Fuzz Guitar Amp Simulation For Sale (2024 Update)

Product information get a variety of fuzz tones for your electronic guitar with the super fuzz sf300. the three different sound modes, namely, classic fuzz, grunge and gain boost, enable you to recreate the magic of the '60s and '70s with this behringer super fuzz. you can shape the sound of you guitar with convenience as this behringer guitar effect pedal comes with 2-band eq, dedicated gain, and level controls. powered with a 9-v battery, the super fuzz sf300 runs for a longer period, giving a quality-performance. this behringer super fuzz is designed with a blue status led indicator which lets you keep a check on the status of your battery too. weighing just about 0.33 kg, this behringer guitar effect pedal is a portable device.

Earthquaker devices, in collaboration with the newly-resurrected park amplification, have faithfully recreated the park fuzz sound so that a new generation may enjoy it. the new park fuzz sound uses a different set of nos germanium transistors, hand-selected for a tonal match. indeed, when a/bd with the original unit, the sounds were strikingly similar. in fact, the staff at pgs was split right down the middle as to which was which. whats more, when doing the test, earthquaker devices had to set the new park fuzz sounds fuzz control at about half, whereas the original was dimed. the reissue has way more range in the fuzz dial than the original. the new park fuzz sound is hand-made, one at a time in exotic akron, ohio. the pedal is wire for true bypass and accepts a standard 9v centre-negative boss-style power adapter. the current draw is low, so its ready for your isolated power supplies.

Essentially new. plugged in and played for 15-20 minutes and placed back in the wrapping in the box. this thing is ferocious. if you re looking for pure fuzz desolation, this is the one. huge volume and massive fuzz tones in tap. the three filter settings are incredibly useful and unique. every setting i tried was really musical, too. hard to imagine a fuzz this heavy while still maintaining so much clarity.

The earthquaker devices erupter ultimate fuzz tone pedal is a fuzz pedal designed unike any other. a pedel two years in the making; earthquaker's team of wizards painstakingly dug into creating the most well rounded fuzz tone possible. balanced highs as well as full lows (without muddiness), simpliticy, ease of use and of course super tasty classic fuzz tone became the ingredients of the erupter. it's one know control gives the users compelte contol over the pedal's bias. when clicked into the middle, you get the best of both worlds; even bias for smooth and clear fuzz. when turned counter clockwise, the tone becomes more spongy with plenty of sag. when turned clockwise, the sound becomes stiffer and more complex. tighter sound, more output and increased sustain are all symptoms of having the bad boy cranked to the right. all earthquaker devices pedals are hand built by passionate techs in sunny akron, ohio.

Great silicon fuzz-face style fuzz. gets raunchy and just a touch gated turned all the way up. does 60s style garage sound fantastically at half way. but is at its best imo with the guitar tone rolled down for that creamy, smooth, total "american woman" sound.great condition, save for some blemish/smudging on the sides. probably can be polished out. never played outside the home. *from dealer website*capture the vintage voice of those throaty fuzzes from the '70s without forking over vintage moolah with the tc electronic rusty silicon fuzz pedal. built with an easy three-knob design of volume, tone, and fuzz let you take your sound from the focused ferocity of a gated fuzz to the "velcro" assault of hendrix-style tone with a few adjustments.

With the combination of its three band eq and drive and level knobs you can get a wide variety of tones from heavy blues through hard rock to high gain metal. with the gain set at around 9 clock using a bridge position humbucker you can get some excellent classic rock tones. flick to the neck pickup and you get a thick creamy sustain filled lead tone ideal for any heavy/rock blues lead playing you'll be doing. with the right combination of eq settings with the drive low you can even get some quite santana-esque tones from this pedal. where this pedal is most at home is with the gain at 12 clock or higher. at 12 o'clock you get some brilliant hard rock tones reminiscent of guns n’ roses, metallica and iron maiden. again using the 3 band eq here will give you masses of variety. for a more metal type sound why don't you try scooping the mids out slightly and adding a few more highs and lows.push the gain to 3 clock and you get an all out metal onslaught. make sure you scoop the mids and push the bass and highs and you'll be in metal heaven. pinch harmonics will fly off your guitar. a nice and tight low end helps keep any palm muted galloping riffs sounding crisp and clear. throw your guitar into a drop tuning and chug away this pedal stays tight no matter how low you go. don't forget the divebombs if you have a tremolo equipped guitar. the boost switch is best used on your neck pickup with the control between 9 clock and 10 clock. kick this in at the start of your solo and it'll help increase your volume a little and add a nice bit of top end to really help you cut through the mix so everyone can hear those shred tastic solos. housed in an aluminium alloy case the extreme metal is built to withstand everything you can throw at it gig after gig.

The original fuzz face is constructed to the vintage specs, with the original germanium pnp transistor design. built to the exact specifications of the original dallas-arbiter fuzz face. ruggedly constructed to the original vintage specs. the classic fuzz box used by legendary rockers of the 60's and 70's. in stompbox lore, the fuzz face distortion sits among the icons. its uncanny ability to add harmonic richness and 'hair' around clean tones at lower settings is as satisfying as the full-on roar it wields when dimed and raging. with a roster of power users that includes guitar legends and modern heroes from david gilmour and jimi hendrix to eric johnson and joe bonamassa, the fuzz face has a unique, unmistakable sound no matter the player. this particular fuzz face distortion is constructed to vintage specs, featuring the original germanium pnp transistor design for a rich, creamy fuzz sound.

Jhs pedals smiley – fuzz jimi hendrix was released in london in 1966 and the then new arbiter electronics fuzz face became his favorite fuzz pedal – the rest is history. in the first few years the fuzz face was built with germanium transistors until the pedal was completely converted to silicon transistors in 1969. hendrix himself preferred the silicon version because of the more aggressive, snappy sound and of course because of the better durability. the jhs pedals smiley offers a faithful reproduction of the properties that make the early silicon fuzz faces a milestone in music history to this day. several vintage pedals have been carefully analyzed to perfectly capture the magic of this era with the smiley face. the smiley is clear and defined and straddles the line between fuzz effects pedal and 'sawing' sustain. the stompbox gets the low-end and the crisp bite in the midrange as you would expect from a vintage arbiter pedal. one of the most revered qualities of a good fuzz f.

With the keeley monterey you take one step back in time and two steps forward. the monterey is a surrealistic envelope of neo-vintage effects. it combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists. the keeley monterey rotary fuzz vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds. there are two channels on the monterey rotary fuzz vibe, and these can be configured to give you five different sounds. the monterey rotary fuzz vibe comes in 12 different graphic designs. just like music which can be surprisingly rewarding, you ll be surprised with a design. keeley will not be able to select a specific pattern that you may want. it is wonderfully random. they are hand made with the intention of becoming your new favorite instrument.

Mxr bass fuzz deluxe m84 the bass fuzz deluxe delivers huge fuzz tones without sacrificing original signal's punch & clarity thanks to separate dry & wet level controls. with separate dry and wet level controls, the bass fuzz deluxe sounds like you're running two different amps. blend to taste, from subtle hairiness to full on raging fuzz, with fuzz and tone controls affecting only the wet signal. the bass fuzz deluxe features true hardwire bypass.

This item was returned in mint condition. it is free of any performance issues, and has no scratches, blemishes, or other cosmetic flaws. the dod carcosa fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered pollock abstractions. combining the carcosa's wide-ranging after bias control with two toggle positions creates tones that range from porcine fatness to desiccated shards. this versatility makes the carcosa fuzz a good companion for dirty or clean amps. true bypass, tons of output, and the visage of the king in yellow sets the stage for fuzzy madness. the dod carcosa fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. it has been designed to cut through a dense and heavy band but still have great note articulation with chords. however, when extreme bias (after) ranges are selected many wild and over-the-top sounds are possible.

Synth wave generator – create fuzzed-out, single note synth sounds reverse attack – volume swell effect – put your guitar in slow gear! chaos switch – change dimensional triggering and octaves and stuff filter – shape the eq and tone of your fuzz wave wave selector – change wave modes on the fly with your foot!

A true classic! one of the first truly nasty stompboxes in history, the original fuzz face was made with geranium transistors and ran into overdriven marshall amplifiers with a wah pedal by jimi hendrix, ron ashton, and countless others. this modern version is made with less temperamental silicon transistors which give even more high end izzleto the tone. the modern mini version is more pedalboard friendly, and has the added luxury of a status led and a standard 9v power jack! this particular specimen is in great cosmetic shape but is missing the battery cover.

The germanium fuzz is a fuzz pedal. the knobs change the sounds. important: after plugging it into power (9vdc only), it will take 2-3 minutes on average to sound correct. good time to tune your guitar and grab a beverage. the color of the led indicator light might change. don t turn the internal trimmer. that s it. read on only if you want some excellent primary source material for an online fuzz thesis this pedal is designed around two germanium 2n527 or 2n404 germanium transistors. they have been graded for gain and leakage and carefully matched to sound their best. they are set up in the ubiquitous 60 s circular fuzz topology, and tuned for good sound, and include some additional oddities aimed at solving the issues that prevent more widespread use of germanium devices.

With the keeley monterey you take one step back in time and two steps forward. the monterey is a surrealistic envelope of neo-vintage effects. it combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists. the keeley monterey rotary fuzz vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds. there are two channels on the monterey rotary fuzz vibe, and these can be configured to give you five different sounds. the right stomp switch activates the fuzz channel. the fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added. it is very responsive and dynamic. it plays well in any position on a strat or les paul style guitar. at the heart of the fuzz are vintage fairchild semiconductor transistors. these moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone. the modulation channel is where the fun really starts. the monterey rotary fuzz vibe offers an octave effect with both the vibe and wah sounds. with those two sounds you can either have octave up, octave down, or no octave. in the center position of the octave control you have no octave up or down. if you turn the octave control up (or clockwise), you have an increasing octave up sound. as you turn the octave control down, you have an increasing amount of octave down sound added. again, if you do not want an octave effect added, simply set the octave control to the center position. the monterey rotary fuzz vibe features a very rich and deep vibe sound. the kool vibe setting is perfect for getting complex phaser-like sounds. it combines phasing and tremolo at key frequencies to give you incredible depth and rhythm. not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect. you can add the octave to the kool vibe for an amazing doubling effect or for an incredibly deep synth bass type sound. the les rotary sound in the monterey fuzz vibe is both very accurate and surprisingly new sounding. like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape. not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the doppler effect provides a soothing chorused sound that is clean and ethereal. the octave control in the rotary cabinet simulation controls the volume of the horn or tweeter sounds. it does not produce an octave effect here. this allows you to get a very chorus-like effect with ample high-end detail when simulating a les rotary style cabinet. set the rate off for no rotation, turn the fuzz on, and the depth and octave controls give you a wonderful speaker cabinet simulation. its fuzz with tonal control like youve never had before! perfect for matching any size of power amp with the pedals fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz! the harmonic wah section combines several more new sounds from keeley in the monterey rotary fuzz vibe. it is a fixed or cocked wah sound, an auto wah, a harmonic/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal. with the depth control turned all of the way down/off you are in the wah mode. the wah mode gives you control over the frequency you boost by adjusting the rate control. if you have an expression pedal connected, it becomes a regular wah pedal. turn the depth control up a slight amount and the monterey becomes an auto wah. in the auto wah mode, your pick attack and strength

Bass and treble controls work interactively for extreme eq usability fuzz control volume hi/lo toggle diode switch fuzz for the discerning tone seeker. the black arts toneworks pharaoh is capable of tones ranging from a clean-ish boost to a good articulate od, but the pharaoh thrives in bringing open hairy fuzz to a clean amp. the pharaoh's dual tone control is specifically designed to retain your guitar's tone and maintain the character of your pickups. there is no volume loss with this pedal's tone circuit, no drastic cuts or boosts leaving you wanting. the pharaoh will leave your tone intact and add the soul-stealing doom you need to push your sound into the next world.

Just in! pre-owned fulltone '70 fuzz pedal in great shape, with the original box. the fulltone '70 hearkens back to day when fuzz was fuzz. if you want polite, this isn't for you! using a pair of intentionally mismatched silicon transistors, this fuzz pedal snarls and spits (the mismatch is all about harmonic content). setting the fuzz at "10" opens the doors to tones that will rip the flesh – not for the faint-hearted! housed in a deep blue 16-gauge steel box, this monster offers more aggressive fuzz than the '69 and includes a mid control for extra clarity. the '70 provides some mean fuzz!

The mxr sub machine fuzz kicks open the door to epic and unbridled sonic exploration. this mean little box combines the shaggy vintage tones of the la machine fuzz with a growling sub octave circuit, giving you a one way ticket to the sonic frontiers of heavy. the sub machine fuzz features the la machine fuzz s circuitry and all of its functions from its volume, tone, and fuzz controls to its electrifying octave up mode. but it s also got an old school sub octave circuit with its own level control, so you can dial in just the right mix of fuzz and sub octave signals. to further broaden the sub machine fuzz s thunderous tonal palette, the mxr team added a series switch so you can run the sub octave signal straight into the fuzz for some seriously subterranean saturation or alongside the fuzz for a split channel effect.

Fazy cream is a fuzz pedal delivering you a classic muff sound. the wide-ranged fuzz knob lets you control your tone from whisper to roar, and a highly flexible tone knob can help you refine your tone. 100% analog circuit takes you from classic creamy fuzz to high gain fuzzy distortion. muff style fuzz sound designed for both guitar and bass. wide tone control range from pitch dark to aggressively blasting. true bypass footswitch keeps a clean signal path. working with 9v center negative regular pedal power supply(not included).

The graphic fuzz eq/distortion/sustainer pedal from electro-harmonix is an ac operated unit which features a six bands graphic equalizer. it has been specially designed for low noise / low hum operation. an led indicator shows when the effect is in either the on or bypass modes. this unit is sensitive to the dynamics of your playing, that is, the effect will be louder when you play harder and will be quieter when you strum or pick more softly. the graphic fuzz has ten sliders. the graphic eq section has six slide pots which allow you to adjust the output level by as much as plus or minus 15 db in the 125 hz, 250 hz, 500 hz, 1000 hz, 2000 hz, and 4000 hz frequency bands. the volume slider controls the output volume level. the dynamics slider controls the sensitivity of the unit to your playing style. the overdrive slider allows you to control the amount of distortion in the output signal.