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May 11, 2009
Dave Earl, aka sflogicninja, brings together the component parts of his dance track to demo the final mix....
May 10, 2009
Moving forward with his track, Dave Earl, aka sflogicninja, creates his bass line with Apple Logic's ES M bass module, at Remix Hotel Miami 2009....
May 7, 2009
Dave Earl, aka sflogicninja, processes his kick-drum sound with white noise inside of Apple Logic's ES P polyphonic synth....
May 6, 2009
Dave Earl, aka sflogicninja, shows a Remix Hotel Miami 2009 audience the basics of creating a dance tune in Apple Logic....
May 5, 2009
Meet Pasquale's secret weapon of Apple Logic, the Adaptive Limiter plug-in, which dynamically limits levels according to the peaks of the audio...
May 5, 2009
Learn how Pasquale EQs kick drums and filters non-bassy instruments so they don't muddy up the bass and kick tracks...
May 5, 2009
Pasquale covers assigning the level of subgroups within Apple Logic to faders on a control surface...
May 3, 2009
Matt Skaggs of Access Music puts on a killer jam during Remix Hotel Miami, using a Virus TI Polar synth as an effect processor. ...
May 1, 2009
Learn about the different level meter plug-ins di Pasquale puts on his master bus to make sure the levels on his tracks are ideal...
Apr 29, 2009
Learn Pasquale's trick for applying heavy effects to just a single word of a vocal track on a remix
...
Apr 29, 2009
The remixing clinic begins to explain how to make sure all the sampled vocals parts of the remix line up on the downbeat of bar one ...
Apr 28, 2009
DJ and producer Andy Caldwell points out some of his favorite Ableton Live features in this brief video from Remix Hotel Miami 2009....
Apr 28, 2009
Part 2 of finding the tempo of a vocal track covers looping one bar of the vocal sample and comparing that to a one-bar cycle region in Logic...
Apr 27, 2009
Producer/remixer/artist Vincent di Pasquale talks about finding the original tempo of a vocal track before remixing it at Remix Hotel Miami 2009...
Apr 24, 2009
Phonte and Nicolay share how they recorded the vocals on Leave It All Behind —without ever being in the same room...
Apr 24, 2009
New modules in the Jazzmutant Lemur's latest OS can add continuous, dynamic effects modulation to a song or instrument part....
Apr 23, 2009
The Foreign Exchange's Nicolay and Phonte discuss the stylistic changes on their latest release, Leave It All Behind ...
Apr 23, 2009
The Jazzmutant Lemur step seqeuncing lesson continues with ways in which to mix and match the sequenced drum sounds...
Apr 22, 2009
Producer Nicolay shares his early production setup, and rapper Phonte gives details behind the promotion of their first BBE release, Connected ....
Apr 22, 2009
Witness a step sequencer downloaded to the Jazzmutant Lemur being used to make live beats over a DJ set ...
Apr 21, 2009
In the first installment of this Red Bull Music Academy Workshop video, Foreign Exchange's Phonte and Nicolay talk about their early recording and working methods...
Apr 20, 2009
Learn how the Jazzmutant Lemur multitouch screen packs the power of a dozen controllers into one touch-sensitive box...
Apr 20, 2009
Page and Stryke share tales of working for the likes of Stevie Nicks and Whitney Houston—and making style concessions (or not) to do so....
Apr 16, 2009
At Remix Hotel Miami 2009, the producers talk about technical vs. musical production styles and where their method fit...
Apr 15, 2009
At Remix Hotel Miami 2009, the producers discuss the evolution of their studio gear and how they use it....
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