integrated tuner provides full-resolution tuner with light ring to help you tune up quickly and accurately
$399.99
4.5
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Visual appeal . Build quality
Features:
- 200w mosfet power section
- Sleek vintage styling of the ampeg svt-vr
- Balanced direct out
$699.98
4.6
Reviewers Noted:
Lightweight . Good sound quality . Portable . Attractive . Easy to use
Features:
- Svr-vr (vintage reissue) head: 300w of pure vintage 70's tone complete with rocker switches, etc.
- Svt 810 he cabinet (the standard in all stages).
$449.99
4.5
Reviewers Noted:
Good sound quality . Lightweight . Powerful . Ease of use . Build quality
Features:
- Tube or solid state: solid state
- Number of preamp tubes: not applicable
- Preamp tube type: not applicable
$329.99
4.6
Reviewers Noted:
Easy to use . Good sound quality . Portable . Lightweight . Powerful
Features:
- Tested and sounds excellent.
- All features work excellent.
- Comes with power chord.
$489.00$391.00
4.9
Reviewers Noted:
Lightweight . Power . Visual appeal
Features:
- Ultra high performance bass amplifier, ultra light weight and 2000w, works with 3 12ax7 vacuum tube
- Revolutionary class d amplification technology for incredible power and sound power
- 6-level class a tubular preamplifier for rich and vivid harmonious sound
Reviewers Noted:
Ease of use . Sound quality . Weight
Features:
- 2-ch tube amplifier head with noise gate
- Speaker-emulated output
- Power reduction circuit
Reviewers Noted:
Good sound quality . Ease of use . Portability . Weight
Features:
- 500w continuous power at 4 ohms.
- Class d bass amplifier with a weight of 8 lbs.
- Classic 12ax7 class a preamp circuit.
Reviewers Noted:
Quality build . Lightweight . Easy to use . Powerful . Portable
Features:
- Design solid state con finale in classe d.
- Ingressi: 1x strumento (jack 1/4).
- Controlli: switch power + gain + bass + middle + treble + master + ground/lift.
Reviewers Noted:
Good sound quality . Portable . Quality build . Ease of use . Weight
Features:
- Get a deal on a perfect condition amp like new.
- Comes with footsitch.
- Buy with confidence as i baby my gear and have perfect feedback.
Reviewers Noted:
Ease of use . Sound quality . Portability . Build quality . Weight
Features:
- 500w bass amplifier head with compress
- Ir cabinet simulation
- 6-b graphic eq
Reviewers Noted:
Good sound quality . Ease of use . Weight
Features:
- Updated pictures.
- Like new, includes super intelligent footswitch.
- Amazing amp, ridiculous power for the size.
Reviewers Noted:
Powerful . Lightweight . Ease of use . Good sound quality . Portability
Features:
- 1,000 watts continuous into 4 ohms (1,500 watts burst power)
- Gain control with crunch button
- Built-in optical compressor with defeat switch
Reviewers Noted:
Sound quality . Quality build . Easy to use . Power . Weight
Features:
- The randall rg1003h guitar head is not messing around
- The three channel 100w high gain fet solid state guitar amp head offers reverb and an fx loop
- Footswitch included
1. Tc Electronic Bam200 – 200 Watt Bass Amp Head
Product Details:
This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the tc electronic bam 200 ultra-compact 200w bass amp head delivers gig-ready power through a head that's made for travel. it features cutting-edge class-d amplifier technology for incredible power and sonic performance via a tc electronic preamplifier design tailored for authentic sound and feel of a tube amp. the balanced di output allows for direct connection to mixing consoles and recording equipment, allowing you to play without a separate speaker cab. and the studio-quality headphone amplifier with speaker emulation is perfect for personal practice and silent rehearsals.
Specifications:
| Product Dimensions | 6.46 x 5.24 x 1.69 inches |
| Country of Origin | China |
| Is Discontinued By Manufacturer | No |
| Output Wattage | 200 Watts |
| Number of Bands | 3 |
Reviews:
Don't buy this amp expecting to gig with it at anything more than very low volume levels. Matched with sensitive speakers and master volume set at full, you might be happy with the volume you can get with maybe an acoustic set. The BAM 200 would be fine for practicing and jamming with a friend in the basement, but add drums and an amped guitarist and I think you will struggle to be heard. It's output sounds closer to 30 or 40 watts RMS, rather than the mystery 200 watts TC Electronics rates this mini. Tone was OK, a little fat if you over do the bass control and the preamp sections seems to overload easily, even with low output basses. I really don't have a good use for it after buying it, but it is easy to transport!airtow
The perfect no frills small unit. Haven't really road tested due to virus shutdowns but home bound sound is fantastic. I originally bought for a backup type amp but am quickly becoming enamored by its tonal qualities. Over the past few years I have been trying to reduce my equipment footprint and lugging around effort. I have another TC Electronics amp (BH250) along with a 2×12 cab and a 2×10 cab. These have been fantastic in small and medium venues – larger venues all seem to have their own sound systems which tap into my setup. Now, with the addition of this unit, I can even run my Rickenbacker in stereo without breaking my back hauling around a lot of equipment. The sound coming out of the BAM is smooth and even. It can get very very thin or very very fat and everything in between controls are solid and even. The only thing I would say that might be missing is an 'auxiliary in' but that can be side stepped with a small mixer. All in all a great buy for a very big sounding little D amp that can almost fit in a jacket pocket.2991tom
I bought this as a backup to the TC 450 and I was blown away by the sound and tone control this little unit has. It was between this for a backup and the Trace Elliot Elf. This unit at he Sweetwater price or an an Elf for $100.00 more. Easy decision to make and the results are amazing. More power than I will ever need. Driving two Hartke HD112 cabinets. Works great!bigmackstrains
2. Ampeg Micro Vr 200w Bass Head
Product Details:
Don't be fooled by its diminutive appearance; the ampeg micro-vr is a compact powerhouse fully capable of pumping its 200w of genuine round sound into myriad live and recording situations. the portable, powerful solid-state bass amp head is a pleasant surprise from the second you lay eyes on it to the moment its indisputable ampeg tone hits your ears.
Specifications:
| Dimensions (WxHxD) | 5.5" x 12" x 10" |
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200watts @ 4ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | YES |
| LF Driver | 2 x 10" Eminence Speakers |
| RMS Power Handling | 200 Watts @ 8ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
| Handling Weight | 25.9 Pounds |
Reviews:
Really impressed with this small amp/cab combo. Truly great, vintage tube-like warmth, punching lows and crisp highs are all accessible. The headphone output is super useful for practice. The 2×10 cabinet this amp is paired with sounds really awesome for home recording, small gigs (50ish people) and if mic'd, can adapt well for larger gigs. Without an extra 12" or 15" paired with it, it just can't handle the lows at a high volume. I do like running it through an SVT 4×10 for larger gigs to save the trouble of carrying around an 80lb SVT head!Bandy Xan
I've owned this amp for about 5 months now and it is perfect for small venues, church, and recording. I haven't really needed to use the speaker cab much as I mainly use in ears for live performances, but it is nice to have just in case and so the rig looks complete. The XLR out from the head is a great feature and one of the big reasons I purchased this and allows for a crisp sound to whatever you may be plugging in to. I have used this for live performances and recording for backing (split) tracks. You can get any sound out of this little guy and it never disappoints. Don't be fooled by the small size, it can sound massive with the right settings and EQ. The small size allows me to fit all my gear in the back of a small hatchback car. I researched this greatly before purchasing it and do not have any regrets. If i need more volume for situations that in ears won't allow, I may purchase a second matching speaker cab and I am sure that would be plenty for whatever situation. I would definitely recommend to any bass player looking for a professional quality amp that is portable and versatile.DPB
Bought this as an Open Box item from MF. Researched and read many positive reviews. Took the dive and got it. Was a little worried it wasnt going to be powerful enough. Wrong… this little sucker has got PLENTY of power for what I'm using it for: home practice and loud weekend jams with my bandmates. Currently pairing with a Peavey Tour 210 cab. I have an MXR 10-band EQ pedal but this Ampeg does perfectly fine without it. Will have to tighten up the light fixtures in my practice room soon. This little Ampeg THUMPS.The Lower End
3. Aguilar Tone Hammer 350 Bass Head
Product Details:
Brand new for 2012, the tone hammer 350 makes a big sound but leaves only a tiny footprint! easy to purchase as well as easy to carry, players on a budget can now have it all! this amp has the sound, the look, and it's assembled at the aguilar factory in – power output: 350 watts into 4 ohms, 175 watts into 8 ohms – preamp section: solid state – power section: class dtransformer: switching mode power supply (smps)eq section:bass: +/- 17 d – b @ 40 hz – mid level: +/- 16 d – bmid frequency: 180 hz – 1 khztreble: +/- 14 d – b @ 4 khzdrive control: fully adjustable, featuring aguilar's proprietary ags (adaptive gain shaping) circuit. – inputs: one 1/4" input jack, compatible with all active and passive basses-10d – b input pad – speaker output: neutrik speakon – balanced output: xlr balanced output with pre/post eq and ground lift switch – tuner output – cooling: high quality whisper fan with thermal speed control – warranty: three year limited – optional: durable carrying bag
Specifications:
| Weight | 3 lb |
Reviews:
I was a bit skeptical when I purchased but due to all the positive reviews I was swayed. I have had this amp for around a month now and I am amazed at how many different types of sounds I can get out of the EQ section. With the drive you can get massive dirt, crunchy sound, all the way to that "Marcus Miller" type sound. I use a Fender American Deluxe Jazz 5 with this set-up. I have been using this head with a Fender Rumble V3 1x 15 and an Ampeg bxt 4×10. Super warm, round sound all the way to biting rock tones. I also have a Fender Rumble V3 500 watt amp and the quality of this Aguilar is better. I can also get very pleasing sounds out of the Rumble amp as well though. I also play an Eden WT 800 and sometimes it's just to clinical sounding. The Eden is nice but over priced. I think if your budget is limited go for the Fender Rumble V3 500, but if you can pony up more money, go for the Aguilar. My only 2 complaints would be the need to purchase a case separately and the fact that there isn't an aux input. Other than that, I have really taken to the clarity , punch and tone of this little sucker. Mostly I play R & B, funk, gospel, Jazz, and some rock. At first I had trouble finding a way to get "my sound" which tends to lean towards that fat Marcus Miller sound, but I had to learn how to use the EQ a bit. Took some time to figure out but now I LOVE IT! This amp really has tons of power and sounds louder than 500 watts to be sure. I am satisfied with my purchase. Great quality, American made, Great looking little head.D
If you have never owned a class D amp, I highly suggest paying attention to this review. I bought this amp solely on reviews as none were available in the local GC. If you DO NOT like to FEEL the sound of your bass…then this amp is for you. This amp lacks GIRTH! It is weak and feeble. I bought this amp to take place of my older Ampeg B2R. My ampeg is not even a higher dollar SVT series head…just a B2R and it wipes the floor with this measly class D amp. I highly suggest you not waste your money like I did…..I am extremely disappointed in this amp (It's going back) and the reviews it gets cause these class D amps are weak…go ahead and try one head to head and you will see a BIG difference. I will not sacrifice tone for weight and if you heard them next to each other you would not either. Keep shopping! Better yet, demand companies stop selling these class D junk amps…..the weight is not worth the tone. I now see why so many reviews show little to no EQ adjustment on this amp ( usually reviewing flat)….cause it don't have much to speak of. Little bottom end and lacks high end. The Drive knob goes from not enough to too much …no sweet spot and not very practical sound-wise….just a gimmick in my opinion. Do not let others persuade you into believing this amp or even the 500 watt version is loud because it has NO headroom what-so-ever! Do not get me wrong here…I am not against just Aguilar here…I tried an Ampeg Portaflex 500 watt head and it sounded about the same…weak, with NO Girth!MakroBass
4. Quilter Bass Block 800 Bass Amp Head
Product Details:
Built specifically for the bass guitar, the bass block 800 represents the culmination of years of research and development. unlike many of today's compact bass amps, the bass block 800 is not simply an existing consumer-grade power module married to a pre-amp, but a comprehensive power system that responds dynamically and musically to the player's instrument and touch.pat quilter's first amp was built in 1967 for his brother's bass player, and great bass tone remains a key passion. the modern bass is a full-range instrument, with much different dynamic requirements than electric guitar. low frequencies require more horsepower to move air, and the instrument demands percussive response without bottoming out or obtrusive limiting. the bass block provides 800 "real watts" to build on, and the preamp is optimized to make the best use of that power, providing more effective headroom with less stress on the speakers. unique bass-specific eq controls allow the bassist to quickly dial in a wide range of tones to match any instrument, and a special 2-stage limiter prevents bottoming out without suppressing dynamic response and feel. a master control allows the peak power point to be adjusted to safely power any size of speaker, from giant stacks down to compact studio units. a prolonged field testing program has confirmed that every component in the bass block 800 is focused on creating the ultimate musical instrument for bass players. you will feel it every moment of every gig. effortless, powerful, and exacting tone at your fingertips. the ultimate tool in your arsenal.
Specifications:
| Power Output | 450 watts-8 ohms, 800-watts, 4 ohms |
| Frequency Response | band-limited to 25Hz-15kHz. |
| LINE INPUT | XLR 10K balanced, 1V full scale. |
| Effects Loop | Series, pre-Master, 1V full scale. |
| Effects Send | ¼ inch unbalanced, 1K. |
| Line Out | 1.6V full scale, quasi-balanced 39 ohms each leg. |
| Headphone Out | Up to 3.3V full scale depending on Master Volume |
| XLR Line Input | Post pre-amp, Pre-Master, 1.3V FS, 4.4K balanced |
Reviews:
Sound: If you're coming in looking for a distinctive amp character sound… this ain't it. This is for clean headroom that allows you to sculpt your sound with pedals if you need to or with modeling… or for seriously hearing what your bass actually sounds like. For me personally, I've really come to enjoy it (and I lusted after the SVT grit sound forever) and I can't believe this does good of a job for the price. Features: The power section on this is just unreal – I'm sure the wattage measure for volume is probably a little relative (then again, so is 1-10 or 11, right?), but I don't ever take it much over the "40W" marker going into a 2 x 12 cab (yeah, you read that right) and I've never had a problem keeping up with two guitarists and a drummer, either on stage or in our practice space. The EQ is a little weird if you're coming from a low/mid/high setup like just about every piece of equipment out there has, but it honestly ends up being more intuitive for adjusting to a room or different bass in front of it. I took a gamble on the line out, which I understand isn't "true DI" in the sense that it isn't an independent signal from the rest of the amp (so if you mess with EQ or volume, your FOH has to adjust on their end), but in the end I ended up pairing this with an MXR Bass DI+ for a FOH signal and to get another distortion sound, so it sort of renders that point moot. I also wish they'd put 2 Speakon jacks instead of 1 Speakon and 2 1/4" outs, but not the end of the world for me. Ease of Use: I think the biggest learning curve on this is the EQ, but as I mentioned, once you understand it, it makes much more sense than your standard 3-band. Quality: For as light as it is, it feels like a tank! The only thing I'd even be a little nervous about is the small mute switch – which just feels light because, well, it's a tiny plastic switch that you just tap, no need for a big ol' mechanical clunker, right? And as silly as it seems, just the basic case is still a great touch. Value: I was very much on the fence between this and the Mesa/Boogie Subway series, and I think if they had been the same price (and both available from zZounds with pay as you play) I would have probably ended up going with the Mesa ONLY because of the name… but I don't at all regret going with this instead. It's done everything I've asked of it. Manufacturer Support: Haven't had to deal with them directly but a big reason I purchased was that it seems like they're extremely good about direct support (including from Pat himself!) The Wow Factor: Would this blow me away as a gotta-have if I had the funds and the means? I mean, tonally, no – alone, it's not tickling my ears, but it does rumble the rump in a rather pleasing way (hey, this is a safe space, don't judge my kinks.) But as someone who needed (fine, WANTED) a physically-smaller bass amp that did the job so I could keep spending my money on rebuilding crappy guitars instead, this 100% does the trick. Overall: I'm not a bassist, I'm a guitarist who just plays one on stage. One of my favorite amps and amp concepts was the Crate Powerblock (which I still use as a travel/audition amp sometimes) – and the Bass Block is what happens if you make the Powerblock 1000 times better an at least 5.33333333 times louder (that's science, baby, I wouldn't lie to you.) Simply put – if you want stellar, clean power that you can put just about anything in front of but also carry around IN A BACKPACK, this is where it's at.Matthew
This amp is a real winner. The power, as with many Class D amps isn't quite as much as the stated wattage, but it is loud and punchy. The amount of grind and kick may seem restrained because I am playing an upright, though I did test her with one of my 5 string electrics with a larger speaker cabinet, and I ran more pre gain on that run. With the upright, all knobs are at 12 0'clock, because uprights love flat sound waves. It is set up to do a great job as a double threat if I ever go back to gigs that require both upright and electric. She's gigged with me a few times and seems to have an intuitive set up with the Active and Passive inputs, Mute button, and the Depth and Contour knobs. I enjoy playing around with my electric because in conjunction with the throttling up or down of Master Volume vs. Gain and varying EQ via Depth and Contour knobs allows for a lot of very handy tone colouring.bill
I have a mixed review. I originally bought this amp because of the great reputation QSC products have had over the years under Pat Quilter's leadership – well-designed, highly-regarded products at a reasonable price, especially in the amplifier category. In the months I've used the Bass Block, it's been reliable and works without strain when I connect two cabinets, one at 4 Ohm and one at 8. That's a load of at least 2.67 Ohm, which is impressive. It never heats up, never shuts down. Bottom line: this amp has been bulletproof. The amp is light – about 15 pounds lighter than the class AB amp Eden Highwayman 500 I'd been using. Before purchasing, I spoke with Pat at the Quilter booth at the 2019 NAMM Show. He explained the tone controls, which are quite different than the usual 4-band passive or semi-parametrics you find on other units. In over 20 gigs with a number of different cab configurations with and without horn tweeters, and both active and passive basses, it has been a challenge to get the tone I need from this amp – it seems skewed toward a bassy/midrangey tone with no ability to juice up the treble. (I play classic rock in a club band, use my fingers mostly, and a pick on a few tunes) For example, when I play my Rick 4003, I can only get that clanky Rick tone if I bypass the amp's preamp section and use an outboard preamp that has more traditional tone controls. With that said, the roundish tones I can get from this unit are good; I'm just disappointed that either the unit is unable to provide the treble definition I want, or I'm unable to figure out how to get it with this amp. On the industrial design side: the amp chassis feels one step from finished – sharp folded edges stick out (versus, say, the smooth packaging you find in a GK or Genzler head.) From a marketing perspective, I wouldn't have applied the graphic of a caution sign (red stripes) to the top of the amp, and the word "block" in the product name, think "verb.Countbassy
5. Warwick Gnome Pocket Bass Amp Head
Product Details:
The warwick gnome bass amplifier head offers bassists a clear, defined bass sound and impressive power – all packed in a super compact, lightweight design that will easily fit in your pocket! the gnome amp heads were developed to offer transparent, crisp and noise-free performance combined with an ultra-portable, lightweight design in an affordable and reliable amp for discerning musicians and for the seasoned professionals. the 3-band eq with +/- 15 db cut/boost per band offers a lot of options to shape the sound according to your own ideas and the balanced post-eq xlr di output with switchable ground lift offers an easy way to use the warwick gnome for live gigs or studio recordings. silent practicing is also possible if you disconnect the speaker output and use only your headphones.
Specifications:
| Finish | Silver |
| Year | 2020 – 2022 |
| Made In | China |
| Electronics | Solid State |
Reviews:
I purchased This Gnome for my 110 Custom SSB studio cab to help keep the load light, I love it! It has a smaller footprint than my Stomplab2b and has more than enough headroom. The cab is loaded with an eminence b102 8 ohm. So I'm getting about 120watts from it and it's plenty to jam at home with or in a Practice Session/studio time.Isaac
Just been using it in my house. I have a Hardke Hy-Drive 12 inch cab and it sounds great.I have not played with a drummer yet so I cant say how it holds up to gig levels of sound. It feels like it will be fine. I bought it mainly to go direct to computer and to have a small amp for portability. I wish these were available back in the eighties when I turned pro. All the heavy gear back then was such a pain to load at 3:00AM. I dig it!!MThomas
6. Bugera Bv1001m Veyron Mosfet Bass Amplifier Head
Product Details:
The bugera veyron mosfet satisfies your need for the utmost in unbridled horsepower. an ultracompact and stylish bass amplifier, the impressive veyron mosfet packs an incredible 2,000 watts of lightweight, class-d power under the hood with plenty of room left over for some amazing features. inside you'll find an exceptionally warm high-voltage mosfet preamp, an expressively dynamic compressor, as well as our dynamizer technology that really packs a punch! together with a versatile and wide-ranging eq section, an integral balanced di, dedicated fx loop and more, the veyron mosfet will see you through every level of your playing career from the practice room to the stadium! massive power, perfect sound. thanks to our revolutionary class-d amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. class-d amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks.
Specifications:
Reviews:
Took this to the open mic that I host weekly, with lots of power drummers and fairly loud guitarists. I kept turning the thing down! I was using a 115 cab (8 ohms) that used to be a combo amp and I had to add a little high end to make it pop, but at home, with a Genz-Benz XB410T cab (4 ohms) I had everything pretty much flat and it was stunningly loud and clean and punchy. At the show, I barely had it on in the PA except for enough lows to mesh with the kick drum in the subs. Direct output was clean. Been playing bass for 44 years and this is probably the best bass head I've ever had, including 4 different Ampegs, and a G-B 600 that blew all the Ampegs away. My only complaint is that the illuminated ring on the master volume knob makes it hard to see the dot that shows where the volume actually is, but I can fix that with a piece of tape or something. My main drummer said the bass was kicking tonight! I'm very pleased so far.Fred
The Bugera bv1001 M has a nice punch to it and lots of clean power. The amp has nice highs and mid selection knob works well with my bass cabinet. And yes it has plenty of low end bass. I replaced a europower 2400 and bass V preamp with this head and I am impressed with the sound and power in such a small light package. Compressor works well also. Great value for the money.studioace1
7. Tc Electronic Rh450 Bass Amp Head
Product Details:
The tc electronic rh450 bass amp head is the company's first full bass rig. with 450w of class-d power, the rh450 bass amp has the power to run multiple bass speaker cabinets and is especially effective when combined with the rs210 and rs212, the tc electronic rh450 amp can run any combination of up to 3 units. this bass amp head's features include an input that accepts passive or active instruments, 4 semi-parametric tone controls with light rings around each knob that make your settings visible even on dark stages, and with tone centers that can be adjusted. other features include an integrated tuner that is precise and extremely easy to use. 3 user-memory locations let you store your favorite setups. a tubetone circuit affects both the preamp and the output for realistic tube-amp character. spectracomp technology provides multi-band compression that is even across all strings. i/o is comprehensive and includes an aes/ebu connection. presets, mute, and tuner can be selected remotely with the rc4 floor controller sold separately. – flexible tone control – the rh450 bass amp head has straightforward controls like you know them from traditional – rear-mounted rehearsal inputs for mp3 player or computer via supplied mini-jack-to-rca adapter – headphone amp includes a speaker filter on the bass signal – integrated tuner provides full-resolution tuner with light ring to help you tune up quickly and accurately – rc4 allows easy remote access to integrated tuner (rc4 sold separately)mute button lets you tune up without disturbing others – onboard user memory banks let you easily switch between presets for your ideal tone choices3 memory banks, remote control access via rc4 pedal (sold separately), and visual indicators for mute and tuner – bass, low-mid, high-mid, treble tone controls – semi-parametric bands for all 4 tone controls, letting you adjust the focus of each bandtubetone control acts on both preamp and power amp, reproducing genuine preamp tonespectracomp technology for multi-band compression that evens out the compression across all strings
Specifications:
| Weight | 11 lb |
Reviews:
This little work horse has it all in one handy unit. It weighs next to nothing, yet has so much packed into it. I have been using the RH-450 for roughly 5 years now and I couldn't be more pleased with it's performance. I play everything from rock to country to blues to polka. I can get a great sound for any musical situation. I did a lot of research before I bought it and nothing came close to it when you consider all the available features including built in tuner, compressor, tube tone, EQ, 3 separate pre-sets, built in DI, audio input for practicing with headphones, and enough power for pretty much any gig (power 3 RS cabinets off one unit). When you add up the cost of all those extras you could buy for a conventional rig, THIS IS A STEAL! I liked it so much I bought a second one so I could keep one in the band trailer and another for home & side gigs. Sound men who are familiar with this unit have no worries when I show up with this little beauty. When you're done with the show, put it in your gig bag and you're off and running.chriso1629
Wow, I already expected a great amp from using the BH250 but this monster totally impressed me. It has way more power than you would expect and the tone is awesome. From very clean and articulate to down right nasty. As much as I like GK and Markbass, TC Electronic is now my favorite. I have owned this amp for several months now and it still impresses me each time I play it at practice or on a gig. When a sound guy says it is the best DI he has heard, that is saying something. I can't see myself ever playing any other amp except maybe the RH750.gilmoya80
8. Ampeg Micro-Vr 200-Watt Bass Amp Head, Limited Edition White
Product Details:
The micro-vr head delivers 200w of pure ampeg tone, in a package that could practically fit in your pocket. the micro vr stack limited edition white features eye-catching white tolex strikingly complemented by a black grille assembly. only a limited number were produced. a balanced direct out, -15db pad, on-board limiter and dual speaker outs offer tremendous versatility whether on stage, or in the studios. the 1/8 stereo input and output let you easily integrate an mp3 player for practice or recording. pair it with the companion limited edition white svt-210av cab for a fully gigable, but super micro rig. great sound, unmatched portability small wonder, it s an ampeg.
Specifications:
| Preamp | Solid State |
| Power Amp | MOSFET |
| RMS Power Output | 200 watts at 4 ohms |
| Tone Controls | 3-Band |
| Mid Tone Control | Ultra Mid |
| Balanced Line Out | with Pre/Post and Pad |
| LF Driver | 2 x 10 inch Eminence Speakers |
| RMS Power Handling | 200 Watts at 8 ohms |
| Frequency Response (-3dB) | 58Hz-5kHz |
| Usable Low Frequency (-10dB) | 40Hz |
| Nominal Impedance | 1 x 8 ohms (Mono) |
Reviews:
Sound: I bought the Ampeg Microvr Head originaly with one Ampeg 2-10" cabinet as a part of matched set, as most people do – about three months a later I bought another cabinet – so now I'm often running two of the same cabinets and the head together. When you plug in the second cabinet the rig gets noticeably louder in this set up, and also appears to have a much more deeper bass tone(if you want it). Adding the second cabinet added $300 to my rig – but if you can afford it, the sound is far superior to just the single cabinet, and gives you a lot of flexiblity. For smaller indoor venues like playing bass behind people with pugged in acoustic guitars, I run the head with just one cabinet and it sounds fine – both tone and volume wise. When I playing along with a drummer most of the time I opt for using two cabinets rather than just one. At higher volumes – like playing with a drummer it just sound stronger and fuller in every respect than by using just the single 2 10" cabinet. I'm either running a recent custom C.F. Martin Acoustic/ Electric Bass guitar, or a Fender Precession Bass, through the rig – depending on who and what I'm playing on music wise. It works excellent with either instrument and I am very happy with the set up. Even with just one cabinet you won't be dissapointed. Features: Happy with everything that it came with feature wise. Didn't like the stock power cord that came with because it was very stiff and hard to wind up – Ampeg should switch vendors and get a power cord supllier that could offer them a more felxible cord of the same quality that you cound wind up easier. Ease of Use: Tone controls are easy to figure out and use. Rear connections on the amp are simple, straight forward and easy to use, and hook things up. I often use a Martin acoustic bass guitar with this rig – so I use a Fishman DI preamp in between my bass and the amp – this being done basically to help control feedback at higher volumes (especially when playing out door gigs) and to fine tune the tone on the acoustic bass a bit more. My Fender bass sounds fine with out the Fishman preamp and the controls on the amp head work well with it – giving you many mutiple tone combinations depending on how you set them. Also my Fender fretless bass sounds really good through the amp and the matched speaker that you will most likely buy with the head. Quality: Quality seems very high. After about two years of owning and active giging – it is holding up extremely well. Over the last year or so I have taken it out on local gigs about twice a week, So it's been out of my house more than a hundred times so far, and there haven't been any issues so far – all this in all kinds of weather and temperatures. I had black vinyl covers made for the head (from a custom amp cover innernet company)and for both speaker cabinets as soon as I bought everything – so even aften trucking the units all over the place for quite awhile now they still all look fresh and brand new. The power cord that came with it was very stiff and always hard to roll up – so I bought an after market cord on a website cord supplier that was more flexible and easier to wind up. I've used the after market power cord every since. The head has a fan in the back that runs whever the unit is powered up, that when you first get the amp drives you crazy – because it appears to sound so loud. Truth is though while you may hear it running in your house when practing – you never do at gigs. At any gig the room and enviroment background noise easily drown it out right away – you just never hear the fan running at all. When I first got it I though something was wrong with the fan – there wasn't. Its an Ampeg thing – that is the low fan noise in a quiet background setting. Keeps everything cool inside the head – so you can certainly live with it. I got used to it after awhile and don't even notice it anymore. No one has ever commented to me anywhere about any fan noise coming from my amp. So don't think something is wrong with the fan when you first get the head. Value: The original outlay (about $600 for the head and one matching cabinet) is a bit steep compared to several other small bass amps on the market out there – but you get what you pay for I guess. Due to the price saddly – alot of bass players might not be able to buy one and will go with something cheaper out there. Before buying this I looked around for about two months at other rigs on the innernet, at music stores, and at othet musicians' bass rigs when watching them perform. This unit was replacing a Hartke Kickback 12 – which I used for about three years for the same type of smaller gigs – which is for more low volume type of dealsthat I play at – where you don't have to worry about shaking the room and making the paint peel of the walls when you hit your low E string on something like Springsteen's "Pink Cadillac". I still feel that I made the correct choice and am happy with the head and the speakers matched for th
Sound: I own the Microvr amp and 2 210svtav cabs. I bought the second cab after I got the Mircovr set up. The sound sound you get from this things for the money blows anything else out their out of the water. To get the rated 200watts performance you need a 2nd cab as the load with one cab is 8 ohms at 150 watts. Light weight portability and small footprint size are a plus especially if your space chanllenged. This thing rocks. Features: This is a no frills set up. Has what you need to have great sound with a headphone jack to play practice in a low noise enviroment. Ease of Use: It has a 3 band eq section that you can dial in easy to find a sound you like. Its no svtpro 7 but for the money you will not find a better amp in its class. Quality: This amp is made solid. Mimics the old school look of the 70s svt lineup. Value: With anything you purchase you wish you could get it for less thats just the way it is. But for the money you will not find a better sounding and well made rig in this class. The Microvr and 210 svtvr cab set up is da bomb. If you want portability light weight and the best sound get this AMPEG. Manufacturer Support: I have had no issues with this amp. I have owned it for about 2 years now and play on it alot. Its an AMPEG. The Wow Factor: This thing looks great sounds great and its and AMPEG. Overall: I will always have this amp. Its perfect for travel to other locations and has enough head room for small venues and recording situations and the sound is truely amazing.
Sound: For the money you can't beat the tone this thing has. Features: Not a lot of frills. What is there is great tone and eq abilities. Ease of Use: Plug and play. Quality: Have been exceptionally happy with all my ampeg products. Value: Low cost of the combination of the amp and 210 cab leaves you wondering how you can pay $600 for what you usually pay $2000 to sound like. Manufacturer Support: Loud Technology experience has been fine as I have only needed a few parts and was treated well. The Wow Factor: I am buying another extension cab because I can leave one at practice and one at the recording studio and just carry the amp back and forth. If I wish I can run them both with the amp. Overall: Best Tone for the $
9. Ampeg Micro-Vr Bass Amp Head And Svt210av Bass Speaker Cabinet Stack
Product Details:
Included in this ampeg kit is the micro-vr bass amp head and the svt210av bass speaker cabinet stack. the ampeg micro-vr is a no-compromise amplifier packing 200w of solid-state mos-fet fury, a switching power supply and the classical good loo – micro-vr amplifier head:detailed 1970s-era svt appearance – single channel, entirely solid-state design – selectable 15 d – b input pad – gain control – bass, mid, and treble controls – volume control – selectable limiter and ledpeak ledauxiliary input – headphone output – illuminated power switch – effects loop with separate send and return jacks – balanced xlr output – lightweight switching power supply – voltage selector switch – mos-fet power amplifier rated at 200 watts rms into 4 ohms – fan cooled – much smaller than stonehenge – the ampeg svt 210av speaker cabinet:detailed 1970s-era svt series appearance – designed as a stack with the micro-vr amplifier (available separately)foot cups on the top panel allow secure stacking of a micro-vr amplifier or up to four empty shot glasses. – two ten-inch eminence speakers – two 1/4" ts parallel input and output jacks – nominal impedance 8 ohms – power handling 200 w rmsstylish top handle
Reviews:
Really impressed with this small amp/cab combo. Truly great, vintage tube-like warmth, punching lows and crisp highs are all accessible. The headphone output is super useful for practice. The 2×10 cabinet this amp is paired with sounds really awesome for home recording, small gigs (50ish people) and if mic'd, can adapt well for larger gigs. Without an extra 12" or 15" paired with it, it just can't handle the lows at a high volume. I do like running it through an SVT 4×10 for larger gigs to save the trouble of carrying around an 80lb SVT head!Bandy Xan
I've owned this amp for about 5 months now and it is perfect for small venues, church, and recording. I haven't really needed to use the speaker cab much as I mainly use in ears for live performances, but it is nice to have just in case and so the rig looks complete. The XLR out from the head is a great feature and one of the big reasons I purchased this and allows for a crisp sound to whatever you may be plugging in to. I have used this for live performances and recording for backing (split) tracks. You can get any sound out of this little guy and it never disappoints. Don't be fooled by the small size, it can sound massive with the right settings and EQ. The small size allows me to fit all my gear in the back of a small hatchback car. I researched this greatly before purchasing it and do not have any regrets. If i need more volume for situations that in ears won't allow, I may purchase a second matching speaker cab and I am sure that would be plenty for whatever situation. I would definitely recommend to any bass player looking for a professional quality amp that is portable and versatile.DPB
Bought this as an Open Box item from MF. Researched and read many positive reviews. Took the dive and got it. Was a little worried it wasnt going to be powerful enough. Wrong… this little sucker has got PLENTY of power for what I'm using it for: home practice and loud weekend jams with my bandmates. Currently pairing with a Peavey Tour 210 cab. I have an MXR 10-band EQ pedal but this Ampeg does perfectly fine without it. Will have to tighten up the light fixtures in my practice room soon. This little Ampeg THUMPS.The Lower End
10. Acoustic B600hd 600w Bass Amp Head
Product Details:
The b600hd 600w bass head from acoustic combines world-class bass tone with super lightweight and portability. a 600w (rms) power section is housed in a sleek, ergonomic chassis that fits in your gig bag. acoustic's legendary tone-shaping controls include a 6-band edge-lit graphic eq, defeatable notch filter and super hi & lo eq switches, providing a wide array of possibilities. a full-featured direct output gets you connected to your pa or recording rig, and the acousti-comp compression keeps your dynamic range smooth and in check. the b600hd from acoustic “ lightweight power for the masses! the class d neo series of bass amps from acoustic continue the legacy of œthe pro' tone, while providing extremely lightweight and portability, combined with its signature tone-shaping controls. these high-powered heads, combos and speaker cabinets provide incredible sound clarity and control for small, medium or large live venues, studios and more. the series consists of three heads (300w, 600w and 1,000w), four speaker cabinets (4×10, 2×10, 1×15 and compact 1×12), and three combos, utilizing the power plants from the 300 & 600 heads (600w 2×10, 300w 1×15 and 300w compact 1×12).
Reviews:
I bought this because it was on sale at a great price. Was not expecting it to sound this good, esp after reading a review somewhere that said it was a really "dry-sounding" amp. I don't find that at all. Of all the amps I have owned — Aguilar Tone Hammer, Mark Bass Big Bang, Hartke 5500, Hartke TA600, Mark Bass Little Tube, and Fender Rumble — this one has to best tone to me. When the amp was backordered I almost canceled the order but am really glad I didn't. The only amp I have that sounds better is a Hartke LH1000, which is a Class A tube amp and very very heavy. The Acoustic is a fantastic amp! Great EQ possibilities, lots of tone-shaping options. The low end is much clearer than the Aguilar Tone Hammer, which tends to distort at low frequencies. More than anything, I just love the sound of this amp. Kind of odd that they are not more popularSuperman
I believe this amp is way above average with any style that you play . But as far as hard rock/metal ? Its got to be the best I've ever experienced ! I've been playing since the mid eighties but I bought this head for my son . I also bought two B410C Acoustic bass cabinets to go with the B600HD head . A perfect match ! Unbelievable hard rock tone and the overdrive is awesome ! I used to use effect processors for overdrive and compression . Not with this head! The compressor does a great job and I don't see having to use anything else other than flange or some kind of delay if he chooses. Its extremely loud and you can get those cool sounds as Geezer Butler from Black Sabbath and Scott Reeder from Kyuss . You can turn overdrive off and it has great clear bass tones also with a great eq . I wasn't sure what a Notch filter was , but it does make a noticeable difference that is adjustable . Again the overdrive is so good , you wouldn't ever think about using the Tech 21 Sansamp bass driver . Sounds so much better!! Another great and puzzling thing is the price . How can it be so good and so inexpensive? I think Acoustic's marketing program is dropping the ball . More people should know about this company! Why anyone would by Ampeg or Harke is beyond me !! Acoustic blows them away !!! only con is that its so light and powerful it vibrates off the cabinet . I've got to find a solution to that . I'm very happy with Acoustic and my expectations were exceeded.Kyuss Fan #1
11. Markbass Little Mark 250 Black Line Bass Head
Product Details:
The black line version of little mark 250 offers the same features as the standard little mark 250. the black line products are made using the same cutting-edge technology, high-quality components and the same quality control standards that apply to all of our products. the little mark 250 black line is a smart, inexpensive choice for those who don’t need the full power of a 500w head. it’s great for practicing, rehearsing, and small gigs.
Reviews:
I bought this little head for a more portable rig for rehearsals and small gigs. My Peavey TKO Tour is quite heavy. This thing screams! I played an outdoor event a couple weeks back and had to keep up with our drummer's thunderous stainless steel kit. No problem. At around half max volume through my Peavey Headliner 210, the little guy really held its own. I would definitely recommend this product!Eric
Great light-weight amp with generally great features. I originally got this amp to be a backup amp for my long-time Ampeg B2R which was starting to have issues. I had to use it after the B2R failed on an outdoor show (no PA support) on a 4-ohm Fender 4×10 cab (2014) and it surprised me how well it worked. I did not suffer from the lack of power or did I hear any distortion. I played another outdoor (no PA support) show with the same combination and it worked great. Interestingly most of the time I use it for small shows with a semi-acoustic trio with a Yamaha 12" 2-Way monitor (250W RMS rated/97db SPL) and it works great. Far more power than I need but its light weight and small size makes it practical for such applications. The only issue I have with it is I wish it has a limiter or at least a power amp clip LED. With that it would be 5 stars for me.bassdeal
12. Bugera Bv1001t Veyron Tube Bass Amplifier Head
Product Details:
The behringer bugera verona t bv1001t ultra-compact 2000w class-d bass amplifier is an amplifier with a tube-powered preamp section that is capable of up to 2,000 watts of output power. it features a built-in compressor that employs bugera's dynamiter technology to provide parallel-style compression to your playing to help control your dynamics. the amp's eq section is comprised of a passive, baxandall-style high and low eq section, complimented by an active, tube-driven mid eq. the verona t has a dedicated fx loop that allows you to integrate stomp box or rack effects into the rig. additionally, the amp has a switchable tuner output that can also serve as a live monitor feed, as well as a balanced di output. tube preamp bass players love one thing – great tone, so bugera set out to satisfy even the most-demanding tone seeker with the verona t's front end. the 3 x 12ax7 tube gain stage, in concert with the passive baxandall bass and treble controls, plus the active tube-driven mid eq controls, delivers tone like only an authentic tube preamp amp can. the verona t is all about tone and this versatile and responsive preamp provides an abundance of headroom for consistently crystal-clear and faithful sound reproduction or just the right amount of tube grind in your tone – regardless what style of music your gig calls for. class d operation thanks to class d amplifier technology, bugera is able to provide you with power and sonic performance in an easy-to-use, portable and lightweight package. class d amplification makes all the difference, offering energy efficiency and eliminating the need for heavy power supplies and massive heat sinks.
Specifications:
Reviews:
Hard to know where to start on this; I will start with my search for the perfect amp head. I wanted something that married the best of both worlds, those being the warm tube sound and the reliable, powerful D amp. This hybrid is unique mostly because of its pre-amp, which consists of 4 tubes, 6 stages. & studio quality optical compression; buying a bass compression pedal was on my list, but now I have scratched it off, as the controllable compression with gain, compression, and volume functions does all that a $250 pedal will – so figure that into your costs as saved money! The EQ functionality is also incredible, esp with the 3-way adjustable midrange switch. After experimenting with all these functions, I feel I can dial in any tone I want, esp in combination with an active/passive bass with various pickup adjustments and EQ functions as well. The tone is warm and pure, and the volume is incredible. The orange glow of the unit looks awesome in darker settings. I have it connected to a Kustom 410G cab which is rated for 1000 Watts, thus I dont dare dial it past half-way – fortunately, I dont think Ill ever need to…but dont be fooled, you can turn this down using the compression to practice amp volumes while still obtaining that satisfying sound you thought only possible from a loud tube amp. I think this would be a great value at twice the price. Get it, and get the footswitch, too (I got a refurbished one for less than $20 and am very happy with it).robrwa123
Love this amp! Great sound, tone and it's a workhorse!!! Highly recommend!!!er16
This review is for the Bugera BV1001T tube preamp head. I have this head coupled with a Fender Rumble 410 v3 cabinet which makes an excellent pair. The head is compact, lightweight and looks great. I can hear the cooling fan but the noise is not excessive. The thing I’m most impressed with is the range of tones I’m able to achieve with this combination of gear. By dialing various levels preamp gain and compression (or not) I can shape my tone anyway I want. It seems to have a lot of punch as well. Additionally Adorama is great with fast shipping and no sales tax at least in WA state.Laurence
13. Evh 5150 Iconic Series 80w Head – Black
Product Details:
The 5150 iconic series head delivers two channels of tube-infused, evh-style tone with a streamlined design that satisfies the needs of gigging and recording guitarists alike. this tube amp head covers the full gamut of edward van halen's contemporary hard rock tones, with an extra voicing on each channel for added versatility. there's plenty of sound shaping onboard, with per-channel gain and volume, a shared 3-band eq, and global resonance and presence controls. the 5150 iconic series head also includes a top-shelf noise gate, footswitchable boost function, and high-quality reverb to ensure a dynamic performance and u.s.-prime, grade-a-stamped sound. other features include a power reduction circuit, speaker-emulated output, dual parallel speaker outputs, selectable impedance, and an excellent-sounding effects loop. if you're craving evh's latter-day sound, the 5150 iconic series head delivers the searing tone and growling gain that king edward made famous.
Specifications:
| Amplifier Type | Tube Guitar Amplifier |
| Tubes | 2 ECC83, 4 – 6L6 |
| Application | Performance |
| Power | 80 Watts |
| Impedance | 4, 8, or 16 ohms |
| Stereo | No |
| HF Driver | No |
| Channels | 2 |
| Compressor | No |
| Effects | Reverb Only |
| Effects Loop | Yes |
| Direct Output | Yes |
| USB | No |
| Bluetooth | No |
| Aux Input | No |
| Headphone Output | No |
| Footswitch Input | Yes |
| Footswitch Included | Yes |
| Cover Included | No |
| Display | No |
Reviews:
Great way to get the 5150/6505 style on a budget. Amp tones are usable as is but, I really love hitting the front end with a BOSS SD1 as a boost. Adding 10 band eq into effects loop shapes the tone even more. Sounds great through Celestion V30 and GT75 2×12. 1/4 power switch helps for home volume levels, but I still use a reactive load attenuator.Dave
Dude !! This thing is extremely loud. I play through a 100 watt Marshall TSL100 and this 80 watt head blows it away as far as power goes..I couldn't get it past 4 without it hurting my ears seriously. I returned it because of that reason. It is a very large head too..pretty good sound though and easy to use. You want loud…get this head if not get the combo but you better have a good back !Mike
WAY TOO LOUD for home use..this amp just screams loudness. You will not sound like Eddie using this amp. it is very big and did I say LOUD !? at full power I couldn't get it past 4 playing through my Marshall with VIN30s – 4×12 cabinet. for the money a good LOUD amp a bit sterile sounding playing clean..It went back though so you can decide yourself…oh it has tons of GAIN too…TONS !! almost too much reallyMike
14. Hartke Lx5500 500-Watt Bass Head
Product Details:
The lx5500 is a compact 500-watt amplifier that weighs just eight pounds and dynamically responds to any playing style. the class a 12ax7 tube powered preamp allows for a unlimited amount of bass tones to be dialed in while the lightweight class d amplifier packs 500-watts of real, continuous power enough to make any cab sing. hartke tone stacked capture the character of the bass guitar as soon as you plug in with the hartke tone stack eq that has been specifically tailored for a rich bass tone. the preamp includes the familiar bass and treble controls as well as a frequency and shape knob that provide extensive control over mid frequencies. the brite button can be engaged to boost high frequencies, bringing out the top-end of the bass as well as highlight natural harmonic overtones for a distinct, vivid sound. tonal control the lx5500 provides two essential onboard effects designed to enhance your playing and add extra options to your tonal arsenal. an integrated drive control allows the option of mixing in a comfortable amount of grit, or maxing out for a healthy dose of fuzzy goodness. dial in the right amount of compression to add punch and presence to your attack as well as smooth out transients for players that employ slapping, tapping and thumb picking techniques. all the ins outs lightweight enough to bring anywhere and versatile enough to use with any setup, the lx5500 is the ideal amplifier for the stage and the practice room. an xlr direct out with a pre and post eq selections allows for direct connection to a pa or recording console. an 1/8 headphone output is ideal for silent practice sessions while an 1/8 auxiliary input can be used to connect phones or mp3 players.
Specifications:
| Amplifier Type | Hybrid |
| Output Power | 500 W RMS |
| Channels | 1 |
| Master Volume | Yes |
| Tone Section | Channel 1- Bass, Gain, Treble |
| Built-In Effects | Compression, Distortion/Overdrive |
| Inputs | 1 x 1/4" Mono Instrument 1 x 1/8" Stereo Aux |
| Outputs | 1 x 1/8" Stereo Headphone |
| Box Dimensions (LxWxH) | 17.8 x 14.4 x 6.4" |
Reviews:
This is a great bass amp head. I paired it with my hd112 and my ibanez 2405W. The tone that you get out of it is very clean and warm. When using the drive you can get dirty and heavy with it. The Eq let you get a lot of tonal option out of it and is pretty simple to use. The only reason I didn't give it five star was the fan is a little loud when it comes on. but it this issue it is still a very good amp to have.Vic
This guy pumps some sound into the hd112! 10/10 would recommend to anyone trying to bulk up their bass soundRob
Great sounding amp. I put it with a PF115 and it rocks.Stan
15. Warwick Gnome Pocket Bass Amp
Product Details:
Selling a like new, used only once warwick gnome 200 watt bass amp head. this is the north american version that runs perfectly in the us and canada, not the often sold eu version with different voltage, which needs a transformer to function. it sounds amazing but i am a guitarist and want to fund another gear. loud, punchy, and amazing build quality. a better version of the tc bam series. happy gear hunting!
Specifications:
| Weight | 2.12 lb |
Reviews:
I purchased This Gnome for my 110 Custom SSB studio cab to help keep the load light, I love it! It has a smaller footprint than my Stomplab2b and has more than enough headroom. The cab is loaded with an eminence b102 8 ohm. So I'm getting about 120watts from it and it's plenty to jam at home with or in a Practice Session/studio time.Isaac
Just been using it in my house. I have a Hardke Hy-Drive 12 inch cab and it sounds great.I have not played with a drummer yet so I cant say how it holds up to gig levels of sound. It feels like it will be fine. I bought it mainly to go direct to computer and to have a small amp for portability. I wish these were available back in the eighties when I turned pro. All the heavy gear back then was such a pain to load at 3:00AM. I dig it!!MThomas
16. Friedman Runt-20 Head
Product Details:
The runt-20 20-watt head delivers friedman's legendary tone and versatility in a compact 2-channel amp. the runt-20's power section is driven by two el-84s, with three 12ax7s in the preamp. the "simple" clean channel features a volume knob and 3-position bright switch that delivers anything from singing cleans to a slightly broken-up tone. the heart and soul of the runt-20 is the overdrive channel, which takes you from classic rock to all-out assault. use the boost switch and gain knob to dial in the perfect amount of overdrive. a global presence control shapes the high-frequency response of the runt-20.
Specifications:
Reviews:
The cleans on this amp are beautiful, which is crazy for just one volume and a presents knob. I like to use my UA Ox Box with this so I can crank the clean channel to 11 and get that pure tube distortion. Speaking of distortion, the dirt channel is where this baby really shines. Hard to explain, like a JCM 800 and a plexi had a baby, and that’s just first gear on this channel, hit the switch and WOW. You have to try this amp out. You will fall in love with it.
I accidentally ordered this amp instead of the 50 watt as originally intended. I discovered the mistake only after it shipped. I intended to exchange it for the 50 Watt at my local Guitar Center. A few days later it arrived at my doorstep and I decided what the heck, I would take it for a test drive. I'm absolutely blown away by this little 20 watt and have decided to keep it. I'm pushing a Friedman vintage 412 cabinet with ease. This small amp is portable, lightweight, extremely feature friendly and has a huge variety of tone. This 20 watt amp can push my 412 cabinet with adequate stage volume with ease. I use a combination of 412 cabinets along with another EVH 5150 amp via ABY switch and will often bounce between the 2 half stacks. I've had numerous Fender Marshall and other Boutique setups in my 45 years of playing but never a Friedman setup until now. The Friedman lineup seems to be popular for a reason. I'm absolutely blown away by this little Powerhouse amp. It's also at a very friendly price tag for what you get. Lots of tone in this little guy. I would absolutely recommend anyone to try it out and take it for a test driveJay
17. Darkglass Alpha Omega 500 Bass Head
Product Details:
Monstrous, obnoxious, and aggressive. the darkglass alpha-omega 500 bass head is inspired by their range of top-notch pedals. now built as a full-featured, 500w amplifier, this is a tonal giant of a bass amp. the 'alpha' section is tight, delivering lows that hit like a gut punch, while the 'omega' section sounds unrestricted, raw, and beautifully destructive. connect via usb to the darkglass digital suite to further push the options available in this amplifier. giving per-channel on/off access to the vca compressor, and 3 editable cab ir slots, this a fully customisable amp that allows you to find your perfect sound.
Specifications:
| Weight | 5.3 lb |
Reviews:
Best distortion circuit on the market as far as I’m aware. Comes with compression/cabsim too. The six band EQ makes it so much easier to tweak your sound. in my opinion every tool the modern bassist needs. Made me put down my pedalboard and rely solely on this amp for a lovely clean and minimalistic setup. Killed it again darkglassReviewed by Andertons Music Co.
After using a mesa boogie carbine amp head and having it fail on me too many times, I switched to the alpha omega 900 and I'm loving it. Have taken it on tour and it paired well with every backline cabinet along the way thanks to the 2 ohm switch which cuts the power in half. The cab simulator on the post di xlr out is awesome, great live and for recording. The graphic eq, compression and drive circuits make it easy to dial any sound pretty much. My only disappointment was in the footswitch. When you switch the distortion on the pedal there is a noticeable gap of silence in the switching. Not sure if this happens when switching via midi. Hopefully there is an update that fixes this down the line, as I'm sure many buyers will want to use the included footswitch. I have been using an external overdrive in the effects loop, and it's the best sounding effects loop I've heard. Overall I'm satisfied.
18. Darkglass Microtubes 500 V2 Bass Head
Product Details:
The darkglass microtubes 500 v2 is a 500w amplifier equipped with an all-analog solid-state preamplifier and a custom class d power module. the amplifier allows to use the signature dual microtubes engine, with b3k and vintage drive circuits. a new superior custom-designed darkglass high-efficiency class d power amplifier module is the heart of this new line of our 500-watt amplifiers. it enables the usage of speaker cabs with impedance as low as 2ω, adding a new level of flexibility for cabinet options.
Specifications:
| Weight | 5.29 lb |
Reviews:
Blown away by what this amp can do, i use to have 4 pedals on my board and that has now been reduced to 1 tuner pedal and the super intelligent footswitch that works woth this amp! Recording is a breeze with this too, instant good full bass recordings without much config at all, this is made even better with the addition of 3 changable IR cab responses. There is a reason you don't see many of these second hand ☆☆☆☆☆☆☆☆☆☆☆☆George L.
So, I've been playing on my Hartke for quite some time, it's heavy, it's cumbersome, put it in a 19" rack. Bottomline, it's not doing my back any favours. Been looking to downsize my stack for a while now and since I already had and was very pleased with the Darkglass B3K stombox, my interest went out to Darkglass for choosing a smaller amp. The Microtubes 500v2 has the B3K and VMT effects build in, so this means les cables, less powersockets… It's really light, it's small, it's convenient, and the sound…. damn what a sound. I play in two metalbands and the distorted bass is just so fantastic, LOVE it!! Would recommend to any bassplayer in a metalband.
19. Peavey Minimega 1000 Bass Head
Product Details:
Using technology not found in other bass amps, the peavey minimega 1,000w bass head represents a new level of compact bass amplifier performance. peaveys proprietary kosmos enhancement provides increased bass impact, while the exclusive psychoacoustic low-end enhancement adds bass without overburdening speakers a testament to peaveys technology-driven innovation. the minimega contains additional modern features such as built-in compression and a 4-band eq with semi-parametric mids.the back panel of the minimega has all the connectivity necessary to patch in effects or connect to a sound reinforcement system. complete with an effects loop, gain control, crunch button, tuner output and more, the minimega delivers the high-level features that todays professional bass player demands. ideal for use in any live or studio setting, the minimega is the go-to amplifier for bassists of every style.power maximum wattage: 901w1,000w 1,000wtube or solid state: solid state type: head number of preamp tubes: not applicable preamp tube type: not applicable number of power tubes: not applicable power tube type: not applicable power attenuation: no impedance: 4 ohms channels number of channels: 1 footswitchable: not applicable number of inputs: 1 number of modes: 1 controls channel 1: four-band eq, plus gain and volume channel 2: not applicable channel 3: not applicable channel 4: not applicable master volume: yes mid-shift: no resonance: no presence: no bright: yes contour: no reverb: no voicing control: no boost: no other: compressor midi control: yes footswitch included: no effects effects loop: yes footswitchable: info not available reverb: no tremolo: no delay: no echo: no flanger: no phaser: no modulation: no chorus: no other: misc. features external speaker output: yes headphone output: yes 1/8"direct output: yes aux input: no usb connectivity: no built-in tuner: yes
Specifications:
| Weight | 10 lb |
Reviews:
I can’t say enough positive things about this amp. Starting with the sleek look, the small size of this amp is super convenient. I live in NYC so I travel by foot/train with the amp a lot and it’s nice to not have to lug around a 50 pound amp. The beautiful thing is that no power and no sound is sacrificed by the size of this amp. I play in a technical death metal band tuned to G# and this thing produces those low notes extremely well. I love it!Justin
After 5 years and hundreds of bar gigs together my trusty Rumble 500 head started acting up. I would turn it on and nothing, unless I popped a string, then it would pop on and pretty much stay on so I still gigged with it but in the world of GAS this is more than enough reason to get a new amp. Am I wrong? So I sold my backup rig which was a 77 Ampeg V4 and set out both TB and YouTube on the dreaded amp comparison ride. At the end, I was about to buy a Mesa Boogie WD-800 but then some reviews of the EBS Reidmar 750 swayed me at the last minute. I ended up returning that amp right away, out of the box the power light worked in the morning trial but was non working at the evening trial. That and I could not get a sound out of it that I liked. It also felt like the master volume pot had an unusual audio taper to it so it was too loud at 2! Also the on board compressor was a bit weak to me. Im sure its a great amp as many have said but not for me. So the search continued and I ended up on an unlikely choice. Unlikely in that if you told me I was going to be all giggly about how awesome my new PEAVEY bass amp was I would have maybe been a little disappointed as I have just a trace amount of brand snobbery. I played through a Demeter prior to the Rumble, Ill have you know! Snort..Snort So I ended up getting the MiniMega. Just from last nights show alone Im sold and in love with this beefy little gem. I went straight from the PO to the gig and just plugged it in, did minimal EQing and loved it from start to finish. The on board compressor works very well and seems to be designed to affect the highs more than the lows which is really nice, seems to be weighted just right for bass. I play American Standard Ps only for the record. Today I played with it at home and its really about perfect for what I do (rock cover bands) and is so flexible I cant imagine a situation where it wouldnt fully deliver. The EQ is super powerful but with the right frequencies so theres a wide variety of GOOD sounds. . Ive had very powerful eqs on amps before but they gave me a huge array of not so great or just so so sounds. Im sure many of you know what Im talking about. The KOSMOS knobs are cool too. The outer is a sub harmonic synth and the inner one I would describe as make my neck sound like a stand up knob. Probably not what Im going to find in the manual if I ever look but thats what it sounds like to me. Very cool indeed. Seriously, I turn the knob and my neck gets extra woody sounding, like an upright. Im not kidding about there being a lot of cool and useful tones in this thing. The extra power over the Rumble 500 was noticeable and nice. Then the guitar player chimed in on the first break, dude, that amp blows your old one away by far! I would highly recommend you try one of these if you are shopping for that perfect all around bass head. You can always return it if you dont like it but youll likely be blown away like me. The one I purchased was discounted as B-Stock but I cant find anything sideways on it at all. Purchased it from ebay seller proaudiostar. Value wise I would easily say it'srileyboyjim
From the start, the packaging is very attractive when it arrives. Head comes with a hand bag style carrying case, which is a nice bonus. Form factor is nice and compact and weight is at 7-10 lbs at most. This unit is perfect for easy travel. Sound wise, this head is clean and powerful. The lows can be a bit overbearing and when you dial it back to tame, it seems the taper off and thin out a little too soon so it can be hard to dial in the sweet spot at times. I found it best to dial in with the punch button disengaged. If you have a bass with an active EQ, this slight issue can be resolved much more easier. Otherwise, this amp has a wide range of tones and is well worth the price of admission. The Kosmos feature is cool but was not useful for my primary purposes of playing live. It was cool to hook up via D.I. to my interface, jam on my 7" computer monitors and shake the house!Henry
20. Randall Rg1003h Solid State 100w Guitar Amplifier Head
Product Details:
Returning to the original high performance fet circuits that don randall founded the randall company on, the rg1003h delivers high gain tone with a tight response. the 3-channel 100 watt head features crunchy distortion and a tight punishing low end. the 3 channels feature gain and level controls while the eq has bass, mid, treble and presence. in addition there is a serial effects loop, spring reverb and an xlr output with ground lift.
Specifications:
| Weight | 32 lb |
Reviews:
Sound: The clean channel is basically a low overdrive channel. Which is fine by me since I never use this amp for clean tones. The number 2 "classic" overdrive is really the best gain you can get for the price. I'm a firm believer in amp over pedals when it comes to distortion and this amp definitely delivers some serious distortion. Very good tribute to the old dime amps. Channel 3 is more suited to the newer "core" sound. It's my low channel for when I want to practice and not blow the windows off but if I turned it up it would rip paint off with the amount of gain. It's not a bad lead channel but the tone will take some time to match up if you tend to switch a lot. All in all, it's not an RH100 but it's not at all a bad amp. Especially for the price. Features: The built in noise gate is crap but it does help. The reverb has a tendency to over saturate and leave this annoying hum if you have it too high. The eq isn't over responsive but it's not dead so you can shape your tone fairly easily. I got around all of these problems by adding an eq turning down the reverb and getting a cheap noise gate and now it's near perfect. Ease of Use: It's a solid state amp so it's literally plug in and play. Finding a tone is fairly easy if you don't mind taking a minute and dialing it in. Footswitches make the world go round… Nuff said… Quality: It seems well made and I take pretty good care of my stuff so it should last a while. Value: This is pretty self explanatory… Manufacturer Support: Never needed it. The Wow Factor: For the price… WOW Overall: I got this in a pinch to go with an old orange cab for my band. Probably the best quick decision I've made in a while.Juan
I have always wanted a Randall Amp but have never had the means or opportunity to purchase one until now. There are pros and cons to this amp but the props most definitely outweigh the cons. Pros Amp's 3 channels make it very easy to switch between genres of music Clean channel is very crisp and other channels have enough "punch" to knock your socks off Buttons are well organized for ease of use and user functionality Built in bass boost and mid scoop make this amp unique Cons The only problem i have found is that it sometimes requires a noise gate in the effects loop as playing at higher gain settings sometimes causes it to hum. Though this is a solid state i feel as if it competes well with higher end tube amps. Overall this is amp is definitely worth the money.Nathaniel
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