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Apr 1, 2001 12:00 PM

SP-303 Dr. Sample

PHRASE SAMPLER

Boss's SP-303 Dr. Sample ($395) is a low-cost phrase sampler designed for DJs, remixers, and musicians. Based on Boss's popular SP-202, the SP-303 offers several improvements such as CD-quality sound, 8-note polyphony, 26 effects, and a real-time pattern sequencer. Sampling time is 31 seconds at 44.1 kHz (mono), and you can increase it to 33 minutes using an optional 64 MB SmartMedia card, which also lets you import WAV or AIFF files. The unit's pattern sequencer stores up to 7,500 notes in internal memory and includes a quantize function to correct timing. Onboard effects include Reverb, Flanger, Delay, Voice Transformer, Distortion, Filter, Slicer, Isolator, Lo-Fi, and Vinyl Simulator; you can use them to process multiple samples simultaneously or to handle external live input signals.
Boss; tel. (323) 890-3700; Web www.rolandus.com

ReCycle 2.0

DRUM LOOP EDITING SOFTWARE

Propellerhead Software has released a new version of its popular ReCycle drum loop editing software. ReCycle 2.0 ($199) has the added ability to work with stereo sample files and real-time previews of most settings, allowing you to hear tempo and pitch changes instantly. The software also lets you move and delete individual slice points for even greater editing power. Propellerhead has added several new real-time processing tools for final loop mastering, including gate sensitivity, envelope, transient shaper, and 2-band parametric EQ with high and low cut. You can export edited files to a wide variety of supported samplers or save them in WAV, AIFF, or REX2 format.
Propellerhead Software; tel. (468) 691-4500; Web www.propellerheads.se

KM-2 Kaoss Mixer

DJ EFFECTS MIXER

Combining a DJ mixer and a second-generation Kaoss Pad, Korg's KM-2 Kaoss Mixer ($750) offers DJs professional-quality mixing with built-in effects and sampling capabilities designed for live performance. The KM-2's mixer section features individual Master and Booth outputs; a Headphone/Booth monitoring switch; a 12-section LED output meter; a crossfader with three curve settings; and two channels with 3-band EQ, input gain faders, peak indicators, and line and phono inputs (channel 1 also includes a mic input). The mixer comes with a built-in improved and expanded version of Korg's popular Kaoss Pad. The new pad provides 80 effects programs, an FX Depth knob for blending the processed and original signals, an auto-bpm function that locks effects to the incoming signal's tempo, and a tap tempo function. Korg has increased the Kaoss Pad's sampling time to 23 seconds at 44.1 kHz and has included four dedicated sampling buttons for triggering samples independent of the pad's effects.
Korg; tel. (516) 333-9100; Web www.korg.com

Tracktor

DJ MIXING SOFTWARE

Native Instruments' Tracktor ($199) is an MP3 and WAV file player that brings professional DJ mixing capabilities to Windows users. Featuring a modular design, Tracktor comes with two audio players, a playlist section, a DJ mixer, a beat matcher, a digital scratcher, a cue section, and filters. The software saves five sample-accurate cue points for each track to allow you to set loop or trigger points in advance, and it can record all control movements and export a mix in a dedicated file format or as a WAV file. Tracktor's visual interface displays waveforms in real time, so you can view beat transients and cue points ahead of time. Other features include 3-band EQ for both decks with kill switches for each band; an 8-pole bandpass filter with variable width, resonance, and cutoff frequency for each deck; and an autofade function with adjustable time. Tracktor requires at least a Pentium II/366 MHz PC with 64 MB of RAM, Windows 98/ME/2000, and a 16-bit sound card.
Native Instruments; tel. 49-30-611-0350; Web www.native-instruments.de

AN200

DESKTOP CONTROL SYNTHESIZER

Featuring DSP-based physical modeling of analog circuitry, Yamaha's AN200 desktop control synthesizer ($629) produces the dynamic, punchy sounds of vintage analog synthesizers. The unit's front panel includes several knobs that give you real-time control over sound parameters, and a built-in 16-step pattern-based sequencer that plays one AN part and three rhythm parts per pattern. You can program up to 128 voices and 256 patterns with up to 5-note polyphony. The AN200 also provides four effects (Chorus, Delay, Flanger, and Phaser) and a Free EG function that records and plays back the movement of parameter knobs. Other features include 2-scene-per-pattern scene memory, two ¼-inch phone plug outputs, MIDI I/O, internal-external MIDI Clock, and bundled voice-editor software for Mac and PC platforms.
Yamaha; tel. (714) 522-9011; Web www.yamaha.com

XL-7 Command Station

MUSIC WORKSTATION

E-mu's XL-7 Command Station ($1,695) combines the synth engines of the company's Proteus 2000 and XL-1 sound modules with a multitrack sequencer for a complete music-creation workstation. The XL-7's front panel has a touch strip, 13 velocity-sensitive keypads, and a variety of control knobs, buttons, and switches for programming sounds, patterns, and performances. The unit's 512 preset sounds are geared toward electronica and dance music, and you can add more sounds using the unit's three expansion slots, which accept ROM chips from the Proteus 2000 library (512 user locations are provided for storing your own programmed sounds). The sequencer offers 384 ppqn resolution, records up to 16 tracks, and stores 128 songs and 256 patterns. The XL-7's arpeggiator can play any 16 of its 300 ROM or 100 user patterns simultaneously, and two 24-bit effects processors provide a wide range of high-quality effects. E-mu also offers the MP-7, which has the same features but includes the hip-hop and R&B sounds of the Mo-Phatt module instead of the XL-1 sound set.
E-mu; tel. (831) 438-1921; Web www.emu.com

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