Remix Hotel Miami 2008 VideosRHMIA |
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Anatomy of a Mix With Paul van DykDJ and producer Paul van Dyk breaks down his process for building a track.... |
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Paul van Dyk Dissects “Time of Our Lives”DJ and producer Paul van Dyk explains how the track “Time of Our Lives,” from his album Reflections, came to be.... |
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Paul van Dyk on DJs Becoming ProducersPaul van Dyk offers tips on how DJs can begin producing their own tracks.... |
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The Pacemaker RHMIA 2008 DebutSee the brand-new Pacemaker personal DJ system in action on the Beatport stage. ... |
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VJ Shakinda on Gear and Visual StyleVJ Shakinda describes his stage setup to Remix Technology Editor Markkus Rovito.... |
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VJ Demencia on Media ConvergenceVJ Demencia is working on the possibilities of fusing TV with mobile marketing.... |
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VJ Demencia: The Beauty of 4 a.m.VJ Demencia (aka René Juan de la Cruz) explains why 4 to 6 a.m. are his golden hours.... |
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Video Painting With VJ Benton-CVJ Benton-C describes how he creates his visual content for the stage.... |
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VJ Dubassy on Creating VisualsVJ Dubassy (aka Dan Talson) explains some of the wacky situations that have given rise to some of his most unique visual creations.... |
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DJ Ire: The Official DJ for the Miami HeatDJ Ire explains how he got the Miami Heat gig and paved the way for other pro sports DJs. ... |
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John Acquaviva on Emerging TechnologiesProducer, DJ and label head John Acquaviva is no stranger to trying out new technologies.... |
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John Acquaviva Offers Tips for New ProducersPlus 8 and Definitive Recordings don John Acquaviva discusses the common pitfalls of new producers.... |
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Misstress Barbara on the Cost of TouringMisstress Barbara discusses how touring expenses multiply the longer you’re on the road.... |
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Storyboarding With VJ CultureSan Francisco–based VJ Culture (aka Grant Davis) describes how storyboarding can play an integral role in creating linear visuals... |
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VJ Culture on New Edirol GearGrant Davis, aka VJ Culture, explains the various methods VJs use to interpret DJ sets visually.... |
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VJ Culture on Curating the Beatport VisualsGrant Davis, aka VJ Culture, discusses how he curated the VJ lineup for the Beatport stage at Remix Hotel Miami 2008.... |
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Richard Devine & the Stanton Control SystemRichard Devine shows off the top features of the Stanton Control System, the company’s new all-in-one digital-DJ package.... |
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Justin Kent: The “Experience Jockey”Justin Kent, aka EJ K, discusses his evolution as a DJ and VJ to become the “Experience Jockey,” or EJ.... |
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James Zabiela on His Mixing StyleJames Zabiela discusses why he can’t stick to just one style of music.... |
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Fred Everything on Gear & His New AlbumOm Records artist Fred Everything talks about his studio setup and favorite gear, including hardware synths and outboard equipment.... |
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Francois K: “It Happened Because I Was Crazy About Music”Legendary DJ Francois K talks about the early days of his career.... |
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DJ Dan Dishes on His Upcoming Artist AlbumWith a new artist album on the horizon, DJ (and producer) Dan describes the production process and gear that he and studio partners Dave Audé and DJ Hipp-E use.... |
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DJ Dan: Getting That “Ripping” SoundDJ Dan discusses how he and production partner Dave Audé find his signature sound—whether it’s through various synths, monitoring situations or hardware.... |
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VJ Psyberpixie on Live Sets, Gear and TipsVJ Psyberpixie discusses how she creates her live sets—without being able to plan ahead with the DJs she’s playing with.... |
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Start Your Own Label With Symphonic DistributionJorge Brea of Symphonic Distribution—the only digital distributor at Remix Hotel Miami 2008—gives the goods on what his company can do to help artists start their own labels and get their music included in outlets like Beatport.... |
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