Amp For Both Guitar And Bass For Sale (2024 Update)

Um im Wohnzimmer auf der Couch ein wenig zu klimpern ist dieser Amp geradezu genial . Vom Gewicht her sehr leicht und auch von der Größe ist es ideal den Amp direkt neben sich zu haben . Der Clean-Sound kann richtig laut sein ohne zu zerren . Mit dem Overdrive Regler kann man schon recht schöne Crunch-Sounds erreichen . Ist natürlich nicht vergleichbar mit einem großen Röhrenverstärker , aber das darf man bei einem Preis von unter 50 € auch nicht erwarten . Mit externen Effekt Geräten die man zwischen Gitarre und Amp hängt kann man noch viel mehr Sounds rausholen . Ist alles möglich . Als Übungs-Amp für zu Hause ideal .

Après quelques temps pour dompter le set up on a accès à un ampli de bonne qualité et super polyvalent. Personnellement, je préfère le brancher dans mon 2×12 mais la red box fait un travail très correct. C’est puissant et on peut accéder a pas mal de sonorités différentes. Il ne manque qu’une réverbération mais c’est facilement insérable dans la boucle d’effet.

Ich habe den Ampman aufgrund der vielen guten Bewertungen im Netz gekauft und bin sehr zufrieden. Ich nutze ihn auf einem Pedalboard mit einem vorgeschalteten Elektron Analog Drive und im Effektloop einem Line 6 M5 und uraltem Ibanez Stereo Chorus. Der Sound des Ampman alleine gefällt mir schon sehr gut und es gibt einen Haufen Einstellmöglichkeiten. In Verbindung mit dem Analog Drive lässt sich das gefühlt endlos erweitern. Wer nicht gerade so ein Riesending wie den Analog Drive auf sein Board packen möchte, kommt sicher auch mit einem einfachen Zerrer gut aus. Wie gesagt, die Möglichkeiten sind gefühlt unendlich. Die Bauqualität ist auch super. Die schlechte Ablesbarkeit der weißen Schrift kann ich bestätigen. Stört mich aber in der Praxis überhaupt nicht. Die Redbox AE über Kopfhörer finde ich Klasse. Sound gefällt mir auch da sehr gut.

Ich habe einen Komplettverstärker für das Board mit DI gesucht. Der Ampman eignet sich hervorragend. Man braucht ein wenig um seinen Sound zu finden, aber jetzt bin ich begeistert. Wenn man den Boost on beiden Kanälen noch regeln könnte, dann wären es 5 Sterne.

Sound: I bought the Ampeg Microvr Head originaly with one Ampeg 2-10" cabinet as a part of matched set, as most people do – about three months a later I bought another cabinet – so now I'm often running two of the same cabinets and the head together. When you plug in the second cabinet the rig gets noticeably louder in this set up, and also appears to have a much more deeper bass tone(if you want it). Adding the second cabinet added $300 to my rig – but if you can afford it, the sound is far superior to just the single cabinet, and gives you a lot of flexiblity. For smaller indoor venues like playing bass behind people with pugged in acoustic guitars, I run the head with just one cabinet and it sounds fine – both tone and volume wise. When I playing along with a drummer most of the time I opt for using two cabinets rather than just one. At higher volumes – like playing with a drummer it just sound stronger and fuller in every respect than by using just the single 2 10" cabinet. I'm either running a recent custom C.F. Martin Acoustic/ Electric Bass guitar, or a Fender Precession Bass, through the rig – depending on who and what I'm playing on music wise. It works excellent with either instrument and I am very happy with the set up. Even with just one cabinet you won't be dissapointed. Features: Happy with everything that it came with feature wise. Didn't like the stock power cord that came with because it was very stiff and hard to wind up – Ampeg should switch vendors and get a power cord supllier that could offer them a more felxible cord of the same quality that you cound wind up easier. Ease of Use: Tone controls are easy to figure out and use. Rear connections on the amp are simple, straight forward and easy to use, and hook things up. I often use a Martin acoustic bass guitar with this rig – so I use a Fishman DI preamp in between my bass and the amp – this being done basically to help control feedback at higher volumes (especially when playing out door gigs) and to fine tune the tone on the acoustic bass a bit more. My Fender bass sounds fine with out the Fishman preamp and the controls on the amp head work well with it – giving you many mutiple tone combinations depending on how you set them. Also my Fender fretless bass sounds really good through the amp and the matched speaker that you will most likely buy with the head. Quality: Quality seems very high. After about two years of owning and active giging – it is holding up extremely well. Over the last year or so I have taken it out on local gigs about twice a week, So it's been out of my house more than a hundred times so far, and there haven't been any issues so far – all this in all kinds of weather and temperatures. I had black vinyl covers made for the head (from a custom amp cover innernet company)and for both speaker cabinets as soon as I bought everything – so even aften trucking the units all over the place for quite awhile now they still all look fresh and brand new. The power cord that came with it was very stiff and always hard to roll up – so I bought an after market cord on a website cord supplier that was more flexible and easier to wind up. I've used the after market power cord every since. The head has a fan in the back that runs whever the unit is powered up, that when you first get the amp drives you crazy – because it appears to sound so loud. Truth is though while you may hear it running in your house when practing – you never do at gigs. At any gig the room and enviroment background noise easily drown it out right away – you just never hear the fan running at all. When I first got it I though something was wrong with the fan – there wasn't. Its an Ampeg thing – that is the low fan noise in a quiet background setting. Keeps everything cool inside the head – so you can certainly live with it. I got used to it after awhile and don't even notice it anymore. No one has ever commented to me anywhere about any fan noise coming from my amp. So don't think something is wrong with the fan when you first get the head. Value: The original outlay (about $600 for the head and one matching cabinet) is a bit steep compared to several other small bass amps on the market out there – but you get what you pay for I guess. Due to the price saddly – alot of bass players might not be able to buy one and will go with something cheaper out there. Before buying this I looked around for about two months at other rigs on the innernet, at music stores, and at othet musicians' bass rigs when watching them perform. This unit was replacing a Hartke Kickback 12 – which I used for about three years for the same type of smaller gigs – which is for more low volume type of dealsthat I play at – where you don't have to worry about shaking the room and making the paint peel of the walls when you hit your low E string on something like Springsteen's "Pink Cadillac". I still feel that I made the correct choice and am happy with the head and the speakers matched for th

Sound: I own the Microvr amp and 2 210svtav cabs. I bought the second cab after I got the Mircovr set up. The sound sound you get from this things for the money blows anything else out their out of the water. To get the rated 200watts performance you need a 2nd cab as the load with one cab is 8 ohms at 150 watts. Light weight portability and small footprint size are a plus especially if your space chanllenged. This thing rocks. Features: This is a no frills set up. Has what you need to have great sound with a headphone jack to play practice in a low noise enviroment. Ease of Use: It has a 3 band eq section that you can dial in easy to find a sound you like. Its no svtpro 7 but for the money you will not find a better amp in its class. Quality: This amp is made solid. Mimics the old school look of the 70s svt lineup. Value: With anything you purchase you wish you could get it for less thats just the way it is. But for the money you will not find a better sounding and well made rig in this class. The Microvr and 210 svtvr cab set up is da bomb. If you want portability light weight and the best sound get this AMPEG. Manufacturer Support: I have had no issues with this amp. I have owned it for about 2 years now and play on it alot. Its an AMPEG. The Wow Factor: This thing looks great sounds great and its and AMPEG. Overall: I will always have this amp. Its perfect for travel to other locations and has enough head room for small venues and recording situations and the sound is truely amazing.

Sound: For the money you can't beat the tone this thing has. Features: Not a lot of frills. What is there is great tone and eq abilities. Ease of Use: Plug and play. Quality: Have been exceptionally happy with all my ampeg products. Value: Low cost of the combination of the amp and 210 cab leaves you wondering how you can pay $600 for what you usually pay $2000 to sound like. Manufacturer Support: Loud Technology experience has been fine as I have only needed a few parts and was treated well. The Wow Factor: I am buying another extension cab because I can leave one at practice and one at the recording studio and just carry the amp back and forth. If I wish I can run them both with the amp. Overall: Best Tone for the $

I ordered this little Giant for home practicing. I never had such a small combo sounding zo big! Only 20 watts through a 8" speaker and measuring app. 30cm in square. Bass, lowmid, highmid and treble control is all you need, and enough heaviness to make the girlfriend scream for less! It's even loud enough for your (semi) acoustic gigs I think! You can put in your headphone and a iPod or something to play along with your favourite songs in silence. Also, the service and deliveryspeed of Musicstore is, even in these crazy corona Times – outstanding! I'm going to enjoy this little Friend!

Ero in cerca di un piccolo amplificatore economico da usare in camera per provare, e questo è esattamente il compito che il più piccolo amplificatore della serie Promethean di Ibanez assolve perfettamente. Ottimo suono pulito e rotondo, volume sufficiente ad ascoltarlo da breve distanza, equalizzatore a 4 bande forse non molto efficace, ma funzionale. ingresso aux in e uscita cuffie completano la dotazione essenziale di questo piccolo combo. Le dimensioni e il peso sono molto contenuti, la costruzione appare solida e tutto è rifinito bene. N.B. Se state pensando di utilizzarlo anche per piccole venues, a meno di microfonarlo, questo non è l'amplificatore per voi, perché 20w sono un po' pochini. Il suo unico uso è quindi quello "da camera".

I was so happy to bring this home and expected it would be the perfect amp. Lightweight and cost effective. Tried it out at GC with my Boss DR 880 drum machine. Both drums & bass sounded very good, so I bought it. When I got it home I expected that my keyboards would be fair to good as well. Wrong, the Casio Cdp 100 was terrible. My Roland FP-5 was better but only about half way there compared to my Roland KC 350 keyboard amp. It was totally my fault to expect my keyboard to sound good on something made for bass. I guess I have learned my lesson. Guitar Center was gracious about taking it back and refunded my money less a small restocking fee because I ordered it rather than taking the floor demo amp. Save your boxes for full refunds.

It was definitely OVERKILL for pushing my 4 Boss 6×9's in my doors but always buy bigger then what you need & keep it turned down to avoid excess heat production, amperage draw & distortion. I CAN'T turn this amp up from the minimum or it makes my ears cry. Paired with an LC2i pro to compensate for my factory touch screen's bass rolloff I have full range at all volume levels. Compact enough to fit under my Passanger seat for shorter lengths of wire to be ran. Couldn't be happier about the outcome of this project.

Bought this head for 162 ChF and combined with the Vox BC108 (85,-) it is a fantastic value. I should say, it is my first all-valve amp so I can't make many comparisons, but here is my general review. The amp reacts very nicely to changes in my guitar's output. Turning down the guitar volume or playing very softly gives me a clean sound even with lots of gain. The distortion is generally very harmonic and fuzzy. You can absolutely get a metal tone from this with a set of (higher output) humbuckers. You will need the "Phat" switch for anything high-gain, which will bypass the EQ, but to me it sounds great. The reverb sounds quite good and is very useful. The build quality and looks seem top-notch. There are three minor drawbacks. Firstly, even at 0,1 Watt it's fairly loud. Absolutely fine for lower gain tones, but late night metal in an apartment will be tough. Secondly, with headphones plugged in, the attenuator (wattage setting) is bypassed, so depending on the headphones high gain tones might deafen you. Thirdly (and this is a very minor nitpick), the Bass and Treble knobs don't have as much range as I'm used to. TLDR: Overall if you're looking for a simple old-school head with a fantastic value, this surely has to be it. All of my (admittedly nitpicky) issues with it can be fixed with an overdrive pedal.

First impression: On unboxing, the T5 did not make a great first impression. I thought it was B stock! It was literally covered in fingerprints! That greasy fingerprint look just doesn’t go well on black and chrome. It also had what looked like a tape glue mark near the logo. I got a good clean with a dry cloth. What a beautiful looking piece of gear this is, a vintage look that is to die for. The Bugera T5 Infinium Tube Amplifier is well built. It is heavy, certainly but well supported by a sturdy leather vintage style handle that makes it super portable. Tall rubber feet gave the T5 plenty of clearance to avoid cab handles. The front panel: The front panel sports a standard input jack socket, 5 Knobs, a “Phat” switch, a jeweled power light and a power switch. There is no “standby” switch. A matching chrome and black Bugera logo fronts the chrome cage. The controls: The Gain control increasingly pushes the amp into saturation as it is rotated clockwise producing a very usable overdrive. The treble and bass controls work as one expects – nothing unexpected there. The reverb was something of a surprise. Sounding rather “springy”, especially when added tastefully. A super reverberant wash is available beyond the 12 O’clock position. The Volume knob, perversely, does not seem to add volume. There is hardly and noticeable difference at all between the 11 o’clock position and when fully clockwise. Where the REAL volume push lies, is with the Phat switch. The Phat switch boosts the volume while bypassing the EQ. It certainly does make a huge difference – when engaged, one never wants to switch it off! The Back Panel: Power is via 3 pin IEC “kettle” plug. Also here are two quarter inch jacks. The first is for a 4 ohm speaker, although this is labeled as a minimum load, you can use 8 or 16 ohm cabs. The second jack is for headphones. Extra points to Bugera for not using a mini jack here! Bugera eliminate bias issues using what they call their “infinium” system. LED indicators show when a tube needs replacing. The T5’s is next to the phones jack socket. Inside: Under the hood things also look great but you will only really get to see this if you are curious or wish to swop out or replace tubes. Removing the cage reveals the transformers, tubes and a screen printed Bugera logo – it’s like an art piece! The tubes are very secure and it takes some determination to remove them – a good thing as secure is better. The inside of a T5 chassis reveals considerable digital circuitry – probably the reverb. Performance: For 5 Watts the T5 is certainly much louder than one expects. If your personal history is primarily solid state amps, this amplifier will be a wake up call as to why guitarists everywhere have refused to abandon tubes for so long. Blues tones from the T5 are beautiful – everything from almost clean to great crunch – everything a blues player looks for. Let down: I REALLY wanted this amp but it was let down by one thing. The amp I was using had an unpleasant "fuzzyness" when trying to get the cleanest possible sound out of it. This "fuzzyness" hung in the dying tail of a note and sounded exactly like a crossover problem in a push pull amp – but this is a Class A amp so how could that be?! When playing power chords it sounded like intermodulation – something didn’t sound right to me. Ironically, "digital noise" in my digital practice amp is WHY I wanted a tube amp in the first place! This was a different type of noise but just as distracting. I had no EL84’s so couldn't test that – but I did have a lower gain 12AU7 tube so was able to swop that with the 12AX7 hoping like crazy that it was a tube issue and that the problem would vanish (because I really DID like this amp) but it did not help. In the end, I reluctantly packed up the T5 and returned it. If you do get a chance, try one, I recommend this simply because if I just got a dud or damaged B stoc