Are you looking for the Best Audio Interface For Guitar Recording? If so, you’ve come to the right place.
Choosing the Best Audio Interface For Guitar Recording can be difficult as there are so many considerations, such as Universal Audio, PreSonus, Behringer, M-Audio, Focusrite, TASCAM, Steinberg. We have done a lot of research to find the top 20 Best Audio Interface For Guitar Recording available.
The average cost is $280.67. Sold comparable range in price from a low of $75.00 to a high of $1119.00.
Based on the research we did, we think Motu M4 4×4 USB-C Audio Interface is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Audio Interface For Guitar Recording (20 Sellers)
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Reviewers Noted:
Good sound quality . Easy to use . Easy to set up . Craftsmanship
Features:
- Ultra dac technology helps provide an immersive audio experience
- The lcd screen lets you read the information even in dark or dim light conditions
- Usb interface allows you to connect your device easily with audio player
Reviewers Noted:
Easy to set up . Good sound quality . Easy to use
Features:
- This 2-channel audio interface offers simultaneous controllable outputs
- The two high headroom inputs let you easily connect your instruments for quality performance
- Its frequency response range of 20 hz – 20 khz supports a wide range of audio
$299.00
4.9
Reviewers Noted:
Good sound quality . Easy to use . Ease of setup . Craftsmanship
Features:
- The 3 knobs of this audio interface make it convenient to operate
- Usb interface offers you a hassle-free connection
- The 48 v input helps deliver enhanced performance
Reviewers Noted:
Easy to use . Easy to set up . Good sound quality
Features:
- 24-bit/192 khz usb 2.0 audio interface
- 1 class-a d-pre mic preamp supporting +48v phantom power
- 1 mic input(xlr) and 1 hi-z instrument input (ts), 2 line outputs(rca)
$239.00$192.95
4.5
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up
Features:
- Crystal preamps produce enhanced audio equalization for clear audio
- Usb-c interface offers reliable connectivity with compatible audio devices
- Multiple knobs let you manually adjust the audio settings to create acoustic effects
$179.99
4.7
Reviewers Noted:
Good sound quality . Easy to set up . Easy to use
Features:
- Engineered with two natural-sounding mics to the preamp with plenty of even gains
- Sample rate up to 192 khz / 24-bit offer improved conversion
- Balanced jack outputs allow you to connect professional studio monitors
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up
Features:
- Lightning connector makes this interface compatible to use with any ipad
- Digital audio technology helps provide an enhanced playback experience
- Usb connectivity lets you attach and power up this interface from a pc to edit your recordings
Reviewers Noted:
Easy to use . Good sound quality . Easy to set up
Features:
- Capture creativity fast.
- Unrivalled audio performance.
- Building on audient s 20+ years of audio design experience, evo 4 gives you unrivalled audio quality on your desktop.
Reviewers Noted:
Easy to set up . Good sound quality . Easy to use
Features:
- Unit may have minimal signs of use/wear
- All accessories are included
- All included software available upon registration
Reviewers Noted:
Good sound quality . Easy to set up . Easy to use . Craftsmanship
Features:
- Connect your instruments with one device to record and mix your tunes
- Mic preamps help improve the weak input signals for a clear sound
- Two separately controlled headphone outputs allow you to vay the volume for an easy monitoring
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up . Instruction quality
Features:
- Dsp effects provide a lag-free sound output for enhanced audio quality
- The interface is compatible with various operating systems for easy sound editing
- Loopback function helps you stream on the internet conveniently
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up
Features:
- Equipped with 18 inputs and 20 outputs to help deliver an impressive audio experience
- Talkback mic lets you communicate to the live band straight from the studio
- Plug in your guitars easily with its two instrument inputs
Reviewers Noted:
Good sound quality . Easy to set up . Easy to use
Features:
- Diligently designed to support up to 24-bit /192 khz resolution for high-quality recording
- Usb interface lets you connect to compatible devices conveniently
- Designed with a 3.5 mm jack for easy headphone connectivity
$210.33
4.7
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up . Instruction quality
Features:
- 32-bit/192 khz usb 3.0 audio interface with usb-c
- 2 class-a d-pre mic preamps supporting +48 v phantom power
- Latency-free dsp-powered monitoring
$79.99
4.4
Reviewers Noted:
Good sound quality . Easy to set up . Easy to use . Ease of putting on/taking off
Features:
- Diligently designed to let you record high-quality audio with its 24-bit interface
- Multiple knobs assist in managing its control settings for efficient performance
- Class-a mic preamplifiers assist in improving the sound quality for optimal results
$75.00
4.8
Reviewers Noted:
Good sound quality . Easy to set up . Easy to use
Features:
- Focusrite solo audio interface for high quality mic and instrument capture
- Precision 24-bit resolution converters
- Supports up to 96khz resolution for high-fidelity recordings
$999.00
4.8
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up
Features:
- Hi there.
- I bought this unit at long & mcquade in december 2020, selling because i just bought a fireface ufx+.
- Pristine condition, like a new one.
$299.99
4.8
Reviewers Noted:
Good sound quality . Ease of use
Features:
- This is a demo model that has been fully tested by our technician.
- Built to create in the studio or on the go.
- An integrated solution.
$119.99
4.5
Reviewers Noted:
Good sound quality . Easy to use . Easy to set up
Features:
- Usb 2.0 interface offers hassle-free connection with the compatible devices
- Frequency response of 20 hz – 20000 hz produces powerful bass and sound
- The 105db of sensitivity offers a dynamic audio output
$1119.00
4.9
Reviewers Noted:
Good sound quality . Ease of use . Ease of setup
Features:
- Convenient: easily control the device from the front panel and enjoy access to every feature
- High-quality: includes 40-channels and an integrated digital recorder to directly play back your jam sessions
- Dependable: enables you to completely replace an external mixer and create multiple latency-free monitor mixes with eq, dynamics, and reverb
1. Motu M4 4×4 Usb-C Audio Interface
Product Details:
An instant classic with 4 inputs and 4 outputs of very very clean audio. perfect working order, all knobs and buttons work smoothly and firmly. from motu – this 4-in/4-out usb-c audio interface includes ess sabre32 ultra dac technology for top-shelf sound, along with optimized drivers that yield impressive low-latency performance. two great-sounding mic preamps include individual gain adjustment and phantom power, while 1-touch hardware monitoring ensures smooth tracking. you ll also benefit from convenient front-panel metering, by way of the m4 s full-color lcd screen. podcasters will appreciate the built-in loopback functionality, which includes a mix knob for balancing your live input with your computer s playback. bus-powered for the ultimate in portability.
Specifications:
| Interface | USB |
| Display Type | LCD |
| Number of USB Slots | 4 |
| Technology | Ultra DAC |
| Output Range | 120 dB |
Reviews:
Needed new PC audio interface as my Echo firewire and Windows 10 were no longer working together. First tried Behringer UMC204HD. Drivers worked great but noticed that my musical keyboard would clip/distort at low volume levels. Never had that problem with ECHO firewire AUDIOFIRE4. Second try was this MOTU M2 USB interface purchased March 33 2022. Noticed immediately that keyboard could go much higher in volume without clipping. Sound was clear and love *LOVE* full color meters vice clipping lights found on other audio interfaces in this price range. I like MOTU M2 much better than Behringer (no clipping issues and full range low noise sound). I liked ECHO firewire the best of the three because the output volume was greater with no clipping and very clear. But Windows seems to have said goodbye to firewire support. MOTU is best USB so far for me.Chuckiep
I wanted to upgrade my PC sound card, but still wanted to squeeze the maximum quality from my music collection. Although there are high quality sound cards on the market, I decided to look at outboard USB DAC’s. I looked at a number of USB interfaces, but after looking at a number of manufacturers, I whittled it down to either the MOTU M2 or M4. I eventually decided on the M4 as it had all the in’s and out’s at the rear. Having worked in broadcasting for forty years, I have to honestly say the analog output is, well, brilliant. One of the things that drew me to MOTU was the ESS Sabre32 Ultra™ DAC‘s. For the price, the quality of build and DAC quality it is the best I have ever heard. The detail and stereo imagery is first-class. I am now hearing detail that I was not hearing with my PC DAC. I cannot recommend the MOTU M4 enough.Mr G.
This has the makings of a really excellent box. The features, display, and specs are all great on paper. However, it is not compatible with the Gigabyte Aero 15 laptop with i9 10980HK processors, 64GB RAM, and Windows 11 Pro I was pairing it with. I encountered serious and debilitating audio artifacts and the diagnostics in the M-series app returned, The computer's USB host controller has dropped audio. While MOTU provided excellent support, after following all the advice including re-flashing the bios on the laptop, all remedies failed. If they do something to make it work with a high-end Windows workstation like this, it will be an awesome product. For now, it's useless to me. LBLindsay
2. Focusrite – Scarlett 2i2 (3rd Gen) Usb Audio Interface
Product Details:
Everything you need to capture studio-grade recordings. the focusrite scarlett 2i2 (3rd gen) with rode nt1-a microphone is an all-in-one recording bundle comprised of a condenser microphone, shock mount, pop filter, audio interface, dust cover and an xlr cable. the scarlett 2i2 (3rd gen) audio interface is one of the most affordable yet great-sounding interfaces on the market. the interface includes class-leading 24-bit/192khz ad-da converters, delivering pristine sound quality. it features everything you need to record vocals and instruments, including built-in phantom power for use with condenser microphones. with an nt1-a in your arsenal, that sound is yours. experience world-renowned clarity and warmth and take every single one of your projects to the next level. but this pack is more than just a microphone. shield your sound from plosives, seclude your mic from vibrations, and hook everything up with true rode quality.
Specifications:
| Interface | 2-channel |
| Frequency Response | 20 Hz – 20 kHz |
| Dynamic Range | 110.5 dB |
| Gain Range | 56 dB |
| Impedance | 1.5 MΩ |
Reviews:
1. You cannot use it in standalone mode, so computer is always required (It will not take power from USB power supply). This become a problem when I was trying to feed output to the camera which is connected by USB to the same computer. It creates vary bad case of ground loop. 2. It is not going to give you good sound on high impedance headphones. My Beyerdynamic DT 770 Pro 80 Ohm work, but have weak low freq. 3. Preamp for dynamic mic might be noisy. I am using Rode PodMic and for effective gain I am on edge of introducing noise. You may need to use something like Cloudlifter ($150) depends on your gain requirements.Roman
This audio interface was easy to set up and came with a lot of really cool free software. It’s pretty simple but does great for what it was designed for. I’d give it an A+ If you’re using it for a pod cast or recording instrument/vocals. I personally got this and a cloudlifter for my sm7b. The Scarlett 2i2 gen 3 does not provide enough gain for my specific mic and a cloud lifter was needed. If you’re looking at this for a twitch style streaming set up, it works as an interface, but I would recommend for around same price to get a goxlr mini. You gain more features like separate controls for chat/game/discord with the sliders and the goxlr mini has enough preamp power that you don’t need a cloud lifter for mics like the popular sm7b. Pro: * Gen 3 comes with a usb-c connector on the back. Very nice as most devices are moving from usb a+micro into a more standardized usb-c. * comes with great free DAW in form of ableton live lite. Comes with a a suite of other free software but this one was nice enough to highlight. * quality metal build * simple and intuitive!Cheddarsharp
I replaced my 2nd generation Scarlett 2i2 with the 3rd generation 4i4. I was a bit skeptical of the software application required to set the inputs to line/instrument, but it turned out to be fairly intuitive. The unit comes with a pad and air feature. Pad is self explanatory (gain reduction for loud recordings), the air setting is supposed to model some classic microphone preamp or something to that effect. I'm not totally sure what the difference is, but I've left the Air feature on anyways while recording and I've been pleased with the results, how much of that satisfaction is a result of the Air setting is hard to say since I haven't actually done any objective testing but it certainly doesn't seem to hurt anything by having it on. Initially, when I got the hardware going on my iMac I experienced significant lag while using Logic at various times, particularly when I was trying to copy logic drum tracks or expand the timeline but also while trying to do basic functions as well. I was concerned that I would have to get more RAM for my Mac which is problematic because the model I have makes it both difficult and expensive to increase RAM. However, after a few repeated uses the issue seems to have subsided, so I don't really know what that was about or whether the change in hardware even had anything to do with it, however it definitely was not an issue while I used my 2i2 so it's something to consider. I mainly upgraded because I wanted to start using midi with my electronic drum kit and that was basically as easy as plug and play (aside from a couple added steps in Logic which didn't have anything to do with the 4i4). However, for some reason the midi tracks seem to cause Logic to experience errors during playback when I close and then reopen a project. Again, can't say that this is a result of the 4i4 but I've been able to resolve the issue by simply quitting Logic entirely before reopening a project which isn't much of an inconvenience at all.Kab
3. Audient Sono Usb Guitar Recording Audio Interface
Product Details:
In good working condition. i'm not a guitarist, and am going to likely go with something that takes up less space on my desk. that said, this is an impressive sounding all discrete mic and guitar amp. you can pass the mic one input through this eq circuit, which is pretty neat for tube sound.
Specifications:
| Enclosure Material | Metal |
| Interface | USB |
| Voltage | 48 V |
| Number of Knobs | 3 |
| Input Size | 1/4" |
Reviews:
It is without a doubt the best you can buy at this price point, it has more features than anything else on the market. It has professional grade audient pre amps, it's expandable up to 10 inputs, it's a reamp box, a tube pre amp, it can record and playback at 96k, it's built like a tank AND it comes with some of the best amp simulation software on the market. You can save your favourite cabinets into the device so you don't even have to touch your computer at all and it has onboard DSP so you can work latency free. Not only that but it works stand alone without a daw so you can essentially use this as a pedal. Its also has a hidden feature, it a class compliant device so it works with android and iOS. Do yourself a favour and get one. This thing is a beast!sk8r3397
4. Steinberg Ur12 – Usb Audio Interface
Product Details:
Steinberg ur12 the steinberg ur12 proves how many first-class components can fit into a compact device at a competitive price point. while its cleverly engineered capabilities give you all the i/o you need to quickly record your tracks. while at a quality that would just a few years ago have seemed impossible on a recording device at this price point. with the acclaimed d-pre offering a sumptuously detailed, wonderfully dynamic sound. while the second input offers access to a hi-z input for guitars or basses. featuring recording in stunning 24-bit quality at a whopping 192 khz. the ur12 offers almost unheard of fidelity for recording in its class.
Specifications:
| Device Type | Audio interface |
| Form Factor | External |
| Interface Type | USB 2.0 |
| Width | 6.3 in |
| Depth | 5.7 in |
| Height | 1.8 in |
| Weight | 29.98 oz |
| DAC Resolution | 24-bit |
| Sample Rate | 192 kHz (max) |
| Features | 48V phantom power, preamplifier |
| Interfaces | 1 x USB 2.0 – 5 pin Micro-USB Type B (power only) 1 x microphone output – 3 pin XLR 2 x audio line-in/microphone 1 x audio line-out 2 x headphones 1 x USB 2.0 – 4 pin mini-USB Type B |
| Compliant Standards | FCC Part 15 B |
| Software | Cubase AI DAW (free download) |
| OS Required | Apple OS X 10.8 Mountain Lion, Windows 8.1, Apple OS X 10.9 Mavericks, Apple MacOS X 10.7.5, Microsoft Windows 7 SP1 / Windows 8, Apple MacOS X 10.10 |
| System Requirements Details | Dual core processor RAM 2 GB – HD 4 GB |
| Min Operating Temperature | 32 °F |
| Max Operating Temperature | 104 °F |
Reviews:
I use Garageband for making beats on my MacBook and wanted to get a dedicated recording interface. I was looking for something inexpensive that would also work with my iPAD. I also wanted something simple that I could use with a MIC and guitar. After doing some research, I was told I should consider the Audiobox series from PreSonus, or the UR series from Steinberg. I was on a low budget, so the ninety-nine bux for the UR12 is what I went with. Overall, I am very happy with the UR12, it is built like a talk, works with both my laptop and iPAD and it came with a free copy of Cubase AI. I'm able to easily control the volume of my SHURE mic and my Ibanez electric guitar with no problems at all. I didn't notice that there isn't a separate knob for the headphones, but that's not a deal breaker for me since my powered speakers have volume controls right on the front of them. I mean for only ninety-nine bux , this unit does do a lot. I was kinda surpassed reading the previous review on the UR12 because for only fifty bux more, he should have considered the UR22. I did my research before I bought this item, so I knew it had all the features I needed. If it turns out I don't like it, MF has a good return policy. But so far, I'm a happy camper with the UR12!OompaLoompa44
A very good buy indeed. Works brilliantly when loan the driver from the manufacturers website. If wanna simple card for computer and sound up to standard this is very good. Output inputs are nice with RCA connection and for headphones there is an optional connection. Volume nod is great and cool. I dont record any with this but for me the sound side to my computer was the very need. Led lights are very static and cool too. Me like much!!!Sinfonius
5. M-Audio Air 192|8 Usb Audio / Midi Interface
Product Details:
The air 192 8 lets you create studio-quality 24-bit/192khz recordings with an intuitive and easy-to-use audio interface. the air 192 8's flexible inputs allow you to record up to two channels simultaneously. with its two dedicated xlr jack balanced combo inputs with switchable -10db microphone pad and two all-new jack instrument inputs, the air 192 8 features a specially designed gain and impedance stage to provide the most accurate reproduction of a guitar or bass connected directly to the interface. the two jacks and four rca outputs with direct usb control and direct mono/stereo switch provide a variety of output options for connecting external accessories such as dj mixers or studio monitors. the headphone output with independent level, usb direct and switchable 1/2 or 3/4 source selector switches is ideal for separate monitoring of cue mix, submix or main mix. midi in and out ports are provided for connecting synths, sequencers and external midi devices. the air 192 8 features flawless a/d converters for digital audio recording with 24-bit resolution and explosive dynamic range, capturing every nuance of your performance. you don't want to be slowed down by "clicks", "pops" or latent times. the air 192 8 not only features a high-speed usb connection for the lowest round-trip latency (2.59 ms) between your computer and your hardware, but also zero-latency monitor mix control for direct listening to source inputs. latency free.
Specifications:
| Frequency | 192 kHz |
| Bit Rate | 24-bit |
| Connector Type | 4 RCA, Headphone, MIDI, USB |
| Technology | AIR Music |
| Number of Effects | 12 |
Reviews:
I had M-Audio interface before after about 7 years it just stop working on me. They're so many interface's out there to choose from. You can go to YouTube and get your mind overloaded when looking. So One day I look on AMS and saw the new M-Audio Line and because I ready use it before and whenever I had a issue with the product they're Tech-support and customer service was great. That's another reason why I pick this M-Audio. There is three things that I dislike about this product that you may not know about.If you never used Pro-Tools it has a learning curve and if you already have plug-ins that you love work with all the time.They will not work with pro tool first. If you would like to get plug-ins my understand they're subscription base plug-ins. And you will not be able to share your project with another producer so you can work on the project together you can not do it in Pro-Tool first. you have to buy the full Pro-Tools or pay for the monthly or yearly subscription. Other that that for what I need it for my production work it's great.Davell B
This is a solid interface for my home studio. I use it to record Guitar, bass, vocals through an MXL990 (has phantom power). I also use the MXL above/behind drums to nicely capture cymbals, while also placing a mic on the bass drum. Not the best setup for drums, so I'll be looking into a larger unit with more inputs. The downside is that I most often have to set the preamp levels between 4-5 to avoid clipping, but the recordings are loud and clear on each track. I'm currently using PreSonus Studio One, but have also used Ableton Live, so this interface works well with multiple software packages. I haven't connected any midi devices yet, so I have nothing to add there. The headphone connection and volume control work as they should.Dambro
Remember that line from Jurassic Park? The kid picks up the cool goggles and the lawyer says, "Are they heavy?" The kid goes, "Yes" and the lawyer replies, "That means it's expensive, put them back." HA! The M-Audio Air 192/14 is heavy and expensive but WORTH IT! The performance is so smooth and the unit will give a boost to your audio creation because the professional build lowers your buffer rate on the computer. It's really amazing. It has double headphone jacks, a slew of channels to plug all your gear into, vintage switches, bright LEDs and the HUGE KNOB is my favorite part (get your mind out the gutter) The knob is smooth and so convenient to use as the master out. I am more than pleased with this unit, WAY MORE THAN PLEASED! The M Audio Air 192/14 is the central hub of my studio
6. Focusrite Scarlett 2i2 Usb Audio Interface – Red
Product Details:
This raises the bar with vanishingly low latency, 192khz sample rates, optimized preamp gain structure, and instrument inputs that handle scorching hot pickups. ideal for the small project studio or mobile rig, this sports two combo inputs with great-sounding scarlett mic pres plus line-level/instrument jacks. it runs on usb bus power and features analog protection circuitry to safeguard against power surges.
Specifications:
Reviews:
Stereo recordings work great! After installing the updated drivers and a reboot. I tested it with the NCH WavePad Sound Editor app to verify that it could actually record in stereo and it passed with flying colors. I could see that the right and left sound recording level bars work independently from each other. The 2i2 was connected to a headphone jack by using a 1/8 inch TRS Stereo to Dual 1/4 inch TS Mono Y-Splitter Cable. Found the stereo setting in Windows 10 under the "device properties / additional device settings / advanced tab. Changed the sample rate drop down menu to "2 channel, 16 bit, 48000 Hz (DVD quality)" So cool!turns2gold
First off, I'm mainly using this to (phantom) power my AT-2020 for voice chat with the occasional music recording. For the most part this thing works great. The drivers were easy to install and using the unit is easy to use. I do have a very strange problem though and it is due to static and popping cropping up when using the mic after a few hours. I am unsure of whether this is a power issue with my USB port or a software glitch. I originally found people having issues with this and they fixed it by upping the buffer with the ASIO software–default is 128–I tried this and for some reason the higher the buffer, the more it popped and static'd. What's really weird is lowering the buffer to 16 reduces the popping and static for a few hours before it happens again. I am by no means very knowledgeable with audio interfaces and I could be doing something wrong, but this has been quite an annoyance. Otherwise, the unit is great and I love it.Hunter
I've owned the 2i2 for a few years now. It works fine for my purposes, but I wish it had some different features. I'm actually not a huge fan of the volume knobs for each channel. Personally I like to have ALL settings for a certain microphone for example built into an instrument in your music software. Having a physical knob just unnecessarily adds something that can easily be taken into account in the software. I'm also not a fan of connectors on the front. I wish everything was in the back to make it look "cleaner". This isn't really a major issue but I wonder why so many audio interfaces are designed this way. I can understand a headphone jack being in the front obviously but connections for XLR cables should be in the back in my opinion. Besides these few features I wish were changed, not much else to say. It works fine. I have noticed latency in some situations, but, to be fair, I'm not certain if the audio interface itself is causing this. It may just be my computer running slowly. Restarting the software usually fixes latency issues. For the price and compactness, it is hard to beat this audio interface.Peter
7. Focusrite Itrack Solo Lightning Audio Interface
Product Details:
Make sure this fits by entering your model number. record, podcast, and live stream high-quality audio quickly and simply. gives you a microphone preamp from the best-selling scarlett range with 48v phantom power. a dedicated guitar input lets you record your instrument directly and capture audio in the moment that’s true to the original source. usb sound card for the flexibility to record on ipad, mac, or pc protected by a solid aluminium case, but compact and lightweight, so it's easy to transport and tough enough to take anywhere. works with all the most popular ios music apps, such as garageband, cubasis, and arturia. includes the professional music-making software ableton live lite 9, and a comprehensive collection of software plug-ins.
Specifications:
| Output(s) | 1/4 in. audio |
| Product Weight | 1.1 pounds |
| Product Length | 3.9 inches |
| Number Of Inputs | 2 |
| Input(s) | XLR |
| Product Name | Audio Engineering USB Audio Interface |
| Brand | Focusrite |
| Color | Black/Silver |
| Number Of Outputs | 4 |
| Number Of Channels | 2 |
| Product Width | 5.9 inches |
| Software Included | Yes |
Reviews:
This is a great product for me! I use ths to record my Mic'd guitar amp to record into GB, Scorecloud or any other recrding software. The Gain enables you to hone in on volume control while recording to raise recording volume withought turning up the amp volume or to minimize fuzz sound from an idle amp not in standby coming through in the recording. You can moniter on headphonrs or split your instrument to a moniter control board, and includes speaker outputs to run your amps output in stereo through speakers. Sound quality is excellent! If you are seriously ameature and need a simple usb plug in for now, consuder searching online for a 1/4-usb patch instrument cable for your instrument or mic, or whateve combo you need, they make them all, for about 15-25 $ as a quick easy solution.Pat
Had issues with connecting the device to the ipad. The mic input works fine on garageband and other apps. For guitar however, in amplitube specifically, it will not put out a signal. After much research I found that the itrack uses its right channel for guitar and amplitube uses the left ios channel, therefore rendering it tricky to use exclusively for AT (stick to iRig, it's way easier) I've had to order a 3/4" jack to 3-pin male xlr from amazon to see if I can patch the guitar line into the left mic xlr of the itrack, although i'm not sure if it will work. If you use only garageband and are most interested in the mic input you will be fine.Reviewed by Andertons Music Co.
I bought this to use with Garage Band on my laptop at home. Its got 2 inputs, one XLR with +48 and one 1/4 for instruments. Its important to note that in GB you must tell it per track which channel youre using- it will default to channel 1 which is the mic. To use a guitar you have to change it to ch2. After that it is super easy. Great value. Very affordable and comes with the cables you need to hook it up.mr.shatters
8. Audient Evo 4 Usb Audio Interface
Product Details:
Audient's evo 4 offers high quality performance in a super-easy to use, compact package. capture your microphones and instruments and start recording audio directly to your computer with evo 4's intuitive feature set. combining leading tech specs with incredible performance and sound quality, evo 4 is the perfect interface for beginners and pros alike. made for you made for the smart creative, evo 4 will deliver a powerful recording solution no matter your artform.
Reviews:
A lot of "bang for the buck" in this fairly compact interface. Build quality is OK for plastic. The Audient preamps are legendary. The instructions with the unit just don't go deep enough. The auto setup works sometimes but seemed difficult when working with mics needing phantom power. For podcasting it can be troublesome to wait for it to do its thing. I recommend manual level adjustment, especially with phantom power. Loopback seems like a great thing to have — would be nice if there was better instructions on how to use it. I'd gladly pay another $20 to have some individual volume controls. Looking beyond the annoyances it sounds great for the money.
I'm an aspiring podcaster and for that purpose I have purchased the Rodecaster Pro, which is a fantastic device that is pretty much purpose built for podcasting, streaming and the like. The RCP was also my interface, which it did a fine job of, but it is kind of big and cumbersome to set up for small jobs. No, I don't have dedicated space for my whole podcast setup and everything else. I wanted to have something that was small, quick and easy available for those times where I just need to get my voice or some musical idea into the computer and have some hope of it sounding decent. I wanted to be in the $150 price range and know that for that amount, maybe just a few dollars more, there are a wealth of offerings, and some are better than others, but I went with the EVO4 based on the myriad of favorable reviews on YouTube as well as the price, $130. (Throw in the fact that the interface that I REALLY wanted wasn't available anywhere!) I haven't done a lot with it yet; ran some bass and guitar through it into Logic Pro X as well as recorded with several different mics into several different DAWs and everything seemed to work quite nicely. Setup was pretty easy and configuring a DAW to see this device shouldn't be a problem, I was recording something within 5 minutes of the FedEx guy handing this to me…and I definitely don't know this stuff very well, so good job for simplicity! Some find that the preamps are maybe just a bit underpowered, and yes, they are that, but they are certainly clean. I plugged my SM7B into this and though I had to wind the gain all the way up, I was still able to come up with a useful recording. I think when recording with the 7B in the future I'll probably use a FetHead, though most of the reviews I read said that isn't necessary. Like with any new piece of equipment, there is a feeling out process, so we are still getting to know each other. Loopback is a feather that I haven't yet explored. It looks like it could be cool and useful, but I don't know if that is what I will be using this for. Some aren't crazy about the UI on the EVO4, several different mode buttons and a big knob in the middle that has different functionality for each different mode. It may take some getting used to, but since I didn't have to unlearn anything, I got it pretty quickly. The only knock on this device is the build quality. This was a common concern with all of the reviews I read. The device is made of plastic, which feels reasonably rugged, but at the same time feels budget; the plastic is kind of squishy and the seams are not as clean as they could be. Some reviewers were able to pop the top off just by squeezing. This won't be a concern in my use case, but this is a small little piece of kit, ideal for tossing in a bag with your laptop and other gear for recording anywhere (anywhere your laptop works anyway…-so be mindful of that, it might get banged around after a while. I'm sure if they spend an extra few $ on production for beefier preamps and a more solid housing, this could easily be $30-$50 more expensive, so it's a trade off. The bottom line for me is that the device meets my needs and expectations. It has simple setup and ease of use. The features are ample for something in this price range. I don't know how much I will find myself using the Smart Gain feature, but it is kind of cool to check my settings against that sometimes. The USB-C bus power is pretty handy and lends to portability, but again, the build quality might be a problem if this device is going to put in many hard road miles. This probably isn't going to be the device anyone will use to create their next hit record, but it is certainly sufficient to jot down those ideas for that new record! I'm happy with this product and my purchase.Eric
This interface fulfills all my needs (I bought it to do a podcast). Is portable, easy to operate, and it has plenty of features but something is bugging me… when I plug my headphones there's a high inconstant pitch noise. This sound doesn't seem to register in my recordings but it renders direct monitoring useless. I tried everything I can to fix it: changed cables, computer, proximity to my phone (phone signal interference causes weird noises so keep your phone away from it!), possible LED lights, reinstalled drivers… EVERYTHING. Hopefully is a defective unit (fingers crossed). I already submited my RMA request to get a new unit. Still no response. I will update this review once I receive a new one. My advice: run a couple of test with yours and let us know if you experienced this issue too.Gabriel
9. Focusrite Scarlett 2i2 Studio 3rd Gen Usb Audio Interface
Product Details:
Simultaneously record vocals and guitar with top-shelf sound in a compact, bag-friendly, and easy-to-use format with this third-generation focusrite scarlett 2i2 studio, a complete recording package featuring a third-generation scarlett 2i2 2×2 usb audio interface, a large-diaphragm cardioid condenser microphone, closed-back headphones, an xlr microphone cable, and a powerful software bundle. whether you track in the comfort of your own home or record on the go, the scarlett 2i2 studio lets you score pro-level tone with no learning curve. equally capable for tracking vocals and instruments, the two improved scarlett microphone preamps feature switchable phantom power for condenser mics and a selectable-per-channel air circuit, which adds clarity-enhancing brightness based on focusrite's legendary isa preamplifier. the two xlr-1/4" combo inputs are outfitted with switches that allow them to accept signal directly from electric instruments such as guitar and bass, from line-level sources such as stereo mixer outputs, or from a hot feed like a drum machine. unlocking the ability to record at standard cd quality or high-fidelity resolutions, the 24-bit / 192 khz ad/da converters ensure that signals are captured and reproduced with detail and accuracy. listen through headphones or connect active speakers to the balanced 1/4" monitor outputs, and enjoy independent control of the headphone and speaker volume settings. use selectable direct monitoring in mono or stereo to hear your live input signal with no distracting echo or latency. with its bus powering for uninhibited portability, space-saving usb type-c connection, and extensive software bundle, virtual instruments, plug-in effects, loops, and more, the scarlett 2i2 gives you plenty of powerful tools to kick-start your inspiration. just plug the scarlett 2i2 into your mac/windows computer or ipad pro (with usb type-c), fire up your preferred audio recording software, and let the creativity flow.
Reviews:
1. You cannot use it in standalone mode, so computer is always required (It will not take power from USB power supply). This become a problem when I was trying to feed output to the camera which is connected by USB to the same computer. It creates vary bad case of ground loop. 2. It is not going to give you good sound on high impedance headphones. My Beyerdynamic DT 770 Pro 80 Ohm work, but have weak low freq. 3. Preamp for dynamic mic might be noisy. I am using Rode PodMic and for effective gain I am on edge of introducing noise. You may need to use something like Cloudlifter ($150) depends on your gain requirements.Roman
This audio interface was easy to set up and came with a lot of really cool free software. It’s pretty simple but does great for what it was designed for. I’d give it an A+ If you’re using it for a pod cast or recording instrument/vocals. I personally got this and a cloudlifter for my sm7b. The Scarlett 2i2 gen 3 does not provide enough gain for my specific mic and a cloud lifter was needed. If you’re looking at this for a twitch style streaming set up, it works as an interface, but I would recommend for around same price to get a goxlr mini. You gain more features like separate controls for chat/game/discord with the sliders and the goxlr mini has enough preamp power that you don’t need a cloud lifter for mics like the popular sm7b. Pro: * Gen 3 comes with a usb-c connector on the back. Very nice as most devices are moving from usb a+micro into a more standardized usb-c. * comes with great free DAW in form of ableton live lite. Comes with a a suite of other free software but this one was nice enough to highlight. * quality metal build * simple and intuitive!Cheddarsharp
I replaced my 2nd generation Scarlett 2i2 with the 3rd generation 4i4. I was a bit skeptical of the software application required to set the inputs to line/instrument, but it turned out to be fairly intuitive. The unit comes with a pad and air feature. Pad is self explanatory (gain reduction for loud recordings), the air setting is supposed to model some classic microphone preamp or something to that effect. I'm not totally sure what the difference is, but I've left the Air feature on anyways while recording and I've been pleased with the results, how much of that satisfaction is a result of the Air setting is hard to say since I haven't actually done any objective testing but it certainly doesn't seem to hurt anything by having it on. Initially, when I got the hardware going on my iMac I experienced significant lag while using Logic at various times, particularly when I was trying to copy logic drum tracks or expand the timeline but also while trying to do basic functions as well. I was concerned that I would have to get more RAM for my Mac which is problematic because the model I have makes it both difficult and expensive to increase RAM. However, after a few repeated uses the issue seems to have subsided, so I don't really know what that was about or whether the change in hardware even had anything to do with it, however it definitely was not an issue while I used my 2i2 so it's something to consider. I mainly upgraded because I wanted to start using midi with my electronic drum kit and that was basically as easy as plug and play (aside from a couple added steps in Logic which didn't have anything to do with the 4i4). However, for some reason the midi tracks seem to cause Logic to experience errors during playback when I close and then reopen a project. Again, can't say that this is a result of the 4i4 but I've been able to resolve the issue by simply quitting Logic entirely before reopening a project which isn't much of an inconvenience at all.Kab
10. Focusrite Scarlett 8i6 (3rd Gen) Usb Audio Interface
Product Details:
Ideal for podcasters who need mix-minus functionality when taking calls, and perfect for multi-instrumentalists and producers, the third-generation focusrite scarlett 8i6 is an 8×6 usb audio interface offering high-performance hardware, customizable mic tone, and a creative software bundle. the two improved scarlett microphone preamps feature switchable phantom power, input pads, and selectable air circuits, which add brightness based on focusrite's legendary isa preamplifier. the two xlr-1/4" combo inputs can also accept unbalanced instrument level from guitars, basses, synthesizers, or drum machines, or balanced line level from a mixing console or outboard preamps. the rear panel sports four additional fixed-level 1/4" inputs to accommodate more line-level sources. 24-bit / 192 khz converters ensure that signals are captured and reproduced with detail and clarity. with four balanced 1/4" line outputs, two 1/4" stereo headphone jacks, and independent control of the headphone and speaker volume settings, the scarlett 8i6 can simultaneously feed multiple monitoring systems and outboard effects processors. the virtual loopback function empowers podcasters with an easy mix-minus setup for taking calls without the caller being distracted by a delayed audio return signal. traditional 5-pin midi i/o is provided for seamless integration of midi equipment such as a keyboard or sound module, and s/pdif coaxial ports allow proper routing of stereo digital gear. the scarlett 8i6 connects to your mac or windows computer via usb, and is powered by the included external power supply. the extensive software bundle includes music production software, virtual instruments, plug-in effects, loops, and more?? plenty of tools to kick-start your inspiration.
Specifications:
| Product Type | USB Interface |
| Headphone Outputs | 2 x 1/4" |
| Number of Mic Preamps | 2 |
| Phantom Power | Yes |
| Dimensions | 1.87" H x 8.27" W x 5.89" D |
Reviews:
The hardware is quite nice as far as my experience goes. I don't have anything fancy, and it sounds good without any noise – much better than the cheap USB adapter I was using. It supports high sampling rates and low latency with ASIO drivers. It's powered over USB, so you get one fewer cable. The software to control the 4i4 is nice enough, although it did take me a moment to figure out what exactly it's doing. I wanted to get a new one so I could use the bonus software it is bundled with, but it doesn't seem like that was worth it. The free software out there is as good or better than this and then you don't have to deal with weird licensing programs. A used one for cheaper without the software bundle would have been fine.justin-eb
Let me begin by saying, I started off on a nice ol' Beringer UM2. I upgraded to M-Audio and then to Focusrite and from there I dove right into the Scarlett series and got an 8i6. I couldn't believe how much of a punch Scarlett packed for the price range, it was a pretty good interface and for it being my 3rd interface I was more than happy. I just decided to upgrade 4-5 months ago to the Clarett+ 2Pre and I'm absolutely in love with it. Much better preamps, and louder gain levels for both monitors & headphones. Take Scarlett, solidify it, and you have Clarett+ (not to mention the much-favored sound of "AIR") I highly recommend Clarett+ to any beginner/professional looking to dabble into Focusrite's incredible line-up of audio interfaces.wxndr
I use the interface for my guitars into my computer for virtual amping, and also to record. It was working great until I connected the headphone out of a small lunchbox amp (a 6505 Piranha) to the line in on the Focusrite and the interface screeched at me, then lit up like a Christmas tree, and has stayed that way for 2 days. Reinstalls, removing power, etc, it refuses to register in Device Manager in Win 10. I'm pretty sure its toast, and I don't know why. The use case is something its already made for. Other than this incident Ive had Focusrite interfaces before and they were great, this is the first one out of three over the last 4 yrs that I've had a problem with. The others were sold/traded to others so I could upgrade to whatever the next one was. Now im at a place where I need more inputs and outputs, so I got the 8I6-up until this incident it was exactly what I needed for the size footprint that I have. The software routing is a little wonky, and Id like that it had more tactile button control rather than having to use Focusrite control for everything, but overall its a solid unit. I can't find any situations like mine on the Web, Reddit, etc, so this particular incident sounds to be pretty limited.Cedric S
11. Steinberg Ur22c Usb 3.0 Audio Interface
Product Details:
No matter where you want to record, your projects should always sound great. the ur22c brings you amazing sound quality in a remarkably compact, tough and versatile package for composing and recording anywhere. use it with a computer or an ios device for superb results, wherever you are. the ur22c is the perfect audio partner for composing and producing songs anywhere. with inputs for microphones and instruments (including onboard phantom power), midi inputs and outputs, latency-free monitoring with dsp effects and fast, reliable connectivity to computers or ios devices, it is remarkably versatile. not only that, but with two top class mic preamps, 32-bit/192 khz recording quality and high-quality components throughout, the ur22c records your performance with stunning clarity and detail. ideally sized to travel anywhere with you, its tough but lightweight construction and included cubase ai recording software make it a great music-making companion. whether you are a producer, journalist, sound designer or a composer looking to capture great new sounds, the ur22c makes high quality mobile recording a breeze. housed in a compact, rugged but lightweight enclosure, its 32-bit/192 khz recording quality, d-pre preamps and seamless connection with ios devices via superspeed usb 3.1 gen 1 with usb-c delivers a superb, portable recording setup at studio grade sound level. and the included cubasis le ios recording app means you can start making professional recordings on an ipad straight away while the dspmixfx application allows you to use the included dsp effects with any ios audio software.
Specifications:
| Audio Resolution | 32-bit |
| Interface Type | UR-C |
| Supported OS | iOS, OS X, Windows |
| Connector Type | USB, XLR, TS |
| Effects Type | DSP |
Reviews:
I got this interface because it was compact, affordable, and offered great speed with USB 3.0. However, the Yamaha Steinberg driver that it uses is a total disaster. It has an incompatibility with my chipset (Windows 10 with an AMD ryzen cpu) that makes the USB 3.0 functionality completely unusable. Very frustrating. I have also heard that the Yamaha driver causes other windows to have issues when using certain DAWs. It is really frustrating because I love the device itself and it's design. If you are going to put all this effort in on the hardware, make sure you have the software to go with it. Feels like wasted potential.Jeff
Integrates well with Cubase but not a requirement. Great bargain and a ton of power with a small footprint. Of course the limitation is two inputs, but sometimes depending on application that is enough. Good sounding with quality preamps and zero-latency monitoring of input signals. Cubase AI comes free with it and is also very powerful, although it's a bit complicated to set up. User just needs to be patient and follow the instructions. MacPro Video offers some very good instruction at a reasonable cost, but there are other instructional videos out there that are free via YouTube. Be willing to start off slow and you should have little or no problems.dpuc_0
Looked for what seemed like ages for a confirmed working and decent quality audio interface for the usb c ipad pros. A lot of manufacturers are pretty non-committal. Paired it with a usb c hub and everything works immediately and well. High quality hardware, great sounding pre and latency is not to be found of any concern. If you are looking to make music on the ipad pro with a usb c then this is a viable option to consider. Works with garageband too with no issues. Comes with some software but not worth trading garageband for. I did not buy the 50 buck version of their app. Maybe better?KC
12. Focusrite Scarlett 18i20 (3rd Gen) Usb Audio Interface
Product Details:
Scarlett interfaces are at the heart of music-making, recording, and production spaces all over the music industry. the 3rd generation scarlett 18i20 gives you all the tools to record all your instruments and vocals in studio quality. the scarlett 18i20 is scarlett’s most versatile interface, offering pristine sound and a multitude of features such as onboard talkback, 8-channel led bars, dual headphone outputs, speaker switching, and compatibility with all devices. take your home studio to the next level with the 18i20. it has multiple line/inst/mic level inputs and outputs and offers phantom power. it allows loopback so you can record audio from your computer straight into your daw. it also includes a wealth of incredible free software bundles to kickstart your studio on full steam. this excellent interface will make your home studio produce like a real professional studio.
Specifications:
| Product Type | Audio interface |
| Number of Preamps | 8 |
| Power Supply | Standard IEC AC cable |
| A/D Resolution | Up to 24-bit/192kHz |
| Form Factor | Rackmount |
Reviews:
This newest version of the top of the Scarlett range is an excellent sounding interface with a ton of I/O available. The unit itself is beautiful to look at, and the setup is quite easy. In use I found the 18i20 to be mostly self explanatory, things seem to work as they should. In addition to the Focusrite Control software there are also iOS versions that work with iPhone and iPad.Audio quality is very good for the price point. Clean and very usable for professional work, although not up to the level of "esoteric" converters that cost much more. I'm using my 18i20 as a bridge between some older Apogee converters and my computer, for audio playback from my computer, and quick and easy recordings on it's own. It's a versatile and thoroughly modern unit.My only gripe with the 18i20 is that there is no output metering on the front of the unit, only input metering. Perhaps there is a way to switch the metering to output, but I haven't found it yet. There is metering in the control software, but I would like to see it on the front of the hardware.Other than that issue I find this to be a well designed interface with a useful feature set. The two headphone outputs are very welcome as well. I'm definitely pleased with my 18i20. ProAudioStar provided great service at a great price and got this to me very quickly–especially considering the lockdown we are all going through right now. Much appreciated.sonicalbert
This interface is lovely, software is intuitive and easy to access. Would give 5 stars if it had DC coupled outputs. For the money, I can't imagine doing much better if you have a lot of instruments and require lots of audio routing. If you are looking to interface with Eurorack or other systems that use cv/gate input/ouput, maybe look at MOTU units. ADAT i/o's work seamlessly with many ADAT expansion units. Build quality is solid, sounds fantastic and looks real nice. Overall, highly recommended unit. Hope to see DC coupled outputs in future units, its a must in my opinion, and wish more companies would realize this (Do this Focusrite, and you got the best interface on the market and 5 stars from me).MB
I have to admit I have been out of the game for a few years. Decided to pull out the old gear and a few things weren't compatible with the new software on my computer. So I got some advice from a super knowledgable tech on the at their call center. He recommended this and I must say it was plug and play essentially and very versatile. What a nice treat to come back with easy to operate hardware. I like the number of ins and outs and the ease of use and the talkback mic button, yeah don't forget about that feature. I can even use my ipad as the controller so that I don't have to be right at the computer or hardware. I mean overall this is fast and clean and its red!!! I always have loved a sexy red head… I mean red audio component.Joe K.
13. Native Instruments Komplete Audio 1 Usb Audio Interface
Product Details:
Spark your creativity. the native instruments komplete audio 1 gives you an intuitive usb audio interface combined with a plethora of powerful software. simple to use with sleek aesthetics and a robust design, the komplete audio 1 boasts two inputs with dedicated gain controls. the xlr features +48v phantom power, so you can make use of both dynamic and condenser microphones, whilst the 1/4'' jack input is ideal for guitars and other line instruments. a vibrant led vu meter makes it easy to set your levels. its location on the top of the interface means no more contorting your body to get a good view of the front panel. plus, with the large volume knob, getting the output level right is a breeze, giving you easy control over the volume for the stereo rca outputs on the rear panel. capable of providing incredibly audio quality at 24-bit/192khz, the komplete audio 1 is the ideal choice for creating high-fidelity recordings. whether you're a musician, podcaster, vlogger, or a creator needing a high-performance audio solution, this compact interface is an ideal choice. combined with zero-latency monitoring from the high-output headphone socket and its dedicated level control, as well as the versatile selection of included software, the native instruments komplete audio 1 is an invaluable addition to any recording arsenal.
Specifications:
| Interface | USB |
| Mic Input Type | XLR |
| Jack Type | 3.5 mm |
| Number of Channels | 2 |
| Output Type | RCA |
Reviews:
Fantastic Value – ASIO driver for Win10 easy to install. "Problems" folks are experiencing are due to windows system configuration settings, and are easily "fixed". Great sound quality; I use this as an alternative digital audio interface with a Traktor S2 MK3 controller as an ultra compact mobile DJ setup. Very modular and extremely easy to use! USB-Bus powered is a HUGE plus; no additional power adapters necessary – 1 USB cable only! Great for live streaming/broadcasts as well! – See settings for getting the CUE & Headphone buttons to work with your controller & Live Broadcast: – Using Traktor Pro 3 & OBS Broadcasting software (Opensource Freeware) – In Traktor: Set your MASTER audio output to channels 3&4 – MONO – Set monitors to channels 1&2 – MONO – Set Microphone input to channel 1 On the unit-Cables: – TRS out [Channel 3] to your PA System or external mixer – TRS Out [Channel 4] to the front, channel 2 Input – Microphone input to channel 1 – Plug headphones into headphone jack. Settings on device: – Control input levels for your microphone and input for stream by adjusting the gain knobs (Microphone input 1 will likely be set close to MAX, input 2 will likely be set lower – watch the meter on the top of the unit to avoid clipping!) –SET ALL SWITCHES on the front of the unit to the far-left position: – Both input switches to "LINE" – Switch to MONO – Input switch to 1/2 Set input knob far-right to HOST Set large volume on the top of the unit to the MINIMUM setting – Control your MAX output volume on your pa mixer / external mixer – Adjust your broadcast audio levels in your broadcast software (OBS) FANTASTIC Product! – Also works great as a midi interface – VERY SATISFIED!John Danger.us
I choose this interface because I thought I wouldn't outgrow it. The available recording quality is high, and it came with a solid selection of software. I got it when it came with a Guitar Rig Pro, which was a huge bonus. I considered all of the typical budget interfaces and settled on this one because of the variety of inputs/outputs, large volume knob, meters rather than single light, and direct/host adjustment for monitoring. The reviews and YouTube videos convinced me it would be a solid choice for what I wanted – an intro level interface that I wouldn't quickly outgrow. I might have purchased something else if not for the Guitar Rig Pro offer, but I'm really happy with what I got. Important points that I didn't see elsewhere: This has an ASIO driver for Windows so you don't have to use ASIO4All (major plus). Be prepared to tweak settings to get rid of pops/crackles (do research, close everything else, consider saving to a hard drive that doesn't house your OS, might have to be external if you have a laptop). Make sure you are using the right option when you download software (the MK2 option) and upgrade the firmware when you get it. I've had it about a month, and it's a good fit for what I wanted. A bit more than a pure intro level interface that is relatively easy to use. I would not recommend this to someone brand new to recording (the 1 or 2 would like suffice of this brand or one of the others in that 100-150 price range) just because it's likely a bit more than needed. Happy with the purchase and service. Note: 5/5 based on meeting expectations, being a good value, and having good sound quality for an interface for someone looking to get more into recording.LesPaulWoman
I’m a newbie when it comes to audio interfaces, but this is so much better than my PC’s onboard sound. Recording quality using my MXL 770 mic is excellent, low noise and really low overall latency. I’ve had the ASIO buffer as low as 64 samples (2.5 to 3ms) on my 10 year old desktop PC and not had any issues. I like the form factor too, it’s really handing sat on my desk. The volume knob is easily accessible and the other controls feel solid too. I really enjoy the direct monitoring, not from a latency issue as I don’t really notice it much, but from a “conference call perspective” – when on headphones it’s really nice mixing your own voice with everyone else’s when having a group chat. It’s like all being in the same room and feels like the headphones disappear. The free software is nice too, new toy syndrome I know, but I love the reverb plugin! Overall I’m loving this significant upgrade to my system.Will
14. Steinberg Usb3.0 Audio Interface Ur22c
Product Details:
Your projects will sound their best no matter where you are recording, thanks to the ur22c interface. experience unmatched sound quality from a compact device perfect for recording and composing tracks. true mobility thanks to its mobile connectivity that allows it to connect to ios devices. multiple inputs for microphones or instruments with built-in phantom power, midi input and output, dsp effects, latency-free monitoring and mobile connectivity to computers or ios devices, the ur22c is truly a versatile tool that will become the ideal production partner. packed with two top class mic preamps, 32-bit/192 khz recording quality and choice components throughout the construction of the unit, the ur22c is able to capture your performances with incredible clarity and detail. lightweight and compact, the ur22c is the ideal size to take with you on the go, and with the included cubase ai software you can make use of its portability. the ur22c is suited to all aspects of high-quality audio applications, immerse yourself into gaming, production or enjoying your favourite music and live streams. the ur22c boasts 32-bit/192 khz audio quality and provides high-resolution audio recording, with highly-rated d-pre preamps that ensure high quality audio recording. the loopback function allows you to seamlessly mix live and playback audio, with effects if required, for an enhanced experience, while the ur22c superspeed usb 3.1 gen 1 with usb-c ensures you always have a reliable, fast connection.
Specifications:
| Recording / Playback Channels | 2×2 |
| Number of Mic Inputs | 2 |
| Number of Line Inputs | 2 |
| Number of Instrument Inputs | 1 |
| Number of Line Outs | 2 |
| Headphone Outs | 1 |
| Phantom power | Yes |
| Number of S/PDIF Connectors | 0 |
| Number of ADAT Connectors | 0 |
| Numer of AES/EBU Connectors | 0 |
| Number of MADI Connectors | 0 |
| Ethernet | 0 |
| Other Connectors | USB |
| MIDI interface | Yes |
| Word Clock | No |
| Max. sample rate (kHz) | 192 kHz |
| Max. resolution in bit | 32 bit |
| USB Bus-Powered | Yes |
| Incl. power supply | No |
| USB Version | 3.0 |
| Depth in mm | 159 mm |
| Height in mm | 47 mm |
| Connection Format | USB port Type C, Micro B |
Reviews:
I got this interface because it was compact, affordable, and offered great speed with USB 3.0. However, the Yamaha Steinberg driver that it uses is a total disaster. It has an incompatibility with my chipset (Windows 10 with an AMD ryzen cpu) that makes the USB 3.0 functionality completely unusable. Very frustrating. I have also heard that the Yamaha driver causes other windows to have issues when using certain DAWs. It is really frustrating because I love the device itself and it's design. If you are going to put all this effort in on the hardware, make sure you have the software to go with it. Feels like wasted potential.Jeff
Integrates well with Cubase but not a requirement. Great bargain and a ton of power with a small footprint. Of course the limitation is two inputs, but sometimes depending on application that is enough. Good sounding with quality preamps and zero-latency monitoring of input signals. Cubase AI comes free with it and is also very powerful, although it's a bit complicated to set up. User just needs to be patient and follow the instructions. MacPro Video offers some very good instruction at a reasonable cost, but there are other instructional videos out there that are free via YouTube. Be willing to start off slow and you should have little or no problems.dpuc_0
Looked for what seemed like ages for a confirmed working and decent quality audio interface for the usb c ipad pros. A lot of manufacturers are pretty non-committal. Paired it with a usb c hub and everything works immediately and well. High quality hardware, great sounding pre and latency is not to be found of any concern. If you are looking to make music on the ipad pro with a usb c then this is a viable option to consider. Works with garageband too with no issues. Comes with some software but not worth trading garageband for. I did not buy the 50 buck version of their app. Maybe better?KC
15. Presonus Audiobox Usb 96 25th Anniversary Interface
Product Details:
As part of celebrating 25 years of designing and manufacturing innovative, high-quality recording and live sound products, presonus has released a special 25th anniversary edition of its best-selling audiobox usb 96 audio interface. the new version of this already classic 2-in, 2-out audio interface records at up to 24-bit, 96 khz and looks as great as it sounds, with a sleek new black enclosure.bus-powered and built to travel, the audiobox usb 96 offers two front-panel combo mic/instrument inputs with class a microphone preamps ideal for singer/songwriters, podcasters, live streaming, and guitar or guitar-bass collaborations. a mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. you also get a pair of balanced line-level outputs; an ultra-loud, crystal-clear headphone output; and midi i/o. and with its heavy-duty steel chassis, the audiobox usb 96 can take a serious pounding and remain completely reliable.
Specifications:
| Connector Type | XLR, USB, MIDI |
| Phantom Power | 48 V |
| Control Type | Knob |
| Number of Knobs | 5 |
| Indicator Type | LED |
Reviews:
Compact solid unit. Well designed and made. Great provision of inputs and outputs. Sits on the desk nicely alongside the computer. Really good price with masses of usable software. Be aware the software is a mixed blessing. There is so much it is tedious to download. I am really happy. It can do much more but I just wanted it for basic multi-track recording at the work desk.Geoff F.
My application is a dedicated MIDI/audio interface for a VirTual Theater Pipe organ. A MIDIfied console from an actual 1920's Theater pipe organ drives a complex MIDI switching system which in turn drives a sample player. MIDI information is transferred to and from the console, utilizing the USB 96. The audio from the sample player is also output to reverb and power amps via the USB 96, so it has a lot of work to do. The USB 96 never misses a beat with 8-channel two-way MIDI as well a very clean audio stream duplicating all the complexities of a WurliTzer theater organ. The unit replaces both a MidMan Anniversary 2 x 2 which would occasionally give MIDI glitches and a Creative Labs sound card, a necessary move when organ operations were transferred from a desktop to a laptop and from Win7 to Win10. Installation was seamless, and the unit performs perfectly in its application. It works so well, I got a second one for music production on my DAW, which is also used for sample processing for the organ. These devices are rock solid.Les
This is definitely not for beginners or those who are not skilled at technology. I have spent hours trying to get this to work and am still not there. I called Eat my Beats and they referred me to the Presonus company who do not answer calls or return calls so you are on your own with this. A friend who took a college sound class told me it took him 3 weeks to get this to work for him. He wasn't able to help me with mine sadly. It appears that the Studio One DAW that comes with this can do many things which keeps me plugging away. I have until January 12 to return and I may do that yet if others who do sound recordings can't help me get this going. So just beware, if you want to plug it in and start recording right away it won't happen. So far I'm very disappointed.Pat
16. Focusrite – Scarlett Solo 2nd Gen Usb Audio Interface
Product Details:
Scarlett solo is the smallest and simplest usb audio interface with two inputs and two outputs. it's perfect for singer/songwriters and guitarists looking for an easy way to record studio-quality music on pc and mac. scarlett solo is compact and rugged, so you can take it with you wherever you go. power is supplied via a usb cable. connect a microphone and a guitar and start recording immediately. of course in the same sound quality as all interfaces of the scarlett series. record in good studio quality with the sound you want. connect your microphone to the natural-sounding scarlett microphone preamp with 48v phantom power. your guitar has a redesigned instrument input with plenty of headroom. this opens up all possibilities for you. record your guitar and vocals on different tracks. if you don't like the sound yet, you can assign each track its own effects such as an amp simulation for the guitar and reverb for the vocals, so you can refine your sound without re-recording. don't let your interface restrict you. scarlett solo opens up a whole new world of recording possibilities that no other interface in its class has to offer. above all, you can use your plug-ins, such as guitar amp simulations or reverb for vocals, depending on your software settings and computer, to record in real time. scarlett solo comes with everything you need to compose, record, edit and export music. ableton live lite and pro tools | first focusrite creative pack are included. there are also 12 different plug-ins, including the amp simulation eleven lite for real guitar amp emulations and black opt for cult distortion and overdrive sounds. softube's time and tone bundle and focusrite's red plug-in suite are also included, as is novation's bass station virtual synthesizer and 2 gb of samples from loopmasters. scarlett solo works seamlessly with all major daws on pc and mac. the included software is not only suitable for beginners, but also professionals will enjoy it.
Specifications:
Reviews:
I got this as an inexpensive interface for my laptop to work on mixes and recording ideas away from my main studio. I am very impressed with the quality of the mic preamp – there seems to be a lot of headroom. The instrument input is equally good. Headphone output is loud and live monitoring sound is excellent. The aux outputs on the back are great for hooking up to monitors or stereo system. In fact, I used this for a little while for my home hi-fi setup as DA converter for listening to high-quality audio files from my laptop, and was blown away by the quality. This rivals some of those so-called "audiophile" interfaces. I bet if you gutted one of these things, threw the components in an expensive-looking enclosure and gave it a snobby name, you could easily sell this for 10x more:-) Just sayin… I discovered that the inputs don't pan L and R when you use both channels together, like some other interfaces, which means this is all mono. And for some reason in my DAW (Samplitude) it only sees the left channel, so you have to set your recording channel to be mono. It's a small but tolerable annoyance. Also, there's no MIDI input, but many modern keyboards use USB anyway. Anyway, excellent bang for the buck, even at full price.
Ive been through several over the years. Some cheap, some high end, and it is true that get u pay for. Or I should say it was true, because focusrite is killing it with the Scarlett line! U can tell when u grab it that its built well. Strong and durable to last. But the sound quality is what is truly amazing. Recording and playback both are just so crystal clear! 10 yrs ago you just couldnt get that good of sound in a home studio unless you had 10s of thousand to drop into it. Last but not least… Small package BIG POWER! I only bought the solo (2nd Gen) the smallest I think, but youd never know it by listening to the performance. And using is super easy with midi usb, plug and play. I love my solo 2nd gen! And I see myself upgrading to at least the 212, or bigger. Either way, focusrite has a new life long customer in me. As long as they keep standards at this level. Hope this helps someone.grmrc.us.bil6bniuqu
17. Rme Babyface Pro Fs 24-Channel Usb Audio Interface
Product Details:
Rme babyface pro fs 24-channel usb audio interface the rme babyface pro fs is the evolution of the acclaimed babyface pro usb audio interface, which features innovations such as the full steady clock fs, higher output power at the headphone output and improved signal-to-noise ratio (signal-to-noise ratio) of the microphone inputs. ad/da converters of the latest generation with the lowest latencies, and the unique steadyclock fs technology lead to outstanding technical data that also satisfy the most demanding professionals. the main feature of the new babyface is the steadyclock fs technology. for digital audio, timing, often called clocking, is crucial. it forms the reference for the sequence of audio bits. unfortunately, this reference clock is often not as stable as it should theoretically be. the babyface pro fs therefore offers full steadyclock fs support from the adi-2 pro fs, for the lowest jitter and the highest jitter immunity. this guarantees excellen.
Specifications:
| Input | XLR, electronically balanced |
| Input impedance balanced | 2 kOhm, 5.2 kOhm with PAD |
| Input impedance unbalanced | 1 kOhm, 2.6 kOhm with PAD |
| Frequency response @ 44.1 kHz, -0.1 dB | 18 Hz – 20.8 kHz |
| Frequency response @ 96 kHz, -0.5 dB | 7 Hz – 45.8 kHz |
| Frequency response @ 192 kHz, -1 dB | 5 Hz – 88 kHz |
| With PAD active | -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz |
| THD+N @ 30 dB Gain | < -100 dB, < 0.001 % |
| Channel separation | > 110 dB |
| Gain range | -11 dB up to +65 dB |
| Maximum input level XLR, Gain 0 dB | +8 dBu, PAD +19 dBu |
| Maximum input level XLR, Gain 65 dB | -57 dBu, PAD -46 dBu |
| Input impedance | 1 MOhm |
| Maximum input level @+4 dBu, Gain 0 dB | +13 dBu |
| Maximum input level @-10 dBV, Gain 9 dB | -5 dBu |
| Dynamic range (DR) | 115 dB RMS unweighted, 118 dBA |
| Frequency response @ 44.1 kHz, -0.5 dB | 0 Hz – 20.8 kHz |
| Output | XLR balanced |
| Output impedance | 300 Ohm balanced, 150 Ohm unbalanced |
| Output level @ 0 dBFS | Balanced +19 / +4 dBu, unbalanced +13 / +7 dBu |
| DC @ 0 dBFS | 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V |
| Output level at 0 dBFS, 1 kOhm load | +13 dBu |
| Max power @ 0.1% THD | 60 mW |
| Noise level | -101.8 dBu |
| Hi-speed mode | Jitter and response time typically below 1 ms |
| Supported sample rates | 28 kHz up to 200 kHz |
| Double Speed (S/MUX) | 4 channels 24 bit 96 kHz |
| Quad Speed (S/MUX4) | 2 channels 24 bit 192 kHz |
| Lock Range | 31.5 kHz – 50 kHz |
| Jitter suppression | > 50 dB (2.4 kHz) |
| Power supply | USB bus power or external power supply |
| Idle power consumption | 2.8 Watts |
| Typical power consumption | 3.7 Watts |
| Max. power consumption | 5.4 Watts |
| Current at 5 V bus power operation | 700 mA (3.7 Watts) |
| Current at 12 V external power | 313 mA (3.7 Watts) |
| Temperature range | +5° up to +50° Celsius (41° F up to 122°F) |
| Relative humidity | 75%, non condensing |
Reviews:
I also have a UCX II for a 5.1 setup, and needed a more portable solution with less IO and a similar sonic profile for traveling and doing simpler stereo work. The sound of this unit is clean, clear, honest, and indistinguishable (to me, at least) from the UCX II. The build is incredibly solid, and the included case is a nice touch. One caveat about the RME products is that these are professional grade tools, and you will not be able to jump right in and start using these without some baseline knowledge. The necessary TotalMix companion utility is by no means difficult to use or poorly designed (quite the opposite), but you'll have a learning curve with it. It's totally worth it! But the Apogees and UAs of this ilk are more plug and play and ignore the tech stuff if you want friendly as far as DAW integration goes.Aaron
I've used the apogee duet and the element 2/4 in the past and thought those tools did an incredible job. i loved the sturdiness of the element and the convenience of the duet but found both to have certain faults. the breakout cables for the duet were g-d awful and the cable would slip out sometimes if the unit was shifted. the duet itself felt hefty and great but the breakout cables made the unit kind of clunky and horrible. the satisfaction of the single rotary button kept me in the game though, i loved that thing. the element solved a lot of problems i had with the duet – it was REAL sturdy and the connections were rock solid, but something about express was lacking… the babyface is just the better version of both of these products…physically the unit is a d-mn brick and just feels premium as h-ck. the connections are great no wiggling or surprise slip-outs and the audio quality is truly a lot more noticable than anticipated. listening back to mixes i can really hear things my apogee products more or less missed? maybe colored? not sure but i feel more confident in the interface. everything about it is wonderful and i would recommend this product to anyone considering apogee or universal audio products (esp if they're not like SOLD on the in unit processing power)Mackenzie
I got this to upgrade from an original RME Babyface interface for my voice-over business. RME stuff is built like tanks! After using this a while I messed up a setting in the software and the output dropped way down. I thought I had ruined it. I put in a ticket to RME USA support and they got right back to me, dialed into my computer and found my stupid mistake. It's back working again. If you need a QUITE interface that is built tough, this is the one!Kelly
18. Presonus – Studio 192 Mobile (Usb Audio Interface)
Product Details:
From presonus built to create in the studio or on the go. the presonus studio 192 mobile usb 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. whether you're a producer, an audio engineer, an independent band, a sound designer, or all of the above, your studio 192 mobile was built for you to create. an integrated solution. the studio 192 mobile provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. switch between any two mixes using the cue function and the onboard headphone amp. software-controlled dim and mono options let you take control of your main mix. use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. with its flexible software and abundant i/o, the studio 192 mobile fits into any recording and production environment. superior sound. connect a studio 192 mobile and you'll instantly hear details and an open high end you expect from a professional studio front end. the studio 192 mobile operates at up to 192 khz for ultra-high-definition mixing and recording. high-quality burr-brown converters on every input and output provide 118 db of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. and our recallable xmax microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.
Specifications:
Reviews:
I am still working with the unit with no issues so far. Typical quality I would expect from Presonus. As I have only recently started to use the unit I cannot expand further. Suffice it to say, very nice upgrade over my previous Presonus unit, the discontinued VSL44. The channel specific +48v switchable phantom power was the major selling point. Compared to the typical "global phantom power" of my other mixers/ D/A units this is a deal maker. Being able to run an SM58 and a condenser on the same session, in one box and still have instrument (Hi-Z) inputs available, my loop sessions are infinitely easier. I use a number of products released to work with Studio One V4 Pro. The fact that I can control this unit from inside Studio One V4 and either print the fat channel to my track or use it purely for monitoring while I record is a real boon. The fact that this unit switches from hardware DSP to software processing depending on whether I am recording or playing back a session, seamlessly, really does simplify my recording session.Reviewed by Andertons Music Co.
Love my new B-stock Studio 192 Mobile interface. It has a Burr-Brown (Texas Instruments) DAC and sounds great. It integrates very well with my Studio One DAW which is why I bought it. It has a great software control panel with built-in Fat Channel DSP effects during monitoring during tracking, and allows multiple mix scenes and switching between three sets of monitors. I sold my UA Apollo Twin Duo to get this and they both use Burr Brown and sound the same to me, BUT this costs half as much! Definitely recommended this 100%.victor_spoils
19. Focusrite Itrack Solo Audio Interface
Product Details:
Focusrite itrack solo the focusrite itrack solo gives you the ideal solution for recording instruments and vocals using your ipad. sporting a focusrite mic pre-amp as well as an input to record directly from both electric and bass guitars. therefore, the itrack solo is the perfect way to expand the audio recording capabilities of your ipad using garageband or any other music-making app. not only is the itrack solo a “made for ipad” device; it’s also fully compatible with both your pc or mac computer. coming complete with a host of free music making software including ableton live lite and the focusrite scarlett plug-in suite. just connect your itrack solo to a power supply and an ipad and you’re ready to go! with the very best in digital audio technology encased by a rugged aluminum unibody chassis, itrack solo will capture and playback your sound with pristine quality. the front panel has an input for a microphone and an input for an instrument (such as an electric guitar, bass guitar or the output of an electro-acoustic guitar). this makes the itrack solo perfect for capturing the output of a microphone or using an electric guitar with one of the many guitar amp applications on ipad. unique signal halos let you know that you’ve got a good audio level for recording. green is good and red means that your audio is too loud, and that your should turn down the level control.
Specifications:
| Interface Type | USB 2.0 |
| Width | 5.9" |
| Depth | 3.9" |
| Height | 1.8" |
| Weight | 17.64 oz |
| Sound Output Mode | Stereo |
| DAC Resolution | 24-bit |
| Sample Rate | 96 kHz (max) |
| Input Channels Qty | 2 |
| Output Channels Qty | 2 |
| Frequency Response | 20 – 20000 Hz |
| Interfaces | 1 x microphone – XLR 1 x audio line-in – phone mono 6.3 mm 1 x headphones – phone mono 6.3 mm 2 x audio line-out – RCA 1 x USB 2.0 |
| Software | Scarlett Plug-in Suite, Ableton Live Lite 8 |
Reviews:
This is a great product for me! I use ths to record my Mic'd guitar amp to record into GB, Scorecloud or any other recrding software. The Gain enables you to hone in on volume control while recording to raise recording volume withought turning up the amp volume or to minimize fuzz sound from an idle amp not in standby coming through in the recording. You can moniter on headphonrs or split your instrument to a moniter control board, and includes speaker outputs to run your amps output in stereo through speakers. Sound quality is excellent! If you are seriously ameature and need a simple usb plug in for now, consuder searching online for a 1/4-usb patch instrument cable for your instrument or mic, or whateve combo you need, they make them all, for about 15-25 $ as a quick easy solution.Pat
Had issues with connecting the device to the ipad. The mic input works fine on garageband and other apps. For guitar however, in amplitube specifically, it will not put out a signal. After much research I found that the itrack uses its right channel for guitar and amplitube uses the left ios channel, therefore rendering it tricky to use exclusively for AT (stick to iRig, it's way easier) I've had to order a 3/4" jack to 3-pin male xlr from amazon to see if I can patch the guitar line into the left mic xlr of the itrack, although i'm not sure if it will work. If you use only garageband and are most interested in the mic input you will be fine.Reviewed by Andertons Music Co.
I bought this to use with Garage Band on my laptop at home. Its got 2 inputs, one XLR with +48 and one 1/4 for instruments. Its important to note that in GB you must tell it per track which channel youre using- it will default to channel 1 which is the mic. To use a guitar you have to change it to ch2. After that it is super easy. Great value. Very affordable and comes with the cables you need to hook it up.mr.shatters
20. Rme Fireface Ucx Ii Usb Audio Interface
Product Details:
Compact, portable, and packed with features from their premier interfaces, the rme fireface ucx ii is a desktop 20×20 usb audio/midi interface that effectively serves as a mobile version of rme's respected ufx rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. not only is it a capable interface with plenty of analog and digital i/o for your daw-based productions, but it also supports powerful remote control options and standalone operation to accommodate a myriad of workflows and recording scenarios. additionally, it can record all i/o channels directly to usb flash storage thanks to the internal durec digital recorder. since it has eight analog inputs—two high-gain mic/line preamps, two line / hi-z inputs, and four rear-panel line inputs, the fireface ucx ii can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. with six balanced trs line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even cv/gate inputs on synth gear. reference-class clocking and compliance with resolutions up to 24-bit / 192 khz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time. big on features, small on size the fireface ucx ii is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. it continues rme's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels. with up to 20 channels for recording and playback, steadyclock fs, high-performance microphone inputs, parametric eq, dynamics processing, echo, reverb, durec (direct usb recording), midi i/o, a powerful headphone output, and full standalone operation, the fireface ucx ii excels with rme's highest feature-to-space ratio ever.
Specifications:
| Resolution AD | 24 bit |
| Signal to Noise ratio (SNR) | 112dB RMS unweighted, 115 dBA |
| Frequency response @ 44.1kHz, -0.1dB | 5Hz–20.8kHz |
| Frequency response @ 96kHz, -0.5dB | 3Hz–45.8kHz |
| Frequency response @ 192kHz, -1dB | 2Hz–92kHz |
| Channel separation | > 110dB |
| Input | 6.3 mm TRS jack, electronically balanced |
| Input impedance | 8 kOhm unbalanced, 12 kOhm balanced |
| Variable gain | 0 to +12dB |
| Minimum level for 0 dBFS | +1 dBu, -1.2 dBV |
| Additional Gain stage | 0 up to +12dB |
| Maximum input level, +19 dBu, Gain 0dB | Line +19 dBu, Inst +13 dBu |
| Maximum input level, +13 dBu, Gain 12dB | Line +1 dBu, Inst -5 dBu |
| Input Gain Inst | +6dB |
| Input mode | Line balanced (TRS), Inst unbalanced (TS) |
| Gain range | 75dB |
| Maximum input level, Gain 0dB | +18 dBu |
| Maximum input level, Gain 75dB | -57 dBu |
| Resolution | 24-bit |
| Dynamic range (DR) | 112dB RMS unweighted, 115 dBA |
| Frequency response @ 44.1kHz, -0.5dB | 5Hz–20.8kHz |
| Maximum output level | +19dBu |
| Output | 6.3 mm TRS jack, servo-balanced |
| Output impedance | 75 Ohm |
| Maximum output level at 0 dBFS, High | +19 dBu |
| Maximum output level at 0 dBFS, Low | +4 dBu |
| Max power per channel @ 32 Ohm load, 0.1% THD | 210 mW (2.6 Vrms, +10.5 dBu) |
| Hi-speed mode | Jitter and response time typically below 1 ms |
| Clocks | Internal, ADAT, AES, SPDIF, word clock |
| Jitter suppression of external clocks | > 50dB (2.4kHz) |
| Supported sample rates | 28kHz up to 200kHz |
| Lock range | 27kHz–200kHz |
| Jitter suppression | > 50dB (2.4kHz) |
| Internal termination | 75 Ohm switchable |
| Signal Adaptation Circuit | signal refresh through auto-center and hysteresis |
| Level range | 1.0 Vpp – 5.6 Vpp |
| Output level | Professional 4.5 Vpp, Consumer 2.6 Vpp |
| Max. output voltage | 5 Vpp |
| Output voltage @ 75 ohm termination | 4.0 Vpp |
| Frequency range | 27kHz–200kHz |
| Power supply | external power supply |
| Typical power consumption | 13W |
| Current at 12 Volt operating voltage | 910 mA (11W) |
| Dimensions incl. rack ears, full depth (WxHxD) | 10.5" x 1.73" x 6.1", 265 x 44 x 155 mm |
| Dimensions without rack ears, body depth (WxHxD) | 8.5" x 1.73" x 5.1", 215 x 44 x 130 mm |
| Temperature range | +5° up to +50° Celsius (41°F up to 122°F) |
| Relative humidity | < 75%, non condensing |
Reviews:
I bought this interface a little early in my need to performance ratio, but as a windows user I loved the idea of upgrading to something widely reported to have the best audio drivers available. Short story, they are and it makes a big difference! The unit itself is solid built, with lots of connection options, Total Mix is a bit of head scratcher but easy enough to setup for general use, and I did buy and optional Arc controller for quality of life and ease of use with my setup. This combo has been awesome to work with, and the power on display here leaves very little to want besides more XLR inputs. I was previously using the very solid and clean Motu M4, and while it was perfect for my immediate needs, I had a few projects that really pushed both the unit's and the software's capabilities. So after some research I decided to pick up the UCX II with the help of Sweetwater and it has been one of the best investments I've made into my home office/studio. Part of my living is made in post production working on films and commercials, sometimes with massive effects chains and tons of layering – My UCX II hasn't blinked, super dependable and versatile. Spend the money now or spend it later, you can't go wrong here – especially for Windows users!
easy to set up, love digicheck. Big fan of this device.Colin C.
Really excellent device, sometimes seems to lose its routing, but it could be my fault, still learning.Ian F.
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