Are you looking for the Fender Jazzmaster Electric Guitar? If so, you’ve come to the right place.
Choosing the Fender Jazzmaster Electric Guitar can be difficult as there are so many considerations, such as Glarry, Fender, G&L. We have done a lot of research to find the top 20 Fender Jazzmaster Electric Guitar available.
The average cost is $1883.40. Sold comparable range in price from a low of $269.99 to a high of $5600.00.
Based on the research we did, we think Fender Jim Root Jazzmaster Electric Guitar White is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Selling Fender Jazzmaster Electric Guitar (20 Sellers)
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$1699.99
4.9
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Lightweight
Features:
- Three v-mod ii single-coil stratocaster pickups
- Upgraded 2-point tremolo with cold-rolled steel block
- Deep "c -shaped neck profile with rolled fingerboard edges
$1199.99
4.5
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- Alder body.
- Two 60s jazzmaster single-coil pickups.
- Mid '60s c -shaped maple neck with painted headstock; 7.25 -radius fingerboard with 21 vintage-style frets.
$1850.00$1399.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- 2020 fender limited edition american professional jazzmaster
- Sky burst metallic finish
- Rosewood neck & fingerboard
$1800.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Well made . Durable . Weight
Features:
- Limited edtion.
- Whiteexcellent condtion.
- All original.
$5000.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Serial number: cz554838.
- Finish package: deluxe closet classic lacquer finish.
- Case: deluxe hardshell case.
Reviewers Noted:
Attractive . Good sound quality . Well made . Durability . Weight
Features:
- An oxblood finish with a four-ply red tortoiseshell pick guard and contrasting white "witch hat" knobs give this guitar a darkly alluring appearance.
- A two-way toggle switch on the upper horn rather than the customary slider switch delivers a unusual twist on traditional jazz master tone switching.
- Hard-shell case included.
$549.99
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Color: 3-color sunburst
- Part #: 0148400500
- Fingerboard: rosewood
$703.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Designed in the late 1950s as fender's flagship instrument, the jazzmaster found popularity with surf guitarists, new-wave and punk musicians and a generation of indie rockers. updated for the player…
$1200.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- The neck is shimmed, providing proper break angle over the mustang style bridge, so there is no worry about buzz or strings popping out while playing.
- Pickups were upgraded to standard lollar jazzmaster.
- Guitar has been gone over completely and set up for 10s.
$4500.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- All original
- Mint condition (there's only 1 tiny ding in the back/corner) hard to see if you don't turn the guitar up side down
- Original brown fender case
$459.99$389.99
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Lightweight
Features:
- Squier classic vibe '60s jazzmaster limited edition electric guitar shell pink
- Vintage-style tremolo bridge enables classic bending effects
- Jazzmaster controls allow quick switch between rhythm and lead
$895.70
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Includes gig bag.
- Found sound australia pty ltd.
- 155 elgin street (via markov place).
$5450.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Truetone color set – candy tangerine.
- Designed expressly for jazzers (but adopted by surfers) and introduced in 1958, the jazzmaster combined refi…
$2400.00
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Offset alder body with pickguard
- Two michael frank-designed single-coil jazzmaster pickups
- Jazzmaster tremolo bridge with brass mustang saddles and screw-in arm
$1062.70
4.6
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Fender mij hybrid ii jazzmaster in vintage natural.
- Made in japan hybrid ii is a series that deserves to be called a "hybrid", incorporating modern specs for intuitive playability and usabili…
Reviewers Noted:
Attractive . Well made . Good sound quality . Weight . Durability
Features:
- Fantastic jazzmaster from the affinity series
- Successful guitar with a classic look
- C-shaped neck for ultimate playability
Reviewers Noted:
Good sound quality . Attractive . Weight . Craftsmanship
Features:
- Gloss-finished solid alder body
- Dual '60s jazzmaster wide-bobbin, single-coil pickups, slider switch selectors
- Vintage-style floating, locking tremolo system, vintage-style tuners
Reviewers Noted:
Attractive . Durable . Sound quality . Craftsmanship
Features:
- Fantastic jazzmaster from the affinity series
- Successful guitar with a classic look
- C-shaped neck for ultimate playability
$5600.00
4.6
Reviewers Noted:
Attractive . Good sound quality . Durable . Well made . Weight
Features:
- Adding a relic'ed gold anodized pickguard gives this guitar a real vintage look. what a great guitar. and as always, our esteemed guitar tech has performed a complete set up…
Reviewers Noted:
Good sound quality . Attractive . Well made . Durable . Weight
Features:
- Excellent electric guitar from the renowned manufacturer fender
- Play with high quality with this sublime electric guitar
- Smart design with modern and classic elements
1. Fender Jim Root Jazzmaster Electric Guitar White
Product Details:
For heavy, molten metal riffage, the jim root jazzmaster v4 delivers crushing detuned tone with a bold new look. fender worked closely with the towering slipknot guitarist to create a brutal sounding signature jazzmaster model that complements his heavy playing styleright down to its signature daemonum open-coil emg active pickups, shred-worthy 12 radius fingerboard with jumbo frets, sparse control layout and more. – the jim root jazzmaster v4 dispenses with frivolities such as a vibrato, rhythm circuit, tone controlonly crucial essentials remain: a volume control, a 3-way switch and a hardtail bridge, making this guitar a single-purpose weapon of mass destruction. featuring a mahogany slab body for crushing lows and mids, brilliant polar white satin finish, maple neck with bound ebony fingerboard and pearloid block inlays, this devastating machine delivers brutal tone with a striking new look – mahogany body – maple neck with thin c-shape, ebony fretboard, jumbo frets – emg jim root signature daemonum open-coil active humbuckers6-saddle string-through-body hardtail bridge, sealed locking tuners, synthetic bone nut
Specifications:
Reviews:
I have wanted an American made Strat for the longest. Not just any American Strat, but The One built to my specs from the looks right down to the pots and of course the feel and sustain. This is it and AMS made it easy and in reach just as they've helped me to make other musical dreams to come true! This guitar feels great, sounds amazing, beyond my hopes & expectations, and even the price tag was a pleasant surprise! Tech has come a long way, but in a lot of ways we've lost craftsmanship. Well, not out of Corona California. Crisp tones, nuanced variation, and that wonderful Fender sustain! I have some other expensive guitars, which I love, but at under their price point the Professional II is going to be a close lifetime friend. If you are looking at these and don't need boutique trimming of the Ultra line or the royal treatment of the Custom Shop, look no further and pay no more. Strat-Halla is right here at a reasonable price point for a heritage worthy instrument. I won't waste time going over the specs. It's all here. Get acquainted with your new best friend!Pete
This is my second American Stratocaster. My first is from 2007 and it has a rosewood fretboard. I wanted a maple neck strat as well. I bought the Miami blue version and love it. To me, Strats are each very unique in the way they play and sound. My other Strat has Dimarzio Area pickups in it (which I love), so I’m having to get used to the stock single coils. I love the bridge, but to my ears the neck pickup it too muddy. The trem system is good, and the overall construction is good. I had to re set it up because I use heavier strings. I may end up changing pickups before it’s all said and done. Only time will tell. I wish Fender would have put Locking tuners on from factory! That’s a must for me.Justin
I purchased this guitar about 3 weeks ago (working with Zach), it has quickly become my favorite guitar I own. The full rosewood neck is incredibly smooth and the the deep C shape is extremely comfortable. I mostly play through a Helix Stomp and have been really happy with the sound and tone variability I can get with it using the various pickup selections especially with the push/push for adding the top pickup to the mix for positions 1 and 2. The pictures in the listing look great, but it looks much better in person. The pictures have a lot of light which makes the blue appear lighter than it would in a normal room. The picture where the guitar is positioned in the case is a great representation of the color in a normally lit room.Kevin
2. Fender Vintera '60s Jazzmaster – Ice Blue Metallic
Product Details:
The jazzmaster was already a super cool instrument but it is stone cold awesome when it's finished in ice blue metallic with a matching headstock. for players who want the style and sound of fender’s golden era, they created the vintera ‘60s jazzmaster. equipped with the coveted features that defined the decade—including period-accurate neck profile and playing feel, along with re-voiced pickups—this guitar has all of the warm, smooth sound that made the jazzmaster a legend. for authentic, vintage-style tone they re-voiced the pair of wide single-coil jazzmaster pickups to behave more like the originals. the warm, smooth-sounding neck pickup is balanced by the bright, cutting bridge pickup. the “mid '60s c”-shaped neck has a classy painted headstock, along with a 7.25”-radius maple fingerboard with 21 vintage-style frets for classic feel. a vintage-style jazzmaster floating tremolo and vintage-style tuning machines provide original-era aesthetics, rock-solid performance and tuning stability. other features include the classic lead/rhythm circuit, chrome hardware and 4-bolt neck plate. includes a deluxe gig bag. part 0149753383.
Specifications:
| Body shape | Double cutaway Offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | Mid-60s C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5 in. |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 7.25 in. |
| Fret size | Vintage-style |
| Number of frets | 21 |
| Inlays | Dot |
| Configuration | SS |
| Neck | '60s Jazzmaster |
| Bridge | '60s Jazzmaster |
| Special electronics | Lead/Rhythm circuit |
| Control layout | Master volume, tone |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Adjustable |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
To start with this review I would like to point out in two different sections. The buying experience with the shop and the guitar set up. 1-The buying experience was great, fast shipping, very well package, tracking feedback. No complaints at all. The guitar, as I said before, came really well package, in two cardboards and bubble plastic. 2-The guitar set up: Out of the box, the guitar set up is horrible, and let me tell you again, horrible. The worst guitar set up I have ever received. My guitar which was "inspected" by a music technician before being shipping to me. I do not know what type of inspection was that but sincerely I think the guitar was not by any means checked. It arrived with crazy fret buzzing through all the neck, gritty frets (almost impossible to do bendings), Sharpen fret edges that felt like knives cutting my fingers, super dry fretboard( I can understand this because of the Indian Laure fretboard), no neck relieve at all ( Truss rod adjustment is needed if you want to play any music with this guitar), the tremolo bridge was rattling like crazy, all strings out of intonation, not to confuse with out of tune. All these things made the playing experience awful. Now I understand why there are so many B-Stocks of this guitar. I thought that being a Chicago Music Exclusive (FSR) product will be take care much better. Do not get me wrong, this is a heck of guitar for the money but be prepared to spend an extra 150 bucks to make this guitar useable. IJ D.
My wife got me this guitar for Christmas and it has more than exceeded my expectations. I had a Fender Jaguar MIJ candy apple red back in the early 90s and it ended up missing. I’ve been waiting for a guitar like that again as it was my absolute favorite guitar to play. I saw this one online and told her this is the one I’d like to have to replace my other Jaguar. I LOVE the tone on these as they give so much depth to the mid and high ranges. The notes just ring so much depth. I must say it sounds even better than I remembered. The matching headstock is another positive for me and sold the look of the guitar. While the tremolo is a little different than I remember (tremolo bar screws in vs push into place) it is probably a better thing that it is that way now. American Musical has always shipped our orders in a few days and didn’t disappoint my wife when it showed up just a few days after ordering and was ready to play directly out of the box. I would recommend this guitar to anyone who wants that perfect surf punk sound.A. Smith
3. Fender American Professional Jazzmaster Rosewood Neck Limited Edition Sky Burst Metallic
Product Details:
Historic design. with a new, distinctive feel. the fender ltd american pro jazzmaster showcases the timeless quality of one of fender's most cherished models. but not like you've seen before. a solid rosewood neck replaces the traditional maple design, offering a beautifully unique feel and sensational style. it's sculpted into a modern "deep c" shape, fitting snug in the palm of your hand. and its ultra-smooth surface ensures you can transition between the most complex of lead and rhythm lines with ease. as for the sound, it's all about vintage character. a pair of pure vintage '65 pickups produce a well-rounded tone with plenty of articulation and sparkling clarity. so, whether you're performing soaring leads or textured chord-playing – you can trust that your tone will excel no matter your musical style. there's even an incorporated treble bleed circuit to maintain that high-end twinkle at any volume. because this is a guitar that's born for the stage. and, with an elite molded case included, you can take it with you to any venue and indulge in a performance of exceptional standards. surpass expectation.
Specifications:
| Finish | Olympic White |
| Year | 2019 – 2020 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Rosewood |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Wood Top Style | Opaque |
| Body Finish | Gloss Urethane |
| Body Shape | Jazzmaster |
| Neck Finish | Satin Urethane |
| Neck Shape | Modern "Deep C" |
| Fingerboard | Rosewood |
| Fingerboard Radius | 9.5" (241 mm) |
| Frets Size | Narrow Tall |
| String Nut | Bone |
| Position Inlays | White Dot |
| Truss Rods | Bi-Flex |
| Truss Rod Wrench | 1/8" Hex (Allen) |
| Bridge Pickup | Pure Vintage '65 Single-Coil Jazzmaster |
| Neck Pickup | Pure Vintage '65 Single-Coil Jazzmaster |
| Controls | Master Volume with Treble-Bleed, Master Tone |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Fender Standard Cast/Sealed Staggered |
| Pickguard | 3-Ply Mint Green |
| Control Knobs | Aged White "Witch Hat" |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
4. Fender Limited Edition American Special Jazzmaster Bigsby Olympic White
Product Details:
With its stripped-down control scheme the stylish limited edition american special jazzmaster bigsby is ready to rock. in an uncharacteristic touch, the bigsby-licensed b50 vibrato tailpiece replaces the standard jazzmaster bridge, adding expressive shimmer to your playing. the comfortable modern 9.5 fingerboard radius is ideal for any playing style while the pure vintage 65 jazzmaster pickups retain the clear tones and edgy snarl of their inspiration. white witch hat knobs, modern tuning machines and a black/white/black pickguard complete the ensemble for classic fender style. includes a limited edition neck plate.
Specifications:
| Finish | Candy Apple Red |
| Year | 2016 |
| Made In | United States |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Plain |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
5. Fender Custom Shop 1966 Jazzmaster Deluxe Closet Classic Electric Guitar Aged Ocean Turquoise
Product Details:
Originally marketed as a high-end guitar aimed squarely at jazz cats, the jazzmaster instead charted its own unexpected course as a boldly original instrument. in the hands of surf, rock, punk/postpunk and alt/indie guitarists who preferred a more distinctive sound and style, it has endured as a creatively prized “other” stage-and studio preference ever since. the 1966 jazzmaster deluxe closet classic is a nod to one of the last great original leo fender-era designs of the mid 1960s. a hand-selected two-piece alder body wears a deluxe closet classic lacquer finish for a slightly worn but well-taken-care-of look. the rift-sawn maple neck has a ’62-style jazzmaster “c” profile, topped by a comfortable vintage compound-radius (7.25”-9.5”) round-lam rosewood fingerboard with pearl-dot position markers and 21 medium vintage frets. hand-wound vintage jazzmaster pickups are wired to the model’s signature rhythm and lead circuits, with master volume, master tone and three-way switch. other features include six-saddle vintage-style adjustable bridge with “floating” tremolo tailpiece, vintage-style tuning machines, bone nut and wing string tree with nylon spacer. also includes deluxe hardshell case, strap and certificate of authenticity.
Specifications:
| Body Type | Double Cutaway Solid Body |
| Body wood | Alder |
| Neck shape | '62-style Jazzmaster C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Truss rod | Standard |
| Radius | Compound |
| Fret size | Medium |
| Number of frets | 21 |
| Inlays | Pearloid Dot |
| Nut material | Bone |
| Configuration | HH |
| Neck | Proprietary Humbucker |
| Bridge | Proprietary Humbucker |
| Control layout | Master volume, Master tone |
| Pickup switch | 3-Way |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Floating Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6 String |
| Orientation | Right-Handed |
| Country of Origin | United States |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
6. Fender Troy Van Leeuwen Jazzmaster Electric Guitar Oxblood
Product Details:
Well back into the 1990s and right up to this day, troy van leeuwen has contributed deftly textural guitar work and atmospherics to some of alt-heavy rock's most acclaimed and forward-thinking bands. from the influential '90s alternative of failure to a perfect circle, queens of the stone age, eagles of death metal, puscifer and others, van leeuwen's multi-instrumental expertise has given great color and power to a great deal of very creative rock music. – the troy van leeuwen jazzmaster is as distinctive as the sounds he wrings from it. its gloss oxblood finish with a four-ply red tortoiseshell pickguard is darkly alluring, with the interestingly contrasting touch of two white "witch hat" control knobs. the dual tone circuits (lead, rhythm) use a two-way toggle switch on the upper horn rather than the customary slider switch, and the brass-saddle mustang bridge is combined with a jazzmaster tailpiece. – other features include a maple neck with "c"-shaped profile and heel-end truss rod adjustment, 7.25"-radius bound rosewood fingerboard with 21 vintage-style frets and pearloid block inlays, two american vintage '65 jazzmaster single-coil pickups with three-way tog – alder jazzmaster body – maple neck with c shape – rosewood fretboard with 7.25"radius21 vinage-style frets – american vintage '65 jazzmaster pickups – jazzmaster bridge with floating tremolo tailpiece – troy van leeuwen signature on back of headstock2-position toggle lead/rhythm switch in upper position – metallic oxblood paint – matching painted headstock face – white plastic parts"witch hat" control knobs – single "wing" string tree – vintage-style strap buttons – case/gig bag: black hardshell case
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Jazzmaster |
| Neck Material | Maple |
| Neck Finish | Gloss Urethane |
| Neck Shape | "C" Shape |
| Scale Length | 25.5" (648 mm) |
| Fingerboard Material | Bound Rosewood |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Number of Frets | 21 |
| Fret Size | Vintage Style |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Position Inlays | Pearloid Blocks |
| Truss Rod | Vintage-Style Butt Adjust |
| Bridge Pickup | Pure Vintage '65 Single-Coil Jazzmaster |
| Neck Pickup | American Vintage '65 Single-Coil Jazzmaster |
| Configuration | SS |
| Hardware Finish | Nickel/Chrome |
| Tuning Machines | Vintage-Style |
| Pickguard | 4-Ply Tortoiseshell |
| Control Knobs | White "Witch Hat" |
| Neck Plate | 4-Bolt Vintage-Style |
| Strings | Fender USA 250R NPS, (.010-.046 Gauges) |
| Case/Gig Bag | Hardshell Case |
Reviews:
I've owned the classic player JM before and later I realized I hadn't given jazzmasters a real shot because that guitar just looks like a jazzmaster but is very different from the guitar Leo wanted me to be playing. In terms of the tradeoffs that are made to get to the classic player pricepoint and audience (for example p90's instead of real JM pickups , lack of shielding). I even thought the bridge changes on the classic player were but I really wanted to get more string tension. Then I finally discovered the real story. Leo wanted JMs guitar to have all the trade offs in the original, and if you play with heavy strings (11's or higher) you can see the original specs make the guitar come to life. The only problem is the original USA models are pricey. The TVL is made in Mexico with the same parts as the USA and the same decide. It has the right pickups and everything. It comes with 10's but trust me and put 11's on it and give it a few weeks. This guitar is yet another example of the genius of Leo Fender. It sounds and plays fantastic and it inspires me. I've owned so many guitars you wouldn't believe me if I told you the number. The original spec Jazzmaster is right up there with or even surpasses with the Tele, Strat, LP, SG, and Firebird designs. And this TVL gave me that all at a reasonable price. This the only non-usa guitar I have that I can honestly say is right up there in quality with my other USA guitars. I only made one small tweak to it. The frets were very good for a Mexican Fender guitar. I I made two adjustments to turn this guitar into a dream. First a little light filing to round out the corners of the frets (the corners that sit above the binding). A youtube video will show you how to do it. It took me 15 minutes to take my time and do it right. Second I took some ultra fine steel wool and took the gloss of the back of the neck. Now if I handed this guitar to you, you would not be able to tell the difference from the AVRIJEB
Overall: This was my first jazzmaster ever. I'd wanted it for a few years but didn't quite have enough information to justify the somewhat steep pricing. So I researched as the reviews slowly rolled in over time. I sing backup and play for the local church and was aware of a slight learning curve with this guitar. I had to really get used to the rhythm circuit's function while trying to stay on pitch with the singers. There were parts of songs where I wanted to activate it while singing, but couldn't look down, so I anxiously fumbled around to feel for it. But after a few sessions, I'm glad it's there and have adapted to its placement. There's a bevy of YouTube videos with gorgeous demos that just drip with tone perfection, actively going back and forth in turning the circuit on and off. To add onto that, a main reason I remained intrigued was the wide variety of tones you can get out it. The vintage pickups are remarkable. I believe they are (I forgot where I learned it) overwound, so the signal punches out pretty hot, so be gentle when you first plug in. There's tremendous string separation, and great articulation. I like to play swells with multiple layers of reverbs with shimmer, and bending the tremolo arm at just the right time definately adds another texture on top of them. Keep in mind that this guitar does not come set up out the box. The pickups were unscrewed way too high, the neck was pretty dry, and the strings were not in tune. If you know how to do a decent setup, you're covered. There's nothing confusing going on here. But if you're unsure, just take it to your friendly neighborhood guitar tech, and that's that. Fender swapped out the saddles with the mustang bridge, which is fine, since players had been doing that for years. But I still had to do that tape trick for a bit to keep the thing secured. PLEASE! PLEASE! PLEASE! If you're really considering this guitar or any other jazzmaster or jaguar for that matter, don't do it unless you can also commit to upgrading to the Mastery bridge. You'll be happy that you did so. I cannot speak high enough praise to their product. On top of the stability and durability of them, they actually add sustain to your playing. Google it and find out for yourself. This is just my humble opinion. But now let me talk about what everyone already knows. We can all agree that this is arguably one of the most visually stimulating guitars on the planet. Trust me, as great as the photos are, they do not do this guitar justice. When I first opened the box, I just sat there, appreciating its splendor. I almost felt that I shouldn't touch it. The oxblood body with matching headstock are an immaculately wonderful union, and the rosewood fretboard with pearloid inlays are perfectly in sync between the two. The vintage tuners were a completely new thing to me, but a quick tutorial brought me up to speed. The hardshell case is good quality, very secure fit inside, next to a large storage compartment for my other accessories and strap. The price point is a bit high for what you're getting out of the box, what with upgrading saddles, and not arriving in playing condition. In my opinion, 1,199.99 should've been the highest recommended retail. But to my knowledge, a lot of detail goes into this guitar's design, so maybe Fender is trying to cover some internal cost, I don't know for sure. Take that in with a huge grain of salt. I'm not putting it lightly when I say that this is not what I would call a value guitar. But when you consider all the other aspects, you are getting tons of valuable features. People drool over this thing wherever I take it, I always find what I'm looking for when tweaking effects and amp models, and the sound is undeniably without flaw after adding the mastery bridge. I would recommend this guitar to the seasoned player who can either play confidently, or can adapt easily from guitar to guitar. This shouldn't be with a novice player who is still learning, or is still building player confidence. There's a lot to understand about this beautiful jazzmaster, and it requires a player who understands themself.Ildefonso
I bought this guitar about four months ago now and I absolutely love it. I had mainly considered this model and the american vintage while looking for a jazzmaster and ended up choosing this one because it had the same hardware, electronics, and pickups as the american vintage at a much cheaper price, and in my opinion looked even better than the av. I also own a Gibson Les Paul Classic Custom and Explorer 120, and this guitar holds it's own with those even being made at the Mexican factory as a more budget guitar. This guitar is a great deal, and you get a lot for what you pay. I was expecting to like the guitar mainly for cleans, but it sounds fantastic for classic rock and even metal along the lines of Mastodon, The Sword, etc. The pickups are also super versatile with each of the four positions sounding very different. I got it thinking I'd use it for one particular sound and was very happily surprised. Also, this is the first guitar that I own with a trem, and I've never liked trems on other guitars I've played before so I wasn't expecting to use this one. After playing with this trem a bit I found it was very usable and also relatively stable. The only changes I made to the guitar was swapping the mustang bridge for a Mastery bridge and swapping the the strap buttons for Schaller strap locks. The stock bridge was good, but I prefer the Mastery. Other than that, everything was great stock. Overall, the finish, frets, binding, and setup are pretty great. The finish looks amazing in person, the pictures online that I've seen really don't do it justice. It goes great with the block inlays, binding, and tortoise shell pickguard. Fender and TVL did a great job with this design. The neck profile feels nice, and it's probably the lightest guitar I own making it the most comfortable to play.Andrew
7. Fender – Blacktop Jazzmaster Hs – 3-Color Sunburst
Product Details:
For modern guitarists who want heavy, aggressive tone in an affordable instrument, the blacktop jazzmaster hs is an unusual take on the classic fender model, armed with a special single-coil neck pickup and an over-wound humbucking bridge pickup that delivers massive high-gain power and a whole new sonic personality. sleek and supercharged, it’s built to match the intensity of any playing style, with other distinctive features including a jazzmaster floating tremolo bridge and a lean control layout with skirted amp control knobs. mástil de arce con perfil “c” diapasón de palorosa con radio de 9.5” y 21 trastes medium jumbo pastilla duncan designed single-coil jazzmaster de mástil pastilla sobre bobinada humbucking en puente selector de tres posiciones en el cuerno inferior botones de faldón (volumen y tono) puente tremolo flotante con cordal "stop"
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
8. Fender Player Jazzmaster Pau Ferro Fingerboard Electric Guitar Buttercream 194744716225
Product Details:
Designed in the late 1950s as fender's flagship instrument, the jazzmaster found popularity with surf guitarists, new-wave and punk musicians and a generation of indie rockers. updated for the player series, fender has added contemporary sonic and playability touches while staying in touch with their legendary heritage. starting with the iconic offset body and rock-solid maple neck, a modern 9.5"-radius pau ferro fingerboard ensures easy playing, while a redesigned locking, floating tremolo tailpiece provides the necessary waggle and sway when you need it. player series alnico v humbuckers deliver plenty of sonic punch, for tones that soar far beyond expectation. always a guitar for those who are unabashedly proud of staking their own musical claim, the player series jazzmaster frees you to play in new ways and seek new musical horizons. – gloss-finish solid alder body – satin-finish 25.5"-scale maple neck with 22-fret, 9.5" radius pau ferro fingerboard – fender player series humbucking pickups, 3-way pickup selector6-saddle vintage-style bridge with floating tremolo tailpiece, sealed, die-cast tuners
Specifications:
| Body shape | Double-cutaway offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Dual-action |
| Neck finish | Satin |
| Radius | 9.5" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | Player Series humbucker Alnico |
| Bridge | Player Series humbucker Alnico |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
9. Fender Mij Traditional 60s Jazzmaster With Rosewood Fretboard Arctic White 2018
Product Details:
Weight: 8.1 lbs magnificent jazzmaster in mint condition if not for paint peeling on strap button, plays and sounds sublime, comes in fender gig-bag.in terms of feel and tone, it s exactly as the 60s designers intended. sophisticated circuitry enables the mij traditional 60s jazzmaster to span a wide sonic palette. the neck pickup is still capable of those smooth, warm jazz tones you d expect, but the fat snarl of the bridge is only the flick of a switch away.the u -shaped neck is thicker than a standard c -profile, giving it a nice chunk in the hand, while the rosewood fretboard has a 9.5 radius for intuitive playability. 21 vintage-style frets span the board, with a 25.5 scale length allowing a certain level of twang, usually associated with fender guitars.
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2018 – 2022 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 21 |
| Number of Strings | 6-String |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
10. Fender Custom Shop '62 Reissue Jazzmaster Nos
Product Details:
Specifications:
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
11. Squier Classic Vibe '60s Jazzmaster Limited-Edition Electric Guitar Shell Pink
Product Details:
Started its life as a classic vibe jazzmaster. overall great condition, and plays great. with the upgrades this guitar is brought up to fender quality and is better than a lot of those. paint is in great shape with only some surface scratches on the clear coat. upgrades include: j mascis jazzmaster pickguard, j mascis wiring harness with 1 meg pots. seymour duncan antiquity pickups. cream knobs and switches. fender tremolo assembly. guitar has been properly shielded inside and is one of quietest guitars i ve ever played. sounds amazing.
Specifications:
| Body shape | Double Cutaway |
| Body type | Solid Body |
| Body finish | Gloss |
| Neck shape | C |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Standard |
| Neck finish | Gloss |
| Radius | 9.5" |
| Fret size | Vintage-style |
| Number of frets | 21 |
| Inlays | Dot |
| Nut width/material | 1.65 in. (42 mm) |
| Configuration | SS |
| Neck | Proprietary Alnico Single Coi |
| Bridge | Proprietary Alnico Single Coil |
| Control layout | Master tone, Master volume |
| Pickup switch | 3-Way |
| Special electronics | Lead/rhythm switch |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Individual saddle |
| Tailpiece | Floating Vibrato |
| Tuning machines | Vintage-style |
| Number of strings | 6-string |
| Performance Level | Intermediate |
| Orientation | Right handed |
Reviews:
Overall, this is a good guitar. I'm having a good time with it, the neck is comfortable, the pickups sound really good and handle high-ish gain surprisingly well, and the color (I got the Daphne blue) looks incredible. Taken as a whole, if you're in the market for a Jazzmaster with all the classic JM features but don't have a ton of money to spend, I'd recommend it for sure. If you're going to buy it though, just be aware of a few things… 1.) It'll need a setup. Out of the box, the tuning stability was fine but once I used the vibrato a little bit, it went way out. The action wasn't bad but could be better and the neck may need a half degree shim. I'm probably going to end up putting a Fender AVRI vibrato on it eventually but a decent setup should make the stock one perfectly usable. 2.) It needs a good cleaning. This could very well just be the specific one that I got but the neck and headstock had a lot of dust and a slightly cloudy residue on them, the fretboard was very dry, and the frets were scratchy. None of these were anything that a little lemon oil, fretboard conditioner, a microfiber cloth, and some 0000 steel wool couldn't take care of but it's still something to be aware of. Note though that, while the frets were scratchy, their weren't any sharp fret ends. 3.) It probably isn't a great first guitar. I've seen this said a few times in other reviews and I completely agree. That's not to say that it isn't a good guitar because it is. More that it's not the most user-friendly instrument right away and could be off-putting to a beginner. A pro setup will do it a world of good and make it much easier to play but if you're in the market for a first guitar, look elsewhere. Am I glad I bought it? Yes. I mean, it's a Daphne blue Jazzmaster with a comfortable neck and awesome pickups! I don't mind working on my guitars a bit though, so none of the problems I talked about above bother me in particular. However, if you're looking for a plug-in-and-play guitar right out of the box, this one might not be for you.Jackson
I waiting on this on backordered for a few months (shell pink) and started to worry after looking at a bunch of YouTube reviews. Action, fret ends and leveling were great out of the box (which I really am not up for fixing; esp on a bound fingerboard). Frets could prob use a polish, but that's a lesser concern to me. No shim needed with 09s so far. I feel like recent shipments corrected some of the common complaints of this line… YMMV. I think the the nut is pinching a bit and the trem pivot is jumping a bit so I might go in and see if I can smooth it out. Pickups are microphonic under gains and comp… and I'm not sure if they are RWRP yet. One of the reason I went with MF is that if I wasn't satisfied I could go right into GC and trade towards and CV Jazzmaster. But overall pretty satisfied and think this will be a good first offset and short scale add to the collection.David
I want to love this guitar. Unfortunately however, I will have to be taking this one to a luthier to be set-up due to the neck. Everything for the most part is beautiful, it's a Jazzmaster. Fantastic dark, spanky jazzmaster tones, beautiful tortoise-shell guard, and the very eye-catching very elusive shell pink finish. Switches all seem to be in working order, though due to the position of the neck pickup to the strings right out of the box, the rhythm circuit will be noticeably quieter. Easy fix. I am unsure about the stability of the bridge, which is a Mustang bridge- a HUGE improvement, as I've seen in other reviews that the screwposts loosen by vibration. Vibrato does not return to tune. There is a very strange, unclean grime of some sort on the metal plate of the vibrato piece. I was unfortunate enough to receive a poorly conditioned neck, with glue residue left behind surrounding the tuning pegs on the face of the headstock. The lacquer finish is beautiful and is fine to play on. The fretboard is noticeably dry as well as the frets are unfinished, both feeling scratchy, and the frets being too rough to perform clean bends on. Not sure if it's the neck, the frets, or the bridge piece, or any of the three in combination that is causing the strings to be unable to bend even a half note without losing vibration, or being pinched off. Fret markers are a dark, cheap pearl. Overall, the fretboard itself just feels like Squier Affinity line quality. My impression is that most of the cost of this guitar- to keep it in line with the technologically cheaper instruments (telecaster the same price as a jazz, etc)- went into the body finish, and electronics. However, in the end I still love this thing and cannot wait to hear it sing once I get it set-up.Tyler
12. Fender Electric Guitar Made In Japan Hybrid Ii Jazzmaster, Rosewoo
Product Details:
The fender made in japan hybrid ii jazzmaster features an alder body, rosewood fretboard, modern "c" 22 fret maple neck, bone nut, 6-saddle vintage-style adjustable bridge with floating tremolo tailpiece, hybrid ii custom voiced single coil jazzmaster bridge and neck pickups and 3-position toggle switch. includes gig bag. found sound australia pty ltd. 155 elgin street (via markov place) carlton, vic 3053 australia
Specifications:
| Finish | 3-Color Sunburst |
| Year | 2020 – 2022 |
| Made In | Japan |
| Body Shape | Double Cutaway |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Maple |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Maple |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.65" |
| Offset Body | No |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
13. Fender Custom Shop '66 Reissue Jazzmaster Journeyman Relic
Product Details:
Truetone color set – candy tangerine ever since the jazzmaster debuted at the end of the 1950's, it has evolved, even in the earliest days. the jazzmaster has continued to change over the years, but for many, stepping back to how it was done in the 60's is the way to go. designed expressly for jazzers (but adopted by surfers) and introduced in 1958, the jazzmaster combined refi…
Specifications:
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
14. Fender American Professional Jazzmaster Rosewood Neck Limited Edition Olympic White
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). originally intended for sophisticated jazz guitarists, the jazzmaster was quickly embraced by musicians attracted to its left-of-center looks and fat sound. a direct descendent of the guitar that powered underground music from the late-'60s to today, the american professional jazzmaster is ready to lend its unique sound to your playing. includes hardshell case. v-mod pickups v-mod jazzmaster pickups are voiced specifically for their positions, overwound for hotter tone with the vintage warmth and clarity that made fender a legend. new “deep c” neck profile designed for comfort and speed, the new american professional “deep c” neck profile sports more substantial shoulders. the increased mass and altered geometry creates a more natural feel that’s perfect for chord and single-note playing alike.
Specifications:
| Finish | Olympic White |
| Year | 2019 – 2020 |
| Made In | United States |
| Body Type | Solid Body |
| Bridge/Tailpiece Type | Tremolo Tailpiece |
| Finish Style | Gloss |
| Fretboard Material | Rosewood |
| Fretboard Radius | 9.5" |
| Neck Construction | Bolt-On |
| Neck Material | Rosewood |
| Number of Frets | 22 |
| Number of Strings | 6-String |
| Nut Width | 1.6875" |
| Offset Body | Yes |
| Pickup Configuration | SS |
| Right / Left Handed | Right Handed |
| Scale Length | 25.5" |
| Wood Top Style | Opaque |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
15. Fender Made In Japan Hybrid Ii Jazzmaster | Vintage Natural
Product Details:
Made in japan hybrid ii is a series that deserves to be called a "hybrid", incorporating almighty modern specs that do not choose the player or music genre, while maintaining the vintage looks. made in japan, which has many fans around the world, has realized a product that combines playability and instrument tone that fits any guitarist or bassist regardless of rhythm / lead.
Specifications:
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
16. Squier Affinity Series Jazzmaster (Lake Placid Blue)
Product Details:
Squier’s best-selling affinity series serves as a superb gateway into the fender family. perfect for beginners seeking a great-quality guitar from the get-go — with easy playability, legendary tone and timeless style — squier’s affordable affinity instruments are also made to suit home hobbyists and seasoned pros looking for their next inspiring sound. key features: poplar body — lightweight material with a balanced sound. bolt-on construction — produces a snappy note response for an immediate playing experience. “c”-shaped neck — slim profile ensures comfortable playability. satin neck finish — non-sticky and smooth so that you can play fast! medium jumbo frets — offer a controllable feel for wide vibrato and pitch-perfect string bends. gloss-finished headstock — gives a fresh look, with updated logos reminiscent of classic fender instruments. ceramic single-coil pickups — deliver that iconic “jangly” ’60s jazzmaster tone! 2-point synchronized tremolo — modern design provides a smooth vibrato arm action and improves intonation. sealed die-cast tuners — high-quality tuning machines allow for precise pitching, with their practical split-shaft design making the instrument easy to restring too!
Specifications:
| Body Finish | Gloss Polyurethane |
| Body Shape | Jazzmaster |
| Bridge | 2-Point Synchronized Tremolo with Block Saddles |
| Bridge Pickup | Ceramic Single-Coil |
| Configuration | SS |
| Control Knobs | Black Plastic |
| Controls | Master Volume, Master Tone |
| Country Of Origin | ID |
| Dimensions | 4.00×15.00×44.00 IN |
| Fingerboard | Indian Laurel |
| Fingerboard Radius | 9.5" (241 mm) |
| Fret Size | Medium Jumbo |
| Hardware Finish | Chrome |
| Neck Construction | Bolt-On |
| Neck Finish | Satin Urethane with Gloss Urethane Headstock Face |
| Neck Material | Maple |
| Neck Pickup | Ceramic Single-Coil |
| Neck Shape | "C" Shape |
| Number of Frets | 21 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Orientation | Right-Hand |
| Pickguard | 3-Ply Black |
| Pickup Configuration | SS |
| Position Inlays | Pearloid Dot |
| Refinement Neck Material | Maple |
| Refinement Neck Shape | C Shape |
| Refinement Pickups | Single Coil |
| Scale Length | 25.5" (648 mm) |
| Side Dots | White |
| String Nut | Synthetic Bone |
| Strings | Nickel Plated Steel (.009-.042 Gauges) |
| Truss Rods | Head Adjust |
| Tuning Machines | Sealed Die-Cast with Split Shafts |
Reviews:
Excellent craftsmanship! The neck feels really great. Had no sharp fret ends and the satin finish is top notch. It came with a really nice set up and low action out of the box. Electronics are really decent to. Bridge pickup got a bit muddy with heavy distortion, but did well under a crunch setting. Middle and neck positions were buttery smooth with clear differences in tone. The 3-way switch is excellent quality as well, which is usually isn't the case. Wiring is great, but I opted to switch it out with Emerson wiring harness anyways. Overall, you can't beat this guitar. I bought a Vintera 60s Jazzmaster before this one and I would pick this Squier over the Vintera any day..Diego
I'll second the review that says he'll leave her stock. I do like it as is as well, and I also hear Strat/Teleish sounds out of this thing. I thought when buying it would be a heavy rock type guitar not so it's very fender single coil like w/ out the hum… nice! I will say the amp makes loads of difference tube vs solid state. It sounds great through a tube amp and mehh through the other. Had some fret buzz that needed adjusted out but other then that I like it. It's a good buy in either color I'd say.👍🏼🤘🏼✌🏼Brado
I bought this guitar because I needed a backup for tour. I also did a lot of research and wanted something that was affordable, but had all of the bells and whistles that I needed. This guitar sounds amazing through my Boss GT100 pedal board. It’s super clean, but also has just the right OD when I need it. I would recommend this guitar to anyone. It’s super sleek, and the Hardware is black and beautiful. The pickups are fantastic. There are three setting to apply to your pickups. Each sounds great, and really all work for any sound you need. I’ve been playing for over 20 years, and I truly believe that although it’s the player that makes the instrument sound good, you also need a tool that brings it all together to make the magic take place. Rock solid, gorgeous guitar.
17. Fender Vintera '60s Jazzmaster, Pau Ferro – Olympic White
Product Details:
This item was returned in great condition. it looks and plays like new, with only minor signs of use (slight scuffs, etc.). the fender vintera '60s jazzmaster offers a fresh take on the classic look of fender's original offset body electric. featuring re-voiced wide-bobbin single-coil pickups, a classic mid-60's c-profile neck with vintage 7.25"-radius fingerboard and vintage-style frets for an authentic feel, this iconic instrument delivers the period aesthetics players desire. the combination of an adjusto-matic bridge and fender's unique floating, locking tremolo system enables all the whammy action and stable tuning you need. the classic lead/rhythm circuit rounds out the package. includes deluxe gig bag.
Specifications:
| Body Finish | Gloss Polyester |
| Body Shape | Jazzmaster |
| Bridge Pickup | Vintage-Style '60s Single-Coil Jazzmaster |
| Configuration | SS |
| Control Knobs | Aged White |
| Country Of Origin | MX |
| Dimensions | 4.60×15.10×36.20 IN |
| Fingerboard | Pau Ferro |
| Fingerboard Radius | 7.25" (184.1 mm) |
| Fret Size | Vintage |
| Hardware Finish | Nickel/Chrome |
| Neck Construction | 4-Bolt |
| Neck Finish | Gloss Urethane |
| Neck Material | Maple |
| Neck Pickup | Vintage-Style '60s Single-Coil Jazzmaster |
| Neck Shape | Mid '60s "C" |
| Number of Frets | 21 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Orientation | Right-Hand |
| Pickguard | 4-Ply Tortoiseshell |
| Pickup Configuration | SS |
| Position Inlays | White Dot |
| Refinement Neck Material | Maple |
| Refinement Neck Shape | C Shape |
| Refinement Pickups | Vintage-Style |
| Scale Length | 25.5" (648 mm) |
| String Nut | Synthetic Bone |
| Truss Rods | Vintage-Style |
| Tuning Machines | Vintage-Style |
Reviews:
Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem
I use this product at home, mostly alone, on a Boss Katana 2 (a fun little solid state amp, which really exceeded my expectations). The guitar just has a very versatile tone, especially if you know how to use the rhythm circuit and pup positions. It can be very jangly and have a nice gulpy low E and A string that contrasts well with the sparkle of the mids and highs. You can get a lot of twang, too, if you're into that. The neck pickup is a loud single coil (kind of hot sounding) and the mid position is perfect for me. The bridge pickup is very very tinny and thin, but you can do a lot with tone on this guitar. The rhythm circuit gives a warmer humbucker-like tone, but is also versatile in tone. It's utterly beautiful to me, aesthetically, and that matters a lot. The sustain is okay. The action is wonderful, despite being glossy neck and being kind of thick relative to shredder guitars. It sounds great for late 80s early 90s indie rock, like Sonic Youth, Dinosaur Jr, My Bloody Valentine, Pavement, etc, sounds good for surf too (although I don't play surf). However, these days, you can do anything with almost anything. I also play metal on it, because these days the right pedals can make a cardboard box whatever you want. The only drawback is the old school bridge; works best with 10 and 11 strings, and can be buzzy if you don't give it a little tinkering. I contemplated changing the bridge to a mastery, but now I love it. Id' give this guitar 4.5/5 stars for the price.Jazzmaestro
This guitar is so comfortable to play! I have never had one before and wish I had! I have quite big fingers, but the fret board is just right! The sounds are so unique to this guitar! I may change the pickguard, but that is just my preference on looks! Only had it a while so still checking out all the sounds! But so far, I love it!Reviewed by Andertons Music Co.
18. Squier Affinity Series Jazzmaster (Burgundy Mist)
Product Details:
The squier affinity jazzmaster lrl combines a legendary model with the kind of effortless playability that makes it suitable for budding guitarists. its striking poplar body radiates with a dreamy gloss finish and a bold 3-ply white pickguard whilst its elegant curves beg the ambition and skill of aspiring musicians. and thanks to a thin, lightweight build and comfortable "c"shaped neck, you can play completely seamlessly and never experience any of that dreaded shoulder strain. the 2-point tremolo bridge allows for deliciously smooth vibrato, so you can pitch bend with pure ferocity or just add a gentle warble to your chords. the choice is all yours. sealed die-cast tuners then ensure you'll always have accurate tuning. powerful, versatile squier ceramic single-coil pickups lend themselves to pretty much any style of playing; you can sculpt the exact sound you want via the 3-way pickup switch and volume and tone controls.
Specifications:
| Body Finish | Gloss Polyurethane |
| Body Shape | Jazzmaster |
| Bridge | 2-Point Synchronized Tremolo with Block Saddles |
| Bridge Pickup | Ceramic Single-Coil |
| Configuration | SS |
| Control Knobs | White Plastic |
| Controls | Master Volume, Master Tone |
| Country Of Origin | ID |
| Dimensions | 4.00×15.00×44.00 IN |
| Fingerboard | Indian Laurel |
| Fingerboard Radius | 9.5" (241 mm) |
| Fret Size | Medium Jumbo |
| Hardware Finish | Chrome |
| Neck Construction | Bolt-On |
| Neck Finish | Satin Urethane with Gloss Urethane Headstock Face |
| Neck Material | Maple |
| Neck Pickup | Ceramic Single-Coil |
| Neck Shape | "C" Shape |
| Number of Frets | 21 |
| Nut Material | Synthetic Bone |
| Nut Width | 1.650" (42 mm) |
| Orientation | Right-Hand |
| Pickguard | 3-Ply White |
| Pickup Configuration | SS |
| Position Inlays | Pearloid Dot |
| Refinement Neck Material | Maple |
| Refinement Neck Shape | C Shape |
| Refinement Pickups | Single Coil |
| Scale Length | 25.5" (648 mm) |
| Side Dots | White |
| String Nut | Synthetic Bone |
| Strings | Nickel Plated Steel (.009-.042 Gauges) |
| Truss Rods | Head Adjust |
| Tuning Machines | Sealed Die-Cast with Split Shafts |
Reviews:
Have only had this guitar for a couple of months but very surprised at how well it's made and how well it sounds.The action was not bad at all and only needed a slight tweaking. The color was beautiful. The one thing I did do was change the strings, but I do that on every guitar I buy.R. Kennedy
Excellent craftsmanship! The neck feels really great. Had no sharp fret ends and the satin finish is top notch. It came with a really nice set up and low action out of the box. Electronics are really decent to. Bridge pickup got a bit muddy with heavy distortion, but did well under a crunch setting. Middle and neck positions were buttery smooth with clear differences in tone. The 3-way switch is excellent quality as well, which is usually isn't the case. Wiring is great, but I opted to switch it out with Emerson wiring harness anyways. Overall, you can't beat this guitar. I bought a Vintera 60s Jazzmaster before this one and I would pick this Squier over the Vintera any day..Diego
19. Fender '58 Jazzmaster White Blonde / Aged Shell Pink 2022
Product Details:
Specifications:
| Year | 2022 |
| Made In | United States |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
20. Fender Player Jazzmaster Pau Ferro Buttercream
Product Details:
With a fat, thick sound all its own and sleek, elegant style, the player jazzmaster stands out under the spotlight. it's an inspiring instrument with a flexible, authentic fender tone and voice that works with any kind of music. the jazzmaster keeps turning up in the hands of musical visionaries and rebels; it's the ideal foundation for your sound. rugged, raw and powerful, this guitar is ready to throw down. respecting fender heritage while maintaining innovative spirit, the pair of player series humbucking pickups sound huge and warmit's authentic fender tone with a modern edge. for even more tone-shaping included a push/pull potentiometer to split the coils of the bridge pickup, unlocking authentic fender single-coil sound. the "modern c"-shaped maple neck's comfortable contours and smooth finish are ideal for almost any playing style. by adding a 22nd medium jumbo fret to the contemporary 9.5"-radius fingerboard made it easier to express yourself musically. the six-saddle, vintage-style adjustable bridge sports a floating tremolo tailpiece and screw-in arm, perfect for adding an extra bit of personal expression to your sound. other features include master volume and tone controls, a 5-way pickup switch, 3-ply pickguard, synthetic bone nut, dual-wing string tree, sealed tuning machines and four-bolt "f"-stamped neck plate that marks this instrument as the real dealas fender as it gets.
Specifications:
| Body shape | Double-cutaway offset |
| Body type | Solid body |
| Body wood | Alder |
| Body finish | Gloss |
| Orientation | Right handed |
| Neck shape | C modern |
| Neck wood | Maple |
| Joint | Bolt-on |
| Scale length | 25.5" |
| Truss rod | Dual-action |
| Neck finish | Satin |
| Radius | 9.5" |
| Fret size | Medium jumbo |
| Number of frets | 22 |
| Inlays | Dot |
| Configuration | HH |
| Neck | Player Series humbucker Alnico |
| Bridge | Player Series humbucker Alnico |
| Active or passive pickups | Passive |
| Series or parallel | Parallel |
| Piezo | No |
| Active EQ | No |
| Control layout | Master volume, tone |
| Pickup switch | 3-way |
| Coil tap or split | No |
| Kill switch | No |
| Bridge type | Tremolo/Vibrato |
| Bridge design | Vintage-style |
| Tailpiece | Vintage Style Floating Tremolo |
| Tuning machines | Die-cast sealed |
| Number of strings | 6-string |
| Country of origin | Mexico |
Reviews:
Great buying experience! CME does a tremendous job checking the guitar over and making sure it’s totally right. This Fender short run exclusive was exactly what I was looking for! It does what a Jazzmaster is supposed to do … once you take the time to dial in your setup! The setup is a bit tricky for sure because everything has to be balanced and intonated just so to prevent the strings from buzzing on the adjustment screws OR on the bridge itself. It also helps to have the absolute tiniest amount of relief possible in the neck and to raise the bridge and angle it to the sweet spot for ideal string vibration and a high enough break angle to anchor the strings within the slots. Once you do these things and set the pickup height, the guitar truly sings, rocks, plays great, and stays completely in tune, even with serious tremolo arm use! My pickups are set to spec: 3.5 mm on the bass side and 3.2 mm on the treble side. If you aren’t comfortable doing a detailed setup, be prepared to locate a professional. I have set up MANY Fenders so I was able to do it myself in a couple hours of tinkering. The 65 pickups sound amazing! Cleans are shimmery and huge. Dirty sounds are fat and ringing. Perfect for indie and shoegaze styles. You can also roll off the tone for a darker, blues or jazz lead tone and, unlike the original jazzmaster bridge, the strings will stay PUT and allow you to pick hard and bend as much as you like even with 9 gauge. No need for a rhythm circuit in my opinion. This wiring setup keeps it simple, lowers the cost, and still gives you the full Jazzmaster experience. Buy one before they are gone! Love it!Joseph
Mine arrived looking beautiful but had a lot of hum/noise and I figured it had something to do with the pickups or 1 meg pots. I opened it up to shield it and the bridge ground wire was never soldered to the ground wire on the pot. After soldering it I plugged it back in and it was silent. I went from thinking it was ok to being my favorite guitar at the moment. This guitar looks, sounds and plays great and its priced very low too. It nails that classic Jazzmaster tone and does what a Jazzmaster should do. Before you jump into the Jazzmaster pool understand that these guitars require tinkering with. Saddle rattle can be fixed by adjusting the screws on the saddles. They tend to loosen and tighten when changing strings and if they're even slightly uneven they will rattle. Another way to fix this is to shim the neck so there's a slight backbow to it like a Les Paul. This will increase the break angle and put more pressure on the bridge preventing rattle. Using 11's or 12's helps too but the nut on these ones is perfect for 10-46. The 4th position is actually very usable and I find myself using this position more than I thought I would. This is a great guitar at a great price and CME is the gold standard in online purchases. Besides the ground wire mine came set up perfectly and almost in tune. The ground wire was never even tinned so I know it was never attached but again, it took me 5 minutes and 0 dollars to fix. I'm sure had I complained they would have fixed it for me. I bought the Silver Blue Metallic. The Shell Pink was definitely my favorite color but I wasn't secure enough to buy a pink guitar.john g.
I just received this guitar today. There is a lot of negative talk about the noiseless pickups, but it sounds phenomenal to me. Many complaints include that it sounds too "dark", but it sounds terrific through my 1966 Bassman. There is a tremendous range of fantastic tones that are possible with this guitar, but it is definitely not for metal. It gets a great tone for classic rock, alt rock/indie, jazz, funk, and stoner rock. I've gotten a great Gilmour tone to Hendrix to QOTSA, and it honestly doesn't take long to learn the guitar's wide tonal capabilities. The neck plays so well that I found myself inspired to get into new sonic territories and genres. I own a lot of guitars, and this is my favorite one currently. It's my pick over my Les Paul Traditional, Telecaster, Ibanez S Premium, and the others. Do yourself a fiver and try it out with an open mind. Don't listen to the naysayers. This thing rocks!The Hammer
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