Are you looking for the Acoustic Guitar Les Paul? If so, you’ve come to the right place.
Choosing the Acoustic Guitar Les Paul can be difficult as there are so many considerations, such as Sawtooth, Glarry, Gibson, Epiphone, Yamaha, PRS. We have done a lot of research to find the top 20 Acoustic Guitar Les Paul available.
The average cost is $1628.45. Sold comparable range in price from a low of $59.99 to a high of $4999.00.
Based on the research we did, we think Epiphone DR-100 Acoustic Guitar, Vintage Sunburst is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Acoustic Guitar Les Paul (20 Sellers)
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$169.00$129.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Tested and sounds very good.
- Action is easy to play with no fretting out anywhere.
- Frets look very good.
$169.00
4.5
Reviewers Noted:
Attractive . Sound quality . Well made . Durable . Weight
Features:
- Solid mahogany ukulele with les paul shape
- Laminated aaa flame top
- Piezo pickup
$1824.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans.
- The pre-war classic with a beautiful faded finish.
- Body styles.
$4999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Thermally aged red spruce back & sides
- Mahogany bracing
- Traditional hand-scalloped advanced x-bracing, red spruce braces with hide glue binding
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Detailed specifications
- Advanced jumbo
- Thermally aged red spruce
$179.99$149.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Dreadnought style spruce top mahogany back and sides mahogany neck rosewood fretboard chrome hardware
- For such an easy-to-afford guitar, the epiphone pr-150 is a standout — a perfect instrument to get started on
- It is a dreadnought and features a spruce top, mahogany back and sides, and a mahogany neck with rosewood fretboard
$129.00
4.5
Reviewers Noted:
Good sound quality . Attractive . Well made . Durability . Weight
Features:
- Select spruce top
- Epiphone’s best selling dreadnought
- Premium machine heads
$2499.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- 1 3/4" scale length: 628 mm.
- 24 3/4" string spacing: 55,5 mm.
- 2 3/16" bridge: rosewood.
$999.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- A genuine gibson acoustic at a great price
- Exceptionally smooth playability
- Incredible plugged-in playing
$2799.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Weight
Features:
- A small-body with the full gibson sound.
- Pics are of the exact guitar you will receive.
- Detailed specifications.
$2299.00
4.9
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Gibson j-45 studio walnut acoustic guitar walnut burst.
- Turn heads with this unique j-45 studio. hand-built using walnut back and sides with a sitka spruce top.
- The slim body depth allows for increased comfort underarm and the flatter fingerboard allows finer playability.
$999.00
4.4
Reviewers Noted:
Sound quality . Craftsmanship
Features:
- Solid sitka spruce top
- Solid walnut back and sides
- Advanced response profile utile neck
$149.99$99.99
4.1
Reviewers Noted:
Sound quality . Well made . Attractive . Durability . Weight
Features:
- Select spruce top provides rich tone
- Mahogany back/sides for warmth
- Mahogany neck with jatoba fretboard
$59.99
4.3
Reviewers Noted:
Attractive . Good sound quality . Well made . Lacks durability . Weight
Features:
- Smaller body style ideal for kids
- Rosewood fretboard
- Martin strings
$4999.00
4.8
Reviewers Noted:
Good sound quality . Durability . Visual appeal
Features:
- Advanced jumbo top
- Thermally aged red spruce back & sides
- Mahogany bracing
$799.99
4.7
Reviewers Noted:
Attractive . Good sound quality . Weight . Well made . Durability
Features:
- 6 string – right handed…
$1299.00
4.4
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Includes a deluxe gibson soft shell case as well as a gibson strap and polishing cloth.
- Ultra-modern weight relief.
- This is gibson's latest advancement in maintaining tone with weight relief!
$2849.00
4.8
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The world-famous workhorse, now in cherry
- Serialized 21041094
- Body material
Reviewers Noted:
Attractive . Sound quality . Weight . Craftsmanship
Features:
- Body shape: square shoulder dreadnought
- Profile: c-profile
- Fingerboard material: indian laurel
Features:
- Spruce top with scalloped braces provides a bright, full range sound
- Beautiful mahogany back and sides for robust volume and responsive tone
- Slim mahogany neck offers fast, easy action and inherently long-lasting stability
1. Epiphone Dr-100 Acoustic Guitar, Vintage Sunburst

Product Details:
The epiphone dr-100 acoustic guitar is a nicely crafted acoustic guitar that sports a select spruce top and mahogany body and neck. this guitar epitomizes epiphone's focus on affordable quality. epiphone builds the dr-100 acoustic guitar with chrome hardware, precision construction, and rosewood fingerboard with dot inlays. case sold separately. check the drop-down menu to the right to select colors and/or other options. select spruce top. mahogany body and neck. chrome hardware. rosewood fingerboard with dot inlays.
Specifications:
Finish | Ebony |
Year | 2020s |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
Nut Width | 1.69" |
Right / Left Handed | Right Handed |
Scale Length | 25.5" |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Opaque |
Reviews:
Look, I have played guitar over 50 years. I bought this to have a guitar to play around the camp fire or just drag around. I had Sweetwater set it up before it shipped. Got this thing and was completely blown away! With the set up it plays better than my Ovation Elite. Great guitar and great sound not to mention the service from Greg and the guys at Sweetwater. Perfect set up, awesome customer service. For the price, there is no way you can go wrong with this guitar – just make sure you get it set up properly!!!
Much more than a starter guitar. Put a set of Elixir strings on this, a minor tweak of the action and away you go. Plays like an electric sounds full-bodied like a Dreadnought should. Full range of sound from base mid and treble. Mic it or I use a Dean Markley pick up for amplifier. A gorgeous sound and play sensitivity to a myriad of different styles. I have more expensive acoustic guitars. But believe it or not this one sounds better and plays better than all of them. I purchased the ebony all black model. It has a very nice look on stage. But my thing is not how an instrument looks but rather on the playability and the tonal quality. A wonderful steal for the price. I'm telling you if you purchase this guitar for practice recording or performance you will not be disappointed. And at this price point you can get one for next to the couch, one for the studio, one for the camping trip, one for the beach, and one for the stage. And still not spend as much as ONE Taylor.
This 79 buck guitar was the biggest surprise ever! I really didn't expect much, and was having second thoughts after I placed the order. I bought the sunburst version on a SDOTD as a total impulse buy. I have several expensive acoustics, and I don't need a cheap guitar. But I have to say, this is a really nice instrument. The fit and finish is above average, with relatively smooth fret ends and a huge sound. The tuners, however inexpensive, work as intended and stay in tune. The sunburst finish is lovely, with only one small thumbnail scratch. The neck joint is well done, and the neck has a comfortable full feeling. Epiphone has improved the "E" symbol on the pickguard, it is made into the plastic, and not glued on and wanting to fall off like on the older Epiphones. The rosette appears to be painted on, but it looks good regardless. The bridge (rosewood) is solidly attached to the top, with no lifting or gaps. The body has a white plastic binding front and back that is well executed. The rosewood fretboard is attractive with nice grain. And the sound! This guitar has a huge, loud sound for a laminate guitar. Tomorrow I plan to replace the original strings with some quality mediums, which can only make it sound even better. One odd feature is a false truss rod cover, held in place with three wood screws. There is nothing under it! The access to the truss rod is inside the sound hole. I did have to remove some glue from around the truss rod adjusting nut inside the guitar. Quite frankly, the quality and sound of the Epiphone just blows me away! If I had to sell all of my other acoustics and only keep this one, I would be content. It's that good!JimmyJ
2. Epiphone Les Paul Acoustic Electric Ukulele – Heritage Cherry Sunburst

Product Details:
Real les paul styling in a ukulele. the ukulele has long been a favorite instrument of guitar players and singers alike, whether it's traditional hawaiian musicians or rockers like tom petty, eddie vedder and george harrison. long known for its history of making great les paul guitars, epiphone expands upon that knowledge and experience with the les paul acoustic electric ukulele outfit. like a traditional les paul standard, the les paul ukulele features a solid mahogany body combined with a aaa grade flame maple top for great tone and great looks. the mahogany neck features a comfortable "d"-profile shape and is bolted onto the body with four recessed screws for rock-solid stability. the rosewood fingerboard features a concert length 15 inch scale with 19 silver nickel frets and a 16-inch fingerboard radius.
Specifications:
Body Type | Les Paul; Concert Uke |
Body Wood | Mahogany |
Top wood | Flame Maple Veneer |
Scale Length | 15" |
Neck Joint | Bolt-on 4-bolt recessed |
Neck Wood | Mahogany |
Fretboard | Rosewood |
Neck Shape | D-profile |
Nut Width | 1-5/16" |
Fretboard Radius | 16" |
Bridge | Rosewood |
Pickup Bridge | Piezo |
Controls | None – Passive |
Tuners | Open; 14:1 Diecast |
Hardware color | Nickel |
Finish | Polyurethane |
Reviews:
Overall, I would NOT buy this instrument again and wouldn't suggest it to people without warning them of my issues. If this ukulele broke, I'd replace it with a Kala. I wasn't very well pleased with this uke (or it's cheap gig bag) and will not be holding onto it for much longer. I bought this uke after previously owning a Beaver Creek (no-name Canadian brand) ukulele and then a Kala Mahogany KA-C ukulele. I had made the decision to sell my Kala and buy this Epiphone because I've been overwhelmingly pleased with my Thunderbird Pro IV bass and trusted the Epiphone brand (although I have been skeptical in my 7 years of being a musician). I must say that after owning the Epi uke for about 3 months now, I am looking to sell it in order to buy my Kala back. I had bought this ukulele because it had a built in pickup (which my Kala did not have) and it looked sweet! I was pleased with the aesthetics but the sound quality is just missing. I had heard this uke has two very different sounds when plugged into a system and when played acoustically. This is exactly true and I'll highlight it in the next section. Note: I replaced the strings on my epiphone ukulele instantly because I was told to do so. If you own this ukulele (or are going to), CHANGE THE STRINGS. Although I bash the ukulele a little bit in the next paragraph, you will hear a substancial difference in sound quality (for the better) if you change the strings.When played acoustically, this ukulele has a very flat sound. I say that especially because the ukulele itself is very flat. This affects the whole sound of the instrument and does not sound like a true ukulele much at all. However, that being said, this should be expected by anyone purchasing the ukulele because it clearly IS an acoustic/electric combo. Because of that, there needs to be sacrifice on both ends to meet in the middle.When playing through a system, this ukulele has an even worse sound. I have played it alongside another ukulele player who didn't have a pickup so we just mic'ed her ukulele. Hers, without being plugged right into the system, sounded much better and fuller than my epi did plugged in. I was almost embarrassed at how poorly my instrument sounded. I would honestly say I'm quite let down with this product. I do not feel like the value is there at all and as I said before, i'm currently in the process of selling it to afford a REAL ukulele.Bass Crazy
This is my 3rd uke. I actually went in to GC to get a different uke, but started messing around with one of these and fell in love. Yes, as others have said, it's not very loud. I mean, duh, look at the flat body. But the sound is just incredibly unique and appealing to my ear. It sounds almost like a clean 50s electric guitar, like something you'd hear in an Otis Redding song, and that's when it's unplugged. It's crazy, it really has an electric sound while unplugged. And plugged in it's a really fun play as well. I understand why some people would be disappointed if they are just looking for a ukulele that looks cool, because this does not sound like your typical uke. Also, I love the stock strings. They really add to that original sound and they are kinda thick so you can really strum away on this thing like a guitar. I wouldn't recommend it as someone's first ukulele, but definitely a second or third to provide a truly different and unique sound.PDX Me
I've been playing guitar off and on for most of my life (call it 45 years) returning with a new emphasis a few years ago, but I've only touched a ukelele a few times in my life. This little guy is fun! Excellent tone, well constructed, and the flame maple top is really pretty. Although it doesn't have a volume or tone control like a Les Paul guitar, it sounds fine coming through an amplifier. The included gig bag is a nice touch, and seems like a good one. The tuning is (of course) completely different than a guitar, but guitar knowledge carries over well to the uke. Picking it up with a chart of ukelele chords and tuning it with my electronic tuner, I was playing within a couple of minutes of opening the box. I've only had it a few weeks, but so far I love it. Epiphone really puts out instruments that are a good value, and this one is no exception. My wife was surprised at the excellent tone but I expect nothing less. Quality woods and construction get you that tone. If you're on the fence, get one and spend some quality time with it. You'll have fun, and isn't that what it's all about?CFLBob
3. Gibson J-35 '30s Faded Acoustic-Electric Guitar Natural

Product Details:
The gibson j-35 is one of the most iconic acoustic guitars of all time. since its release back in 1936, it has developed a reputation as the finest workhorse acoustic around; with its full, rich tone and effortless playability it's easy to understand why. it delivers a full spectrum sound with incredible dynamic range! the gibson 30's j-35 faded features a mahogany body and sitka spruce top for not only a tonally rich but visually stunning guitar. the faded satin nitro lacquer really adds to the guitars vintage vibe. with an organic and beautifully balanced tone, mahogany offers a unique warm and well-rounded sound with great harmonic overtones. it's a real beauty, with a real vintage inspired vibe.the mahogany neck is super comfortable and great for both bold chordal work and subtle fingerstyle playing. the rosewood fingerboard is smooth and feels great underhand.featuring an lr baggs vtc pickup system, this gibson 30's j-35 gives you complete control over your sound. perfect for stage or studio, it's the same incredible workhorse guitar it's always been!
Specifications:
Finish | Natural |
Year | 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Satin |
Fretboard Material | Rosewood |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
On-board Electronics | Piezo Pickup |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
4. Gibson 1942 Banner J-45 Vintage Sunburst

Product Details:
Legendary rich tone. release the depths of your creativity. the gibson 1942 banner j-45 channels the essence of the iconic j-45 in a new custom historic version. it mirrors the popular structure and components of the vintage model including mahogany back and sides. this time, the mahogany has been teamed with a thermally aged red spruce top. thanks to this duo of tonewoods, you can produce a deeply warm tone and melt the coldest of hearts with your music. get lost in passion. for those who lose themselves in their performance. the 1942 banner has a rosewood fretboard that encourages your musical devotion by offering a comfortable surface for chord and fingerwork. add this fretboard to the mahogany body and you've got a truly winning combination. these components and construction are ideal for performers who particularly favour heavier strumming and can't help but release intensity into their sound. all wrapped up in a stunning vintage style, the 1942 banner is a must for any blues or folk player looking to push their music further. are you ready to make a difference with your sound?
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Binding | Multi-ply top, multi-ply back |
Finish | Thin Finish Nitrocellulose, VOS |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 19 |
Frets | Legend Wire |
Nut Material | Bone |
Nut Width | 1.725" |
Inlays | Mother-of-pearl Dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Rectangle, open slot |
Saddle Material | Bone |
Tuning Machines | Strap open back, cream button |
Pickguard | Tear Drop |
Truss Rod Cover | Black |
Bridge Pins | Bone |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
5. Gibson 1936 J-35 Vintage Sunburst

Product Details:
The j-35 evolved from the jumbo in 1936, a time when the great depression was still wreaking havoc on americans. gibson developed the j-35 to be a pared down model but still offer musicians a warm and balanced instrument. this custom historic 1936 j-35 delivers the look, feel and sound of our iconic j-35 as a seasoned vintage instrument. the master luthiers in bozeman, montana, have created a beautiful vintage-inspired instrument sure to be coveted by the most discerning of flat-top players. the 1936 j-35 features a thermally aged adirondack red spruce top held by hot hide glue construction, a wide 1.77 nut width, open-slot bridge, bone saddle, and strap cream button tuners.
Specifications:
Finish | Vintage Sunburst |
Year | 2020 – 2022 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Gloss |
Fretboard Material | Rosewood |
Neck Material | Mahogany |
Number of Frets | 19 |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Scale Length | 24.75" |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
6. Epiphone Pr-150 Vintage Sunburst Acoustic Guitar

Product Details:
The easy-to-afford dreadnought epiphone pr-150 is the perfect instrument to get started on. it has classic looks, great tone, and is made to be road tough. like all worthy acoustic guitars, it begins and ends with tonewoods, and the pr-150 epiphone chose a select spruce top and mahogany body for a classic sound that's balanced, clear, and will only get better with age and lots of playing. the rosewood bridge and synthetic bone saddle are a perfect match for the resonant profile of the select spruce top. the vintage-style soundhole is supported by a tortoiseshell-style pickguard with the '60s era "e" logo. the sliptaper 25.5" scale mahogany neck has a rosewood fingerboard with dot inlays, a 12" radius, a 1.68" nut, premium die-cast 14:1 tuners, and the classic '60s era sloped dovewing headstock.
Reviews:
This is my 2nd of PR 150, I bought a sunburst one in the store. Only thing I noticed is the neck on the natural one is a bit thicker but its barely noticeable. I tried all the comparable ones in the range and this one just has it, full rich clean tone. It was flawless right out of the box, took 3 days to get to me, free shipping. The factory action is a touch high for my liking but can be set up to play perfect. I didn't find any fret buzz or issues, I just like low action. I plan to have this one set up as well, very worth the extra money. Stays in tune well, sounds incredible. These are very versatile guitars and do sound better with use and age. Best quality strings make a big difference on these. 80/20's really make it sing and sound like a Martin but with a bit of depth and warmth. Phosphors, it sounds more mellow and like Gibson. Obviously its not either one but you can still get very good quality enjoyable tone from these. I use it for older style county/bluegrass and it does great for that but also blues and oldies. They respond great to the player, pick attack, light and harder strumming and lead. Only thing I don't like is the finish on the back of the neck but that's personal preference. I've gotten used to it and hardly even notice, I'm used to standard Fender teles and strats that have a matte finish. Overall I think this is probably the best acoustic in the price range.Andy
Sounds great and for the price acceptable, ( Right around $200). I am just relearning after a serious hand injury and the taper of the neck is perfect. Just wide enough for comfort at all frets but not to wide for stretches. No buzzing,good action. The whole thing is laminated which is to be expected in this price range but has a limited lifetime warranty, plus I bought the extended warranty for accidental damage for $38 , which I never do but felt it was a good choice for this. It might have minor issues in the future. The sound is rich and full bodied. The tuners are not the smoothest and it doesn't seem to stray in tune. Guitar Center dressed the frets which were really sharp. Good for me to relearn and practice with but probably not sturdy enough for regular gigging. Although I am rough on things. Great entry level instrument I think for new players. I couldn't afford $500 or more so this fit the pocketbook.Christopher
Don't let the term "beginner guitar" steer you away. I've been playing for over 40 years and have never enjoyed owning and playing a guitar as much as I have this one. I bought it with the sunburst finish, as I have never owned one like that, and this is what initially caught my eye. I came home inspired one day to find my trusty old acoustic Fender had a lifting bridge, so I needed a replacement. Having heard an ad about a recent GC sale, I popped on over to see if I could try out several different models, before I found myself settling on this one. I had never really heard of the brand before, but when I went home to research it and found who the company was owned by and what bands used Epiphone. I lucked out with an amazing deal at GC, fitting my budget for a quick replacement. And I am so glad I did. This guitar has inspired me to play for hours on end, and I honestly have hardly put it down since I bought it in March. I chose to protect it with an Epiphone Case (the eDread) and not only play it every day, but like to look over at how nice it looks in the room, in or out of the case. It has rekindled my old passion for playing, and I am looking forward to replacing my vintage electric with an Epiphone, as well. Through research, I have found that the "PR" series was eventually replaced by the "DR" series, so the Truss Bar cover has the latter initials on it. I have also found that this is virtually the same guitar as the DR-100. After weeks of playing, the guitar stays in tune very well. I often play along with videos and have even taken some new virtual lessons and haven't had to tune up again for a couple of weeks. For the price, particularly during a sale season, you really can't go wrong with this as your first, second, or even third guitar. Love it.Tony G
7. Epiphone Ea10vsch1 Vintage Sunburst

Product Details:
A nicely put together acoustic that has a select spruce top and mahogany body and neck, this instrument epitomizes epiphone's focus on making affordable instruments that don't sacrifice quality for economy. nickel hardware, precision construction, and a comfortable poplar composite fingerboard with dot inlays.
Specifications:
Body Shape | Square Shoulder Dreadnought |
Finish | Gloss |
Scale Length | 25.5" |
Number Of Frets | 20 |
Frets | Medium Jumbo |
Nut Width | 1.693" |
Inlays | Dot |
Joint | Dovetail; Glued-in |
Tuning Machines | Premium Die Cast |
Pickguard | 1-Ply; Black PVC |
Strap Buttons | 2 – bottom and Side of heel |
Strings | .013, .017, .026, .035, .045, .056 |
Reviews:
When shopping for a first guitar for your child (or yourself) it's confusing. The sales staff will usually direct you to the solid top Yamaha FG or FS series. Tone and quality wise, those are great guitars but they also come out of the box in need of a good setup to be playable up the neck. With the PRO-1 line, Epiphone has worked hard to deliver a reasonable factory setup on one of their most inexpensive models. I can not overstate the benefit this brings to the player! A few other things that stand out for this price range: We also get NuBone nut and saddle on all pro-1 models (this is the material Taylor and other top of the line builders use on their models). The NuBone nut makes a big difference in tone. Also it's a short scale which I think makes it easier to play, the neck is a slip D profile which makes it easy to get your hand around. Tuners at 18:1 ratio not 14:1, that's a first for a guitar in this price range and you get a humidifier and free lessons. If you play the least expensive PRO-1 model against anything in the budget acoustic room at Guitar Center (for those floor plans that separate budget from high end) you notice it's easier to play than anything else…. There is a solid-top version that comes with electronics if you must have a solid top, the truth is having a solid top is overrated on most budget guitars. All solid wood construction does sound different, but when you mix a solid top with the laminated back and sides, it's just hit and miss. If you stick with playing your first guitar won't be your last, and you're more likely to keep playing if you have an instrument that sounds good that is also very easy to play. For that the PRO-1 is your best bet right now.Jeremy
Much more than a starter guitar. Put a set of Elixir strings on this, a minor tweak of the action and away you go. Plays like an electric sounds full-bodied like a Dreadnought should. Full range of sound from base mid and treble. Mic it or I use a Dean Markley pick up for amplifier. A gorgeous sound and play sensitivity to a myriad of different styles. I have more expensive acoustic guitars. But believe it or not this one sounds better and plays better than all of them. I purchased the ebony all black model. It has a very nice look on stage. But my thing is not how an instrument looks but rather on the playability and the tonal quality. A wonderful steal for the price. I'm telling you if you purchase this guitar for practice recording or performance you will not be disappointed. And at this price point you can get one for next to the couch, one for the studio, one for the camping trip, one for the beach, and one for the stage. And still not spend as much as ONE Taylor.
For the price this is a very nice sounding and playing guitar. I have owned higher end acoustic guitars in the past, and just needed something to do some occasional acoustic recording and playing when friends came by. It isn't quite up to the Takamine that I had (but it was also well over 10x the price of this one!), but it sounds great! I did swap out the strings, but that's to be expected. Overall, it is a good looking and nice playing/sounding guitar for a very, very reasonable price.Dave
8. Gibson J-45 Standard Acoustic-Electric Guitar Heritage Cherry Sunburst

Product Details:
Classic tone, iconic style. the gibson j-45 standard combines time honoured lutherie techniques with famed hand-built tradition. a truly exquisite instrument that oozes world renowned gibson quality. first introduced in 1942, the j-45 earned itself a reputation among many players as the 'workhorse' guitar. and, this standard was inspired by the rich heritage it's left over the years. bringing you that pristine tone, warm bass, and balanced expression the j-45 is known for.born to perform. this j-45 standard features a solid sitka spruce and mahogany construction that sounds even richer with age. explore a classic acoustic sound that can handle whatever you throw at it. play delicate picking, to meaty country licks, or chunky, bluesy chords. it will respond to you, and your playing style beautifully. and, with the distinctive j-45 body, your tone is rich, big, and superbly dynamic. you can also play live thanks to a built-in lr baggs vtc, bringing you a majestic, legendary tone inspired by nashville's greatest studios. it's time to leave your musical legacy – do it with gibson.
Specifications:
Finish | Antique Natural |
Year | 2009 – 2019 |
Made In | United States |
Back Material | Mahogany |
Body Shape | Dreadnought |
Fretboard Material | Composite |
Model Sub-Family | Gibson J-45 Standard |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Sides Material | Mahogany |
Top Material | Spruce |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
9. Gibson G-45 Standard Walnut Acoustic Electric Guitar – Antique Natural

Product Details:
The g-45 standard builds on the revolutionary new g-45 series platform to provide the perfect mix of tone, performance, and traditional gibson style for all players and every stage. it is hand-built in our bozeman, montana factory using time-tested gibson build techniques like hide-glued dovetail neck joints and domed top braces along with modern specs like slimmer body depths and advanced response neck profiles. the g-45 standard also features a gloss top finish, dense richlite fingerboard, soft diamond inlays, and top and back binding. a solid sitka spruce top and solid walnut back and sides deliver crisp sounds with plenty of wonderful overtones while a fishman sonitone pickup captures every nuance for easy plug-and-play at home, in the studio or on stage.
Specifications:
Body type | Dreadnought, Non-Cutaway |
Top wood | Sitka spruce |
Bracing pattern | X |
Body finish | Gloss |
Neck shape | Advanced Response |
Nut width | 1.725" |
Fingerboard | Rosewood |
Neck wood | Utile |
Scale length | 24.75" |
Number of frets | 20 |
Bridge | Rosewood |
Pickup/preamp | Fishman Sonitone |
Tuning machines | Mini Grover Rotomatic |
Orientation | Right Handed |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
10. Gibson Acoustic L-00 Standard – Vintage Sunburst Guitar

Product Details:
Amazing tone, maximum playability. the gibson l-00 standard, vintage sunburst electro acoustic is an instrument you'll never want to put down. an extensive tonal palette. never again will you be limited by a guitar with poor tonal range. the l-00's carefully-selected tonewood construction ensures that whatever pitch you're playing at, you'll sound balanced and defined. enjoy a fast, comfortable playing action with a slim taper mahogany neck and smooth rosewood fretboard. always protect your guitar with a durable gibson hard shell case included at no extra cost. a sensational instrument in both sound and feel.
Specifications:
Sitka spruce top | Projects rich, crisp and responsive tone |
Mahogany back and sides | Dry and airy tone; clear, present midrange |
Rosewood fretboard | Open, warm tone and smooth playing feel |
Neck Profile | Slim Taper |
Scale Length | 24.75'' |
Fingerboard Material | Rosewood |
Fingerboard Radius | 12'' |
Number of Frets | 19 |
Frets | Standard |
Nut Material | Tusq |
Nut Width | 1.725'' |
Inlays | Mother-of-pearl dots |
Body Shape | L-00 |
Back and Sides | Mahogany |
Bracing | Traditional hand-scalloped X-bracing |
Binding | Single-ply top, single-ply back |
Finish | Nitrocellulose |
Tuner Plating | Nickel |
Bridge | Rectangle, closed slot |
Saddle Material | Tusq |
Tuning Machines | Mini Grover Rotomatic |
Pickguard | L-00 |
Truss Rod Cover | B/W |
Bridge Pins | Tusq |
Pickup | LR Baggs VTC |
Controls | Volume and Tone controls in soundhole |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I don't think anybody out there needs me to tell them how great Gibson is. This particular item is a fingerpickers dream (IMO), it plays great, sounds great, looks great and is the perfect size for playing in a sitting position. What more could you ask for? If you can afford it I would highly recommend it.Donald
This is my first Gibson, and I was not disappointed. It was everything I expected from an American made guitar. The set up was perfect for my style of playing. I own several guitars, and this is the first time I did not have to make any adjustments to the action or the intonation. This guitar lends itself to finger style playing, but also sounds great when strumming. The guitar also sounds great plugged in. Well done Gibson!Sophia
I am blown away at this guitar! Sounds so good. It’s super responsive to your playing and has a nice warm tone. The sustain from any note is beautiful. I’m a happy customer of AMS and love the guitar they sent me. I made one small neck adjustment to have a little less neck relief and it plays so easy now with zero fret buzz. I love my Martin but this is different and I’m in love with it!Scott
11. Gibson J-45 Studio Walnut Acoustic-Electric Guitar (Walnut Burst)

Product Details:
The gibson j-45 studio, walnut has stepped up to provide you with the high-grade features you need for your acoustic experience. gibson have paved the way in acoustic innovation for years. and they show no signs of slowing down with this design. a walnut body and sitka spruce top hold the secret to a balanced and responsive tone that thrives in any environment. your bedroom, while busking, or on stage. and you'll be amazed by the pristine sound channelled by the fishman sonitone pickup. feel empowered to perform at your peak. playability and comfort are second to none with this guitar. a slimmer body depth provides a more natural feel for your underarm while the flatter fretboard offers the precision that you never knew was possible. it's a remarkable instrument that will enhance any genre.
Specifications:
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Walnut |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Nut Material | Tusq |
Nut Width | 1.725" |
Inlays | Mother-of-pearl Dots |
Joint | Compound Dovetail Neck-to-body |
Body Shape | J-45 |
Back | Walnut |
Side | Walnut |
Bracing | Traditional hand scalloped X-bracing |
Binding | Multi-ply top, single-ply back |
Finish | Nitrocellulose |
Tuner Plating | Nickel |
Bridge | Traditional belly up |
Saddle Material | Tusq |
Tuning Machines | Grover Rotomatic with kidney buttons |
Pickguard | Tear Drop |
Truss Rod Cover | Studio |
Bridge Pins | Tusq |
Under Saddle Pickup | Yes |
Controls | Volume and Tone Controls |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
After testing, buying and returning about 10 different guitars from Epiphone to Gibson to Martin to Collings to Taylor to Waterloo, I landed on this guitar. I bought on trial guitars from all of the above, but could not stop thinking about the J-45 Studio I tested. I love the Standard but my budget is capped around $1600. I ended up going with a J-45 Studio Walnut burst and have had it for about 5 days now. I have played it nearly on average of 6 hours a day because I cannot put it down. When I first tested and purchased the guitar, it had a very bright tone due to the walnut back and sides, but the more I play it in and listen, the warmer it becomes without losing the punch and clarity of the top end walnut tone. I recorded a track for a country song I was working on with this beauty and through a LDC mic, it sounded like a polished record without processing. This thing was built for the studio but projects for the stage. Can't say enough good things about this guitar.MotownFranz
The j45 studio is a hybrid of the j45 standard and the j15. The top (spruce), body (walnut) and bracing are identical to the j15. The neck (solid mahogany) is identical to the j45 standard and definitely superior to the j15's laminate maple neck. The studio's electronics are better than the j15's, having both tone and volume controls. And yes, the studio's body is a little thinner than that of the standard j15 and j45. The j45 studio sounds fantastic plugged in and unplugged, and the blend of scale and action make this a true Gibson acoustic, a unique blend of bright and dark. Having identical tops and bodies, you would think that the studio's sound and resonance would be more the the j15, but imo the 15's laminate neck takes a lot of depth out of the lows, which truly sets the studio apart and makes it a true j45, even if the studio's slightly smaller walnut body swaps some of the standard j45's warmth for a punchier, crisper sound. By my view, if you are thinking j15 but wouldn't mind throwing a couple hundred more at a guitar with a bit more growl, I recommend the j45 studio. It's also a fair compromise if you find the j45 standard's price tag off-putting. I tried out a number of other Gibsons, Martins, Taylors and Breedloves, but could not turn my back on the j45 studio. I'll get my hummingbird when I make my first million, but I'm very happy either way.Jay
I like the guitar and it sounds great. I would buy it again. My only complaint does not deal with the guitar but the advertising. A picture in the advertising shows the electronics mounted in the sound hole with a volume and tone. This guitar only has a volume control. Imagine my surprise. Exactly what I will do about it Imdon't know.Rodney
12. Gibson G-00 Acoustic Guitar – Natural

Product Details:
The perfect personal parlour guitar. the g-00 is equipped with a gibson player port. the player port is an original gibson concept from the early 1960s that has been refined by our acoustic luthier team to deliver a truly revolutionary sonic improvement that adds a new dimension to the sound. the gibson player port allows you to hear the guitar as you're playing it as you've never heard it before—the same way your audience hears it—maximising the sonic impact for an immersive playing and listening experience. the g-00 is part of the generation collection. like all models in this collection, it is made in bozeman, mt, by the same highly skilled craftspeople who make all gibson acoustics. it features a beautiful solid sitka spruce top and solid walnut back and sides for tone that sounds crisp and resonant. you'll find that the slightly thinner parlour-sized body is exceptionally comfortable to hold and play. the tusq nut and saddle, along with the grover mini rotomatic tuners deliver solid tuning stability so you can spend more time playing instead of tuning, and the utile neck with its easy-playing advanced response neck profile is so comfortable you won't want to put it down. a gig bag is included.
Specifications:
Body Shape | L-00 |
Back | Walnut |
Side | Walnut |
Bracing | Traditional Scalloped X-bracing |
Finish | Satin Nitrocellulose |
Neck Material | Utile |
Scale Length | 24.75" |
Fingerboard Material | Striped Ebony |
Fingerboard Radius | 16" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | Acrylic Dots |
Hardware Finish | Chrome |
Tuner Plating | Chrome |
Bridge | Rectangular, Closed Slot, Striped Ebony |
Saddle Material | TUSQ |
Tuning Machines | Grover Mini Rotomatic |
Pickguard | Black |
Truss Rod | Adjustable |
Truss Rod Cover | Walnut Laminate |
Bridge Pins | Black |
Strap Buttons | 2 |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
Nice volume, comfortable neck, playing blues/folk and doing some fingerpicking/pickless strumming works especially well on this guy. The "player port" might freak people out, but as a singer-songwriter, I love how my voice and the sound coming out of that port interact. It's quite unique in that way.JB
I play all types of music on Guitar. I have a number of guitars and this Gibson GOO is now my favorite finger style guitar. Responsive and so easy to play. Well done, Gibson! You know, you don't buy a guitar for the Gig Bag but the one that came with my GOO is a luxury item. So Cool.Dan
13. Mitchell D120 Dreadnought Acoustic Guitar Sunburst

Product Details:
If you re looking for another amazing addition to your collection, this mitchell dreadnought d120 acoustic guitar is just the thing. this body of the acoustic guitar features a light, natural finish with a fretboard crafted from jatoba. the neck, back, and sides of the guitar are made of mahogany with a beautiful, multi-ply binding. the modern design of the mitchell d120 makes it perfect for long hours of playing and for both, solo work and chording. this stylish acoustic instrument lets you create music with ease. the high-ratio, chrome tuners, and strings are sure to make you feel content with your choice.
Reviews:
I just wanted an affordable acoustic to write songs on so I wasn't asking for much. It's very well built but really it doesn't sound very full or even very good, especially for a dreadnought and isn't the most comfortable to play. I have to confess, I set it up myself and I'm sure a pro could do a lot better. Still, it's got this sort of bad muffled sound that cheap dreadnoughts are famous for.Michael
I've been playing guitar for over 40 years and I have to admit that this model is now my favorite Dreadnought acoustic I have ever owned. I have more guitars than viruses, which include vintage and "high end" types. It's not just "a great guitar for beginners" even though the price is a guaranteed good investment. I am experienced and I bought 3. One for each of the different places I travel. I plan on getting more as gifts and another to designate as DADGAD. Do not let the low price deceive you. Try playing this guitar at the store while sitting in the "high end" section. Play a full G on this guitar, and then on one of the popular expensive ones. The action is low with no buzz and very buttery to play scales, especially when a capo is used. The intonation remains accurate all the way to the highest notes. The fretboard is unpolished, so vibrato may be noisy, especially with the stock strings (see below). The neck may need a slight adjustment with the tool after a month, but this is typical with most new out of the box acoustics. I recommend replacing the original strings with Elixir Nanoweb bronze. I use medium, and a beginner should try light. I am not sure why this model is so inexpensive. Whatever the case, the designers did it right.Dadadadeo
I'm really impressed with the quality of this guitar. I went to guitar center to pick it up. And as soon as I took it out of the box, I was amazed. I couldn't wait to get home and try it out. And sure enough, it sounds just as good as it looks. I've been playing acoustic guitars for over 30 years. My nephew wants to learn to play and he just graduated high school. So I was looking for a reasonable price starter guitar. Came across this one and decided to buy it. And I feel I made the perfect choice after looking at several others. The quality, feel, and sound is awesome for the money. Stays in tune after wailing on it. Would definitely recommend this guitar to anyone getting started. Also the accessories it comes with are nice too. Everything you need to get started. High five on this one!T Man
14. Rogue Starter Acoustic Guitar – Walnut

Product Details:
The small-bodied rogue starter acoustic guitar is an amazing deal for a starter guitar. its smaller profile (7/8 scale) makes it very playable for kids or aspiring guitarists with smaller body frames and hands. it has a maple neck and rosewood fretboard and martin strings which help. give you a nice tone. check the drop-down menu to the right to select from one of five colors. case sold separately.
Reviews:
Rogue Starter Guitar. Bottom line: NOT for beginners, requires too much set-up work and the strings feel very harsh on the fingers. I really tried to make it work. I was warned against buying cheap, but I thought I wanted something I could learn on, that I wouldn't be intimidated by, and eventually donate somewhere. But it was not playable out of the box. At first the tuning was awful. I figured out why they include an Allen wrench, and eventually put on my big-girl shoes and adjusted the truss rod. There are no instructions included with this guitar, so here's a clue: the access panel is in the front of the head stock, and you need to open the rhomboid black panel to access it. It was difficult to turn, but I adjusted it and made it sound a bit better, even though I was afraid of breaking it. However – the D-String tuning peg turned out to be totally defective, the screw threads were not lined up. How can I learn what it's supposed to sound like if it never sounds right? We are still in the middle of Covid-19, and I was unable to bring it back to Guitar Center for repair or replacement for weeks, so I tried to work with it and continued my self-guided lessons. As soon as the shop opened to walk-in customers, I returned it. I will not be replacing it with this model. It did serve its purpose in a way, I researched the guitar parts and repair, and took it upon myself to try to fix the issues, so now I am not intimidated by a guitar.J-net
Sorry, I hate to write negative reviews but… in what world are these the same guitars? From the picture, the Red Burst guitar looked like a dark mahogany color. Instead it's a bright red with a black edge. I'm sure that's some people's style, but not mine. It also won't stay in tune, and it's a pain to retune it every day I pick it up. I picked this guitar because I'm just starting to learn and didn't want to sink too much money into something I don't stick with. I'm not sure if I want to spend the extra money to upgrade to a better guitar, but I at least plan on taking it into the nearest guitar center store and see if I can exchange it for another color. Even that will be a pain, since I'll have to take it on the train and I don't have a case for it yet. I just wish the pictures were more accurate to the product!Rachel
15. Gibson 1939 J-55 Acoustic Guitar – Faded Vintage Sunburst

Product Details:
The big brotherin 1936, gibson scored a runaway hit with the j-35. because it was so affordable (only thirty-five bucks compared to a cool c-note for a d-28!), it allowed depression-era musicians the opportunity to experience the magic of a gibson without breaking the bank. it was so successful that they decided to expand their line in 1939 to include an upgraded version that came with some high-end appointments without raising the price too much. thus, the j-35's big brother–the j-55–was born. the j-55 cost fifty-five dollars, and that extra twenty bucks got you some cool upgrades, including an ebony "mustache" bridge, an ebony fingerboard, and a bound neck. though it only remained in production for four years, it earned a sterling reputation with vintage guitar enthusiasts because of its rarity, huge sound, and elegant good looks.
Specifications:
Body Shape | Advanced Jumbo |
Back | Mahogany |
Side | Mahogany |
Binding | Single-ply top, single-ply back |
Finish | Thin Finish Nitrocellulose, VOS |
Neck Material | Mahogany |
Scale Length | 25.5" |
Fingerboard Material | Ebony |
Fingerboard Radius | 12" |
Number Of Frets | 19 |
Frets | Legend Wire |
Nut Material | Bone |
Nut Width | 1.77" |
Inlays | Mother-of-pearl Dots |
Joint | Compound Dovetail Neck-to-body |
Tuner Plating | Nickel |
Bridge | Moustache, no inlay |
Saddle Material | Bone |
Tuning Machines | Open Back cream button |
Pickguard | Stair Step |
Truss Rod Cover | Black |
Bridge Pins | Bone |
Strings | 0.053, 0.042, 0.032, 0.024, 0.016, 0.012 |
Reviews:
I love this guitar, but I got mine for a killer price, so… I probably like it 5x better than had I paid full price. I'm marking it not a good value because the new prices are ridiculous. But I am extremely happy with the price I got it for. Plays great, sounds great, looks great. It's got that awesome vintage vibe but has excellent playability all the way up and down the neck. Great for strumming and fingerstyle, and least for anything I want to do with it. The mic on the LR Baggs Anthem blender doesn't get much use because it feeds back. Run it through a Fishman Aura Spectrum DI, and you will love it.martin_gibson
Overall: Ordering an acoustic without being able to play and hear it first is pretty scary. After watching numerous comparison videos, I landed on the Southern Jumbo. I am thrilled to say I am absolutely blown away by this guitar. The fit and finish is flawless, and is drop dead gorgeous in person. Most importantly though is that it’s easily the best sounding acoustic I’ve ever had the pleasure of playing. The sound is lush, rich and complex, with dynamic range for days. The neck feels pretty similar to a slim taper on a 60s Les Paul. It’s got enough girth to grip, but is still easy to move around. I can’t recommend this guitar enough.
This is a unique Gibson. With the Rosewood sides and back and long scale it sounds a bit like my Martin HD-28. This guitar though, with the Rosewood bridge seems to have a little more clarity and punch. Unlike short scale Gibsons this guitar has a nice tight sound. Fit and finish is really good. I am very pleased to add this Gibson to my growing guitar collection.Victory Pete
16. Gibson Guitar Electric Guitar Les Paul Studio

Specifications:
Reviews:
Looks great, sounds great, plays great. One of the nicest gig bags I've ever seen. Came out of the box at the store set up and tuned! Fit and finish were perfect and the wine red just pops under stage lighting…unlike the one that was on display…and this is why I don't buy guitars online! Got it home, changed the strings to the gauge I prefer, lowered the string height a smidge, and checked the intonation which was spot on. Took it to a pro jam out in the valley where it got lots of compliments from the other players for it's sound and looks…it's as nice a Les Paul as I've ever played. If you get one like mine you won't regret it! But go to the GC and pick yours out and save yourself some possible grief. You won't regret that either!Stephen
I just purchased my sunburst Les Paul studio on 11/20/21. The action is low and incredible. The neck is small which is perfect for me. This Les Paul is very suitable for professionals and young teenagers that are still learning. Playing it comes with ease and requires only a very light touch. It has a lot of the very same qualities that a Standard has. Especially the tone. Wait till you get yours. You won't be the least disappointed at all. It's worth every penny. I give it 5 stars or two thumbs up. 👍 👍Daniel Trimboli
So it arrived today! it came in a very nice branded MusicStore box with a short checklist of things done before packing. This is nice as makes me confident the purchase was made with premium supplier. The standard Gibson outfit package is really cool. There's a branded soft gig bag with nice fluffy interior, a bag strap, a cloth, few marketing leaflets, and, a photo of the guitar that was made in the factory. Very cool. Value wise, its fantastic. The guitar out of the box looks great. it feels and looks premium, although it is a distant and poor relative when standing next to LP's Reissues or some other top-shelf models. Visually, its a different line. The guitar was pretty much setup to play from the box (thanks musicstore team), which was a nice surprise too. Unplugged, there is more than enough sustain, vibe and articulation details. This instrument sounds very much like pricier Les Pauls, even with no power. The neck is nice and fast with medium jumbos, allowing to play pretty much everything you want. Once plugged in to 90s JCM 800 set, it did deliver pretty much everything the more expensive Gibsons' do. There's sustain, articulation, the 'gurl' of Gibson. Studio workhorse, worth every penny. Which was a bit of surprise as the Studios' are slightly lighter in body construction. Some complain about finish quality, but i have not observed anything limiting playability yet. As mentioned before: if you place it next to a top-shelf Les Paul, you WILL see a difference. You will see dozens of differences in finish and quality as these instrumets are different. But, to me, its a great guitar, and I would reccomend that to anyone looking for Gibson sounding instrument for relatively moderate price. LP Studio is probably the cheapest and easiest way to get real Gibson sound for "OK" money. I have one comment to MusicStore team regarding the purchase process: It would be nice to allow customer to change payment option in case of problems with the one initially chosen.
17. Gibson Les Paul Tribute – Satin Iced Tea

Product Details:
Pickguard has pick scratches. dings, scrapes, and scratches through out. very faint fret wear, almost nothing. 490 humbuckers in the neck and bridge. mother of pearl dot inlays. the back of the body has a beautiful grain. i love the contrasting colors of the body and neck. it's tied together beautifully with the faux binding.professionally uv inspected for breaks, cracks, repairs, and resprays. deep cleaned, frets polished, fingerboard oiled, and a new set of 10s installed. stored at a digitally controlled 45% humidity. 8 lbs 8.3 oz. includes a gibson gig bag.
Specifications:
Body shape | Single cutaway |
Body type | Solid body |
Top wood | Maple |
Body wood | Weight relieved Mahogany |
Body finish | Satin |
Orientation | Right handed |
Neck shape | Rounded |
Neck wood | Maple |
Joint | Set-in |
Scale length | 24.75 in. |
Truss rod | Standard |
Neck finish | Satin |
Radius | 12 in. |
Fret size | Medium jumbo |
Number of frets | 22 |
Inlays | Trapezoid |
Nut width/material | 1.69 in. (43 mm) GraphTech |
Configuration | HH |
Neck | 490R |
Bridge | 490T |
Active or passive pickups | Passive |
Series or parallel | Parallel |
Control layout | Volume 1, volume 2, tone 1, tone 2 |
Pickup switch | 3-way |
Bridge type | Fixed |
Bridge design | ABR-1 |
Tailpiece | Stopbar |
Tuning machines | Grover Rotomatic |
Number of strings | 6-string |
Country of origin | United States |
Reviews:
Only $300 difference from standard and $500 from modern LP… tough choice. I like flame tops for sure but bored of tobacco burst, honey burst, cherry burst and other plain traditional bursts… so leaned towards something more classic modern and bold… so went with translucent cherry. And my back isn't great so wanted something lighter. The coil tapping is nice to have but isn't great… especially compared to my PRS guitars. I'm not sure why Gibson can't figure this out. Again nice to have but wish Gibson could do a better job with this. Coil tapping quality was the same on my studio. I absolutely love the pickups on this guitar… probably some of best humbuckers ever made because of the extra brightness and clarity. I've sold so many of my guitars with humbuckers and gravitated towards single coil guitars because humbuckers are typically muddy in comparison. These 61's are a game changer for me and got me interested in Gibson LPs again. I love the colors of the LP modern too… but not sure what you're are getting extra for the added $500 other than a carved heal joint which I'll never use… and ultra weight relief… which is good if you have a bad back. But I think the electronics are the same with slightly hotter pickups. I guess boils down to which pickups you prefer and color. I love the classic and modern LP colors… again tough choices…but classic is perfect for me… I really love them all for different reasons though.Thad
What we have here is a great American made Gibson Les Paul for a good price. I bought one a year ago and bought a second as a backup/different tuning for stage use. Not that the guitar requires a backup, but strings break and things happen. The 490 pickups are great all around work horses. While I'd recommend different pickups on a per person/per style situation, these are right in my ball park and do what I want them to (goosed with an OD or boost at times). All of the electronics and hardware are fine. Same with fit/finish and the gig bag (which is also very nice). As I said, I have two of these now. The first is a year old and has been through once a week rehearsals and twice a week gigs. The satin finish on the neck settles in nicely with a bit of playing and sweat. It gets slicker over time, shows age, and feels great. Same with the body as well. As with all satin finished guitars, it wont stay that way. Playability on both were perfect out of the bag. No sharp frets and setup/intonation were just to my liking. Now let's compare these Tributes to a Standard. I won't discuss the chambered body versus non nor the maple versus mahogany necks. You really won't notice the difference other than the weight. More weight does not always equal better tone. Here's the thing, I don't notice a difference in tone between the Tribute and Standard….well, not enough to justify the cost difference. I had my doubts when I ordered my first one that it could stand up to my Standard. But I dug it off the bat. To quell my doubts, I had the other guitarist in my band run it through its paces so that I could stand back and hear. That was the Les Paul tone….I was happy. As such, I ordered a second as they were in my stable to stay. Solid guitars with great tone that I will not cry about when they get dinged or messed with at a gig. Now, the Tributes are thinner than the Standards. And of course no bling such as binding or headstock inlays. Switch washer comes in the bag should you choose to install it. But the tone and playability is what you expect from a Les Paul. I would, and have, recommended these to my friends. Great instrument at a great price. BTW, the included case. This was an incredible surprise as I didn't know what to expect. It's a lether "type" exterior, great padding, pink fuzzy interior, LARGE front pocket, and double backpack straps. It's a VERY nice bag! Accessory kit gets you a picture of your guitar being setup, documents that you will probably not read, a few tools, and as of this posting, a nylon guitar strap. While lower in scale compared to the Standard (what with it's hard case, multi tool, and leather strap), it's still rather cool. All in all, these are my go to guitars for stage and studio right now. I have more expensive guitars, but cost doesn't equal tone or feel.Brandon
Overall: First thing I have to say is when I opened it I went over it with a fine tooth comb because I've heard so many nightmare stories about Gibson quality control over the past decade. My guitar was impeccable. Not a single issue whatsoever, as it should be for what they cost now. This guitar comes with the 490r and 490t pickups. These are fine if you play blues, jazz, or classic rock. If you want to play hard rock or metal you may want to look into replacement pickups. The 490r is very warm and thick. It sounds great for clean arpeggios and overdriven soloing, but it can sound downright muddy playing chords with any overdrive on it. Even with the pickup heights adjusted it was a little louder than the 490t bridge pickup. Now the 490t doesn't sound too bad. It's a pretty clear, but doesn't have a whole lot of output. Stick an overdrive in front of a dirty amp and it will sing, but it won't have the compressed singing quality on it's own. That can be good or bad depending on what you need. I played around with them for a couple weeks before deciding to replace them with Seymour Duncans (JB and Jazz). The Jazz has a lot more clarity in the neck than the 490r and it still has warmth to it. The JB just sings and still cleans up with the volume knob despite being high output. They're the go to aftermarket pickups as far as I'm concerned. If it had shipped with a 498t in the bridge I might not have been so quick to swap the pickups out. I love the fact that this has a maple neck. Maple is a lot sturdier than mahogany plus the Les Paul Customs in the 70s had maple necks. That's really the main reason I jumped for this rather than a Studio. No it doesn't have the binding like the Classic, Traditional, or Standard LPs, but I'm used to the no frills construction of my faded SG. It doesn't bother me. It has a simple beauty to it. My guitar is the tobacco burst and I really like how the neck, top, and back all have different colors. You get what you pay for, but it's not as good a value as it was a couple years ago. Replace the 490t with a 498t and drop the price (yeah right) back down a bit and I'd give it a 5/5. As it is it is a solid 4/5. I wouldn't hesitate to buy one if you're in the market for a Les Paul.
18. Gibson J-45 Standard Acoustic Guitar – Cherry

Product Details:
A true icon in the world of acoustic instruments, the gibson acoustic j-45 quickly earned the title of "the workhorse" shortly after it was introduced in 1942. this round-shoulder, dreadnought impressed musicians with its full and balanced expression, warm bass, and excellent projection — much of which came through subtle changes to the bracing of its forefather, the j-35. the j-45 standard features a solid sitka spruce top and mahogany back and sides for a mind-blowing blend of punchy treble, midrange heft, and low-end lushness — a truly unique sonic signature that countless performers have fallen in love with! and when you plug in, the active lr baggs vtc pickup system delivers amazing pure acoustic tone. whether you're strumming on the porch or onstage, the j-45 standard is a stunning addition to your guitar collection.
Specifications:
Body Shape | J-45 |
Back | Mahogany |
Side | Mahogany |
Bracing | Traditional Hand-Scalloped X-Bracing |
Binding | Multi-ply Top, Single ply Back |
Finish | Gloss Nitrocellulose |
Neck Material | Mahogany |
Scale Length | 24.75" |
Fingerboard Material | Indian Rosewood |
Fingerboard Radius | 12" |
Number Of Frets | 20 |
Frets | Standard |
Nut Material | TUSQ |
Nut Width | 1.725" |
Inlays | Mother of Pearl Dots |
Hardware Finish | Nickel |
Tuner Plating | Nickel |
Bridge | Reverse Belly, Rosewood |
Saddle Material | TUSQ |
Tuning Machines | Grover Rotomatic |
Pickguard | Tortoise Teardrop |
Truss Rod | Adjustable |
Truss Rod Cover | Bell Shaped, 2-ply Black and White |
Bridge Pins | TUSQ |
Strap Buttons | 2 |
Under Saddle Pickup | LR Baggs VTC |
Controls | Soundhole Mounted Volume and Tone |
Output Jack | 1/4" Endpin Jack |
Preamp | LR Baggs VTC |
Strings Gauge | .012, .016, .024, .032, .042, .053 |
Reviews:
I am lovin' this guitar! This was the acoustic sound upgrade I was looking for from my Gibson J-45 Standard, and then some! The 1942 Banner J-45 and the Standard are really two different guitars in every way. The sound is wide and broad and deep and has everything a Standard lacks: the 1942 Banner sound is big, the Standard sound is small and not at all on the same level. The build quality on this guitar is exceptional (on par with Martins) and I appreciate the bone bridge, nut and pins. The thin finish really lets the top vibrate and you can see and appreciate the wood grain and wood color on the sides and neck. Less bling, more growl with this model. I could sell every other guitar I own and be content with this Gibson 1942 Banner J-45, and my Martin D-18 Authentic 1937. Both guitars are so very different, but the quality and depth of the sound is the same. They ring forever with layers of overtones. They really compliment each other and yet hold their own against each other. The sound is incredible on this Banner J-45, once the guitar starts to open up from regular playing. It has that big dry Mahogany sound. I am so excited to have this Gibson! I feel I have found my two forever guitars in this Gibson 1942 Banner and my Martin D-18 Authentic 1937. Many thanks to my Sales Engineer, Jake Barker, who counseled and advised me on upgrading to the 1942 Banner J-45 from the Standard – and all the other conversations and help along the way too. I have become a believer in the torrefied Adirondack top and bracing making a difference in regards to sound. Maybe it is just the sound quality of the pre-war models that floors me. The neck is thick with a comfortable rounded C shape. If you can afford it, buy it, it's worth it! Minuses: Not a fan of the tuners, I find them cheap looking from the back – but they hold tune. The "period correct case" is OK, but the latches are small and thin and don't inspire confidence; the standard modern case is better with the big locking latches.
Love the J-45 but also have historically owned Rosewood guitars so this combination was a perfect fit for me. It's got a big full sound, good lows, nice highs. The onboard pickup is better than I expected and when played through an acoustic amp, the low end and fullness of the sound was insanely good. The guitar has a beautiful finish and some nice added touches above the standard J-45. You can't go wrong with a J-45 regardless but if you want something a little different from the standard in terms of sound and looks, I would take a serious look at this one. I couldn't be happier with this one.Randall K
I really wanted an electric J-45. The G 45 seemed to fit the bill. I've owned many Gibsons since the 70's, including a '63 J45 adjustable bridge and a '64 L5 CES. But they've gotten so expensive that new ones are basically out of my reach. I know Gibson fit, finish and quality and I have to say this guitar falls a little short, even at a grand. I own several acoustic electrics that I use as gigging workhorses. I ran across 3 major issues with the G45 Studio. The G string tuning key responded poorly and required nearly 1/2 a turn in either direction to change string pitch. The offset bridge for high E and B strings raised a flag for me since all my other acoustic electrics have a straight bridge. I could not get the guitar to be reasonably tuned no matter how many cents I tried to compensate either way. If I played an E it would be in, then a D, the D would be noticeably out. I am very experienced in compromised tuning, but it was irreconcilable with this guitar. Lastly, the sound. When I plugged the guitar in to the P.A. there was barely any sound coming out. My other acoustics are consistent in volume when plugged in. I loosened the strings, lifted the bridge and found small pieces of wood left that had pinched and left dents in the pickup wire compromising the contact of pressure of the bridge downward. So the sound was uneven,even after I blew out the wood chips. I would consider buying the guitar again if I could test play it through an amplifier before purchasing, but I won't pay full price for a demonstrator model that has already been played by numerous people and the guitar stores I have visited had no new ones out of the box. The included case makes this a steal. But with the quality control for this model you take a chance. I played the guitar for approximately 30 hours before returning.Rikenrocker
19. Epiphone Starling Acoustic Guitar Player Pack (Ebony)

Product Details:
The epiphone starling acoustic pack comes with everything you need to start playing, including a stylish, easy-to-play dreadnought-shaped guitar and essential accessories.the epiphone starling is perfect for beginning players to learn guitar on, and it is available at a price point that makes it possible for everyone to afford a quality epiphone instrument. the back and sides are layered mahogany, while the top is layered spruce for durability and good tone. the mahogany neck has a comfortable c-shaped profile, and the indian laurel fretboard features 20 medium-jumbo frets that make it easier to press the strings down with less effort, while the 24.75” scale length results in slightly less string tension and also reduces the distance the player’s fingers have to “stretch” to form chord shapes. the pickguard features a unique and distinctive starling graphic. all the accessories you need are also included; an epiphone gig bag, three picks, a strap, and even a clip-on electronic tuner.a battery is not included. to power your player pack tuner, you will need a 3-volt (cr2032) battery.
Specifications:
Shape | Square shoulder dreadnought |
Back and Sides | Layered Mahogany |
Binding | Black single ply, top and back |
Neck | Mahogany |
Fingerboard | Indian Laurel |
Number of frets | 20 |
Nut | Graph Tech Nubone XB |
Inlay | Dot |
Plating | Nickel |
Finish | Ebony |
Year | 2021 |
Back Material | Mahogany |
Body Shape | Dreadnought |
Finish Style | Gloss |
Fretboard Material | Laurel |
Fretboard Radius | 12" |
Neck Material | Mahogany |
Number of Frets | 20 |
Number of Strings | 6-String |
Right / Left Handed | Right Handed |
Sides Material | Mahogany |
Top Material | Spruce |
Wood Top Style | Plain |
Reviews:
Cost is cheap hence your not going to get a quality built instrument in return. The company cheapens out on everything: Wood, pickups, tuners, wires, knobs etc. Save your money and just buy a made in USA Gibson which will 10 lifetimes longer than this throw away junk. Not worth it!ENGlishJELLo
20. Bristol Bd-16 Dreadnaught Acoustic Guitar

Product Details:
Introducing the bristol bd-16 dreadnaught by blueridge. successfully created to bring the traditional sound of the mountains and quality guitar construction to even the most budget-conscious player at any level. even at this price-point, the finest spruce and mahogany tonewoods are carefully handcrafted by skilled artisans with years of experience. the vintage designed forward-x top bracing is lightweight but strong enough to ensure great carrying power and resonance. the slim mahogany neck features a fully adjustable truss rod to guarantee perfect alignment at all times. the result is a traditionally styled dreadnaught guitar with a big, full-bodied and rich tone that won't break the bank.
Specifications:
Body type | Dreadnought |
Cutaway | Non-cutaway |
Top wood | Spruce |
Bracing pattern | Traditional X Parabolic Shaped |
Body finish | Natural High Gloss |
Orientation | Right handed |
Neck shape | Slim |
Nut width | 1.69 in. (43 mm) |
Fingerboard | Rosewood |
Neck wood | Mahogany |
Scale length | 25.6 in. |
Number of frets | 20 |
Pickup/preamp | No |
Headstock overlay | Rosewood |
Bridge | Rosewood |
Number of strings | 6-string |
Country of origin | China |
Reviews:
This is a laminated guitar, which has several advantages. First, it will be less prone to cracking from weather than a solid wood guitar, second it's inexpensive, and third even though it is a laminate, it sounds really good. Not as good as a Blueridge BR160, but right up there with similar constructed guitars like the Fender DG-60.Billy
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