Are you looking for the Best 50 Watt Guitar Amp? If so, you’ve come to the right place.
Choosing the Best 50 Watt Guitar Amp can be difficult as there are so many considerations, such as Marshall, Fender, Peavey, VOX, Blackstar, Randall, MESA/Boogie. We have done a lot of research to find the top 20 Best 50 Watt Guitar Amp available.
The average cost is $871.13. Sold comparable range in price from a low of $164.33 to a high of $2879.99.
Based on the research we did, we think Vox MV50 High Gain 50W Guitar Amplifier Head is the best overall. Read on for the rest of the great options and our buying guide, where you can find all the information you need to know before making an informed purchase.
20 Best 50 Watt Guitar Amp (20 Sellers)
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$219.99
4.7
Reviewers Noted:
Good sound quality . Portable . Powerful . Ease of use . Build quality
Features:
- Fully tested
- 100% functional
- Very good condition
Reviewers Noted:
Lightweight . Easy to use . Good sound quality . Portable . Visual appeal
Features:
- Tested and sounds excellent.
- All features work excellent.
- Looks new.
$229.99
4.8
Reviewers Noted:
Easy to use . Good sound quality . Lightweight . Quality build . Powerful
Features:
- Mint condition w/ boss foot switch.
- One owner.
- Used a few times.
Reviewers Noted:
Easy to use . Good sound quality . Quality build . Lightweight . Portable
Features:
- Guitar amplifier 50/25/0.5w 1 x 30.5cm with 5a voice
- Emulated cab/recd output headset
- 4 tone slots
Reviewers Noted:
Good sound quality . Quality build . Easy to use . Attractive . Powerful
Features:
- Add a little boost.
- The foot switchable gain boost feature allows you to develop your sound by adding an extra level of gain to deliver crunch to your tone.
- Tilt your sound.
$279.00
4.7
Reviewers Noted:
Easy to use . Sound quality . Attractive . Lightweight . Portability
Features:
- Feature packed digital amplifier
- 40 amp models and 200 presets
- Smartphone app
Reviewers Noted:
Good sound quality . Attractive . Ease of use . Power . Build quality
Features:
- Key features.
- Tonal controltheres a great range of tonal options with clean, crunch, od1 and od2 channels that can be programmed and recorded.
- Digital geniusthe mg50 offers a stunning variety of digital fx including: two reverb options, chorus, phaser, flanger, octave and four types of delay.
$2499.00
4.9
Reviewers Noted:
Good sound quality . Quality build . Weight . Ease of use . Power
Features:
- Highly versatile twin channel design
- Footswitchable valve driven spring reverb
- Footswitchable attenuator control
$1033.00
4.6
Reviewers Noted:
Good sound quality . Quality build . Visual appeal . Ease of use . Power
Features:
- Gigging musicians love this amplifier
- Real spring reverb for classic guitar tones
- A quality amp by peavey
Reviewers Noted:
Good sound quality . Quality build . Ease of use . Power . Weight
Features:
- 50‑watt amps using two 6l6 tubes
- 2‑channel design with independent volume and eq
- Effects loop
Reviewers Noted:
Good sound quality . Easy to use . Quality build . Attractive . Heavy
Features:
- Technology: valve
- Power: 50 w
- Channels: 3
Reviewers Noted:
Good sound quality . Easy to use . Quality build . Attractive . Heavy
Features:
- V2 with concentric pots
- This is a great and very versatile amp
- Comes with foot board and cable
$399.99
4.5
Reviewers Noted:
Sound quality . Easy to use . Quality build . Portable . Lightweight
Features:
- Works and sounds awesome.
- Comes with the foot switch.
- Power cable included.
$749.99
4.7
Reviewers Noted:
Good sound quality . Easy to use . Attractive . Quality build . Portability
Features:
- 50 watt all tube head
- Switchable high, medium, & low power output section
- Tilt control blends bright & normal sounds
Reviewers Noted:
Good sound quality . Attractive . Easy to use . Power . Portability
Features:
- Add a little boost.
- You can add in an extra level of gain using the foot switchable gain boost feature to create extra distortion in your sound.
- Tilt your sound.
$2879.99
4.8
Reviewers Noted:
Good sound quality . Quality build . Heavy . Ease of use . Visual appeal
Features:
- Amazing sounding amp and extremely versatile.
- Comes with official marshall cover and the 4 way footswitch.
- In great condition a few little scuffs but no major damage.
$164.33
5.0
Reviewers Noted:
Power
Features:
- Little amp with some lungs inside of it.
- Designed with nutube technology (a kind of some future tube), it recreates the sound and harmonics of a tube amp.
- This one is modded with a fx loop/ send and return.
$1549.99
4.7
Reviewers Noted:
Good sound quality . Heavy . Build quality . Power . Ease of use
Features:
- All-tube 1×12" guitar combo amplifier with selectable impedance.
- Footswitch – ivy.
- Power scaling.
Reviewers Noted:
Good sound quality . Heavy . Quality build . Easy to use . Attractive
Features:
- Four jensen p-10r alnico speakers
- Normal and vibrato channels, each with two inputs and bright switches
- Rear-panel output power selector for full power and five attenuated settings
Reviewers Noted:
Easy to use . Good sound quality . Lightweight . Powerful . Portable
Features:
- Rrp 219.
- Purchased in april 2020, since realised it probably too powerful than what i actually need, has a terrific sound.
- I would guess it s had no more than 15 hours usage.
1. Vox Mv50 High Gain 50w Guitar Amplifier Head
Product Details:
Equipped with the next-generation vacuum tube nutube, and featuring a stunningly light-weight design of only 540 grams (1.1 lbs.), the mv50 high gain amp head boasts a high 50w of output power. as its name implies, the sound of the mv50 high gain is optimized for high gain, and features a nutube preamp for rich tube tone in a smaller platform. equipped with a mid control switch that boosts or cuts the mid-frequency range, the mv50 high gain gives you a versatile range, delivering edgy sounds with a boosted high and low end that are perfect for riffing or a thick lead sound. the speaker-emulated output delivers high-quality cab tones for direct recording and silent practice. and it also offers incredible portability, as it weighs just 1.1 lb., and can fit in a gig bag.
Specifications:
Weight | 1.19 lb |
Reviews:
I just received the MV50 Clean, to be used as a backup to my Carvin Nomad guitar amp, and I carefully unpacked it because I assumed it was not going to be powerful enough. Well holy crap – I was wrong. Connected to the 1×12 Celestion Neo Creamback in my Carvin amp (8 ohm), it was loud. I set all controls at mid-point and the deep switch on and I was amazed. The tonal quality surprised as did the volume it kicked out. I then added an extension cabinet (with an 8 ohm Eminence 10" Alpha speaker) so I could load this little dynamo with 4 ohms, and, again, I was taken aback. Loud, yes, but also full sounding and clean. I cannot find any faults with it so far. Using it as a backup amp – sure. Using it as a main amp – it can do it! It is a keeper.
I'm running this through a 1×12 Bugera cab (which to my ear is a pretty neutral speaker, but sounds great). Unless your band plays way too loud this amp should give you enough volume for gigging (even at 25 watts through an 8 ohm speaker). Takes pedals well – all of my drive pedals sound great. The MV50 reacts like my tube amps with a boost pedal in front (Fulltone & Xotic). I really like the attenuator, and at home I play at 1/100 power with the volume at about noon. While this amp has a lot of clean headroom you will start to get some hair when you push it, but in a good way. It's the kind of sound where you can play clean by picking lightly but if you hit it hard you'll hear that you're on the edge of breakup. Not surprising for a Vox, this is not a mid-scooped Fender clean. Mids are present, but not pushed. It is a warm clean, not sterile or spikey at all to my ear. I've been playing this primarily with a Boss Fender reverb pedal and the tone really is glorious. I don't feel like I'm missing anything from my tube amps. Not a thing. I wish I'd had this thing years ago when I was throwing my back out moving 60lb tube amps to and from gigs. What I don't like. The unit feels very solid, seems like a quality piece of gear, but the mini chicken head knobs on the front feel cheap (a minor complaint). Mainly I don't like how much they have crammed on the back panel. You've got tiny switches for power, flat/deep, eco (shuts it off after 15 min. of non-use) and the attenuator, as well as headphone/line out & speaker out. Once you get a speaker cable plugged in it feels very cramped. I'd much rather that the power switch was on the front. Lastly, I wish I could get 50 watts @ 8 ohms, just for the headroom. This is giggable for me at 25 watts into 8 ohms & still gives you good headroom, but YMMV. I primarily use single coils. With hot humbuckers I don't know if you'd run out of clean headroom or not. With all 50 watts you'd be fine, I'm sure.NE Guy
First – let me say that this is a good, tiny pedal-platform amp, if that's what you're looking for. It has a very good base clean tone and it takes pedals well. I think most players looking to downsize would find this usable. If all you need is a good clean tone – for jazz, say – take a listen to one of these. I find the 4 ohm thing a bummer. I don't own any 4 ohm cabs, and after thinking about jumping through hoops to get all 50w available to me, I decided it wasn't worth it. This amp sounds really good, but at the very least for clean headroom, anyone looking for a pedal platform usually wants to control where the edge of breakup is, or have it totally clean. Beyond that, there's just too much crammed onto the (very small) back of the amp. Tiny switches plus the speaker out jack just mean it's hard to find the on/off switch, etc. Put the power switch on the front so I don't have to hunt for it. After having the MV50 a while I decided to try a DV Mark Micro 50 – and I like it better than the Vox. It's more versatile with 3 band EQ, and I have a full 50w to play with. Overall I prefer the DV Mark – I just feel it suits my clean & light OD tones better than the Vox. But if I had to gig with the Vox I'd be OK with it. Having said that, several months ago I came across a great deal on a Blues Cube Hot EL84 (more Vox-ish tone than the standard) and frankly, it blows the other two away. It's a combo, of course. So I'm keeping the DV Mark as a backup. The Vox has gone. Anyone looking to downsize should give one of these a listen. There is good to great tone in there, depending on your needs. Again – the 4 ohm load to get 50w is a bummer. But not everyone needs that much power. The small box is pretty cute and a cool conversation starter – but for practical purposes something slightly larger would've been a better idea, IMO.Mr. Joe
2. Vox Cambridge 50 Modeling Guitar Amplifier
Product Details:
Your modern solution for classic vox tone. the vox cambridge 50 combo opens up a world of new possibilities for your performance. combining the superior sound of its advanced virtual element technology (vet) with the authentic tube feel and response of the integrated nutube preamp circuit – the cambridge 50 is crafted to excel on any stage. it features 11 carefully modeled amp types, giving you a range of classic tones to choose from. so, whether you crave the vintage character of the iconic ac30, or prefer the twinkle of a clean boutique amp, it's all accessible from one place. but the modern player requires modern sounds, too. which is why vox have equipped the cambridge 50 with 8 modulation and delay effects. blend some chorus or flanger with one of the 4 preset delay effects directly from your amp, saving you the hassle of lugging around a pedalboard wherever you go. and, with usb compatibility and jamvox iii modelling software included, guitarists can record directly into their pc, and edit their sounds inside the tone room editor. on stage, at home, or in the studio – the cambridge 50's got you covered on all fronts.
Specifications:
Weight | 19.62 lb |
Reviews:
I am very happy with this amp. The Digital effects are better than I thought they would be. I wish the reverb settings could be turn up higher. The line in setting works perfect for an acoustic guitar with a build in pickup. Very light weight and very powerful but sounds good at low volume. :-).DonV
My AC-15 went on the fritz right before a festival gig. Bought this small, light amp in a pinch and it's outstanding! Great sound like the AC-15, but so easy to cart around and soooo much more powerful. I really like this little pup. The only downside is the wacky powerchord, but hopefully this will not prove a problem.Mark
Getting back into playing the guitar again (during lockdown) I needed a new amp (previously had only used entry level Marshalls) and did quite a bit of research on amps under £300.00. Came to the conclusion that a modelling amp might be the way to go and it came down to the Boss Katana, Line 6 Spider, Marshall Code and the Vox Cambridge 50. Didn't want anything too complicated and wanted knobs to twiddle not digitised controls – so that ruled out the Line 6 and the Marshall. Decided that the Katana was a great amp but with so many options and effects that I would probably get bogged down with too much choice and so I opted for the Vox. It sounds great, is not too heavy and the amp modelling presets are fun to experiment with – albeit that they are setup in very specific styles but are easily customised. Be aware that they are 'Presets' and as such, default back to the basic factory settings everytime. If you wish to recall a change to their sound/tone then you need to 'save' your changes to one of the 2 built-in user modes. You can expand these to 8 user profiles if you purchase (I have not done so as yet) and connect, an optional footswitch. This amp has more than enough for what I need and sounds great – love the AC30 modelling. 4 star rating given because there is no line out for gigs (most scenarios would see the amp 'mic'd up anyway) and some of the preset amp models are preset to a volume that is way higher than others which can catch you out. The instructions are pretty good but do require careful reading especially when trying to save custom configurations, but all in all and considering the price, this is a very good amp indeed and I am a convert to Vox.Reviewed by Kenny's Music custom
3. Boss Katana-50 Combo Guitar Amplifier – 50w – Black
Product Details:
Just as a katana is a samurai's greatest weapon, the boss katana-50 50-watt guitar amplifier is every guitar player's greatest asset in improving the overall quality of their sound. this combo amp packs a punch with its 12-inch speaker, making it a worthy amp for practice or performance. plus, this guitar amp features a vast selection of boss effects that you can customize to your liking. with its 5 unique amp characters, you will have a greater authority over your tone. speaking of tone, this amp has a rich and natural tone. this is due to its open cabinet, which allows your sound to resonate. whether you're looking for crunched-up and dirty power-chords or crisp and clean melodies, this amp has got it covered. your fans are waiting to hear you rock it with this katana-50 guitar amp.
Specifications:
INPUT | -10 dBu (1 M ohm) |
AUX IN | -10 dBu |
INPUT jack | 1/4-inch phone type |
AUX IN jack | Stereo miniature phone type |
REC OUT/PHONES jack | Stereo 1/4-inch phone type |
EXP PEDAL/CTL CH1/CH2 jack | 1/4-inch TRS phone type |
USB port | USB B type |
Footswitch | BOSS FS-5L |
Expression pedal | Roland EV-5, BOSS FV-500L, BOSS FV-500H |
Reviews:
Sound: The problem I have with this amp is the sound quality. I don't consider myself a tube snob or tube maniac. I bought this amp on a recommendation from someone. I wanted to lighten the load at my age and so I gave this a try as it was only twenty-something pounds. The clean tones in IMHO are ok. the chorus is nice. The problem I have is the crunch, lead, the dirty tones to me sounded very tinny. I played around with it for an extended time and when I cut the treble back to 0 it sounded slightly better. But then I realized it would never sound as good as my Bugera does. I guess they call it tube emulation but IMO it's not quite there yet or at least Boss hasn't mastered it yet. Features: Of course one of the great thing about zZounds is you don't have to live with a product you don't like. I just packed everything back up as it was sent to me and shipped it right back. Thanks zZounds. Overall: The problem I have with this amp is the sound quality. I don't consider myself a tube snob or tube maniac. I bought this amp on a recommendation from someone. I wanted to lighten the load at my age and so I gave this a try as it was only twenty-something pounds. The clean tones in IMHO are ok. the chorus is nice. The problem I have is the crunch, lead, the dirty tones to me sounded very tinny. I played around with it for an extended time and when I cut the treble back to 0 it sounded slightly better. But then I realized it would never sound as good as my Bugera does. I guess they call it tube emulation but IMO it's not quite there yet or at least Boss hasn't mastered it yet.Of course one of the great thing about zZounds is you don't have to live with a product you don't like. I just packed everything back up as it was sent to me and shipped it right back. Thanks zZounds.
Based on a friend's recommendation, I purchased a new Boss Katana 100 MK 2 in June 2021. The first thing that impressed me was it's power…it seemed to be a real 100 watts in a portable and lightweight package. I was able to dial in some useful tube-like tones right from the start with the clean channel. The Katana warmed up quickly to single coil or hum bucking pickups. The tone "variations" are also very useful for dialing in the right sounds to your liking. The delay adds the right amount of sparkle to your overall sound…very cool! Unfortunately, I was not able to get much help from the Boss Tone Studio when I downloaded it to the amp. (The response was: "Amp not connected"). Another disappointment is no Boss Tone Studio for iOS users…really guys? The required Boss foot switch is another issue…look online to see pedal "hacks" that use standard one-button or two-button formats. (Save a few bucks with a regular pedal). All in all: I'm very pleased with the amp. The line-in is a great feature to use with backing tracks along with the headphone jack for late night practicing. The basic amp tones has a realistic tube texture that reminds me of Marshall, Fender or Vox models.Scotty, M.
I have had the 50 watt for several months which is a great amp, but decided I wanted more foot switching options provided by the GA-FC controller. I figured if I was to buy the 100 watt it might as well be a 2X12. The 100 2X12 sounds awesome. And it is really loud to play at home even on the .5 watt setting. I'm tired of messing with tube amps and effect pedals so the Boss Katana series is just what I need. I have not dived in to the software and deep settings on either amp yet. These are apparently had to get. SAM Ash had it on backorder from Boss. The web and phone support at SAM Ash is great. Chris from phone support helped me complete the order and was super knowledgeable and helpful throughout. He even called me back a couple of times to update status and follow up once it was delivered. Oh… And the 2X12 is way heavier and bigger than the 1X12.Pupster
4. Boss Katana 50 Mkii Combo Guitar Amplifier
Product Details:
The boss katana-50 mkii guitar combo amplifier is a versatile amplifier that provides incredible sound for any guitar player. this amplifier has five different amp characters, giving you plenty of options for finding the perfect tone. additionally, the onboard effects have been expanded to five categories, providing even more processing power. the editor software has also been updated, making it easier to configure your sounds. stage-ready 50-watt combo amp with a custom 12-inch speaker. tube logic design approach produces class-defying power, authoritative punch, and cutting presence. five unique amp characters (clean, crunch, lead, brown, and acoustic), plus newly voiced variations for each. five independent effects sections (booster, mod, fx, delay, and reverb), with three selectable variations in each. dedicated pedal fx for foot-controlled wah and pedal bend.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 100 Watts |
Speaker Size | 12" |
Number of Speakers | 2 |
Stereo | No |
HF Driver | No |
Channels | 5 |
Compressor | No |
Effects | Multiple Effects |
Effects Loop | Yes |
Direct Output | No |
USB | Yes |
Bluetooth | No |
Aux Input | Yes |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
This amp is fantastic. For someone that is so used to having different modellers, tube amps, multi fx and stompboxes this is now all I need. I've been meddling with allsorts kf gear for 17 years in my search for tone. I feel I am now at the end. Managed to dial in 4 very usable great sounding patches in minutes just using the front panel, something I've not been able to do with any amp or modeller in a while. It djents, it can do blues crunch, it can do straight rock grit, chimey clean, and just big standard chuggy metal very well. It's quite light, but when you turn up the volume you can feel air moving, like you can with a much bigger cab or with a valve amp. For a 1×12 it isn't boxy at all, very open sounding. The Waza speaker is very harsh in the top and highs to begin with when you first switch it on, but after a few hours use the speaker breaks in and the harsh highs all disappear. For someone that has always used Celestion V30's this Waza speaker is just amazing and I'm definitely leaving it as is! The dynamic response to picking and rolling your volume knob down is just how a valve amp responds – light picking = cleaner tones. Dig in with your pick and the amp comes alive. Fantastic all round amp, Boss really have nailed it with this one.
Just picked one of these and it's been a joy to play. Pretty easy to use with quite a few options. Was able to dial in some tones that sound like my $800-1k tube amps. Honestly this amp is the best bang for your buck amp available imo. I really love the Waza Craft Greenback speaker. I love the .5, 50,100 watt options. Haven't even explored the software yet but I'm confident enough in this amp to give it a 5 star already. This of course is keeping in mind the fact it's essentially a budget amp price. You won't regret spending the money imo. Awesome job, Boss. 🤘 🎸Jason Faust
Sound: Right out of the box? I didn’t even adjust EQs. Set volume and gain, and started playing. Took 0 effort to get 98% of the way to my live tone that is an Orange Rockerverb 100W MK2 and Marshall 212 with V30s. Features: I love the Tone Studio. I did have to pull a star from Ease Of Use because it may be confusing if you’re not good with computers. Ease of Use: If you can’t get a good sound out of this amp, return it, sell your guitars, and find a new hobby. That’s how easy getting a good sound out of this is. Quality: Seems pretty decent. I wouldn’t call it robust, but it doesn’t FEEL as cheap as the price would suggest. Value: 100% worth the price. I’d have paid $100 more for it if I’d have known how good it would sound. Manufacturer Support: I’ve dealt with Roland/Boss in the past, and they’ve always been wonderful. The Wow Factor: Looks good, sounds good, price is good. A perfect practice amp, that could stand in for a small venue in a pinch. Naturally my live rig is a bit much for my apartment, but this is just what the doctor ordered. Overall: Solid state amps have come a long way. A REALLY long way. I’ll be honest, being a tube snob, I had very low expectations. I could have set the bar in the same area as I would a $2,000 and it still would have hopped it effortlessly.Kenny
5. Marshall Origin Ori50h 50-Watt Guitar Amplifier Head
Product Details:
Equal parts classic design, iconic tones, and forward-thinking innovations, marshall has pulled out all the stops with this quality used origin series head. the marshall origin ori50h is a 50-watt powerhouse amp head ready to anchor your guitar rig. it delivers two distinct sounds from separate preamp voicings – normal and high-treble. these sound designs are heavily influenced by the two channels of the legendary 1960s marshall plexis. blend these two sounds to taste by using the origin s new tilt tone blend control knob. setting this control at 12 o clock will give you a perfect mixture of the two tones.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 3 x ECC83 preamp tubes, 2 x EL34 power tubes |
Power | 50 Watts |
Impedance | 8 or 16 ohms |
Stereo | No |
HF Driver | No |
Channels | 1 |
Compressor | No |
EQ Bands | 3-band |
Effects | No |
Effects Loop | Yes |
Direct Output | Yes |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Length | 22.7" |
Reviews:
For classic rock lovers looking for those delicious, Super Lead Plexi-type tones (think classic rock from the 60's and 70's–Hendrix, Zeppelin, AC/DC, Aerosmith, etc.), this amp is for you! I am totally blown away with this amp for the price. I'm glad I pulled the trigger when I did because this amp is now $150.00 more than what I spent. I had a hard time deciding between the 50W and the 20W versions. I went with the 50W to have more clean head room, but would have been just as happy with the 20W head. And who plans to play a Marshall clean anyway? 😀 Most who purchase a Marshall are planning to crank for crunch, although you can get some nice clean tones and all that jazz :-D. The only downside with the 50W version is that you will have to bias the amp if you ever replace/swap the tubes. The 50W is not cathode/self-biasing like the 20W head, so plan on $30-$60 to bias your amp with a tube swap unless you have the equipment and know-how to bias yourself. This amp is extremely loud, even with the mid-power setting! Oh my heck is it loud! I'm running this head through an EVH EL34 2×12 with Celestion G12H 30W Anniversary speakers. Holy wow, awesome, and loud! 😀 To save your ears and keep your family and neighbors happy, I'd advise using an attenuator or power soak. With the Marshall Origin, to get those nice, crunchy, classic Marshall tones, you really have to crank the master volume to around 6-8 to saturate the power tubes and then also dial in your preamp gain to around 6-10. We're talking loud, loud, loud without an attenuator! For a very affordable power soak option, go with the Bugera PS1 (under $100.00), which will allow you to crank (even dime) this Marshall to get all those classic Marshall tones without blowing your brains out. Note–this is not a high gain Marshall amp. It's a classic rock Marshall, but it takes pedals extremely well for those wishing for more high-gain territory.AJ
This is an amazing amp! Not only is it affordable, but it's so versatile! I like to dial in an edge of breakup tone so that by rolling back the volume pot on my Guitar I have pristine cleans, roll it up for that classic "crunchy," biting clean. This amp also LOVES pedals, so when I want more gain I can step on the blue channel of my Friedman BE-OD Deluxe. Even More gain = the second channel on the BE-OD Deluxe with the mids ever so slightly cut back (now we're getting into the hard rock/metal territory). And if that's not quite heavy enough to serve a particular sound, well the internal foot-switchable boost adds a nice extra oomph. The EHX Metal M*ff is great for those extreme levels of gain (contrary to other reviews, this amp is perfectly capable of doing Metal if you utilize your favorite dirt pedals). And the effects loop is wonderful! Reverbs, Delays, Modulations…they sound great through the loop! Even on the lowest power setting, this amp is very LOUD, because that highly sought after power amp distortion that makes a Plexi so desirable demands to be heard!! Is this a Plexi? Of course not, but that magical characteristic of genuine Marshall tone is quite convincing in the Origin! IMHO, for the price, this is as close as you will ever get, and it is fantastic! If you want a good, reliable, LOUD amp with the versatility to cover all your needs, and don't want to spend 5x's as much, well this IS what you have been wishing you could find!Shasal
This is am amazing amp! The 3 power setting are cool and overall this amp has out performed. This is my first Marshall head, and I was thinking about spending some extra money, but for a first or second Marshall, save money and snag an Origin. Definitely a big fan of Marshall. Can't wait for up keep and tube swaps, the back looks very serviceable. I would definitely have a couple fewer heads if I had gotten and Origin sooner. I was thinking DSL or Origin, the extra channel don't mean much to me. I added a clean boost and there's your second channel. That's why I settled on an Origin. Good luck, hope this was helpful
6. Fender Mustang Gtx50
Product Details:
This is a real neat amp. it sounds great and can do literally anything, but realized quickly how much of a simpleton i am and that it wasn t for me. paid a little over $500 for both after taxes in august. if i had more than 3 hours of playing on it, i d be really surprised. have all the paperwork and manuals as well.
Specifications:
Reviews:
Purchased this at the recommendation of a sales associate when I was looking at the Fender Champ 50xl. The GTX50 had great mod settings, I appreciated the on board tuning and the app customization but had a fatal flaw. The bluetooth and wireless function intermittently. While you can still use any programmed setting you will have to dial through possibly 100 settings to find it. Also the save feature in the menu would not allow me to save a new bluetooth name. I am highly capable with electronics and computers and this in my impression was either a firmware or hardware issue. I found that I am not the only one that came across this connectivity problem and there is no 100% fix as of yet that I could find online nor with Fender. Sound was good overall and i had fun when it worked but it was a hassle to connect. Exchanged for the Fender Champ 50xl which I now love, sounds great and the functions all work. Fender has a great product on their hands in the GTX50 if they correct the connectivity issues. I just dont want to wait and hope.Matt
This amp has all the great Fender amp models and while I have never owned or had time with the originals, I am extremely happy with the sound that comes from of all the Fender models. With the guitar plugged in, the tones are very pleasing, from the crispy clean tones of the Twin Reverb to the warm tones of the Deluxe to the crunchy tones of Champ. Very little dialing in required to get a great tone. The non-Fender models did not sound as good to me. I probably use the M/B Mark IIC the most rather than any other model. However, with a GFX unit plugged in, you have to be careful not to overdrive the input or the tones become brittle with an unpleasant buzz and harmonic. I expect this is true for any digital amp modeller, but is more noticeable in this one due to the great tones this amp already gives without any FX units in front. Without the right input signal and tweaking of the FX unit, the tone will only get worse. Functionally, things are not as great. I encountered some issues such as 1. Bluetooth connection to phone app will not discover the amp and requires me to switch on the amp twice for some reason. It always seems to find the amp after the second time. 2. The Master volume knob is digital. Thus, it increases the volume in increments rather than a smooth ramp. This is a problem if you are trying to get very low volumes. It jumps from a level of too quiet to just a bit louder than you need as you tweak the knob. 3. Bluetooth can interfere with a digital wireless system. Either the mobile app wont work or the wireless system wont work. None of these are deal breakers. And for the Fender amp tone modelling it does provide, I am happy with it. If they provided the digital brains of this amp as a GFX foot unit or even a rack unit, I'd sell all my other gear to buy it. I do wish they would continue with more updates, but it seems there is no further development being done on this. The last firmware update was in May 5th 2020.Arjun
Overall: So I bought this due to the convenience of it. I wanted to stop with having a dozen pedals and modelling amps seem to have come a long way. And for a bedroom player, the volume and sound aren't much to complain about. [and sound of all the effects and multiple amp/cab combos aren't that bad either]. I can definitely get a decent tone from the combinations I choose or the presets already made.BUTI hate this amplifier. Without the tone app, it is NOT easy to use/customize your own presets, and even altering presets is not intuitive at all. And Tone app NEVER connects to the amp. I got it updated [huge pain in itself to accomplish], and the Bluetooth connectivity is absolutely horrendous.It says on the app to maintain a distance of 3ft from the amp for connectivity [ridiculous in itself to be hovering over the amp constantly when you're adjusting or creating effects], but it takes 10 minutes of trial and error WITH MY PHONE SITTING ON THE AMP, for it to finally connect. But God forbid I forget to maintain 3ft of distance and it disconnects, only for me to restart the process.Also, the effects are a terrible rabbit hole, more of a con than a pro for me. I found myself playing with effects more than actually playing the guitar and I'm generally just dissatisfied at the end of every "session" I try having with it.Quality is getting 2 stars because the amp itself it up to standard, but the almost necessary connectivity to the Tone app is basically a failure on Quality Control. There shouldn't be a [useless] FAQ section for connectivity issues the same day the amp is released.It's sort of like this video game comparison: play western RPG games for a few months [Skyrim, Witcher 3, Dragon's Dogma, etc], and then switch to playing japanse RPG games.. the difference is insane; you get flooded with all kinds of things you can do pretty much right away, but your direction is constantly being thrown off due to exactly that.Great idea, terrible execution. I'm going back to a traditional set up – a simple but nicer tube combo amp and a pedal board. You can't beat it for an enthusiastic bedroom player.
7. Marshall Mg50gfx 50-Watt 1×12" Combo Guitar Amplifier
Product Details:
A gig-worthy 50w amp with an undeniably bold sound. with four channels, three-band eq and a range of digital fx, the mg50 lets you take control of your tone. the settings can also be stored for easy recall and are switchable using stompware footswitching technology. the custom 12 speaker can easily cope with gigs but is also suitable for studio use. there s a great range of tonal options with clean, crunch, od1 and od2 channels that can be programmed and recorded. the mg50 offers a stunning variety of digital fx including: two reverb options, chorus, phaser, flanger, octave and four types of delay. the mg50 offers a great sound for gigging but also has an emulated headphone output for silent practice and an mp3/line in for jamming. the led damping switch allows you to choose between a classic amp feeling or a modern response.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Practice |
Power | 15 Watts |
Speaker Size | 8" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | Multiple Effects |
Effects Loop | No |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | Yes |
Headphone Output | Yes |
Footswitch Input | No |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
I've owned several Marshall combos over the years, and they've never let me down, until I bought this piece of garbage. I couldn't get a decent tone out of it!! Very low and bassy, and barely present at all. Definitely wouldn't be able to punch through a mix, and playing live would've been a nightmare.CoopDBomb
Overall: Bought this at a great deal.I had it for 30 days and sent it back for a refund.I could not for the life of me dial in a sound with my Fender Blacktop Strat with humbuckers.Marshall should be ashamed of themselves for putting their name on this horrible POS.Went and bought a used Peavey Vypyr 30 for $135.00 and had great sounds in less then 24 hours.Blows this marshall away.Very underrated Peavey Vypyr amps . Great tube sounding amps and also feel.Frank
The Marshall name alone speaks for itself. There is no brand that creates a better sound than Marshall. It's not just my opinion, it has been the most used amp by some of the most famous musicians that has ever played an instrument. This amp in particular is absolutely perfect for use in the home use or in front of a small crowd. Perfect sound and perfect size.Michael
8. Orange Rockerverb 50 Mkiii Combo Guitar Amplifier
Product Details:
Celebrating its 10th anniversary last year, the rockerverb series demonstrates better than anything else that a workhorse amp can be a master of all trades. new for spring 2015, the rockerverb 50 mkiii 2×12" head combines over a decade of user feedback with a number of new details and improvements. – in a first for the rockerverb series, the mkiiis include selectable output power options to manipulate headroom and volume, with the 50w version switching down to 25w. the mkiii also features the same footswitchable attenuator that has been so popular with users of oranges thunderverb and dual dark series amps. – the clean channel has been revoiced on the new mkiiis for a more chimey response. the clean side now has even greater headroom than previous models, while still retaining the warmth and vintage character of a non-master volume design. also, the valve-driven spring reverb now has a more extensive range with a brighter trail. add to this a host of other hidden refinements and you have the finest sounding, and most feature-laden, rockerverb to date. – twin-channel design – the original rockerverb gained a cult following on account of its icpowermaximum wattage: 26w50w; 50wtube or solid state: tube/valve – type: combo – number of preamp tubes: 4preamp tube type: 12ax7/ecc83number of power tubes: 2power tube type: el34power attenuation: yes half-power switch and attenuation knob – impedance: info not availablechannelsnumber of channels: 2footswitchable: yes – number of inputs: 1number of modes: 1speakers – speakers: 2×12"speaker brand: celestion – speaker model(s): vintage 30cab power handling: info not available – cab back panel: partially open back – cab angle: straightcontrolschannel 1: three-band eq, plus gain and volume – channel 2: two-band eq and volume – channel 3: not applicable – channel 4: not applicable – master volume: no – mid-shift: no – resonance: no – presence: no – bright: no – contour: no – reverb: yes – voicing control: no – boost: no – other:midi control: no – footswitch included: noeffectseffects loop: yes – footswitchable: yes – reverb: yes – tremolo: no – delay: no – echo: no – flanger: no – phaser: no – modulation: no – chorus: no – other:misc. features – external speaker output: no – headphone output: no – direct output: no – aux input: no – usb connectivity: no – built-in tuner: no – mute: nodimensionswidth: 25.98"height: 21.26"depth: 11.02"weight: 82.89 lb. – country of origin: info not available
Specifications:
Weight | 82.89 lb |
Reviews:
This is my second Orange after having a OR15 a few years ago. The sound was good but I couldn't get it to clean up enough. This Rockerverb has a clean channel so that soled that. The MKIII is supposed to be brighter than the previous version but it needs to be dimed to be Shiney. Distortion sounds great
One star deduction for no footswitch.Rodd Wilson
One star deduction for no footswitch.Rodd Wilson
So, I don't shred, I am not anywhere close to being a metal guy or a classic rock guy which orange amps are known for. I play alt rock/shoe gaze and I took a big leap of faith on this amp. Never heard it live before and really just based my ideas off of reviews online. This amp is beyond what the reviews show and sound like. It literally took me about 15 minutes to dial in an amazing sound. It adapted to my pedals perfectly and I have't even started playing the the FX loop option. I don't have cheap pedals so the amp really has to have a pure clean sound for them to shine like they need too and this amp not only did that but made my pedals sound better than even I expected them too. It's heavy and it's expensive but I will never look back and wonder if I made the right decision. It is more than I could have hoped for. I am running it through a vox 2X12 with green backs for a cabinet. Great sounds and great amp!!!!John
I've played a lot of amps through the years. Including this guy I now own 6 that I've kept and let me tell you this thing covers the spectrum. This is the 3rd Orange I've owned, always felt the others shined in one area but missed somewhere else. Not the case with the Rockerverb Mark 3. Both channels are fully usable and I don't have a single complaint. I usually use a pedal for reverb but the reverb in this amp works incredibly well. It's also plenty loud enough for any situation. Amazing amounts of headroom. The built in attenuator works very well. You pay a premium for an amp like this but it's absolutely worth every penny. I literally cannot stop using it. If you find yourself struggling to decide if you should make the investment just stop and do it. You'll thank me later. A huge thanks to Jake and all the guys at Sweetwater for having this in stock and getting it out to me earlier than expected. Killer customer service as always!
9. Peavey Classic 50/410 Guitar Amplifier
Product Details:
This is peavey's earlier realization of the classic 50 amp. i bought this about 4 years ago when i left for college and it has served me well as a gigging amplifier. i just put new tubes in about a week ago and the amp is sounding great. i'm mostly a jazz player, so i never really utilized the drive channel, nor has the amp been played very hard but both channels are functioning perfectly. it's a used amp from the 90's so you'll definitely notice checks and small tears in the tolex, a missing chickened knob, replaced handle, and a new heavy duty power cable. the amp has its stories but has been playing strong for me since i got it. i put the vw logo on the front for extra swag, but i can take that off if you would prefer, the big band i played with called it "the van." it's heavy, loud, and plays well with pedals. happy playing!
Specifications:
Finish | Tweed |
Year | 2010s |
Made In | United States |
Speaker Configuration | 4×10" |
Reviews:
I got this in on Wednesday, took it to church, set it up and played through it that night. I am very pleased with the clean sound. I don't know much about dirty sound as I only play clean… But it seems like it's easy to get about any sound you want! That being said, you should probably invest in a hand truck or something if you will be moving it much as I think it weighs approximately 73 thousand pounds… Or at least 70 pounds.Pastor Bryan
This amp is easily up there with my Bassman and Blues DeVille 4x10s, with plenty of power and headroom baby. Good value due to lower price point. Built right, sounds warm and clear, but gets thick and growls too, nice wet reverb. I got a great condition level 1 – mint deal on this monster tweed tonal heavy hitter. This amp is great for country, blues, and classic rock. but depending on your pedals, anything perhaps? Wow, love it.Lunk
What a surprise this amp is! Sounds every bit as good as the best clean amp ever produced, The F*nder Super Reverb, but actually has a little extra warmth. This is a durable, extremely well made amp with premium sound. I've owned them all including several V*ctoria amps and I know great sound when I hear it.Magic_Biddie
10. Stage Right By Monoprice Sb12 50-Watt All Tube 2-Channel 1×12 Guitar Amp Combo With Reverb
Product Details:
While modern solid state and modeling amplifiers provide valuable versatility, nothing sounds quite as right as a tube amp. preferred by most for their warm, round tone, tube amps can also produce organic sounding distortion that is superior to most, if not all, solid state equivalents. with the sb20 amp head and sb12 combo amp, stage right delivers organic, classic, high gain tube tone in a powerful and hyper affordable package. these are real, professional tube guitar amplifiers for the value minded and/or working musician.
Reviews:
Pleased with this amp awesome tube sound clean channel is very nice. Reverb nothing to brag about but it's there. Speaker is nice prefer v30s or greenbacks will eventually switch out. Takes pedals very well have not used the fx loop yet but I'm sure it's good. Would of been nice if it came with footswitch. All around happy for $357 plus tax well worth it.Heriberto
Firstly, let me say how quickly Monoprice shipped this to me .. ordered on Monday and delivered Wednesday morning to NY! Guess MP is now shipping from Kentucky, which is great .. no more 5 days in transit from CA to NY 🙂 The amp itself? All I can say is WOW!!! Solidly built with classy looking trimming all around, protective metal bumpers on all 8 corners, top handle with sufficient padding that won't cause hand cramps when carried. On to the sound sections: ——————————– I spent around 3 hours toying with the amp using my G&L ASAT (large MFD pups), just going thru the various gain/volume and tone settings on each channel, and overall my impression is that this amp is capable of achieving a wide variety of tones, from bell clean to screaming metal and everything in between. Clean Channel is absolutely gorgeous sounding. Nice three-dimensional timbre which can only be achieved with a tube amp. Tone controls (Treb/Mid/Bass) seem to interact with each other in a pleasant manner, by turning one or another the tone changes dramatically but still subtly, if that makes any sense. /grin … The Bright switch reacts similarly, it's almost as if there are two sets of overall tone in the clean channel, just by switching 'Bright' on or off. Drive Channel is what you'd expect – lots of crunch with the aforementioned Treb/Mid/Bass interactions. I'm not much of a 'metal' type player, so can't really comment on this section with an opinion, but I liked what I heard in "Drive". Monoprice hit it out of the ballpark with this amp, for mid sized gigs or even small gigs, this amp is a clear winner.New User
The only complaint is the speaker used. While I do understand the logic, I still am not a fan of the celestion seventy 80s. Although, it could be addressed by just adjusting the settings. I got mine shipped securely. I updated the speakers to emminence cannibis rex but thats just for my own taste. Wpuld be nice to have different options for the speaker if that is feasible at all for monoprice. Bottom line, its a lot of ampmfor the price. I highly recommend it!Zed Byron Pisec
11. Evh 5150iii 50w El34 Guitar Amplifier Head
Product Details:
Independent volume and gain control for all three channels has arrived with the 5150iii 50w el34 head. experience total control, along with the same lethal looks and ferocious el34 tone of the 100-watt head. the el34 power tubes deliver signature harmonic overtones, with more dynamic compression and saturation that evoke a more modern "british" sound, all with the sustain and versatility expected from evh 5150iii amps. channel one boasts a more sparkling and compressed clean tone, while channels two and three possess a slightly darker and compressed tone with even more saturation than before. channels one and two each have dual concentric gain/volume controls, with shared eq (low, mid, high), while channel 3 has an independent eq. other features include a rear-panel resonance control that tailors low-frequency response for all channels and a global presence control. wrapped in an elegant gold and black evh motif, the el34 50-watt head also is equipped with an effects loop, headphone jack, pre-amp out and midi-in.
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Power | 50 Watts |
Impedance | 4, 8, or 16 ohms |
Stereo | No |
HF Driver | No |
Channels | 3 |
Compressor | No |
EQ Bands | 3-band |
Effects | No |
Effects Loop | Yes |
Direct Output | Yes |
USB | No |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Length | 20" |
Reviews:
I own the OG 6L6 50 Watt Fender EVH 5150, in addition to having owned every single (including all peaveys) variant of the 5150. The 5150 EL34 captures the more british extreme of the 5150 sound and manages to stay brutal and diverse. The concentric knobs were a great addition and the output balancing between channels helps even out channel switching. The amp's features in a 50watt package should be more than enough for semi-pro and professional musicians playing club-sized gigs without pro sound, or just about any venue scale with proper sound (the amp also has a preamp out signal as well). I got it with the matching cab and it's right up there with the OG 6L6 as my go-to amp. You won't regret it.
Got the 6L6 5150 Black Stealth last fall…it is incredible but there was something about this EL34 after watching several demos and deciding it needed to be home with its 6L6 Brother. The EL34 cleans are crystal like and pristine! Channel 2 has that grit, warmth, clarity yet buttery rock goodness! Channel 3 is excellent to round out and take the lead. This amp has been great in inspiration, performance and recording. It was more than I hoped for even with the positive reviews and demos. It is easy to dial in a sweet tone. In fact, I have done so blindly and it just makes each note resonate and stand out. I have it running through a JCM 1960 A cab. Together, they RAWK! Another awesome thing about this amp is the headphone jack for late night practice and you can get sweet tones without shaking the house unlike other amps of this nature. It is a must!The Muniz Music Machine
The green (clean) channel on this amp through the 2×12 cabinet is absolutely incredibly. Expressive, responsive, articulate, and full of character. I recently tried out a Divided by 13 LDW amp and was blown away by the clean tone. I had always considered myself a Fender/6V6 person until that point. That amp was already sold, was twice the price, and is impossible to come across. This amp is the only one I could find that has both the EL34s and 12AX7s, and has that same unique clean tone that's somewhere between a Marshall and Fender in all the right ways. I could do without the red channel entirely, and would prefer to have separate eq controls for the green and blue channels, but easy enough to compensate with a tone knob.Faisal
12. Evh 5150iii 50-Watt 6l6 Guitar Head – Ivory
Product Details:
This as incredibly versatile amp in a compact form. from chimey cleans to roaring high gain this amp is amazing. this is the new version with concentric gain/vol knobs. perfect condition other than very slight marks on top from having equipment on top. comes with slip cover, power cable and footswitch. save yourself the hassle and don't low-ball. this amp sells for $999 new and this is in like-new condition so i won't be taking $500. most of other evh 5150 listings are previous gen with volume drop issues between channels. look for the 6l6 badge on the right hand side.
Specifications:
Inputs | One – 1/4", MIDI (rear) |
Headphone Jack | 1/4" Stereo |
Line Out | One – (1/4") |
Channels | Three – (Clean, Crunch, and Lead) |
Voltage | 120V |
Wattage | 50 watts |
Cabinet Material | 7-Ply 5/8" Birch Plywood |
Handle | Molded Plastic Strap with Nickel-Plated Caps |
Front Panel | Black EVH Striped Steel |
Control Knobs | Chicken-Head Style Pointer |
Pre Amp Tubes | 7 JJ ECC83 (12AX7) |
Power Tubes | 2 JJ 6L6 |
Reviews:
I own the OG 6L6 50 Watt Fender EVH 5150, in addition to having owned every single (including all peaveys) variant of the 5150. The 5150 EL34 captures the more british extreme of the 5150 sound and manages to stay brutal and diverse. The concentric knobs were a great addition and the output balancing between channels helps even out channel switching. The amp's features in a 50watt package should be more than enough for semi-pro and professional musicians playing club-sized gigs without pro sound, or just about any venue scale with proper sound (the amp also has a preamp out signal as well). I got it with the matching cab and it's right up there with the OG 6L6 as my go-to amp. You won't regret it.
Got the 6L6 5150 Black Stealth last fall…it is incredible but there was something about this EL34 after watching several demos and deciding it needed to be home with its 6L6 Brother. The EL34 cleans are crystal like and pristine! Channel 2 has that grit, warmth, clarity yet buttery rock goodness! Channel 3 is excellent to round out and take the lead. This amp has been great in inspiration, performance and recording. It was more than I hoped for even with the positive reviews and demos. It is easy to dial in a sweet tone. In fact, I have done so blindly and it just makes each note resonate and stand out. I have it running through a JCM 1960 A cab. Together, they RAWK! Another awesome thing about this amp is the headphone jack for late night practice and you can get sweet tones without shaking the house unlike other amps of this nature. It is a must!The Muniz Music Machine
The green (clean) channel on this amp through the 2×12 cabinet is absolutely incredibly. Expressive, responsive, articulate, and full of character. I recently tried out a Divided by 13 LDW amp and was blown away by the clean tone. I had always considered myself a Fender/6V6 person until that point. That amp was already sold, was twice the price, and is impossible to come across. This amp is the only one I could find that has both the EL34s and 12AX7s, and has that same unique clean tone that's somewhere between a Marshall and Fender in all the right ways. I could do without the red channel entirely, and would prefer to have separate eq controls for the green and blue channels, but easy enough to compensate with a tone knob.Faisal
13. Marshall Code 50 Guitar Combo
Product Details:
The code50 from marshall amplification is a 50w rms 1×12 combo amplifier designed for guitars. it emulates both vintage and modern marshall tones while adding high-quality effects into the mix courtesy of softube. fourteen preamps four power amps and eight cabinets have been modeled in conjunction with softube to offer you 100 presets and a plethora of customizable timbres. the code comes stocked with 100 user-modifiable presets so you can set up your own amp-cab configuration then add compression stompbox distortion auto-wah pitch shifter phaser flanger tremolo and chorus into your chain as you see fit. tap-tempo delays and different types of reverbs are available as well. when you've crafted your dream tone you can save the result as a preset. furthermore utilizing the amplifier's bluetooth capabilities you can stream music from your smartphone tablet or device straight to the code via the gateway app. you can also connect to your computer via usb and record straight to your daw thereby turning your amplifier into an interface. if you'd like to wire an iphone or other device directly into the amp you can do so through its 1/8 inch stereo input. also you can monitor privately through its 1/8 headphone jack if you don't want to disturb your neighbors.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 50 Watts |
Impedance | 4 ohms |
Speaker Size | 12" |
Speaker Configuration | 1 x 12" |
Speaker | Custom |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 1 |
Compressor | No |
EQ Bands | 3-band |
Effects | Multiple Effects |
Effects Loop | No |
Direct Output | No |
USB | Yes |
Bluetooth | Yes |
Aux Input | Yes |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | No |
Cover Included | No |
Display | Yes |
Power Supply | External |
Reviews:
'm a novice guitar player with less than 2 years experience, but I reached the point that I wanted to experiment with different tones and effects. The problem is that it would be very expensive to do this with different pedals, amps, guitars etc. I ordered the CODE 50 sight unseen after researching reviews & videos online, and it fits the bill perfectly. CODE 50 is an affordable way to play around with a crazy number of tones and effects & find your sound. I'm sure there are plenty of experts & purists out there that will find flaws with this amp, as it models (imitates) a number of historically great amps from Marshall, & what I presume are a version of Fender amps ("American Clean" etc). Does the BluesBreaker preset sound identical to the BluesBreaker amp that Clapton was playing in the 60s? Close enough for me cause it sounds pretty radical! There are a number of presets that are just epic for playing blues, rock, metal, on & on. Pick a genre of music and you can generate a tone that will fit right in. All of the presets can be tweaked to the players specifications. You want more reverb on that reverb? Dial it up. Some of the things I notice after just playing it a few times: As billed, CODE 50 is LOUD, so be careful. Not a complaint; I wanted something versatile enough to practice at home, but be loud enough to jam with others. There are some pretty big discrepancies in the volumes between a few of the presets, another thing you have to be careful with when toggling back and forth between presets. While plenty of the presets sound unique, there are a few that sound a bit redundant, or maybe just so close in tone to another that it feels that way. There are one or two that I can't imagine anyone using ("Virus?" Virus sounds like someone is strangling an organ-at least that's what she said!). Overall, if you want an affordable way to experiment with tone, get loud, and have fun, the CODE 50 is a rad choice. Thanks Marshall!Jeremy
I've been playing on and off for 20 years. Mostly an attenuated tube amp guy and a gear tinkerer. Found one of these on the showroom and gave it a quick whirl. This quickly led to buying one. Cons: The more time I spent the more I realized how limited the stock speaker is. It's super directional and the bass is a bit boomy and hard to dial out without removed too many lower mids. It still sounds good, but it can be much better. The stock preset settings, like a lot of reviews, leave me scratching my head. The resonance, presence and gate settings in particular tend to screw with the quality of sound as set from the factory. There's no speaker out, so I installed one. If you want this amp to shine, you'll need to do a speaker swap or plug into a 4×12. Marshall should have done this. Pros: The goods are definitely there, but you need to scratch the surface. Once you get that direction figured out, it's very easy to dial in your own settings which will differ quite a bit from the factory presets. I have a 4×12 w/ Vintage 30's and this amp sounds amazing plugged in. The JTM, Plexi, JCM, JVM, American amps all sound outstanding. But the JTM45 in particular sounds outstanding. Effects are great and I'm starting to use certain effects that I normally wouldn't buy a pedal for simply because they're in the amp. Another must do is to figure out your speaker choices for each amp. I'm a Vintage 30 fan, so after changing the speaker to V30's on all the amps, to me it sounds much better. It's a good tool to be able to hear what different speakers will do at the turn of a button, just to see what characteristics in speakers you may like. My secret sauce with this amp is my Les Paul through a 10 band EQ (to boost the highs you loose using the speaker emulations through a 4×12 with those emulated speakers), through a Marshall BB-2 for boost, into Marshall Code on JTM45 through the 4×12 w/ Vintage 30's. Absolute heaven going on with this, even at low volumeWisconsinski
The marshall code 50 and all other modeling amps are not plug and play,you have to dig in and change the parameters in the amp and create user presets that sound good to you! If it sounds good then it is good! If you want your amp model to sound just like the tube amp it is modeled from,then buy the tube amp. I have other modeling amps and my peavey vypyr 75 recto model that i like very much does not sound just like a mesa but i tweaked it to sound good for what i like,i think the marshall code amps sound very close to there own tube amplifiers that there modeled after and that is how good amp modeling is getting.I just want to mention some things you can do to improve the sound of your marshall code,first break in your amps speaker for about 100 hours by playing your amp fairly loud a few hours a day,about two months or you can play MP3 music through the AUX input. This will smooth out the harsh higher frequencies and break in the speaker for better low end without the speaker farting out.Here is a great tip for the bluesbreaker and other amp models that have too much low end,when i first heard the bluesbreaker model the low end was muddy and had too much bass even with the bass and resonance turned down to 0! I tried my behringer PB100 pre amp booster pedal with the bass control turned down to a 7 o clock position and that did the trick,the low end mud was gone and the mid frequencies stood out like i never heard before! It just sounded great now! I then tried my behringer TO100 tube overdrive pedal and i could not believe that the bluesbreaker model even sounds better then the pre amp booster! The TO100 overdrive also cut out the low end mud and the mid frequencies were smoother and the higher E and B strings on my guitar had a nice round tube tone without thin sounding harshness! I also tried the marshall codes internal OD and GVR pedal effects but my behringer TO100 sounded much better!MarshallMan50
14. Marshall Ori50h Origin 50-Watt Tube Head
Product Details:
Packed with a generous complement of tubes, the origin ori50h exhibits vintage inspired marshall tone. this amp is powerful in its simplicity. dial in the gain and master controls to get the right amount of crunch, then shape your tone with the presence knob and the 3 band eq. a unique tilt control blends bright and normal sounds, while switchable power enables high output sounds at any volume. a built in fx loop makes integrating your pedalboard a breeze. there s even a footswitchable gain boost for adding extra punch to your solos. the origin ori50h is a no frills gateway to classic marshall tone.
Specifications:
Number of Channels | Single |
Total Power | 50W (10W/5W power settings) |
Preamp Tubes | 3 x ECC83 |
Power Tubes | 2 x EL34 |
Inputs | 1 x 1/4" |
Effects Loop | Yes |
Footswitch I/O | 1 x 1/4" (gain boost, effects loop) |
Footswitch Included | Yes, 2-button footswitch |
Construction Material | Black Tolex |
Power Source | Standard IEC AC cable |
Reviews:
I picked up a 'B Stock' from PMT great condition/product. Fantastic Amp! great with pedal boards. When the revies say its Loud they're not exaggerating! It's Loud! Really Loud! Ar home running a GX100 through the front at half volume I had to set the Amp to 0.6 (not even 1) at 5W, it has 2 more settings 5/15/50. If your looking for a Loud Amp work great tones without spending £000's this is a great choice. I wanted that classic Marshall tone and power, but love the versatility of the modern effects/pedal boards. After reading lots of reviews from various sources all 4.7/5 4.9/5. I'd agree 4.9/5. The 3 volume settings of the attenuator mean you can use it at home, with drums/SML venues. The clean tones are… to behold, warm buttery smooth. Add a pedal board to the front of the amp it handles ot perfectly. Best in class at this price point.
Great amplifier, especially for the money. First of all it is an amazing pedal platform amp with nice bass and mid response. Everything I've run into it sounds really good, and it's near breakup gain is gain on 10 and boost off. It is most like a JTM45, it has a lot more bass and more active tone controls than later Marshall amplifiers like the JCM900 I previously owned. It doesn't overdrive too much on its own, but if you push it with a booster, it does pretty well. It is loud, even in the low power setting, and to really get it to drive, you need to push the power amp. It also doesn't seem to have as much drive as I remember from trying a 50 watt version, but that may have been the guitar more than the amp. Great value, I would recommend it to anyone looking for what I just described. If you want something that sounds like a Super Lead, Super Bass, or JCM800, this is not the right thing to buy. If you want a great pedal platform or early Marshall sound, you can't beat it.Craig
I've had My Marshall Origin for about 6 months and I've been pleasantly surprised. I've been a Les Paul/Marshall guy for 40 years and I have the hearing loss to prove it but this Marshall has it all. This versatile 20 watt head is the perfect combination of versatility and guts.This Amp is perfect for pedals as it great grand daddies were, I use an J Rockett Archer Ikon Klon clone, An OCD a Tone City King of Blues and an original Electro harmonics LPB-1 booster. I can go from crystal clear bell like tones to Ace's plexi grind to the verge of jCM 800 tones or straight in crank the Gain and get that sweet traditional Marshall tone and attack. Unlike the Marshalls of old the EQ section greatly influences the color of this Head and along with the tilt control which replaces the need to jump channels from the Hi and Lo inputs its all there. The addition of the switchable effects loop is a huge plus as is the gain/Boost control which gives you that little extra edge for leads. Running the amp on full and using your guitars volume and tone controls gives you a lot of versatility as well. The adjustable power out put feature is nice for quiet practice but I prefer to use my Bugera PS-1 attenuator and keep my amp volume on 10, just a personal preference. A suggestion, I've used this head with 1×12 and 2×12 cabinets an it sounds good but when i finally plugged it into a 4×12 this amp took on a whole new personality. The 4×12 let this amp breathe and with the EH LPB-1 driving the front end and a little reverb I had ACE's Kiss alive tone dead on by using the gain boost and a little color from various pedals the tone possibilities a vast. All in all this amp would be a great deal at twice the price, marshall once again did it right.Miggs
15. Marshall Origin 50 Combo
Product Details:
Innovate and craft your sound using this 50w combo. a celestion midnight 60 12" type speaker provides a classic all-valve, rich and harmonic marshall tone. this amp has classic styling and contains contemporary features. a power reduction feature, powerstem, perfectly matches your tone whether performing on stage or practicing in the studio. with a 2-way footswitch available you can control the gain boost and turn the fx loop on and off. add a little boost you can add in an extra level of gain using the foot switchable gain boost feature to create extra distortion in your sound. tilt your sound by using the tilt control you can blend your sound between normal and high treble to access the sound that suits you. you have the power play as hard as you like, wherever you like. our new power reducing technology, powerstem allows you to have high, medium or low power modes to work with your environment. control your tone the presence control will increase high frequency and when the master volume is increased you can get that classic overdrive sound.
Specifications:
Number Of Channels | 1 |
Product Width | 22.8 inches |
Product Length | 9.6 inches |
Number Of Speakers | 1 |
Speaker Size | 12 inches |
Output(s) | 1/4 in. audio |
On/Off Switch | Yes |
Input(s) | 1/4 in. audio |
Control Type | Knob |
EQ Settings | Bass, Mid, Treble |
Gain Control | Yes |
Footswitch Included | Yes |
Number Of Tubes | 5 |
Tube Model(s) | 3 x ECC83, 2 x EL34 |
Amplifier Type | Combo, Tube |
Number Of Inputs | 1 |
Number Of Outputs | 4 |
Reviews:
I really wanted to like this amp. I've ownned almost every amp made over the past 40 years playing, and currently own 2 other marshall 100 watt heads. I bought the origin 50 head. This thing is UNGODLY loud, easily louder than my 2 other 100 watt heads. I really thought it was defective even in 20 watt mode it easily keeps up with the loudest drummer in 50 watt mode the loudest thing I have ever played through a 4×12, 2 4×12 cabs, and a 112 cab. I spent almost a month tweaking this amp and just could not get that crunchy/clean plexi tone I was wishing for. My head had zero sag when hitting notes, the tone is really immediate and dare I say sterile sounding through a variety of high end speakers. You MUST use a pedal with vintage output single coils, or else you just sound squeeky clean with no edge. So whats the point? I have many amps I can stick a tube screamer in front of. I just cant justify buying the latest and greatest tube amp, only to have a 100 dollar dirt box be the core ofHobbyBobby
A mini version of my full sized Bluesbreaker. I really needed something a bit quieter for smaller gigs and practice at home. I didn’t want to compromise by buying a different type of small amp that wouldn’t get the sounds I had become used to, that’s where the Origin 50c comes in. It’s a great stand in for my JTM45 and it has power scaling to tone it down for smaller gigs. It does clean, it has natural grit if you push it, the tilt and gain boost controls are amazing additions. No need for jumping channels, just blend in the “High Treble” part of a JTM45 with the tilt knob and you can add some clarity and sizzle to stand out in the mix.Daniel Warfel
I bought it to go back to a old school setup. I've had it with all this new age software and modeling, and programming! That's not for me! I have two different pedal boards that I custom made that have every effect I could possibly need at a gig. This amp has an effects loop for those who prefer it….I just plug everything right into the front like I did in the eighties, and it works great! This amp is made for pedals….. unless you just like a dry clean sound. I also have a 412 cab to plug it in too! It gets even better with that! So.. I got the combo for smaller gigs, and for the bigger venues I add the 412 cab. Works out great! I plan on adding some corner protectors and wheels soon.Glenn
16. Marshall Jvm215c 50w Guitar Combo Amp
Product Details:
In a nutshell, the marshall all-valve, 2-channel jvm215c is a 2-channel, 50w version of the most versatile marshall amplifier ever made, the jvm410c. each of its 2 channels are completely independent of each other, and they boast 3 modes, all 6 of which are footswitchable and feature their own unique gain structure. it makes the jvm 2-channel effectively 6 marshalls in one! the jvm215c has studio-quality digital reverb with a level control for each channel. this is also footswitchable, as are the amp's two master volume controls and the series/parallel effects loop. resonance and presence are equipped with master controls. – an ingenious footswitch (uk patent pending) and the fact all the amp's switching (channel/modes, reverb, master volume selection, fx loop) can be done via midi and you're looking at an incredibly flexible amp! the 4-way footswitch boasts leds and memory, plus it connects to the amp via a regular guitar cable. – from the cleanest clean to the filthiest distortion ever found in a marshall and all points in-between, the jvm215c all-valve combo will give you whatever tone you need right when you need it. – all-valve 50w combo amp5 x 12ax7 preamp tubes 2 x el34 power tubes12" celestion speaker2 totally independent, footswitchable channels – each channel has 3 footswitchable modes – footswitchable, studio-quality digital reverb – independent reverb controls for each channel2 footswitchable master volumes2 fx loops, one series, and one parallel – parallel fx loop is footswitchable on/off – speaker emulated xlr output4-way footswitch (with memory) supplied – all switching can be done via midimade in england
Specifications:
Amplifier Type | Tube Guitar Amplifier |
Tubes | 5 x ECC83 preamp tubes, 2 x EL34 power tubes |
Application | Performance |
Power | 5 Watts |
Speaker Size | 10" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 2 |
Compressor | No |
Effects | Reverb Only |
Effects Loop | Yes |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | Yes |
Headphone Output | No |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
The JVM was my first choice for a professional grade amp. Had to rely on internet demo's to choose [music stores in my area do not stock the JVM's because they are expensive]. No regrets after receiving and playing it for a month. Has so many great features like the dual master volumes, decent reverb and a great footswitch. Sounds awesome at bedroom levels as well as turned up. Excellent Celestion speaker choice by Marshall. I also purchased the DSL 40c last year and love it, but I did not like the shared EQ. I was afraid the JVM might not sound much better than the DSL, I was wrong ! The JVM can get any DSL tone and more. A very versatile amp. It has more than enough gain, in fact too much for me. I like the Clean / Crunch channel for my style [classic / Southern rock] while the overdrive channel can be tamed into Marshall heaven. If your looking for an amp that can do just about any tone-this is it. My only complaint about the combo is the knobs feel very cheep with no friction or drag. Like turning a cheap radio dial. That is why I gave it 4 stars. Otherwise the build quality is good. I chose the JVM over Friedman & Mesa and do not regret my decision. It's a keeper.Combo Addict.
I have had this amp for about a year now and i love it!!! This amp has 2 channels each with 3 gain stages and works great with my pedals! On the hottest channel this amp has so much gain you dont even need an overdrive pedal. You can easily get those satch and vai tones out of this amp with ease. Its also very loud if you dont like your neighbors lol! the clean channel is awesome as well you can get extreme pristine cleans out of it. i have 30 plus years exp and picky when it comes to my sound and I tell you this is the most versetile amp in my arsenal. I even have all the settings fairly low and have a great sound. I cant believe the overdrive in this amp when they say there most gain to date they are not kidding well worth the money all though they will most likely give you a better price (though i am a good customer with them and buy a lot from them).GARY L GARY RICH GUITARS
Overall: Took 5 days to get here…..not 2 days as advertised. Arrived with box beat all to pieces, thanks to FedEx. 4 of the black plastic nuts that secure some of the various 1/4 jack inputs were missing. Found 2 in the bottom of the box, but the other 2 are gone….presumably fell out of one of the HOLES IN THE BOX. I guess I'll spend 10 more bucks to replace them, rather than worry about a return process ..smh. Very little padding in the box….only 4 foam corner pads…that's it. Luckily, I dont see any real damage. Amp seems to work so far, but I haven't put it through its paces yet, so we'll see. Very disheartening, considering the 2500.00 price tag. Fingers crossed.
17. Vox Mv50 Rock Guitar Amp Head – 50w – Black
Product Details:
Specifications:
Weight | 1.19 lb |
Reviews:
Surprenant! Je n'étais pas hyper confiant en achetant cette tête d'ampli et pourtant, c'est vraiment très bien. Je l'ai associé à un baffle Marshall 2X12 en 8 Ohm et outre l'excellent son Vox et la palette très intéressante de sonorités accessible avec seulement le réglage de gain et de tone, ça sonne fort. Je joue dans un groupe de Punk UK et l'autre guitariste du groupe joue sur une tête d'ampli Orange Tiny Terror associé à un 2X12 (Je ne me souviens plus de la marque), et il ne passe pas au dessus de moi en terme de son. Cette tête d'ampli est largement utilisable en répétition ou en concert, le son est très propre et les réglages sont simples. Je recommande 🙂 Pour info, cette tête d'ampli est venue remplacer mon ampli combo Fender Princeton 65 DSP et je ne regrette pas du tout.Atricks
Small but powerful. Excellent practice ampJon A.
Recomendo para compragilbertpereir8
18. Evh 5150iii 50w 6l6 1×12 Combo, Ivory
Product Details:
This is a used and still in excellent condition 5150 iii 50w 1×12” combo from evh, with the 6l6 power section. the 5150iii 50 watt has shared eq on the first two channels with their own volume and gain controls via concentric pots, a separate eq for the third channel, midi capability, and 4/8/16 speaker parallel output jacks along with the onboard 12" evh custom-designed speaker by celestion. this particular amp is lightly used and shows no signs of wear.
Specifications:
Amplifier Type | Tube |
Inputs | One – 1/4", MIDI (rear) |
Speaker | One – 12" Custom Celestion |
Channels | Three – (Clean, Crunch, and Lead) |
Effects | Reverb |
Speaker Jack | Two 1/4" Parallel |
Wattage | 50W |
Preamp Tubes | 7 JJ ECC83 (12AX7) |
Power Tubes | 2x JJ 6L6 |
Cabinet Material | 7-Ply 5/8" Birch Plywood |
Handle | Molded Plastic Strap with Black Powder Coated Caps |
Pilot Light Jewel | Red Jewel |
Reviews:
This amp is built for the performing rock musician. It's all about gain and rock tones. Oh want some clean, just back off your guitar's volume knob in channel one and hit the reverb button on the foot switch and you got clean ! The build is one of the best I have seen in my 50 years of playing and building amps and electronics. Anything Ed builds is the best. The new stacked pots to control the first two channel's gain and volume is a real help. The 2×12 combo also provides free weight training as you move from job to job and an added health benefit often overlooked. Ya it's heavy cause it's built so well. If you dare go to channel 3 then better fasten your seat belt but C3 can be easily tamed by turning down the gain. In my music room I set the power level to 1 watt and can still drive and countersink a 16 common nail. Great amp and I love the ivory color.Doc Montana
best pure rock metal amp ive heard/played. just incredible gain that really holds together well. this amp just roars. tons of headroom. you will never be drown out by a heavy handed drummer with this. tried a marshall jvm and this thing blows that out of the water. power attenuator works great. clean sound not as good as say a fender twin but it is pretty good. i play mostly classic rock and blues and got this to indulge my occasional 80s metal itch but it is more versatile than i thought. only reason i gave 4 stars is ch1 and ch 2 shared eq. fyi this is BIG. heavy as heck but wheels make it a bit easier. other than that its greatthe cheese
Overall: This is an old-school tube amp that has the best gain I've ever heard. It is incredibly loud, with all the balls a stack would have, and because of the Celestians, it sounds classic and gorgeous. But wait! It has a power leveler dial so you can sound like a stack at ONE WATT! Pretty cool.You should probably (definitely) grab a noise gate as well. Seriously, you turn this thing on and it sounds like my folk's old Zenith floor model TV lol…but the sound of that gain is worth the hassle of a little noise.I'm currently playing in a country/rock/southern rock band and cut my teeth on classic rock and 80's metal…this amp will handle all with ease.The best amp I've ever owned.RIP EddieDavid
19. Fender Tone Master Super Reverb
Product Details:
All the tonal magic of the legendary black panel super reverb at nearly half the weight! the tone master super reverb is the next addition to fender’s acclaimed series of legendary amplifiers. featuring fender’s proprietary tone master modeling process and combined with player-centric features to maximize the utility of these amps, the tone master super reverb is a perfect replication of the legendary tube amplifier with modern features for today’s most demanding professionals. the tone master super reverb is the magical combination of the mid-60s black panel amplifier circuit and four 10” speakers. it’s got the unique beefy sound of the large 4×10 cabinet, the chime of the jensen speakers, and an easily driven mid-powered 45w (simulated) amplifier. there’s no mistaking this sound when you plug into it, and now you can lift it easily and set the volume to the venue. with modern features including selectable output power and ir line out, the tone master super reverb is ideal for stage, studio, or home use.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Performance |
Power | 45 Watts |
Speaker Size | 10" |
Speaker Configuration | 4 x 10" |
Speaker | Jensen P-10R |
Number of Speakers | 4 |
Stereo | No |
HF Driver | No |
Channels | 4 |
Compressor | No |
EQ Bands | 3-band |
Effects | Reverb Only |
Effects Loop | No |
Direct Output | Yes |
USB | Yes |
Bluetooth | No |
Aux Input | No |
Headphone Output | Yes |
Footswitch Input | Yes |
Footswitch Included | Yes |
Cover Included | Yes |
Display | No |
Reviews:
The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand- The 64 Fender Princeton Reverb combo amp is Fender's current premium product in the Princeton Reverb linage. It's beautifully hand-wired in an effort to emulate the original, but using modern production techniques. It's definitely a true classic beauty with a nice subtle vintage look. The Jenson P10R Alnico speaker and its solid pine cabinet sound really great and for 12 watts the amp is amazingly loud. It has all the dreamy tube tremolo and spring reverb that Fenders amps are know for. There are several reissue versions of this amp and they all sound great, but each has a slightly different vibe. This 64 edition is definitely a gig and road worthy little amp that recreates a true classic amp, sounds great and should last a lifetime.
I've been playing guitar since a kid. My Dad used to own a guitar store where he was an amp technician. I'll always remember sneaking into his room when he wasn't home and playing his salmon pink Strat and Twin reverb amp. There was always a magic in them and they really inspired me. Fast forward 30 years and I've grown up just like him. Been playing professionally for a long time through some pretty nice gear but something in me always wanted to revisit that amp, it just had the perfect sounds I played lots of amps before choosing a Marshall 50w plexi as my amp of choice for gigging and it was good, no doubt a about that, played it for almost 15 years straight until one day buying that Twin I'd always so wished I also had. Found I played it far more than the plexi so actually ended up selling the Marshall and just sticking with the 65' reissue! It does everything the Marshall did and more I think. Playing them side by side before making the final decision to sell set my mind at ease because I couldnl get the same sounds from the Twin. Even did a little A/B recording with overdrive and no one could pick which one was which I play mainly classic rock and this amp is everything I'll ever need. Small wattage Amos always sound and feel small to me so was never interested in them, of it's too loud turn it down, the volume is far better than the plexi because that one sat on a hair trigger, really difficult to get a bedroom volume out of. The Twin is quote easy and pot smooth to use. Plexi goes from 0-almost full volume at half way to 1 on the dial. Love itJez
I received the amp yesterday and have only played it (both the vibrato and normal channel) for about half an hour in my living room, but I was so impressed that I wanted to go ahead and write a review, which I almost never do. I've been playing electric guitar almost 50 years and have owned many different amps, almost all Marshall or Fender, including a late 60s or early 70s 100 watt Marshall (no master volume), a mid 70s silver face Twin Reverb and Dual Showman, a 1987X 50 watt Marshall reissue, a '59 Bassman reissue (before the LTD version), a '65 Super Reverb reissue, a Twinolux, and a standard '65 Deluxe Reverb reissue. The only other amp I have currently is a wine red '65 Deluxe Reverb reissue (DRRI) with a P12Q Jensen speaker. The '65 DRRI has been one of my favorites. I like the 6V6 sound and I think it's hard to get a bad sound out of that amp. I really like the clarity of the 64 Custom Deluxe Reverb compared to my '65 DRRI. It is noticeably brighter than my '65 DRRI, but part of that may be because the '64 has a C12Q speaker while my current '65 DRRI has a P12Q speaker. Since reverb and vibrato work on both channels of this '64 Custom Deluxe Reverb, the vibrato channel is like having the bright switch on (it reminds me of the way my super reverb sounded with the bright switch on) and the normal channel is like having the bright switch off. I like the way both the reverb and vibrato work and sound on this '64 more than the '65 DRRI. The same guitar (a Strat with '69 custom shop pickups) has noticeably longer sustain when I play it through this '64 compared to my '65 DRRI. Some people have mentioned a possible problem with noise (hiss or hum) from this amp, due to the way the channels are connected together, but I hear virtually no noise at all from this amp, not when it is sitting still (with both normal and vibrato channels turned up to 3), and not when I turn any of the knobs. I wish I had bought this amp in the first place instead of the '65 DRRI.Kenneth
20. Fender Champion 50xl Combo Guitar Amplifier
Product Details:
The champion 50xl makes it easy for players to plug in, dial in a great amp model and effects, and have fun! fender designed the champion 50xl with a more aggressive look and sound to the champion series – 'black on black' cosmetics separate it from the series’ traditional aesthetics. four “stompbox” effects (compressor, overdrive, distortion and octaver) add flexibility to the twelve amp tones that range from pristine clean to full-on metal distortion. a full complement of twelve classic effects, ranging from reverb and delay to vibratone, provide the perfect platform for sonic experimentation. completing the package, the 12” celestion “midnight 60” speaker brings full tone, increased output and expressiveness to this versatile amplifier. the optional 2-button footswitch allows remote channel selection and effect toggling.
Specifications:
Amplifier Type | Solid State Guitar Amplifier |
Application | Practice |
Power | 20 Watts |
Speaker Size | 8" |
Number of Speakers | 1 |
Stereo | No |
HF Driver | No |
Channels | 1 |
Compressor | No |
Effects | Multiple Effects |
Effects Loop | No |
Direct Output | No |
USB | No |
Bluetooth | No |
Aux Input | Yes |
Headphone Output | Yes |
Footswitch Input | No |
Footswitch Included | No |
Cover Included | No |
Display | No |
Power Supply | Internal |
Reviews:
I bought a Fender Champion XL 50 for a small light weight amp to bring to local jam sessions. I have to say I am not disappointed. I know there's no comparing solid state to tubesl when it comes to filling up a room with sound but this little amp cranks. It's closest competition is the Boss Katana and those are really nice. I like the ones I've played, but I'm really into that clean Fender sound and this amp has it in spades. You get the full range of cleans, from black or silver faces to tweeds. There's overdrive and high gain models in there too but as I said it's the cleans that sold me. It is a two channel amp, but I'm not sure why anyone would use the first channel as tall the digital goodies are on the second. That being said, the digital reverb in this amp has a bit of a whistle I don't like. Instead I used the chorus on the amp and a Boss Fender Reverb pedal. If your playing on a stage lugging around a forty pound tube amp may be the thing to do, but for sitting around a garage with friends this amp will save your back and please your ears.ADarkBard
I usually don't leave comments, but feel I must let the frustrated AMP user know, yes Jessica there IS a Santa Claus! Was looking for an AMP that was "SIMPLE" – On channel 1 ONLY the volume is usable, I didn't check but probably the Bass & treble too! On Channel 1 the gain control is set and turning the knob does nothing, and none of the FX are accessible! I was so busy checking out Channel 2 that I didn't check to see if Treble & Bass could be adjusted. You have 12 "Voice Settings" and 13 FX Selections. So I checked out all 12 Voice Settings combined with all 13FX settings – add this to checking these out with a single coil Strat and a Jazz/Full Shred Charvel DK24. I feel this is one of the BEST choices I have made in electric guitar choices! The AMP sound CLEAN!!!! I Imagine Channel 1 would be great with an Accoustic as well! Don't have one though! Channel 2 is GREAT and I don't need any more than it has to offer. It is so uncomplicated & stress free! If you are an expert guitar player and can concentrate more on AMP settings, rather than playing, then go for the Katana 50 MKII, or the VOX Cambridge. I was thinking hard on all three. When I got to GC I had pretty much decided on the Fender Champion 50XL. The VOX Cambridge is $150 to $160 more, with only $10 between the Fender & Katana. Since what is on the AMP is all my mind can handle, I decided to go with the Fender 50XL. It has to be on of the simplest AMPS to operate. I do have an Ibanez Tube Screamer, and if I have a need I can look at other pedals down the road. I do plan on getting a Cry Baby! Latter down the road I might get more pedals, but for right now this AMP has all I need. The Celestion Speaker sound GREAT! I couldn't be happier – it is as loud as I need – It's EASY to learn – NONE of the settings sounded muddy, muffled, or shrill. If I was going to get an AMP that needs a lot of downloading, I would have gone with the VOX Cambride. Glad I traded in my old AMP!Karl, M
Great overall amp. The obvious comparison is the Boss Katana 50. I tried both and I found I could dial in a sound I like from the Champion easier than the Katana. The Katana has way more features and the connect-ability. I prefer just plug in and playing which was far easier with the Champion. One of the largest selling points for me was the headphone jack feature for silent playing. The Champion has it right in front of the control panel and it's a 3.5mm jack. The Katana has one but its on the back and it's a 1/4inch jack which would require an adapter to 3.5mm. The location and the fact that it's 1/4in jack gave the Champion the edge. I also preferred that taller design of the Champion. It made it more comfortable to reach and adjust. Some of the cons are the knobs. especially for the "voice" and the "fx-select". A rotary knob would make it far easier to select the presets. Fender does provide a 3 color LED light that changes when you reach the next model or effect. However, a rotary knob that stops at the preset would be a better. Another con is that the reverb effect is combined with chorus and delay. I would much prefer it to be on it's own rather than combined. This is something that the Katana has. Overall the Champion is great for home use and I would recommend it to someone that wants a good amp that is easy to just plug and play. If you want more effects and enjoy experimenting then the Boss Katana would be a better choice.E. Bran
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