Best Guitar Amp Attenuators (2024 Update)

This tone king ironman ii attenuator is in great shape and working condition. the tone king ironman ii mini tames the wall-shaking volume, from your mid-powered tube amp, with a few more tricks up its sleeve. this 30-watt, 8 ohm power attenuator lets you push tubes to their limits at bedroom volume levels. thanks to its reactive load technology, the ironman ii mini keeps the tone and feel of your rig completely intact. the ironman ii mini features a line-level di output, ideal for quieter stages and home recording. factor in the attenuator’s pedal format and footswitchable 3db/6db solo function, and you have a transparent tube amp volume solution unlike anything out there.

Taming a screaming-loud tube amp doesn't always require bulky and expensive load boxes and attenuators. if your amp has a series effects loop, the jhs pedals little black amp box takes care of the job while being able to fit into the palm of your hand. simply run it through your amp's effects loop and control the amount of signal you send to your amplifier's power section. you'll love the way the little black amp box lets you really push the front end of your amp for the natural feel and tone that you can't get any other way. and your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels. cranked amp tone at whisper volumeif your amp has a series effects loop, you should stop reading this and go buy a jhs pedals little black amp box. all the roaring amp tones you need come with none of the ear-bleeding levels. convenient low-profile designa device such as the little black amp box is content to be a workhorse piece of gear that quietly does its job in the background. that's why jhs designed this little guy to be compact, sturdy, and simple to integrate into your rig. features:- run it in your effects loop to turn down a turned-up amp – retain the response and tone of your amp's sweet spot at lower levels – high-grade components keep your tone clear and pure – passive design doesn't require any power – small size is ideal for saving pedalboard space or even setting on top of your amp – can easily be mounted underneath your board – built rugged – black powder coating keeps the buffer hidden in the background

Good little attenuator. the nice thing, besides price, about this attenuator is you can select your ohm output from 4, 8, or 16. so if you have multiple amps with different ohm outputs, you can use this for multiple amps. wouldn't actually try a 100 watt amp with it though, it's not robust enough to truly handle 100 watts, no matter what bugera tells you. anything less is fine. there are just a few hours on this as i've upgraded to an ox box. includes a printed manual.

The signal pad from electro-harmonix is a passive attenuator pedal that allows you to reduce the signal level of your instrument with a single control knob. the unit allows you to set up an alternate volume for controlling your amplifier. if your amplifier is set for a high gain distortion, you can run it through the signal pad to lower your signal level. as you step on the footswitch, your amplifier will back down and give you a cleaner tone with the same clarity and characteristics. you can also use the signal pad to set up alternate volumes to drive other pedals and pedal boards. in front of an envelope follower pedal, such as the q-tron, the signal pad will allow you to change the qtron's sensitivity. the signal path through the signal pad is completely passive; the unit does not require power to work. the signal pad's power connection is only for lighting the led. it requires a 9v battery or an external us96dc-200bi power supply (sold separately).

Palmer power attenuator 8 ohms (pdi06l08) palmer power attenuator – control the volume of your guitar amp the pdi06 is a power attenuator for live applications. the device is connected between the amplifier output and the speaker cabinet. it makes it possible to use the popular power stage distortion of tube amplifiers while reducing the associated high volume level. this permits practical volume reduction in five increments from 100% to 18% for stage and practice room situations. an additional level makes the speaker completely mute; the pdi06 then functions as a load box and absorbs the entire output power of the amplifier. this mode of operation is useful, for example, when connecting an amplifier equipped with a speaker cabinet emulation directly to the mixing desk using an existing line-out and loud volume levels in the recording booth are undesirable. the unit has an input for the speaker signal from the amplifier and two outputs for connecting speaker cabinets. the total impedance of the speakers must equal the value shown on the pdi06. example: the outputs of a pdi06, that is specified for 8 ohms, can be connected to one 8 ohm cabinet or two 16 ohm cabinets (the 8ohm version has only one output). the output of the (tube) amplifier is also set to 8 ohms.

The headload is a combination load box and attenuator that is capable of handling up to 130-watts rms of continuous power and peaks of 180 watts. inserted between the head and cabinet, it allows the guitar amp to be driven hard while reducing the output level to reduce the sound pressure on stage or provide the means for quiet recording in the studio. this enables the artist to optimize the tone from the guitar amplifier without having to perform at ear-blistering levels. – the 100% discrete fan-cooled design begins with a series of cement encrusted, epoxy coated copper resistor coils that are controlled via a 6-position rotary switch to set the desired power reduction from 100% down to 20%. a trim control provides fine adjustment when below 20%. the headload output can be turned off for quiet on-stage use, recording or when practicing using the built-in headphone amplifier. – in order to ensure greater consistency from gig to gig, the headload is equipped with a radial jdx reactor direct box. this captures both the signal from the head plus the reactive load from the speaker cabinet for a more natural tone. the jdx has gained tremendous popularity with users as d – radial jdx reactor and phazer for direct recording – delivers great tone from your amp at low volume – front vents allow cool air to circulate, driving by rear-mounted fan – shelving eq control used to fine-tune the jdx output to suit your recording or live monitoring needs – removable handle for rack mounting – analog phase-shift control lets you adjust between 0-180 degrees and 181-360 degrees – resonance enhacnes the eq curve to compensate for the tone shift when the speaker level is reduced – range control knob lets you fine-tune the power level when set below 20% for greater control – load control knob is a six-positions rotary switch that sets the power reduction from 100% down to offrotary switch lets you chose between six cabinet emulation prest curves180/360 button toggles the phase shift from 0-180 to 181-360 degree – headphone out – phase adjustment tool – analog phase-shift control lets you adjust between 0-180 to 181-360 degree1/4" out jack for connection to amp1/4" out jacks for connecting to speaker cab1/4" in jacks for connection from guitar – reverse polarity to offset phase anamolies when combining headload with pa system – jdx pre-eq/pa output captures the sound from the jdx signla before the eq – transformer isolated to eliminate hum and buzz caused by ground loops – jdx post-eq/monitor output captures the sound after the eq for direct recording, feeding stage monitors or in-ear monitors – lift to eliminate ground loops unbalanced post jdx and eq direct output used to feed additional gear after it has been processed by the headload – unbalanced direct feed from the amp used to send a pre-jdx signal to additional gear

Note only been in my home studio. works great. scratch on top. white paint easily comes off so be careful. attenuate your amp, record direct with speaker emulation, and moreplay your tube amplifier at neighbor-friendly volume levels, or play without a speaker cabinet at all, with the two notes torpedo captor reactive load box, direct box, attenuator and speaker simulator. based on the acclaimed torpedo reload, the torpedo captor is your solution for attenuating your amp's volume as well as sending your tone direct to a pa or recording system. suitable for amps up to 100 watts, the torpedo captor's -20db attenuator allows for cranked-amp tones at lower volume levels. and built-in speaker simulation allows you to record the full sonic intensity of your amplifier direct to your daw, without miking up a speaker cabinet.

The bugera passive 100-watt power attenuator is the perfect choice for guitarists and bassists seeking an authentic, hot, tube-saturated tone at any level. the bugera ps1 is capable turning power into heat, making it perfect for solos and main riffs. multi-impedance input connectors are also included ranging from 4, 8 and 16 ohms, and will accommodate any amplifier. designed and manufactured in germany, this high-quality power attenuator is also equipped with an emulated mic output, which mimics a microphone in front of a speaker cab and delivers an excellent tone.

The boss waza tube amp expander is a comprehensive tube amp command center designed to function as a variable reactive load box, active analog power stage, miked cab emulator, ir loader, and recording interface, letting you change the volume of your tube amplifier without affecting its tone, dynamic response, or distortion character. it features resonance-z and presence-z panel controls, which optimize the impedance interaction with your amp's output transformer. selecting from sixteen different settings, you can make your amp behave and respond as if it were connected to a speaker cab. the expander supports any tube guitar amp up to 150w. ten different rig setups can be stored in the unit, and each includes your custom effects and eq settings, cab/ir selections, effects loop on/off, midi program change (for controlling external midi effects), and amplifier control status. rigs can be recalled with a panel knob, and additional controls are provided for reverb and other functions. onboard 32-bit / 96 khz dsp ensures top-of-the-line effects processing without leaving the unit. the waza tube amp expander features two parallel speaker outputs, three balanced xlr outputs (left, right, and mono), and a 1/4" headphone output. a usb type-b port is provided for direct recording to a mac/windows computer and convenient communication with the editor software. in addition to the midi 5-pin i/o, three 1/4" jacks are presented, allowing you to hook up multiple controllers.

If you want to get the best possible sound from your tube amp, you need a brownbox. standard 120v ac wall current is typically too high for vintage tube amps. the amprx brownbox lets you bring that current down to an optimal level. results in significantly improved amp performance and increased tube life. whether you're a professional recording engineer or a tone purist, if you want to get the best possible sound from your tube amp, you need a brownbox all tube amps (especially vintage amps) are designed to run at an optimal voltage, and standard 120v/ac wall current is typically too high for vintage tube amps, as well as some modern designs. with its proprietary 5-amp transformer and flexible attenuation options, the amprx brownbox lets you bring that current down to an optimal level, resulting in significantly improved amp performance and increased tube life.

If your amp has a send/return effects loop simply connect the input to your send and the output to your return. you can use the little black amp box to saturate your preamp section and get some cranked tube tone at bedroom levels! connect the input to your send and the output to your return to saturate your preamp section this pedal does not require power measures 3.6 x 1.5 x 1 in.

Atlas sound at10-10w single gang 70.7v commercial attenuator – stainless steelhigh-quality auto transformer series provides the advantages of excellent frequency response, low insertion loss and reliable performance for volume control application in 25 and 70.7-volt systems. attenuation is accomplished in ten make before break steps plus positive off position. (no stop between maximum and off position to prevent switch damage). contacts are silver plated for noise-free operation.

The fryette power station 100 dual-mode reactance tube amplifier is an easy to use power attenuator for controlling the volume of high-powered tube amplifiers with none of the drawbacks of a conventional attenuator. the ps-100 features two sets of remote foot-switchable front panel volume, presence and depth controls for maximum live performance flexibility, and a powerful dual 6550 100w mono-block for unparalleled punch and dynamic range. if you have ever used a traditional power attenuator, you have already experienced the loss of tone and dynamics of your amplifier at various volume settings, and the frustration with the rotary level switch that always seems one step too loud or one step too quiet. the power station not only solves all of those problems, but also provides you with more sonic options in one convenient package: preserves tube amplifier tone at any volume setting down to whisper level preserves and enhances the dynamic feel and speaker response at any volume maintains natural speaker/power amplifier interactive behavior two sets of remote foot-switchable volume, presence and depth controls for maximum live performance versatility post-distortion foot-switchable effects loop provides a 100% analog signal path balanced xlr and unbalanced 1/4 adjustable line outputs for direct recording or live performance signal processing true impedance matching, including 2/4, 8 or 16 ohms for both the amplifier and cabinet to optimize sonic performance while preventing damage to your amplifier remote bypass function using the power station remote accessory (sold separately) completely safe for any tube amplifier a powerful re-amping tool as a re-amper, the power station breathes new life and utility into your favorite gear. now any small amp, preamp or modeler can cut a live gig with a full band.

Bringing together a diverse range of professional tone tools for the very first time, the waza tube amp expander elevates thetube amp experience to a new level of versatility for stage performing and studio recording. this amazing device does it allits a variable reactive load box, active analog power stage, micd cab emulator, ir loader and recording interface, all in one integrated unit thats road-ready and easy to use. backed by boss's advanced tube logic approach, youre able to crank your amp to its sweet spot and play at any volume while faithfully retaining the core tone and feel you love. and with extensive connectivity, built-in boss effects, 10 fully customizable rig setups, and deep real-time control, you have unparalleled creative command for any scenario. packed to the max with breakthrough boss innovations, the waza tube amp expander is an essential companion for every tube amp player. – waza innovation for lovers of pure tube tone – realized with waza r&d expertise and the ever-evolving tube logic approach, the waza tube amp expander seamlessly complements and extends your tube amp, and all without affecting the unique tone and response that made you choose it in the first place. the initial concept for this unique device came during the development of the flagship waza amplifier head. to comprehensively test and refine the amps ac power voltage and output circuitry, the boss team devised a custom load box with capabilities reaching far beyond those in any commercially available unit. this innovative design performed so successfully that it became the logical foundation for developing a next-generation toolkit for the modern tube amp player. cranked-amp tone and feel at any volume – as a tube amp owner, you know that it sounds and feels best when its cranked up loud and really cooking. but if youre like most of us, its a rare pleasure to be able to open up the volume enough to unlock that full expressive potential. load boxes and volume attenuators driven by a tube amps speaker output have attempted to solve this nagging volume issue for years. but while they do lower the volume and provide workable results, they typically introduce artifacts that change the tone, dynamic response, and distortion character, leaving you with an unsatisfying experience. – the waza tube amp expanders advanced reactive load section completely eliminates these artifacts, allowing you to experience your amps true cranked-up sound and interactive feel while controlling the volume to suit any situation. a key feature is the resonance-z and presence-z panel controls, which optimize the all-important impedance interaction with your amps output transformer. selecting from 16 different settings, you can make your amp behave and respond exactly as if it were connected to your favorite speaker cab. any tube guitar amp up to 150 watts is supported, from vintage combos to modern high-ga

Excellent condition. an attenuator with many features and a 50 watt amp. provides effects loop. power cord included. amplifier, guitar, bass, db, decibel.

Tape delay, looper, and more packed with powerful features while maintaining intuitive playability, magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive cv i/o. transform your modular turn simple monophonic signals into complex orchestrations. create new oscillator tones using self-oscillation. add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. magneto transforms even the smallest rack into a fully expressive, immersive instrument. vintage vibe to capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. from the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, magneto delivers a rich multi-head delay experience that adds life and vibe to your sound. play it like an instrument every function, control, gain stage, and signal path component in magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. all this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.

Torpedo captor x is a compact reactive load box, tube amp attenuator, miked cab simulator, ir loader and stereo expander for home, live and studio use. play your tube amp at its sweet spot and adjust your volume with the captor x's attenuator. this is perfect for practicing with your true tone without driving the neighbors crazy. you can even enjoy your 100w rig in silence with an immersive headphone experience! tired of lifting your heavy cabinet? ditch it, and go directly into a live mixing console, portable pa, or audio interface. torpedo captor x is also packed with creative bells and whistles that expand its functionality. shape your tone in real time right from your laptop, mobile device, midi controller or the usb torpedo remote. tap into torpedo captor x’s vast collection of virtual cabinets, mic combinations, and rooms for endless creative possibilities. on top of that, the torpedo captor x includes a selection of signal processors to get your guitar tone just right.

Throw the sound block in a bag, trunk, or anywhere cable and misc. audio supplies are stored. the heavy-duty construction and passive electronics make the sound block nearly indestructible. this direct interface is extremely versatile as a lo to hi-z transformer for electric instruments and devices to xlr mic inputs or as lo-hi-z to use a microphone with a guitar amp (not recommended only because guitar amps make terrible pas). high level outputs from active instruments and even speaker outputs are not a problem when using the -20 or -40 db attenuator switch. the sound block is a very easy to use passive device. simply plug your 1/4 output from a guitar or electric piano, plug an xlr cable into your mixers channel input, and youre done. a ground lift is provided for use in older buildings with janky wiring or if circuits are different from stage to where the sound system is located.

In-line attenuator reduces the level of any balanced microphone or line-level signal by 15, 20, or 25 db specially suited to reducing the level of a high-output microphone to prevent it from overloading the microphone input of a mixer or recorder in applications with high sound pressure levels. a15as may be used to reduce the level of a line-level mixer output to prevent overloading the aux-level input of a recorder. the shure a15as switchable in-line attenuator reduces the level of any balanced microphone or line-level signal by 15, 20, or 25 db. it is specially suited to reducing the level of a high-output microphone to prevent it from overloading the microphone input of a mixer or recorder in applications with high sound pressure levels. in addition, the a15as may be used to reduce the level of a line-level mixer output to prevent overloading the aux-level input of a recorder.

The brownbox is a voltage optimizer that was designed to offer a safe range of voltage reduction levels made specifically for the same, era-correct voltages that vintage tube amps were designed around. it lowers the line voltage from your wall to what the designers intended. the change in sound goes from slight to significant, depending on what you are using. an important side effect of the lower or browned out voltage is longer life for tubes, caps and all internal components. the brownbox cleverly meters the line voltage from the wall, and then can be selectively lowered to the desired amount.