Are you looking for the Best Acoustic Guitar Equalizer? If so, you’ve come to the right place.
Choosing the Best Acoustic Guitar Equalizer can be difficult as there are so many considerations, such as ENO, LR Baggs, MXR, ammoon, Behringer, BOSS, TC-Helicon, Wampler Pedals, Tech 21. We have done a lot of research to find the top 20 Best Acoustic Guitar Equalizer available.
The average cost is $222.25. Sold comparable range in price from a low of $43.51 to a high of $400.86.
Based on the research we did, we think Boss GE-7 Equalizer is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best Acoustic Guitar Equalizer (20 Sellers)
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Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- Powerful 7-band eq!
- Compact eq pedal with 7 bands of adjustable eq sliders.
- Allows for boost/cut of up to +/- 15db per band.
$119.99
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portability . Build quality
Features:
- This equalizer pedal allows you to control and adjust the treble and bass of your guitar conveniently
- Frequency range of 100 hz – 6.4 khz helps you to create multiple sound effects
- The compact design makes it easy to carry at gigs, events and performances
Reviewers Noted:
Easy to use . Portability . Size
Features:
- Engineered with multiple knobs to adjust the sound intensity
- Platinum material makes the preamp resilient for prolonged use
- Xlr connector allows you to attach compatible microphones conveniently
$245.51
4.8
Reviewers Noted:
Easy to use . Size . Weight . Sound quality . Portability
Features:
- Take your music creativity to the next level with this acoustic guitar preamp
- Led indicator lets you know the status of the battery
- Designed with 5 band eq to create different guitar effects
$48.34$43.51
4.5
Reviewers Noted:
Compact . Easy to use . Lightweight
Features:
- Shape your sound and eliminate feedback with 7 bands of equalization
- This behringer product has been designed to compete head to head with leading products on the market
- Wide frequency range from 100 hz to 6.4 khz with a powerful 15 db boost/cut per band
$119.99
4.1
Reviewers Noted:
Easy to use . Good sound quality . Compact
Features:
- Built-in digital reverb lets you add an acoustic depth effect to your guitar
- Four knobs allow you to fine tune from standard, jumbo, enhanced, and piezo modes
- Led indicator offers the real-time working status of this simulator pedal
Reviewers Noted:
Easy to use . Size
Features:
- Designed with multiple knobs to offer easy tone adjustments
- Mdp technology uses a feedback loop to deliver a balanced sound quality
- Xlr input and output ports let you conveniently connect different music instruments and speakers
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Class-leading sound quality with 32-bit ad/da, 32-bit floating point processing, and 96 khz sampling rate
- Dual 10-band eqs that can be used in stereo, parallel, or series
- Insert function for processing external effects with pre and/or post tone shaping
Reviewers Noted:
Ease of use . Sound quality . Size
Features:
- Multiple knobs allow to manage the different equalization for immersive sound output
- 6-band eq of acoustic preamplifier lets you adjust the frequencies conveniently
- Diligently designed to operate on the minimal 9-volt power supply
Reviewers Noted:
Easy to use . Size . Portability
Features:
- Preamp helps provide an amplified audio output
- Back-lit control panel offers enhanced visibility in the dark
- Eq controls let you create different sound effects conviniently
Reviewers Noted:
Easy to use . Size . Build quality
Features:
- The 12db gain helps provide a clear sound quality
- Its 10 adjustable preset bands let you create different music effects
- Usb port offers easy connectivity with media players and computers for convenient recording
Reviewers Noted:
Ease of use
Features:
- Acoustic preamp with xlr and jack outputs
- High headroom with 18v power supply
- Tailor your tone with 3-band eq controls
Reviewers Noted:
Easy to use . Size
Features:
- This pedal allows you to add reverb effect to your guitar tone
- The 3-band equalizer lets you fine tune the sound output
- Built-in chromatic visual-led tuner offers convenience for easy audio customization
$244.95
4.8
Reviewers Noted:
Easy to use . Size . Sound quality
Features:
- Add a lively spark to your music with this equalizer pedal
- Panel lock feature allows you to lock your settings until you change them
- Connect this eq pedal with musical instruments to give your music distinctive effects
$259.99
4.7
Reviewers Noted:
Easy to use . Size
Features:
- Designed with 9 effects to provide multiple options for audio mixing
- Frequency response of 20 hz to 20 khz balances low and high tones effectively
- Built-in compressor offers crisp and clear sound quality
$199.97
4.8
Reviewers Noted:
Ease of use . Sound quality
Features:
- Quickly switch between multiple effects while playing guitar with this 4-bands pedal
$209.00$167.20
4.7
Reviewers Noted:
Easy to use . Quiet . Quality build . Performance
Features:
- Multi-band equalizer helps provide maximum control over bass and treble
- 8-segment led input and output metering offers a convenient level setting to avert damages
- High and low-cut filters help remove external noise for clear and crisp audio
Reviewers Noted:
Easy to use . Portability . Size . Weight
Features:
- Xlr mic inputs help reduce unwanted noise and distortions
- Usb interface lets you connect compatible devices conveniently
- Led indicator allows you to track the status of the selected functions
$299.00
4.7
Reviewers Noted:
Easy to use . Compact . Sound quality . Portable . Weight
Features:
- Engineered with 70hz to 350hz frequency range to help reduce sensitivity
- The led indicator show power and conversions status
- Active eq controls provide enhanced tweakability
$179.00
4.7
Reviewers Noted:
Easy to use . Quality build . Quiet . Performance
Features:
- Built-in led indicators keep you notified about the functional status of the equalizer
- Adjustable crossover frequency produces clear sound and rich bass
- Gold-plated xlr connectors facilitate improved conductivity for efficient transmission
1. Boss Ge-7 Equalizer
Product Details:
The boss ge-7 equalizer guitar effects pedal is a versatile and classic boss product that provides you with excellent control over your tone, featuring a 7-band slider eq to offer precise adjustments to a wide frequency range, from 100hz to 6.4khz. each band can be boosted or cut up to 15db, letting you find the sweet spot of your setup in any location, so you can find your own unique voice. experiment with the ge-7's controls to give your sound a unique twist, or as a simple way to boost your sound during solos. with its compact design, extensive controls, and durable construction, the boss ge-7 equalizer is the perfect tool for any player wanting to exercise absolute control over their tone. this extremely handy device can be used to simply boost the sound of your rig, or re-define it completely – elevating your style with innovative flair within every performance.
Specifications:
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
2. Boss Ge-7 Graphic Equalizer Pedal
Product Details:
The ge7 has 7 bands ranging from 100hz to 6.4khz, ideal for guitar sounds, with boost/cut of +/- 15db per band. this lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect. h3about boss pedals/h3the history of boss reads like the history of guitar effects. from their legendary ce-1 chorus pedal (the big gray box that started it all) to the world's favorite line of compact pedals, they've been responsible for more guitar innovations than just about anyone else. boss's compact pedal line-up began in 1977 with the classic od-1 overdrive. its warm, smooth overdrive sounds and breakthrough boss pedal features (heavy-duty construction, rubber pads on top and bottom, recessed control knobs, silent switching, a built-in led, and easy battery replacement) immediately set it apart from other stomp boxes on the market. it established the masterful design for all other boss effects pedals since. throughout the years, boss has continued to define the cutting edge of guitar effects. double-layer circuit boards allowed pedals like the dd-5 digital delay to deliver studio-quality effects comparable to rackmount units. they recently brought bassists and guitarists the first bass synthesizer in a compact pedal, the syb-3. on their 20th anniversary they proudly introduced the od-3 overdrive, a pedal that takes the smooth, dynamic overdriven tones of the legendary od-1 to a different level. like all boss products, it is a level of sound quality and durability that is unrivaled.
Specifications:
| Frequency Range | 100 Hz – 6.4 kHz |
| Power Supply | 9 V |
| Input Impedance | 1 M ohms |
| Nominal Input Level | -20 dBu |
| Current | 1000 mA |
Reviews:
They have gotten expensive over the years (along with everything else) but it's history and reputation speaks for itself. I've had various Boss pedals over the course of 30 years and I have never, ever, not once had one that failed or malfunctioned. I wanted a cheaper alternative but what made me commit to this pedal, once again, was it's true bypass/buffer capabilities. I'm using this one differently than I've customarily have used them in the past. This is to be used in a pedalboard dedicated to an electrified Kalimba (pictured below). I'll be wiring it up soon. The Boss is the ONLY new pedal that will be on that board. All that are there now I've had sitting for years and decided to put them to use.Christopher
Perhaps EQ is not the most exciting of pedals compared to other effects, but this really does make an enormous difference to your sound and help you get the best from the rest of your gear. Boost the mids to stand out from bass. Scoop the mids and boost bass/treble to sound like Metallica. Use the independent Level control as an overall volume boost (or limit – but who wants that?!) Extremely easy to set up and configure, in Boss's usual bullet-proof format. Highly recommended.Steve M.
Brilliant on-the-spot tone-shaping tool. Opens up virtually infinite sound possibilities, very handy when stacking overdrives with some or a lot of overlap in their tonal voicings. Also great for approximating the tones of completely different styles of pickups. Small adjustments tend to work best, a subtle nudge of the slider in the problematic frequency band is often all you need. Equally, you can throw that out and morph the tonal profile to something incredibly different. After my tuner it's hands-down the most indispensable pedal on my board. Allows me to shape the one tone control on the Pro Junior IV into even more harmonic/percussive/airy/creamy/bell-like territory. Been guitaring more or less 20 years now and i could probably count on one hand the amount of reviews I've been compelled to write, if that's an indicator of how game-changing the GE-7 has been to the fundamental way in which i dial in a tone.Mark
3. Fishman Platinum Pro Eq/di Analog Preamp
Product Details:
Intended for acoustic guitar, bass, or any other acoustic instrument with a pickup and a 1/4" output, the fishman platinum pro eq is a preamp and di boasting an analog signal path, onboard compression, and a variety of tone-shaping options. connections are possible via 1/4" input and 1/4" output jacks, though there's also an xlr di for feeding audio straight to the house's pa, mixer, or a recording interface. this output is pre-/post-eq switchable, meaning you can route a tonally shaped or unprocessed signal through this section of the preamp. also provided are 1/4" send and return jacks for patching in external devices to further enhance and affect your overall sound. the preamp itself utilizes a high-headroom class-a design, with a 5-band eq section that can be voiced separately, by means of a switch for bass or guitar. an integrated compressor allows you to level your signal, the effects of which can result in more sustain and a more even tone on stage. a phase switch, combined with a notch filter with a sweepable frequency, aids you in the never-ending battle against feedback in live scenarios. a built-in tuner, accurate to 0.5 cents, can be switched on to help you quickly check your tuning or re-tune between songs. to add a little more volume for solos or other stand-out sections, a boost footswitch has been provided, its level of gain adjustable by means of a pot located on the side of the unit. here you'll also find an input trim pot to better attenuate your pickups to the signal path provided by the platinum pro. the pedal can be powered with a 9v battery, or with an optional power supply.
Specifications:
| Material | Platinum |
| Number of EQ Bands | 5 |
| Power Source | Battery |
| Voltage | 9 v |
| Input Port Size | 1/4" |
Reviews:
Overall: I use this with electric guitar right at the front of the chain and I had become invaluable to my clean tone. The compressor, tuner, and low cut filter would be enough to satisfy most, but the EQ is well calibrated, the parametric mid knob is incredibly useful, and the boost gives plenty of extra clean volume. For me it provides the perfect foundation to my effects rig, but as a solo acoustic performer I could leave the other effects behind, I’m totally covered.Jacob
After doing much research on what would work best for my eclectic needs, I decided the Platinum Pro EQ/DI was going to be my best bet. I use mine with acoustic lap steels with L.R. Baggs M1A pickups and a Strat with a passive Graphtech Ghost system. I have a Vox passive volume pedal, a Boss TR-2 Tremolo, and a Line 6 Verbzilla in the effects loop. The main selling points for me were 1) the super high 10M ohm input impedance as I use a passive piezo with it, 2) the on board compressor, 3) the variable high pass filter (as opposed to just a fixed setting), and 4) the on board tuner. With minor tweaks to the input trim, pretty much any pickup system is going to work with this pre-amp. The on-board compressor sounds much better for acoustic than a typical electric guitar compressor (to my ears) as it doesn't clip or "squish" as much; it sounds very natural and improves string balance and sustain. The footswitchable boost is useful for balancing between different guitars on the fly, but I like to leave it on at the lowest setting (+3db) because 1) I get a indicator that the unit has power as there is no power LED and 2) the boost is before the effects loop so it drives the pedal chain better, like an amp's effects loop would. The tuner is accurate and flexible as it has several modes, but it will forever stay set to A=440 and chromatic for my uses, anyway. The LCD backlight could be a little brighter for outdoor use, but I'm used to using Boss TU-3's on my other pedal boards with their brightness cranked up. My only other gripe is that the master volume does not control the XLR output, but I understand that they do that so if you were running the amp output to a stage amp it wouldn't affect the DI signal. That said, I plug mine into a QSC K10 via the XLR out, but that's why I have the volume pedal in the effects loop as none of my guitars have an easily accessible volume control, anyway. The tuner still mutes the DI signal, however, which is useful. Great pre-amp!Platinum Pro User
I've quickly incorporated the Platinum Pro EQ into my acoustic guitar signal chain. It took a few gigs to dial in the settings that I want, but it's super easy to use and sounds great! Haven't played a show with a proper FOH engineer, but I look forward to sending him or her the DI signal from the unit. Only drawback is that the tuner is pretty difficult to see when playing an outdoor gig in any kind of direct sunlight. This is true for most electronics, so no surprise there.Jesse D.
4. L.r. Baggs Venue Di Acoustic Guitar Preamp
Product Details:
The l.r. baggs venue di is a direct box that is musical sounding, extremely rugged and feature-packed. the l.r. baggs venue di will redefine the meaning of hi-fidelity stage di boxes. the venue di is designed with 100% discrete circuitry for the cleanest and sweetest sound possible and also features a transformer couple di for total ground loop elimination and a new chromatic tuner in an attractive and bulletproof foot pedal package. additional features include a 5-band eq with tunable low and hi mid bands, phase inversion, garrett null notch, precision vu meter for accurate gain adjustment, dc input for use without battery and a 4-segment battery check gauge. it has never been easier to get a great sounding plugged-in sound from your acoustic guitar than with the venue di.
Specifications:
| Power Source | Battery |
| Voltage | 9 V |
| Number of Bands | 5 |
| Indicator Type | LED |
Reviews:
I bought this used through Guitar Center to boost the output of my Eastman 815 acoustic-electric mandolin, which has an internal microphone but was too quiet. I'm a hobbyist but play in worship settings. I was able to EQ the output to sound like the natural mandolin tone and to boost the volume which was important to me, since, on occasion, I play outdoors or in a large church sanctuary. The tuner is a great asset, making clip-on tuners unnecessary. The tone boost gives the mandolin even more volume for those times when you want to play a solo. The unit runs on a 9V battery or a 9v DC adapter. I happened to own already own a 9v DC adapter, and it gave the unit much more power than the battery, which was great. I definitely recommend getting a 9v DC adapter. This was a good buy!Jamie
From the very first moment I plugged in both my Martin D42 guitar with it's Fishman pickup and my five string Stelling Banjo with the KAVANJO pickup system to their respective LR baggs Venue DI preamp's a smile lit up on my face. The sound, the controlled sound, the natural sound that came out of each device was absolutely wonderful. I would have to say that my banjo sounded incredibly smooth… And the guitar tone was the best I've ever gotten from my Martin D 42. It was a pleasure to listen as a strummed or finger picked each instrument. And you could tell that the audience was listening intently… There was no distortion whatsoever. And I've really just started using the device, and haven't fully dialed in the potential. I'd also read a lot about the tuner not being accurate… Well I have two Petersen tuners… Clamp-ons … one on each instrument and I double checked it with the baggs built-in tuner… And so far it has been spot on. The boost switch is fantastic and the mute couldn't be better. I am completely satisfied and delighted that I purchased one LR Baggs Venue DI for each instrument.
I've got 2 LR Baggs Para DI's and have been wanting to try out the Venue DI. I have a Taylor 814 V Deluxe, Taylor 614 and a Taylor 354. I always bring at least one of the 6 strings and the 12 string when I play. All 3 guitars have different tonal qualities, so I wanted separate DI's with EQing abilities for each. The Paras do very well, but I found the Venue to be quicker to dial in a great acoustic tone and it sounds more transparent to me. I love the boost function too!!! Very well built! Like others who have reviewed, the tuner is slow to respond at times and phantom power would have been nice – otherwise this is a 5-plus stars.
5. Behringer Graphic Equalizer Eq700
Product Details:
The behringer eq700 7-band graphic equalizer pedal is ideal for use with your guitar. it can help you shape your sound for a wonderful performance. this guitar effects pedal also eliminates feedback with seven bands of equalization. you will have complete control over your tones under all performance situations. this behringer pedal uses a wide frequency range from 100hz to 6.4khz along with a powerful 15db boost/cut per band. there is a status led light to let you know when the device is powered on or off and when you need to check the battery. it is built to last with high-quality components and a strong, rugged construction. this gadget requires a 9v battery or the behringer psu-sb dc power supply, which is sold separately.
Specifications:
| Assembled Product Dimensions (L x W x H) | 5.00 x 2.75 x 2.00 Inches |
Reviews:
Bought this equalizer as an experiment to use between my behringer mini mixer and powered monitors. Monitors have no tone control, just volume and sounded a bit harsh in the mid frequencies. Was able to dial in a nice warm tone using this equalizer. No noise. No rack mounted eq to haul around. It was a win win. Perfect for sweetening up a small PA system. Will also use at some point on guitar and electric piano. Although the case is plastic and not metal, the device seems fairly solidly constructed. Have been using with a 9v battery with no issues. Would recommend this product. Very satisfied.wheezersguitars
I've been playing guitar for several decades, mostly acoustic. I purchased this several weeks ago to add tone shaping through the effects loop of an Orange Micro Dark at home. The equalizer has been great for this application. The 7 sliders provide a near infinite amount of adjustment, allowing you to experiment and fine tune your tone. In addition, it is extremely quiet. The pedal feels heavy enough, but is made of (seemingly tough) plastic. The sliders are effective but I'm not convinced of their ruggedness through live gigs. This is my first Behringer product so have no first hand experience with long term reliability. I am very happy with this equalizer and for the price wonder why I hadn't added it long ago – it really is much more effective than few tone control knobs.C-ville Brent
This is a nice EQ pedal. It worked just fine and was 100% functional when I bought it new. The pedal is relatively quiet when pushing the front end of my Carvin low-gain amp. In the front of my Marshall however it was a little too noisy. The EQ parameters were quite usable and did a nice job shaping my tone. The gain function was less usable, again because of the added noise (hiss). This noise was apparent using the battery or a 9v adapter. The quality of the pedal is fine, but its 100% made of plastic. I had no usability problems with it, but you should be aware that it is in fact all plastic. Overall its worth 4 stars because for $25 its a great deal. However I spent a little more on a used MXR 10-band w a 18 volt power supply that is much more quiet when pushing my Marshall. If you want some EQ shaping and don't want to drop a lot of money, this pedal is probably your best bet. You have to spend about four times as much (or more) to get higher quality, and you have to decide whether that higher quality is worth four times the price.derald75
6. Boss Ac-3 Acoustic Simulator Pedal
Product Details:
Boss is pleased to offer another "authentic boss" compact pedal; the ac-3. how many times have you been onstage or in the studio with your electric guitar, and wished that you'd brought an acoustic along? for musicians who travel light, hauling an extra guitar isn't practical. the ac-3 gives electric guitarists an acoustic effect with a tap of the pedal. boss's cosm acoustic-modeling technology is beautifully showcased in this small but powerful pedal, which simulates an acoustic guitar much more precisely and realistically than previous technology has allowed. derived from boss top-of-the-line ad-8, the ac-3 pedal simulates the sound of an acoustic guitar with incredible precision. four simulation modes are provided: standard, jumbo, enhanced, and piezo-equipped; the latter supplies that famous "cut through the mix" direct piezo sound. previous compact acoustic-guitar modeling-pedals were promising, but now the bar has been raised with boss ac-3.
Specifications:
| Technology | COSM |
| Indicator Type | LED |
| Built-In Reverb | Yes |
| Number of Knobs | 4 |
| Frequency Range | 50 Hz – 10 kHz |
Reviews:
Look, if you REALLY have to have a Martin D-45 sound, guess what Of course this pedal will never do that. BUT, if you need something that sounds somewhat acoustic-like in a band mix and don't want to carry an extra (not to mention fragile) instrument, then this will work just fine. Not authentic, not great, not amazingly life-like, just FINE. With realistic expectations this pedal is as good as any for what it intends to do. I use this in an A/B/Y rig. Tha A side goes to my regular pedalboard and amps. The B side goes to this pedal and a volume pedal direct to FOH via a direct box. I get the "acoustic" sound fed back to me through my monitor (or ears if that applies occasionally). I can have straight electric, straight "acoustic", or use the Y option to blend the two to my liking. Works for me, YMMV. I play "for-hire" mostly and my clients love the versatility of my setup. Also, DO NOT run this pedal through a tube amp if you want the best results. It will definitely work best either run straight to FOH or through a clean solid-state amp. Hope this helps some of you who may be on the fence.steveheroan2010
Overall: Here's it in a nutshell, if you have a song or two to play onstage it can work but won't be a great sound. Positive features are response time doesn't lag, and it does have a reverb feature. If you like the sound and feel of an acoustic you won't like this. To say you wouldn't bring an acoustic to a gig for fear of it being damaged is kind of lame, maybe keep the expensive acoustic home but take the cheap one, you will get a better sound. I plugged a strat into a clean amps and it sounded better.
Have read many reviews both positive and negative about this pedal. The negatives were not specific but didn't hear their guitar and amp give an acoustic sound with this pedal. The positives were sometimes vague but they liked it. Then some went on to say they liked it not through a tube amp but through an acoustic amp or a PA system. I HOOKED IT up through a very small practice amp set clean and used the emulation out into a mixer then into a low power full range PA type system. Sounded excellent with neck single coil. Didn't try it with the middle single coil nor the bridge humbucker. I am very happy to have this pedal.Kenmorek
7. Boss Ad-10 Acoustic Guitar Preamp
Product Details:
Packed full of amazing features, the boss ad-10 is a professional preamp/di solution for gigging acoustic players of all levels. it's always difficult to get your amplified signal to sound as inspiring as the natural acoustic, but with the boss ad-10 you have all the tools needed to do just that! essentially, the ad-10 is a dual channel acoustic preamp/di pedal that is packed with essential features for the working guitarist. equipped with a four band eq with variable low cut filter you get total control over your tone, while the multi band compressor delivers completely transparent dynamic control. with 2 independent instrument inputs, you have 2 separate eqs perfect for blending pickups or splitting 2 guitars. with an onboard looper with 80 seconds on recording time, you can layer your sound with ease. the built in ambience, delay and chorus effects are fully adjustable and add a real versatile set of sounds to your rig. designed to interact seamlessly with pa systems, stage monitors and external effects, it's the ultimate on stage companion. with usb connectivity it can be used as an audio interface for recording and playback. it's a comprehensive solution to acoustic performance.
Specifications:
| Technology | MDP |
| Output Impedance | 1 k |
| Cable Length | 18.6' |
| Connector Type | XLR |
| Equalizer Type | 4-band |
Reviews:
I was disappointed in the sound this unit provided. Sounded good at home but was flat live. It pretty much cut my sound probably a quarter of what was normal to me. Had to turn it up which then caused feedback even with the double notch filter on. Had to tweak on the fly. I actually had to put a feedback killer in the soundhole of my Taylor to kill the feedback. This was all during my gig! Not cool. This box would probably be best for home studio stuff but I will Not gig with this unit ever again. P.s I love Boss. I own 2 Katanas and various pedals. I just don't love the Ad10.Frank G
Than-you Josh Estock for getting it to me and keeping me posted on shipping & delivery. I am really liking the Boss AD-10 Acoustic Preamp. I have been waiting for some time for the AD-10 to be available. I like the Boss AD-2 as well. But the AD-10 makes it so I don't need anything else. I can run AC or 6AA batteries for the power. Then adjustable gain in on 1 or 2 channels even 1&2 at the same time. Digital EQ on both channels. Adjustable Low Cut 10-990Hz , Mid adjustable 200Hz-5.0kHz, Treble, Presence, and Level of eq. Anti-Feedback Reduction, 2 notch switches. 3 Types of Acoustic Resonance (Think Aura) kind of. To me it sounds more woody and natural. You can adjust the tonal quality as well. It's a fully adjustable blend with the pickup. Off, Soft or Hard Compression, 3 Delay effects, 3 Chorus effects, 3 Ambiance/Reverb effects, Boost, 90sec Looper, extra Effects Loop, Tuner, 10 memory Preset Banks. Option for volume pedal or switches. Smaller than a iPad. Just played with the mic and pickup on using a Bose Compact 3 ft away at 97bd w no feedback. Fits perfectly in my SKB iSeries case. I Gig with two nylon string guitars a Andy Culpepper Spruce Blanca Flamenco with a LR Baggs Dual Source Pickup (Element and Mic) I run the Element into input 1 and Mic into 2. I mix the signals at 60%pu and 40mic. I do eq each separately. My other guitar is a Cordoba GK Studio Limited with the Fishman Presus Blend pickup. It's two sources a undersadle and mic blend. The AD-10 sounds great with the GKSL . For most gigs I see myself bringing the Guitar, Smal Case with Boss AD-10, and Bose L1s or Compact, with a few cables. For gigs with no AC I'll use same guitars, Boss AD-10 with batteries and a Behringer Europort MPA40BT. Good for outdoor wedding ceremonies or smaller gigs 75-150 people. The Boss AD-10 makes my life very easy. I will try using two Line 6G-30 for wireless functionality soon.Victor
The constant striving to make even a really great acoustic guitar sound as good on stage (especially through other people's PA systems) as it does in a studio with a Neumann mic is probably like looking for a musical unicorn. I've tried LOTS of Acoustic pedals and amps, and the AD-10 is likely to get closest. It sounds fine through my PA, a Fender Deluxe Reverb, a Boss Katana 100 and even a little Bose S1 Pro. The upside is lots of functions (meaning you can tweak endlessly); the downside is lots of functions (meaning that it has lots of menu items to get your head around). Other pluses of course: two inputs with separate levels and eq; usable effects, tuner, reverb, comp and boost; noise reduction (gets rid of slight whine when using Boss WL-50 wireless); will run off a powerbank; acoustic resonance (still not a Neumann in a studio but useful) and especially 10 memories: so I already have presets to suit a Taylor, a Fylde, a Seagull, a Sire, a J160E and a Tele with a Fishman Powerbridge and I'm deciding which guitars to use the rest on. The looper would not meet Sheeran requirements but it's handy if you want to solo over a verse/chorus pattern you previously played. So far very good, and the manual is reasonably easy to follow. Nearly 5 stars, but that's reserved for when a pedal is as good as a Neumann.Mick C.
8. *boss / Eq-200 Graphic Equalizer
Product Details:
Your sound. exactly the way you want it. with the boss eq-200 graphic equalizer pedal, you're in complete control of your tone. don't just settle for the subtle corrections that your amplifier's eq gives you. utilise the eq-200 and take advantage of total sonic domination. two 10-band eqs can be operated in stereo, parallel, or series, giving you plenty of options for your signal flow in combination with the eq-200's stereo connectivity. you can even alter the centre frequencies with three selectable range settings, providing the flexibility needed for use with guitars, bass, keyboards, and more. an intuitive interface makes using the pedal a breeze. you can save your favourite settings for instant recall, whilst a handy level slider gives you the perfect platform for boosting either of the eq channels for searing leads. and with 32-bit ad/da, 32-bit floating point processing, and a 96khz sample rate, the boss eq-200 guarantees crystal-clear sound every single time.
Specifications:
Reviews:
After long research and a round of tips from pros, I decided an EQ could help me refining the tones and finding the "sweet spot" for my rig. This unit has several advantages over the alternatives, mostly the number of frequency sliders and the 4 slot memory (+ the manual, which allows for 5 EQ setups to be reached quickly). It responds perfectly, to every slight change. The LCD screen shows the curve interactively, which is very helpful for the configuration. The main use I will initially have for it includes: tweaking the sound of humbuckers (to single coilish) an P90s. To play around, basically… As a booster, with a memory patch adjusted for that purpose. Lastly, it is not exclusive for guitar, as the the spectrum includes lower and higher cuts. So it is a good tool for recording other instruments as bass or piano, and I reckon It could be handy to experiment with voice recording as well.
9. Lr Baggs | Align Reverb Acoustic Pedal
Product Details:
Very lightly used lr baggs align reverb. after full, natural body for your acoustic playing? the lr baggs align reverb is built around a tailor-made circuit that easily blends wet/dry signals for warm, organic presence in a streamlined package. analog equalization and a dedicated decay control for nuanced reverb trails that add dimension and depth to your performance no matter what size room you're in.
Specifications:
| Input Control | 1 x 1/4" |
| Output Control | 1 x 1/4" |
| Power Supply | 9V |
| Design | Wood-grain |
| Number of Knobs | 4 |
Reviews:
As someone who prefers the "flavor" of vintage acoustics I have been using LR Baggs M1A pickups for some time because they sound great and they don't seem to cause as much feedback live as an internal style pickup… that said, there has always been something missing I couldn't put my finger on when plugged in… I happened across a video of the Align Session pedal by Justin Weaver and saw how it worked… and it did not disappoint me! Very simple design and adds "a little bit" of what's missing with the saturation knob and the compression knob is pre-configured only to work on the most common issue frequencies of acoustic guitars. I just used it at an intimate songwriter show and it sounded great! …. only downside is it doesn't come with a power cable 🙁Jeff
I really like this pedal. To me, it firmly falls in the camp of a 'tone-enhancing' pedal (as opposed to a 'tone-shaping' pedal). If you already like the sound of your acoustic pickup and you're just looking to enhance things further, then it's a great match for your rig. But if you're unhappy with the sound of your guitar pickup, this doesn't have the dramatic tone-shaping capabilities that something like a dedicated EQ or preamp will have. So for me, that's really where this pedal shines—using it as an enhancement alongside a good preamp. I've linked to a video review below where I chat more about what this pedal does, listen to it in action, and cover some of the general recommendations for setting it up. I hope you find it helpful. Thanks ; )
10. Trace Elliot Transit A Acoustic Preamp & Effects Pedal
Product Details:
This is the perfect pedal for any acoustic player. featuring all of the most commonly used effects, the transit a puts complete control at your feet. the built-in effects are reverb, delay, chorus, and boost. each effect can be turned on and off independently using their own dedicated footswitch. each effects section has its own controls. other features important to acoustic players are the eq and tone-shaping. the transit a delivers on this front with a phase switch, a pre-shape switch, and a piezo switch. also built in is a chromatic tuner. for quiet rehearsal, there is a headphones output. if you'd like to play with backing tracks, there is an auxiliary input. finally, with pre and post balanced xlr outputs, which include a ground lift, the transit a works perfectly as a di box.
Specifications:
| Width | 12.3" W |
| Depth | 4.5" D |
| Height | 2.3" H |
| Weight | 2.6 lbs |
| Number of Equalizer Controls | 3 |
Reviews:
Overall: I was looking for something that would give me compact unit that would leave me prepared for any eventuality.This box with its outstanding effects for acoustic, and great options for output, leaves me feeling prepared for any eventuality. No direct box needed!Its very small footprint gives me a lot of functionality in a very small space, without chincing on quality. IT feels durable and substantial without being a tank.My Taylor K14C sounds awesome through it!Its hard to comment on customer service when you have had no need to contact the Mnfg. so don;t consider my rating on that since I cant really commentJoseph
I love this thing! Pairs well with my Taylor 110. The preamp is responsive, the boost is a nice touch, and the chorus and reverb are lush. Tap tempo delay is great. I will use this weekly for worship guitar at church. My only bone to pick was the power adapter was bad right out of the box. I had another so it worked out, but still. Great unit and you definitely get what you pay for.Imnotluckyjustsaved
I play mandolin and guitar in the church band and I have long since found that going direct through the P.A. system is the most efficient and quickest way to get a fidelity acoustic tone into the mix. The great thing about the Trace Elliot is that it is a quality direct box with XLR outputs with quality effects. I love the simplicity of the controls which allows me to individually dial in the effects such as reverb, delay, chorus, and, since I often take solos, a dedicated boost stomp for the extra punch I need for taking the lead with distinction. The simplicity of the controls allows me to make individual tweaks right on stage, unlike my Zoom A3, which has to go through several computer digitized manipulations, and actually requires pre-programmed patches. The Trace Elliot eliminates the digital windows through plain straightforward simplicity.randalcummings
11. Source Audio – Eq2 Programmable Equalizer
Product Details:
Digital eq pedal. 4 saveable preset. db 18 boost and cut. auto scroll for tremolo type effects. durable true bypass construction. the sauce audio sa170 is a very diverse eq pedal. as you'd expect you can adjust the eq range db for the bands. however it also is midi controllable, has 12db of clean boost and has a scroll function to cycle through your settings. each turn of the central knob will give you 1db. so don't worry – even though there are 5 lights representing the eq band on the image, you can adjust within this range aided by a darkening / lightening led. save your setting in one of 4 slots for easy use.
Specifications:
| Number of Pins | 5 |
| Connector Type | USB |
| Jack Size | 3.5 mm |
| Gain | 12 dB |
| Number of Frequency Bands | 10 |
Reviews:
Bass player. I'm in a cover band and use 3 different basses with different tunings. I used the eq2 as a gain level for each bass. Nice consistant levels. Had my first gig with it and it worked flawlessly. I haven't had a chance to dive deep into it. Not sure I really need to yet. Yes I would buy again.Kevin
A scalpel for tone tweaking with the ease of midi triggering.Reviewed by Andertons Music Co.
Great swiss army knife type pedal thats easy to use, solid construction and excellent functionality. Awesomeness!!!bmima
12. Orange Acoustic-Pedal Preamp/eq
Product Details:
The orange acoustic pedal is an innovative preamp pedal that lets you sculpt your sound, eliminate feedback, and plug straight into the pa- and that's just the start. for the discerning acoustic guitarist looking to elevate their sound and expand functionality, this compact preamp could provide all the answers. the buffered fx loop keeps your signal pure while the 18v power supply delivers stunning headroom that instantly delivers professional, studio-quality sheen. using a low-noise jfet circuit design means no unwanted noise- no hiss, even with the treble control cranked. utilise the precise 3-band eq controls to carefully sculpt your tone to perfection. then, the genius xlr output means you can run straight out into a pa, for maximum ease of use. everything needed to make your acoustic sparkle, all in one pedal.
Specifications:
| Product Dimensions | 4.13 x 2.36 x 5.12 inches |
| Color Name | Orange |
| Signal Format | Analog |
| Voltage | 18 Volts |
| Controls Type | Knob |
Reviews:
Comprado como complemento para utilizar tanto con amplificador como directo a ordenador.
Habe das Pedal zu Hause probiert, gibt das Signal unverfälscht weiter. Habe einen Auftritt damit gespielt, und der Tontechniker konnte das Gitarrensignal problemlos und in guter Qualität verstärken. Gut ist, dass zwei Ausgänge vorhanden sind. Also neben XLR für PA/Monitor kann man noch einen Verstärker betreiben, wenn nötig. EQ ist eher dezent, reicht aber völlig aus, um das Signal deutlich zu färben.
13. Zoom Ac-2 Acoustic Creator Pedal
Product Details:
For restoring acoustic tone to dis, 16 source guitar presets, low-noise preamps, 3-knob eq, boost & anti-feedback button, magnetic/piezo pickup selector switch, balanced xlr output, 2 x 1/4" outputs, runs on 2 aa batteries, ac power, or usb, includes ad-16 ac power supply geared for acoustic guitar players in amplified contexts the zoom ac-2 acoustic creator is a di which aims to recreate the natural sound of your guitar restoring the tone that’s inevitably lost through using conventional acoustic pickups. the pedal features 16 source presets so whether your axe is a dreadnought or a parlor guitar this device has the right sonic signature for you. you can even select presets for upright bass nylon-string guitars and 12-string instruments.an onboard toggle lets you choose between magnetic and piezo thereby tailoring the pedal’s mechanics for each type of system. a three-band equalizer helps you balance the tone of your instrument while reverb adjustable volume anti-feedback control and a built-in tuner are boons as well. there’s even a boost switch to give you up to 9 db of gain during lead breaks or solos. moreover whichever tone you choose the high-quality low-noise preamp will help you achieve a lush and resonant sound. the prominent volume knob controls both input gain and output level eliminating the guesswork in matching sound levels.a standard instrument input is provided for connecting to the pedal. for outputs you can either used the balanced xlr jack or if stereo sound is required the dual 1/4” connections will get you to your destination. this routing facilitates use with amplifiers mixers interfaces and even headphones as one of the 1/4 jacks doubles as a headphone output for monitoring your sound right from the di. power is available via the included power supply through batteries or over usb.
Specifications:
| Number of Effects | 16 |
| Sampling Frequencies | 44.1 kHz |
| Signal Processing | 32-bit |
| USB Type | Micro-USB, Type-B |
| Weight | 0.570 kg |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
14. Boss Eq-200 Graphic Equalizer Effects Pedal
Product Details:
Simply sophisticated with the 200 series, boss introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. all 200 series pedals feature premium audio quality with 32-bit ad/da, 32-bit internal processing, and 96 khz sampling rate, as well as support for additional control via external switches, an expression pedal, or midi. the eq-200 is the most flexible compact eq ever created for guitar and bass. it features two wide-ranging 10-band eq channels, plus an onboard graphic display that shows the current eq curve at a glance. selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the eq-200’s performance for different instruments.
Specifications:
| Product Type | Equalizer pedal |
| Height | 2.37” |
| Width | 4” |
| Depth | 5.43” |
| Weight | 1 lb 7 oz |
Reviews:
After long research and a round of tips from pros, I decided an EQ could help me refining the tones and finding the "sweet spot" for my rig. This unit has several advantages over the alternatives, mostly the number of frequency sliders and the 4 slot memory (+ the manual, which allows for 5 EQ setups to be reached quickly). It responds perfectly, to every slight change. The LCD screen shows the curve interactively, which is very helpful for the configuration. The main use I will initially have for it includes: tweaking the sound of humbuckers (to single coilish) an P90s. To play around, basically… As a booster, with a memory patch adjusted for that purpose. Lastly, it is not exclusive for guitar, as the the spectrum includes lower and higher cuts. So it is a good tool for recording other instruments as bass or piano, and I reckon It could be handy to experiment with voice recording as well.
15. Zoom Ac-3 – Acoustic Creator
Product Details:
Fully functioning & in great shape. includes original box, which is a bit tattered. the ac-3 acoustic creator is an enhanced direct box with essential di features that help you achieve great tone no matter where you play. the ac-3 is equipped with an effects generator, stereo outputs, and a compressor. with these features plus the same high-quality preamp and 3-band eq as the ac-2, the ac-3 is an all-in-one acoustic toolkit that’s perfect for live performance and studio. with 16 source guitar presets, the ac-3 recovers the sonic characteristics of a variety of guitar types and body shapes. you can choose from dreadnought, upright bass, nylon strings, 12 string, and more. simply select your guitar of choice, then choose piezo or magnetic pickup. from there, the ac-3 is ready to reproduce and amplify your guitar’s tone with complete accuracy.
Specifications:
| Frequency Response | 20 Hz – 20 kHz |
| Number of Effects | 9 |
| Sampling Frequency | 44.1 kHz |
| Number of Bands | 3 |
| Built-In Compressor | Yes |
Reviews:
I’ve been searching for multi effects/DI pedal to compliment my Weissenborn style acoustic guitar. My sound hole passive pickup does a great job except for a somewhat weak output. Enter The Zoom AC-3 to the rescue. Now I have output headroom to spare. Everything about it is top shelf. Extremely flexible effects (kudos to ZOOM for using knobs rather than menu driven). And, it’s build quality is terrific. Very solid unit. I’m very glad I decided to try the ZOOM AC-3. BTW, the AMS payment options are unbeatable!SC n NC
I needed a DI box that could also boost the signal to the PA for solos and the Zoom does that well; the stage tuner is helpful, though I still use headstock tuners from habit and have accidentally muted my guitar stepping on the tuner switch when I wanted the boost switch. Providing presets for guitar body style should be useful, but once an effect is chosen I'll likely stick with it and use the equalizer knobs instead. Rarely use reverb playing with other instruments through the PA. The anti-feedback function and lift button haven't been needed though that was a big problem with my old DI box. Not using batteries, but two AA ones probably wouldn't last long.Mike
Makes a 200 dollar guitar sound like a 1000 dollar guitar. Makes a 1000 dollar guitar sound like a 2000 dollar guitar and so forth. The tape delay and tremolo sound so lush and amazing. The other effects sound amazing too, but I love the tape delay. What is amazing about this pedal is that it gets your little nuances and fixes them by smoothing them over. It's hard to find this pedal under 300 dollars, but if you have to own just one pedal for an acoustic then this is the one.satu87121
16. Wampler Equator Equalizer Pedal
Product Details:
Analog eq pedal and clean boost with sweepable mids every guitar, pedal, and speaker that comprises your signal chain has a different character. and it's for this reason that traditional multiband graphic eqs often fall short. the wampler equator eq pedal, with its fixed bass and treble controls and fully sweepable 2-band semi-parametric midrange, gives you control where you need it and convenience where you don't. the equator's discrete analog circuitry imparts a sweet, airy presence and three-dimensional depth to your signal. its 25db of boost or cut quickly compensate for deficiencies in arrangements or equipment. you can even use the equator as a clean boost to drive your amp harder. whether in front of your amp or in your effects loop, you'll find the tonal control you're after without the rigmarole in the wampler equator eq pedal from sweetwater. comes with pedal, box, and pedal bag. in great condition, barely used.
Specifications:
| Number of Knobs | 7 |
| Number of Bands | 4 |
| Voltage Range | 9 V – 18 V |
| Dimensions | 2.5′′ x 4.50′′ x 1.5′ |
| Weight | 2 lbs |
Reviews:
As an audio engineer who has done a lot of analog design and guitar player, I find this to be a real treat. For one, no sliders? Who really feels like bending over your guitar to micro-adjust little sliders at your feet? Real knobs! As far as electrical design goes, it hits the sweet spots in center frequency and Q just right. It really brings a lot of life out of your instrument.
Overall: I have been searching long time for really great EQ. In my opinion EQ and reverb are THE MOST important pedals in any rig. Doesn't matter you play metal, rock, blues or country and Equator nailed it. I'm metal player and been looking long time for EQ, that would shape low end and lower mids and change em into incredible roar. Equator is a first EQ I have did it. It took me few days to learn and tweak this pedal, but final result is incredible. So my rig is Peavey 6505+ to Fryette Powerstation PS-100 to Friedman Runt 2×12 120Watts cab ( V30"s)Run Equator as a first pedal in FX loop , before delay and reverb at 18Volt from Cioks DC-7. Before I bought it, have read review that it's noisy. To be honest every EQ is kind of noisy .MXR are very noisy, WMD utility EQ noisy, Whirlwind EQ noisy…etc, etc, but Equator isn't really that noisy. There is a small amount of noise at 18V , but totally acceptable to the point you don't have to use noise gate. Also important is how you set your volume knob on the pedal. I matched signal level coming from fx send with pedal. Now I concentrated on two mids frequencies. Mid 1 and Mid2 frequencies ( lower row) These two knobs ( actually job they doing) are genius. Together with bass knobs allow you to shape your low end to very wide tonality spectrum. From juicy and tight pure metal low end , to doom destruction. It simply need a little bit time to understand this pedal and spend a bit time to tweak it. In general all pots reacts really great for adjustments. No hissing high or boomy bass. Equator is really great tool and I really recommend it to everybody…doesn't matter what kind of music you play.
Great EQ pedal for bringing out midrange tone on your rig.Kyle
17. Behringer Ultragraph Pro Fbq6200hd 31-Band Stereo Graphic Equalizer
Product Details:
Ultragraph pro fbq6200hd this is a demo model i bought a while ago, but just plugged it in to test it. everything works as it should and it looks mint. the lights on this thing are just awesome to watch. i'm selling stuff that i never use right now. no scratches dents, mars or defects as far as i can detect, so i's quite a bargain at the price.original box, paperwork and power cord included.
Specifications:
| Audio Channels | Stereo |
| Functions | Equalizer |
| Equalizer | Yes |
| Features | Subwoofer output jack, low-cut filter, built-in feedback detection system, rack mountable, separate channel equalizer |
| Equalizer Type | Graphic |
| Equalizer Band Qty | 31 bands |
| Equalizer Center Frequencies | 31.5 Hz, 40 Hz, 50 Hz, 63 Hz, 80 Hz, 100 Hz, 125 Hz, 160 Hz, 200 Hz, 250 Hz, 315 Hz, 400 Hz, 630 Hz, 1000 Hz, 1600 Hz, 2500 Hz, 3150 Hz, 4000 Hz, 5000 Hz, 6300 Hz, 10000 Hz, 12500 Hz, 16000 Hz, 20000 Hz, 20 Hz, 25 Hz |
| Connectors | 2 x balanced audio input (XLR x 2) – rear 2 x audio input (phone 6.3 mm) – rear 2 x balanced audio output (XLR x 2) – rear 2 x audio output (phone 6.3 mm) – rear Subwoofer output (XLR) – rear |
Reviews:
One of Behringer's best EQ's at an incredible price. Very simple to connect and use. Within minutes of setting it up it already showed me that my system was having feedback from the input sorce and showed me exactly what dB was affected the most by the feedback. Just a small thing it has done within a few minutes of use. Very clean sound and does a lot to enhance your rack and monitor output. Anyone who is in the market for an EQ I would certainly recommend putting in the few extra $ for this upgraded version of the UltraGraph. As a person who is all about high quality and high end equipment I couldn't be happier with this unit and Behringer in a whole.fab_track
Straight up is it the best unit out there? Nope, Is it great value for money and functional? Yes absolutely, this unit performs great for my intended purpose and in my opinion like every other Behringer product I own is great value for money. My usage scenario Rode Pod mic into DBX286 mic pre /compressor into Aphex Compellor then FBQ1502HD, works a treat.Robert D.
18. Boss Ve-8 Acoustic Singer
Product Details:
For singer/songwriters who play acoustic guitar, its a competitive, crowded world out there. the ve-8 acoustic singer delivers that extra edge you need to stand out and shine, supporting you with professional boss sound every time you perform. simple to use, the ve-8 provides studio-quality voice and guitar processing plus impressive real-time harmonies and looping in one compact, go-everywhere package. with such great sound and powerful creative features at your command, you're destined to bring down the house everywhere you play.
Specifications:
| Interface | USB |
| Jack Size | 0.25" |
| Input Port | XLR |
| Input Impedance | 4 k ohm |
| Indicator Type | LED |
Reviews:
Sound: Initially this product was awesome. The price at 299 should make this pedal last. I know electronics go bad but when that happens the manufacturer should be accessible for repairs. So much for a year's warranty. Features: When working this is an awesome pedal. Acoustic resonance is fantastic . The vocal enhancer lets your voice sound fatter and broad. the harmonizer is fantastic. None of this matters when the pedal fails. Ease of Use: Sounds great when working. Quality: no Value: this product is not worth the price Manufacturer Support: I have dealt with this company with no response to getting the pedal repaired. They are not reliable. The Wow Factor: pedal looks great for a paper weight. Overall: I have had this pedal for less than a year. I have purchased many pedals and acoustic amps from Boss. The guitar channel has completely failed and the vocal is not performing as it did when I first got it probably because the guitar channel is causing a malfunction. Try getting the BOSS/ROLAND support. Impossible! I would not buy this again . I will look for other options. Customer service is the reason I will go elsewhere.Timothy
I've had the VE-8 for a few years and I recently realized how much of my time I've wasted. It take forever to get the harmonies dialed in where they don't get too glitchy, I wouldn't ever trust using this thing live. The presets are awkward to switch unless you want to used an external switch but then you're taking the use of the 2 external switch options so then when you switch keys you have to bend over, definitely not great for my bad back and it's too big to keep off the floor to make using the buttons easier, otherwise adjusting the on board guitar effects are a real pain. Most of all, this thing has a horrible hiss through any PA system or acoustic amp I have tried it with, fun to screw around with at home but would NEVER use live. On the plus side like all Boss pedals it's built like a tank.DRS
The VE-8 has been a game changer for me. It gives me the ability to add texture changes from a verse to a chorus, using the layers of the effects, the harmonies, and EQ changes. That makes my live solo performances much more interesting to perform and hear. The "under the hood" options on this thing are incredible, like the ability to globally EQ the guitar, the voice, and adjust things like input gain on the guitar, tremolo speed, delay times, etc. This thing is really well-thought out in what it offers the artist, and it's also easy and intuitive to operate at the surface level. The harmony section offers some very useful features, such as you can simply cue harmonies off the guitar chords, or designate the key, or a hybrid of the two. I have found that for some of my songs I like one method, but on others I prefer an alternate because of how the VE-8 creates harmonies for that specific song. The VE-8 provides lots of features, lots of flexibility, and seems extremely well thought through. I have also found the programming to be really efficient and easy to engage. Sometimes that's not true of stuff like this, and although I have years of audio engineering and studio experience, I hate being in the position of pushing buttons to get through menus, setting parameters, repeat, repeat, and all that. The VE-8 is so nicely knob-based that you really just need to check the manual to find the "entry key" commands, get into the parameters, change them easily, and voila, you're right back to playing. The VE-8 was a superb investment in my capacity to share my songs, music, and creativity with audiences. I highly recommend it.Christopher
19. Tech 21 Acoustic Fly Rig Multi-Effects
Product Details:
Acoustic instrument multi-effects pedal with sansamp amplifier emulat built-in tuner 5 footswitches compression reverb the tech 21 fly rig series is known for travel-friendly, grab-and-go pro tones for live and studio dates. the latest addition to the series is the acoustic fly rig. specifically tailored to complement the particular nuances and traits of acoustic instruments, the acoustic fly rig provides round-the-clock ease and confidence for any gig, anywhere and everywhere you perform. the all-analog sansamp provides professional grade tweakability for any situation with sweepable, semi-parametric, active eq controls. there’s a notch filter, sweepable from 70hz to 350hz, designed to diminish the sensitivity for feedback caused by the resonating, low frequencies of acoustic guitars. a low pass filter, sweepable from 16khz to 1.5khz, rolls off undesirable frequencies and artifacts. it also features the independent boost function, up to approx 12db, for solos. includes a wide mid-range boost for improved clarity. comp, for compression, utilizes old school, all-analog, fet-based technology, which is inherently warmer, more transparent and musical. the dedicated reverb function emulates the rich ambiance of open spaces, ranging from room to hall. dla emulates a warm sounding analog delay. it features time and repeats controls and dedicated tap tempo footswitch. chr is a preset chorus based on pitch-shifting technology for a more natural, 12-string-style sound. the chromatic tuner is within the efx section. you simply hold down the tap/tuner footswitch to engage the tuner, which simultaneously mutes the signal path.
Specifications:
| Weight | 1.29 lbs |
| Height | 1.25" |
| Width | 12.5" |
| Depth | 2.5" |
| Frequency Range | 70 Hz-350 Hz |
Reviews:
Very helpful staff even while very busy with other customers. Was able to try both the Fender Downtown Express and the Fly Rig V2. Yes the Fly Rig was more expensive but it also had more features. Plus the Downton Express produced a nasty pop when switching the compression in/out and it didn’t have a tuner. Very happy with my Fly Rig purchase and the price match. Thanks!Poida B.
I've had the Liverpool character pedal for a long time. It sounds like a Vox. I've had both versions of the RK5 Fly Rig (still have and gig v2) and the dUg DP3X (gig this one, too). I hadn't heard about this until I got my latest issue of Guitar Player magazine in the mail and these guys are al over the outside back cover ad. I ordered it immediately through Sweetwater. It sounds great! I have the UAFX Ruby, a Quilter Superblock US (shoulda been the UK, I know) and a Mooer GE 300 Lite: all trying to solve the "silent stage" conundrum when I can't bring out my Top Hat or Dr Z or Fender TRRI. But this is the pedal I was waiting YEARS for: XLR and 1/4" outputs for FOH and monitor amp, respectively. Voxy Voxness that's Voxtastic for the convenient, silent stage live application. While the other products are fine in their own capacities (and, to be fair, the Ruby sounds slightly better though digitally noisy in live situations), I would've saved about a thousand bucks had I known this existed. But, um, no built-in tuner. That'll cost ya a star, particularly since the RK5 and the dUg have built-in tuners. (Really, Tech 21?) Totally a keeper!!
I bought this because I'm a huge fan of the RK5 Fly Rig, but I wanted something that was programmable and MIDI controllable, to integrate with my pedalboard. The PSA2 does all that perfectly but it's the sounds that have blown me away. It sounds incredible. Every Marshall tone is achievable and authentic, so are Fender and Mesa tones, and anything in between. And it really responds well to picking dynamics, and when you back off the volume on the guitar it cleans up perfectly. And…it just feels and sounds better than digital – my HX Stomp is now for effects only. I couldn't be happier, it's exactly what I needed. Thoroughly recommended!rossmacrae777
20. Behringer Ultragraph Pro Fbq3102hd 31-Band Stereo Graphic Equalizer
Product Details:
Used behringer ultragraph pro. the behringer ultragraph pro fbq3102hd 31-band graphic equalizer is packed with the professional features you need. an fbq feedback detection system quickly locates problem frequencies. a planet earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption. its 4580 dual op-amps exhibit low noise and excellent sound quality. remove floor rumble, hiss, and other unwanted frequencies with sweepable highpass (low-cut) and lowpass (high-cut) filters on each channel. the ultragraph pro's 12-segment led meter is extremely precise, and its input gain controls make setting levels a piece of cake. the behringer ultragraph pro fbq3102hd 31-band graphic equalizer is a great value for your studio or live sound rig.
Specifications:
| Indicator Type | LED |
| Frequency Range | 30 – 200 Hz |
| Connector Type | XLR |
| Voltage | 100 – 240 V |
| Dimensions | 3.5'' x 19.02'' x 5.91'' |
Reviews:
One of Behringer's best EQ's at an incredible price. Very simple to connect and use. Within minutes of setting it up it already showed me that my system was having feedback from the input sorce and showed me exactly what dB was affected the most by the feedback. Just a small thing it has done within a few minutes of use. Very clean sound and does a lot to enhance your rack and monitor output. Anyone who is in the market for an EQ I would certainly recommend putting in the few extra $ for this upgraded version of the UltraGraph. As a person who is all about high quality and high end equipment I couldn't be happier with this unit and Behringer in a whole.fab_track
Straight up is it the best unit out there? Nope, Is it great value for money and functional? Yes absolutely, this unit performs great for my intended purpose and in my opinion like every other Behringer product I own is great value for money. My usage scenario Rode Pod mic into DBX286 mic pre /compressor into Aphex Compellor then FBQ1502HD, works a treat.Robert D.
