1/4 Electric Guitar For Sale (2024 Update)

The craftmanship is wonderful, it's a high-quality instrument, both for children as for adult who want a travel guitar. My daughter is in love with this one.

j'ai acheté cette guitare pour l'anniversaire de mon petit-fils de 4 ans. je l'ai fait essayé par mon professeur de chant et guitariste professionnel. il a trouvé la guitare très bien avec un très bon rapport qualité/prix. c'est une vrai guitare, qui somme bien.

Sound: Today's guitars are all made on cnc's unless you get something like a US made G&L, those are cut out with bandsaws and routers, like fenders in the 50s up to the 70s. The neck pocket in mine is very clean and neat, the body routing is very clean, the frets were nice out of the box, no misaligned screws or parts, no blemishes in the finish or anything. Features: The least useful feature for a majority of people will be the rhythm circuit, it has its own volume and tone pots and is neck pickup only, with a much darker tone than the neck pickup on the lead circuit, leave the switch in the down position, and you never have to worry about it unless you want an old school jazz guitar tone. Then push that switch up. (It does old jazz guitar really well) Ease of Use: The jazzmaster has quite a bright bridge pickup, makes it well suited for surf, or spaghetti western guitar, but it also means distortion on the bridge pickup will cut through rather well. the neck pickup is strat like, but bigger and thicker. Like a strat neck pickup on steroids. Both pickups together results in a sweet soft sort of quack tone, due to the pickups being so far apart, it's not the same as a strat quack tone, but its very nice sounding. Then of course there's the neck only rhythm circuit which is very much like an old jazz tone (hence the name Jazzmaster)The pickups are generally higher output than most other fender pickups, and work well with distortion. A lot of people still think jazzmaster pickups are p90s. Nope, real jazzmaster pickups are roughly the same size, but thats where the similarities end. They don't even sound similar. This confusion is furthered by the old mexican player jazzmasters, the j mascius, and others that have P90's. Quality: Fender mexico didn't skimp on the electronic parts, the pickups are very much like a mid 60s jazzmaster in sound, even down to the gray bobbins and enamel coated coil wire. Pots are CTS, both switches and the jack are switchcraft, just like they are supposed to be. They should last forever. The trem is built well, but not exactly the same as the old ones, the trem arm is screw in, it really should be a push in arm, like all the old ones. Also, I think the hole of the trem arm in the top plate is way way too big, it only needs to be slightly bigger than the trem arm collet.The tuners are kluson like split shaft, loke fender used from the very earliest days until 68, they're not made by kluson but it doesn't matter the design is too simple to screw up. The frets are vintage, they're always described as tall and thin. They're not tall, but they are thin, it is a 60s styled guitar after all. But I think a lot of people used to 9.5 and flatter radiuses will have problems, it's a 7.25" radius fretboard, requires a bit higher action but a half hour or so of playing, you get used to it. It also has a truss rod nut at the heel of the neck, its a correct feature for all fender's prior to 1971, but man was that a bad design choice on leo fender's part. You either have to loosen the neck a lot or take it completely off to adjust neck relief, and hope you got it right.Now when I got my guitar I took it completely apart (I always do). What I found on the inside could be improved. First was an excessive amount of wire. There is a lot of wire in a jazzmaster, but they didn't even bother cutting the pickup leads to length. Both pickups had about a foot of unnecessary lead wire, so I fixed that.The other issue was a bad conductive paint job in the cavities. The jazzmaster is an electrically noisy guitar, they need all the shielding they can get. The conductive paint was one thin coat, and didn't even go up the sides of the cavities, it wasn't doing anything. From 1958 to the end of the original run around 1980 each jazzmaster had brass tubs in all the cavities, all soldered together and grounded. I don't expect that in a new jazzmaster, but they knew then that it needed shielding. The pickguard in 58 was also gold anodized aluminum, which was excellent for shielding. But the anodizing wasn't good, and the gold wore off after a few months so and looked awful. In 59 fender switched to plastic tort pickguards, with a thin pickguard sized aluminum shield underneath. Anyway I properly shielded the cavities. Also the pickguard only had aluminum tape for the toggle switch to the jack, and another piece for piece for rhythm circuit switch and pots. That ain't going to do it. I added more shielding, put it all back together and it was a major improvement. Recently I decided to see what a proper gold anodized aluminum pickguard would look like on ice blue metallic, and its VERY cool, looks like a 1960s california speed shop modded my guitar, might put some tele knobs on it sometime.I also made another modification, I had a 65 reissue trem and bridge laying around, so I put them on it. In the old days, the lock button, trem

Bit of a clickbait title, but I genuinely sold my Gibson SG to downsize buy a cheap guitar + a load of other bits and pieces. Do I regret it? Not in the slightest. Now obviously build quality and sound aren't to the standards of the Gibson, but this cost a fraction of the price and honestly; I've not really lost anything. 15 years ago when I started playing instruments, buying a guitar at this price was a stop gap, and generally had more faults than positives… what has changed in that time!? Squires bottom of the range guitars are infinitely better than any other guitar i have played at the same price point, and this guitar holds up against mid range guitars. So, bad points? There's a couple of minors. The neck has a single rough spot that was fixed in less than 10 seconds with a fine sand down, but that was it in terms of looks and feel. The frets are perfect, the setup out of the box literally needed a quarter of a clockwise screwdriving to sort the intonation on the low E – I've never had so little to setup on any guitar I've ever owned (Maybe I got lucky, but to think this is possible on such a cheap guitar is magical). The only 'issue' I'd say this guitar has is, the pick ups aren't very hot. They're more than reasonable, especially at the price point, but dont expect to fill out an arena with the sound. Important to point out: this guitar costs about the same as a good set of pick ups… so this actually just makes this a great project guitar as well. Lovely smooth matt neck, which i'm a huge fan of, tight neck joint, well finished frets and reasonable tuners that are better than yesteryears tuning pegs. If you're looking for a starter guitar, a project guitar, a guitar for some home studio recording, a back up guitar or something you can chuck about and have a bit of fun with, this is the one.

Earlier this year, I decided I'd like a telecaster style guitar to give me an alternative to my Fender Strat. Originally purchased a G&L tele from a firm who shall remain nameless (hint: they're named after the generic name for the things I'm talking about in this review, times two!). Unboxing said item, I was really underwhelmed – it didn't come in its original G&L packaging for starters – and I ended up sending it back. Forgot about a new guitar for a few months until I came across the Fender Squier Classic Vibe 50s in Butterscotch. Loved the understated look, a proper "classic" look in this particular finish. Read some glowing reviews, looked around for the best price and found it here at DV247. Bit the bullet, and it was delivered without a hitch a few days later (think it's shipped over from Germany). The package weighed a ton! Well packaged by DV247, and inside another sturdy box well packaged by Fender – I should have done an unboxing video! When I finally got to the guitar – a thing of beauty! Albeit understated, as I said before. The most impressive thing? All that way from Indonesia, halfway across the world to Germany, then via courier to my door – the damned thing is still in tune!!! Buy one!

I'm a telecaster guy, but I wanted to try something new so I picked one of these up. Honestly, I was shocked at the quality of the instrument. Frets are perfect, action was great, finish is flawless, good feeling pots, and the guitar sounds great. It pains me to say this, but in all honesty it was better set up than my American performer telecaster and it cost one third as much. I ended up blocking the tremolo for better sustain and tuning stability, and WOW, that made a huge difference! I can now feel the string vibrations through the entire guitar and the tonal balance is much better. If you don't use a tremolo much, I'd really recommend it. It's a really fun guitar to play and a steal for the price.

The only thing I'm not entirely happy with is the action. It's just a little too high. Other than that, I love it. It's a very nice looking acoustic for the money. It stays in tune extremely well and I was shocked at how full the sound was even with such a thin body. Sounds even better plugged in. The thinner body is super comfortable to handle and hold. It makes the transition from electric to acoustic very easy. The built in tuner is one of my favorite features. It works great and seems to be as accurate as any other tuner I've ever used. Overall, I would recommend this acoustic to anyone on a budget looking for a great sounding and feeling acoustic who doesn't mind the action a little on the higher side. (Side Note – I might be too critical on the action since I'm used to my electrics set up for such low action.)

This thing is easily worth 4 times the price. The build quality is impeccable. The binding is perfectly flush, the finish is beautiful and evenly applied and the intonation was extremely close out of the box (I only had to move the G string saddle back a bit to set it, all the other strings were perfect). The headstock has a nice molded profile to the sides – this is something I haven't seen on other Epiphone guitars. The PRO p90 pickups are fantastic. I have 11 other electrics from an epi 335 to a Gibson Les Paul Traditional to modded teles and strats and I never could quite find that classic clear tone with a thick rich drive when you dig into it that I've been looking for – this Casino has that sound! Every website/listing likes to talk about the Beatles… that comparison doesn't speak to what this guitar is capable of. This is more in line with Gary Clark Jr., The Black Crowes, Jack White and The Allman Brothers Band sounds. Think rich, bluesy rock. It's much cooler than "the Beatles guitar". Plug this sucker into a Vox and you're in business. The C shape neck is very comfortable- it has a flat back with rounded sides. Plus, with the satin finish your hand moves more freely up and down the neck. It's nice to play unplugged too, it's fully hollow so it plays/sounds like a quieter acoustic unplugged. The knobs/pots are really cool looking and work great with no scratching. They have even adjustments – no quick falls after a certain number like you see with others in this price range. They have a cool old school tab to show where you are on the dial (no pictures show this little detail). All in all – super cool vintage vibe, sweet clean tone with a fun roaring bite on the gain – excellent guitar.

As attested to by all the reviews on the Capri Orange MX Player Tele, it is a great playing guitar in its original factory form. However, I chose this guitar as the platform for Sweetwater to custom mod. In collusion with friend and Sales Engineer Jeff Jent, we determined the component upgrades of choice for the project. The oem wiring harness was replaced with the Emerson 4way switch Tele wiring harness. The additional switch position allows for the pups to play in series. The oem pups were replaced with Fender Custom Shop Twisted Tele pups. All this modification under the hood was covered up by a Fender black pearloid moto pickguard. The oem string guide was replaced with the Fender American Standard string guide. The oem control plate and knobs were kept as was the oem bridge with box saddles. I prefer the 6 box saddles bridge to the 3 saddles bridge – just a personal choice. Upon receipt of the Tele, from my personal parts box I installed Fender all short post locking tuners and Fender locking strap buttons. Since the MX Player Tele doesn't come with either a case or gig bag, I had the guitar shipped in a new Fender Elite hard case. I provided Jeff with my preferred set-up specs by the numbers and he forwarded those to the guitar technician for the final modified product set-up. Guitar technician Brandon Harper did exemplary work in putting the mod guitar together and tech supervisor Marty Flaley verified the completed modifications "nailed" by Brandon. If you desire modifications on a new guitar, don't be hesitant to turn the Sweetwater guitar technicians loose on your vision project. The techs know their trade. But in full disclosure, modified guitars are non returnable so be sure of the modifications you desire. The standard Sweetwater warranty is in place though. All of these details can be gone over with your Sales Engineer to be certain, just in case I have misspoken the rules of engagement. Thanks to Brandon for his tech expertise and Marty for the oversight (prior to his promotion, Marty was my tech of choice for set-ups on new guitar purchases). Can't say enough about my excellent relationship with my Sales Engineer Jeff Jent. He knows his gear! If you don't have an assigned Sales Engineer, call Sweetwater and ask for Jeff. If you are ever on the Sweetwater campus, ask to personally meet your Sales Engineer and guitar tech. I've had that pleasure and glad to call them friends. OH, and what about the orange Tele? It feels, handles and plays great. It is on par with my Elite and Ultra Teles (except slightly less expensive) as a fine crafted guitar. If you have ever wanted to do a mod guitar, pick any platform and turn the guitar techs loose. My new Tele is a Sweetwater Custom Mod!

This is a really great deal. Unless you get lucky on Reverb or whatever you won't find a deal like this anywhere else. And let's face it–you need a Telecaster! It's as basic as a Stratocaster. Even more so. It's so versatile and has a bright (but not too bright) sound. It's HIGHLY customizable. The shape of the neck is very comfortable for both rhythm and lead play. I'd even go so far as to tell you to make this your kids' (or YOUR) first guitar. For one thing, it's a Fender. The build quality is rock solid. It's really designed to be a lifetime instrument. Cons–really just the shade of the neck itself. It's a little pale. But that's just me. Not only that, but later on you can purchase another Fender neck and just replace it. (It's easy.) Don't let this absolute steal for a real Fender Tele get away from you. You'll thank me.

Sweetwater did right by me, setting up my Hendrix signature guitar with loaded pickguard with Seymour Duncan signature Hendrix pickups, bone nut, and pleking. Delivered double boxed, and in tune! Wow! Service was above and beyond at Sweetwater. The tones out of this guitar are killer, that is without any boxes! They have made themselves a lifetime customer! I highly recommend Sweetwater to anyone buying the guitar of your dreams! Thank you Sweetwater! You knocked it out of the park on this one!